0:00 I. The Birds Lament 2:50 II. The Widow Bird 4:15 III. The Ladybird 6:28 IV. Glow-worms 8:45 V. The Lark
The Birds' Lament words by John Clare
1. Oh, says the linnet, if I sing, My love forsook me in the spring, And nevermore will I be seen without my satin gown of green.
2. Oh, says the pretty feathered jay, Now my love is gone away And for the memory of my dear A feather of each sort I'll wear.
3. Oh, says the rook and eke the crow, The reason why in black we go Because our love has us forsook So pity us poor crow and rook.
4. Oh, says the pretty speckled thrush that changes its note from bush to bush, My love has left me here alone, I fear she never will return.
The Widow Bird words by P. B. Shelley
A widow bird sate mourning for her love Upon a leafy bough; The frozen wind crept on above, The freezing wind below.
There was no leaf upon the forest bare, No flow'r upon the ground. And little motion in the air Except the millwheel's sound.
Clock-a-clay words by John Clare
1. In the cowslip pips I lie Hidden from the buzzing fly, While green grass beneath me lies, Pearled with dew like fishes' eyes, Here I lie a Clock-a-clay, Waiting for the time of day
2. While grassy forest quakes surprise And the wild wind sobs and sighs, My home rocks as like to fall, On its pillar green and tall, While the patt'ring rain drives by, Clock-a-clay keeps warm and dry.
3. Day by day and night by night, All the week I hide from sight, In the cowslip pips I lie, in rain and dew still warm and dry, Day and night and night and day, Red, black spotted Clock-a-clay
4. My home shakes in wind and showers Pale green pillar topped with flowers Bending at the wild winds breath, Till I touch the grass beneath, Here I live, lone Clock-a-clay, Watching for the time of day.
Glow-worms words by Andrew Marvell
Ye living lamps, by whose dear light the nightingale does sit so late, And studying all the summer night her matchless song does meditate:
Ye country comets, that portend No war nor princes funeral, Shining unto no higher end than to presage the grass's fall:
Ye glow-worms, whose officious flame to wand'ring mowers shows the way, that in the night have lost their aim and after foolish fires do stray.
Your courteous lights in vain you waste, Since Juliana here is come, For she my mind hath so displaced that I shall never find my home.
The Lark words by S. T. Coleridge
Do you ask what the birds say? The sparrow, the dove, The linnet and thrush say, 'I love and I love.'
In the winter they're silent, the wind is so strong; What it says I don't know, but it sings a loud song.
But green leaves, and blossoms, and sunny warm weather, And singing and loving all come back together.
But the lark is so brimful of gladness and love, The green fields below him the blue sky above.
0:00 I. Allegro moderato 8:46 II. Adagio 14:30 III. Allegro con spirito, quasi presto[Score] Victor Ewald - Brass Quintet No. 3, Op. 7AndewMole2024-09-26 | Audio: youtube.com/playlist?list=OLAK5uy_kf7DvWHWYOCKw6gdATgJvh0LOompEEOZQ Center City Brass Quintet Anthony DiLorenzo and Geoffrey Hardcastle, trumpets Richard King, horn Steven Witser, trombone Craig Knox, tuba
0:00 I. Allegro moderato 5:31 II. Intermezzo 10:31 III. Andante 14:12 IV. Vivo[Score] Jean Françaix - Pavane pour un Génie vivant (1987) for chamber orchestraAndewMole2024-09-24 | Score: schott-music.com/en/pavane-no151829.html Audio: youtube.com/watch?v=ArKE-V8wcAI Ulster Orchestra Thierry Fischer, conductor[Score] Levee Dance - Clarence Cameron White (for violin and piano), Op. 27 No. 2AndewMole2024-09-23 | Audio: youtube.com/watch?v=761mKvOhwu4 Jascha Heifetz, violin Milton Kaye, piano[Score] Richard Rodney Bennett - Celebration (1991) for orchestraAndewMole2024-09-22 | Commissioned by the Maryland Symphony Orchestra in celebration of its 10th Anniversary Season. Dedicated to the founders, subscribers and musicians of the Maryland Symphony. Score (in C): issuu.com/scoresondemand/docs/celebration_8177 Audio: youtube.com/watch?v=chZUDScJ4_M BBC Scottish Symphony Orchestra John Wilson, conductor[Full Score] Eric Coates - The Three Bears (A Phantasy) for orchestra (1926)AndewMole2024-09-21 | Audio: open.spotify.com/album/1AxFaPMyal2RnKSAQbnWAs BBC Philharmonic Orchestra John Wilson, conductor
