Sound On Sound magazine
Sequential Prophet-6 - NAMM 2015
updated
He'll be joined on stage by Michael Eden who will demonstrate some of the drum machines in his collection.
Chapter times:
00:00 - Introducing the hosts
00:50 - What is a drum machine?
03:30 - The Wurlitzer Sideman from 1959, the first drum machine?
04:35 - Wurlitzer Sideman demonstration
08:15 - The Sideman's valve mechanism in action
09:52 - Legal problems and use by home organists
11:21 - Transistor-based Keio Donca Matic DE-11 from 1966
13:34 - Donca Matic DE-11 demonstration
15:15 - Keio becomes Korg
16:17 - Ace Tone Drum machines from 1967
17:15 - Keio Mini Pops 7 from 1967
20:47 - Famed use by Jean-Michel Jarre on Oxygene (Note: YouTube has muted the music clip)
23:12 - Inclusion of Quijada/ Jawbone sound
24:24 - Robin Gibb, Sly & The Family Stone drum machine firsts
26:29 - Paia Programmable Drumset from 1975
28:06 - Paia Drumset programming demonstration
32:16 - Use by Peter Gabriel
34:01 - Roland TR-808 from 1980
37:29 - Roland TR-808 features and demonstration
41:00 - Programming a beat on the TR-808
43:48 - Pioneering new genres of electronic music
47:13 - How does the TR-808 make its sounds?
48:14 - Recreating the 808 bass drum
50:39 - Recreating the 808 snare drum
52:22 - Recreating the 808 clap sound
53:48 - Recreating the 808 hi-hat sound
56:17 - Recreating the 808 cowbell sound
57:38 - Comparing the digital model with the original TR-808
58:29 - Outro
Oli Freke may be contacted via his website.
synthevolution.net
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Chapters
00:00 - Introduction
00:21 - Effect 1: Reverb
02:11 - Convolution Reverb
04:28 - Reverb Controls
05:53 - Using Aux Sends
08:00 - Effect 2: EQ
08:57 - EQ Filters
11:44 - The Shelving Filter
13:40 - Parametric EQ
14:17 - Cutting Vs Boosting
15:26 - Effect 3: Delay
16:21 - Where To Use Delay
17:40 - Effect 4: Compression
18:43 - Setting Threshold and Ratio
19:51 - Soft-Knee Compression
20:33 - Tweaking Presets
22:08 - Other Controls
26:02 - Parallel Compression
30:11 - Creative Modulation Effects
30:58 - Using Effects Sparingly
soundonsound.com/sound-advice/essential-studio-effects-processors-sos-podcast
Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
http://www.cydoniacollective.co.uk
Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Catch more shows on our other podcast channels: soundonsound.com/sos-podcasts
About The Recording & Mixing Podcast Channel
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headlineaudio.com
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As CEO of Universal Audio, Bill Putnam Jr has pioneered some of the most important innovations of the last 35 years. In conversation with Sound On Sound's Sam Inglis, he traces the Universal Audio story back to its founding by his father Bill Putnam Sr in 1958. We hear how and why Bill Jr decided to relaunch the Universal Audio brand, and how they moved from meticulously recreating Bill Sr's analogue designs to cutting-edge digital modelling, culminating in today's launch of the latest generation of Apollo recording interfaces.
Chapters
00:00 - Introduction
00:25 - Bill Putnam Sr.
04:24 - A Natural Entrepreneur
05:49 - From Physics To Electrical Engineering
10:44 - Early Technological Hurdles
12:46 - Digitally Emulating Analogue Equipment
14:39 - The Challenges Of Emulating Tape And Speakers
17:35 - The SHARC Processing Chip
18:18 - The Endurance Of DSP Platforms
20:44 - Developing The Apollo Audio Interface
21:47 - The Advantages Of Thunderbolt
23:16 - Adding DANTE To The x16D
25:02 - The New Generation Of Apollo Interfaces
26:09 - Multichannel Speaker Calibration With Sonarworks
28:21 - Getting Digital Corrective EQ Accepted
29:43 - Townsend Labs And Mic Modelling
30:40 - The Bock Microphone Range
32:26 - The Motivation For Creating LUNA
36:55 - Developing Products For Guitarists
38:46 - The Next Steps For Universal Audio
soundonsound.com/music-business/universal-audio-sos-podcast
#ApolloInterface #Sonarworks #x16D
Universal Audio Biog
Universal Audio was founded in 1958 by Bill Putnam Sr., a passionate innovator and favourite recording engineer of Frank Sinatra, Nat King Cole, Ray Charles and more. Putnam was the inventor of the modern recording console, the multi-band audio equaliser and the vocal booth, and he was the first engineer to use artificial reverberation in commercial recording. Alongside his friend Les Paul, he was also involved in the early development of stereophonic recording. Many of his legendary studio and equipment designs are still in use today.
