Joshua Crebo
The TudorTember 2026 Tag
updated
@MarilynMayaMendoza
Other channels mentioned:
@NicholasOfAutrecourt
@saintdonoghue
@HannahsBooks
Thank you for watching!
My email: joshuacrebo [at] gmail.com
My Instagram: josh_crebo
1. What for you makes a good book?
2. What are you currently reading?
3. What's the last book you didn't finish and why?
4. What obscure book do you wish other people would read?
5. What's the longest book you've ever read?
6. If you could have a dinner party with five fictional characters, who would they be?
7. Five books you'd want if stranded on a desert island.
8. One book you could not put down.
9. Five books or authors you will never read.
10. If you were to write a book, what would it be about?
11. Tag some people.
My email, should you care to chat: joshuacrebo [at] gmail.com
My Instagram: josh_crebo
Email: joshuacrebo [at] gmail.com
Channels mentioned:
Justin @TriumphalReads
Books mentioned:
Anne of Green Gables by L.M. Montgomery
Anne of Avonlea by L.M. Montgomery
Euthyphro by Plato
Beowulf
The Divine Comedy by Dante Alighieri
The Collected Poems by Ursula K. Le Guin
The Selected Essays by Samuel Johnson
I forgot to mention one book in particular, which I began reading in June, but which I DNF’d earlier this month: that is, Mary Queen of Scots by Antonia Fraser. I hope to pick it up back up in the future, but this July just wasn’t the right time for this book.
Thanks for watching!
Instagram: josh_crebo
In this video, I talk about Frank Herbert’s Dune. I discuss the positives and negatives of my experience reading it, and also talk about the various elements (plot, dialogue, prose) within the novel. I hope you enjoy it, and feel free to leave a comment about anything at all!
Steve Donoghue’s Channel: @saintdonoghue
I also encourage you to check out my channel’s playlist of Steve’s Dune Videos.
Email: joshuacrebo [at] gmail.com
Hope you enjoy!!!
Instagram: josh_crebo
Email: joshuacrebo [at] gmail
Email: joshuacrebo [at] gmail.com
Instagram: josh_crebo
“Poem”
“The Forge”
“The Peninsula” 
These poems were read from his selected poems titled “Opened Ground”. I hope you enjoyed.
Instagram: josh_crebo
Email: joshuacrebo [at] gmail.com
The Common Reader by Virginia Woolf
The Silmarillion by JRR Tolkien
The Conquering Family by Thomas B. Costain
Dune by Frank Herbert
The Symposium by Plato
Runaway Horses by Yukio Mishima
Bernard Shaw by Michael Holroyd
Booktubers mentioned:
Steve Donoghue @saintdonoghue
Justin @TriumphalReads
Email: joshuacrebo [at] gmail.com
Instagram: josh_crebo
Thank you for watching!
Email: JoshuaCrebo [at] gmail.com
Hope you enjoyed! This was just a short reading of some poems by Sir Philip Sidney. I’m feeling slightly under the weather, so I apologize if the readings aren’t too great and if the commentary is limited.
Instagram: josh_crebo
Email: joshuacrebo [at] gmail.com
Thank you so much, Pat!
This tag was created by Sabrina @BeyondtheBookReviews
1. SHARE A BOOK WITH WATER ON THE COVER
2. WHAT’S A CLASSIC NOVEL YOU’D LIKE TO CURL UP ON THE COUCH WITH?
3. SHARE A SCARY BOOK YOU WOULD READ DURING A RAIN STORM
4. WHAT’S A GOOD BOOK REC FOR RAINY DAYS?
5. WHAT TWO CHARACTERS WOULD YOU LIKE TO SPEND A RAINY DAY WITH?
6. SHARE A BOOK THAT HAS BLUE ON THE COVER
7. WHAT BOOK HAS A RAINY SETTING AT SOME POINT?
8. WHAT BOOK WOULD YOU NOT MIND USING AS AN UMBRELLA?
9. WHICH CHARACTER WOULD YOU LIKE TO SHARE AN UMBRELLA WITH?
10. SHARE A NOVEL WITH A DRY BEGINNING BUT AMAZING ENDING
I tag any one who watches this video and wants to join in!
Instagram: josh_crebo
Hope you all enjoyed!!!
Instagram: josh_crebo
Instagram: josh_crebo
I figured I would start this new series: Irish Poetry Saturday! I’ll be reading from the book “1000 Years of Irish Poetry”, edited by Kathleen Hoagland.
If you have any thoughts about the poems, feel free to leave a comment. 👍
Email: joshuacrebo [at] gmail.com
A very short poetry reading of Robert Wever’s “In Youth is Pleasure”. I make a few comments on the poem at the end. Feel free to tell me what you thought of the poem!
