Irresponsableful
Louse - Small Pleasures EP
updated
1. Homeless 00:00
2. Casual Drinker 02:57
3. Over Again 04:46
4. Lost 06:31
5. Meth 10:15
6. Yum Yum Yum 12:51
7. Hip Hop 14:34
8. Punt 18:07
9. Hoonin' 22:47
10. Insect Woman 24:07
11. Mum 27:24
12. Birthday 34:52
Cuntz From Melbourne, Australia.
Ben - Vocals
Lewis - Guitar
Dom - Bass
Mike - Drums
facebook.com/Cuntz-330914246928915
Recorded By Alex MacFarlane.
Mastered By Mikey Young.
Released January 3, 2013
***************************************************************************
SOME NICE THINGS THAT HAVE BEEN SAID ABOUT 'Aloha':
-----------------------
I'll say it for the hundredth time: these new Australian bands just continue to kick asses and take names. 'Aloha' kicks off 2013 with a massive headache, coming off like Flipper and Venom P. Stinger in a head-on collision. Pick up the pieces and glue them back together haphazardly and you get this. "Homeless" is not a dedication to their label, but about the actual homeless. And eating ice cream. They are truly delving into the seedy side here. Songs about meth, bums, alcholism, gambling and other filthy vices. I was sure this band were a bunch of grizzled veterans, but from what I've gleaned they're a bunch of young up-n-cummers, a new wave of Aussie muckers rolling about in the dirt. Thank god for them. There are plenty of throbbing basslines here, a rhythmm machine that operates at two speeds: steamroller and tank. The vox are a treat, as the fella sounds like a nutter, spitting out his tales from the wrong side of the tracks like a forceful drunk conversationalist - staring direct in your eyes and talking AT you, not to you, and certainly not allowing you to get any words in edgewise. They're not just head-down pummelers though, these guys have some finesse, some clever post-punky tricks, a devious Fall-like twist of the shiv here and there. "Lost" slips in an electrified keyboard bleat while this guy puts a new twist on the David Yow lyrical approach. This melts into "Meth", which pastes together a sticky synth-line and pointy guitar. Really seasick in a way that truly does recall Flipper. "Hip Hop" comes up with another incredible synth sound (or is that a fucking guitar?!) that I believe they stole from a Tubeway Army record and repurpose here for ultimate rhythmic hypnosis while this guy mumbles his lines like he has dementia. "Punt" is ground-in-the-dirt pound with a touching AC/DC tribute. As I've said already, the singer does a good thing by using Yow's stylish cadence/ramble for his delivery but not adopting the actual singing voice (if that makes any sense). At this point in the record you'll feel as if you need a punch in the face, and "Hoonin'" delivers it. "Mum" is a monolith that sounds like heavy mining equipment operating in a massive cavern a few leagues under sea level, very dangerously close to the earth's crust. They end the record on a pleasant note, which I'll leave you to discover on your own. Just a massive, massive record, and one of a very few (if any at all) that are deserving of the Venom P. Stinger namedrop. Scum stats: painfully limited to 300 copies, but I've heard rumors of a repress...
- RK (Terminal-Boredom)
________________________________
Classically stupid LP by a Melbourne punk quartet who sound at times like a slower version of the Angry Samoans with more of a noise-art edge than a Metal Mike's pop bias would ever allow. A few of the tracks lope along crookedly like some sorta Fall-damaged cur, but most of it is more akin to The Controllers "Slow Boy" played by Melbourne drunks than "Rowche Rumble" or anything. How piquant!
- Byron Coley and Thurston Moore (Arthur)
_________________________________
1. Circles Of Hell 00:00
2. Greed Kills 03:20
3. All For Nothing 06:38
4. Doppelganger 09:56
5. Web Of Lies 13:11
6. Corporate Psycho 16:36
7. Hungry Ghost 20:44
8. Parasite 24:25
►Co-released by the band, Nothing to Harvest Records (NTH067) & Distro K94.
instagram.com/nothingtoharvestrcrd
A unique post-sludge & noise rock amalgamation between three usual suspects of the DIY experimental SKG music scene who play(ed) in bands like Plebah, Autumn Acid, Anasarka, ΞΕΡΑ, Millions Of Dead Tourists and possibly more awesome bands that I can't recall at the moment. Don't miss their debut, out now!
