Thebestdream I had
Black Widow - Return To The Sabbat 1969 (full album)
updated
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Jerry Frank - drums, percussion, vocals
Bobby Harrison - congas, percussion, vocals
Joe Jammer - guitar, vocals
Tony Stevens - bass, vocals
Tracks Listing
01.Bleed Me Dry
02.Tell Me You Love Me
03.Losing You
04.Cut In Two
05.Living Up To Love
06.Looks Like I'm In Love
07.Unsettled Dust
08.White Boy Blue
09.Doing The Best I Can
10.Nobody's Business
Bonus Tracks
11.Rainbow Bend
12.Crucifer
13.Highway
United Kingdom , Hard Rock ,Blues Rock , Boogie Rock
Nobody's Business was formed in the summer of 1977 and was a "supergroup" with a pedigree that shone brightly. Featuring Bobby Harrison (Procol Harum, Freedom, Snafu), Tony Stevens (Savoy Brown. Foghat, Rock Follies, Midnight Flyer) Joe Jammer (Olympic Runners) Jerry Frank (session drummer extraordinaire). They went to Nice, France and recorded the album "Nobodys Business" which was released in 1978.
rateyourmusic.com/release/album/nobodys-business/nobodys-business.p
2006 CD ,Bonus DVD, Bonus Tracks (Angel Air )
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
George Hatcher – vocals
John Thomas – guitar, backing vocals RIP
Harris Joannou – bass, backing vocals
Phil Swan – guitar
Steve Wren – keyboards
Terry Slade – drums, percussion
Tony Carr – congas
John McFee – pedal steel guitar (07)
Tom Allom – producer
Tracks Listing
01.Lucky Guy
02.First Thing Smoking
03.Good Friend
04.All I Want To Do
05.4 O’Clock In The Morning
06.All Night Gambler
07.Sunshine
08.Find A New Lover
09.Rockin’ In The Morning
UK/USA ,Boogie Rock, Southern Rock
rateyourmusic.com/release/album/george-hatcher-band/dry-run
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Line up / Musicians
Chris Harwood - vocals, percussion
Dave Lambert - acoustic, electric, rhythm guitar, backing vocals
Peter Banks - acoustic guitar
Tommy Eyre - hammond organ, piano
Jeff Matthews - acoustic guitar, electric guitar
Mike Maran - acoustic guitar
Ian McDonald - flute, saxophone
John Russell Morgan - stomping, tambourine
Jeff Starrs - vocals
Roger Sutton - bass, celli
Johnny VanDerrick - violin
Pete York - congas, percussion
Chris Welch - drums
Tracks Listing
01. Hear What I Have To Say @
02. Never Knew What Love Was
03. Wooden Ships (David Crosby, Stephen Stills)
04. Before You Right Now
05. Crying To Be Heard
06. Question Of Time
07. When I Come Home @
08. Gotta Do My Best
09. Romance @
10.Ain't Gonna Be Your Slave
11.Flies Like A Bird
12.Mama
13.When I Come Home (Reprise) @
@ Previously Unreleased
United Kingdom ,Jazzy Folk ,Psychedelic Rock
rateyourmusic.com/release/album/chris-harwood/nice-to-meet-miss-christine
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Dave Gilbert - lead vocals (01-09)
Jim McCarty - lead (01,03,05,06,09) & rhythm (02,04,08) guitars, lead slide guitar (07), backing vocals (02-05,07-09)
Dennis Robbins - rhythm guitar (01,03,05-07,09), lead slide guitar (02,04,08), talkbox (04), backing vocals (02-05,07-09), harmony vocals (06)
John Fraga - bass (01-09)
John (The Bee) Badanjek - drums (01-09), backing vocals (03,07)
Marc Marcano - piano (01-09), organ (03,06,07), clavinet (04)
Don Davis - producer
Tracks Listing
01. Fast Thing In "D"etroit
02. Fell Out Of Love
03. My Heart Needs You
04. Lookin' For Love
05. I Got To Move
06. Ramona
07. Fly Little Bird
08. Love Transfusion
09. She's A Pretty One
United States ,Blues Rock, Rock ,Boogie Rock
"Great Album a must have. Great Detroit rock band. Songs like Ramona are great to listen to over and over. Jim McCarty is a guitar legend."
rateyourmusic.com/release/album/rockets_f1/love_transfusion
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Line up / Musicians
Dave Greene - lead (01-04,07-09,12) & backing vocals, lead guitar
Ted Haas - lead (02,04,07,10) & backing vocals, rhythm guitar
David Parker - lead (05,07,08) & backing vocals, bass
Park Seward - Hammond organ, tambourine, cowbell, talk (06), producer
Bill Babin - lead vocals (11), drums
Tracks Listing
01.Welcome
02.The Walnut Song
03.A Song For You
04.All Together
05.Rover
06.Break I
07.It's For You (John Lennon, Paul McCartney)
08.He's Gone Away
09.Schoolyard
10.Mr. Spaceman
11.All About Me
12.You Can't See
United States , Garage Psychedelic Rock
"These guys hailed from Louisiana, and their only album features some ass-kickin' psych hard rock, mixed with some softer mat'l. One can't help but be reminded of early Grand Funk at times."
rateyourmusic.com/release/album/rubber_memory/welcome_f1
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Line up / Musicians
Jackie Lomax - vocals, piano, guitar, RIP
John Moorshead - lead guitar, vocals
Alex Dmochowski - bass
Barry Jenkins - drums (01,03-05,07,08)
Mike Kellie - drums (02,06) RIP
Bobby Keys - tenor saxophone (03) RIP
Jim Price - trumpet & trombone (03)
Pete Ham RIP, Tom Evans RIP - harmony vocals (08)
Heavy Jelly - producers
Tracks Listing
01.You Better Let Me Know
02.Born For Something
03.Too Complicated
04.Just Don't Feel So Good
05.F-F-F-Females
06.Bio Blues
07.If You'd Like Too
08.Take Me Down To The Water
United Kingdom , Blues Rock, Psychedelic Rock
In 1970 Jackie Lomax joined Heavy Jelly following on from his spell in the late 60’s as the first ever signing as a solo artist with Apple Records and being championed by The BEATLES. Heavy Jelly consisted of former AYNSLEY DUNBAR members and the drummer from The ANIMALS. The band recorded in 1970 their debut album. Heavy Jelly initially were a fictitious group that somehow became a real band.
Because of contractual problems with Apple the album has never before been officially released until now. This long lost 1970 album has attained legendary status and has appeared in bootleg form over the years. Following Jackie’s untimely death in autumn 2013 his family has resolved all contractual issues with Apple amicably and they have given their approval for the album to be released on CD at last.
Fellow Apple Records label mates Pete Ham and Tom Evans from BADFINGER appear on the album as well as The Rolling Stones wind section Bobby Keys and Jim Price.
'Bio Blues' bears all the hallmarks of a classic blues-rock composition, while the more rock-orientated is amongst the best tracks on this album. Closing number 'Take Me Down To The Water' welcomes Badfinger's Pete Ham and Tom Evans on guest vocals, or harmony vocals to be more precise. It's a track that seems to go on forever as well, though that is fine with me. The heady turn on, tune in, drop out undertones set a nice contrast to the more obvious blues-laced overtones and a gently pounding rhythm - lending the song its heartbeat. A true gem of 70's blues-rock and thankfully, it can be shared with the world.
rateyourmusic.com/release/album/heavy_jelly/heavy_jelly.p
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Line up / Musicians
Sonny Lathrop - guitar, lead vocals
Prince Teddy - bass, lead vocals
Willy Bims - drums, backing vocals
Augie Colon - congas
Sweet Marie - producers
Tracks Listing
01. Stuck In Paradise
02. It Ain't Easy
03. My Little Angel
04. Hortense The Hippie
05. Dodo (Find Me A Way)
06. Stella's Candy Store
07. I Got That Feelin'
08. Another Feelin'
09. I Want Your Woman
10. Drum Solo
11. Changes
United States ( Honolulu ) , Psychedelic Rock ,Funk Rock ,Pop Rock
"Reissue of the extremely rare and wild 1971 sophomore album by this Honolulu-based band. The music features outrageously screaming guitars and an overall sound that at times reminds of Santana and Steely Dan. The band had a lot of artistic freedom and fun while making this album. This reissue is manufactured in a limited edition of only 500 copies with remastered sound, original gatefold artwork and a full-colour insert."
rateyourmusic.com/release/album/sweet_marie/stuck_in_paradise
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Line up / Musicians
Hopney - lead guitar, vocals
Richard Paulie Ross - bass
Steven Myers - bass, backing vocals
Catman Keys - keyboards
Peter Brown, Ronald “Rocky” Brooks - drums
Kingpin - lead guitar (01), backing vocals
Mike Pinera - producer
Tracks Listing
01.Long Ago Far Away
02.Another Goudy Night
03.Down For The Count
04.I Must Get Thru
05.Don't Say No
06.Hey Girl
07.Love Trop
08.No Particular Home
09.Is There A Doctor In The House
10.I Can't Stop Now
United States , Psychedelic Rock , Blues Rock
"A rare album, recorded at US Lion Studios in Miami (Florida) by Patrick Hearns, a member of the little-known New York band The Sapians, under the pseudonym Hopney. The mixture of southern rock and psych blues was recorded under the strict guidance of producer Mike Pinera, who previously worked with "Blues Image" and "Iron Butterly".
