Savfk - MusicSomething came up out of the dark. It wasn’t anything I had ever seen before. It wasn’t an animal or a flower, unless it was both.
[...]
Instructions for living a life: Pay attention. Be astonished. Tell about it.
[...]
After the rain, I went back into the field of sunflowers. It was cool, and I was anything but drowsy. I walked slowly, and listened to the crazy roots, in the drenched earth, laughing and growing.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Instructions for Living a Life by SavfkSavfk - Music2021-08-11 | Something came up out of the dark. It wasn’t anything I had ever seen before. It wasn’t an animal or a flower, unless it was both.
[...]
Instructions for living a life: Pay attention. Be astonished. Tell about it.
[...]
After the rain, I went back into the field of sunflowers. It was cool, and I was anything but drowsy. I walked slowly, and listened to the crazy roots, in the drenched earth, laughing and growing.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Home by Savfk [CC-BY]Savfk - Music2024-04-28 | *Please notice that the version of "Home" used in this video contains uncleared copyrighted vocal samples. I do not assume any responsibility for the use of this music. The download link below provides a cleared version without vocal samples.*
This track (in the version without vocal samples) is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Drone Watching Society by Savfk [CC-BY]Savfk - Music2024-04-11 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Eye in the Sky by Savfk [CC-BY]Savfk - Music2024-03-28 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Overstory by Savfk [CC-BY]Savfk - Music2024-03-12 | First there was nothing. Then there was everything.
Then, in a park above a western city after dusk, the air is raining messages. A woman sits on the ground, leaning against a pine. Its needles scent the air and a force hums in the heart of the wood. Her ears tune down to the lowest frequencies. The tree is saying things.
It says: Sun and water are questions endlessly worth answering. It says: What you make from a tree should be at least as miraculous as what you cut down. It says: A thing can travel everywhere, just by holding still.
Signals rain down around her like seeds. Trees even farther away join in: All the ways you imagine us are wrong. Your kind never sees us whole. You miss the half of it, and more. There's always as much belowground as above.
That's the trouble with people, their root problem. Life runs alongside them, unseen. Creating the soil. Cycling water. Trading in nutrients. Making weather. Feeding and curing and sheltering. People aren’t the apex species they think they are. Other creatures - bigger, smaller, slower, faster, older, younger, more powerful - call the shots, eat sunlight, and make the air. Without them, nothing.
A chorus of living wood sings to the woman: If your mind were only a slightly greener thing, we'd drown you in meaning.
The pine she leans against says: Listen. There's something you need to hear.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Heartbender by Savfk [CC-BY]Savfk - Music2024-02-29 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Way of Water by Savfk (AVATAR 2 trailer rescore)Savfk - Music2022-05-16 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Song of the Wanderers by SavfkSavfk - Music2022-01-17 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0What Happens When We Die by SavfkSavfk - Music2021-12-21 | - So, what happens when we die? - What the fuck happens. - What do you think happens when we die, Erin? - Speaking for myself? - Speaking for yourself. - ... - ... - Myself. My self. That's the problem. That's the whole problem with the whole thing. That word: self. That's not the word. That's not right. How did I forget that? When did I forget that? ...The body stops, a cell at a time, but the brain keeps firing those neurons, little lightning bolts like fireworks inside, and I thought I'd despair, or feel afraid, but I don't feel any of that, none of it because I'm too busy. I'm too busy in this moment, remembering. Of course. I remember that every atom in my body was forged in a star. This matter, this body is mostly just empty space after all. It's just energy vibrating very slowly, and there is no 'me'. There never was. The electrons of my body mingle and dance with the electrons of the ground below me and the air I'm no longer breathing, and I remember there is no point where any of that ends and I begin. I remember I am energy, not memory, not self. My name, my personality, my choices all came after me. I was before them, and I will be after, and everything else is pictures picked up along the way. Fleeting little dreamlets printed on the tissue of my dying brain, and I am the lightning that jumps between. I am the energy firing the neurons, and I am returning. Just by remembering, I'm returning home. It's like a drop of water falling back into the ocean of which it has always been a part. All things, a part. All of us, a part. You, me, my mother and my father, everyone who has ever been, every plant, every animal, every atom, every star, every galaxy. All of it. More galaxies in the universe than grains of sand on the beach. The Cosmos, and its infinite dreams. We are the Cosmos, dreaming of itself. It's simply a dream that I think is my life, every time. But I'll forget this. I always do. I always forget my dreams. But now, in this split second, in the moment I remember, the instant I remember: I comprehend everything at once. There is no time, there is no death. Life is a dream. It is a wish! Made again and again and again and again and again and again and on into eternity. And I am all of it. I am everything, I am all.