0:00 WHO'S BEEN SITTING IN MY CHAIR? 0:10 Goldilocks gets out of bed and dresses. She steals quietly downstairs. She stops to listen to the clock ticking 0:32 Clock strikes five. Goldilocks runs on her way. Goldilocks reaches the Bears' House 1:29 Goldilocks knocks at the Bears' door. The Robin Redbreast trills a warning. She goes into the Bears' House. 2:25 Goldilocks falls asleep in the small Bear's Bed 3:14 Enter the Three Bears 3:59 The Three Bears rush upstairs, where they discover Goldilocks fast asleep, in the Small Bear's Bed. Goldilocks jumps out of bed 4:13 She runs away, followed by the Three Bears. The Three Bears stop for a moment to catch their breath. The Three Bears become more and more out of breath. The Three Bears give up the chase in disgust 5:24 The Three Bears make the best of it and return home, in the best of humour 6:27 Goldilocks continues on her way home. Goldilocks tells her grandmamma all about the Three Bears and how she fell asleep in the small Bear's Bed 8:31 As for the Three Bears – They put up a notice: "BEWARE! THREE HUNGRY BEARS LIVE HERE!"[Full Score] Debussy - La boîte à joujoux (The Toy-Box), L. 128 (orch. Caplet)AndewMole2024-09-20 | Score: vmirror.imslp.org/files/imglnks/usimg/1/18/IMSLP723807-PMLP7556-00._DEBUSSY_-_LA_BOITE_A_JOUJOUX_-_Conductor_Score.pdf Audio: youtube.com/playlist?list=OLAK5uy_lcLXAPWcK9g-4ErSFUZoM9RFo2hUrsMwc Seattle Symphony Orchestra Ludovic Morlot, conductor
0:00 Prélude: Le sommeil de la boîte (The toy-box asleep) 2:20 Tableau 1: Le magasin de jouets (The toy shop) 3:55 - Pas de l'éléphant 5:28 - Danse de l'arlequin 6:05 - Le soldat anglais 6:39 - Polichinelle 7:24 - Le nègre 7:52 - Le policeman 8:27 - Valse: Danse de la poupée (The doll's waltz) 10:51 - Le marin 13:14 Tableau 2: Le champ de bataille (The field of battle) 22:52 Tableau 3: La bergerie à vendre (The sheepfold for sale) 29:22 Tableau 4: Après fortune faite (After making a fortune) 31:12 Épilogue[Score] Jean Françaix - Ouverture anacréontique (1978) for orchestraAndewMole2024-09-19 | Score: schott-music.com/en/ouverture-anacreontique-no151806.html Audio: youtube.com/watch?v=FLW-vB9rx7g Ulster Orchestra Thierry Fischer, conductor[Score] Richard Rodney Bennett - Symphony No. 3 (1987)AndewMole2024-09-18 | Score: issuu.com/scoresondemand/docs/symphony_no3_8210 Audio: youtube.com/playlist?list=OLAK5uy_kIx7g_hYB3Jw2bl5ZGhePqZGssoJhtqQ8 BBC Scottish Symphony Orchestra John Wilson, conductor
0:00 I. Lento 9:45 II. Largo 15:50 III. Allegro molto[Score] Gershwin - I Got Rhythm (arr. Robert Russell Bennett for voices and orchestra)AndewMole2024-09-15 | Score: schott-music.com/en/girl-crazy-no251312.html Audio: youtube.com/watch?v=boimO-9AM_I Dame Kiri Te Kanawa, vocal soloist The Foursome, male voices New Princess Theater Orchestra John McGlinn, conductor[Score] Jean Françaix - Quadruple Concerto (1935) for flute, oboe, clarinet, bassoon and orchestraAndewMole2024-09-14 | Score: https://classic-online.ru/uploads/000_notes/27400/27317.pdf Audio: youtube.com/playlist?list=OLAK5uy_kbCJoHPA-apgDs9K-p4vXXz7BSBKPqvGk Martin-Ulrich Senn, flute Marie-Luise Moderson, oboe Jörg Fadle, clarinet Hans Lemke, bassoon Deutsches Symphonie-Orchester Berlin Hans E. Zimmer, conductor
0:00 I. Allegretto tranquillo 2:51 II. Vivo, scherzando 6:01 III. Andante 9:08 IV. Finale. Presto[Score] Richard Rodney Bennett - Sinfonietta (1984) for orchestraAndewMole2024-09-13 | Commissioned by the National Federation of Music Societies with funds provided by the Arts Council of Great Britain Score (in C): issuu.com/scoresondemand/docs/sinfonietta_8206 Audio: youtube.com/watch?v=An79iZRRCR8 BBC Scottish Symphony Orchestra John Wilson, conductor