rateyourmusic.com/release/album/hopney/cosmic_rockout_f1
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Cecil James - vocals, percussion
Melvin Buckley - guitar
John Coxen - guitar
Terry Powney - bass
Woody Martin - drums, percussion
Steve Stevenson - producer
Tracks Listing
01. Country Ride
02. How It Began
03. Blues For Brother "E"
04. I Wanna Go Where I Belong
05. Hands Of Time
06. Alice
07. Give It To You
08. Trouble Is
09. A Story
10. Manhunt
11. Fiddlesticks
United Kingdom ,Psychedelic Blues Rock, Soul
"As I listen to this I can't help but think about Steamhammer and the atmosphere that is created by the guitar wall-of-sound echoing through the studio. Probably not as good overall as that band, this record has a lot of character and charm nonetheless. The lead singer is excellent, and at times reminds me of a lounge club Dave Clayton Thomas. Definitely worth a spin especially if you have a FEEL for your blues..."
rateyourmusic.com/release/album/someones-band/someones-band.p
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Line up / Musicians
Andrea - vocals
Stu Kuby - vocals
Eliot Randall - guitar
Jimmy - bass
Unkmown drummer
Tracks Listing
01.Ninety Magic Wonders
02.Sky Diver
03.N.Y. Mining Disaster 1941
04.Positively Negative
05.Flowers on the Wall
06I. Found a New Love
07.Sunday Kind of Feeling
08.Happy Bubble
09.Yellow Submarine
10.Epilogue
United States ,Psychedelic Pop
"The Tingling Mother's Circus' only album released in 1968 is an psychedelic pop rock album which reminds of the 60's similarities such as Chameleon Church, Cherry People and The Yellow Payges. The Tingling Mother’s Circus Were A New York Group That Included Guitarist Elliott Randall Who Is Best Known For His Great Session Work, And For That Wonderful Guitar Solo On Steely Dan’s “Reelin’ In The Years”.
Group released one single in 1967 Face In My MInd” b/w “Isn’t It Strange (Roulette catalog number 4758) and an album A Circus Of The Mind in 1968.
The album is an ambitious project conceived as a circus performance of two acts. Musically it consists mostly of pop/rock songs some of which were evidently intended to aspire for a wider radio airplay. It owes a lot to psychedelia with horns, fuzzy guitars, country, folk influences. The album didn't sell at the time of its release, but it is now a rare collectors' item. Despite its total commercial flop, it has a very strong and fresh feeling, the songs are catchy, but not kitchy, and there are some very nice and thoughtfully done arrangements. Among the covers on the album are Flowers On the Wall (of The Statler Brothers'), New York Mining Disaster 1941 (that of Bee Gees'), and a very decent version of Yellow Submarine, of The Fab Four's."
rateyourmusic.com/release/album/the_tingling_mothers_circus/a_circus_of_the_mind
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Line up / Musicians
Maggie Bell - female lead vocal
Leslie Harvey - guitar RIP
Ronnie Leahy - keyboards
Steve Thompson - bass
Colin Allen - drums, percussion
Tracks Listing
01. Friends
02. Penicillin Blues
03. Love 74
04. Danger Zone
05. Hollis Brown (Bob Dylan)
U.K. Blues Rock
Recorded in 1972 released in 2002 ,Archival (Angel Air).
"What a great live recording from nineteen seventy two. The band were at their peak and this set of blistering acid blues rock is music for the head and the soul."
rateyourmusic.com/release/album/stone-the-crows/live-in-montreux-1972
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Line up / Musicians
Dave Lloyd - vocals
Mick Devonport - guitar
Kenny Newton - keyboards
Keith Mulholland - bass
John Mylett- drums
John Sinclair, Gary Lyons - producers
Tracks Listing
01. Seeing Is Believing
02. I Know The Feeling
03. Loser
04. From Here To Anywhere
05. Wallbanger
06. Pushed Around
07. Beast Of The Field
08. Sick And Tired
09. Down On My Knees
10. One More Cup Of Coffee (Valley Bellow) (Bob Dylan)
Bonus Track
11. Bootliggers (1980) (as Rage)
U.K., Hard Rock
rateyourmusic.com/release/album/nutz/hard-nutz
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Line up / Musicians
Ian Hunter - vocals, piano, guitar
Mick Ralphs - lead guitar, vocals
Verden Allen - Hammond organ, vocals
Pete "Overend" Watts - bass, vocals RIP
Dale "Buffin" Griffin - drums, vocals RIP
Tracks Listing
Recorded 13th September 1970 at Fairfield Halls, Croydon, England
01. Ohio (Neil Young)
02. No Wheels To Ride
03. Rock 'N' Roll Queen
04. Thunderbuck Ram
05. When My Mind's Gone
06. Keep a-Knockin'
07. You Really Got Me
Bonus Tracks
Recorded 16th February 1971 at The Konzerthuset, Stockholm, Sweden
08. Long Red (Leslie West, Felix Pappalardi)
09. The Original Mixed-Up Kid
10. Walking With A Mountain
11. Laugh At Me
12. Thunderbuck Ram
United Kingdom ,Hard Rock
Archival, Live
rateyourmusic.com/release/album/mott-the-hoople/fairfield-halls-live-1970
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
John Phillips - guitar, harmonica, vocals, songwriter RIP
David Cohen - guitar, harmonica
Dr. Hord - guitar, harmonica
James Burton - lead guitar, Dobro
Buddy Emmons - steel guitar
Red Rhodes - steel guitar
Hal Blaine - drums
Larry Knechtel - keyboards
Joe Osborn - bass
Gordon Terr - fiddle
Darlene Love - backing vocals
Jean King - backing vocals
Fanita Jmes - backing vocals
Lou Adler - producer
Tracks Listing
A1.April Anne
A2.Topanga Canyon
A3.Malibu People
A4.Someone's Sleeping
A5.Drum
B1.Captain
B2.Let It Bleed, Genevieve
B3.Down the Beach
B4.Mississippi
B5.Holland Tunnel
United States, Singer/Songwriter, Folk Rock ,Country Rock
"In 1969, John Phillips resigned with the Dunhill label by promising to reform The Mamas & The Papas for the occasion, while the project he intends to carry out, the bastard, is a solo album. For the record, it is with Dunhill's lawyers in the ass that the quartet will end up entering the studio to burn the dispensable People Like Us , in 71.
It is that Phillips is at the time a little bored of the great flower power circus and that he has a collection of lovingly composed titles to defend. Production outright summons James Burtonon the guitar. Elvis himself will freak out on "Mississippi", which he will resume. The collaboration between Phillips and the King will not go much further, Colonel Parker is not too keen on hippies ...
1969 is the twilight of the Baba Gods. Altamont took place, Neil Armstrong walked on the moon and the Viêt-Cong is not giving up, over there in the rice fields. A bit like in Pacific Ocean Blue , this disc takes note of the turning point. John Phillips, in texts where melancholy disputes him with lightness, paints, with well-shot vignettes, the small company he frequented at the time, between Bel Air and Malibu. Special mention to the beautiful Michelle, who goes a little through everyone's hands, on "Down the Beach".
The musical background is decidedly country-rock and folk and, in the genre, it is one of the most successful records of the time. If it is no longer the flamboyance of Mama's, Phillips proves, in a more introspective register, that he is decidedly a great songwriter , an inspired composer who wanders off towards gospel ("Captain (The Mermaid)") or the honky-tonk ("Let It Bleed, Genevieve").
The ten tracks on this album are so many little wonders that require repeated listening and I will say the same for the bonuses delivered on the reissue, not the filling for once."
rateyourmusic.com/release/album/john-phillips/john-phillips-john-the-wolfking-of-l_a
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Line up / Musicians
Cliff Bennett - vocals, writer
John Gray - bass, writer
Marek Kluczynski - harmonica, flute, writer
Derek Wier - percussion
Robert "Smiggy" Smith - guitar
Clifford Davis - producer
Tracks Listing
01.Say You Don't Love Me
02.Please Say You'll Come
03.L.A.
04.Sandy Mary
05.Blues Power
06.When l'm Singing Rock 'n' Roll
07.Searchin' for a Theme
08.Better World
Bonus Tracks
09.Amos Moses
10.Movin' and Travelin' On
United Kingdom , Blues Rock ,Swamp Rock
rateyourmusic.com/release/album/cliff-bennett/rebellion.p
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Brian Gagnon - lead vocals, bass, guitar
Gerry Mosby - vocals, bass, keyboards
Paul Cockburn - guitar, vocals, bass
Paul Kersey - drums, percussion
Jacques Harrison - lead guitar, keyboards, flute
Paul Dickinson - guitar, vocals, backing vocals
George Semkiw - producer
Tracks Listing
01.I was Only Dreaming
02.A Song for a New Day
03.Little Miss Perfection
04.I Want to Be King
05.Faces
06.Billy
07.Sent Me Away
08.On Revient (tout le temps)
09.Sad Song
Canada, Hard Rock ,AOR
"The Hunt are in effect Dillinger V2.0. 60% of the dissolved Dillinger quickly reformed into the rather oddly named The Hunt. And they went right about making a superb hard rock album. All of Side 1, and the opener of Side 2 is darn near perfect. Heavy guitars, Hammond organ, flute, passionate singing, and great compositions is what you'll hear on The Hunt. A little Led Zeppelin, a little Rush, and a lot of Dillinger. Concerning the latter, the prog rock tendencies of the past are wiped clean. This is pure unadulterated hard rock of the highest order. Starting with 'Billy', the album begins to break down a bit. This track sounds like a Styx reject from the Crystal Ball sessions. 'Sent Me Away' maintains the Styx motif, though in this case, it's album worthy and a solid heavy AOR number. 'On Revient (tout le temps)' recalls the earlier hard rock greatness. And the album closes with 'Sad Song' which seems like the mandatory lame ballad has finally appeared. But the track is saved by a powerful guitar solo to close the album. So even though The Hunt does crawl to the finish line, it had built such a great lead, the album still posted high in the standings. Excellent music here and not to be missed by fans of the mid 70s hard rock sound."
rateyourmusic.com/release/album/the-hunt/the-hunt.p
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Line up / Musicians
Christine Christman - female vocals, percussion
Kenny Thomure - guitar, vocals
Mike McCauley - keyboards, vocals
Les Brown, Jr. - producer
Al Schmitt - executive producer
Tracks Listing
01.Silver Rains
02.Free And Easy
03.Losin' Hold
04.Laugh
05.A Thought
06.I, Of The Garden
07.All In My Mind
08.A Light
09.Last Laugh
10.Grey November
United States , Psychedelic Rock
"Ivory were a psych rock band from California and they released just this one album back in their active period.