AUTOMASSIVE From Thessaloniki, Greece.
Yiorgos: Guitar & Vocals
Sotiris: Bass
Stratos: Drums
Bandcamp: automassive.bandcamp.com
Instagram: instagram.com/automassive_band
Guitar, Bass And Drums Recorded Live On 7/6/2025. The Next Day Vocals And An Extra Guitar Added.
Recorded, Mixed And Mastered By Tasos Karadedos At Stereotype Studio.
Released October 8, 2025
1. Empythéose de contention 00:00
2. Rapproche moi de ta honte 02:42
3. Riposte de complaisance 04:31
4. Dog motif 06:38
MULCH From Montreal, Québec, Canada.
Bandcamp: mulchmtl.bandcamp.com
Instagram: instagram.com/mulch_musique
Links/Merch/Stream: https://linktr.ee/mulchmusique
Recorded by Timothy Aaron Bryan & Julien Levesque.
Mixed by Timothy Aaron Bryan.
Mastered by No Fun audio.
Artwork by Trevor Yardley-Jones.
Released November 13, 2024
1. Intro/Nightmare 00:00
2. Glitter Girls 03:19
3. Chain 10 06:12
4. Black Boots, Red Shirt, Little Boys 12:44
5. I See it All 20:07
6. Why Are You So Afraid? 23:55
7. Did You Hear... 27:03
8. Mirror Of Fear 38:29
9. Retreat Ending 43:12
Over the course of the nine tracks that make up Who Said These Were Happy Times, Francis howls and screams, his occasionally blood curdling vocals usually drowned out by his Holograms tearing it up behind him like Flipper at their most stomach churningly intense.... a healthy dose of insanity and some filthy sounding sludge, played at breakneck speed and crushing volume…a patchwork of crippled guitar solos, mineshaft screams, jackhammer bass riffs and thundering percussion. But that's the ugly beauty of it.
Bass - Hologram II
Drums - Hologram I
Guitar - Hologram III
Vocals - FH
Bandcamp: agitatedrecords.bandcamp.com/album/who-said-these-were-happy-times
Fcaebook: facebook.com/pages/Francis-Harold-and-the-Holograms/186394884720928
Recorded At The Meatlocker.
Released July 20, 2010
1. I Drink Piss 00:00
2. Eat Shit And Die 02:14
3. Don't Bother Crying 04:55
4. I Will Let You Wank Soon 06:41
5. Arm The UK 10:51
6. Party Men 15:24
7. Impaled On A Spike 20:22
8. Get Big Do Some Weights 23:15
9. New Ways To Go Mad 26:38
10. Acid In Jail 28:44
11. Is There Anything Wrong With You? 36:45
►Vinyl LP: viralage.bandcamp.com/merch
Sloppy, dirgey punk from Leeds here. I guess the closest analogue would be Kilslug/Groinoids, being as they similarly trawl greasy depths of grot both musically and lyrically.
There's a real sarcastic snidey tone to everything here and lyrically it's fucking class ("I Will Let You Wank Soon", "Get Big, Do Some Weights"); Poundsavers tales of tracky bottoms, Aldi's own brand fizzy juice, recorded in a manky wee flat above a Presto's.
Kinda like an even more retarded later Flag, there's moments of crawling Sabbath-dirge metal and driving dirge punk; opener "I Drink Piss" totally brings to mind the last line-up of The Fall, and this is the closest thing I've heard to successfully take the piss out of shit British culture since MES.
Extra points to possibly the best cover art of any record I've ever released. My nephew was in the house when I got the box of records home and now there's a four year-old wee boy with a muscley Sonic the Hedgehod/granny guy getting stabbed by an egg-heided duck on his bedroom wall.
Released September 29, 2019
1. Idiot Plot 00:00
2. Toothache In Prison 02:54
3. Eating All Of The Apple 04:48
4. The Finer Things In Life 09:33
5. Lifetime Achievement Award 12:29
6. The Great Wasp Of Reluctance 19:51
7. Abraxas Casino 23:21
8. My Life In Bins 24:41
9. Love Is A Windsock 29:41
10. Wedding, Berlin 33:26
►Vinyl LP: nefariousindustries.com/collections/irk-the-seeing-house
Catalog ID: NEF117
IRK Noise Rock Band From Leeds, West Yorkshire, UK.
