Name: Can Boss KATANA sound like a Cranked MARSHALL FULL STACK? @JohanSegeborn
Uploaded: 2026-09-30T08:17:00-05:00
Duration: 8 min 17 s
Description: Can Boss KATANA sound like a Cranked MARSHALL FULL STACK?

Can Boss KATANA sound like a Cranked MARSHALL FULL STACK?

Johan Segeborn 2026-09-30 | Can Boss KATANA sound like a Cranked MARSHALL FULL STACK?

Get at Full Natural Guitar Tone by reducing PHASE CANCELLATION!

Johan Segeborn 2024-05-18 | In this video I go through the annoying phenomenon of phase cancellation, you know when the sound waves from multiple speakers collide and cancel each other out. This usually results in a thin, tinny guitar tone. I go through a couple of method how avoid this and get a full, natural and spatially rich guitar sound.

I'm using a 2021 Marshall Studio Vintage SV20H with a 1970 Marshall 2x12 model 1972B with T1221 Celestion Pulsonic Greenbacks. The guitar is a 1973 Gibson Les Paul Custom

Your PRESENCE knob isnt as innocent as it seems....

Johan Segeborn 2024-05-15 | In this video I investigate the influence of presence on your Marhall or Fender Amp. I realize I have vastly underestimated it's influence. Treaked right it can really sound like fundamentally different amps! I'm using a 2021 Marshall Studio Vintage SV20H and a 2021 Fender Telecaster Custom Shop 1960 Relic!

A Marshall Full Stack gets SCHOOLED by a LEMMY Full Stack!

Johan Segeborn 2024-05-13 | I'm comparing a Marshall 100W Full Stack to a BRUTAL Lemmy Marshall Full Stack, which means that the bottom cab is a 4x15 instead of a 4x12! I'm using a 1973 Gibson Les Paul Custom and a 1974 Gibson Grabber bass (you'd be surprised how much Rickenbacker this one sounds)

How much Marshall do you need? SV20 or 1987 or even 1959!?

Johan Segeborn 2024-05-11 | In this video I compare the the three versions of the classic JMP line that Marshall currently offers in their product line up:

100W Marshall Super Lead (Model 1959SLP) The current one is HW though
50W Marshall 50W Lead (Model 1987X)
20W Marshall Studion Vintage SV20H

I'm playing all three amps through a 1971 Marshall 1960A and B Full stack, using a 1973 Gibson Les Paul Custom and a 2021 Fender Custom Shop telecaster 1960 Relic.

Can a Marshall Studio Vintage 20W Drive a FULL STACK?

Johan Segeborn 2024-05-08 | I'm playing a Marshall Studio Vintage SV20H 20W head through a 1971 Marshall Full Stack consisting a two Marshall 1960A and B 4x12 speaker cabinets. I'm investigating how loud this rig is and whether it can keep up with a drummer. I'm playing it with a 1973 Gibson Les Paul Custom.

Also check out my previous video:
"So, is a Marshall Wall MEANINGLESS or the ULTIMATE tone?"
youtube.com/watch?v=YCyswTLoWgc

So, is a Marshall Wall MEANINGLESS or the ULTIMATE tone?

Johan Segeborn 2024-05-06 | In this video I'm playing a Marshall WALL consisting of three JMP Full Stacks, so 24 Speakers! Many bands had Marshall walls on stage but often only one amp was actually plugged in, so it was mostly for looks. Many people prefer to record with smaller setups, so in this video we're finding out if you can actually capture a Marshall wall in a recording or if it's mainly for looks.

Gear:
1971 Marshall JMP Super Lead with
1971 Marshall 1960A
1972 Marshall 1960B

2014 Marshall JMP Super Lead SLP with
1971 Marshall 1982A
1973 Marshall 1983B

1973 Marshall JMP 50W Lead with
1971 Marshall 1960A
1975 Marshall 1960B

I'm playing the wall with a 1973 Gibson Les Paul Custom

The Creedence Clearwater Revival TUCK & ROLL Amp BLEW US AWAY!