0:00 I. Petite Valse - Introduction (after Valse for l'Album des Six, FP 17) 2:15 II. Elègie (after Elègie en accords alternés, FP 175) 6:56 III. L'embarquement pour Cythère, grande valse dèmocratique (after FP 150)[Score] Daniel Isgar - In Their Gentle Presence (2014) for trombone octetAndewMole2024-09-11 | Audio: youtube.com/watch?v=vxXQuH2BvHc Columbus State Trombone Ensemble[Score] Charles Gounod - 6 Mélodies for horn and pianoAndewMole2024-09-10 | Audio: youtube.com/playlist?list=OLAK5uy_ms4_BlkPwjhslGckMyngCM5teqSE_1Su4 Barry Tuckwell, horn Daniel Blumenthal, piano
0:00 I. Larghetto 5:02 II. Andantino 8:22 III. Andante cantabile 12:22 IV. Andante, quasi Allegretto, ma non troppo 17:55 V. Andante 21:15 VI. Larghetto[Score] Frank Martin - Concerto for 7 wind instruments, timpani, percussion and string orchestraAndewMole2024-09-09 | Score: universaledition.com/media/f2/41/6f/1693244165/c4bc967c669f926212e326375d9004e4.pdf Audio: youtube.com/playlist?list=OLAK5uy_mJcOAA9CSQJWFOghlKUs1XoPOEYmhQdf0 Celia Chambers, flute Ian Hardwick, oboe Robert Hill, clarinet Philip Tarlton, bassoon Paul Archibald, trumpet Richard Bissill, horn Bettina Jensen, trombone Russell Jordan, timpani Keith Millar, Gerald Kirby and Benedict Hoffnung, percussion London Philharmonic Orchestra Matthias Bamert, conductor
0:00 I. Tema per Violoncello ed Arpa 1:58 II. Interludio per Corde 3:40 III. Variazione giocosa per Flauto 4:41 IV. Variazione in modo di Scherzo per Clarinetto 6:32 V. Variazione drammatica per Viola 9:57 VI. Variazione canonica per Oboe e Fagotto 12:22 VII. Variazione ritmica per Tromba e Trombone 12:57 VIII. Variazione in modo di Moto perpetuo per Violino 14:01 IX. Variazione pastorale per Corno 16:19 X. Interludio per Fiati 17:35 XI. Ripresa dal Tema per Contrabasso 19:28 XII. Variazione finale in modo di Rondo per Orchestra[Score] Jean-Michel Damase - Berceuse, Op. 19 (for horn and piano)AndewMole2024-09-04 | Audio: youtube.com/watch?v=imsOx-_VSbc David Pyatt, horn Martin Jones, piano[Score] Anthony DiLorenzo - Full Tilt (2013) for trombone octetAndewMole2024-09-03 | Audio: youtube.com/watch?v=hQ0ScgjMEvE Trombonists of the Frankfurt Radio Symphony: Norwin Hahn Oliver Siefert Klaus Bruschke Francis Baur Lothar Schmitt Trombonists of the Frankfurt Radio Big Band: Günter Bollmann Christian Jaksjø Robert Hedemann Hans-Reiner Schmidt, conductor[Score] West Side Story (suite) for brass quintet - Leonard Bernstein arr. Jack GaleAndewMole2024-09-02 | Audio: youtube.com/playlist?list=OLAK5uy_mAPphJpYHAFa5e5TOdPD_bCnncA1DUP-Y Center City Brass Quintet Anthony DiLorenzo and Ryan Anthony, trumpets Richard King, horn Steven Witser, trombone Craig Knox, tuba
0:00 1. Prologue 2:28 2. Something's Comin' 4:51 3. Maria 7:44 4. Tonight 9:40 5. America 11:43 6. One Hand, One Heart 13:47 7. I Feel Pretty 15:20 8. Somewhere[Score] Eric Ewazen - A Western Fanfare (1997) for brass choir with percussionAndewMole2024-09-01 | Audio: youtube.com/watch?v=qhzzjgMiZBQ Summit Brass[Score] Terrence Wong - Fortitude (2021) for solo saxophone and chamber ensembleAndewMole2024-08-28 | Fortitude for Solo Soprano/Alto Saxophone and Mixed Chamber Ensemble by Terrence Wong Fei Yang @TerrenceWong89
Audio: youtube.com/watch?v=BG8Z2vAN_F8 Samuel Phua, saxophone @samsax97 Asian Cultural Symphony Orchestra @AsianCulturalSymphonyOrchestra Adrian Chiang, conductor @adrianchiang8493
Commissioned by the Asian Cultural Symphony Orchestra
for performance with rising Singaporean saxophonist
Samuel Phua in 2021, Fortitude serves as a tribute to the
people belonging to the Pioneer and Merdeka generations
of Singapore, acknowledging the multiple hardships they
have endured for the sole purpose of making life better and
more purposeful for their descendants.[Score] Tsao Chieh - Two Little Pieces for Orchestra (1994)AndewMole2024-08-23 | Singapore Symphony Orchestra Lan Shui, conductor