Belonging to the Jefferson Airplane school with good male and female vocals, snazzy fuzz outbursts and distinctive keyboards (what was lacking to JA...). "
rateyourmusic.com/release/album/ivory/ivory-1
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Line up / Musicians
Terry Wilson Slesser - lead vocals
Geoff Whitehorn - guitar , backing vocals
Tony Braunagel - drums , percussion, backing vocals
Terry Wilson - bass
John "Rabbit" Bundrick - keyboards, backing vocals
Lord Ted Bunting - sax
Chris Wood - flute
Tracks Listing
A1.Without You Babe
A2.You Got Money
A3.Sold on Down the Line
A4.One Too Many Lovers
A5.You are My Saviour
B1.Pastime Dreamer
B2.Never Loved a Woman
B3.You and Me
B4.Stone Cold Sober
United States , Funk Rock ,Blues Rock, Hard Rock
Biography
Following the death of Paul Kossoff after the recording of the second Back Street Crawler album 2nd Street the remaining members of the band recruited Geoff Whitehorn and dropped the 'Back Street' from their name becoming simply Crawler. Dropped almost immediately by Atlantic they recorded two albums for CBS/Epic Crawler in 1977 and Snake Rattle & Roll in 1978. They achieved minor success with the single 'Stone Cold Sober' which was played regularly by FM radio but were never able to shake off the legacy of Paul Kossoff and they disbanded in the late seventies when John "Rabbit" Bundrick left to join The Who.
Terry Wilson now records and produces with his wife Teresa James. Braunagel also produces and has worked with Taj Mahal among others.
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"Would you drive six and a half hours, each way, from noon 'til morning, without sleep, to see a concert? Evansville, Indiana hosted this band. I knew it would be the only opportunity to listen (and see) them live!
The band is tight, energetic, soulful and powerful. Strong vocals, melodic and bluesy, in tandem with brilliant guitar work, driven by a versatile keyboard and percussion rythmn section including a jazz influenced basist, showcase their many talents and skills.
If you have the opportunity to buy this particular album on vinyl (which is far superior in quality than other media ... do you want to hear the full range of pitch and depth?), do it! This is my choice for the best all-time album (and band) that never made it! "
rateyourmusic.com/release/album/crawler/crawler
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Line up / Musicians
Ted Eubanks - keyboards, 12 string guitar
Terry Horde - lead guitar
Chris Lyons - drums
Keith Manlove - guitar
Danny Ogg - bass
Bill Simmons - lead vocals
Tracks Listing
01.Summer (Previously Unreleased Complete Version)
02.Lemon Fog (Original Single Master)
03.Echoes Of Time (Original Single Master)
04.The Prisoner (Previously Unreleased Complete Version)
05.Day By Day (Previously Unreleased Complete Version)
06.Yes I Cry (Previously Unreleased Mix)
07.Girl From The Wrong Side Of Town (Previously Unreleased Version)
08.Summer (Original Single Master)
09.Echoes Of Time (Previously Unreleased Outtake)
10.Echoes Of Time (Previously Unreleased Outtake)
11.Echoes Of Time (Previously Unreleased Complete Version)
12.Lemon Fog (Previously Unreleased Complete Version)
13.Day By Day
14.The Prisoner
15.Girl From The Wrong Side Of Town (Original Single Masters)
16.Girl From The Wrong Side Of Town (Previously Unreleased, Discarded Outro)
Houston, TX, United States ,Psychedelic Rock
"In the Spring of 1963, The Bar Eights were formed, with Fillmore High School classmates Danny Ogg and Terry Horde on lead guitar and drums, respectively, Timmy Thorpe on bass, and Dale VanDeloo on saxophone and vocals. Essentially, The Bar Eights were a Rip Chords cover band, with a few Lou Christie covers mixed in for variety. Aside from a few coffee bar gigs and a sock hop, The Bar Eights failed to establish themselves even semi-professionally over the next two years. When VanDeloo reportedly attacked Ogg with a mic stand during an argument over who would get the taller riser, The Bar Eights were no more.
Then, one sweltering afternoon in the Summer of 1965 at Clem's Music in downtown Houston, it happened. Chris Lyons was hanging around the store recruiting talent for a new band he was forming. He had already earmarked drummer Eddie Sura and keyboardist Jimmy Spicher, and was looking for a guitarist and bassist. Danny Ogg entered the store with hopes of trying out the new Danelectro that Clem had in. When Chris asked him to join, he agreed, but only under the condition that his friend Timmy Thorpe, who had just gotten laid off from his job at the glass factory and was bored out of his mind, play bass for them. Lyons agreed, taking on Thorpe sight-unseen. After a few rehearsals, it became painfully obvious that Sura was not working out. According to Ogg, "Eddie kept yelling at everybody, particularly Timmy, 'cause he couldn't keep good time." When Ogg ran into former Bar Eight bandmate Terry Horde at Clem's the following week, Ogg offered him the drummer spot in the band. Horde agreed. By that weekend, The Pla-Boys were playing their first gig, at St. Regis College for the Arts. In the audience that night was a man who would change their lives...
Ted Eubanks, an avant garde composer and fixture of Houston's mod scene, caught The Pla-Boys' act. Their set consisted mostly of covers of such garage greats as Sam the Sham and the Pharaohs and ? and the Mysterians. As Eubanks puts it, "They were playing this garage crap! It was horrible. But something about them struck me... I think it was their chemistry". Eubanks immediately approached the band after the show and offered to take them over. They agreed. But Eubanks decided that before anything was to become of them, a few changes would need to be made. First, the music. Eubanks immediately began injecting original numbers into the group's repertoire, and dissuaded them from the typical garage fare they had been playing. Second, the image. The Pla-Boys basically looked like something right out of a Frankie and Annette movie, with matching grey sport suits. But Eubanks got them good and "psychedelicised", dressing them in beads, mod suits, and the like. Finally, the name. From this moment forth,The Pla-Boys would be known as The Lemon Fog.
see more infos
psychspaniolos.blogspot.com/2014/01/lemon-fog-psychedelic-sound-of-summer.html
Released 20 September 2011 (Archival)
rateyourmusic.com/release/album/the-lemon-fog/the-psychedelic-sound-of-summer-1967-68
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
The Tea Company
Frankie Carr - lead vocals, guitars, hammond organ, piano, bass
Al Vertussi - rhythm guitar, vocals, vox
John Vancho - bass, vocals
Mike La Ssandro - drums, vocals
The Naturals
Joe Santos - vocals
Al Frazia - bass, vocals
Frankie Carr - vocals, guitars
Joe DiGregorio - drums
Tony Testa - rhythm guitar
Tracks Listing
01. Come And Have Some Tea With Me
02. Flowers
03. Love Could Make The World Go Round
04. You Keep Me Hanging On 17:13
05. Don't Make Waves
06. As I Have Seen You Upon The Wall
07. Make Love Not War
08. Maiden In The East (The Naturals)
09. Theme From A Natural (The Naturals)
10.Internationally Me (The Naturals )
11.Say Hay Ha Ha (The Naturals)
United States , Psychedelic Rock
"The Tea Company released just this one LP in their active period in the late 1960's. The sound of this New York based band is highly psychedelic/trippy and I can say that I dig their sound very much. The material is a mix of short and long tracks. "You Keep Me Hangin' On" is a very nice cover and I enjoy all of the songs on this strong psych rock classic.