Email: JoshuaCrebo [at] gmail.com
I had an eventful baseball game this evening, and didn’t play as well as I wanted to. But nothing lifts the spirits like poetry, especially this poem by James Merrill.
Email: JoshuaCrebo [at] gmail.com
I had an eventful baseball game this evening, and didn’t play as well as I wanted to. But nothing lifts the spirits like poetry, especially this poem by James Merrill.
Email: joshuacrebo [at] gmail.com
Books from the likes of Trollope, Rabelais, Hardy, Antonia Fraser, and many more!
I was tagged by Pat: @BookChatWithPat8668
This tag was created by Jolene: @BookwormAdventureGirl
It was inspired by Brian: @BookishTexan
You decide how many books to share with each prompt.
1. Clean Slates: books you’ve read that you don’t remember anything about.
2. Genie’s Lamp: books you wish you could forget.
3. Forgotten Gems: book you think need more love.
4. Forget Me Nots: books you will always remember.
Tag some cool people who love books.
I tag:
@saintdonoghue
@aaronfacer
@davidnovakreadspoetry
@books_and_bocadillos
Books mentioned:
Othello by William Shakespeare
King Lear by William Shakespeare
Hamlet by William Shakespeare
Permanent Astonishment by Tomson Highway
The Idylls of the King by Alfred Lord Tennyson
Charles Dickens by G.K. Chesterton
Pride and Prejudice by Jane Austen
Tales from Earthsea by Ursula K. Le Guin
Instagram: josh_crebo
In this video, I read and comment on three poems by Henry Howard, Earl of Surrey. I hope you enjoy!
My Instagram: josh_crebo
My Email: joshuacrebo [at] gmail.com
Email: joshuacrebo@gmail.com
Instagram: josh_crebo
This video is a reading of William Wordsworth’s epic autobiographical poem “The Prelude, or Growth of a Poet’s Mind.” Here, I start with the first book in the poem, titled “Introduction, Childhood and Schooltime.” The edition I am reading from is the 1805 manuscript, as opposed to the 1850 one.
I am grateful to Pat for tagging me:
https://m.youtube.com/@BookChatWithPat8668
And thanks also to Aaron for creating this wonderful tag:
https://m.youtube.com/@AaronReadABook
When first I journeyed hither, to a home
And dwelling of my own, it was a cold
And stormy season, and from week to week
The pathways and the public roads were clogged
With frequent showers of snow. Upon a hill
At a short distance from my house there stands
A stately fir-grove, whither I was wont
To hasten, for within its shade I found
Commodious harbour, a sequestered nook
Or cloister with an unencumbered floor.
Here in safe covert on the shallow snow,
And sometimes on a speck of visible earth,
The red-breast near me hopped, nor was I loth
To sympathize with vulgar coppice birds
That hither came. A single beech tree grew
Within this grove of firs, and on the fork
Of that one beech there was a thrush’s nest,
A last year’s nest conspicuously built
At such small elevation from the ground
That even an unbreeched boy might look into it:
Sure sign I thought that they who in that house
Of nature and of love had made their home
Among the fir-trees, all the summer long
Dwelt in a quiet place: and oftentimes
A few sheep, stragglers of a scattered flock,
Were my companions and would look at me
From the remotest outskirts of the grove,
Some nook where they had made their final stand
Huddling together from two fears, the fear
Of me and of the storm. Full many an hour
Here did I lose. But in this grove, the trees
Had by the planter been so crowded each
Upon on the other, and withal had thriven
In such perplexed array that I in vain
Between their stems endeavoured to find out
A length of open space where I might walk
Backwards and forwards long as I had liking
In easy and mechanic thoughtlessness.
And, for this cause, I loved the shady grove
Less than I wished to love a place so sweet.
I have a Brother: many times the leaves
Have faded, many times the spring has touched
The heart of bird and beast since from the shores
Of Windermere, from Esthwaite’s cheerful Lake
And her grey cottages, from all the life
And beauty of his native hills he went
To be a Sea-boy on the barren seas.
When we had been divided fourteen years
At length he came to sojourn a short while
Beneath my roof, nor had the sun twice set
Before he made discovery of this grove
Whither from that time forward he repaired
With daily visitation. Other haunts
Meanwhile were mine but from the sultry heat
One morning chancing to betake myself
To this forsaken covert, there I found
A hoary pathway traced around the trees
And winding on with such an easy line
Along a natural opening that I stood
Much wondering at my own simplicity
That I myself had ever failed in search
Of what was now so obvious. With a sense
Of lively joy did I behold this path
Beneath the fir-trees, for at once I knew
That by my Brother’s steps it had been traced.
