Lyrics: I’m starving, Darling Let me put my lips to something Let me wrap my teeth around the world Start carving, Darling I want to smell the dinner cooking I want to feel the edges start to burn
Honey, I Want to race you to the table If you hesitate
The getting is gone I won’t lie If there’s something to be gained There’s money to be made Whatever's still to come
Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war-drum Putting food on the table selling bombs and guns; It's quicker and easier to eat your young
You can’t buy this fineness Let me see the heat get to it Let me watch the dressing start to peel It’s a kindness, Highness Crumbs enough for everyone Old and young are welcome to the meal
Honey, I'm Making sure the table’s made We can celebrate The good that we’ve done
I won’t lie If there’s something still to take There is ground to break Whatever's still to come
Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war-drum Putting food on the table selling bombs and guns; It's quicker and easier to eat your young
Lyrics: I’m starving, Darling Let me put my lips to something Let me wrap my teeth around the world Start carving, Darling I want to smell the dinner cooking I want to feel the edges start to burn
Honey, I Want to race you to the table If you hesitate
The getting is gone I won’t lie If there’s something to be gained There’s money to be made Whatever's still to come
Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war-drum Putting food on the table selling bombs and guns; It's quicker and easier to eat your young
You can’t buy this fineness Let me see the heat get to it Let me watch the dressing start to peel It’s a kindness, Highness Crumbs enough for everyone Old and young are welcome to the meal
Honey, I'm Making sure the table’s made We can celebrate The good that we’ve done
I won’t lie If there’s something still to take There is ground to break Whatever's still to come
Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war-drum Putting food on the table selling bombs and guns; It's quicker and easier to eat your young
#Hozier #EatYourYoungHozier - Through Me (The Flood) (Official Lyric Video)Hozier2023-03-17 | Official lyric video for “Through Me (The Flood)” by Hozier
Lyrics: Picture a man, Seen like a spec out from the shore, Swimming out beyond the breakers like he’s done his life before, He feels the coming of a squall will drag him out a greater length But knows his strength and tries to gather it, And he swims on Turning back to shore again, Above the outer atmosphere of a world he’s never seen, And looking down to his new home he feels the rising of a wave, And knows at once he will not weather it
Like that man I looked down into the depths when I met you I couldn’t measure it.
Anytime I've struggled on Against the course out on my own; Everytime I'd burn Through the world I'd see That the world, it burns through me.
But when I, I'd let go, My struggling form, My willing soul Everytime would flow Through the world I'd see That the world, it flows through me.
Picture a grave, Picture six feet freshly dug, The sharp temporary walls at the long-term cliff edge of the world, Light and air find some new deepness there and usher down the sky where one stands by, And tries make sense of it. But try measure loss, Measure the silence of a house, The unheard footsteps at the doorway, The unemployment of the mouth, The waking up having forgotten, And remembering again the full extent of what forever is.
With each grave, I think of loss and I can only think of you And I couldn’t measure it.
Anytime I've struggled on Against the course out on my own; Everytime I'd burn Through the world I'd see That the world, it burns through me.
But when I, I'd let go, My struggling form, My willing soul Everytime would flow Through the world I'd see That the world, it flows through me.