I remember when I listened to this album for the first time some years ago I didn't find it to be anything special. But after more listens it has really grown on me. Nowadays I find this LP to be one of the finest examples about the late 1960's American psychedelia. Highly recommended if you're interested in the genre."
rateyourmusic.com/release/album/the_tea_company/come_and_have_some_tea_with_the_tea_company.p
Tracks 1-7 Recorded 1968
Tracks 8 - 11 Recorded 1966
Release view
Come and Have Some Tea With the Tea Company [p] 33 rpm
1968 Vinyl LPSmash / SRS-67105 United States
Come and Have Some Tea With the Tea Company
1968 Vinyl LPMercury / 134080 MCY Germany
Come and Have Some Tea With the Tea Company 33 rpm
1968 Vinyl LPMercury / 20127 SMCL United Kingdom
Come and Have Some Tea With the Tea Company 33 rpm
1968 Vinyl LPMercury / 134 080 MCY Netherlands
Come and Have Some Tea With the Tea Company Bonus Tracks, Remastered
2007 CDWorld in Sound / WIS-1037 Germany
Come and Have Some Tea With the Tea Company 180 gram, Bonus Tracks, Limited Edition
2007 Vinyl LPWorld in Sound / WIS-006
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Bruce Balzer - guitar
Craig Balzer - guitar, keyboards, vocals
Ron Papaled - drums, percussion
Bill Petti - bass, vocals
Alice Popovic - vocals
Tracks Listing
01.Trilogy
02.Sweet Talkin' Woman 05:09
03.Jane's Song (The Slow One) 08:11
04.Hide the Water 10:38
05.Afternoon 13:15
06.Slow It Down 15:55
07.Too Early to Be Late 18:24
08.Last Monday Night 22:48
09.Back Road Rider 25:32
10.Livin (Way Too Fast) 28:23
Uniterd States ,Psychedelic Rock, Garage Rock
"This is a very rare psychedelic rock album on the infamous Mainstream record label. The band was from Cleveland, OH with both male and female vocalists. It’s more rock than psychedelic, even getting slightly garage in certain spots. There are a variety of songs that have unpolished ‘in your face’ sometimes piercing sound, like on ‘Back Road Rider’ with its female scream-oriented front and center coupled with a muscular guitar riff. The mid-paced bluesy hard rocking ‘Livin Way Too Fast’ is a standout with funky bass wah wah riffs and swaggering female vocals. There's also good guitar playing throughout"
rateyourmusic.com/release/album/decembers-children/decembers-children
Release View
December's Children [p] 33 rpm
1970 Vinyl LPMainstream / S/6128 United States
December's Children Remastered
2004 CDMason / MR 56432
December's Children 180 gram, 33 rpm
2008 Vinyl LPMainstream / S/6128 United States
December's Children
2010 CDDogtoire / DG 6128 Russian Federation
December's Children
CDS/6128
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Steve Haehl - guitar, vocals
Michael S. Aydelotte - bass
Francisco Lupica - drums
Tracks Listing
01. What's A Man
02. Sorry You Were Born
03. Cadillac George
04. Lonely Seabird
05. So Much Love
06. Make Love
07. That's Good
08. I'm Not Dead
09. She Understands
10. Come To Me
11. You Will Be There
12. Old Man
Bonus Tracks
13. Time
14. Made For You
15. Emit
16. What's A Man
17. She Understands
United States ,Psychedelic Pop ,Psychedelic Rock
"This band is totally anonymous other than having Frank Davis as a member. Davis was an associate of the Texas band Fever Tree, and wrote the two-minute blast "Grand Candy Young Sweet" for their second album. Though much less well known, this LP is better than any of the four by Fever Tree.
The opening track, "What's A Man" is more relevant today than it was then! A conversation between a father and his hawkish son (wasn't it the other way around back then?), it has Iraq all over it: ("You can't imagine what I'm thinking / We've got to fight them while they're small / Or their disease will soon be spreading / And then we'll never kill them all"). I don't know what Ann Coulter was doing in '68, but if that doesn't sound like something straight out of her lunatic rantings, I don't know what does!
There's nothing else here that's quite that powerful here, but the Beatlesque "Sorry You Were Born", and the fuzz-laden "Cadillac George" are terrific on their own terms.
The group gets mystical, with mixed results. "Lonely Seabird" is spellbinding, but the extended, raga-like "That's Good" is simply somnolent. The classical guitar framed "So Much Love", and "You Will Be There" sound like renaissance madrigals. If anything, the group was adept at writing and performing an impressive variety of material.
There's unrealized hit potential here. Both "She Understands", and "Come To Me" are instantly catchy, if only someone had been around to catch them.
The album peters out with the closing track, "Old Man", which lifts the guitar riff from "Peggy Sue", but there's still enough here to make me wish for a follow - up."
rateyourmusic.com/release/album/the-travel-agency/the-travel-agency
-----------------------------
Release View
The Travel Agency [p]
1968 Vinyl LPViva / V-36017 United States
The Travel Agency
1997 CDHead / HEAD 4197 Europe
The Travel Agency
1999 CDChrome Gold / 9001 United Kingdom
The Travel Agency Bonus Tracks
2012 CDKismet / KISCD4028
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Joe Beck - guitar, vocals, piano, organ, bass
Donald McDonald - drums, conga drum, tambourine
Danny Whiten - rhythm guitar, vocals
Randy Brecker - brass
Don Payne - bass
Tracks Listing
01.Nature Boy
02.Spoon's Caress 05:34
03.Let Me Go
04.Come Back: Visions Without You
05.Maybe
06.No More Blues
07.Goodbye L.A.
08.Please Believe Me
09.Ain't No Use In Talking
United States, Psychedelic Rock ,Jazz Rock
"A thrilling mixture of psych, rock and jazz elements, with occasional classic influences, but clearly dominant psychedelic and rock elements. A fascinating album with exciting compositions that display high technical skills led by guitarist Joe Beck who went on to become a highly proficient musician who was the first guitarist Miles Davis took in his band...but, this, the album "Nature Boy" was his beginning, at age under 20, Joe Beck had a creative mind and turned-on ideas unleashed and accompanied by guitarist Danny Whitten (The Rockets & Crazy Horse), who died in 1972 of drug overdose ..."
Originally Released 1968 on "Verve -Forecast"
rateyourmusic.com/release/album/joe_beck/nature_boy
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Adam Mitchell - lead vocals, rhythm guitar, organ, piano
Chuck Beal - lead guitar, steel guitar, vocals
Brad Campbell - bass, vocals
Ronn "Skip" Prokop - drums, guitar, koto, vocals
Elliot Mazer - producer
Tracks Listing
01.South Down Road
02.Cairo Hotel
03.Can't Go On
04.Another Man's Hair On My Razor
05.Numbers
06.Oh, That She Might
07.Yes I Know
08.Ask Her Again
09.Juliana
Canada, Psychedelic Rock , Psychedelic Pop
"Largely unknown psychedelic mastery here. Like the title suggests, Ellis Island is a true melting pot of musical styles, all under a technicolor umbrella. The ship pulled into the harbor and off stepped these guys, ready to unleash the magic.
The string arrangements augmenting "South Down Road" strike a chord in me immediately. They sound so massive and powerful, exploding out of the speakers. Along with them come the crunch of fuzzy guitars, and a slow beat. Then, the ending is simply relentless. So much power! And that's not all there is.
Shades of subtlety also abound, in songs like "Cairo Hotel" "Oh That She Might" and "Ask Her Again." I love the storytelling aspect of the lyrics to "Cairo Hotel," a true character study. It has a very British feel to it, reminding me of something between The Kinks and Procol Harum. The sheer level of mystery and hypnotism that linger in the latter two tracks is unlike anything I've heard before. Again, the string arrangements add incredibly here. Probably some of the best use of orchestrations ever. The production aspects are also very detailed and layered with eerie echoed vocals and horns on "Oh That She Might" and koto on "Ask Her Again" which adds an exotic oriental ingredient to the mix. For light psych, there's not much out there that's on this level.
The two other pummeling numbers are indeed "Numbers" and "Yes I Know," the latter being my favorite on the LP with lyrics and a vocal performance which resonate with me so much, that it gives me goosebumps. Not too many songs really speak to me in the way that this one does. Its one of the more basic tunes here, built with powerful organ washes, passionate vocals and that wonderful fuzz guitar. Simple and effective, its a song that hits hard, one of the best songs ever written in my opinion. And get a load of that wild organ soloing on "Numbers." That's courtesy of Al Kooper. This song reaches some dizzying crescendos and disorientes the senses. Still no doubt, this is music that is uncompromising and real.
The only song I could do without would be "Another Man's Hair On My Razor" which is an awful attempt at writing a comedic country tune. Its set up like a bunch of folks at a bar, waiting for a band to play and we have Billy Wheeler and his Ramblers taking the stage. It's certainly comical, but the chorus becomes grating and far too repetitive. It's the only blemish on display. And what's on display here is otherwise magnificent. As someone who loves psychedelic music, I can honestly say that this is one of the best and most overlooked albums around."
rateyourmusic.com/release/album/the-paupers/ellis-island-3
Release view
Ellis Island [p] 33 rpm
1968 Vinyl LPVerve Forecast / FTS-3051 United States
Ellis Island 33 rpm
1968 Vinyl LPVerve Forecast / FTS-3051 Canada
Ellis Island Digipak
2007 CDLion / Lion 201 Germany
Ellis Island Bonus Tracks
2008 CDPacemaker / PACE 070 Canada
The exclusive rights belong to the copyright creators of the album.
Tracks Listing
Adam Mitchell - vocals & rhythm guitar (01-10)
Chuck Beal - lead guitar
Denny Gerrard - bass
Skip Prokop - drums, bass
Bill Marion - vocals & rhythm guitar (11,12)
The Paupers - arrangers (01-10)
Rick Shorter - arranger & producer (01-10)
Duff Ramon - producer (11,12)
Tracks Listing
01. Magic People
02. It's Your Mind
03. Black Thank You Package
04. Let Me Be
05. Think I Care
06. One Rainy Day
07. Tudor Impressions
08. Simple Deed
09. My Love Hides Your View
10. You And Me
Bonus Tracks
11.Like You, Like Me (single B-side,1965)
12.Sooner Than Soon (single B-side,1965)
Canada, Psychedelic Pop, Psychedelic Rock
"A super LP by a severely overlooked '60s Toronto group. Each player has a larger than life musical personality. Skip Prokop's skittering, slashing drums, Dennis Gerrard's McCartney-on-speed runs, Chuck Beal's swirling echo-laden leads and Adam Mitchells warm vocal tone and choppy rhythm create an intensely surreal atmosphere. Appreciation for this record will assuredly come around."
rateyourmusic.com/release/album/the-paupers/magic-people-1
The exclusive rights belong to the copyright creators of the album.
Tracks Listing
Vocal Tracks
A1.I Am the Man
A2.Who's Gonna Buy?