This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Many things happened in the last few months, the most important being I bought a new piano. This is the first time in many years I finally have my favourite instrument available for me to play whenever I want. Not that I am any good at it, but it feels good. It's there, it's for myself.
And so: I am playing a lot. But what about the sharing bit? I thought about whether it makes sense for me to share some bits and pieces of me playing here on this channel. This channel is about new music, right? Also, I don't do so well in front of an audience. In fat I don't do so well, full stop.
So for the last few days I have been tempted to just keep this side of my music-making journey to myself. Set the video to Unlisted. Perhaps send a link to family and friends. Done.
But then I thought some more about the purpose of this channel. And yes, this channel is about new music - but this channel is also about MY music. Performing classical music on the piano is giving me an opportunity to get back to the music that made me. This stuff is what my tracks are made of. It's who I am musically, more than anything else. It's my music - not because I composed it (I wish I did!) but because I know it, I own it, and I put a bit of it in every new piece I publish on this channel. It makes sense to share that part here, too, because it fits.
And so here it is. This is the Andante from Shostakovich's Piano Concerto no 2. The orchestra is performed digitally by me, using Spitfire Audio BBC symphony orchestra. The piano is performed live by me on top of the pre-recorded orchestra.
Why this piece? I consider this perfect for three main reasons. Firstly, it is simple, easy enough for me to perform without making (too many) mistakes. Secondly, it is with no doubts the first real pop love song that was ever produced - and Christmas is almost here, what's more fitting than a good old love pop song?
But thirdly and most importantly, it is the most beautiful slow movement of any symphonic work ever composed.
I guess if you don't like it you can just move on?Magic by SavfkSavfk - Music2021-05-15 | An Italian composer by the name of Giacomo Puccini once said: "the musical work comes into the world unexpectedly. It comes from somewhere we still don't know: but it comes, inevitably".
I relate to this idea very much. I am sure I have already mentioned it in the past, using maybe different words, but I fundamentally believe the work of a composer is that of receiving music just as much as it is of producing it. You sit in your studio, take your instrument in your hands, and then wait for music to arrive. Sometimes it doesn't. Sometimes it does: and it takes you with her. And so it may happen you sit down wanting to compose one thing, and end up with something else entirely.
It's a process I don't understand. I like to think I have some control over it, and maybe I do. Maybe what makes for a good composer is exactly that: mastering these forces and driving them towards your intended results. But what these forces actually are, and where they come from, I don't pretend to know. I think of myself as a man of science, and that leads me towards rational explanations. I call it: "Ideas". I say to myself: "It's just your brain, your synapses connecting". Others have different names for the same thing. They call it: "Inspiration". "Fate". "Soul". Puccini called it: "God".
The reason why the "Humming Chorus" resonates so much with me is maybe hidden within this mystery. Whilst composing Madame Butterfly, Puccini had a car accident that almost cost him his life. I like to think that something happened that day: and that this music somehow came from there. Maybe in the crash his synapses connected in ways they just couldn't before. Or maybe it's something else. It doesn't matter. What matters is that this piece couldn't exist without that accident, and that the "Humming Chorus" came from somewhere we don't know, to rescue a dying man.
Some call it "magic".
***************************** This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0All the Kings Horses by SavfkSavfk - Music2021-04-12 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
The amazing Drone footage was captured and edited by Brett from Gizmo Drones in Melbourne, Australia. Please make sure to check his stuff and subscribe to his channel here: youtube.com/channel/UCOgJOo6cyXreXFIzurcOvyASpring - A Short Movie Orchestral Rescore by Savfk [Score Relief 2021] #scorerelief2021Savfk - Music2021-01-24 | “One of the things I have felt, rightly or not, was that these tunes, or themes, or leitmotifs in film, at least need to be pretty - not accessible, but succinct. What I can tell you is that these genuine, simple tunes: they are the hardest things to uncover, for any composer. When Elgar or Beethoven finally find one - I hope you’ll pardon me if it sounds like I’m comparing myself to these people, but it might illustrate the point - in both cases, they understood the power of what they had. Things that may seem more interesting, more harmonically attractive, more complex - these things don’t quite do the job. And so you end up - as a film composer, at least - not always doing what you initially set out to do. People assume it’s what you wanted to write: but in fact, it’s what you needed to write.” (John Williams, 2020)
Video Credits: Spring is a great animation from the Blender Foundation, available on a Creative Commons Attribution 4.0 license. (CC) Blender Foundation | cloud.blender.org/spring
Original Score by SavfkFirst Flight by SavfkSavfk - Music2020-12-30 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0At The Kitchen Table by SavfkSavfk - Music2020-11-15 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Footage captured and edited by Lionsmith studio: youtube.com/channel/UC2o4gzqNBv5I2DQ0HQJ-LhA Website http://www.lionsmith.org Facebook facebook.com/Cloudhunt42Journey to the Stars by Savfk [Universe Size Comparison 2020 OST]Savfk - Music2020-10-10 | Composing a track for a @Harry Evett video is not an easy task. I mean, the guy does simply amazing things (and this video is a testament to that). How do you even start creating a piece of music that is good enough?
