Humanivideo
Betty Boop: Red Hot Mamma (1934)
updated
(Source: Wikipedia)
Plot:
Bimbo is seen late at night, trying to steal a chicken. After several attempts he accidentally grabs a policeman by the hand. As he tries to walk away as if nothing happened the chicken follows him anyway, as does the policeman. Eventually the chicken and its little chickens flee, while Bimbo enters a cemetery. To his fear he finds out that the place is haunted, complete with ghosts and monsters who tell him that he will be punished for his sin. Throughout the rest of the film Bimbo is threatened and chased by them until a huge skull devours him.
Background:
The cartoon was released on September 24, 1930 in the Talkartoons series and animated by Ted Sears and Willard Bowsky. George Cannata, Shamus Culhane, Al Eugster, William Henning, Seymour Kneitel and Grim Natwick also worked on it, but are uncredited in the title card. The cartoon was animated by a complete new staff who'd never worked in animation before because the studio had to replace some animators who quit. It is now in public domain. The man with the bowler hat, beard and Yiddish accent who appears in front of Bimbo at one point, shrugging and saying: "Ah, you needed it!" is a caricature of Jewish comedian Monroe Silver.
Music:
The soundtrack was composed by W. Franke Harling, with lyrics by Sam Coslow.
Legacy:
John Kricfalusi named it one of his favorite cartoons and played during a retrospective of his personal favorite animated shorts. He also compared it to Walt Disney's The Skeleton Dance (which was also set on a cemetery) and felt Swing You Sinners was superior.
In 2012 Cracked hosted an article describing "5 Old Children's Cartoons Way Darker Than Most Horror Movies" and listed "Swing You Sinners" at No. 1.
Video game developers Chad and Jared Moldenhauer based the atmosphere of their game Cuphead on several Fleischer cartoons, including "Swing You Sinners". Chad Moldenhauer called Fleischer Studios "the magnetic north of his art style". Kill Screen described Max Fleischer's studio (run with his two brothers) as having "transportive, transformative, and massively fucked up" short films, such as "Swing You Sinners!"
(Source: Wikipedia)
Mysterious Mose was a song from early 1930, first performed by Walter Doyle and his Orchestra. There are numerous recordings of the song, including Cliff Perrine and his Orchestra and R. Crumb & His Cheap Suit Serenaders. It was written by Walter Doyle and recorded for Columbia in April 1930 by Rube Bloom and His Bayou Boys.
Synopsis:
Betty is startled awake in her bed on a stormy night. She searches for the cause of the shock while she sings the song. Then, unexplainable phenomena start happening in the house. Mysterious Mose (Bimbo) appears, and sings part of the song. Bizarre cartoon creatures appear and, at first, sing and enhance Mose's "mysterious" image. Quickly, however, the antics become frightful even to Mose. The film escalates into chaos, which ends when Mose bursts, revealing him having been an automaton (full of cogs and springs) the whole time.
(Source: Wikipedia)
Synopsis:
Bimbo's mom has fallen out with her husband and has had an affair with the ice man. Bimbo's mother goes shopping and leaves Bimbo in charge of his baby brother, Aloysius. Betty Boop wants Bimbo to come over to her house to play. Bimbo then sneaks over to Betty's. Aloysius misbehaves while Bimbo is over at Betty's apartment. Aloysius then uses a vacuum cleaner and vacuums Betty and Bimbo from next door and his mother from off the street. Bimbo's mother is furious, as Betty, Bimbo and Aloysius hide behind a chair in Bimbo's apartment. Aloysius starts to cry, Bimbo then zips his brother's mouth shut.
It features the song "Any Rags?", a 1902 ragtime schottische by Thomas S. Allen.
Synopsis:
Bimbo the garbage man walks the streets asking townsfolk "Any Rags?" (during which he strips people's clothes off and takes other things that are not really garbage as trash). He comes across Betty Boop who throws her garbage to him from her window. Bimbo then auctions all the garbage he has collected from his cart to a crowd which includes Koko the Clown, who purchases a bowtie. When Bimbo opens Betty's garbage bag, Betty Boop leaps out and kisses Bimbo. The cart then rolls down the hill and turns into a home for Betty and Bimbo.