A3.Travelling Man
A4.Unpack Your Bags
A5.Poor Lonely Woman
A6.Winter Song
Instrumental and Backing Tracks
B1.Wild Types
B2.Who's Gonna Buy
B3.Travelling Man
B4.Unpack Your Bags
B5.Poor Lonely Woman
B6.Winter Song
B7.Leather People
United Kingdom, Garage Rock ,Psychedelic Rock, Library Music
" The Lemon Dips are a relatively unknown Garage-Rock band from the U.K. They are described as having a psychedelic influenc...
Collection of psychedelic / freakbeat vocal and instrumental tracks issued by the music library label. Three of them, 'Who's Gonna Buy', 'I Am Your Man' and 'Unpack Your Bags' were featured in the film "Haunted House Of Horror". All De Wolf recordings comprised material penned by song writers Peter Renno and Johnny Hawksworth and played by session musicians."
"This is something known as a sound library recording. These were mostly a British phenomenon, where a recording studio would record a hired band to record songs for a collection, which was then pressed on to vinyl in extremely limited quantities, and intended for license to video producers to use as sound track and/or incidental music for TV and movies. The libraries usually had many different styles on hand, and included a few psychedelic and underground rock titles. These are almost all hideously rare nowadays, and are known to most collectors only through the books that they read about their hobby, and the occasional benevolent collector who allows his copy to be bootlegged. The artists that recorded these albums were usually assigned an arbitrary name of the producer's choosing - their real identities purposefully masked, and sometimes with the band's consent as well. So imagine my surprise to find this gem sitting in a seller's list just waiting to be plucked. I never expected to own a copy, and am delighted the price was reasonable. Heaven knows who these guys really were, but i must admit they sure have elements of late 60's era Deep Purple. Style-wise, this is solid, British flavored psych/hard rock with some prog elements mostly via use of Hammond organ. The guitar also uses fuzz/wah to good effect here and there as well. They include some blues material in their repertoire too. Side A is all vocal tracks, while side B is instrumental, with several of the tracks from side A repeated, minus the vocals. I didn't hear a weak track in the bunch, and most are good ~ great. Well worth investigating if the genre is your thing."
rateyourmusic.com/release/album/the-lemon-dips/whos-gonna-buy
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Nancy Nairn - female vocals
J. Spider Barbour (James G. Barbour) - rhythm guitar, cicada, vocals
Jon Sabin - lead guitar, mandolin, vocals
Ralph Kotkov - keyboards, vocals
Paul Album - bass, vocals
Dahaud Shaar - drums, percussion
Jim Friedman - arranger & conductor (02,04,05,11), producer
Peter Winkler - musical director, piano (01), arranger & conductor (07-10)
Jeremiah Burnham - flute (07)
Tracks Listing
01.What Will Become The Morning
02.Lacewing
03.Cynthia Gerome
04.April Grove
05.Father's Getting Old
06.30 Poplar
07.Baby, Let Me Show You Where I Live
08.Fitzpatrick Swanson
09.Lake Hope
10.Piece Of Sun
11.Summer In Your Savage Eyes
12.Dr. Root's Garden
Bonus Tracks
(previously unreleased)
13.The Dues Are Hard
14.Gimme Your Love
15.Sink In Deeper
16.Window Shopping
17.Well I Can Ride
18.Cold And Windy City
19.Cynthia Gerome
20.Dr. Root's Garden
United States ( Ithaca, NY), Psychedelic Pop, Psychedelic Folk
"Take elements of psychedelia, jazz, folk, dixieland, science, and science fiction, and combine them into a perfect one-shot slab of vinyl, and you have this album. Definition is one of the most musically accomplished, adventurous, and literate records ever released!
In lesser hands, this amalgamation of such disparate elements could render a product that is patently unlistenable, but group frontman J. Spider Barbour more than lives up to his name. He weaves a complex web guaranteed to ensnare the listener. From the amazing high-speed piano runs of "What Will Become of the Morning?", to the poetic lyricism of "Lake Hope", to the playfulness of "Baby, Let Me Show You Where I Live", there's not a single wasted moment, even when logic and reason dictate that there should be. After all, what other album wouldn't sink under the weight of Barbour's winged insect fixation?
It shouldn't work! It should flop! It should result in nothing but howls of derisive laughter! But, somehow, Barbour is able to show you creatures that you've probably never regarded as anything but "creepy", through his eyes. The small, buzzing subject of the song "Lacewing" becomes a character so sympathetic as to almost bring a tear to one's eye. This is an album of extremes, but doesn't strike the listener as an extreme album.
It's a "hippie" album in the sense that it views the previous generation as ether hopelessly confused ("Father's Getting Old") or irredeemably bitter ("Fitzpatrick Swanson"), but doesn't pander to a messy, two-chord, hippie, stoner stereotype (as heard in the ragtime-based "30 Poplar"). It has a density (witness the lyrical content of "Cynthia Gerome", the story of a femme-fatale who has suddenly lost the magic), but isn't impenetrable in the way that, say, some of Zappa's works are. It's an album that flows along leisurely for half an hour, and then decides to take on the concept of the end of the world ("Dr. Root's Garden", which seems to be the basis for a concept album that never was, but should have been).
There are some in the rock cognoscenti who refuse to believe that anything can approach the Sgt. Pepper - Doors - Surrealistc Pillow trinity. Do yourself a favor and listen to this album before you listen to them! For my money, this beats all three. Now that the album has been reissued on CD by Rev-Ola (with eight bonus tracks to boot), everyone can hear for themselves without paying "collectors' market" coin. Delicate, intricate, and just flat-out amazing, this is one definition you won't forget."
rateyourmusic.com/release/album/chrysalis/definition.p
Release view
Definition [p] Gatefold
1968 Vinyl LPMGM / SE-4547 United States
Definition [Reissue]
1993
Definition Bonus Tracks
2005 CDRev-Ola / CRREV94 United Kingdom
Add
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Frank Smoak - lead guitar, producer
Steve Nagle - rhythm guitar
Bill McKee - bass
Gary Lucas - drums, producer
Tracks Listing
01.What'cha Gonna Do?
02.The Great Clock
03.Holiday
04.Death Song
05.Fugue
06.Modern Day Oracles
07.Day Of Sunshine
United States ,Heavy Psychedelic Rock
"This lone album by the US psych rock band Christopher was originally a private pressing of just 100 copies. So it's not hard to understand why it's so rare and valuable nowadays. Musically the album is a mix of psychedelic rock, blues rock and even some heavy psych sound. The album opens with the lengthy title track which is a blues rocker just like the album closer "Day of Sunshine" as well. Both of those songs are good but they're not the highlights here. Rest of the material is psychedelic rock oriented and if you ask me the highlights here include "Death Song", "Fugue" and "Modern Day Oracles" which are all really solid songs. The B-side is slightly better than the A-side I think.
I like this album very much even if it's not one of my ultimate favourites of the late 60's US psych rock. But if you're a fan of the genre this LP is definitely worth checking out. Especially if you enjoy some blues rock mixed with psychedelia. Recommended."
rateyourmusic.com/release/album/christopher/whatcha_gonna_do_
Release view
What'cha Gonna Do? [p]
1969 Vinyl LPChris-Tee 12411 United States
What'cha Gonna Do?
1970
What'cha Gonna Do? Limited Edition
1989 Vinyl LPAnimus Oculus / AO-102 United States
What'cha Gonna Do? Remastered
1999 CDScenescof / SCOFCD1003 United States
What'cha Gonna Do? 33 rpm, Gatefold, Limited Edition
2007 Vinyl LPLion / LP-101 United States
Αφιερωμένο στον φίλο Γιάννη Γκαγκάρα
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Charlie Mariano - alto saxophone, soprano saxophone, flute
Uve Müllrich - bass, dilruba, percussion
Dieter Miekautsch - fender rhodes electric piano
Roman Bunka - guitar, vocals, oud, percussion
Christian Burchard - vocals, drums, marimba, vibraphone
Maria Archer - vocals, percussion
Embryo - producer
Tracks Listing
01.Bambus Railway
02.You Can Turn Me On
03.Tiflis
04.Road Song
05.After the Rain
06.Bambule
07.No More Love
08.Sho Do Ima
09.The Orange Man
Bonus
10.Just Arrived
Germany, Krautrock, Jazz-Roc
"Really fine set from Embryo, recorded in a town near Munich sometime in February, 1976. Very much a product of their jazz rock phase, Live will appeal to fans of We Keep On, Surfin', Bad Heads and Bad Cats, Apo-Calypso, and their contributions to the Umsonst and Draussen festivals. It's a bit more laid back than their intense Krautrock workouts of the early 70s, while pointing toward the earnest world fusion music that was to follow (Bambule in particular). Roman Bunka once again lights it up with his Eastern tinged psychedelic guitar, whereas Charlie Mariano burns on the saxophone and nagasuram, and Dieter Miekautsch gives us a splendid performance on the Fender Rhodes. Uve Mullrich and Christian Burchard lay down the energetic backbone. Maria Archer provides her usual sultry blues based female vocals on selected tracks, while Bunka brings his unique voice to the fore on occasion. Only 3 tracks will be recognized from their studio albums: Roadsong and After the Rain from Bad Heads (in truncated form), along with an extended version of You Can Turn Me On from Surfin'. The CD adds the 16 minute Just Arrived, from a concert a few weeks later. As you might imagine, given the length, Embryo stretch out a bit more here. A fine album, that improves with age."
rateyourmusic.com/release/album/embryo/live.p
Release view
Live [p] 33 rpm, Live
1977 Vinyl LPApril / 0003 Germany
Live Bonus Tracks, Remastered
2015 CDGarden of Delights / CD 173
The exclusive rights belong to the copyright creators of the album.