Universal Audio was re-founded in 1999 by Bill's sons, James Putnam, a skilled audio engineer and Bill Putnam Jr, who earned a degree in Electrical Engineering. Their two main goals were to faithfully reproduce classic analogue recording equipment in the tradition of their father and to design new digital recording tools with the sound and spirit of vintage analogue technology. Their award-winning products include the UAD Powered Plug-Ins platform and the Apollo audio interface, first introduced in 2012. Universal Audio is headquartered near Silicon Valley in Scotts Valley, California. A few miles away in Santa Cruz is the Universal Audio Custom Shop, where their classic analog gear is still hand-built, one unit at a time.
Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
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soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
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Chapters
00:00 - Introduction
00:30 - A Background In Composition And Electronic Engineering
01:57 - The Magnetic Resonator Piano
09:50 - TouchKeys USB Touch Sensor
13:05 - Developing Ideas Within A Community
15:47 - Using The Piano Within Different Genres
17:19 - Bela Open-Source Hardware Platform
22:15 - Augmented Instruments Laboratory
23:50 - Laurel Pardue / Augmented Violin
25:15 - Getting Nuanced Performances
26:22 - Overcoming Latency Issues
27:31 - Future Predictions
soundonsound.com/people/augmented-instruments-laboratory-sos-podcast
Andrew McPherson Biog
Andrew McPherson is a computing researcher, composer, electronic engineer, and musical instrument designer. He is Professor of Design Engineering and Music in the Dyson School of Design Engineering, Imperial College London, where he leads the Augmented Instruments Laboratory. Andrew holds undergraduate degrees in both engineering and music from MIT, an MEng in electrical engineering from MIT, and a PhD in music composition from the University of Pennsylvania. Prior to joining Imperial in 2023, he has been a professor in the Centre for Digital Music at Queen Mary University of London.
Andrew’s musical instruments are widely used by performers and composers across many genres, and his research has led to three successful crowdfunding campaigns and the spinout of Augmented Instruments Ltd, which develops Bela, an open-source audio maker platform. He currently holds two fellowships: a Senior Research Fellowship from the Royal Academy of Engineering on embedded hardware for audio and music, and an ERC/UKRI Consolidator Grant investigating the cultural implications of engineering decisions. He is deeply committed to teaching: Bela is used in the classroom by dozens of universities, and his online course on audio programming has been followed by learners around the globe.
andrewmcpherson.org
instrumentslab.org
Nick Rothwell Biog
Nick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the bodydataspace collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London.
Nick Rothwell - Project Cassiel - cassiel.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
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Chapters
00:00 - Introduction
00:42 - Connecting Your Pedals
01:31 - Using A Delay Or Reverb
03:49 - Adding Some Overdrive
04:38 - Adding Effects With Pitch Shift
05:37 - Using Chorus To Thicken A Sound
06:28 - Tremolo And Vibrato
06:54 - Phasers And Flangers
08:10 - Adding An Envelope Filter
09:21 - Creating Textures With Granular Delay
10:26 - Ring Modulator Effects
11:52 - Combining Effects
14:33 - Adding In An Arpeggiator
15:23 - Creating A Softer Sound
soundonsound.com/techniques/using-effects-pedals-synths-sos-podcast
Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
http://www.cydoniacollective.co.uk
#StrymonCloudburst
About The SOS Electronic Music Podcast Channel
On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
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Chapters
00:00 - Introduction
00:45 - Education And Work Experience
05:44 - Moving From LIPA To The Studio
09:02 - Working For Alan Moulder
13:00 - Moving To Own Studio Space
13:33 - How To Approach A Mix
16:17 - Enhancing Drums And Guitars
18:19 - Listening Carefully And Getting The Right Feel
21:04 - Mixbus Setup
22:50 - Favourite Hardware And Plug-ins
24:21 - Using Your Ears And Your Eyes To Mix
25:34 - Looking After Your Health In The Studio
Caesar Edmunds Biog
Caesar Edmunds is a Grammy Award winning mixer, engineer & record producer based in London. He trained at the Liverpool Institute For Performing Arts (LIPA), gained work experience at Battery Studios assisting Alan Moulder and won the MPG Breakthrough Engineer Of The Year award in 2020. He now works out of his own Dolby Atmos approved studio in London.
Caesar has worked with artists such as Beach House, Queens of the Stone Age, PJ Harvey, The Killers, St Vincent, Ozzy Osbourne, Foals, Code Orange, Frank Carter & The Rattlesnakes, Wet Leg, Ride, Suede, Two Door Cinema Club, The Last Dinner Party and Hinds.
caesaredmunds.com
Kevin Paul Biog
Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.
In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.
He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.
http://www.kevin-paul.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
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More information and tickets available at: www.synthfest.co.uk
#synth #sheffield #synthfest
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Chapters
00:00 - Introduction
01:13 - The Tate Modern Installation
02:52 - Working With Laurie Anderson
06:40 - The Origin Of The Name Scanner
10:47 - Module 1: Morphagene
14:30 - Module 2: Mimeophon
18:52 - Module 3: Equation Composer
24:08 - Module 4: QU-Bit Prism
26:51 - Finding Your Sound With Modular
29:22 - Module 5: QU-Bit Nano Rand
31:16 - Module 6: Instruō øchd DivKid
33:12 - Modular Social Community
35:31 - Modular Aesthetics
38:38 - Module 7: Bela Gliss
42:37 - The Performance
Full module list at: soundonsound.com/people/scanner-my-life-modules-sos-podcast
Robin Rimbaud Biog
Scanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music.