#Hozier #ThroughMe #EatYourYoungHozier - All Things End (Official Lyric Video)Hozier2023-03-17 | Official lyric video for “All Things End” by Hozier
Lyrics: A two tonne weight around my chest feels like It just dropped a twenty storey height If there was anyone to ever get through this life With their heart still intact, they didn’t do it right
The last time I felt your weight on my chest you said 'We didn't get it right but love we did our best' And we will again, Moving on in time and taking more from Everything that ends
And all things end All that we intend is scrawled in sand or slips right through our hands And just knowing that everything will end Should not change our plans when we begin again We begin again
I have never known a silence Like the one fallen here Never watched my future darken in a single tear I know we want this to go easy by being somebody's fault But we’ve gone long enough to know this isn’t what we want And that isn’t always bad When people say that something is forever Either way it ends
And all things end All that we intend is scrawled in sand or slips right through our hands And just knowing That everything will end Should not change our plans When we begin again
We begin again we begin again We begin again
And all things end (Knowing we can always start again) All that we intend (Knowing we can have another day) is scrawled in sand (Knowing we can always start again) or slips right through our hands (Knowing we can have another day) And just knowing That everything will end Should not change our plans When we begin again
#Hozier #AllThingsEnd #EatYourYoungHozier - Eat Your Young (Official Lyric Video)Hozier2023-03-17 | Official lyric video for “Eat Your Young” by Hozier
Lyrics: I’m starving, Darling Let me put my lips to something Let me wrap my teeth around the world Start carving, Darling I want to smell the dinner cooking I want to feel the edges start to burn
Honey, I Want to race you to the table If you hesitate
The getting is gone I won’t lie If there’s something to be gained There’s money to be made Whatever's still to come
Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war-drum Putting food on the table selling bombs and guns; It's quicker and easier to eat your young
You can’t buy this fineness Let me see the heat get to it Let me watch the dressing start to peel It’s a kindness, Highness Crumbs enough for everyone Old and young are welcome to the meal
Honey, I'm Making sure the table’s made We can celebrate The good that we’ve done
I won’t lie If there’s something still to take There is ground to break Whatever's still to come
Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war-drum Putting food on the table selling bombs and guns; It's quicker and easier to eat your young
#Hozier #EatYourYoungHozier - Swan Upon Leda (Official Lyric Video)Hozier2022-10-26 | Hozier – Swan Upon Leda – listen now: hozier.lnk.to/swanuponledaID
Egyptian journalist and author Mona Eltahawy once referred to the global systems that control and endanger women as the world's "oldest form of occupation."
Ever since hearing her speak in Dublin, I wanted to explore that thought in a piece.
I wrote Swan Upon Leda in Ireland a year ago and recorded it recently with producer Jenn Decilveo. We were tracking it in studio when the news came through of Roe v. Wade being overturned. I felt there was an opportunity to offer some show of solidarity.
We're reminded again by the protests in Iran that progressivism is a global movement. the recent pushbacks against civil liberties and human rights respect no boundaries or borders, and like all acts of control, violence and indeed all forms of occupation, their legacies can be immeasurable in both the personal and political spheres.
Of all the songs coming from my 3rd album "Unreal Unearth", I wanted to offer this song at this time. I’ll be making a donation to Mayday, AidAccess, Plan C and Amnesty International, organizations working toward ensuring women and pregnant people can gain safe access to reproductive healthcare and civil rights. Click the links below to read about their work and contribute to their funds should you be in a position to do so.
Lyrics: A husband waits outside A crying child pushes a child into the night She was told he would come this time Without leaving so much as a feather behind
To enact at last the perfect plan One more sweet boy to be butchered by men
But gateway to the world Was still outside the reach of him Would never belong to angels Had never belonged to men The swan upon Leda Empire upon Jerusalem
A grandmother smuggling meds Past where the god child-soldier Setanta stood dead Our graceful turner of heads Weaves through the checkpoints like a needle and thread
Someone’s frightened boy waves her on She offers a mother’s smile and soon she’s gone
The gateway to the world, The gun in a trembling hand, Where nature unmakes the boundary The pillar of myth still stands, The swan upon Leda Occupier upon ancient land But gateway to the world Was still outside the reach of him Would never belong to angels Had never belonged to menHozier - Swan Upon Leda (Acoustic Video)Hozier2022-10-20 | Hozier – Swan Upon Leda – listen now: hozier.lnk.to/swanuponledaID
Egyptian journalist and author Mona Eltahawy once referred to the global systems that control and endanger women as the world's "oldest form of occupation."
Ever since hearing her speak in Dublin, I wanted to explore that thought in a piece.
I wrote Swan Upon Leda in Ireland a year ago and recorded it recently with producer Jenn Decilveo. We were tracking it in studio when the news came through of Roe v. Wade being overturned. I felt there was an opportunity to offer some show of solidarity.