So when we decided to collaborate on his latest Universe Size Comparison, I really felt the weight of that. I had the task of composing 13 minutes of uninterrupted music (the longest I have ever composed - by far!), keeping with the spirit of the visuals and building interest towards the epic climax at the end. Not an easy job.
And so, to give things structure, I decided the music would be like a movie: it would follow a script.
There is this little kid, in a little village, somewhere in ancient Mesopotamia. He has two loving parents, an older sister that takes good care of him. Or maybe there is a boy, in central America, learning the craft of geometry from a distant cousin. Or maybe there's a man growing towards adulthood, studying the secrets of astronomy in the old British Library. Or maybe this man is in Cape Canaveral, ready to shoot towards the moon. And that man is now older, whiteness on his hair, and he is flying in a spaceship in the orbit of planet Mars. And now he is older even, wrinkles in his cheeks, and the old man is in a strange craft, alone, and he is now reaching the far corners of the universe.
This is the story of that kid, that boy, that man, and of his journey to the stars.
I hope you like it.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
The incredible video was produced Harry Evett (does he even need an introduction?)
Subscribe to Harry here: youtube.com/channel/UCiLD9i3O8tY5d-LyQ1GxsTQEight Mountains by SavfkSavfk - Music2020-07-29 | It was an old Nepalese farmer, some time later, who told me about the eight mountains. He was carrying hens up the Everest trail, to some lodge where they would become chicken curry for the many tourists around. There were about a dozen live animals, in a cage, strapped to his shoulders.
We met on the trail, both resting against a wall made of bricks and dirt, drinking water from our flasks before setting off again. I asked him if I could take a picture, and we started talking.
He was originally from a region in Nepal that I had already visited, and he looked surprised: it wasn't the kind of place where tourists usually go, and he understood I wasn't the casual tourist. I told him about my many travels on the Himalaya, and he was curious as to why I was so interested in those mountains. I knew the answer to that question: I told him that there was a mountain I was very much attached to, where I came from, in the north of Italy, and that it was that mountain that made me want to see all the others, the beautiful mountains far away around the world.
"Ah, I see", he told me then, as if understanding all there was to understand about me. "You are visiting the eight mountains". "The eight mountains?" The man picked a short stick from the ground and started drawing on the dirt. He drew a large circle, and then, inside the circle, a straight line going from side to side through the centre, then another and another, until he had split the circle into eight parts. "Have you ever seen this before?" he asked. "Yes", I replied. "In mandala." "Correct", he said. "The legend says that at the centre of the world there is a very tall mountain, we call it Mount Sumeru. All around it are eight smaller mountains, and eight seas. And that is the whole world."
While talking he kept drawing, one small circle for each part of the bigger circle, and waves in between. Eight mountains and eight seas. "A lifetime is only enough to do one of two things. You can either visit the eight mountains, and if you are lucky and live long enough you can visit all of them. Or you can climb Mount Sumeru, and if you are lucky and live long enough you can reach the top. But you can never do both things", he said. After he finished drawing he looked down and shook his head just slightly, as if in disappointment. You could tell he did that drawing many times before, but that he felt lately he was getting old, and shaky.
Then he pointed the stick at the centre of the big circle, and concluded: "And we ask: who is wiser, the one who travels the world, or the one who reaches the top?"
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
The incredible footage was produced by BoSim Video Production. Check their amazing videos here: youtube.com/channel/UCRHTWfxHuxozNpmnVlyTzwA Instagram: instagram.com/simo95_uwRidesharing by Savfk [Spitfire Audio scoring competition] #westworldscoringcompetition2020Savfk - Music2020-05-27 | I have never engaged as first composer in a scoring contest before. I think it has to do with my attitude towards competitions in general: I guess I prefer when my work is valued for what it is and not for how it compares with others. If we all do good work, why can't we all be rewarded for that good work?