To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world’s first Virtual Reality ballet, Nightfall, for Dutch National Ballet.
More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018.
Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.
http://www.scannerdot.com
William Stokes Biog
William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.
As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.
Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”
Stokes currently lectures in Music Production at City, University of London.
vokagentle.com
About The SOS Electronic Music Podcast Channel
On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
Get 50% SAVING off a Sound On Sound Digital Subscription.
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Follow X (Twitter): twitter.com/soundonsoundmag
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Chapters
00:00 - Introduction
00:14 - Minimum Equipment
00:54 - Audio Interfaces
02:46 - Headphones and Speakers
03:21 - Choosing A Microphone
08:55 - Additional Accessories
12:27 - Desks And Monitor Stands
16:21 - Speakers And Acoustic Treatment
21:06 - Choosing Studio Monitors
22:35 - Subwoofers And Bass Traps
26:16 - Cutting Reflections For Vocals
28:48 - Recap
soundonsound.com/sound-advice/setting-home-studio-sos-podcast
soundonsound.com/techniques/studio-sos-making-small-room-sound-good
Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
http://www.cydoniacollective.co.uk
Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
Get 50% SAVING off a Sound On Sound Digital Subscription.
Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
Like FACEBOOK: facebook.com/soundonsoundmag
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Chapters
00:00 - Introduction
00:33 - Drum Replacement Software
01:41 - Example 1: Using Hit'n'Mix RipX DAW
05:41 - Example 2: Making Loops Your Own
11:36 - Example 3: Enhancing A Kick With Pitch And Timing
Track credit for example 1: Ice Box featuring Omarion, produced by Timbaland - en.wikipedia.org/wiki/Ice_Box_(song)
Watch part 1 here: youtu.be/i-FTKUsmgBI
First published June 2024
soundonsound.com/techniques/drum-beat-construction-part-2-podcast
Eddie Bazil Biog
Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.
eddiebazil.co.uk
samplecraze.com
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
Get 50% SAVING off a Sound On Sound Digital Subscription.
Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
Like FACEBOOK: facebook.com/soundonsoundmag
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Chapters
00:00 - Introduction
00:20 - A Quick History Of Beat Production
01:07 - Early Programmable Drum Machines
04:33 - Defining A Good Beat
05:15 - Example 1: Shifting The Snare To Drive A Beat
07:55 - Example 2: Altering Dynamics And Note Durations
10:51 - Example 3: Adding Urgency With A Backbeat
12:37 - Example 4: Creating Swing With The Hi-Hats
Watch part 2 here: youtu.be/cZH0KD9kIPA
First published April 2024
soundonsound.com/techniques/drum-beat-construction-part-1-podcast
Image Credits
Eko_ComputeRhythm.svg: Clusternotederivative work: Clusternote, CC BY-SA 3.0, via Wikimedia Commons - creativecommons.org/licenses/by-sa/3.0
Roland_TR-808_&_909.jpg: Brandon Danielderivative work: Clusternote, CC BY-SA 2.0, via Wikimedia Commons - creativecommons.org/licenses/by-sa/2.0
Candyman777, CC BY-SA 3.0, via Wikimedia Commons - creativecommons.org/licenses/by-sa/3.0
RX11 - Etomonick, Public domain, via Wikimedia Commons
SCI_drumtraks.jpg: ghostdadCamera
2.0, via Wikimedia Commons - creativecommons.org/licenses/by-sa/2.0
Andreas Gortan, CC BY-SA 4.0 , via Wikimedia Commons - creativecommons.org/licenses/by-sa/4.0
Eddie Bazil Biog
Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.
eddiebazil.co.uk
samplecraze.com
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
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Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
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We were given a sneak preview of the Moog Muse back at Superbooth 24, watch now for an exclusive preview of the key features and demonstrations of the range of sounds this polyphonic synthesizer can produce!
The Moog Muse is available now, priced at £2999 / $3499.
www.moogmusic.com/products/muse
#moog #muse #synthesizer #synth
Chapters
00:00 - Introduction
01:01 - Moog Muse Overview
02:12 - Oscillator Mixer Layout & Overload
03:04 - Dual Filter Section
03:59 - New Moog Effect: Diffusion Delay
04:55 - Discrete Electronics Design
05:23 - How does Muse relate to other Moog synths?
06:10 - How does it sound? Vintage and analogue FM sounds
08:50 - Probability-based Arpeggiator & Sequencer
11:22 - Does it Moog?
13:07 - More Buttons & Additional Depth
15:27 - Accessibility & Performance Features
18:38 - Chord Section
19:46 - SOUND DEMO
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 17,190 articles!): soundonsound.com
______________________________________________________
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We commissioned eight of the world’s top engineers and producers, whose professional experience spans everything from classical, jazz and pop right through to extreme metal, to mix and master the same metal song. It wasn’t a mix shootout, as such: rather, the aim was to reveal more about the different decisions, approaches and techniques of each engineer when presented with the same material and the same brief.