We're reminded again by the protests in Iran that progressivism is a global movement. the recent pushbacks against civil liberties and human rights respect no boundaries or borders, and like all acts of control, violence and indeed all forms of occupation, their legacies can be immeasurable in both the personal and political spheres.
Of all the songs coming from my 3rd album "Unreal Unearth", I wanted to offer this song at this time. I’ll be making a donation to Mayday, AidAccess, Plan C and Amnesty International, organizations working toward ensuring women and pregnant people can gain safe access to reproductive healthcare and civil rights. Click the links below to read about their work and contribute to their funds should you be in a position to do so.
Lyrics: A husband waits outside A crying child pushes a child into the night She was told he would come this time Without leaving so much as a feather behind
To enact at last the perfect plan One more sweet boy to be butchered by men
But gateway to the world Was still outside the reach of him Would never belong to angels Had never belonged to men The swan upon Leda Empire upon Jerusalem
A grandmother smuggling meds Past where the god child-soldier Setanta stood dead Our graceful turner of heads Weaves through the checkpoints like a needle and thread
Someone’s frightened boy waves her on She offers a mother’s smile and soon she’s gone
The gateway to the world, The gun in a trembling hand, Where nature unmakes the boundary The pillar of myth still stands, The swan upon Leda Occupier upon ancient land But gateway to the world Was still outside the reach of him Would never belong to angels Had never belonged to menHozier - Swan Upon Leda (Official Audio)Hozier2022-10-07 | Hozier – Swan Upon Leda – listen now: hozier.lnk.to/swanuponledaID
Egyptian journalist and author Mona Eltahawy once referred to the global systems that control and endanger women as the world's "oldest form of occupation."
Ever since hearing her speak in Dublin, I wanted to explore that thought in a piece.
I wrote Swan Upon Leda in Ireland a year ago and recorded it recently with producer Jenn Decilveo. We were tracking it in studio when the news came through of Roe v. Wade being overturned. I felt there was an opportunity to offer some show of solidarity.
We're reminded again by the protests in Iran that progressivism is a global movement. the recent pushbacks against civil liberties and human rights respect no boundaries or borders, and like all acts of control, violence and indeed all forms of occupation, their legacies can be immeasurable in both the personal and political spheres.
Of all the songs coming from my 3rd album "Unreal Unearth", I wanted to offer this song at this time. I’ll be making a donation to Mayday, AidAccess, Plan C and Amnesty International, organizations working toward ensuring women and pregnant people can gain safe access to reproductive healthcare and civil rights. Click the links below to read about their work and contribute to their funds should you be in a position to do so.
Lyrics: A husband waits outside A crying child pushes a child into the night She was told he would come this time Without leaving so much as a feather behind
To enact at last the perfect plan One more sweet boy to be butchered by men
But gateway to the world Was still outside the reach of him Would never belong to angels Had never belonged to men The swan upon Leda Empire upon Jerusalem
A grandmother smuggling meds Past where the god child-soldier Setanta stood dead Our graceful turner of heads Weaves through the checkpoints like a needle and thread
Someone’s frightened boy waves her on She offers a mother’s smile and soon she’s gone
