Getsemani Music
Six Steps: HWJ Weekend Challenge with Yamaha PSR-S975, and Moog Grandmother, Matriarch, and Voyager
updated
As I don't have a TR909 and rarely use samples, I'm going for percussion on the Boss RC505MkII which has an 808-909 drum kit on board. For the rest, we're arping the day away at about 170 bpm with the following:
Moog Muse
Moog Matriarch
Moog Grandmother
Kurzweil K2700
Effects:
Valhalla Supermassive
Moog MF103S Phaser
Moog MF104S Delay
UJAM Micro Finisher
Mr. Wiggly's Incinerator
"This weekend’s challenge is simple, but challenging (!) Make a jam that is so good it will get you banned!* Make us wield the Ban Hammer! Will we ban everyone? Apocalypaban!!!!!!"
*Being banned on Hardware Jams is the highest honor that can be achieved.
What we did:
Yamaha PSR-SX900: Drums and Piano
Kurzweil K2700 Percussion
Moog Matriarch: Arps and Lead Synth
Effects:
Valhalla Supermassive
Moog MF103S Phaser
UJAM Micro Finisher
"Heavy construction. The sounds of construction and industry are everywhere. From droning engines to wailing sirens, pounding hammers to whirring gears - these sounds are often thought of as unpleasant, but can you discover the beauty in them?
There are two ways to do this weekend’s challenge, depending on your setup. The first option is to make a jam using samples from field recordings, construction sounds etc. You can make them yourself or find them online (I’ll post a couple of links in a comment). Make sure the recordings you use are copyright free. If you don’t have a sampler in your setup, the second option is to make a jam inspired by this sort of soundscape. Maybe you can make a beat sounding like an engine? Maybe some clever sound design will make a synth sound like a drill? Get creative.
Whichever way you do this challenge, focus on beauty. The challenge is to make a beautiful jam out of ugly sounds."
What we did:
Moog One: Lead
Kurzweil K2700 Hammer, Sequenced Percussion and Rhythm
Boss RC505-MkII Construction Site Samples
Effects:
Moog MF103S Phaser
Moog MF104S Delay
Valhalla Supermassive
The root cause was that some of the new code related to updating MIDI Latch functionality inadvertently trampled oscillator sync setting which severely affected many patches rendering the update unusable, especially for those users not using the new MIDI functions. There are still a small number of patches that still have issues, and Moog is still working on identifying the cause in time to include it with 1.8.2 which is now being worked. (The option of returning to firmware 1.5 is still easily accomplished if the remaining issues affect you.)
Thanks to Geert Bevin at Moog Music for jumping in immediately to correct the most serious issues with the 1.8.0 release and to Matt Urmenyi, the sound designer for all the patches in this video for recognizing the problem and sounding the alarms to make this fix a priority!
00:00 Introduction
1:28 MU Vox Female (under 1.5)
2:00 MU Vox Female (under 1.8.1)
2:29 MU Vox Full Choir (under 1.5)
3:23 MU Vox Full Choir (under 1.8.1)
3:54 MU Vox Male Choir (under 1.5)
4:33 MU Vox Male Choir (under 1.8.1)
5:04 MU Vox Psyron (under 1.5)
6:01 MU Vox Psyron (under 1.8.1)
6:55 MU Bonus Pipe Organ (under 1.5)
7:33 MU Bonus Pipe Organ (under 1.8.1 - Still has issues.)
8:10 MU Vox Deepthroat (under 1.5)
8:50 MU Vox Deepthroat (under 1.8.1)
00:00 Introduction
03:03 MU Vox Female (under 1.5)
03:35 MU Vox Female (under 1.8)
04:04 MU Vox Full Choir (under 1.5)
04:58 MU Vox Full Choir (under 1.8)
05:29 MU Vox Male Choir (under 1.5)
06:08 MU Vox Male Choir (under 1.8)
06:44 MU Vox Psyron (under 1.5)
07:42 MU Vox Psyron (under 1.8)
08:34 MU Bonus Pipe Organ (under 1.5)
09:14 MU Bonus Pipe Organ (under 1.8)
10:10 MU Vox Deepthroat (under 1.5)
10:49 MU Vox Deepthroat (under 1.8)
11:21 Recommendations
"Often when we make a jam we get into a flow, but the difficult thing is knowing how to stop! This week I want you to concentrate on how your jam ends. It could be happy, sad, perhaps a false ending or slowing down to a gradual stop. Make it count."