This video accompanies the Masters of the Art of Mixing article published in SOS August 2024.
DOWNLOAD THE FREE AUDIO EXAMPLES: https://sosm.ag/masters-of-the-art-of-mixing
For more information on the project visit himmp.net
& more on modernmetalacademy.com/mixing
The mixes have been provided by:
- Mark Mynett's Reference Mix
- Andrew Scheps (Red Hot Chili Peppers, Adele, Johnny Cash, Beyoncé, Metallica)
- Fredrik Nordstrom (In Flames, Opeth, Arch Enemy)
- Jens Bogren (Opeth, Dimmu Borgir, Sepultura)
- Mike Exeter (Cradle of Filth, Judas Priest, Black Sabbath)
- Josh Middleton (Sylosis, Architects)
- Adam 'Nolly' Getgood (Periphery, Animals as Leaders)
- Dave Otero (Khemmis, Archspire)
- Buster Odeholm (Born Of Osiris, Oceano, Hacktivist)
#metal #musicproducers #musicproduction #mixing #mixengineer
Chapters
00:00 - Introduction To The Research
02:35 - Initial Mix Comparison
03:46 - Sense Of Depth & Realism
06:03 - Reverb & Space Comparison
07:04 - Differences In Low End Frequencies
10:19 - Width Of Guitars In Mix
13:15 - Isolated Guitar Section
15:18 - Considering Mix Cohesion In The Drums
18:48 - Reverb On Drums
19:31 - Comparing The Toms
21:42 - Panning Drums Audience Perspective Or Drummer Perspective?
23:45 - Comparing The Bass Guitar Tones
26:20 - Bass Guitar Note Definition
27:25 - Guitar Tone & Mix Context
31:53 - Different Approaches To Symphonic Components
34:11 - Comparing Vocal Harmonies
35:44 - Master Bus Processing Comparison
37:05 - Outro
______________________________________________________
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Visit our main website (over 17,130 articles!): soundonsound.com
______________________________________________________
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Chapters
00:00 - Introduction
01:14 - Allen & Heath quadraphonic desk
01:39 - Desk designer Andy Bereza
02:00 - Allen & Heath Minimix
02:19 - Pink Floyd mixing in quad
02:43 - Teac A3340 4-track tape machine
03:22 - Alan Parsons at the mixing desk
04:11 - Binson Echorec 2
04:30 - Live mix engineers
05:30 - Introduction of wedge monitors
06:26 - Sennheiser MD 409
07:07 - Phase Linear amplifiers
08:54 - WEM parabolic dish
11:23 - Rebuilding the quad desk
Thank you to Chris Hewitt of CH Vintage Audio for inviting us to film his collection.
chvintageaudio.com
The following books by Chris Hewitt contain a wealth of information and further details about the Pink Floyd PA system as well as the history of WEM the pioneering British live sound company.
The Development Of Large Rock Sound Systems: Volume 1
The Development Of Large Rock Sound Systems: Volume 2
The Development Of Large Rock Sound Systems: Volume 3
Available to purchase from:
deeplyvale.com/wem-pa-book
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 17,130 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
Get 50% SAVING off a Sound On Sound Digital Subscription.
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Chapters
00:00 - Introduction
00:21 - Arranging Plugboards In A Home Studio
02:09 - Uninterruptible Power Supplies
03:59 - Grounding Issues In Laptop Systems
07:19 - Radiated Interference
08:54 - Isolated Power Supplies
11:10 - Procedure For Eliminating Noise
12:38 - Breaking The Ground Path
soundonsound.com/sound-advice/how-remove-studio-hum-sos-podcast
groundology.co.uk
artproaudio.com
Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
http://www.cydoniacollective.co.uk
Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
Get 50% SAVING off a Sound On Sound Digital Subscription.
Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
Like FACEBOOK: facebook.com/soundonsoundmag
Follow X (Twitter): twitter.com/soundonsoundmag
Follow INSTAGRAM: instagram.com/soundonsoundmag
Watch the FULL SOS Video: youtu.be/_TNdJu9SogY
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 17,075 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
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Chapters
00:00 - Introduction
00:58 - Early Musical Influences
03:57 - First Encounter With Synths
06:14 - The Korg 700s
08:50 - Setting Up The Label And The First Release
11:56 - How To Choose Artists To Sign
14:10 - The Music Business
17:38 - A More Relaxed Atmosphere
19:07 - What Makes A Good Producer
20:49 - Getting Started With Modular Synths
24:35 - Discovering Eurorack
29:21 - Modular Live Performances
32:11 - Working As A DJ
Daniel Miller Biog
Daniel Miller is the founder and chairman of Mute, a record label and publishing company with a long history of global Number One chart successes. Since its launch in 1978, Mute now has an artist roster that includes Goldfrapp, New Order, Can, KÁRYYN, Daniel Blumberg, Desire Marea, Louis Carnell, Josh T. Pearson, Erasure, Swans and Miss Grit, with offices in London and New York.