0:00 Idyll 4:48 Dance
The "Two Little Pieces" were written for the Temasek Junior College orchestra upon the request of its resident conductor Mr Chan Tze Law, who also conducted the Singapore Youth Orchestra in the first performance of the "Fugato" from my "Prelude, Interlude, and Fugato". The pieces are deliberately written in an easily accessible late-romantic idiom so that they can be mastered in a relatively limited time by a young orchestra. They are, in a way, pieces which I had always wanted to write as a teenager many years ago but which could not be satisfactorily penned down at that time owing to the lack of compositional technique.
The first piece "Idyll" is in the key of E major, a favourite among romantic composers and one that I am particularly fond of myself. The piece starts with characteristic pizzicato figurations in the strings over which a rising yearning melody unfolds in the first violins. These first 20 bars or so provide almost all the material with which the movement is composed using Wagnerian techniques of motivic development. After moving into the tonic minor, the music reasserts itself in major keys while the rising intervals of the opening melody become increasingly prominent. Chromatic figurations finally lead to a catharsis which is built upon the opening figurations. The movement dies away in a hymn-like passage embroidered by solo cello and violin.
"Dance" is stylistically reminiscent of Grieg and Schumann, and is probably best described as being in abridged sonata form. The first subject group comprises three main portions: the jaunty, opening figures in A minor, a pastoral section characterised by unexpected modulations, and a semiquaver figuration which acts as a bridge to the second subject. This is a long, flowing melody which modulates to remote keys and which is subsequently embroidered with figuration derived from the first subject group. After reaching a climax, the recapitulation begins with an elliptical version of the first subject group. This leads to a restatement of the second subject on cellos and horns, this time in the tonic major and decorated with semiquaver figurations from the transition. The piece ends triumphantly with a short coda in A major.
Two Little Pieces was first performed by the Temasek Junior College Orchestra at a concert at the Victoria Concert Hall, Singapore, on 5th May 1994 with Chan Tze Law conducting. The composer wrote the musical score directly using Finale, hence no handwritten version of the score exists.[Score] Tsao Chieh - Stasis (1988) for orchestraAndewMole2024-08-22 | Audio: youtube.com/watch?v=HpETQ9Kc4N0 Singapore Symphony Orchestra Darrell Ang, conductor
"Stasis" has its origins in some of the ethnic music of the ASEAN countries, particularly Thailand and Bali, where an intricate fabric of rhythmic activity would often convey the sense of a larger equilibrium. This idea of stillness in change led to a piece which, if not strictly "minimalist" in the currently fashionable sense, is at least strongly influenced by such tendencies. In a way, it is a reaction against the complexities of post-Webern serialism so fashionable in the 1950s and 60s.
The whole piece is a succession of modes which are subsets of the scale of A major. Initially comprising only two or three notes, the modes wax and wane in complexity, sometimes becoming pentatonic or hexatonic. Controlled improvisation is used in several places in the work and exotic instrumental effects such as bowed vibraphone, water gong and exhalation sounds contribute to the air of fantasy. In a long pentatonic passage (the scale here is G-sharp, A, B, D and E) for solo flute, strings, percussion and woodwind, C-sharp is avoided until the climactic point, where finally all notes in A major are used simultaneously. After that, the modes gradually diminish in complexity. Vibraphone, celesta and solo violin end the piece on a pentatonic chord.