What we did:
Yamaha PSR-SX900: Drums and Guitar
Kurzweil K2700 Sequenced Percussion and Rhythm
Minimoog Voyager: Lead Synth
Effects:
Cherry Audio Galactic Reverb
Valhalla Supermassive
That task falls on the Kurzweil K2700. Here's the video of it's arrival and a short sample of what it sounds like,
#kurzweil
My Alesis QS8.1 is being retired.
It's replacement is in transit. (Stay tuned!)
Moog announced firmware 1.8 is available for the Moog One. (The last one was 1.5, so this must be three releases in one!)
I won tickets to see Styx from SiriusXM Radio and tonight's the night!
"Per aspera ad astra - through difficulties to the stars. Your challenge this weekend is to make a jam using this old motto of encouragement. There are several ways of doing this. You might make a jam slowly building from chaos into something structured and uplifting." We'll just stop there.
The Response: We take you through three levels from chaos to happiness.
Instruments:
Moog One
Moog Muse
Minimoog Model D
Cherry Audio KR55C
Effects:
Moog MF103S Phaser
Moog MF107S FreqBox
UJAM Micro Finisher
Valhalla Supermassive
00:00 What Tim sent me. (Tim's audio isolated.)
05:22 What I came up with to add to it. (Brian's audio isolated.)
10:18 The final mix.
The first attempt at collaboration between Brian Oliva (Getsemani Music, Ohio, USA) and Tim Brown (Disciplined Commotion, Derbyshire, UK) features 11 Synthesizers to come up with a hypnotic synth jam session. Recorded live in our respective studios.
Instruments and Effects:
Tim Brown:
Behringer MS-5 (Drone)
Behringer Odyssey (Lead)
Behringer Monopoly (Chord Pad)
Moog Grandmother (Bass Sequence)
Minimoog Model D (Lead)
Korg Triton Extreme (Drums)
Microfreak
Effects: (all hardware)
Nux Time Core delay
Deep Freeze SubZero dalay
Kmise delay
Brian Oliva:
Moog One (Arps and Pads)
Moog Matriarch (Lead)
Moog Muse (Lead)
Minimoog Model D (Lead)
Effects:
Mr. Wiggly's Incinerator
Valhalla SuperMassive
Moog MF103S Phaser
UJAM Fin Micro Finisher
Please like and subscribe!
Tim Brown
@DisciplinedCommotion
Brian Oliva
@GetsemaniMusic
Instruments and Effects:
Tim Brown:
Behringer MS-5 (Drone)
Behringer Odyssey (Lead)
Behringer Monopoly (Chord Pad)
Moog Grandmother (Bass Sequence)
Minimoog Model D (Lead)
Korg Triton Extreme (Drums)
Microfreak
Effects: (all hardware)
Nux Time Core delay
Deep Freeze SubZero dalay
Kmise delay
Brian Oliva:
Moog One (Arps and Pads)
Moog Matriarch (Lead)
Moog Muse (Lead)
Minimoog Model D (Lead)
Effects:
Mr. Wiggly's Incinerator
Valhalla SuperMassive
Moog MF103S Phaser
UJAM Fin Micro Finisher
Please like and subscribe!
Tim Brown
@DisciplinedCommotion
Brian Oliva
@GetsemaniMusic
We started with a factory preset on the Drumbrute and solo's the kicks until we got things moving. Next we plugging in the cables to send the Drumbrutes clock to the Grandmother and Matriarch so the arps would stay in sync.