Miller's early interest were electronics and synthesizers and he studied for a Diploma in Film and TV at Guildford School of Art (1969-72). After college, he worked as an assistant editor and editor in TV and advertising, before travelling and DJing across Europe. In 1976 he returned home and with a Korg 700S keyboard and a TEAC four-track recorder, made The Normal’s first single. He set up Mute to release the single in 1978 and the initial plan was for a minimum pressing of 500, but Rough Trade offered to distribute the single nationally, persuading Miller to press 2,000 copies. Called ‘TVOD’, it was backed with ‘Warm Leatherette’ and this electro-pop classic was later covered by Grace Jones on her epochal 1980 album of the same name.
Further Mute releases soon followed and in 1980 Miller met Depeche Mode. When their original songwriter Vince Clarke left to form the synth-pop duo Yazoo in 1981, Miller suddenly found himself with two highly successful pop acts. Throughout the 1980s, Mute expanded at a careful pace, bringing Nick Cave and Erasure to the roster and expanding its international reach. New labels The Grey Area and NovaMute were launched plus a deal with Blast First saw the ‘Theme from S’Express’ become their first Number One single in 1988. Moby’s 1999 album ‘Play’ grew slowly from a modest success into a 10 million selling phenomenon.
After several years working within the structure of the Labels Division of EMI, 2010 saw the label return to its independent roots. Mute continues to nurture fresh talent and Miller remains heavily focussed on Mute’s creative output and is also a well-respected and sought after techno DJ, playing regularly worldwide.
mute.com/artists
Kevin Paul Biog
Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio... full biog at soundonsound.com/podcasts
http://www.kevin-paul.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
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Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
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Watch the FULL SOS Feature Video: youtu.be/_Q-scxybnp0
______________________________________________________
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Visit our main website (over 17,075 articles!): soundonsound.com
______________________________________________________
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______________________________________________________
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Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
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Chapters
00:00 - Introduction
00:52 - What were your influences?
04:21 - Stevie Wonder
06:14 - The move from classical to pop
08:32 - Robin Scott’s influence
11:51 - The transition to music tech and operating it live
16:35 - When things go wrong!
18:20 - The current rig
20:24 - The home studio
22:35 - Wally Badarou and sampling
26:22 - Changes 2
29:27 - Reissuing Changes and a solo tour
35:26 - Level 42 into 23
40:45 - Quick fire questions inc. favourite synth, live track, what’s on your iPod?
First published January 2023
soundonsound.com/people/mike-lindup-level-42-and-beyond
Mike Lindup Biog
Mike Lindup began a successful professional career as founder and keyboard player in Level 42, which continues to this day. He also has a successful solo career, and enjoys supporting a variety of super-talented artists including Dominic Miller, Phil Gould, and Zeep (Da Lata).
He released his first solo album, ‘Changes’, in 1990, a song album featuring his great friend Dominic Miller on guitar, Pino Palladino on bass and Manu Katche on drums.
In 1994 Level 42 took a break and Mike used the opportunity to diversify musically exploring different styles of music echoing his breadth of tastes and influences. He wrote music for an Audi Sport video ‘Return of the Four Rings’, performed with Latin Jazz band Negrocan, and played regularly with UK/Brazilian band Da Lata, whilst continuing to work on his own solo material.
Mike’s forthcoming album, ‘Changes 2’, will be released early in 2023.
Links And Credits
Music clips taken from Mike’s forthcoming album, ‘Changes 2’
03:47 - Space Groove
11:18 - Atlantia
22:03 - Late Night Wonder
33:37 - Time To Let Go
Mike Lindup Website - mikelindup.com
Mike Lindup on YouTube - www.youtube.com/@MikeLindup42
Level 42 Website - level42.com
Rob Puricelli Biog
Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.
www.failedmuso.com
Twitter: @failedmuso
Instagram: @failedmuso
Facebook: facebook.com/failedmuso
About The SOS Electronic Music Podcast Channel
On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
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Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild - mpg.org.uk
First published April 2023
soundonsound.com/music-business/cecil-adam-bartlett-mpg-awards-2023-podcast
Cecil (Adam) Bartlett Biog
Hailing from West Yorkshire and now based in London, producer Cecil has spent the last decade engineering for producers such as Flood, Catherine Marks and Rich Costey on records including, PJ Harvey’s 'The Hope Six Demolition Project' and EOB's ‘Earth’ the debut solo album by Radiohead’s Ed O’Brien.
He has been involved in both Grammy and Mercury Prize nominated records as well as music for television and theatre including BBC’s ‘Peaky Blinders’ and PJ Harvey’s score for Ivo van Hove’s production of ‘All About Eve’.
In recent years Cecil has taken his wealth of talent and experience and turned his hand to production, developing exciting new acts such as Props as well as working with more established bands like The Big Moon on their recent album ‘Here is Everything’, scoring them their first top ten.
Cecil is a nominee for Breakthrough Producer of the Year at the Music Producers Guild Awards 2023.
cecilisntmyname.co.uk
Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
soundonsound.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
Get 50% SAVING off a Sound On Sound Digital Subscription.