(Source: Wikipedia)
Synopsis
Associated with the fairy tale Jack and the Beanstalk, Bimbo plants some magic beans which grow into a gigantic beanstalk. He then climbs to the top of the beanstalk where he finds Betty Boop who is enslaved and forced to cook for the Hungry Giant. Bimbo rescues Betty from the Giant and they both escape on a flying magical hen.
(Source: Wikipedia)
Synopsis:
As a ship sails in stormy water, it begins to sink and passengers try to leave using whatever method they can. Betty, Bimbo and Koko end up on a raft. After Betty sings a song, they see a ship and think they are going to be saved but it turns out to be a pirate ship. They are captured and the captain eyes up Betty as she tries to cover her legs by pulling down her dress. Koko and Bimbo are put in irons whilst Betty remains on deck. When all the pirates are eventually eaten by a large fish, Betty, Bimbo and Koko remain on board laughing as the cartoon ends.
Synopsis[edit]
Betty and Bimbo take a trip to Crazy Town for a small vacation where anything can happen. They arrive on a train that acts like a horse. Mice are roaring and birds swim in the lake while fish fly in the air. Hats are worn on feet and shoes on heads, while banana peels are eaten instead of the banana.
Fish lure humans into the lake with bait, while women replace their own heads with mannequin heads, as well as cats in a zoo barking with hippos meowing. Betty and Bimbo perform "Let's Go Crazy" for all the animals in Crazytown on a piano which appears out of nowhere from the ground, and after the performance (where, at one point, Bimbo plays the piano with his rear end), the two kiss.
Synopsis[edit]
Bimbo and Koko are sign painter's they have been hired to paint the lettering on the window of Betty Boop's Dancing School". Betty Boop teaches her animal friends how to dance to the tune of "Dancing to Save Your Soul", the dancing shakes the building and the building crumbles to the ground.
Visit Tales from Weirdland here: https://www.youtube.com/channel/UCqje....
Synopsis:
Betty visits Bimbo the fortune teller for some advice, but Bimbo is only interested in making time with Betty. Bimbo's crystal ball predicts that Betty will be shipwrecked on a desert isle (during which time she sings part of the Irving Berlin song All by Myself), and attacked by evil spirits resembling poltergeists, but rescued by Bimbo. When Bimbo reveals himself by removing his fake beard, a happy Betty embraces him. Unfortunately, a group of the ghosts from the vision burst in on this scene, and chase the two to the desert isle. Betty and Bimbo eventually escape from the ghosts by tricking them into going off a cliff into the sea.
Alternate versions:
This short was hand-colorized for a 1970s re-release. Colorized prints are missing several scenes, including three risqué ones;
A strategically paled light reveals Betty's nude outline under her dress
Bimbo's crystal ball shows a nude baby Betty taking a bath
The waves that wash Betty to shore on an island spank her once. Then she walks ashore and takes off her wet outer clothes out of sight behind what appears to be a boulder, but it turns out to be a turtle that sticks out its head and legs and walks off, exposing Betty in her underwear and bra. She blushes and runs behind some shrubs, where she puts on a skirt made of palm leaves (with her bra exposed) before reappearing.
(Source: Wikipedia)
A special opera performance is held for the Little King and his queen, but the diminutive monarch is soon bored by the music. He sneaks out in search of some new entertainment, and spots a sign for Betty Boop at the local vaudeville theatre. After some difficulties getting a pretzel from a vendor, the curtain comes up on Betty's Wild West show. Betty performs several tricks with her horse, entrancing the monarch. He joins Betty on stage for a song and dance number, just in time to be caught by the angry queen. The monarchs leave in the royal carriage, with Betty (hiding on the fender) holding the Little King's hand.
The Little King had appeared in several cartoons produced by Van Beuren Studios (1933–34). In those cartoons he was silent (as he had been in his comic strip). This short is the only one in which the Little King speaks.