J.S. Gordon, Ed Snell, and Matthew Deamer.
Bandcamp: irkband.bandcamp.com
Instagram: instagram.com/irk_noise
Facebook: facebook.com/irkband
Links/Merch/Stream: https://linktr.ee/irk
Special thanks to our guest musicians Jenn Chubb, Jack Evans, Jamie Chambers, Stewart Ramsay, and Kerry Ramsay.
String arrangement on “Lifetime Achievement Award” by Jamie Chambers. Cello on “Lifetime Achievement Award” by Jenn Chubb. Guitar on “My Life in Bins” by Jack Evans. Gang vocals on “The Great Wasp of Reluctance” and “Wedding, Berlin” by Stewart Ramsay, Kerry Ramsay, and Jenn Chubb.
Recorded, mixed, and produced by Andrew Edwards and Matthew Deamer at Glide Studio, Leeds, UK. Mastered by Brad Boatright at Audiosiege, Portland, USA.
Cover art by Kazland. Design and layout by Greg Meisenberg.
Released September 26, 2025
*Reviews:*
"The Seeing House is what any experimental artist should aim for their creation to be; shocking, bizarre and endlessly creative. IRK have created something that is unmistakably them, whilst still seeing a progression in the ideas and sounds that could be found on their previous work. Whether you enjoy the work of The Dillinger Escape Plan, Meshuggah, or the Saw movies, you’ve come to the right place. Press play, and prepare to get spooked. 9/10" - Out of Rage
"The Seeing House, the second album from Leeds experimental noise rock band IRK, is a kaleidoscopic collision of sounds and one that sees the band building on their debut Recipes From The Bible with brilliantly forward thinking and caustic results." - Echoes And Dust
"When the words ‘noise’ and ‘mathcore’ precede a band’s self-ascribed genre, the mind tends to race to the high speed, frenetic works of bands like The Dillinger Escape Plan and Boris. But ‘Idiot Plot,’ the latest single from British experimental noise outfit IRK’s forthcoming record The Seeing House doesn’t really fall into those categories… ‘Idiot Plot’ manages to plod along for a while with a steady pulse, its fury stemming from the fury in vocalist J.S. Gordon’s delivery." - MetalSucks
"…nothing shy of a crushing rhythmic excess… With a track that oozes sonic ambiguation, jagged rhythmic textures, and a rich, pummeling bass tone, IRK conjure a bizarre and bewildering world of noise-drenched hostility. The track is carried by a brutish bass tone that drives a minimalistic pulsation, being accompanied by metallic percussion that pervades a sense of apprehension and unease in the listener. The unstable vocal lines continue this sense of comfortability and tension sending you on a downward spiral through mounting sonic pressure. The music video’s visuals further match the bewildered and hypnotic feel to the track with the obstruse close ups on the artists that indicate a sense of shared cathartic perplexion." - Everything Is Noise
1. A List Of All Persons I Will Harm 00:00
2. The Glass Shithouse 04:54
3. Entertainment Law 07:18
4. Spitting Images 09:58
5. Love Makes You Fat 12:50
6. Playboy Body 17:02
7. Baker Act 19:30
8. Eject Button 22:57
9. A Dying Wage 24:49
10. Riding The Clock 28:17
11. Murphy Artist 32:45
12. The Rooms 34:50
Street Sects Industrial / Noise / Hardcore Band From Austin, Texas.
Bandcamp: streetsects.bandcamp.com
Instagram: instagram.com/streetsects
Facebook: facebook.com/streetsects
Links/Merch/Stream: streetsects.komi.io
Written And Arranged By Street Sects.
Produced By Ben Chisolm.
Mixed By Ben Chisolm.
Mastered By Alan Douches.
Cover Illustration By AJ Garces Bohmer.