Johan Segeborn 2024-05-04 | We are playing an amazing early 1970s Kustom K150-8 Tuck and Roll Amp. This amp produces so many classic instantly recognizable tones! And it's actually completely solid state!! It's a 4x10 combo using CTS Alnico speakers. Simon Karlsson is playing a 1969 Fender Stratocaster and I'm playing a Gibson Custom Shope 1974 Les Paul Custom Reissue.

10 Guitar Tube Amps that have THE Tone!!

Johan Segeborn 2024-05-01 | In this video I play 10 amazing guitar amps. I actually think this maybe is one of the best compilations of tones on this channel so far. The amps:

1. 1961 Silvertone 1472
2. 1966 Fender Vibrolux Reverb
3. 200X Peavey Bandit Transtube II Red Stripe
4. 201X Supro Thunderbolt
5. Fender Vibro King
6. 1966 Fender Vibrolux with 1972 Marshall 1960B
7. 1972 Thor Amp (Terry Marshall"
8. 201X Orange Dual Terror
9. Marshall MG100FX
10. 1976 Hiwatt DR103
11. 1976 Marshall Super Lead

Simon Karlsson and I are playing these amps using a 1973 Gibson Les Paul Custom, a 1969 Fender Stratocaster and a 2021 Fender Telecaster Custom Shop 1960 Relic

Fender Vibrolux Reverb Comparison - Blackface Vs Silverface

Johan Segeborn 2024-04-29 | I'm comparing two original vintage Fender Vibrolux Reverb Combos: 1966 Blackface Vs 1973 Silverface. I'm playing them using a 1973 Gibson Les Paul Custom. I play the amps using their own cabs but I also play both amps through the same 1972 Marshall 1960B Cab with Celestion Greenbacks G12M25 75Hz Greenbacks with Pulsonic cones.

I Finally did the Great Supro Thunderbolt Reissue Justice!!

Johan Segeborn 2024-04-26 | I finally did justice to the Supro Thunderbolt S6420 Reissue! I'm playing it using a 2021 Fender Telecaster Custom Shop 1960 Relic Telecaster. The Thunderbolt is a 35W, 1x15 Combo.

Fender’s Modern Classic VIBRO KING FULL STACK!

Johan Segeborn 2024-04-24 | In this video Simon Karlsson is demonstrating an amazing Fender Vibro King Full Stack using his 1969 Fender Stratocaster. The Vibro King was introduced in 1994 and features 3 Jensen P10R speakers in the top cab and 2 Celestion Vintage 30 in the bottom cab.

Peavey Bandit RED Stripe - Ridiculous Bang for the Buck!!

Johan Segeborn 2024-04-22 | I'm playing an early 2000s Peavey Bandit Transtube series II also known as "Red Stripe". This is an 80-100W solid state amp and it sounds just like so many of my favorite 1970s tones. I'm playing it using a 1969 Gibson SG Special (P90s), a 1973 Gibson Les Paul Custom (Humbuckers) and a 2021 Fender Telecaster 1960CS Relic (Single coils).

More videos of Peavey Bandits:

1995-1999 Peavey Bandit Transtube series 1: youtube.com/watch?v=2NNZGjgJL2Q

1981 Peavey bandit Solo series
youtube.com/watch?v=QS17p9XOCMA

1988 Peavey bandit Solo series
youtube.com/watch?v=dTAup1namSU

The Roy Buchanan Rig | Vibrolux + Telecaster!

Johan Segeborn 2024-04-18 | I'm playing an amazing 1966 Fender Vibrolux Reverb with a 2021 Fender Telecaster 60 CS Relic. This combination used by the great Roy Buchanan (he used 1953 Telecaster).

Getting the HUGE 1977 Kiss Guitar tone with a SMALL COMBO!