(Source: Wikipedia)
An evening-gowned Olive Oyl is watching a show on TV featuring a classy French gent called the International, who delivers romantic monologues to his female audience. Olive is so caught up in the romance and enchantment of this fancy fellow that she forgets all about her date with Popeye, which annoys The Sailorman no end. When The International announces that some lucky eligible maiden may have a date to meet him in person, Olive is delighted and Popeye is disgusted.
Bluto happens to be standing at Olive's window and overhears the conversation, so he gets an idea...
The doorbell rings and when Olive opens it, she is over the moon. There stands a handsome, strapping gentleman in a tuxedo and top hat, who pays her compliments in a French accent and proceeds to flirt with the enthralled brunette. Popeye, however, is having none of that and does everything he can to thwart the suave star.
The fancy Frenchman challenges the squinting swabbie to a sword duel. This intrigues the lovely Ms. Oyl -- until The International seemingly stabs Popeye in the chest, and then the raven-haired cutie's delight turns to abject horror.
Bluto impersonates "The International," Olive's TV idol
However, Popeye is perfectly fine. What The International's sword hit was the can of spinach Popeye was toting in his shirt, and The Sailorman gulps down the high-vitamin plant-based nutritional aid and slashes at his handsome adversary with his sword, cutting away the fancy tuxedo to reveal a sailor suit underneath. Olive realizes that the tuxedoed muscleman who danced with her and made flirtatious remarks to her was not her idol after all, but only Bluto in disguise, at which point she is extremely dismayed and disenchanted -- until Popeye downs another can of his wonder veggie and is transformed into an elegant, tuxedo-clad French gentleman.
(Source: Popeye the Sailorpedia)
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
(Source: Wikipedia)
The Screen Songs are a continuation of the earlier Fleischer series Song Car-Tunes. They are sing-along shorts featuring the famous "bouncing ball", a sort of precursor to modern karaoke videos. They often featured popular melodies of the day. The early Song Car-Tunes were among the earliest sound films, produced two years before The Jazz Singer. They were largely unknown at the time because their release was limited to the chain of 36 theaters operated by The Red Seal Pictures Company, which was equipped with the early Lee DeForest Phonofilm sound reproduction equipment. The Red Seal theater chain—formed by the Fleischers, DeForest, Edwin Miles Fadiman, and Hugo Riesenfeld—went from the East Coast to Columbus, Ohio.
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
(Source: Wikipedia)
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
(Source: Wikipedia)
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
(Source: Wikipedia)
A fisherman deals with rebellious worms, a diver flirts with a Betty Boop-like mermaid who becomes Ethel Merman, singing the title song in live-action followed by the Bouncing Ball.
(Source: Wikipedia)
Between May 1924 and September 1926, the Fleischers released 36 Song Car-Tunes series, with 19 using the Phonofilm sound-on-film process. The films included Oh Mabel, Come Take a Trip in My Airship, Darling Nelly Gray, Has Anybody Here Seen Kelly?, and By the Light of the Silvery Moon. Beginning with My Old Kentucky Home (1926), the cartoons featured the "follow the bouncing ball" gimmick, that lead the audience singing along with the film. The other 17 films in the Song Car-Tunes series were silent, designed to be shown with live music in movie theaters.
The Fleischers were ahead of the sound revolution, and just missed the actual change when Red Seal Pictures filed for bankruptcy in the fall of 1926.
(Source: Wikipedia)
Kitty (Betty) was walking to a Kansas City train station, and she waited for her train to “Rudy Valley”, a place where her friend (Rudy) lives. As she waited, the train’s mail compartment sign snatches her. A mouse writes “Fe” behind mail, as a parody of the word “female”.
She reaches “Rudy Valley”, where the cartoon changes to a live-action performance of Vallée and his “Connecticut Yankees” singing and playing the song. Then, the scene goes back to the cartoon, where Kitty does some of the antics in the lyrics, the film ending with Kitty unpluggin a water stopping cork in a pond, with a parade of marine creature following Kitty.
The live-action performance (and the second cartoon sequence) have the pre-recorded soundtrack off, by about a second and a half.