But when I read about the Spitfire Audio scoring contest in partnership with HBO and Westworld, I knew this was different. This is big in all the right ways. Ramin Djawadi is in the panel! And I mean, he stands in my personal pantheon of the greatest film composers alive. Plus, a certain guy that goes by the name of J. J. Abrams is also involved. And Jonathan Nolan. If just one of these people listened to just 3 seconds of my work: big thing.
But I don't like competitions, and I mean, there's going to be like ten thousand entries to this one. With all the talent out there, I am perfectly aware I have zero point zero zero (zero zero...) one per cent chances of ever approaching the top. And therefore, I tried to do this a bit differently.
I switched genres! I had FUN! I tested things, and used many sounds that I had forgotten about, I finally came back to these electronic epic things that I didn't do in a long time. Hybrid music, because I missed that sh*t. I also explored a lot. I have never ventured in some of the musical territories in this track before. There's a bit of pop, some EDM, maybe dubstep?. A vocalist (a vocalist!). The result is over the top. Weird. Maybe it doesn't fit. It's different.
This is my entry for the Spitfire Audio scoring contest in partnership with HBO and Westworld. However this goes, I am incredibly proud of the results: and most of all, composing this was the most fun I had in a very long time. I hope you can listen to this with the same mindset I had while composing it: and while doing so, jump on that car, and for at least four minutes and twenty six seconds, ride away.
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Music composed and produced by Savfk Vocalist: Cassie Gemini
#westworldscoringcompetition2020Venticinque Aprile by Savfk [Bella Ciao orchestral cover] (free download)Savfk - Music2020-04-26 | "Bella Ciao" is an Italian folk song that originated in the hardships of the paddy field workers in the late 19th century who sang it to protest against harsh working conditions. The song was later modified and adopted as an anthem of the anti-fascist resistance by the Italian partisans between 1943 and 1945 during the Italian Resistance against the Nazi forces occupying Italy, and the struggle against the fascists. Italy was finally declared free in late spring, 1945. Italy's Liberation Day, or simply "25 Aprile", is a national Italian holiday, commemorating the end of Nazi occupation, and the victory of the Resistance.
"What was it like during the war, grandpa?" "It was hard, kid. Every morning we would wake up, look at the sunrise, and be unsure if we'd be able to see the sunset." "Wow... I wish I was as brave as you, grandpa" "Oh I wasn't brave, my son. I was scared, I was terrified, I was hesitant in each and every step." "But if it was so hard, then why did you fight? Why didn't you just let them win?" "We were fighting for freedom, my kid. Because if we let them win, I wouldn't be free, and you wouldn't be free either." "When I grow up, I want to be like you. I want to fight so that we can be 100% free!" "Oh no, that is not what you should fight for! You should fight for a little less than that! You should fight, so that we can be 99% free." "Why not 100, grandpa? What is in that 1% of freedom?" "That, my kid, is the freedom to take someone else's freedom away."
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Principle of Inner Necessity by Savfk (copyright and royalty free music)Savfk - Music2020-03-21 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Invention Rooms by Savfk (copyright and royalty free music)Savfk - Music2020-02-29 | Some facts about this track.
1. The track is counterpoint based. The main parts progress following the classical rules of counterpoint, with some exceptions, including the interval of minor seventh in the main theme, which was considered unacceptable.
2. Many themes interact in a manner inspired by the subject and counter-subject of a baroque fugue, with some exceptions, including the frequent use of the subject without its counter-subject, which was considered unacceptable.
3. Most harmonic progressions and modulations follow the conventions of baroque music, with some exceptions, including the progression in the final coda, which due to the lack of the dominant chord, was considered unacceptable.
4. There are two sections, one at the beginning and one at the end, where the four main voices proceed in perfect canon, with some exceptions, including the final imitation before the coda, which was considered unacceptable.
5. In music, as in life, exceptions are the best part.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
The incredible art in the video was created by Alicia D'Angelica.