Johan Segeborn 2024-04-08 | Finally a combo that sounds like a complete 4x12 rig! I'm getting a tone very close to the one Kiss had on their 1977 Alive 2 Album. I'm using a 1961 Silvertone 1472 1x12 with a 1973 Celestion G12M25 75Hz Pulsonic Greenback in it with a 1973 Gibson Les Paul Custom with a 1977 Dimarzio Super distortion in the bridge. Peluso 2247LE close and room mics through API 312 preamps and UREI 1176 Compressors. Post processing: UA EMT 140 plate, UA Pultec EQ, UA EP tape echo. Post EQ cuts at 100, 350, 750, 2k and 7kHz

The BRUTAL Terry JTM Marshall Amp! THOR AMP!

Johan Segeborn 2024-03-25 | This a super rare early 1970s tube guitar amp built by Terry Marshall, the son of Jim Marshall and the 'T' in JTM. I sounds like a JTM to me, wonderful. I'm playin g it through a 1972 Marshall 1960B with T1221 G12M Greenbacks with Pulsonic cones using a 1973 Gibson Les Paul Custom with a 1977 DiMarzio Super distortion ion the bridge.

The Influential Kiss - Eddie Kramer Signal Chain

Johan Segeborn 2024-03-18 | In this video I'm investigating how Eddie Kramer and Kiss in 1975 created the classic extreme, bright and gainy lead tone that later inspired Eddie Van Halen and Slash to create their signature sounds. I'm discussing which role guitars, pickups, amps, speakers, mics, compressor, EQ and all other factors may likely have contributed. I'm futhermore making expirements to investigate if the guitars were recorded through a 4x12 or a 1x12, whether they used Greenbacks or Blackbacks, what role pedals (EHX LPB-1) played and what desk EQ that was applied.

The SABBATH Greenback VS the ZEPPELIN Greenback

Johan Segeborn 2024-03-10 | In this video I compare the rather unusual Greenback version that Tony Iommi of Black Sabbath used in the 1970s; the T1976 G12H30 75Hz to one of the standard Greenback models; a T1281 G12H30 55Hz that was used by Jimmy Page, Jimi Hendrix, Kiss and many more!

So T1976 vs T1281!

Gear:
1971 Celestion G12H30 55Hz T1281
1972 Celestion G12H30 75Hz T1976
1973 Gibson Les Paul Custom
1976 Marshall Super Lead

Silvertone 1472 Guitar Amp - Affordable, Vintage and AMAZING!!

Johan Segeborn 2024-02-28 | I'm demoing a wonderful Silvertone Model 1472 guitar amp from 1961 using a 1973 Gibson Les Paul Custom. These amps were built for Sears by Danelectro and there still really affordable.

Orange Dual Terror NAILS Many Classic Rock Tones!

Johan Segeborn 2024-02-19 | Orange's lunchbox amp Dual Terror sounds like a million buck through this 1971 Marshall 1960A 4x12 Cabinbet. I'm playing it with a 1973 Gibson Les Paul Custom. Recording signal paths: Close mic Unidyne 548 into LA610 Preamp into 1176 rev F compressor. Room mic AKG C414BXLII into API 312 Preamp into 1176 rev H compressor.

The Marshall MG100FX is a great amp IF you tweak it like THIS!

Johan Segeborn 2024-02-12 | In this video I explain how I tweak a Marshall MG100FX to make it sound great! I'm playing a 2010 Marshall MG100FX 2x12 Combo using a 1973 Gibson Les Paul Custom.

Switching Speaker Cabinets between a MARSHALL and a HIWATT!

Johan Segeborn 2024-02-07 | I'm playing two killer halfstacks and I'm switching speaker cabinets between them so I'm playing the Marshall amp through the Hiwatt cab and the Hiwatt amp through the Marshall cab.

Gear:
1976 Marshall JMP Super Lead
1976 Hiwatt DR103
1971 Marshall 1960B cab with '73 T1221 (close mic), '67 T1217, '71 T1281 and '68 T1221
1970 Marshall 1960B with 2X '73 Fane Crescendos
1973 Gibson Les Paul Custom Cherry with a '77 Super Distortion in the bridge.
close mic: 548
room mic: C414
hallway nic: Beta57A
Mic preamp: API3124+
Fryette Power Station 2

Fender Vibrolux is a KILLER Marshall AMP!!