Stasis was a work specially commissioned by the Singapore Youth Orchestra management committee for the SYO's performance on their tour to Perth, Western Australia in 1988.
It was first performed in Singapore by the Singapore Youth Orchestra under the baton of Music Director Vivien Goh in March 1988 and had its Australian premiere later that same year. Although the composer had a musical rationale for the name "Stasis", another source claimed that he named it after the amplifier that he owned at the time.
The work is scored for standard orchestra augmented by additional percussion including piano, celesta, vibraphone and xylophone.[Full Score] Rachmaninoff orch. Alexander Oon - Prelude in E major, Op. 32 No. 3AndewMole2024-08-21 | Alexander Oon: instagram.com/alexxxnder @alexanderianoon6389 Audio: youtube.com/watch?v=U8tG_-KFLIk Orchestra of the Music Makers @OrchestraMusicMakers Seow Yibin, conductor[Score] Terrence Wong - Wayfarer (2022) for concert bandAndewMole2024-08-18 | Wayfarer for Wind Band Grade 4 by Terrence Wong Fei Yang @TerrenceWong89
0:00 Frontmatter 0:05 I. Halcyon Days 1:51 II. Inevitable Dangers 3:38 III. Light at Tunnel's End 4:09 IV. Renewal
Commissioned by the Tampines Secondary School Concert Band, Wayfarer follows a youth who, in breaking out of their comfort zone, embarks on a difficult yet transformative journey in search of personal identity. Through hard work, perseverance and help from family and friends, the youth grows into a worthy young adult who is both independent and respectable.[Score] Terrence Wong - Force 136 (2020/2024) for concert bandAndewMole2024-08-17 | Force 136 for Wind Band Grade 2.5 by Terrence Wong Fei Yang @TerrenceWong89
Commissioned by Adrian Chiang and the Maris Stella High School Symphonic Band in 2021 for performance at the Singapore Youth Festival Arts Presentation for School Bands, this piece is part of a series of compositions celebrating Singapore’s unsung heroes.
The piece serves as a salute to Lim Bo Seng, who is recognised as one of Singapore’s most famous war heroes, playing an active role in Force 136, which was a secret service organisation in Malaya active during WWII. He accomplished, among other feats, blowing up the Causeway to impede the advance of the Japanese, as well as setting up an intelligence network (Operation Zipper) in four urban areas with the aim of recapturing Malaya with British support by 1945. Unfortunately, he was caught in 1944 and, unyielding in the face of the Kempeitai’s brutality, eventually died in a jail in Perak due to severe malnutrition in the same year.
The title of this piece was decided upon by the band members of the Maris Stella High School Symphonic Band, and the spirited music portrays his unwavering spirit and bravery.
This edition is a revised version for full concert band.[Full Score] Rachmaninoff orch. Alexander Oon - Prelude in G minor, Op. 23 No. 5AndewMole2024-08-16 | Alexander Oon: instagram.com/alexxxnder @alexanderianoon6389 Audio: youtube.com/watch?v=MpkrsTSS-Gs Orchestra of the Music Makers @OrchestraMusicMakers Seow Yibin, conductor[Score] Ding Jian Han: Three Pieces in search of Myself - I (2020)AndewMole2024-08-12 | Ding Jian Han's website: dingjianhancomposer.com @4haki369 Audio: soundcloud.com/dingjh/2020-three-pieces-in-search-of-myself-no1 Ensemble INprogRES Leh-Qiao Liao, conductor Elisabeth Maliks, clarinet Sofie Berge, horn Anna Isabell Haas and Lukas Döhler, violins Severin Haslach, cello[Score] Lee Jinjun - Symphony for Brass and Percussion The Times Have Changed (2021)AndewMole2024-08-07 | Buy the score: leejinjun.com/the-times-have-changed Audio: youtube.com/watch?v=O9oz4LAWLik Orchestra of the Music Makers @OrchestraMusicMakers Tzelaw Chan, conductor
0:00 I. Introduction 7:00 II. Scherzo 12:59 III. Elegy 21:08 IV. Finale
"This Symphony encapsulates the stages of human response towards a calamity that results in huge societal changes. The first movement sparks the onset of the troubling times and the failure of humanity to cope, the scherzo being a devilish dance that mocks humanity's response. The third movement is an elegy that leads to the hopeful finale, where a moto perpetuo leads humanity onto the road to recovery.