Visit Alicia's channel for more amazing fractal art here: youtube.com/user/AliciaDAngelica or visit her website: https://www.aliciadangelica.com.arForm and Number by Savfk (copyright and royalty free music)Savfk - Music2020-02-06 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Video by Scottish Ballet. Direction, Cinematography and Edit by Eve McConnachie (Scottish Ballet) Danced and Choreographed by Sophie Laplane (Scottish Ballet)The Travelling Symphony by Savfk (copyright and royalty free soundtrack music)Savfk - Music2020-01-09 | What was lost in the apocalypse: almost everything, almost everyone. But there is still such beauty!
Twilight in this young new world, Lake Michigan shining a half mile away, a performance of A Midsummer Night's Dream in a parking lot. The actors belong to a company called: The Travelling Symphony. Maybe the last theatre company left in the whole world. Kirsten is playing Titania, a crown of flowers on her close-cropped hair, the scar on her cheekbone half-erased by candlelight. The audience is silent, watching in awe as she enacts lines of a play written in 1594, the year London's theatres reopened after two years of plague. Some centuries later, Kirsten moves across the stage in a cloud of fabric, half in rage, half in love. In a twilight once more lit by candles, the age of electricity having come and gone, Titania turns to face her fairy king: "Music, oh! Music, such as charmeth sleep!"
The actors of the Symphony travel in three caravans. All three are labelled as such, THE TRAVELLING SYMPHONY lettered in white on both sides of each van. Nothing else is painted on the two caravans at the back.
The lead caravan, instead, carries an additional line of text:
"Because survival is insufficient."
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
The incredible timelapse video was created by Lucie Debelkova as part of our collaboration project. Indeed after watching her beautiful videos, you realise that "survival is insufficient".
Follow Lucie here: YouTube: youtube.com/c/LucieDebelkovaPhotography Instagram: http://instagram.com/lucie_debelkova Facebook: facebook.com/lucie.debelkova.photography Twitter: http://twitter.com/LucieDebelkova Flickr http://flickr.com/photos/-lucie-Mozart Piano Concerto No. 20, introduction to the 1st movement, interpreted and revisited by SavfkSavfk - Music2020-01-01 | A few days ago I came across Smalin's visualisation of the first movement of Mozart's piano concerto no. 20 (in case you are not familiar with either the piece or the video, you can find it here: youtu.be/7QgOBbKl0eY). Fascinated by the mesmerising graphics dancing on screen, I got sucked into listening to the piece again and again, I looked for the score online, and for no reasons at all, I started transcribing the first movement in my audio workstation. At first I just drafted a few notes, the strings, then the winds, finally the brass and the timpani, transported by the virtuoso patterns and frequent dynamic contrasts in the calm of this winter holidays. Then I looked into programming the articulations, the tempo, the velocities and the expression. With time I worked on the dynamics and the mix, adding things here and there, and without quite realising it, I had done the whole intro.
This video is the result of this process. I didn't compose a single note in here: this is all Mozart. I did, however, modify the score a bit, adding a coda to it, to isolate the intro and make it into a complete piece. And of course I experimented with the interpretation, doing things a bit differently, the way I would want the piece to be performed. In case you are curious, all the sounds you hear are digital sample libraries from Spitfire Audio, midi programmed using Cubase.
You may be wondering why I did all this. Truth is, I don't know! Of course I don't mean for this to replace any of the much better, more natural interpretations of the piece performed by a real orchestra and talented performers and incredible conductors, many of which you can find here on YouTube. Maybe I just wanted to test what I could achieve with a digital workstation and some nice symphonic samples. Maybe I wanted to share something else here in this channel, slightly different than the usual, just to refresh things for a short while.
Or maybe, maybe I just wish you to start this new year listening to Mozart. Happy 2020, for a year full of beautiful music!
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You can download my music and use it for free for any purpose - just remember to credit me - but if you wish to donate (thank you so much for that!), you can do so by clicking here:
Also, if you like my music, please support me by subscribing and sharing this video on your social networks, it really helps!
Download the high quality wav file from here: http://bit.ly/37xVIatGift by Savfk (copyright and royalty free music)Savfk - Music2019-12-07 | My parents visited me in London some weeks ago. They stayed only a few days, and as usual when they come over we tried to make the best of the time we had, and spent it around museums, restaurants and long walks. On the evening of the first day, tired of all the strolling around and standing and going up and down tube stations, we decided to lie down at home for a short while. Just an hour or so, before going out again to get some dinner.
We were resting on the sofa, when all of a sudden my father got up, reached for his backpack and picked something inside. A small USB stick. He gave it to me and said: "do what you want with it". My dad's not a man of many words.