Next came dialing in the Grandmother to do bass and the Matriarch for more melodic arps. Finally we dialed in the Model D for lead and got everything running. After a little more fine tuning to get the levels right, we did a short jam for proof of concept.
It was all done in one take in a little over 5 minutes (not counting the video editing to put together the feed from the three cameras... that took an extra 2 hours.) The only external effects are just a touch of reverb and delay from Valhalla Supermassive.
Enjoy, and if you like it, please like the video and subscribe to our channel.
"keew siht retfa lomatecarap emos deen annog si sihT
.SELPMAS ESREVER tuoba lla si egnellahC skeew sihT
eno siht htiw timil eht syks eht ?skcart elgnuj ni esu ot desu yeht ekil sdap emos ebyaM ?elpmas lacoV erucsbo na esu uoy dluoW .)syaced trohs dna skcatta gnol htiw sdnuos dap esu uoy tseggus dluow ew ,srelpmas yna evah t'nod ohw esoht yako s'tI( !aedi siht fo esu nuf emos gniyalpsid maj rednu ro setunim 5 a raeh ot ekil dluow eW
!ni smaj meht teg os trats hguorhtmaerts eht no sdne egnellahc eht dna lairetam thgirypoc on esaelp ,setunim 5 rednu smaj peek esaelp ,lanesra ruoy ni gnihtyna esU
!NUF EVAH ...egnahc elur llams eno gnitnemilpmi m'i os maj ot si lla siht fo mia niam eht ,tegrof t'noD"
As we rarely use samples, we just went all in on reverse effects. What we did:
Instruments:
Arturia Drumbrute: Percussion
Alesis QS8.1 Piano
Moog Grandmother: Bass
Yamaha PSR-SX900: "Vocals"
Minimoog Voyager: Lead
Effects:
Freakshow Industries Backmask
Valhalla Supermassive
Moog MF103S Phaser
Instruments:
Lead: MiniMoog Voyager
Bass: Moog Mariana
Guitars and Percussion: Yamaha PSR-SX900
Vocals: Sampled from Ozzy Osbourne
Effects:
Valhalla Supermassive
Cherry Audio Galactic Reverb
Mr. Wiggly's Incinerator
Logic PfatFX
Moog MF104S Delay
N.I.B.
Copyright © 1970 Tony Iommi, Geezer Butler, Ozzy Osbourne, and Bill Ward. (ASCAP and PRS)
Published ℗ 1970 Essex Music Int Inc. (PRS)
"This week, we want you to play around with the major scale AND also utilise triplets in your jam. Any Genre or Style Welcome."
What we did:
Yamaha PSR-SX900 Percussion, Rhythm, and Primary Lead
Minimoog Voyager: Alternate Lead
Effects:
Valhalla Supermassive
Moog MF103S Phaser
UJAM Micro Finisher
Jam completed using only a Moog Mavis.
Effects included Moog MF108S ClusterFlux and Valhalla Supermassive.
#moogsynthesizers
#moogsynthesizers #moogmuse
"This week we want you to take inspiration from an image! The image on this post was taken in Manchester. What do you think it sounds like?
Build a jam taking inspiration from this image, or elements within it. Any genre you like, will you take inspiration from the colours, the general messiness, or focus in on one area and be inspired by that?
Let’s hear what comes to mind as you explore and embed yourself within this image and its colours."
The Response:
Instruments:
Moog One
Moog Muse
Cherry Audio KR55C
Effects:
Valhalla Supermassive
Cherry Audio Galactic Reverb
UJAM Micro Finisher
Moog MF105S MuRF
(Verse 1)
On the cobblestone streets where the echoes flow,
Manchester’s walls have tales to show,
Splashes of color, bold and bright,
Whispers of rebels in the dead of night.
(Chorus)
Street art speaks where voices fade,
Stories painted, bold and unafraid,
From Northern Quarter to Ancoats' heart,
Manchester breathes through urban art.
(Verse 2)
Murals rise where the factory stood,
Messages carved in spray and wood,
Faces of legends, dreams untold,
Canvas of the city, fierce and bold.