(Source: Wikipedia)
Barnacle Bill (Bimbo) is a sailor on a ship that has just come into port. As soon as he can get off the ship, he heads for Nancy Lee's (Betty Boop) house. When he gets there he begins knocking on her door. Bimbo and Betty begin singing the lyrics to a tame version of "Barnacle Bill the Sailor." The actions of the film follow along the song's storyline, with Barnacle Bimbo romancing Betty and then leaving her to go back to sea.
Like many early Fleischer Studios films, this film was inspired by a popular song, a version of "Barnacle Bill" written in 1928 by Frank Luther & Carson Robison and performed by Hoagy Carmichael. It has nothing to do with William Bernard, the sailor and California Gold Rush character known as "Barnacle Bill".[1]
In this cartoon, Betty Boop still retains some of the canine physical characteristics that she had in her first screen appearance, Dizzy Dishes.
(Source: Wikipedia)
The short was the final theatrical appearance of Betty until her 1988 cameo in Who Framed Roger Rabbit.
Synopsis:
Betty Boop's Swing Band visits an Indian reservation. The Indians borrow all the musical instruments, but not knowing their real purpose, they find odd uses for them. Betty demonstrates the correct use of the kettle drum and teaches the braves the true meaning of 'rhythm.'
Plot:
Betty's the owner and operator of the Bizzy Bee, a popular lunch wagon in the city. Even though hotcakes are the only food item on the menu, the place is always packed, thanks to Betty Boop's cute face. A running gag centers around a hippo vainly requesting that someone "please pass the sugar;" in the end, everyone becomes constipated and have bellyaches and he's covered with sugar.
(Source: Wikipedia)
Betty runs the local pet store. Silent Henry wants to buy a puppy, but only has two cents. Soft-hearted Betty offers to let Henry work off the difference at her store. She soon regrets this decision after Henry causes a ruckus trying to manage the pets. In the end, Henry recaptures some escaped birds (by letting them eat seeds off his head), and Betty rewards him with a puppy.
The Henry comic strip debuted in 1932, and still runs in some papers. This short was Henry's sole animated appearance.
Betty sings "Everybody Ought to Have a Pet."
A Song a Day is a 1936 Fleischer Studios animated short film starring Betty Boop and featuring Grampy.
At Betty Boop's Animal Hospital, various animals have appropriate ailments - a giraffe has a pain in the neck, a herring is pickled, etc. Morale becomes a problem until Professor Grampy comes to the rescue with a song and dance to cure the blues.
Plot:
Betty responds to an ad for employment ("Girl Wanted--Top Floor--Female Preferred"), along with an enormous group of fellow applicants. When the interviewing manager asks Betty what she can do, Betty replies in song that she can't type or take dictation, but that she can provide other benefits. The businessman sends the other applicants away via a trap door, and hires Betty.
Betty is happy with her new job, but the boss soon takes liberties with his employee. Scared, Betty calls for help. The police arrive on the scene, making several futile attempts to enter the building. They finally whittle down the skyscraper by firing machine guns into it. Betty and her boss appear in silhouette behind the window shade, but when the shade is raised, the two are locked in an embrace. Betty exclaims "Fresh!" and pulls the shade back down for some privacy.
Pudgy the Pup is impressed by a dalmatian fire dog he sees out his window. Against Betty Boop's orders, Pudgy accompanies the fire dog to a fire at a general store. Pudgy tries to help out, but the fire takes on a (animated) life of its own and gets the better of Pudgy. In the end, Pudgy is happy to run back home to Betty Boop who is not happy that Pudgy left.
Notes:
The fourth and last time Betty spanks Pudgy for punishment. She also spanked him in Betty Boop's Little Pal, Taking the Blame and We Did It.
Synopsis:
Betty Boop's automobile runs out of gasoline while driving through hillbilly country. When she goes up to a nearby shack to ask for help, landowner Zonk Peters and his family are suspicious of the stranger, mistaking her for an attacking Hatfield, but Betty wins them with her dancing. Soon the entire Peters clan are making music and dancing. Betty's new friends help her on her way by filling her gas tank with a jug of "corn dripp'ns".