Johan Segeborn 2024-01-29 | In this video I'm comparing a 1973 Fender Vibrolux Reverb to a 1976 Marshall JMP Super Lead. I'm playing both amps through a 1971 Marshall 4x12 model 1960A.

12 Amazing Guitar Amps - Some More AFFORDABLE than others!

Johan Segeborn 2024-01-27 | I'm putting 12 amazing guitar amps and combos back to back in a short video to compare them. The Laney VC30, Bogner Alchemist and Marshall 5010 are really good bangs for the buck so it's interesting to hear them back to back to the classic amps.

The amps:
Laney VC30
Bogner Alchemist
Marshall model 5010
Marshall JMP 50W (1968)
Marshall JMP 100W (1976)
Hiwatt DR103 (1976)
Vox AC30 (1963)
Mesa Boogie Studio 22
Mesa Boogie Subway Blues
Soldano Hot Rod 50
Magnatone Twilighter
Watkins Dominator MkI

Pink Floyd vs The Who - Crescendo vs Purple Back FANE SPEAKERS!

Johan Segeborn 2024-01-24 | In this video I compare an early 1970s Fane Crescendo speaker to a 1960s Fane Crescendo Purple back speaker.

Gear:
1970s Fane Crescendo 12A Model 122346 (4Ohm)
1960s Fane Purple back Model 122/17A (16Ohm)
1976 Hiwatt DR103
2021 Fender Telecaster CS 1960 relic.
Close mics: 548 dead center and Re10 45 degrees
Room mic AKG C414
Hallway mic: Shure Beta 57A
Using an Iron man II to attenuate and match impedance
Speakers housed in a 1970 Marshall 4x12 played one at a time

Turning a 1973 Gibson Les Paul Custom into the ACE Frehley BUDOKAN!

Johan Segeborn 2024-01-22 | I'm converting an original 1973 Gibson Les Paul Custom Cherry Sunburst in the Ace Frehley Budokan Les Paul. I'm playing it though a 1976 Super Lead and I'm compaing it to my usual 2008 Gibson Les Paul R9.

Bogner Alchemist | Great and Versatile on a Budget!

Johan Segeborn 2024-01-19 | I'm playing a great Bogner Alchemist 40W 2x12 comco using a Gibson Les Paul and a Fender Telecaster. It's got a Celestion G12M25 Greenback resissue and a G12H30 Anniversary speaker in it.

The greatest Guitar Reverb is FREE!

Johan Segeborn 2024-01-17 | In this video I record a 1964 Vox AC30 with JBL D120F in the cab using a Fender Telecaster. I'm using 4 different mics and I'm utlizing all the spaces I have close by!

Ridiculous Sustain! | Mesa SUBWAY BLUES!

Johan Segeborn 2024-01-15 | I'm playing a Mesa Boogie Subway Blues 1x10 Combo that may be the amp that has sustained my solos the best of all. I'm playing it with a 1969 Gibson SG Special and a 2021 Fender Telecaster CS 1960 Relic.

Mesa Boogie Studio 22 - Classic VINTAGE Mesa Tone!!

Johan Segeborn 2024-01-12 | I'm playing a wonderful 1986ish Mesa Boogie Caliber series studio .22 with a Les Paul, and SG and a Telecaster. This was the 22W alternative to the 100W Mesa MkIII basically. It sounds amazing and is extremely easy to play.

Gear:

1986 Mesa Boogie Studio 22
1969 Gibson SG Special
1973 Gibson Les Paul Custom
2021 Fender Telecaster 1960 Relic Custom Shop

I had no idea LANEY VC30 was THIS GOOD!!