My thoughts were pleased within me to perceive
That hither he had brought a finer eye,
A heart more wakeful: that more loth to part
From place so lovely he had worn the track,
One of his own deep paths! by pacing here
With that habitual restlessness of foot
Wherewith the Sailor measures o’er and o’er
His short domain upon the Vessel’s deck
While she is travelling through the dreary seas.
When thou hadst gone away from Esthwaite’s shore
And taken thy first leave of these green hills
And rocks that were the play-ground of thy youth.
Year followed year my Brother! And we two
Conversing not knew little in what mold
Each other’s minds were fashioned, and at length
When once again we met in Grasmere Vale
Between us there was little other bond
Than common feelings of fraternal love.
But thou a School-boy to the Sea hadst carried
Undying recollections, Nature there
Was with thee, she who loved us both, she still
Was with thee, and even so thou didst become
A silent Poet! from the solitude
Of the vast Sea didst bring a watchful heart
Still couchant, an inevitable ear
And an eye practised like a blind man’s touch.
Back to the joyless ocean thou art gone:
And now I call the path-way by thy name
And love the fir-grove with a perfect love.
Thither do I repair when cloudless suns
Shine hot or winds blow troublesome and strong;
And there I sit at evening when the steep
Of Silver-How, and Grasmere’s silent Lake
And one green Island gleam between the stems
Of the close firs, a visionary scene!
And while I gaze upon this spectacle
Of clouded splendour, on this dream-like sight
Of solemn loveliness, I think on thee
My Brother, and on all which thou hast lost.
Nor seldom, if I rightly guess, when Thou,
Muttering the verses which I muttered first
Among the mountains, through the midnight watch
Art pacing to and fro the Vessel’s deck
In some far region, here, while o’er my head
At every impulse of the moving breeze
The fir-grove murmurs with a sea-like sound,
Alone I tread this path, for aught I know
Timing my steps to thine, and with a store
Of indistinguishable sympathies
Mingling most earnest wishes for the day
When We, and others whom we love shall meet
A second time in Grasmere’s happy Vale.
Recalls that first and dazzling one
Of 1946. I sat elated
In my old clothes, in the first of several
Furnished rooms, head cocked for the kind of sound
That is recognized only when heard.
A fresh snowfall muffled the road, unplowed
To leave blanker and brighter
The bright, blank page turned overnight.
A yellow pencil in midair
Kept sketching unfamiliar numerals,
The 9 and 6 forming a stereoscope
Through which to seize the Real
Old Fashioned Winter of my landlord’s phrase,
Through the ponderous idèes reçues
Of oak, velour, crochet, also the mantel’s
Baby figures, value told me
In some detail at the outset, might be plumbed
For signs I should not know until I saw them.
But the objects, innocent
(As we all once were) of annual depreciation,
The more I looked, grew shallower,
Pined under a luminous plaid robe
Thrown over us by the twin mullions, sashes,
And unequal oblong panes
Of windows and storm windows. The latter,
Furiously washed, then left to dry unpolished,
Projected onto the opposite wall
Translucent spatterings, like pebbles under water.
And indeed, from within, ripples
Of heat had begun visibly bearing up and away
The bouquets and wreaths of a quarter century.
Let them go, what did I want with them?
It was time to change that wallpaper!
Brittle, sallow in the new radiance,
Time to set the last wreath floating out
Above the dead, to sweep up flowers. The dance
Had ended, it was light; the men looked tired
And awkward in their uniforms.
I sat, head thrown back, and with the dried tears
Of light on my own cheeks, proposed
This bargain with—say with the source of light:
That, given a few years more
(Seven or ten or, what seemed vast, fifteen)
To spend in love, in a country not at war,
I would give in return
All I had. All? A little sun
Rose in my throat, the lease was drawn.
I did not even feel the time expire.
I feel it though, today, in this new room,
Mine, with my things and thoughts, a view
Of housetops, treetops, the walls bare.
A changing light is deepening, is changing
To a gilt ballroom chair a chair
Bound to break under someone before long.
I let the light change also me.
The body that lived through that day
And the sufficient love and relative peace
Of those short years, is now not mine.
Would it be called a soul?
It knows, at any rate,
That when the light dies and the bell rings
It’s leaner veteran will rise to face
Partners not recognized
Until drunk young again and gowned in changing
Flushes; and strains will rise,
The bone-tipped baton beating, rapid, faint
From the street below, from my depressions —
From the doorbell which rings.
One foot asleep, I hop
To let my three friends in. They stamp
Themselves free of the spring’s
Last snow — or so we hope.
One has brought violets in a pot;
The second, wine; the best,
His open, empty hand. Now in the room
The sun is shining like a lamp.