Go to https://sosm.ag/digital and apply Promo Code: SOSYT50
Like FACEBOOK: facebook.com/soundonsoundmag
Follow X (Twitter): twitter.com/soundonsoundmag
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Chapters
00:00 - Introduction
00:14 - ASM Hydrasynth Deluxe
02:01 - Boss RE-202 Space Echo / IK Multimedia Amplitube X-SPACE Reverb / Red Panda Particle 2 Granular Delay
02:57 - Moogerfooger Plug-ins / UAFX Amp Emulator Pedals
04:12 - IK Multimedia Amplitube TONEX Amp Simulation Software
04:47 - Arturia Efx Fragments Granular Delay / Eventide Physion II
05:25 - PMC6-2 Monitors
07:00 - MiMU Jellyfish Granular Synth
07:45 - The Great Chip Shortage
09:11 - Rob Papen eXplorer-8 Bundle / Sub51 and Soundtrax Drop Pad
10:26 - Sonnect Audio Sound Bullet
11:46 - Eventide H90 Harmonizer® Multi-FX Pedal / Two notes ReVolt Amp Simulator Pedal
13:38 - Waves BB Tubes Plug-in
14:27 - Hardware Recorders
17:05 - Synth Sounds For Guitar
First published January 2023
soundonsound.com/reviews/gear-year-2022-podcast
Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
http://www.cydoniacollective.co.uk
Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
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Chapters
00:00 - Introduction
02:29 - Yamaha DX7 and DX9 Demo
03:02 - The Beginnings Of FM Synthesis
09:26 - Working For The Competition
12:26 - Yamaha DX7 and DX9 Demo
First published January 2023
soundonsound.com/people/don-lewis-programming-dx7-podcast
Original Interview - youtu.be/ZrN6JKBDStU
Don Lewis Biog
Don Lewis was a gifted musician and educator whose mission was to inspire and empower audiences to achieve their dreams. Whether presenting a solo concert or collaborating with other musicians and artists, Don's music brought a message of hope, respect and community. Don began playing piano as a Dayton, Ohio high school student. Later, at Tuskegee Institute, he accompanied and sang with the Tuskegee Chorus and played for Dr. Martin Luther King, Jr.’s Freedom Rallies.
Uniting his interest in engineering with his musical talent, Don became one of the pioneers in synthesizer use and technology. In 1977, he designed and built a synthesizer system, Live Electronic Orchestra (LEO) that was an inspiration for Musical Instrument Digital Interface (MIDI), now on display at the Museum of Making Music in Carlsbad, CA.
Don performed at concerts worldwide and appeared as a soloist with many symphony orchestras. As a studio artist, he worked with such greats as Quincy Jones, Sergio Mendez and Michael Jackson. Don also created scores for film and television productions including the award winning Rainbow's End and Were You There series featured on PBS. In addition he scored commercials for such clients as Nissan, Pacific Telephone, and Digital Equipment Corp.
Also an enthusiastic teacher, Don taught courses in the history of Gospel Music, multimedia, and synthesizer technology at University of California at Berkeley Extension, San Jose State University and Stanford University. In 1987, Don combined his love of children, education and music to create Say “Yes” to Music! He delighted thousands of students, teachers and school administrators across the United States and Canada with his inspiring musical assemblies.
Throughout the years Don had been a concert artist and consultant with various musical instrument manufacturers including Hammond, Arp, Yamaha, Roland Corporation, and Rodgers Instruments. He continued to delight and touch the hearts of his fans in his concerts at home and throughout the world until his untimely passing on November 6th, 2022.
Links / Credits
Music from Yamaha’s DX7 and DX9 demonstration cassette.
Don Lewis - donlewismusic.com
The Ballad Of Don Lewis (Movie) - donlewisleo.com
Ned Augustenborg - augustenborgproductions.com
Rob Puricelli Biog
Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.
www.failedmuso.com
Twitter: @failedmuso
Instagram: @failedmuso
Facebook: facebook.com/failedmuso
About The SOS Electronic Music Podcast Channel
On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
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Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild - mpg.org.uk
Chapters
00:00 - Introduction
00:24 - Rising Star Nomination
01:10 - Career So Far
02:49 - La Leif and ORKA
03:16 - Electronic Music
03:45 - Analogue Synths and Modular
04:29 - Projects at Mute
05:24 - Nominated Projects
06:09 - Working With Beth Orton
07:38 - Being Multi-Skilled
09:03 - The Omnii Collective
First published April 2023
soundonsound.com/music-business/francine-perry-mpg-awards-2023-podcast
Francine Perry Biog
Francine Perry is an artist producer/mixer based in London. She was in-house engineer at Mute Studio working on projects including Erasure, Desire Marea, Visionist/Louis Carnell and KÁRYYN. More recently Francine has set up a studio with HAAi and is working on her own production and mix projects. Her more recent projects include Beth Orton’ album ‘Weather Alive’ (engineer and synths), HAAi’s album Baby We’re Ascending (mix and additional production) and Keeley Forsyth’s album Limbs (mix).