The drive was full of photos he took last summer, on his most recent trip to the US. Lots of beautiful pictures, of the kind you want to look at over and over again. Not surprisingly: my father approaches photography in the same way he approaches everything else in life, a delicate balance of sentiment and calculation. And you see, there and then I should have said: "Wow, that's incredible, dad. Thank you". But I didn't... I am just not very good with words, and I really didn't know what to do with all these photos. I didn't say much. We went for dinner soon after.
Only a few days later, when they already left, I realised that what my father did, what he gave me: it was a gift. And lately, maybe it's the festive period, or maybe it is just life and the things in it, but lately I've been finding myself thinking a lot about gifts. I don't mean the gifts of the material kind, the ones you leave under the tree. And I don't mean the spiritual ones either, the gifts from a higher entity - I have never been much into that stuff. I mean the other kind. The best kind.
I mean the gift of being given something unexpectedly and unconditionally, and knowing that from that moment it is your responsibility, and yours only, to do as you like. And lately I have been thinking of all these gifts I received from my parents, so many, throughout my life. The gift of being shown how to solve a cubic equation. Of being told how beautiful Bach music is, or being told that sometimes Philip Glass music can be just as beautiful. The gift of being explained how a guy in ancient Greece managed to measure the circumference of the earth with just a stick and a ruler. The immeasurable, extraordinary gift of being put in front of a piano from the age of five. The gift of the romantics, loud on Sunday mornings: Chopin, Schubert, Liszt (...speaking of which, if you are listening, you may recognise the main theme from Consolation n.3 in here - I swear it was absolutely intentional!).
And so, a few weeks ago, my father gave me a gift, and I wanted to find the words to express my gratitude. But I am still not very good with words - always dealt better with music. So I thought of this guy, a Polish poet called Czeslaw Milosz, and he instead is quite good with words - he got a Nobel prize because of that. And I remembered this poem, just a few lines. It goes like this:
"A day so happy. Fog lifted early, I worked in the garden.
Hummingbirds flying over the honeysuckle flowers.
There was nothing on earth I wanted to possess.
I knew no one worth my envy.
Whatever evil I had suffered, I forgot.
In my body I felt no pain.
When straightening up,
I saw the blue sea, and the sails."
The poem, just like this track, is called: Gift. In my imagination, Milosz wrote it for his dad.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Power by Savfk (copyright and royalty free music)Savfk - Music2019-11-24 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
The amazing timelapse video was masterfully crafted by Lionsmith Studios. They do amazing things to preserve our planet. Make sure to subscribe to their YouTube channel here: youtube.com/channel/UC2o4gzqNBv5I2DQ0HQJ-LhAWhite Walls by Savfk and Alexandros T [White Walls OST]Savfk - Music2019-11-07 | I had the immense privilege of composing this music, together with my dear friend Alexandros T, as the original score to this short animated movie, written, produced and animated by the very talented Dead Sound (a.k.a. David Armsby).
The quality of the animation and writing, together with the vision behind the movie, really inspired us while making the music. This is one of the most fun projects I worked on, and I am really proud of what we made of it.
Do yourself a favour and watch the complete original movie here: youtu.be/xj7O8mrO_wY
*********** This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Song of Solomon by Savfk and Alexandros TSavfk - Music2019-09-12 | This track was born in one evening, while sitting in the studio with my great friend and fellow composer Alexandros T.
*********** This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Hunt by Savfk (copyright and royalty free soundtrack music)Savfk - Music2019-08-16 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Past Tense by Savfk (copyright and royalty free music)Savfk - Music2019-08-08 | Once upon a time there was an old woman. Blind. Wise.
In the version I know the woman is the daughter of slaves, and lives alone in a small house outside of town. Her reputation for wisdom is without peer and without question.
One day the woman is visited by some young people who seem to be bent on showing her up for the fraud they believe she is. Their plan is simple: they enter her house and ask the one question the answer to which rides solely on her difference from them, a difference they regard as a profound disability: her blindness. They stand before her, and one of them says, “Old woman, I hold in my hand a bird. Tell me whether it is living or dead.”
She does not answer, and the question is repeated. “Is the bird I am holding living or dead?”
Still she doesn’t answer. She is blind and cannot see her visitors, let alone what is in their hands. She does not know their color, gender or homeland. She only knows their motive. The old woman’s silence is so long, the young people have trouble holding their laughter.
Finally she speaks and her voice is soft but stern. “I don’t know”, she says. “I don’t know whether the bird you are holding is dead or alive, but what I do know is that it is in your hands. You hold it in your hands.” And her answer can be taken to mean: whether the bird is to stay alive, it is your decision. Your responsibility.