Released August 15, 2025
1. Watch It 00:00
2. Special Place In Hell 03:07
3. D7 (Wipers Cover) 06:02
4. Kill Yr Oppressor 08:14
5. Jazzin' It Up At The Country Club 10:31
6. Untitled 11:51
7. Fuck Bigot Scum 15:55
Sogg Minimalist Ōtepoti Post-Noise-Punk trio From Dunedin, New Zealand.
sogg.bandcamp.com
Watch It And Jazzin' It Up At The Country Club Recorded By Caleb Tulloch At The Wombat Hole Llc In December 2024.
Caleb Tulloch Yells Nicely Into Guitar Pickup On Watch It
All Other Songs Recorded And Mixed By Nick Roughan At South Link Productions In April And May 2025
Produced By Nick Roughan.
Mastered By Ollie Kemmett.
Art By Ollie Kemmett.
Released August 6, 2025
1. BRAK - Maximal Damage 00:00
2. BRAK - Rat Park 02:22
3. Louse - Space Race 05:34
4. Louse - Idiot 2024 10:06
BRAK Noise Rock From Berlin, Germany.
Guitar/Vocals - Sonja
Bass/Vocals - Marta
Drums - Karolina
Recorded at Stinkhole & mixed by The Governor
br4k.bandcamp.com
LOUSE Weirdo Scum Rock From Newcastle Upon Tyne, UK.
Vocals - The Captain
Bass - Dieta Di Patate
Guitar - The King of Sting
Guitar - Septic Pete
Drums - Mister P
Recorded at The Lubber Fiend & mixed by Lucas.
lousescum.bandcamp.com
instagram.com/louse_scum
Cassette Released on Industrial Coast instagram.com/industrialcoast
industrialcoast.bigcartel.com/product/brak-louse
Mastered By Bishop.
Released May 2, 2025
1. Mabel 00:00
2. Blow Mold 03:45
3. Gantuan 06:43
4. Tsuga 11:08
5. UGGO 14:27
6. Mussels 18:31
7. ggbb 20:14
ANTHERS Noise Rock From Seattle, Washington.
Bandcamp: anthers.bandcamp.com
Instagram: instagram.com/anthersmusic
Facebook: facebook.com/Anthersmusic
Links/Merch/Stream: https://linktr.ee/anthersmusic
Contact: anthersmusic@gmail.com
Recorded, Produced, And Mixed By Dylan Wall At 7 Hills Studio And Tastefully Loud In Seattle, WA.
Mastered By Ed Brooks At Resonant Mastering In Seattle, WA.
Album Art By Sam Pease.
Released September 20, 2024
1. Deathlok 00:00
2. Pest Control 02:45
3. Bleached Brows 04:55
4. Glucose 06:57
5. Dance 9 09:34
6. Rejuvenate 13:22
Brainwasher From Bucharest, Romania.
Bandcamp: brainwasherpunx.bandcamp.com
Instagram: instagram.com/brainwasher.punx
Mastered and mixed by instagram.com/matei_tb
Released April 23, 2025
1. Pin The Tail 00:00
2. New Pain 01:17
3. Automated Doctrine 02:42
4. Tool Got Dull 03:19
5. Bite Your Tongue 04:15
6. Get Bent 04:27
7. Wooden Nickels 04:56
8. Muzzle 06:07
9. Scumlord 07:39
10. Lay Waste 08:39
11. Rake Your Shit 10:25
12. Worth 11:10
13. Clique Bait 12:01
►Vinyl LP: theghostisclearrecords.limitedrun.com
theghostisclearrecords.bandcamp.com
NEW PAIN is the debut full-length from NOWHERE. Self recorded after two years of writing, touring, and moving between multiple rehearsal spaces.
Post Hardcore songs with Power Violence energy. Punishingly loud, meticulously precise.
Featuring former members of RETOX (ThreeOneG, Ipecac, Epitaph) and No Thanks (Black Site).
NOWHERE is:
Gabe Bierman - Drums
Cam Stout - Bass
Thor Dickey - Guitar + Vocals
Bandcamp: nowhere-noise.bandcamp.com
Instagram: instagram.com/nowhere.noise
Bigcartel: nowhere.bigcartel.com
Recorded by Thor Dickey
Mixed by Ian Aeillo at A Sun Room
Mastered by Greg Obis at Chicago Mastering Service
Cover Illustration by Evan Patterson (Future Heart Works)
Design + Layout by Mike Zimmerman (MZ_OPTICS)
Released November 8, 2024
1. Chain Link 00:00
2. All That Decays 03:15
3. Dead Man's Saints 07:03
4. Spiral Cypress 11:10
5. Furnace Unending 14:43
►Cassette: wearedamienrecords.bigcartel.com
instagram.com/damien_records_
https://linktr.ee/DamienRecords
Reaper's Gong Noise Rock From Berlin, Maryland.