Johan Segeborn 2024-01-10 | In this video I'm demonstrating a Laney VC30, 30W 1x12 Combo. This is an INSANE bang for the buck!! Hats off to Laney. I'm playing it with a 1969 Gibson SG Special, and 2021 Fender Telecaster CS 1960 relic and a 2008 Gibson Les Paul R9.

Marshall Gain Comparison - 2204 vs 1987

Johan Segeborn 2024-01-08 | I'm comparing how much you can get out of the standard Marshall JMP 50W Lead (model no 1987) to dito for the hotter Marshall JMP Master Volume 50W (model no 2204).
Gear used in the video:
1973 Marshall JMP 50W lead model no 1987
1977 Marshall JMP Masetr Volume 50W no 2204
1971 Marshall model 1960A 4x12 with G12M25 75Hz Celestion Pulsonic Greenbacks
2008 Gibson Les Paul R9
2xSM57 Close mics
2xBeta57a room and hallway mics

This is how the circuits differ; (100W versions here)
youtube.com/watch?v=SU69O839D8U

Marshalls Best Solid State Amp? | Model 5010 | Nails so many classics!

Johan Segeborn 2024-01-05 | The Marshall Master Lead Combo model 5010 is the solid state version of the JCM800 model 4010 combo which is the combo version of the 2204. This is an amazing amp. It may not sound like the amp it's meant to emulate but it does so many other classic vintage tones beautifully. Today I'm playing an early 1985 Marshall model 5010 with a 1969 Gibson SG Special, a 2021 Fender Telecaster CS 1960 Aged and a 2008 Gibson Les Paul R9.

The Marshall Sound Vs The Vox Sound

Johan Segeborn 2024-01-03 | I'm comparing two iconic guitar sounds; the Marshall sound and the Vox sound. I'm using a 1973 Marshall JMP 1987 with a 1971 Marshall 1960A 4x12 with G12M25 75Hz T1221 Greenbacks with Pulsonic cones and a 1963 Vox AC30 along with a 1965 Vox AC50 with two Vox 2x12 cabs with 1964 Celestion Alnico Blue T530 speakers with Pulsonic cones. Both brands have numerous iconic players. Marshall, for instance Angus Young, Jimi Hendrix and Slash and Vox, George Harrisson, Brian May and the Edge. I'm using a 1969 Gibson SG Special, a 2008 Gibson Les Paul R9 and a 2021 Fender Telecaster 1960 Aged CS.

Also check out:
The Marshall Sound Vs The Hiwatt Sound.
youtube.com/watch?v=ZOFjb1omZ_Y

David Gilmour Speakers | FANE Crescendo PULSONIC 12 vs 15

Johan Segeborn 2024-01-01 | I'm comparing two versions of Fane Crescendos with Pulsonic cones from 1973; the 12" version and the 15" version. David Gilmour used the 12" version in his WEM Starfinder cabs. The purpose of this video is to determine if you get close to that tone also with the 15" version. I'm playing the speakers with a 1981 Hiwatt DR103 and a 1973 Fender Stratocaster and a 2008 Gibson Les Paul R9.

Marshall JCM800 vs JMP | Super Lead Comparison

Johan Segeborn 2023-12-29 | I bet some of you didn't know that Marshall kept producing Super Lead and Super Bass also throughout the 1980s in the JCM800 series. Today I'm comaring a 1987 Marshall JCM800 Super Lead to a 1976 Marshall JMP Super Lead to determine if they still had the tone in the 1980s! I'm using a 2008 Gibson Les Paul R9 and a 1971 Marshall 4x12 model 1960A with the stock Celestion G12M25 75Hz Greenbacks with Pulsonic cones.

Marshall Baby Bluesbreaker is a COPY of this MASTERPIECE!

Johan Segeborn 2023-12-27 | I'm playing an amazing late 1950s early 1960s WEM Dominator MkI. This is the amp that Marshall copied for their 18W Baby Bluesbreaker (models 1974, 1973 and 1958). I'm playing it with a 1969 Gibson SG Special, 1973 Fender Stratocaster, 2008 Gibson Les Paul R9 and a 2021 Fender Telecaster CS 1960 Relic.