I put the flowers where I need them most
And then, not asking why they come,
Invite the visitors to sit.
If I am host at last
It is of little more than my own past.
May others be at home in it.
What sun shines for thee now?
Dost thou indeed farewell?
As we wished here below.
What season didst thou find?
'Twas winter here.
Are not the fates more kind
Than they appear?
Is thy brow clear again
As in thy youthful years?
And was that ugly pain
The summit of thy fears?
Yet thou wast cheery still,
They could not quench thy fire,
Thou dids't abide their will,
And then retire.
Where chiefly shall I look
To feel thy presence near?
Along the neighboring brook
May I thy voice still hear?
Dost thou still haunt the brink
Of yonder river's tide?
And may I ever think
That thou art at my side?
What bird wilt thou employ
To bring me word of thee?
For it would give them joy,
'Twould give them liberty,
To serve their former lord
With wing and minstrelsy.
A sadder strain has mixed with their song,
They've slowlier built their nests,
Since thou art gone
Their lively labor rests.
Where is the finch—the thrush,
I used to hear?
Ah! they could well abide
The dying year.
Now they no more return,
I hear them not;
They have remained to mourn,
Or else forgot.
I believe I called Joe Spivey “Joe-vey” somewhere in this video. Whoops! Sorry, Joe!
Here is Joe Spivey’s amazing booktube channel. He is an intelligent and witty commentator on books:
https://m.youtube.com/@JoeSpivey02
These days in my friend’s house
Light seeks me underground. To wake
Below the level of the lawn
—Half-basement cool through the worst heat—
Is strange and sweet.
High up, three window-slots, new slants on dawn:
Through misty greens and gilts
An infant sun totters on stilts of shade
Up toward the high
Mass of interwoven boughs,
While close against the triptych panes
Rock bears witness, Dragonfly
Shivers in place
Above tall Queen Anne’s lace—
More figures from The Book of Thel by Blake
(Lilly and Worm, Cloudlet and Clod of Clay)
And none but drink the dewy manna in.
I shiver next, Light walking on my grave…
And sleep, and wake. This time, peer out
From just beneath the mirror of the lake
A gentle mile uphill.
Florets—the mountain laurel—float
Openmouthed, devout,
Set swaying by the wake of the flatboat:
Barcarole whose chords of gloom
Draw forth the youngest, purest, faithfullest,
Cool-crystal-casketed
Hands crossed on breast,
Pre-Raphaelite face radiant—and look,
Not dead, O never dead!
To wake, to wake
Among the flaming dowels of a tomb
Below the world, the thousand things
Here risen to if not above
Before day ends:
The spectacles, the book,
Forgetful lover and forgotten love,
Cobweb hung with trophy wings,
The fading trumpet of a car,
The knowing glance from star to star,
The laughter of old friends.
Unbalanced in the painful sum of things.
Past midnight you arose, rang for your things.
You had to go into the world again.
You stop for breath outside the lit hotel,
A thin spoon bitter stimulants will stir.
Jean takes your elbow, Jacque your coat. The stir
Spreads—you are known to all the personnel—
As through packed public rooms you press (impending
Palms, chandeliers, orchestras, more palms,
The fracas and the fragrance) until your palms
Are moist with fear that you will miss the friend
Conjured—but she is waiting: a child still
At first glance, hung with fringes, on the low
Ottoman. In voice reproachful and low
She says she understands you have been ill.
And you, because your time is running out,
Laugh in denial and begin to phrase
Your questions. There had been a little phrase
She hummed, you could not sleep tonight without
Hearing again. Then, of that day she had sworn
To come, and did not, was evasive later,
Would she not speak the truth two decades later,
From loving-kindness learned if not inborn?
She treats you to a look you cherished, light,
Bold: “Mon ami, how did we get along
At all, those years?” But in her hair a long
White lock has made its truce with appetite.
And presently she rises. Though in pain
You let her leave—the loved one always leaves.
What of the little phrase? It’s notes, like leaves
In the strong tea you have contrived to drain,
Strangely intensify what you must do.
Back where you came from, up the strait stair, past
All understanding, bearing the whole past,
Your eyes grown wide and dark, eyes of a Jew,
You make for one dim room without contour
And station yourself there, beyond the pale
Of cough or of gardenia, erect, pale.
What happened is becoming literature.
Feverish in time, if you suspend the task,
An old, old woman shuffling in to draw
Curtains, will read a line or two, withdraw.
The world have put on a thin gold mask.
Coming with vivid faces
From counter or desk among grey
Eighteenth century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.
That woman’s days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.
Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone’s in the midst of all.
Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven’s part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse—
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.