(Source: Wikipedia)
Plot:
In a live action sequence, a reporter interviewing Max Fleischer asks him about Betty Boop. Max obligingly draws Betty "out of the inkwell" and asks her to perform a couple of numbers. Song and dance numbers from Stopping the Show, Betty Boop's Bamboo Isle, and The Old Man of the Mountain are used.
In the end, Betty jumps back into the inkwell, accidentally splashing ink into the reporter's face.
Synopsis:
At Betty Boop's Music School for Animals, Pudgy the dog doesn't do so well, but puppy love triumphs.
(Source: Wikipedia)
The cartoon opens with a live action sequence of Cab Calloway and his orchestra performing an instrumental rendition of "St. James Infirmary". Then Betty Boop gets into a fight with her parents, runs away from home with her friend Bimbo, and sings excerpts of the Harry Von Tilzer song "They Always Pick on Me" (1911) and the song "Mean to Me" (1929).
Betty and Bimbo end up in a cave where a walrus, with Cab Calloway's voice, sings "Minnie the Moocher" and dances to the melancholy song. Calloway is joined in the performance by various ghosts, goblins, skeletons, and other frightening things. Betty and Bimbo are subjected to skeletons drinking at a bar; ghost prisoners sitting in electric chairs; a mother cat with skull-like eyes feeding her equally empty-eyed kittens; and so on. Betty and Bimbo both change their minds about running away and rush back home with every ghost right behind them. The film ends with Calloway performing the instrumental "Vine Street Blues".
Directed by: Dave Fleischer
Produced by: Max Fleischer
Voices by: Mae Questel, Cab Calloway (vocal chorus)
Animation by: Willard Bowsky, Ralph Somerville
Studio: Fleischer Studios
Distributed by: Paramount Pictures (National Amusements)
Release date(s): March 11, 1932
(Source: Wikipedia)
Synopsis:
A hurdy-gurdy man comes by Betty Boop's house. She wants to buy his cute baby monkey. While Betty is outside haggling over the price, the monkey is inside causing plenty of trouble for Pudgy the Pup.
Synopsis:
Betty offers to take her nephew Junior to see the carnival. Before they can leave the house, it starts to thunder and rain, making it impossible to attend the carnival. Betty's upstair's neighbor Grampy saves the day by using his crazy inventions to turn the apartment (and eventually, even the whole house with a huge umbrella covering it) into a circus.
From Wikipedia: She Wronged Him Right is a 1934 Fleischer Studios animated short film, starring Betty Boop. This is also the first appearance of Betty's semi-regular boyfriend, Fearless Fred. Betty Boop appears in a stage play, complete with obvious theatrical backdrops. Betty doesn't have the money to pay the mortgage, so the dastardly villain Heeza Rat threatens to foreclose unless Betty agrees to marry him. The villain threatens Betty in various ways until the handsome and muscular Fearless Fred comes to her rescue.
Visit Tales from Weirdland: youtube.com/channel/UCqje4E9YkfGV9IA19AeHygw.
From Wikipedia: Red Hot Mamma is a 1934 Fleischer Studios Betty Boop animated short, directed by Dave Fleischer. It's a snowy winter's night, and a shivering Betty is trying to sleep. Shutting all the windows isn't enough, so she lights a roaring fire in the fireplace and falls asleep on the hearthplace rug. The heat of the flames soon turns two roosting chickens into roasted chickens, and causes Betty to dream that her fireplace has become the gate to Hell itself. Betty explores the underworld, and sings "Hell's Bells" for Satan and his minions. When Satan tries to put the moves on Betty, she fixes him with a (literally) icy stare, freezing him and all of Hell. When she falls through a hole and onto an icy surface below, Betty wakes up to find the fire out with the windows open and her bed frozen, and she goes to bed, this time under a pile of warm quilts.
From Wikipedia: Snow-White, also known as Betty Boop in Snow-White, is a film in the Betty Boop series from Max Fleischer's Fleischer Studios directed in 1933. Dave Fleischer was credited as director, although virtually all the animation was done by Roland Crandall. Crandall received the opportunity to make Snow-White on his own as a reward for his several years of devotion to the Fleischer studio, and the resulting film is considered both his masterwork and an important milestone of The Golden Age of American animation. Snow-White took Crandall six months to complete.