They stand there. It is finally clear that the visit was only a ruse, a trick to get to be spoken to, taken seriously, as they have not been before. Urgent questions are at stake, including the one they have asked: “Is the bird we hold living or dead?” Perhaps the question meant: “Could someone tell us what is life? What is death?” And if the old and wise who have lived life and faced death cannot describe it, who can?
But she does not; she keeps her secret. No word follows. The silence is deep, deeper than the meaning available in the words she has spoken. It shivers, this silence. And the children, annoyed, fill it with language, invented on the spot.
“We have no bird in our hands, living or dead. We have only you and our important question. Why didn’t you reach out, touch us with your soft fingers, delay the sound bite, the lesson, until you knew who we were? We are young. Unripe. We have heard all our short lives that we have to be responsible. What could that possibly mean in the catastrophe this world has become? Tell us what it is to be a woman, so that we may know what it is to be a man. What it is to have no home. To be set adrift. Tell us about ships turned away from shorelines.
Tell us about a wagonload of slaves, how they sang so softly their breath was indistinguishable from the falling snow. How they knew from the hunch of the nearest shoulder that the next stop would be their last. They stop at an inn. The driver and his mate go in with the lamp leaving them humming in the dark. The horse’s void steams into the snow beneath its hooves and its hiss and melt are the envy of the freezing slaves. The inn door opens: a girl and a boy step away from its light. They climb into the wagon bed. The boy will have a gun in three years, but now he carries a lamp and a jug of warm cider. They pass it from mouth to mouth. The girl offers bread, pieces of meat and something more: a glance into the eyes of the one she serves. One helping for each man, two for each woman. And a look. They look back. The next stop will be their last. But not this one. Not this one."
It’s quiet again when the children finish speaking, until the woman breaks into the silence.
“Finally”, she says, “I trust you now. I trust you with the bird that is not in your hands because you have truly caught it. Look. How lovely it is, this thing we have done.
We have done it together.”
Toni Morrison - December 1993
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Photos by Lee Jeffries.The Age of Wood by Savfk (copyright and royalty free strings music)Savfk - Music2019-06-04 | Behind us, people cheered. Whistles and applause broke out. I was panting. The last time I had felt a rush like this was that day in the winter of 1975, just after I had cut the last kite, when I spotted my friend Baba on our rooftop, clapping, beaming.
I looked down at Sohrab. One corner of his mouth had curled up just so. A smile. Lopsided. Hardly there. But there.
All around us, kids were scampering, and a melee of screaming kite runners was chasing the loose kite drifting high above the trees. I blinked, and the smile was gone. But it had been there. I had seen it.
“Do you want me to run that kite for you?” I said. His Adam’s apple rose and fell as he swallowed. The wind lifted his hair. I thought I saw him nod.
It was only a smile, nothing more. A tiny thing. But when spring comes, it melts the snow one flake at a time: and maybe, I just witnessed the first flake melting.
“For you, a thousand times over,” I heard myself say. I ran.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Video by The Otherside: vimeo.com/222285610A Family by Savfk (copyright and royalty free soundtrack music)Savfk - Music2019-05-22 | “If I had a camera," I said, "I'd take a picture of you every day. That way I'd remember how you looked every single day of your life." "I look exactly the same." "No, you don't. You're changing all the time. Every day a tiny bit. If I could, I'd keep a record of it all." "If you're so smart, how did I change today?" "You got a fraction of a millimetre taller, for one thing. Your hair grew a fraction of a millimetre longer. And your breasts grew a fraction of a—" "They did not!" "Yes, they did." "Did NOT." "Did too." "What else, you big pig?" "You got a little happier and also a little sadder." "Meaning they cancel out each other, leaving me exactly the same." "Not at all. The fact that you got a little happier today doesn't change the fact that you also become a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and the saddest you've ever been in your whole life." "How do you know?" "Think about it. Have you ever been happier or sadder than right now, lying here in this grass?" "I guess not. No." "And have you ever been sadder?" "No." "It isn't like that for everyone, you know. Some people..." "What about you? Are you the happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you.”