The work is dedicated to all of humanity going through the Covid-19 pandemic." - Lee Jinjun @jinjunlee8324[Score] Lee Jinjun - Ayam Titanium (2018) for brass quintetAndewMole2024-08-06 | Buy the score: leejinjun.com/ayam-titanium Chiaki Hirata and Jinjun Lee, trumpets @jinjunlee8324 Sophie Bell, horn Ellena Newton, trombone Harry Cunningham, tuba
On the night of the 30th of February, 2018, a great tragedy happened in the icy plains of Malaysia. An ancient giant robot-chicken awoke from its long slumber, and gazed upon the lands of the tropical country. Full of destructive malice, its first target was a nearby chicken farm, and began a slow ponderous march towards it, while broadcasting a twisted version of the French folk song La Poule through its speakers.
The chickens, seeing a gigantic version of themselves, thought it was their saviour from the heavens, here to free them from captivity. They started clucking in celebration, until the first laser bolt from the giant chicken hit the farm. There was great panic and chaos, and before long, all that was left was a carnage of blood and feathers.
The military responded swiftly to the threat, deploying their tanks and fighter jets and began an all out offensive to take the giant chicken down. Mysteriously, it seemed to be protected by an impenetrable forcefield. As the giant chicken shrugged off the attacks, it squawked, ”You shoot me down, but I won’t fall. AYAM TITANIUM!!!”
Before long, even the military was defeated by this seemingly indestructible creature, and as it marched into the night, the cold winter winds blew. The giant chicken’s total victory was inevitable.
And then I woke up.[Score] Lee Jinjun - Party in Space (2019) for concert bandAndewMole2024-08-02 | SYF 2019 Set Piece (Junior College and Centralised Institute Level) Audio: youtube.com/watch?v=Ux7UEhvTOjE Nanyang Junior College Symphonic Band Gavilan Neo, conductor
"As the youth of Singapore move on to join the workforce, they can bring in exuberant energy, the ability to assess problems from different perspectives, and solve them creatively. This reminds me of the multi-perspective environment of outer space, where there isn’t an up, down, left or right. Hence, the event of Singapore going into the future is much like a Party in Space.
Party in Space brings us on a futuristic and energetic ride, led by today’s youth. The main motif of the work goes through various transformations such as inversion and retrograde, to display the multiple perspectives of our youth. There are also various instrumental, structural and even harmonic choices that a band can make, in a way that represents exploration and creative decision-making. This alludes to how our youths’ decisions will play a pivotal role in shaping the future of Singapore.
Party in Space was commissioned by the Ministry of Education for the Singapore Youth Festival 2019 Arts Presentation for Band." - Lee Jinjun[Score] Lee Jinjun - Festival on Earth (2019) for concert bandAndewMole2024-08-01 | SYF 2019 Set Piece (Secondary Level) Buy the score: bravomusic-inc.com/index.php?main_page=product_info&products_id=5213 Re:Cinta Wind Symphony Dylan Lim, conductor
"To me, Singapore is not only a location, but also an event. Ever since her founding 200 years ago, she has been a huge collective of diverse people coming together, much like a Festival. She is also ever shifting, evolving and tweaking, creating a unique identity for herself.
Like Singapore herself, Festival on Earth seeks to give wind bands an opportunity to create identities for themselves through decision making. In a somewhat modular fashion, bands can choose between various instrumental and structural choices in the piece.
The Festival opens with a loud pop, and a celebratory procession begins. As one starts exploring the festival grounds, we come first to a puppet show. We return to the celebratory atmosphere and follow it until arriving at a romantic play. The next stop is a cluster of booths, and depending on the order you choose to see, we have a tribal dance, a carousel and a game booth. As the festive day draws to a close, one can either leave with quiet satisfaction, or end the day with a bang!
0:00 I. Allegro un poco maestoso 20:28 - Cadenza 26:36 II. Romanze. Andante 36:05 III. Finale alla Zingara. Allegro con spirito[Score] Koussevitzky (orch. Meyer-Tormin) - Double Bass Concerto, Op. 3 (version without harp)AndewMole2024-07-21 | Audio: youtube.com/watch?v=fdLKA0QttSE Gary Karr, contrabass Berlin Radio Symphony Orchestra Uroš Lajovic, conductor
0:00 I. Allegro 5:53 II. Andante 11:57 III. Allegro