Plot: A magic mirror, with a face resembling Cab Calloway, proclaims Betty Boop to be "the fairest in the land", much to the anger of the Queen (who resembles Olive Oyl). The Queen orders her guards Bimbo and Koko to behead Betty. With tears in their eyes, they take Betty into the forest and prepare to execute her. Betty escapes into a frozen river, which encloses her in a coffin of ice. This block slips downhill to the home of the seven dwarfs, who carry the frozen Betty into an enchanted cave. Meanwhile, Koko and Bimbo fall down a hole and arrives at the same cave (with the Queen (who turned hersself into a Witch) , where the evil Queen turns him into a grotesque creature as he sings the St. James Infirmary Blues. With her rivals disposed of, the Queen again asks the magic mirror who the fairest in the land is, but the mirror explodes in a puff of magic smoke that returns Betty and Koko to their normal states and changes the Queen into a hideous monster. The queen monster chases the protagonists until Bimbo grabs its tongue and, with one mighty yank turns it inside out and leaving the skeleton monster to flee away. Betty, Koko, and Bimbo dance around in a circle of victory as the film ends.
Plot:
It is Halloween, and Jack Frost (in his ice-covered airplane) covers the fields with frost. A chilly scarecrow plucks a wind-blown piece of paper out of the air; it is an invitation to Betty's Hallowe'en party ("p.s., Bring Your Lunch"). Betty is mass-producing jack o'lanterns with the help of her animal friends. The partygoers arrive, and join with Betty in song. Meanwhile, a hulking gorilla gatecrashes the party, and threatens to ruin the evening. Betty and her friends turn the table on the beast, and scare him out the party.
Production notes:
Betty sings "Let's All Sing Like the Birdies Sing", which features background vocals sung by fellow voice actress Mae Questel along with a studio chorus.
Synopsis:
Pudgy the Pup is impressed by a dalmatian fire dog he sees out his window. Against Betty Boop's orders, Pudgy accompanies the fire dog to a fire at a general store. Pudgy tries to help out, but the fire takes on a (animated) life of its own and gets the better of Pudgy. In the end, Pudgy is happy to run back home to Betty Boop who is not happy that Pudgy left.
Notes:
The fourth and last time Betty spanks Pudgy for punishment. She also spanked him in Betty Boop's Little Pal, Taking the Blame and We Did It.
(Source: Wikipedia)
Synopsis:
Betty Boop campaigns for Grampy for Mayor, and wins by one vote (despite the fact the town's paper says it's a landslide). However, he later finds out the job isn't as glamorous as he thought. Nonetheless, he helps solve some of the city's issues, such as building a free bridge on the river, creating a public automatic root beer stand, etc., and the townspeople love him.
The short begins with a live-action introduction of Calloway and his orchestra, who perform a short chorus of "Minnie the Moocher" (Calloway-Gaskill-Mills) before performing a vamp of the title song, "The Old Man of the Mountain" (Young-Hill (Brown)).
As the cartoon proper begins, a lion on roller skates (made of rabbits) rushes from his guard post atop a mountain, racing into a nearby village shouting "Look out! The Old Man of the Mountain!" The lion's warning sparks a mass exodus of the other animals who pack up their things and start to flee as the lion continues to warn "Look out! The Old Man of the Mountain!"
In time, Betty Boop emerges from a guest house in order to find out what is going on. She confronts a passing owl, who in song describes the Old Man of the Mountain, a predatory hermit who threatens the livelihood of the villagers, particularly the women. Despite the owl's warnings, Betty is curious and declares, "I'm going up to see that old man of the mountain", and starts a trek up the mountainside. She passes several people fleeing from the Old Man, including a woman pushing a carriage with her triplets—who look suspiciously like the Old Man of the Mountain.