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Nebula by Savfk (copyright and royalty free soundtrack music)Savfk - Music2019-05-02 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Videos by Hubble ESA (CC BY)Incredibly Close by Savfk (copyright and royalty free music)Savfk - Music2019-04-23 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
* Video info * FIVE by Katina Mercadante vimeo.com/124385005 Director - Katina Mercadante Director of Photography - Daniel Mercadante Assistant Editor - Alisha Shimada Producer - The MercadantesThe Killing Joke by Savfk (copyright and royalty free trailer music)Savfk - Music2019-04-07 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Eighty-eight by Savfk (copyright and royalty free music)Savfk - Music2019-04-01 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
* Video info * Director: Andrew Margetson Featuring: Lauren Cuthbertson Producer: Anna Zantiotis Director of Photography: Federico Alfonzo Choreographer: Alastair Marriott Editor: David WebbThe Impossible by Savfk (copyright and royalty free soundtrack music)Savfk - Music2019-03-15 | In 1948, the American engineer Claude Shannon published a scientific article titled "A mathematical theory of communication". In it, he posed the basis of what he called "Information theory", the study of how to quantify, transmit and process information. Probably without even realising it, with his paper Shannon was effectively building the founding pillars of a whole new discipline, a science that would allow some of the major technological and scientific breakthroughs in human history. Information theory is at the basis of the Internet, it is what allows us to listen to digital music, watch digital videos, and read digital text. But it was also fundamental to the success of the Voyager missions to deep space, the invention of mobile phones, the study of linguistics and of human perception, the understanding of black holes, and many other things. One single person, with a few words in a short mathematical paper, was taking a large number of impossible things, and making them possible.
This is what science does. It doesn't listen to the will of the people. It doesn't bend to fashion, or money, or superstition. It doesn't need multitudes: science is made in solitude. Science is there, and it has always been there. It is just waiting for someone to find it, write it on a piece of paper, and make the impossible.
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This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Video by Eugene Zosimov: vimeo.com/55427666Big Day Tomorrow by Savfk (copyright and royalty free soundtrack music)Savfk - Music2019-03-07 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0City by Savfk (copyright and royalty free music)Savfk - Music2019-02-08 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Video by Mattia Bicchi: Facebook: facebook.com/MattiaBicchiPhoto Instagram: instagram.com/mattiabicchi Twitter: twitter.com/MattiaBicchiIncandescent by Savfk (copyright and royalty free music)Savfk - Music2019-02-01 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
All video content from the short movie "The Fire Inside" (vimeo.com/111908564) Concept, Interactive design and visuals by João Beira Choreography by Quixotic Fusion Dancer: Laura Jones WallnerPrecious Life by Savfk (copyright and royalty free sad emotional soundtrack music)Savfk - Music2019-01-21 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
All video content from the the movie "Roma" belongs to Netflix. Video edited by Tiarnan Hatchell: youtube.com/watch?v=zS2lhcz47m8 Twitter: twitter.com/HatchellTiarnan Instagram: instagram.com/lyingtxyouThe Grid by Savfk [GAMER OST] (copyright and royalty free sci-fi epic soundtrack music)Savfk - Music2018-07-04 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Ocean by Savfk (copyright and royalty free soundtrack music)Savfk - Music2018-06-17 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0On the Origin of Species by Savfk (copyright and royalty free soundtrack music)Savfk - Music2018-06-08 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0
Many thanks to the talented videomakers and editors for creating such beautiful clips. Most clips in this video are taken from: youtu.be/WsUW177-4Tc youtu.be/oZud8JHtxWE Videos property of Nat Geo, Discovery Channel and BBCOh my Dog!! by Savfk (copyright and royalty free soundtrack music)Savfk - Music2018-05-31 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Strange the Dreamer by Savfk (copyright and royalty free fantasy instrumental soundtrack music)Savfk - Music2018-05-22 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0For Tomorrow by Savfk (copyright and royalty free epic hybrid soundtrack music)Savfk - Music2018-05-10 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0The Path by Savfk (copyright and royalty free epic motivational soundtrack music)Savfk - Music2018-04-28 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0Cousin Ben by Savfk (copyright and royalty free soundtrack music)Savfk - Music2018-04-23 | This track is released under a CC-BY licence. This means you can use it for free, even on monetised videos. The only thing I ask in return is that you properly credit me.
You can do so by simply mentioning me and the track title in your YouTube video description, including a link to my YouTube channel.
If you don't credit me, you risk getting a copyright claim. You can find information regarding copyright claims here: bit.ly/savfk-claim
The music in this video is licensed under a ‘Creative Commons Attribution 4.0 International License (CC BY 4.0)’. You can find the link to that license here: creativecommons.org/licenses/by/4.0