(Bridge)
Graffiti letters dance in rain,
Colors washing over pain,
A gallery with no gates or doors,
Truths displayed on concrete floors.
(Outro)
So walk the streets, let your soul ignite,
In every stroke, a spark of light,
Manchester’s walls are more than stone,
They’re voices, beating, all their own.
"Time to experiment with stereo field! This weekend your challenge is to make a jam that makes good use of stereo space. You may do this in whatever way suits your style. Try panning instruments in different positions, or moving them around. Experiment with eq and reverb to enhance the sense of space. Or go wild and try unorthodox solutions. We invite you to try out new things and play around with these experiments."
What we did:
Moog Muse for leads with full freedom to wander.
Minimoog Model D, lead, panned hard left.
Minimoog Voyager, lead, panned hard right
Moog Mariana, bass with full freedom to wander.
Arturia Drumbrute, Kicks and Toms panned hard right.
Cherry Audio CR78 - Drums, panned hard left.
Effects:
Valhalla Supermassive
Moog MF103S Phaser
UJAM Micro Finisher
So we built an amen break with the Cherry Audio CR78 Drum Machine and Arturia Drumbrute, laid down some bass with the Moog Grandmother, and did some more relaxed bluesy leads with the Moog Matriarch and Cherry Audio Wurlybird 140B.
Effects included: Valhalla Supermassive, Moog MF103S Phaser and Moog MF104S Delay.
"Today is Friday the Thirteenth. Unlucky for some? Also the name of an extremely successful slasher / horror movie from 1980. This weekend’s challenge is to make a jam that would fit into a film of this type in that era. Scary? Shocking? Tense? Nervous? Making us jump? Shocking? Mysterious? Don’t forget, the film in question was made in 1980 so bonus kudos for any 80s sounds you can squeeze in! Time to make us hide behind a sofa that is adorned with geometric patterns and bold colours!"
What we did:
For this challenge, I needed a little help, so I put my grandson Sam (age 6) to work on my theremin and Moog One. I filled in with the Moog Grandmother on bass and leads on the Moog Matriarch. Bells at the beginning were done with a Cherry Audio Atomika. The beating heart was done on the Arturia Drumbrute.
Effects:
Moog MF104S Delay
Valhalla Supermassive
Mr. Wiggly's Incinerator
"This weekend we are going to focus on one part of the synthesizer – the LFO. From subtle vibrato to, wub wub bass to full on audio-rate squeal, use of the LFO can transform a sound. I want you to make a jam the makes the LFO the star – let’s see what you can do!"
What we did:
*Drums: Cherry Audio KR55C modulated with the LFO from a Moog MF103S Phaser.
*Sequence: Moog One (Synth 1) with the Filter Cutoff being modulated by LFO-4.
*Lead: Moog One (Synth 2) with Modwheel applying pitch modulation from LFO-1. (Saw Wave)
*Lead: Minimoog Model D with Modwheel applying pitch modulation (Triangle Wave.)
Effects:
KR55C: Moog MF103S Phaser and Valhalla Supermassive
Minimoog Model D: Moog MF104S Delay and Valhalla Supermassive
Moog One: No external effects.
#gforcesoftware #oberheim
00:00 Introduction
00:55 OB-EZ
07:40 OB-X
15:55 DMX
#gforcesoftware #oberheim
00:00 Introduction
00:40 SEM
03:33 OB-E
08:55 OB-1
After the very popular drone challenge we thought we would keep with restrictions and pull an old favourite out of the hat. I usually shout “two box jams!” at the admin crew every week. This week however, instead of limiting by the number of boxes, you have to choose only three elements from the following list to use in your jam.
Drums
Bassline
Pads
Samples
Lead
Which three parts will you pick for your Tri-jamulated tertiary Triangular jams?