When Betty gets to the top of the mountain, the Old Man of the Mountain emerges from behind a rock. Over twice as tall as Betty, the Old Man backs the girl into his cave and, as Betty fights off his advances, begins to sing with her a duet of "You Gotta Ho-De-Ho (To Get Along with Me)" (Robinson-Hill (Brown)). Betty loosens up and joins in, and the two begin to flirt with each other. After his first verse, the Old Man looms menacingly over Betty.
"What'cha gonna do now?" Betty asks, frightened.
"Gonna do the best I can," the Old Man replies, launching into a jazzy dance routine. The Old Man and Betty continue to dance together, but when the song is over, the Old Man makes a lustful grab for Betty, who runs for her life back down the mountainside.
The Old Man gives chase, and grabs Betty just long enough to catch hold of her dress, which Betty jumps out of. As Betty finds refuge behind a large tree in her underwear, her dress comes to life and slaps the Old Man before running back to its owner. Betty climbs the tree to apparent safety, but as the Old Man comes over and attempts to coax her down with "The Scat Song" (Calloway-Perkins-Parish), he picks the tree up and bounces it on the ground, causing Betty to slide down.
Before he can have his way with her, however, the animals from the village rally to Betty's aid and surround the Old Man, tying his arms and legs together by a tree. They then proceed to beat him up, tickle and humiliate him, thus exacting revenge for all the times he had made their lives a misery, with Betty watching with glee.
Controversy
According to film historian Christopher Lehman, the sexually suggestive nature of this film caused "some Americans at the time, especially Catholics," to complain to exhibitors who then pressured Paramount Studios (distributor of the Betty Boop series) to tone down the Betty Boop character, which subsequently pressured Fleischer Studios to do the same thing. This can be seen when an old man sees Betty and acts crazy, a fish starts to follow her before getting hit by his wife, and Betty's dress even is removed in one scene. According to Lehman, "In dispensing with the African-American entertainers and their music after limiting the 'Betty Boop' series' sexual references, [Max] Fleischer thus acknowledged the widely assumed connection between raciness and blackness." After 1934, African-American jazz music would no longer appear in Betty Boop cartoons, and she metamorphosized into a more conservative, mature, domestic character who often played only a supporting role.
(Source: Wikipedia)
Betty Boop for President is a 1932 Fleischer Studios animated short film starring Betty Boop. It was released on November 4, 1932 by Paramount Pictures.
Plot: Betty runs for the office of President against Mr. Nobody. Both candidates state their platform through song and dance.
In answer to various problems and political issues, Mr. Nobody consistently promises that "nobody" will solve the problem:
Who will make your taxes light?... Mr. Nobody!
Who'll protect the voters' right?... Mr. Nobody!
Should you come home some early dawn,
See a new milkman is on:
Who cares if your wife is gone?... Mr. Nobody
Betty's promises for improvements are shown, including door to door trolley stops, improved conditions for keeping the streets clean, and even a giant umbrella to protect the whole city from rain. Betty also promises to tame a split and incorrigible Congress made up of donkey Democrats and elephant Republicans, and offers a simple solution for prison reform: she will transform each hardened criminal into a limp-wristed sissy.
Betty's campaign promises win the crowd over, and she is voted into the White House by a landslide. A large parade is held in the new President's honor, as she thanks one and all.
Plot:
When handsome motorcycle police officer Freddy pursues Betty, she accidentally breaks the speed limit. Freddy is forced to arrest her and take her to traffic court. Betty pleads her case in song, but the judge and jury are more interested in her body than what she has to say. After the jury finds her not guilty, Betty starts celebrating as do the jury and Freddy having been kissed by Betty.
Notes and comments:
This short is the second appearance of Fearless Fred, Betty's semi-regular boyfriend, as he had previously appeared in She Wronged Him Right, but they don't seem to know each other in this cartoon.
The last Betty Boop short made before the effects of the Hays Office were felt. One scene has Betty's skirt whirling up, briefly revealing her panty-clad rear end.
A scene briefly showing Freddy in blackface was removed from later colorized prints.
Excerpts of the courtroom scene were shown in the February 21, 1976 edition of Weekend Update on Saturday Night Live, being passed off as an "Artist's Rendering" of the week's developments in the Patty Hearst trial.