The gateway to the world, The gun in a trembling hand, Where nature unmakes the boundary The pillar of myth still stands, The swan upon Leda Occupier upon ancient land But gateway to the world Was still outside the reach of him Would never belong to angels Had never belonged to menHozier - Like Real People Do (Official Audio)Hozier2022-05-20 | "Like Real People Do” by Hozier Listen to Hozier: https://Hozier.lnk.to/listen_YD Watch more videos by Hozier: https://Hozier.lnk.to/listen_YD/youtube
Lyrics: I will not ask you where you came from I will not ask and neither should you Honey, just put your sweet lips on my lips We should just kiss like real people do
Lyrics: You and I, nursing on a Poison that never stung Our teeth and lungs are lined With the scum of it Somewhere for this, death and guns We are deaf, we are numb Free and young and we Can feel none of it
Lyrics: It feels good, girl, it feels good It feels good, girl, it feels good It feels good, girl, it feels good Oh, to be alone with you
#Hozier #ToBeAlone #OfficialAudioHozier - Foreigners God (Official Audio)Hozier2022-05-20 | "Foreigner's God” by Hozier Listen to Hozier: https://Hozier.lnk.to/listen_YD Watch more videos by Hozier: https://Hozier.lnk.to/listen_YD/youtube
Lyrics: Screaming the name Of a foreigner's God Screaming the name Of a foreigner's God Screaming the name Of a foreigner's God The purest expression of grief
Lyrics: Words hung above, but never would form Like a cry at the final breath that is drawn Remember me, love, when I'm reborn As a shrike to your sharp and glorious thorn
#Hozier #Shrike #OfficialAudioHozier - Angel of Small Death and the Codeine Scene (Official Audio)Hozier2022-05-20 | "Angel of Small Death and the Codeine Scene” by Hozier Listen to Hozier: https://Hozier.lnk.to/listen_YD Watch more videos by Hozier: https://Hozier.lnk.to/listen_YD/youtube
Lyrics: With her sweetened breath, and her tongue so mean She's the angel of small death and the codeine scene With her straw-blonde hair, her arms hard and lean She's the angel of small death and the codeine scene
#Hozier #AngelofSmallDeathandtheCodeineScene #OfficialAudioMEDUZA - Tell It To My Heart (Live Performance Video) ft. HozierHozier2021-11-09 | The official performance video for 'Tell It To My Heart' by MEDUZA & Hozier Listen now: https://MEDUZA.lnk.to/TITMHID
PRODUCTION BY: JAMZ CREATIVE PRODUCED BY: JODIE HORNE PROJECT MANAGER: JOSH STOCKDALE CAMERA OPERATOR: MATT PITMAN & JODIE HORNE PRODUCTION SUPPORT: ALEX BOULTON LIGHTING DIRECTOR: LOUIE SHAW PRODUCTION COORDINATION: SYNC PRODUCTIONS DRONE OPERATOR: PEPPE FOTI EVENT COORDINATOR: SHAY HANNON AUDIO ENGINEERS: ALEKSANDER (OLO) KESICKI & LORCAN CAROLAN LIGHTING ENGINEERS: GODA AKUOC & ROB CORORAN SPARKS: WILLIE LAWLOR & JOEY KELLY COLOURIST: NEILL JONES GRADE HOUSE: DOODLEDO GROOMING: VIVIEN POMEROY PHOTOGRAPHER: CHRISTIAN TIERNEY SITE COORDINATOR: TONY MAHER EXECUTIVE PRODUCERS: CAROLINE DOWNEY, SERGION BIENATI & KEVIN HARRIS VIDEO COMMISSIONER / LABEL: AMY COLLINS at ISLAND RECORDS UK
WITH A SPECIAL THANKS TO THE ROCK OF CASHEL & HORE ABBEY
Lyrics... I can’t work you out Are you thinking bout something better Holding onto you While you drag me through stormy weather
The only time you smile Is in the photographs When I pull you close It’s like you’re holding back Before we turn to strangers Tryna love in the dark
Tell it to my heart Cos I can’t keep guessing If it’s me you’re missing
Tell it to my heart Cos the sound of silence Is a place we’re dying
Tell it to my heart Tell it to my heart
Tell it to my heart Cos I can’t keep guessing If it’s me you’re missing
Tell it to my heart Cos the sound of silence Is a place we’re dying Tell it to my heart
Before a light goes out Come and tell me now If somethings fading Cos I can feel it in Every single thing that you’re not saying
You move close to me But I can feel a space Whatever time we have I’m not gonna waste Before we turn to strangers Tryna love in the dark
Tell it to my heart Cos I can’t keep guessing If it’s me you’re missing
Tell it to my heart Cos the sound of silence…
