Locarno Film FestivalIndian superstar and global icon Shah Rukh Khan touched down in Locarno to receive the prestigious Pardo alla Carriera Ascona-Locarno Tourism. The Award pays tribute to his remarkable career in Indian cinema consisting of more than 100 films in a breathtaking multitude of genres.
King Khan’s visit to the Festival has also attracted movie fans from all over the world to make their way to the Festival. So when the icon graced the stage of the Piazza Grande and delivered an energetic acceptance speech, he was met with a visibly moved and excited audience.
Watch along with us as we celebrate SRK’s time at #Locarno77.
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“This is very heavy” - Shah Rukh Khan Award Acceptance Speech at Locarno Film FestivalLocarno Film Festival2024-08-11 | Indian superstar and global icon Shah Rukh Khan touched down in Locarno to receive the prestigious Pardo alla Carriera Ascona-Locarno Tourism. The Award pays tribute to his remarkable career in Indian cinema consisting of more than 100 films in a breathtaking multitude of genres.
King Khan’s visit to the Festival has also attracted movie fans from all over the world to make their way to the Festival. So when the icon graced the stage of the Piazza Grande and delivered an energetic acceptance speech, he was met with a visibly moved and excited audience.
Watch along with us as we celebrate SRK’s time at #Locarno77.
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Connect with us – http://www.locarnofestival.ch – http://instagram.com/filmfestlocarno – linkedin.com/company/locarno-film-festival – X: https://x.com/FilmFestLocarno – http://facebook.com/FilmFestivalLocarnoBetween reality and imagination: “Bougainvillea” | Locarno SHORTSLocarno Film Festival2026-09-17 | Between reality and imagination, six women navigate a world shaped by confinement and the desire for change. Set against the backdrop of Sudan’s popular revolution in December 2018, “Bougainvillea” by Yasir Faiz follows their journey, exploring oppression, determination, and the possibility of transformation.
Selected for the Open Doors Screenings 2025, the short film is now available to stream for free as part of Locarno SHORTS.
→ Watch it now on our website until October 17: eu1.hubs.ly/H0ynS8r0Isabella Rossellini on Receiving the Excellence Award at the Locarno Film FestivalLocarno Film Festival2026-09-04 | We still get chills thinking back to having #IsabellaRossellini with us for #Locarno79, on the occasion of presenting this legendary artist with our Excellence Award.
→ Selected for the Open Doors Screenings, this 2024 short film is streaming for free until October 3. Watch it now: http://shorturl.at/P9bK6
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Connect with us: – https://www.locarnofestival.ch – instagram.com/filmfestlocarno – tiktok.com/@filmfestlocarno – linkedin.com/company/locarno-film-festival – facebook.com/LocarnoFilmFestival – https://x.com/FilmFestLocarno – letterboxd.com/FilmFestLocarnoOpen Doors - Locarno Film Festival - Official PresentationLocarno Film Festival2026-08-27 | Since 2003, #OpenDoors has championed filmmaking from regions where independent cinema faces particular challenges, building bridges for collaboration across countries and continents. Through its public and professional programs, Open Doors supports talents at every stage of their creative journey, fostering dialogue and innovation among free voices – with the ultimate goal of building a stronger, more collaborative and borderless film community worldwide.
→ Discover more on our website: https://www.locarnofestival.ch/opendoors
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Blending documentary and fiction, the film gave Issa the space to bring her own experiences, exhaustion, and emotions into her character at a time when war had made acting feel almost impossible. She discusses the encounter between her story and that of a migrant longing to leave, her need to reconnect with cinema, and the freedom she found in simply allowing herself to be truthful on screen.
Starting from the idea that the personal is political, Gibson discusses how experiences such as birth, death, marriage, sex, money, and work can become both deeply intimate and universally relatable. Drawing inspiration from writers Alice Notley and Kathy Acker, the film moves away from a single protagonist to embrace multiplicity and an intersectional feminist perspective.
Told from the perspective of its 11-year-old protagonist, the film found a particularly special audience in Locarno: a jury and a cinema full of children. Valien recalls their laughter, curiosity, and countless questions, describing the screening as one of the most memorable experiences she has had with the film.
Inspired in part by a literature teacher from his youth, Provost reflects on love as something we learn throughout our lives – shaped by experience, desire, loss, and the courage to let others go. Through Émile, played by Fabrice Luchini, the film explores what happens when a man who has spent his life immersed in literature is suddenly forced to confront his own past and relationship with love.
Inspired by the Wuxia and Xianxia films he grew up watching, Yeo reflects on fulfilling a long-held dream of working within the genre while creating an experience driven above all by character and emotion.
Made in celebration of the strong and inspiring women in her life, the film brings female strength to the screen with a light and humorous touch. Strübin shares the emotion of feeling seen through this award, the warmth of the film’s premiere and audience response in Locarno, and her hope to see more women filmmakers finding their place in cinema.
Born from ideas he began collecting even before his film studies, “Typhoon Mambo” took Pedroli from shooting in Thailand to post-production in France, before returning home to Ticino for its screening in Locarno. He reflects on the emotion of sharing such an intimate story with the Festival audience, as well as the film’s exploration of Thai culture and the fluid relationship between life, death, objects, and the afterlife.