Our Choice
Drums: GForce Oberheim DMX
Bass: Moog One
Lead: Minimoog Model D
Effects:
Moog MF108S ClusterFlux
Moog MF103S Phaser
Moog MF104S Delay
-Demo's of some of the GForce software I recently won on @GEOSynths
-Moog Muse firmware upgrade 1.4 and related patches
-More @HardwareJams
The Harlequins are:
Michael Oliva (Guitar and Vocals)
Alex Stenard (Bass Guitar)
Rob Stamler (Drums)
Set List:
00:00 Bloodletting of a Snitch
05:15 Hello, Shadow
07:52 Time (Time)
10:55 Like A River (One With You)
14:30 One With You (One With You)
18:46 Step Inside (One With You)
22:34 The Tower (Time)
26:22 Invader
30:28 No Way Out
35:24 Schizo Radio (Baron von Headless)
All songs Copyright © 2009-2025 Michael Brian Oliva (ASCAP)
Published ℗ 2009-2025 Getsemani Music (ASCAP)
Uploaded to YouTube by permission of the publisher. All rights reserved.
Video produced and edited by Brian Oliva, Getsemani Music.
Camera A: Janice Oliva
Camera B: Brian Oliva
Stay in touch with The Harlequins!
theharlequins.bandcamp.com
theharlequinsmusic.com
getsemanimusic.com
facebook.com/TheHarlequinsMusic
Note: We may or may not have done part 2, but in any event it was destroyed in the Battle of Endor.
Full Description from HWJ's:
The Plants Part 3 - The Earwormhole
While the plant-et of the Ewoks was in a state of calm, A black hole quietly moved through space, slowly approaching the little rock they called the moon of Endor. The planet was swept away into the void but our understanding of black holes was wildly wrong.
As the Ewoks passed through the event horizon, they noticed a hypnotic, rhythmic sound emanating and slightly reverberating around through the woods. The sun they gained warmth and light from had disappeared and all that lit their path was strobed shadows through the trees, coming from the light that traveled along side the moon.
While in a lost scientific platform, this new discovery known as an earwormhole had given birth to a technical number, shortened to "Tech. No. 303" by the imperial scientist remnants left after the battle of Endor.
This week, we ask you to break out your inner kicklords and make some thumping techno with a slight twist, make it organic, like the trees waving while hurtling through the seldom witnessed space phenomenon. Lets make them furry lil bastards dance as they descend into the unknown!
Instruments:
Moog One
Moog Muse
Minimoog Model D
Cherry Audio KR55-C
GForce Oberheim DMX
Effects:
Cherry Audio Stardust 201 Tape Echo
Valhalla Supermassive
Moog MF103S Phaser
Mr. Wiggly's Incinerator
Instruments:
Moog One
Moog Muse
Minimoog Model D
GForce Oberheim DMX
Effects:
Cherry Audio Stardust 201 Tape Echo
Valhalla VintageVerb
AudioThing Wires
Instruments:
Moog Grandmother (Snappy Arps)
Moog Mariana (Long drawn basses via Arturia Keystep Pro)
Arturia Drumbrute (Punchy Drums)
Cherry Audio KR-55C (Loud Punchy Drums)
Moog Muse (Smile inducing leads)
Minimoog Model D (More Smile Inducing Leads)
Effects:
Moog MF103S Phaser
Mr. Wiggly's Incinerator
Valhalla Supermassive
Presented for your inspection: our Bondish ballad made simply with the Yamaha PSR-SX900 and Minimoog Voyager. Effects include Moog MF103S Phaser and MF104S Delay, and UJAM Micro Finisher.
I chose to do a remake of White Rabbit, a song that has always mesmerised me with its hypnotic rhythm and psychedelic overtones.
Minimoog Voyager (Intro Lead)
Moog Matriarch (Rhythm arps)
Moog Mariana (Bass)
Arturia Drumbrute (Percussion)
Yamaha PSR-SX900 (Guitar)
Effects:
Moog MF103S Phaser
Cherry Audio Stardust 201 Tape Echo
AudioThing Wires
White Rabbit (c) 1966 Grace Slick (BMI) (P) 1967 Mole Music (BMI)
Instruments:
Moog One
Moog Muse
Moog Mariana
Minimoog Model D
Cherry Audio KR-55C
Effects:
Cherry Audio Stardust 201 Tape Echo
My friends in England are looking for summer and a heart warming song to cheer them up. But my advice? Be careful of what you ask for!