This Marshall Plexi has THE 60s Marshall Sound!!

Johan Segeborn 2023-12-25 | I'm playing a mind blowing Marshall JMP 50W Plexi från early 1968 and it delivers all my favorite 60s Marshall tones! I'm using a 1969 Gibson SG Special, a 2008 Gibson Les Paul R9, a 1973 Fender Stratocaster and a 2021 Fender Telecaster CS 60 Relic. I'm playing them through a 1971 Marshall 1960A cab with the stock G12M25 75Hz Celestion Greenbacks with Pulsonic cones.

Vintage SOLDANO -Vs- Vintage MARSHALL

Johan Segeborn 2023-12-22 | In this video video I'm comparing an amazing 1991 Soldano Hotrod 50 to a 1973 Marshall JMP 50. I'm playing both through a 1971 Marshall 1960A 4x12 with the stock Celestion G12M25 75Hz Greenbacks with pulsonikc cones using a 2008 Gibson Les Paul R9.

Hiwatt DR103 | 4-input vs 2-input

Johan Segeborn 2023-12-20 | I'm comparing the two principle versions of the Vintage 1967-1981 Hiwatt DR103 (Custom Hiwatt 100): The 4-input vs the 2-input! We'll look at earlier DR103 (possible non MW) later on too.

Gear:
1976 Hiwatt DR103 4-input
1981 Hiwatt DR103 2 input
1973 Fender Stratocaster
4x12 with 2xFane Crescendo 100W Pulsonic Speakers
2xSM57 close mics
2xBeta57A room/hall mics

The Marshall Sound Vs The Hiwatt Sound

Johan Segeborn 2023-12-18 | I'm comparing two classic british guitar sounds: The Marshall sound and the Hiwatt sound. I'm comparing a 1973 Marshall JMP half stack with Pulsonic Celestion Greenbacks to a 1976 Hiwatt DR103 with Pulsonic Fane Crescendos. I'm using a 1969 Gibson SG Special, a 1973 Fender Stratocaster and a 2008 Gibson Les Paul R9.

Magnatone Twilighter - Even better than vintage Magnatone!!

Johan Segeborn 2023-12-15 | I'm playing a 2023 Magnatone Twilighter Mono 22W guitar combo using a 1975 Gibson Flying V and I'm loving it. This amp and speaker holds up to any vintage american sounding combo ever. I've played many vintage Magnatones which I have loved, you can find them if you browse the channel. This one is actually at the top of that range. I really didn't expect that.

10 Timeless Tube Guitar Amps! Hiwatt, WEM, Marshall, Tone King, Laney, Fender, Peavey

Johan Segeborn 2023-12-13 | I'm playing 10 killer guitar amps back to back in this short clip so you can get a sense on how they compare!

1. 1965 Vox AC50
2. 1981 Hiwatt DR103
3. 200X Ibanez TSA15H
4. 2008 Peavey Delta Blues 1x15
5. 1966-1968 WEM Dominator MkII
6. 1995 Fender '59 Bassman
7. 1983 Marshall JCM800 4010
8. 2023 Tone King Royalist MkIII
9. 1965 Fender Showman Amp
10. 1969 Lanet Supergroup 60

Vintage Gibson Flying V Comparison - KORINA Vs 1975

Johan Segeborn 2023-12-11 | I'm playing and comparing two classic vintage Gibson Flying V guitars through a 1971/1973 Marshall JMP Half stack!

Gear:
1975 Gibson Flying V
1983 Gibson Heritage Korina Flying V
1973 Marshall JMP 50W Lead model 1987
1971 Marshall 1960A ( Pulsonic G12M25 75Hz Greenbacks)

Gibson SG | Standard vs Special | Why you need both!

Johan Segeborn 2023-12-07 | I compare the two most classic Gibson SG versions in this video: SG Standard and SG Special. Standard is the classic AC/DC guitar and Special is the classic Black Sabbath and the Who guitar. They are much more different than you may think! And both have instantly recognizable tones!