(Source: Wikipedia)
Synopsis:
Betty wakes up in the morning after her birthday party. The house is a shamble, and Betty is not looking forward to cleaning up. She sings the title song while struggling with her chores. Grampy shows up to take Betty out for a drive, but Betty can't leave until everything is tidy.
Grampy literally puts on his thinking cap (a mortarboard with a lightbulb on top), and invents a host of labor-saving devices: a cuckoo clock powered dishwasher, a combination bicycle and floor scrubber, and a player piano that folds laundry. In no time at all, the dancing inventor has the house spic and span, just in time to take Betty for a spin in his automobile (which features a built-in soda fountain).
Notes:
This is the first episode in which Betty doesn't have a separated layer of her hair shown.
Plot:
Betty Boop and Little Jimmy are working out in an attic equipped with 1930s vintage exercise equipment. Betty sings the song "Keep Your Girlish Figure" and Little Jimmy responds with a verse "If you're thin, don't worry over that. Just begin to laugh and you'll grow fat".
Betty starts using a belt exercise machine, but gets into trouble when its control gets stuck. She sends Little Jimmy to get an electrician, but along the way he gets distracted and the object of his search keeps changing – magician, politician, musician etc. Finally, he comes across an old spring mattress. He pulls out the springs, placing them on his feet, and goes bouncing all through the neighborhood, breaking through a market canopy, bouncing higher, back to Betty's house and up to the attic window. Flying through, his foot disconnects the plug to the exercise machine. By now, Betty is pencil thin (her figure thinner than Olive Oyl's), and she looks so funny with the huge head and spindly body that she and Little Jimmy along with the furniture and scale laugh non-stop to the extent that both Betty and Jimmy blow up to be as round as balloons.
(Source: Wikipedia)
Synopsis:
Wiffle Piffle is an annoying door to door salesman, selling a variety of useless gadgets. As he cheerfully walks from house to house, both arms are continuously moving as if flapping in the breeze. As he stops at house after house, he is immediately turned away.
Betty Boop is the first to listen to his sales pitch, where he promises such wonders as a "woolen hammer and rubber nails", a "sieve that never leaks" and some "brand new antiques". Betty politely tells him "Nothing today, kind sir". Apparently, this is the most favorable response he has gotten, so he goes around to the side door to try again. Betty is somewhat more insistent in telling him "Nothing today, kind sir".
He tries again at the back door and this time Betty Boop agrees to let him show his wares. These include:
A mouse trap shaped like a wedge of cheese contains a mechanical cat that slugs the mouse with a blackjack.
A smaller home version of the "spot remover" first seen in Betty Boop's Crazy Inventions (1933).
A rocket that does the laundry, first spinning the clothes around in the sink and then rocketing out the window to hang them out to dry.
A "superheterodyne vacuum cleaner" that is so powerful, that it pulls the whiskers off a portrait.
The gag of an overly powerful vacuum had been used before, and the surprise in this cartoon occurs when it is switched to reverse. Wiffle Piffle loses control of the vacuum cleaner and its powerful exhaust wreaks havoc, knocking over the furniture and finally blasts a piano through the wall.
Betty learns that she was better off to say "Nothing today, kind sir" and sends the salesman on his way. The unflappable Wiffle Piffle gathers his hat and sample case and continues on his way.
Notes and comments:
Second of only two appearances of Wiffle Piffle in the Betty Boop series. He had previously appeared in 1937's Whoops! I'm a Cowboy. Otherwise, Wiffle Piffle appeared only in the Screen Songs series.
Wiffle Piffle is a well-dressed but odd-looking character. His short cartoon body is topped by an unusually long neck and a large circular head. He wears a suit with a vest and a black top hat.
Wiffle Piffle later appears as a background character in Who Framed Roger Rabbit.
Synopsis:
Myron the kitten and his mother, from a previous Betty Boop cartoon called Happy You and Merry Me make a return appearance.
Sorry about the poor quality, there doesn't seem to be a good quality version anywhere.
Synopsis:
Myron the kitten and his mother, from a previous Betty Boop cartoon called Happy You and Merry Me make a return appearance.