Instruments:
Moog Matriarch (Intro and arps)
Moog Grandmother (Lead)
Moog Mariana (Bass sequence, via Arturia Keystep Pro)
Moog DFAM (Percussion)
Arturia Drumbrute (Percussion)
Yamaha PSR-SX900 (introductory strings)
Effects:
Moog MF103S Phaser
Cherry Audio Stardust 201 Tape Echo
Cherry Audio Galactic Reverb
Your challenge is to create a jam using three elements, or base it around the number 3. You can choose which kind of elements to use.
You could do a classic Drums, Bassline and Pads.
Or you could create a jam in three parts start, middle and end.
Or you could sample three things and jam with those.
Three is the focus.
Maybe you will make a waltz, or something using triplets?
Or maybe you will restrict yourself to three boxes/synths only?
How will you make three your magic number?"
What we did:
3 Synths by 3 Manufacturers:
Yamaha PSR-SX900, Alesis QS8.1, Minimoog Voyager
3 Effects by 3 Software Houses:
Cherry Audio Stardust 201 Tape Echo, Valhalla Supermassive, Moog MF108S ClusterFlux
3 Beats per Measure
3 Light Sources
3 Cameras
3 Minutes Long
I think that covers it.
Instruments:
Moog One (Arps)
Moog Muse (Lead)
Moog Mariana (Bass)
Minimoog Model D (Lead)
Cherry Audio CR78 (Percussion)
Effects:
Moog MF103S Phaser
Valhalla Supermassive
@MoogSynthesizers
Instruments:
Moog One
Moog Muse
Moog Mariana
Moog DFAM
Minimoog Voyager
Minimoog Model D
Cherry Audio CR78
Effects:
Mr. Wiggly's Incinerator
Moog MF103S Phaser
Cherry Audio Stardust 201 Tape Echo
Valhalla Supermassive
0:00 Earth
1:22 Water
2:40 Air
4:00 Fire
@MoogSynthesizers
Hardware Jams Weekend Challenge, a tribute to the artwork of Hieronymus Bosch (1450-1516)
Synths used:
Moog Muse (Lead)
Minimoog Model D (Lead)
Moog One (Bass)
Cherry Audio CR78 (Percussion)
Effects:
Valhalla Supermassive
Moog MF103S Phaser
Mr. Wiggly’s Incinerator
#hardware_jams #bemoreinky #moogsynthesizers #cherryaudio
The “Double or Half” challenge was to create a song 3½ minutes long. During the stream through on Monday February 3rd, at the discretion of the hosts, it will be played either at half speed (making it a 7 minute song) or at double speed, which would shred through in under two minutes.
My idea to turn it completely insane was to do this 3½ minute song in three sections. One portion was done at 100bpm and left that way. The second part was recorded playing at 50bpm and doubled to make the rhythm continue at 100bpm. The third section was recorded at 200bpm and played back at half speed, again taking it back to 100bpm.
So if HWJ decides to play it at 2x, the apparent bpm will be 200bpm but sections could show me playing riffs at 400bpm. If they play it at half speed, it will appear to be running at 50bpm, but sections could reflect me playing at only 25bpm. You’ll have to check the live stream playback to see what happened, but you can still see all three scenarios in this original video.