Zoe Koch - Vocals
Gabe Solomon - Bass
Spencer Hazard - Guitar
Alex Oatman - Drums
Bandcamp: reapersgong.bandcamp.com
Instagram: instagram.com/reapersgong
All songs by Reaper's Gong.
Art & layout by Joey Generic.
Recorded and mixed by Kevin Bernsten @ Developing Nations.
Mastered by Grant Richardson @ Hex Audio Labs.
Released September 12, 2025
bulletbrainzzz.bandcamp.com
instagram.com/bulletbrainzzz
Cover Art By Jon Cox.
1. Waves Of Laughter 00:00
2. These Hills 03:27
3. Thieves 06:42
4. Trying In Hell 09:20
5. Liar 11:49
6. I Am The Land.17:49
7. Witches 21:11
8. Just Tell Me How It Ends 24:02
9. Twos And Threes 27:50
10. Faces 30:38
11. Like December 33:34
►Vinyl LP: rocketrecordings.com
rocketrecordings.bandcamp.com/merch
http://rocketrecordings.blogspot.com
HOLY SCUM Formed in 2019 in New York featuring members of Gnod and Dälek.
Website: holyscum.com
Bandcamp: holyscum.bandcamp.com
Instagram: instagram.com/_holy_scum_
Links/Merch/Stream: https://linktr.ee/HOLYSCUM
*HOLY SCUM*
*ALL WE HAVE IS NEVER*
The Isle Of Lewis is the largest such of the Outer Hebrides archipelago, and a place where myth and folklore are abundant, The Callanish Stones, a cruciform circle reckoned by tradition to be the forms of petrified giants who would not convert to Christianity - and by more recent observers as a prehistoric lunar observatory - once prompted notable chronicler of the ancient Julian Cope to pronounce himself “Lashed by wind and rain but surrounded by vibe.”
This was where Holy Scum decided to take a pilgrimage for the recording of their second album proper for Rocket Recordings, All We Have Is Never. Frustrated by the physical and logistical challenges keeping the band members from collaborating, they decided the best way forward was at the residential Black Bay Studios on Great Bernera, a two hour plus ferry ride from anywhere.
“The isolation of Black Bay was our salvation, a much-needed cleanse after a year of relentless misfortune” reckons the band’s Peter Taylor. “This new record evolved from years of jams, developed collaboratively with (vocalist) Mike (Mare) in the studio, but the period preceding this album was a true nightmare. We endured an 11-month limbo. We were paralysed, unable to release music, replenish sold-out merchandise, or perform live.”“Musically, we remained dedicated, rehearsing in the desolate, echoing spaces of Manchester's abandoned factories, consistently evolving our sound” he adds “We entered the studio with a wealth of ideas, and emerged with even more, together.”
The modus operandi of Strange Desires, the band’s Rocket debut, had been largely centred around years of improvised sessions being sent to American-based vocalist and producer Mare (also of Dâlek) to do with as he wished, resulting in a confrontational and dubbed-out onslaught. However, the pathway to this new record involved a more organic approach.
Jamming, writing and recording together as a five-piece band for the first time, Holy Scum began to operate as a hive-mind that would produce their most focused work yet amidst the tranquil surroundings. “There is this big window in the live room and as we would be playing you would just see the bay and a parade of sheep walking by all day long” notes Mike. “Surrounded by each other with no distractions, our only real option was to create or go for a fucking frigid swim.”
Here, tighter punchier songs were made manifest which hone down the band’s fearsome invective into lean,vicious blasts of sound and fury. With the vice-like rhythm section of John Perry and Chris Haslam (both also of Gnod) focusing the assault, and recently recruited second guitarist Al Wilson (Ghold/Shuck) providing crucial ballast - leaving Taylor free to ‘go off Pete-st’ as Haslam puts it - the result is a record that’s both the band’s catchiest work and their most unforgiving.