Moving between humour and horror without fully belonging to either, Melk is a film Anthonissen always knew might divide audiences. In this interview, he talks about staying true to his vision, and experiencing the audience in Locarno.
Șerban discusses the lack of love in our society and the need to rethink how we relate to one another and the world around us. He reflects on the emotion of experiencing the film with an audience for the first time in Locarno, and on the encounters that reminded him why these stories are made and shared.
Born from years of photographing and filming its protagonists as they grew up, the film explores affection, relationships, and the passage of time.
Sanguinetti discusses the intertwined relationship between photography and filmmaking in her work, and the surreal experience of sharing her first feature with an audience in Locarno.
At the heart of the film is a reflection on love, belonging, and the idea that family goes beyond blood ties. Armar and Ike speak about overcoming cultural and language barriers through human connection, and about the ancestral bonds that bring people together – a reminder of our shared need for love, understanding, and community.
Kiberlain reflects on instinct, the lasting impact of the characters she plays, and how acting can become a form of self-discovery. She also speaks about working with Huppert and the freedom and joy they share as performers.
Through the archives of Lebanese filmmaker Jocelyne Saab, Yaqubi reflects on cinema as a way of confronting the present through the past. Rather than searching for definitive answers, the film looks to the hopes and struggles of a previous generation of Arab filmmakers for inspiration, questioning how cinema can respond to political events and help break recurring cycles of violence and destruction.
The Brazilian filmmakers reflect on portraying the everyday lives of LGBTQ+ people in Brazil, not only through their struggles, but through joy, pleasure, chosen families, and celebration. At the heart of the film is a universal language: the love for life and the connections it creates.
The legendary actress and director has a million stories to tell about her storied career in front and behind of the camera. In this Forum Conversation, moderated by Manlio Gomarasca, she unpacks her early cinema experiences, highlights and low points of her subsequent career, and especially: the many great collaborators that have shaped her sensibility and vision of cinema.
The directors calls his political period film set in 1976 a study of language, as the screenplay combines many scenes shot in Spanish and Italian. He refers to Nanni Moretti's “Santiago, Italia” as historical context for his fiction film and labels his film as an X-ray of the revolutionary spirit.
The actors discuss the production history of the film, the cultural exchange between Chile and Italy, the historic setting of the political thriller set in 1976, and the relevance of the incendiary politics of the film.
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Connect with us: – https://www.locarnofestival.ch – instagram.com/filmfestlocarno – tiktok.com/@filmfestlocarno – linkedin.com/company/locarno-film-festival – facebook.com/LocarnoFilmFestival – https://x.com/FilmFestLocarno – letterboxd.com/FilmFestLocarnoCamilo Arancibia and Andrew Bargsted Discuss “Il Cileno” at the 79th Locarno Film FestivalLocarno Film Festival2026-08-16 | Camilo Arancibia and Andrew Bargsted discuss “Il Cileno”, which world premiered at #Locarno79 on the Piazza Grande. They play two friends who escape Pinochet's Chile together and then diverge. They shot part of the film in Locarno, and have come back to premiere it. Together, the actors unpack the political relevance of this taut '70s set thriller, the emotional intensity of conveying this tumultuous period, and their acting processes.
She had prepared a speech for two months and left it at the hotel, so she spoke from the heart in front of the massive Festival crowd.
Reflecting on how the legendary actress and director started working at nine, she gave praise to the great filmmakers that fuelled her obsession with cinema. She singled out Abel Ferrara, as her master in cinema, who taught her she did not have to follow the camera, but that the camera would follow her.
The world of extras had fascinated him for years, and he had already made a documentary about it, but he could not find the angle until Isabelle Huppert emerged as his lead actress. The irony was not lost on him that an iconic actress plays an actress virtually nobody notices on screen.
Unpacking his storied career, the American film maverick discussed how he fell in love with cinema, how he managed to make his debut film “Pi” for twenty thousand dollars, and how his subsequent career resulted in many instant-classic films.
The last Forum Conversation of #Locarno79 was moderated by Manlio Gomarasca.
Marc Fitoussi's comedy pairs Isabelle Huppert, as a background extra called Corinne Maclou, with Sandrine Kiberlain, playing herself.
Fitoussi built Corinne out of Huppert's own career: having played Madame Bovary for Claude Chabrol, she now turns up as an extra trying to sell turnips to the Madame Bovary of a new adaptation. It is his fourth film with each actress.
Watch the press conference with Fitoussi, Huppert, Kiberlain and producer Caroline Bonmarchand.
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Martin Provost's film follows Émile, a literature teacher played by Fabrice Luchini, who gives a last class on poetry and love before retiring and comes home to find his wife gone.
Provost traces the film to his own literature teacher at fifteen, who he says changed his life. “Demain je tombe amoureux” stars Emmanuelle Devos, Chiara Mastroianni and Carole Bouquet. Watch the press conference with Provost and Devos.