Synths used:
Moog Matriarch
Minimoog Voyager
Arturia Drumbrute
Effects:
Valhalla Supermassive
Moog MF103S Phaser
Mr. Wiggly’s Incinerator
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
Synths used:
Moog Matriarch
Moog Grandmother
Moog Mother 32
Moog DFAM
Minimoog Voyager
Yamaha PSR-SX900
Alesis QS8.1
Tracktion Collective (via Arturia Keystep Pro)
Arturia Drumbrute
Effects:
Valhalla Supermassive
Moog MF103S Phaser
Moog MF104S Delay
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
Synths used:
Yamaha PSR-SX900 (Percussion and String Orchestra)
Moog One (Sequenced Bass)
Moog Muse (Synth Lead)
Minimoog Voyager (Sirens)
Arturia Drumbrute (Percussion)
Effects:
Valhalla Supermassive
Moog MF104S Delay
Moog MF109S Saturator
Mr. Wiggly’s Incinerator
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
Synths used:
Moog Matriarch
Moog Grandmother
Moog Animoog Z (via Arturia Keystep Pro)
Alesis QS8.1
Arturia Drumbrute
Effects included:
Moog MF103S Phaser
Moog MF104S Delay
Mr. Wiggly's Incinerator
Cherry Audio Stardust 201 Tape Echo
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
When it comes to nature, I usually incorporate birds and squirrels and nice meadow scenes. So this year I wanted to do something different. So we’re going under water incorporating the sound of water cascading over waterfalls, the sound of racing dolphins, and that nice low rumble you get when you’re deep underwater, covered with a nice ambient melody provided by three Moog powerhouses.
Synths used:
Moog One
Moog Muse
Minimoog Model D
Effects:
Valhalla Supermassive
Cherry Audio Stardust 201 Tape Echo
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
Number 27 in a daily series using the themes from the Hardware Jams group for Jamuary, The theme for today was “Commercialize. Create a song exactly 30 seconds long.”
So here is our 30 second commercial for Getsemani Music’s YouTube Channel.
Synths used:
Moog One (Sequenced lead)
Yamaha PSR-SX900 (Percussion)
Effects:
Moog MF101S Filter
Moog MF103S Phaser
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
Synths Used:
Yamaha PSR-SX900 (Guitar, Organ, Piano and Percussion)
Minimoog Voyager (Synth Leads)
Effects:
Valhalla Supermassive
Cherry Audio Galactic Reverb
Moog MF104S Delay
So to be kind, this jam is spoken word, accompanied by Yamaha PSR-SX900 and Minimoog Voyager.
Synths used:
Yamaha PSR-SX900 (Percussion, rhythm, and leads)
Minimoog Voyager (Leads)
Effects:
Moog MF103S Phaser
Cherry Audio Stardust 201 Tape Echo
Valhalla VintageVerb
Freakshow Industries Dumpster Fire
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
If you’re familiar with my studio, it’s jam packed with heavy hardware synths, and as I’m approaching age 70, hauling them around is not really an option. So for my desert island adventure, I’m only taking my MacBook Pro and an Arturia Keystep Pro. That gives me the potential to run on batteries with access to all my soft-synths without requiring medical attention.
Synths used:
Arturia Keystep Pro playing:
Cherry Audio CR78 Drum Synth
Moog Mariana Bass Synth
Cherry Audio Mercury 6 (Leads)
Moog Model D (Leads)
Moog Model 15 (S&H Rhythm)
Effects:
Moog MF103S Phaser
Moog MF108S ClusterFlux
Cherry Audio Galactic Reverb
Cherry Audio Stardust 201 Tape Echo
Valhalla Supermassive
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025
Be patient as we try to isolate the signal.
Synths used:
Cherry Audio Eight Voice x 3
Cherry Audio Memorymode
Cherry Audio Pro Soloist
Cherry Audio Mercury 4
Cherry Audio Mercury 6
Cherry Audio Lowdown
Cherry Audio Harmonia
Cherry Audio Dreamsynth
Martinic AX73
Spitfire Audio BBC Orchestra Orchestra x 3
Soundpaint 1928 Steinway Piano
Logic Bluebird Drum Kit
Effects:
Moog MF101S Filter x 2
Moog MF104S Delay
Moog MF107S FreqBox
Cherry Audio Galactic Reverb
#hardware_jams #petitevictorycollective #bemoreinky #jamuary2025 #cherryaudio