Taylor describes the Holy Scum approach jokingly as ‘No riffs’ yet this belies an ability to carve abstraction and minimalism into monolithic and ominous shapes. Whilst the band are as handy as ever with excoriating and ear-splitting experimentation - as on the feverish guitar scree that underpins the taut 'Thieves' and the disorienting Glenn Branca-esque ‘Liar - they also excel in a grittily vital charge as analogous to the ballsy kinetics of Fugazi and The Ex (the primal 'I Am The Land') as the overcast catharsis of Killing Joke and Voivod (the infectious ‘Witches’).
The making of ‘All We Have Is Never’. beginning with a seventeen- hour journey for Mike across land, sea and air, arose out of his own period of personal tumult; “Lyrical inspirations for this one were really a reflection of my personal life and processing years of buried shit that was bubbling up. And of course being on this Island. You could feel the energy of the land, you could feel its past. This is about moving forward, letting go, being grounded in yourself and with the earth.”
“The title is a nod to the fact that everything ends - good, bad, ugly, beautiful. That is not a bad thing - it is a rebirth every time. We can spend a lifetime 24/7 together having shared experiences but living separate realities.”
“I don’t think it is nihilistic,” he adds. “The despair turns into hope for sure.”
Released June 6, 2025
scumbastard.bandcamp.com
scumbastard.bandcamp.com
scumbastard.bandcamp.com
scumbastard.bandcamp.com
scumbastard.bandcamp.com
razoredraw.bandcamp.com/album/pantihero
Eoin - Bass/Vox
Katie - Drums
Recorded live 21.5.17.
Recorded and produced by Matai.
Released September 16, 2017
razoredraw.bandcamp.com/album/pantihero
Eoin - Bass/Vox
Katie - Drums
Recorded live 21.5.17.
Recorded and produced by Matai.
Released September 16, 2017
razoredraw.bandcamp.com/album/pantihero
Eoin - Bass/Vox
Katie - Drums
Recorded live 21.5.17.
Recorded and produced by Matai.
Released September 16, 2017
razoredraw.bandcamp.com/album/pantihero
Eoin - Bass/Vox
Katie - Drums
Recorded live 21.5.17.
Recorded and produced by Matai.
Released September 16, 2017
razoredraw.bandcamp.com/album/pantihero
Eoin - Bass/Vox
Katie - Drums
Recorded live 21.5.17.
Recorded and produced by Matai.
Released September 16, 2017
Matador Records
Amphetamine Reptile Records
shoverecords.bandcamp.com/album/brood-star
Amphetamine Reptile Records
Amphetamine Reptile Records
C/Z Records
C/Z Records
C/Z Records
Kugikano Records
irondrugs.bandcamp.com
Filthy, disgusting punk/hc from the premier shithole that is Rawtenstall, UK
Kugikano Records
irondrugs.bandcamp.com
Filthy, disgusting punk/hc from the premier shithole that is Rawtenstall, UK
Kugikano Records
irondrugs.bandcamp.com
Filthy, disgusting punk/hc from the premier shithole that is Rawtenstall, UK
Kugikano Records
irondrugs.bandcamp.com
Filthy, disgusting punk/hc from the premier shithole that is Rawtenstall, UK
Kugikano Records
irondrugs.bandcamp.com
Filthy, disgusting punk/hc from the premier shithole that is Rawtenstall, UK
Kugikano Records
irondrugs.bandcamp.com
Filthy, disgusting punk/hc from the premier shithole that is Rawtenstall, UK
Nominal Records
Nominal Records
Nominal Records
Xeroid Records / Extravertigo Recordings
peeling.bandcamp.com/album/rats-in-paradise-ep
1. Parapraxis 00:00
2. Bachelor Machine 01:23
3. Elective Affinities 04:36
4. Bone Apple Teeth 07:33
5. Wretched Makeshifts 12:14
6. Silentium 15:41
7. Weal 17:17
8. Railway Spine 20:00
9. Unstimmung 23:50
10. Quotidian 28:36
11. Vomitorium 31:21
Why Patterns Noise Rock London, UK.