In 2018 she received the Oram Award which celebrates innovation in music, sound and related technology and she also co-founded the Omnii collective which aimed to inspire women, trans and non-binary sound enthusiasts to operate in all aspects of audio production. Francine works in many different capacities including live set up / musical directing (HAAi, Romy, Elkka), live performance of her artist tracks (La Leif and ORKA), production, mixing, co-writing and additional production.
https://linktr.ee/Laleif
Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
soundonsound.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
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______________________________________________________
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Chapters
00:16 - Introduction
01:36 - Mix Preparation: Performance Edits and Mix Groups
01:00 - Polarity Summation
07:27 - Waveform Edits and Gating
09:48 - Multing
10:20 - Drum Sample Implementation
10:57 - Three Approaches To Mixing
12:56 - Master Buss Processing
14:28 - Compression and EQ: Signal Chain Order
16:07 - Compression Topology
19:43 - Drums: Compression, Signal Stability, Transient Design and Colouration
32:53 - Drums: Parallel Compression
37:09 - Drums: EQ
47:45 - Drums: Reverb Processing
49:40 - Bass: Compression and EQ
54:38 - Acoustic Guitar: Compression and EQ
56:19 - Harmonically Distorted Electric Guitar: EQ, Dynamic EQ and Multi-band Compression
60:28 - Vocals: Compression and EQ
65:46 - Vocals: Effects Processing
First published December 2022
soundonsound.com/techniques/fundamentals-mixing-podcast
Mark Mynett Biog
As well as Senior Lecturer in Music Technology and Production at Huddersfield University, Mark Mynett is a live music front-of-house engineer, and record producer/engineer/mix and mastering engineer. Mainly focused on indie, rock and metal genres, he produces from his own studio - Mynetaur Productions – where he recently completed the latest My Dying Bride album ‘The Ghost of Orion’: referred to by Dom Lawson (The Guardian, Metal Hammer, Prog, Classic Rock) as “…a master class in modern metal production”.
Metal Music Manual (instructional book for producing contemporary metal music)
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
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Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild - mpg.org.uk
Chapters
00:00 - Introduction
00:19 - The Secret To Success
00:51 - Breakthrough Producer
01:47 - The Route To Success
03:23 - Memorable Projects At SARM
04:34 - Working As A Freelancer
06:27 - Specialising In A Genre
07:54 - Staying Up-To-Date
08:34 - A New Studio
09:48 - Nominated Projects
12:21 - Bringing An Artists Vision To Life
13:27 - Forthcoming Projects
First published March 2023
soundonsound.com/music-business/daniel-moyler-mpg-awards-2023-podcast
Daniel Moyler Biog
Daniel started out at Trevor Horn's SARM Studios learning his trade under the world-class engineers and producers that came through the door. He went on to work with mix engineer Ruadhri Cushnan assisting on records by Ed Sheeran, Half Moon Run and Foy Vance as well as the Grammy Album of the Year ‘Babel’ by Mumford and Sons. After that he worked at Miloco Studios with artists including Rudimental, FKA Twigs and Bjork.
Daniel became the ‘go to’ engineer for producers such as Matt Hales, Cam Blackwood and Joel Pott and worked records for a wide range of artists including Frank Carter & the Rattlesnakes, Lianne La Havas, Tom Walker and Freya Ridings. Earning him a 2020 MPG Award for Engineer of the Year and 2021 Grammy for his engineering work on Dua Lipa's album 'Future Nostalgia'. More recently he moved into a new studio and has focussed on production and mixing having had releases with George Ezra, Olivia Dean, Kawala, Biig Piig, Banners, Seafret, Venbee and Jack Savoretti.
Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
soundonsound.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
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______________________________________________________
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Chapters
00:15 - Introduction
00:31 - Preparing For Vocal Recording
05:08 - Recording Vocals At Home
06:53 - Microphone Selection
14:41 - Microphone Placement
24:05 - Printed Compression
30:27 - Headphone Cue Mix
First published November 2022
soundonsound.com/techniques/recording-vocals-podcast
Mark Mynett Biog
As well as Senior Lecturer in Music Technology and Production at Huddersfield University, Mark Mynett is a live music front-of-house engineer, and record producer/engineer/mix and mastering engineer. Mainly focused on indie, rock and metal genres, he produces from his own studio - Mynetaur Productions – where he recently completed the latest My Dying Bride album ‘The Ghost of Orion’: referred to by Dom Lawson (The Guardian, Metal Hammer, Prog, Classic Rock) as “…a master class in modern metal production”.