Line up / Musicians
Michael Coe - flute, guitar, vocals
Bill Fairbanks - bass, piano, guitar, vocals
Jeff Hanson - lead guitar, vocals
John Hurd - keyboards, bass, vocals
Don Hoskins - drums
Tracks Listing
01.Color Line
02.Rock and Roll Band
03.Back Door
04.For Her Time
05.Meditation Part 1
06.Uncle
07.Cry Of Love
08.Tragedy
09.Meditation Part 2
United States ,Psychedelic Rock ,Prog Rock
rateyourmusic.com/artist/the_brotherhood_f2
Release view
1.)Stavia [p] 33 rpm
1972 Vinyl LPn/a / BH-501 United States
2.)Stavia Remastered
2017 CDout·sider / OSRCD065 Spain
3.)Stavia 33 rpm, Numbered Edition
Vinyl 12"n/a / VO-231 France
The exclusive rights belong to the copyright creators of the album.
Line-up / Musicians
David Budge - lead vocals
Carl Hauser - lead guitar, harpsichord, vocals
Billy Tracy - guitar
Tom Paine Workman - bass, slide bass, vocals
Steven Tindall - drums, organ, piano, vocals
&
Jerry Goldstein - producer
Tracks Listing
01.Six Feet Down
02.Earthless
03.I Put A Spell On You (Jalacy J. Hawkins)
04.Speed
05.Bring It On Home
06.Painted Woman
07.Pale Dream
08.Signed D.C. (Arthur Lee)
09.Forgot To Be Begot
10.A Garden Where Nothing Grows
11.It's All Over Now Baby Blue (Bob Dylan)
United States , Garage Rock, Psychedelic Rock
"I always think of this album as a hidden gem I found late one night sailing the internet. Great vocals from a singer who sounds like a cross of Iggy Pop and Mic Jagger. Some nice covers with the best version of I Put a Spell on You I've come across and even better originals. Great production values make this an all round great album."
rateyourmusic.com/release/album/the_druids_of_stonehenge/creation
Line-up / Musicians
Ira Welsley - vocals
Howard Leese - lead guitar
Murphy "Chocolate Moose" Carfagna - guitar
Mike Flicker - drums
Terry Gottlieb - bass
Tracks Listing
01.Chocolate Moose
02.Written on the Wind
03.I've Been Waiting too Long
04.Soul Drippin's
05.Get Some Beads
06.Ain't Nobody
07.Have You Been Sleepin'
08.Try Me
09.Love Machine
10.From a Camels Hump
United States , Garage Rock, Psychedelic Rock
Now this is a nice little psychedelic rock album right here. And I really mean little because the album is only 25 minutes long. And that's pretty much the only problem with this record because the songs are all pretty good but some of them would deserve to be longer.
The album has some garage rock sound too. There's also surprisingly awesome guitar playing even if the music isn't that complex and the songs are so very short. Some of the solos are terrific in this album. My favourite song might be "Love Machine" if I need to pick just one. But actually here are lots of highlights and none of the songs is bad or a filler.
A really obscure psych album by The Zoo which is nowadays pretty much forgotten. That's sad because this is a good album and worth trying. I almost gave four stars but I think this record is too short and that's gonna take some points away.
rateyourmusic.com/release/album/the-zoo/the-zoo-presents-chocolate-moose
Line-up / Musicians
Richard Armin - electric cello
Ralph Cole - guitar, vocals
Don Dinovo - electric violina
Paul Hoffert - vibes, keyboard, congas
Bob McBride - lead vocals, percussion
John Nalsen - trumpet
Skip Prokop - drums, percussion, vocals
Howard Shore - sax, flute, vocals
Larry Smith - trombone, vocals
Louis Yacknin - bass
Keith Jollimore - sax
Mike Malone - trumpet
Tracks Listing
01.Concert Introduction
02.Just Wanna Be Your Friend
03.Take It Slow (Out in the Country)
04.Old Man
05.Rockin' Chair
06.You and Me
07.Sweet Lullabye
08.1849
09.Eight Miles High
10.Insane
11.One Fine Morning
Canada, Psychedelic Rock, Jazz-Rock ,Progressive Rock
"This is a live concert at Carnegie Hall in New York City recorded in February 1972. The long extended Byrd's tune "Eight Miles High" on side 2 along with their studio album hit "One Fine Morning" are a reason to keep this double vinyl 1972 release. Some of the other long jams are good, as every member gets to jam out live, there's some Jethro Tull like soloing from the flute player and some rocking guitar solos. The band had various vocalists, although Bob McBride, who also plays percussion does most of the vocals and has a very good voice, but there are lots of band members, with horns, flute viola added to the usual rock band instruments. Lighthouse incorporate jazz into their rock songs and the largeness of their band is a good fit for this. There's no "Pretty Lady" live, maybe the best song Lighthouse ever wrote along with "One Fine Morning" and "Sunny Days", because they had not written it yet, that song showed up on the 1974 Can You Feel It album, which I have on vinyl.
Drummer Skip Prokop formed Lighthouse in 1968. The Canadian band released two singles on RCA in 1970 and played at the Newport and Monterey Jazz Festivals and the Isle of Wight Festival, though they had turned down Woodstock."
rateyourmusic.com/release/album/lighthouse/lighthouse-live
Line-up / Musicians
Gustl Mayr - tenor saxophone, soprano saxophone, writing
Dieter Von Goetze - electric bass
Kurt Bong - percussion, drums
Klaus Gobel - writing, organ
Tracks Listing
01.Lollipop mainliner
02.Goose pimples
03.Chicks
04.Gargoyle
05.Mood blue
06.Fancy suite: Cat quarter
07.Dig it
08.Fancy soul
09.Ruck-A-Sack
Germany ,Fusion ,Jazz-Rock
rateyourmusic.com/release/album/from/0611-cat-quarter
Line-up / Musicians
Roland Schaeffer - vocals, clarinet, guitar, saxophone
Enno Dernov - bass, guitar
Eddy von Overheidt - keyboards
Rainer Bodensohn - flute, bass
Jo Koinzer (Joachim Koinzer) - drums
Tracks Listing
01.Zwick zwick
02.Das Schwein trügt
03.You're The One
04.My Way
05.There Was A Time...
06.Affenzahn
07.Hirnwind
08.Marilyn Monroe
09.Snakeskin Tango
Germany ,Jazz-Rock, Krautrock
"About 2 weeks after BRAINSTORM released their second album "Second Smile" they played this open-air concert at Bremen's College of Technology. Radio Bremen recorded it for their Jazz Live series. It was a rainy day on that 23rd of June 1973, but neither the band or the audience let that affect their enthusiasm. Six of the nine tracks are from that second album but they start off with two from their debut and they end the proceedings with one last song from that particular record. Love the cover art by the way.
Anything i've heard that was recorded by Radio Bremen sounds fantastic, and this is not the exception. So yes the first two tracks are from the debut "Smile A While" and sound different from what will follow. These two songs called "Zwick Zwick" and "Das Schwein Trugt" sound like SOFT MACHINE somewhat with the sax and flute taking turns leading the way in these almost improv-like sounding jams. They can seem a little samey but I like them, just not as much as the tracks that follow. "Your The One" is a Joe Cocker cover and they use vocals here. No they aren't the best but they are passable.They do the song justice with better instrumental workouts including a bass solo before 4 minutes. "My Way" kicks in just before a minute then settles back with vocals that aren't so good but I love when it kicks back in after 2 minutes to a Canterbury style with some excellent vocal melodies. Some rare prominant guitar from ex-JUD'S GALLERY's Enno Dernov who mostly plays bass here.
"There Was A Time" is almost 14 1/2 minutes long. This sounds pretty cool a minute in then it turns a little experimental with avant sounding sax and sound. It's not until after 3 minutes that they settle in and the audience claps at the avant playing they have just heard. Yes this sounds excellent when they settle into this Jazzy groove with the sax playing over top. Vocals before 5 minutes. Prominant organ will follow after 6 minutes. Cool tune. "Affenzahn" opens with one of the band members talking to the audience in German then it kicks into gear. I like the guitar early on then the flute leads the way. The organ takes over followed by flute once again with the guitar helping out. "Himwind" is the longest song at over 21 minutes. Great sound 5 minutes in when the flute settles to the background. Sax and flute then start to lead the way with that jazzy drumming also standing out. It settles down then gets a little avant after 10 minutes. Yes SOFT MACHINE comes to mind with the sax dominating the sound. A drum solo follows. "Marilyn Monroe" is a vocal track of almost 10 minutes before this recording ends with the short "Snakeskin Tango" from the debut.
Gotta love the Garden Of Delights label for digging up these previously unreleased live albums. If your as big a BRAINSTORM fan as I am you need to get this one, a valuable live document from the band at the height of their playing days."