Bandcamp: whywhywhypatterns.bandcamp.com
Instagram: instagram.com/whywhywhypatterns
Facebook: facebook.com/whywhywhypatterns
Links/Merch/Stream: https://linktr.ee/whypatterns
String Sounds - Seb Tull
Drum Sounds - Dan McClennan
Mouth Sounds - Doug Norton
Cassette/CD: humanworth.bandcamp.com/merch
Recorded, Mixed and Mastered by Wayne Adams at Bear Bites Horse Studios.
Artwork by Kazland.
Shared blame - Eve Brouet & Owen Jones.
Released March 18, 2022
'Regurgitorium' was haphazardly constructed with the sole goal of distressing and alienating their few remaining friends and family. Featuring members of Warren Schoenbright, Wren, Deleted Narrative and recorded by Wayne Adams (Petbrick / Big Lad) the trio have come together to deliver angular drums, discordant bass, and harrowing vocals accompanied by themes of existential paradoxes and day-to-day despair. The result being something best described as “Not Subtle”.
The album will be available to pre-order from 4th February as a super limited edition of 50 cassettes, featuring the stunning artwork of Kazland (Sly & The Family Drone) As always bands paid fairly and for this release 10% of all sales proceeds will be donated to Shelter to help support those in crisis, so do chip in more if you can!
"For fans of Primus, Lightning Bolt, Swans and Mudvayne."
"Unbridled and at times visceral, ‘Regurgitorium’ remains bafflingly accessible and addictive. With their off-kilter rhythms, and dare I say, angular riffs, Why Patterns have produced an album of fierce originality." – Astral Noize
"Like Freddy Kreuger slapping a Frappucino out of your hand and taking your fingers with it. This is noise rock for people who are dropping out of a system that’s only meant to keep us all enslaved and afraid." – CVLT Nation
"Listening to Regurgitation is like taking blows to the head in rapid succession... It’s fucked up. It’s deranged. It hurts." – Aural Aggravation
"This is Regurgitorium and it is uniquely captivating." – GBHBL
1. Service Road 00:00
2. "It's Our Policy" 03:25
3. Randy 05:43
4. No Hot Ashes 09:05
5. Pedestrian 12:57
6. Sofina 15:23
7. High Fantasy 18:51
8. Nauseous Instinct 22:17
9. Work Dream 25:00
Sundowner Noise Rock/Old School Post-Hardcore From Toronto, Ontario, Canada.
Bandcamp: sunsgoingdown.bandcamp.com
Instagram: instagram.com/sundowner_to
Links/Merch/Stream: https://linktr.ee/sundowner_to
zBTFD Records instagram.com/zbtfd
Recorded and Mixed by Simon Outhit.
Mastered by Will Killingsworth at Dead Air Studios.
Released April 4, 2025
1. After The Bullfight 00:00
2. Clown In A Housefire 01:47
3. Self-Defeating Trebuchet 03:25
4. Soire Bleu 05:16
5. Nervous Laughter 07:29
6. Wind Up Chattering Teeth 09:07
7. Clubfoot By Kasabian By Blacklisters 10:14
8. Screamers 11:55
9. Upside Down Mondrian 12:48
10. Buffoons And Barrel Organs 14:19
Why Patterns Noise Rock London, UK.
Bandcamp: whywhywhypatterns.bandcamp.com
Instagram: instagram.com/whywhywhypatterns
Facebook: facebook.com/whywhywhypatterns
Links/Merch/Stream: https://linktr.ee/whypatterns
Drum Sounds - Dan McClennan
Mouth Sounds - Doug Norton
String Sounds - Seb Tull
Cassette/CD: humanworth.bandcamp.com/merch
Written and performed by Why Patterns.
Recorded and mixed by Stanley Gravett at Holy Mountain studios.
Mastered by Brad Boatright at Audiosiege.
Artwork by RF Pangborn, with text by Corny Krameri.
Group photo by Talie Eigeland.
Portrait photos by Simon Kallas.
Guest backing vocals on track ‘Nervous Laughter’ by Alex Virji.