Metal Music Manual (instructional book for producing contemporary metal music)
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
Get FREE 170-page RECORDING TECHNOLOGY eBook: https://sosm.ag/recording-ebook
______________________________________________________
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Chapters
00:00 - Introduction
01:12 - Current Projects
03:23 - Lumière - Working With Lasers
06:49 - Building The Performance Software
08:54 - The Beginnings Of Ableton
11:37 - The Overlap Between Artist And Engineer
17:12 - Working With Audio Loops
20:49 - Making Software More Accessible
27:16 - Developing A Unique Sound
30:18 - Working Without Compression
36:27 - 8-Bit: The CBM 8032 AV Performance
First published November 2022
soundonsound.com/people/robert-henke-visual-music-artist-podcast
Robert Henke Biog
Robert Henke's work is not easy to describe in a single sentence, and that already says a lot about what fascinates him: complexity and detail, often emerging from seemingly simple processes. Henke is a software developer, fascinated by the inherent beauty and elegance of technical constructions, and co-founder of music software company Ableton where he still plays an active role in the development department. Henke is a Berlin based electronic music producer who blurs the boundaries between club and listening since the mid 1990s. Henke is a visual artist often working with lasers to create audiovisual performances and installations. And Henke is teaching and writing about computer based audiovisual art and in general is a very nice person happy to share his knowledge.
roberthenke.com
Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com
Twitter: @carocsound
Inst: @carocsound
FB: facebook.com/carocsound
About The SOS Electronic Music Podcast Channel
On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
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______________________________________________________
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In this interview Sam Inglis talks to him about his career so far and being nominated in this year's Rising Star category for the 2023 Music Producers Guild Awards.
Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild - mpg.org.uk
Chapters
00:00 - Introduction
00:24 - Getting Started In The Industry
01:51 - Training At LIPA
02:48 - Going Straight Into A Studio Job
04:23 - Helping To Develop Local Bands
05:05 - The Shift To London Studios
06:19 - Working At RAK Studios
09:03 - The New Atmos Room
10:17 - Recent Projects
11:51 - Recording Liam Gallagher
14:35 - Processing During Recording
16:17 - Creative And Technical Decisions
18:33 - Recent Projects
First published March 2023
soundonsound.com/music-business/will-purton-mpg-awards-2023-podcast
Will Purton Biog
Will Purton is an engineer for RAK Studios and enjoys capturing great performances tastefully and without fuss, helping artists to get their music to sound as good as it does in their imagination. With a musical ear and a calm attitude, Will’s aim is to make every session a calm and enjoyable process for his clients.
After almost a decade spent working in studios, 2021 and ’22 saw a number of high profile releases which Will recorded, the biggest being Liam Gallagher’s C’mon You Know which debuted at Number 1 in the album charts. Chelsea Carmichael’s The River Doesn’t Like Strangers and Con & Kwake’s Eyes In The Tower have both been making waves in the jazz world too, marking the start of a continuing collaboration between Will and producer Shabaka Hutchings for his Native Rebel Recordings label.
willpurton.com
Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
soundonsound.com
About The People & Music Industry Podcast Channel.
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
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______________________________________________________
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Chapters
00:00 - Introduction
00:40 - How To Manage Distortion
06:10 - Pre-Recording Preparation
07:16 - Double Tracking And Quad Tracking
09:07 - Finding A Clear Midrange Tone
14:20 - Isolation And Ambience
15:46 - Microphone Selection
19:23 - Mic Placement
25:17 - Multitracking Tips
34:03 - Recording Guitar Solos
36:39 - Adding EQ At The Recording Stage
First published October 2022
soundonsound.com/techniques/recording-guitar-podcast
Mark Mynett Biog
As well as Senior Lecturer in Music Technology and Production at Huddersfield University, Mark Mynett is a live music front-of-house engineer, and record producer/engineer/mix and mastering engineer. Mainly focused on indie, rock and metal genres, he produces from his own studio - Mynetaur Productions – where he recently completed the latest My Dying Bride album ‘The Ghost of Orion’: referred to by Dom Lawson (The Guardian, Metal Hammer, Prog, Classic Rock) as “…a master class in modern metal production”.
Metal Music Manual (instructional book for producing contemporary metal music)
Audio Clips: Baron Carta
Baron Carta at Spotify
About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
______________________________________________________
Catch more shows on our podcast channel.
soundonsound.com/sos-podcasts
Available on Apple Podcasts | Google Podcasts | Spotify | Amazon or wherever you get your podcasts.
______________________________________________________
Subscribe to Sound On Sound: https://sosm.ag/subscribe
Visit our main website (over 16,900 articles!): soundonsound.com
______________________________________________________
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pittsburghmodular.com/voltage-lab-2
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https://korg.berlin/
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melbourneinstruments.com/delia
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tiptopaudio.com/art
00:00 - Intro
00:45 - Polyphonic Wavetable Modules
01:53 - Triax 8 Polyphonic Oscillator
04:18 - Octovert, M Module & Z8000 Matrix Sequencer
06:23 - VC-Resonator
07:41 - A Polyphonic Eurorack System?
10:15 - Price & Availability
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tiptopaudio.com/buchla
00:00 - Buchla Partnership Intro
01:10 - 200t Complete System
02:02 - Model 259t Oscillator
04:49 - Model 285t Frequency Shifter
07:23 - SOUND DEMO
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somasynths.com
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rodec.com/pages/mx-modular-1
00:00 - Intro
00:56 - MX Modular Performance Console
02:08 - Customisable Channel Strip
02:54 - MX Modular Overview
05:18 - Performance & Sound Demo
08:37 - Price & Availability
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polyend.com
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polyend.com
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