Released 2002 ,Archival, Live ,"Garden of Delights / CD 074"
rateyourmusic.com/release/album/brainstorm/bremen-1973
Line-up / Musicians
Reddy (Miloš Vokurka) - lead vocals, percussion
Frank Diez - guitar
Jiří Matoušek - keyboards, timbales, backing vocals
Otto Bezloja - Fender bass
John Redpath - drums, backing vocals
Hanus Berka - tenor & soprano & baritone saxophones, flute, synthesizer
Tracks Listing
01 Why Am I Doin' It
02.Happiness
03.Journey
04.Emergency Entrance
05.Killin' Time
Bonus
06.Sing a Song
07.Happiness (7" version)
Germany , Jazz-Rock, Blues Rock
"Strong Jazz-Rock album heavily influenced by Blood Sweat & Tears. Lots of brass and a raw powerful voice"
rateyourmusic.com/release/album/emergency/entrance
Line-up / Musicians
Klaus Holst - guitar
Ralf Twellmann - bass
Jan Rieck - drums
Rainer Hansen - tenor & soprano saxophones, flute
Tracks Listing
01. Unfug
02. Samba Pardon
03. Heinos Beerdigung
04. Wock im Watt
05. Alcaseltsam
06. Arabische Nächte
07. Trockeneis zum Frühstück
Germany ,Progressive Rock, Krautrock ,Jazz-Rock
''Live'' was captured in two different towns, Hamburg und Gütersloh, and features new material and two new members, Ralf Twellmann on bass and Rainer Hansen on sax/flute.Despite a slow start with the very funky ''Unfug'', the rest of the album present Alcatraz at their very best, belonging often among the best Kraut/Jazz Rock offerings from the early-80's.Fiery and psychedelic jazzy soundscapes, quite similar to Kraan, with lots of inventive solos on sax and guitar, nice flute plays and good instrumental interactions, not to mention the series of propulsive Teutonic rhythms dominating the album.The band really sounds tireless and the material is highly dynamic and passionate.Very good Jazz Rock with a German aura.
rateyourmusic.com/release/album/alcatraz_f1/live
Line-up / Musicians
Muck Groh - guitar, vocals (07)
Christoph Krieger - violin
Klaus Kreuzeder - soprano & alto saxophone, flute
Peter Malinowski - bass, vocals (06,07)
Lucky Schmidt - drums
Onkel Latzi - baritone saxophone (07), oboe (07)
Tracks Listing
01. Mechelwind
02. Alabaster Keaton
03. Wrdlbrmfd
04. Elephen Elephants
05. Herbstzeitlos
06. Ad Absurdum
07. Kamele On
Germany ,Progressive Rock ,Jazz-Rock
"Aera's second album, Hand und Fuss, is a substantial improvement over their debut (Humanum Est). With the Mahavishnu Orchestra still an influence, Aera diversify a bit to incorporate musical influences from all over the world into the mix. Lucky Schmidt takes up the drummer's stool this time around and Christoph Krieger joins on violin, and both of them enrich the group's sound considerably, but props also have to be given to Muck Groh, the group's furiously talented guitar player. Whilst the previous album didn't really stand out for me, this one is a great piece of late-1970s fusion proving that even in the latter half the decade talented artists were still advancing the genre."
rateyourmusic.com/release/album/aera/hand-und-fub-3.p
Line-up / Musicians
Otis Smith - vocals,congas
Paul Dickler - guitar
Michael Gibson - trombone
Barry Lazarowitz - drums
Howard Wyeth - organ piano
Richard Meisterman - solo trumpet
Frank Vicari - tenor saxophone
Jay Silva - lead trumpet
Paul Petruccelli - bass
John Huston - solo trombone,trumpet
Tracks Listing
A1.Pity the Child
A2.Things Ain't Easy
A3.Cold 'n' Hard
B1.Been So Good (For So Long)
B2.Misery
B3.Let It Fall
United States ,Jazz-Funk, Jazz-Rock
"Kick arse bass playing abound on this album, not to mention the horn section! The first track blew my mind, unbelievable!!! Damn!!! Some nice guitar breaks pop up here and there, funky shit goin' on, great listening, funked up shit all over the shop. "
rateyourmusic.com/release/album/the_albert/the_albert_f1
Line-up / Musicians
Thomas Balluff - piano, electric piano, clarinet, modul organ, effects, trumpet, flute, voice
Andy Goldner - fretless electric bass, electric guitar, alto sax, tape recorder, voice
Fred Braceful - sonor drums, percussion, trumpet
Tracks Listing
01. Marilyn F. Kennedy
02. Dada
03. Adventures With Long S.Tea
04. 25 Two Seconds Before Sunrise
05. Groove - Tango Wolperaiso
06. Jam Factory (For People Insane)
07. Habits
08. Dance Of The Crabs
09. Greetings To The Maroccan Farmers
10. Last But One Train To Amsterdam
Germany ( Stuttgart, Baden-Württemberg) ,Jazz-Rock, Krautrock
"Amazing Jazz-Psych-Kraut-Rock!!! (Of course: a masterpiece of progressive music)."
rateyourmusic.com/release/album/exmagma/goldball
Line-up / Musicians
David Kubinec -vocals
Peter Kirke - bass
Chris Bailey - drums
Graeme Quinton Jones - guitar
Tracks Listing
01.Turtle Dove
02.L.A. Highway
03.Nose Job
04.Rolling Railroad Wagon
05.Queen
06.Glad That You're Not Me
07.Very Small Child
08.Oxford Donna
09.Main Horse Cowboy
10.Child He Die
United Kingdom (Birmingham, West Midlands) ,Glam Rock,Rock
"Wow! This is one fantastic riffed out monster that somehow came & went without much notice back in '74. Sounding like Mott The Hoople fronted by Bowie on stimulants, Rats just KILL from one song to another. Fronted by Kubie, this is one kick-ass barroom brawler of an album. If you like punchy hard rock loaded with swagger, get your fill right here."
rateyourmusic.com/release/album/the-rats/rats-first
Line-up / Musicians
Paul Klotzbier -bass,
Mark Knox - organ, harpsichord & mellotron,
James Larner - flute, vibraphone, piano, marimbas, harmonica,
Jeff McMullen - lead vocals, electric guitar,
Jim Miller - percussions,
Robert Owen - acoustic guitar, saxophone, piano, mellotron, vocals RIP
D. Kent Overholser - organ, synths, mellotron (Tracks 9 & 10),
Rollin Wood - percussives (Tracks 9 &10)
Tracks Listing
01. Ceres
02. In Memory
03. The Balloonist
04. Alien
05. Chronicles
06. Law and Crime
07. Nature Abounds
08. Below the Line
09. Opus One
10. Genesis to Genova
United States (Indianapolis, IN) ,Progressive Rock, Symphonic Prog
"An overlookied US band, formed in early-70's and led by guitarist/keyboardist/sax player Robert Williams aka Roberts Owen (R.I.P.).The original line-up featured also multi-instrumentalist James Larner, keyboardist Mark Knox, drummer Jim Miller, bassist Paul Klotzbier and Jeff McMullen on lead vocals/guitars.Maelstrom went for a private press LP out in Canada, recorded in 1973 at Fort Walton Beach in Florida and very rare nowadays, originally named ''On the gulf''.
Why this band is so overlooked remains a huge mystery to me, as Maelstrom had one of the most eclectic and intricate sounds back in the days.Every track shows a different amount of influences and musical approaches, always played under a very complicated yet well-structured musicianship, offering a huge and dramatic sound like a cross between ETHOS, CATHEDRAL and YEZDA URFA.There are strong amounts of melodies and acoustic passages in the vein of GENESIS, huge sax-based more improvised sections in the vein of VAN DER GRAAF GENERATOR and SOFT MACHINE, smooth electric parts with delicate vocal harmonies as tribute to CARAVAN, complex interplays as GENTLE GIANT first ever presented and YES-like adventurous symphonic orchestrations with a superb atmosphere.Heavy loads of Mellotron and organ, jazzy-flavored sax atmospheres, dramatic orchestrations with good electric parts, instrumental battles and endless changing climates can be detected constantly, leaving the most demanding proghead satisfied.
In 1997 Black Moon Records re-issued the album in CD format under the title ''Maelstrom'' and this work contains a couple of extra tracks recorded live by Maelstrom in 1980 at the ''Three Rivers Festival'' in Indiana with only Owen and Klotzbier from the original line-up along with keyboardist Kent Overholser and Rollin Wood on drums.''Opus one'' has a strong E.L.P. vibe with organs leading the way along with some dramatic synth work in a classic Symphonic Rock track, while the longer ''Genesis to geneva'' is a bit more of a loose instrumental composition again in a Symphonic Rock path but surrounded with some more Avant-Garde/Fusion atmospheres, where synths, organ and electric guitars are on the forefront."
A fantastic discovery for all fans of adventurous Classic Prog.Interesting combination of Symphonic Rock, Cantebury Prog and Jazz-Rock, where so much is going on.Definitely among the finest releases of the time in the USA/Canada and highly recommended.
rateyourmusic.com/release/album/maelstrom/on_the_gulf
Dedicated to John "Ionikara" Koutromanos.
Line-up / Musicians
Rick Barse - keyboards, vocals
Tom Wright - guitar, viola, bass, vocals
Amy Taylor - bass, violin, female vocals
Bob Sims - drums, vocals
Tracks Listing
01. Jupiter Jam
02. Inside Straight
03. Communa Lacrimosa -
04. Easy For You
05. Glad All Over
06. As The World Grits
07. Rare Birds
United States (Washington, DC), Progressive Rock ,Jazz Fusion
"Grits were also very close friends with The Muffins and Dave Newhouse himself has stated that Grits were a great source of inspiration to him.But the biggest proof of their close relation is the fact that the second archival Grits album ''Rare birds'' (1997, Cuneinform) was a live recording during the summer of 76' in the backyard of The Muffins' main house.Moreover Brian Rapp, who served as an early engineer and percussionist for The Muffins, guests on percussion in two tracks of this live performance.''Rare birds'' features the most proggy material of any Grits release with 4 out of the 7 compositions being 12 minutes or longer, the title track actually reached the 26-min. mark!This is some pretty nice and solid US Prog of the 70's with emphasis on folky, jazzy and light psychedelic influences, as prooved by the tons of interplays, laid-back jams and muddy rhythmic patterns.The long tracks, while not masterpieces, are excellent to say the least, with dominant use of violin, electric guitar, organ and electric piano and strong Mahavishnu Orchestra/East of Eden cross references, albeit inspired more by the US rural county.Multiple variations and extended instrumental work with dramatic edges, technical displays and several proggy changes.It's a shame this band was never rewarded with a contract for at least one proper album."
rateyourmusic.com/release/album/grits_f1/rare_birds
Released 1997 (Archival, Live)
Line-up / Musicians
Roye Albrighton - guitars, lead vocals RIP
Allan "Taff" Freeman - keyboards, backing vocals
Derek "Mo" Moore - bass, backing vocals
Ron Howden - drums, percussion
Mick Brockett - liquid lights, special effects
Tracks Listing
1-1 A Tab In The Ocean
1-2 Desolation Valley/Waves
1-3 Crying In The Dark
1-4 King Of Twilight
In The Beginning - The Boston Tapes
2-1 New Day Dawning
2-2 Do You Believe In Magic
2-3 Candlelight
2-4 Gooday
2-5 The Life I've Been Leading
2-6 Where Did You Go
2-7 Sealed With A Kiss
2-8 Our Love Will Last Forever
Germany,Progressive Rock, Space Rock
This was the album that introduced me into the wonderful world of Nektar and is still one of my all-time favorites.