Released July 11, 2025
Following from their uncompromising and off-kilter 2022 debut album Regurgitorium, Why Patterns return with an ear assaulting about turn on their sophomore record Screamers. Running at a total of 16 minutes in length across 10 tracks, Screamers is an abstraction of the approaches found in hardcore punk, grindcore and powerviolence, fused with the loud and abrasive qualities of noise rock, industrial, and the avant-garde. Why Patterns successfully revel in a deranged abstraction of the speed and intensity found in fast and loud music. No less exhilarating, Why Patterns fuel their maniacal rage, fuzzed out riffs and breakneck rhythms with spells of freely improvised vocals, stream of consciousness lyricism, and non-linear song structures played in constant freefall. On Screamers, Why Patterns go hard, go fast, and go very weird.
Screamers will be released on July 11th 2025 through UK DIY label Human Worth, a leading light for championing leftfield heavy and noisy forward thinking acts. Screamers was produced and engineered by Stanley Gravett at Holy Mountain Studios and mastered by Brad Boatright at AudioSiege. Why Patterns have nestled their controlled chaos onto a variety of live bills, from metal to hardcore to psychedelic shows. The trio have shared stages with the likes of Litvrgy, Sly & The Family Drone, Pascagoula, Kulk, with appearances at Cardiff Psych Fest and Chaos Theory Fest.
FFO: KEN Mode, Full of Hell, Gilla Band, Melted Bodies, Nails, Fantomas, Primus, Lightning Bolt
– PR Trail
1. Life Is Acid 00:00
2. Damaged Girls 01:31
3. Things Things Things 04:20
4. Action Reaction 07:17
5. Dissonant Disco 10:18
6. Vacuums 13:14
7. Youth 15:06
8. Logo 16:48
9. Jeans 18:34
10. I Need A Break From The U.S.A 21:40
Berserk Album Embodies The Chaos Of An Era When Nothing Feels Stable, Where The Self Is Both The Center Of Its Own Universe And Being Sucked Into The Disorienting Orbit Of Hyper-Connected, Hyper-Consumptive Culture. Contemporary Existence Is Berserk.
Agender Is:
Romy Hoffman - Guitar, Vocals, Synths
Cristy Michel - Bass
Christy Greenwood - Drums
Sara Rivas - Synths
Website: agendermusic.com
Bandcamp: agender.bandcamp.com
Instagram: instagram.com/agenderband
Facebook: facebook.com/AGenderLess
Links/Stream: lnk.to/r9lt58
All Songs Written By Romy Hoffman.
Engineered By David Scott Stone.
Produced By David Scott Stone & Romy Hoffman.
Mastered By Bob Weston.
Track 1 Mixed By David Scott Stone.
Tracks 2 & 9 Mixed By Phillip Broussard Jr.
Tracks 3, 4, 5, 6, 7, 8, 10 Mixed By Spencer Hartling.
Released March 7, 2025
1. I Choke 00:00
2. Kill Those Rangers Now 03:25
3. Somebody Isn't Home 05:26
4. These Skeleton Keys 10:45
5. House Of Heads 13:54
SCUL HAZZARDs Australian Noise Rock first EP, features a very different lineup and band.
Lachlan Anderson - Vocals
Matthew Deasy - Drums
Tiffany Milne - Bass
Steven Smith - Guitar/Vocals
sculhazzards.bandcamp.com
facebook.com/sculhazzards
Recorded and mixed by Steven Smith.
Artwork by #7 Disaster.
Mastered by Matthew Grey.
Released October 17, 2006
1. Man Up 00:00
2. Greater Good 04:03
3. Last Few Bucks 07:02
4. Counter Empathy 09:19
5. #1# 11:43
6. No Tomorrow 12:33
7. #2# 16:19
8. Needle's Eye 17:00
9. Short Cut 20:25
10. They Took It All 23:47
11. Toothbrush 27:29
12. Plastic Protective 29:23
SCUL HAZZARDs Noise Rock were functional between around 2006 until 2017.
Starting in Brisbane they recorded two EPs and one LP, relocated to London from where they toured Europe and released another LP. Upon returning to Australia they selected Melbourne as their final resting place but not before playing a 10 year anniversary show, and releasing their final album.
Bass - Tiffany Milne
Drums - Leigh Fischer
Guitar, Vocals - Steven Smith
sculhazzards.bandcamp.com
facebook.com/sculhazzards
Recorded, Mastered By Leigh Fischer.
Mixed By Steven Smith.
Released March 6, 2008