The Standard features Humbucker pickups and ABR-1 Bridge
The Special features P90 Single coils and Wraparound Bridge

Humbucker vs P90

Gear
1969 Gibson SG Special
2013 Gibson SG Standard CS
1983 Marshall JCM800 4010 with a 1973 Jensen LMI-125
Close mics Shure SM57x2
Room and hall mic: Shure Beta 57A

This vintage SLEEPER is even better than the Original Jensen Holy Grail!

Johan Segeborn 2023-12-05 | I'm comparing a 1956 Heppner 12" Guitar speaker tomaybe the most classic Fender Tweed style guitar speaker of all time: 1960 Jensen P12N. The Heppner speakers are still affordable and arguably the best bang for the buck today. I'm putting both speakers in Marshall model 1933 1x12 cabinets, and play them with a 2023 Tone King Royalist Mk3 and a 2013 Gibson SG Standard Aged custom shop. If you find any of these speakers - Buy them!!

David Gilmours MONSTER Guitar Speakers - FANE CRESCENDO!

Johan Segeborn 2023-11-21 | I'm playing a 1981 Hiwatt DR103 through a Mind blowing 1973 Fane Crescendo 15 Speaker. David Gilmour of Pink Floyd uses WEM Starfinder 4x12 cabinets with the 12" version of this speaker with his Hiwatt DR103s.

Does the Black Sabbath Laney REISSUE sound like the ORIGINAL?

Johan Segeborn 2023-11-16 | I'm comparing an impressive 2017 Laney LA100BL Supergroup Black Country Customs Half stack Reissue to a original 1969 Laney Supergroup 60 Half stack. I'm playing a 1969 Gibson SG Special. The Reissue cab has Celestion Heritage H75 Greenbacks and the Original cab (Dan Armstrong by Laney) has two '72 T1976 G12H30 75Hz Greenbacks and two '72 T1221 G12M25 75Hz Greenbacks.

Peavey Delta Blues - BEST Vintage TONE for the BUCK!

Johan Segeborn 2023-11-08 | I'm playing a wonderful 2008 Peavey Delta Blues 115. This is one of the berst bangs I can think of if you want a really vintage but high res and 3D tone. I'm playing it with a 1973 Fender Stratocaster (76 Strat Pickups)

Hiwatt Custom 100 DR103 - The worlds most MUSCULAR amp!

Johan Segeborn 2023-10-31 | I'm playing a wonderful 1981 Hiwatt DR-103 (Hylight Electronics) with a Les Paul, Stratocaster and Telecaster.

Gear:
1981 Hiwatt DR-103 Custom Hiwatt 100W, 2 hole master volume
1970s Marshall 1960B with
1977 T1220 Celestion X 2 and two 1973 JBL D120F
2008 Gibson Les Paul R9
1973 Fender Strat
2021 Fender Tele CS 1960 Relic
Close mics: EV RE10, Unidyne IV 548
Room mic: AKG C414BXLII
Hallway mic: ADK small condenser
No added reverb.

JBL D120 vs K120 vs E120 - The 3 ERAS of the ULTIMATE Guitar Speaker

Johan Segeborn 2023-10-24 | I'm playing and comparing the three series of JBL guitar 12" speakers; The D-series (until 1973), the K-series (1974-1979), the E-series (1979-1980s). These are mind blowing speakers way to expensive to build and sell today. The speakers are:
D120F (8 Ohm), Alnico, 35-100W
K120 (4 Ohm), Alnico, 150W
E120 (8 Ohm), Ceramic, 300W

I'm using a Gibson Les Paul 1959 Standard Reissue and a Fender 60 CS Relic Telecaster though a ToneKing Royalist MkIII. The cab is a Marshall JCM800 4010 (only cabinet).

Close mics: EV-RE10 and Unidyne IV 548
Room mic: AKG C414BXLII
Hallway mic: ADK small condenser