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Nelson Yeo returns to Locarno, where his debut “Dreaming & Dying” won the Golden Leopard in Cineasti del presente in 2023, with a science-fiction wuxia set thousands of years after the myth of Chang'e and Hou Yi. It was shot in fifteen days across a virtual production studio, Singapore and Taiwan.
Watch the press conference with Yeo, producer Tan Si En and the cast.
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‘Red & Black - Hollywood Left and the Blacklist’ is the Locarno Film Festival's 2026 Retrospective, curated by Ehsan Khoshbakht and produced in collaboration with Cinémathèque suisse – with the support of UCLA Film & Television Archive.
Video: Carlo Maria Rabai
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In this interview, the legendary Italian actress and director shares how she fell in love with cinema by watching her father Dario Argento at work. She also declares her own devotion to cinema, and reflects on her working relationship with American-Italian genre auteur Abel Ferrara.
Baker regales how he found the home address of legendary American special makeup effects artist Dick Smith in a library copy of Who's Who in America, keeping it in a cigar box for years as he was too shy to write.
Baker also recalls the summer job at a stop-motion workshop where he met Dennis Muren, Phil Tippett and Ken Ralston, the night of the “Thriller” shoot. The conversation also covers Baker's storied career, developments in mainstream cinema, and what he makes of AI.
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Connect with us: – https://www.locarnofestival.ch – instagram.com/filmfestlocarno – tiktok.com/@filmfestlocarno – linkedin.com/company/locarno-film-festival – facebook.com/LocarnoFilmFestival – https://x.com/FilmFestLocarno – letterboxd.com/FilmFestLocarnoA Cinema Tribute to Thomas Heise | Critics Corner at Locarno79Locarno Film Festival2026-08-13 | The late, great German film auteur Thomas Heise passed away in 2024. In the fourth episode of #CriticsCorner at #Locarno79, Hugo Emmerzael brings David Hudson from the Locarno Film Festival festivities to the hallowed grounds of the Sanctuary of Madonna del Sasso to discuss Peter Badel and Chris Wright's “Übergang”, a moving ode to and cinema portrait of their trusted collaborator and close friend.
The video was shot by Carlo Mari Rabai at the Sanctuary of Madonna del Sasso in Orselina, which overlooks Locarno and the Swiss side of Lake Maggiore.
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He says he would rather have the film on the Piazza than in the competition, because it puts people who are usually invisible in front of the largest audience the festival has. Brunner spent five years researching with non-profits across the United States, and worked with organisations around Amarillo, Texas, so that the film could arrange support for its cast both before and after the shoot. On set, he says, the most professional people were often the unhoused ones, as they were always ready to help him out with finding the best shot.
He has been retired for more than a decade, and says the honour surprised him: «I always think of a film festival like this honouring directors and producers and actors, and not the behind the scenes people like me».
He recalls working on John Landis's first film, “Schlock”, and how Landis told the entire premise of «An American Werewolf in London” during that shoot. He also relishes the freedom that came with the job: «In the film there's Nazi demons. I go, ‘what's a Nazi demon, John?’. He goes, ‘I don't know, you make it’».
Meritxell Colell Aparicio's third feature follows Adela, a Mexican sound artist and granddaughter of Catalan exiles, who travels from the Peruvian jungle to the Andes to map languages in danger of disappearing.
Angélica Castelló, a sound artist herself, plays the main lead, besides composing the score. Colell wrote the film, alongside her two leads: “Everything is reality and everything is fiction.” Watch the full press conference with Meritxell Colell Aparicio, Angélica Castelló, José Luis López Cama, and Mayca Sanz L-Higueras.
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Hong Sang-soo's thirty-fifth feature stars Kim Min-hee as Sang-hee, who visits her mother on Jeju Island, with Choi Myung-gil, Kwon Hae-hyo, Shin Seok-ho and Park Mi-so. Hong writes and shoots by day and edits at night, then writes the next scene out of what he already has.
Watch the press conference with Hong, Kim Min-hee and Park Mi-so.
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His film is set in Reboleira, the Lisbon neighbourhood built by Cape Verdean immigrants that Da Cunha has been filming for more than fifteen years, following its residents hunting for the 180,000 euros that vanish after a botched robbery.
Reboleira is due to be demolished. Da Cunha explains that it was integral for him to permanently record the houses, its walls, its streets and its faces. After the starker tonality of his earlier films, he wanted “O Jacaré” to play like an action comedy and a celebration of this environment.
He won seven Academy Awards for makeup, among them the first ever given in the category, for “An American Werewolf in London”, which he followed with work runs on “Ed Wood”, “Men in Black”, and Michael Jackson's “Thriller”.
Accepting the award, Baker said he decided at ten that he wanted to make monsters for films, and was told for years he would never get in. «In my head I'm still that ten-year-old kid who makes monsters in his bedroom».
Peter Brunner's film, co-written with Caleb Landry Jones and produced by Luc Besson, follows a young pastor through a Texas winter as his mission to help the homeless meets resistance from his own congregation. Much of the cast are people who have experienced homelessness, playing characters they built themselves.
Watch the press conference with Brunner, Landry Jones, India Marie Cross, Kip Billups, Bart Guthrie, John Jones and Chris Israel.
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