Bonus CD, Deluxe Edition, Remastered (Released 2011)
rateyourmusic.com/release/album/nektar/a-tab-in-the-ocean.p
Line-up / Musicians
Lee Michaels - vocals, keyboards and others except guitar and drums
Drake Levin - guitar
Frosty - drum kit
Tracks Listing
01. Mad Dog
02. What Now America
03. Uummmm My Lady
04. Thumbs
05. When Johnny Comes Marching Home
06. Murder In My Heart (For The Judge)
07. Day Of Change
08. Think I'll Cry
09. Games
10. Didn't Know What I Had
11. As Long As I Can
United States,Blue-Eyed Soul, Soul, Psychedelic Rock
rateyourmusic.com/release/album/lee_michaels/barrel
Line-up / Musicians
Roland Schaeffer - guitar, bass, vocals, saxophones, vibraphone
Eddy von Overheidt - organ, electric piano, clavinet, vocals
Rainer Bodensohn - bass, flute
Harald Wagner - bass (05-08)
Joe Koinzer - drums, percussion
Tracks Listing
01.You Make Me Crying
02.Cry In The Morning
03.Einzug der Elefanten (Arrival Of The Elephants)
04.You See
05.Number Six
06.Why Am I So Blind
07.Shit Is Nothing Changing
08.Watch Time Flows By
09.You Knock Me Out
10.Herbst (Autumn)
11.Brainstorming
12.Thesen - Antithesen
Germany, Progressive Rock, Jazz-Rock, Krautrock
"Fashion Pink were actually the ancestor band to Brainstorm,which recordings saw no light until 2000.They were formed in Baden-Baden in 1968 by multi-instrumentalist Roland Schaeffer along with Eddy von Overheidt on keyboards,Jürgen Argast on bass,Helmut Rusch on guitars and Jo Koinzer on drums,all coming from local pop groups.Aaarst and Rusch would soon leave the band,replaced by Harold Wagner and Rainer Bodensohn in 1969.The members' parents had strong connections with the SWF radio and the young musicians recorded at three different dates some tracks for SWF from April 1970 to July 1971.These recordings would lead them to signing a contract,but the band (with a slightly different line-up) had already changed their name to Brainstorm.Fortunately this material was collected and released in 2000 by Long Hair Music.
The album shows the interesting transformation of Fashion Pink from a Psych/Blues Rock band to a Progressive/Jazz rock beast.The short opening tracks see them playing decent Psychedelic Rock with lots of organ and flute by Bodenshon and decent vocals,not far from bands like early CARAVAN and JETHRO TULL.Moving on Fashion Pink develop a more complicated sound with strong Jazz leanings and a tension for improvisation,like the highly experimental ''Number six'',yet they never denied their psychedelic roots,the driving organ and melodic flutes are still alive and well and the guitar remain a trademark of the band.Towards the middle of 1971 they had fully transmitted into a complex Jazz Rock act with Schaeffer grabing the saxes for good and FRANK ZAPPA being a notable inspiration,while now the best comparison would propably be OUT OF FOCUS.Powerful organ grooves,sax attacks,lovely flutes and jazzy guitars compose a good sound-picture of the totally instrumental 10-min. ''Brainstorming''.The following and closer of the album 14- min. ''Thesen-Antithesen'',again an all instrumental number, is even more demanding with great guitar/organ/flute interplays,complex guitar and flute work always in a jazzy mood,psychedelic and nervous organ playing and improvisational saxes.The later sound is actually a very good introduction to the real Brainstorm band,recording a year later.
''...to Brainstorm'' is a very good archival release of the pre-Brainstorm days and the listener can see it as a living document of a company of young guys trying to search for a personal and inventive music approach.Recommended,especially for the two long and most progressive tracks,but the rest of the album will also appeal to fans of Heavy/Blues/Psychedelic Rock."
rateyourmusic.com/release/album/fashion-pink/_to-brainstorm-swf-sessions-volume-3
Recorded: at Südwestfunkstudio U1, Baden-Baden, Germany 22.04.1970 (01-04), 05.02.1971 (05-08), 09.07.1971 (09-12)
Released:2000 (Archival)
Line-up / Musicians
Pete Guerino - lead vocals, guitar
Bonnie MacDonald - female vocals
Mary Garstki - female vocals
Ralph Toms - lead guitar
Dan Passaglia - organ, vocals
John Pedley - bass
Ralph Williams - drums
Tracks Listing
01.Hard Hard Year
02.Edge Of Time
03.Tomorrow Has Been Cancelled
04.A Boy I Once Knew Well
05.All I Really Want
06.Mister You're A Better Man Than I
07.What Kind Of Life
08.Other Side Of Life
09.I Know A Girl
10.Sit Down I Think I Love You
United States , Psychedelic Pop, Psychedelic Rock
"The Growing Concern's only studio album includes some tremendous American psychedelia. Even if this is mostly a psych pop/rock album the sunshine pop influences are also very clear in here. Some of the examples about the quality of this great record are that absolutely awesome version of "Mister You're a Better Man Than I" and the following pop psych diamond "What Kind of Life". The other songs are impressive pieces too and I find this late 60's US psychedelia classic to be a very balanced totality. The male/female vocals are damn impressive and I love their sound.
This powerful disc gets five stars from me. It's definitely one of the best records in it's genre."
rateyourmusic.com/release/album/the-growing-concern/the-growing-concern.p
Line-up / Musicians
Manfred A. Weisz - lead vocals, electric & acoustic guitar
Joël Weser - Hammond organ, synthesizer, vocals
Freddy Höhn - tenor & soprano saxophones, flute, bass flute
Harald Wanka - bass, flute
Ulli Ost - drums
Tracks Listing
01.Tortured Life
02.Wallfahrt
03.Restless
04.My Friend
05.Rush Hour
Germany ,Progressive Rock, Jazz Fusion
Recorded:1974 in the SWF recording studios in Baden-Baden.
Released :2018
rateyourmusic.com/release/album/stagg/swf-session-1974
Line-up / Musicians
Georg Wadenius - guitar, vocals
Bo Häggström - bass
Tommy Borgudd - drums
Tracks Listing
A1.Mercy Mercy
A2.Peter Gunn
A3.Sombrero Sam
B1.A Day in the Life
B2.Kristallen den grymma
Sweden, Jam Band, Jazz-Rock, Progressive Rock
"The relieving proof that swedish rock-related music is more than Hep Stars and Abba.
Made In Sweden was fronted by guitarist Georg Wadenius, who later went stateside to play with Blood Sweat & Tears and Steely Dan (appears on Alive In America).
This album is recorded in a smoky jazz club in Stockholm. "Gyllene Cirkeln" (Golden Circle...). The other players are Bo Häggström on bass and drummer Tommy Borgudd. All tracks are instrumentals, and titles includes "Kristallen Den Grymma" (Swedish traditional), and well known standards like "Mercy, Mercy", "A Day In The Life" and "Peter Gunn". The feeling is very jazz, but the attitude is very rock. These guys must have been sitting front row when Hendrix played in Stockholm. Wadenius' tone is clean, but the feel is raw...
On the other side, their Swedish roots shine through and make this a unique document of a very interesting band."
rateyourmusic.com/release/album/made_in_sweden/live__at_the_golden_circle
Line-up / Musicians
Christian Wilhelm - vocals
Klaus Kätel - guitar
Peter Stimmel - bass
Johannes Vester - keyboards
Lutz Ludwig - drums
Tracks Listing
01.Sub Theme I (Sub in Concert)
02.Off
03.Sub Theme II (Money Maker)
04.Gimme Some Lovin'
05.Ma-Mari-Huana
06.Match I
07.Match II
Bonus Tracks
08.Number One (Off II)
09.I'm a Man
10.Ma-Mari-Huana (Unrel. Version)
11.Cool Jerk
12.Warm and Tender Love
"Long thought to have been from Switzerland, this Munich outfit recorded their extremely rare (1000 copies pressed) album in Italy in 1970. The track "Ma-Mari-Huana" was issued as a single, and ranks up there with Les Gothes' single in terms of over-the-top psych mayhem. This boot came in a numbered pressing of 300 copies. Musically, it's heavy prog rock with strong psych influences. Despite the album title, this is not a live recording of a concert performance, though possibly live in studio"
Germany ,Krautrock, Psychedelic Rock, Progressive Rock
rateyourmusic.com/release/album/sub_f1/in_concert