Tell it to my heart Tell it to my heart
Tell it to my heart Cos I can’t keep guessing If it’s me your missing
Tell it to my heart Cos the sound of silence Is a place we’re dying Tell it to my heartHozier - Movement (Other Voices Series 19)Hozier2021-03-12 | Listen to ‘Movement‘ here: https://Hozier.lnk.to/CompletePlaylistID
Of all the money that e'er I had I've spent it in good company And all the harm that ever I done Alas it was to none but me For all I've done for want of wit To memory now I can't recall So fill to me the parting glass Good night and joy be with you all
Oh, all the comrades that e'er I had They're sorry for my going away And of all the sweethearts that e'er I had They'd wish me one more day to stay But as it falls unto my lot That I must go and you must not I'll gently rise and I'll softly call Good night and joy be with you allHozier - Jackboot Jump (Live)Hozier2019-11-21 | Official Video for ”TITLE” by Hozier Listen to Hozier: https://Hozier.lnk.to/listen_YD Watch more videos by Hozier: https://Hozier.lnk.to/listen_YD/youtube Subscribe to the official Hozier YouTube channel: https://Hozier.lnk.to/subscribeYD
At Standing Rock the Jackboot Jump You’d swear was all the rage Whether tearing up old treaties, Or just tearing up the place It’s always corporate infrastructure Over the structure of your face
In Moscow the Jackboot show Has so much in store For any silly student Who doesn’t wanna learn the score So the Moscow Jackboot Ballet Finds some scared young dancing floor
In Hong Kong it won’t be long ‘til they have to fall in line For the long hand of Beijing Stretching south a thousand miles Where they rock the Jackboot Jump there Like that shit’s going out of style
All around the world You'd think that things were looking rough But the jackboot only jumps down On people standing up So you know good things are happening When the jackboot needs to jump
Directed by Sydney Gawlik
Vocals and Guitar: Andrew Hozier-Byrne Drums: Rory Doyle Videographer: Sydney Gawlik Sound: Stephen Pattison Lighting Designer: Steven Douglas Mixed by: Andrew Scheps
Director/Editor: Blythe Thomas / @_blythethomas Producer: Libby de Leon / @libbstagram
DP: Julia Swain AD: Matthew Breda Steadicam: Peter Keeling 1st AC: Jasmine Chang 2nd AC: Sam Heathwolff Special thanks to Panavision
Gaffer: Jonathan Alvarado BB Gaffer: Nathan Krauss Key Grip: Larry Schuler BB Grip: Dom Ciofalo Swing: Tannie Xin PA: Alex Woods
Production Designer: Philip Sieverding Production Designer: Griffin Stoddard Art Assistant: Zack Angeline Art Assistant: Gio Mjavanadze
Colorist: Arianna Shining Star Sound Design: Cody Twitchell VFX: Matthew Delisi
Talent Coordinator: Mia Shelton Dance Couple/Choreographers: Cameron Boyce, Christine Flores Tap Dancer/Choreographer: Leo Manzari Jazz Trio: Grace Kelly, Olithea Elizabeth, Compton Timberwolf Cello: Susan D. Mandel Piano: Julius Rodriguez Listening Room: Philip Sieverding, Christina Suzuki, Ryan Cobleigh, Hal Degroat, Azain Brito, Rachel Kang
Filmed at The Metropolitan Building in New York
Ask your voice device to play Hozier!
Lyrics: I wouldn't know where to start Sweet music playing in the dark Be still, my foolish heart Don't ruin this on me I wouldn't know where to start Sweet music playing in the dark Be still, my foolish heart Don't ruin this on me
#Hozier #Almost #SweetMusic #BTS #BehindTheScenes #WastelandBaby #Blues #Rock #Soul #FolkHozier - Almost (Sweet Music) (Official Video)Hozier2019-04-16 | Official Video for ”Almost (Sweet Music)” by Hozier Listen to Hozier: https://Hozier.lnk.to/listen_YD Watch more videos by Hozier: https://Hozier.lnk.to/listen_YD/youtube
Director/Editor: Blythe Thomas / @_blythethomas Producer: Libby de Leon / @libbstagram
DP: Julia Swain AD: Matthew Breda Steadicam: Peter Keeling 1st AC: Jasmine Chang 2nd AC: Sam Heathwolff Special thanks to Panavision
Gaffer: Jonathan Alvarado BB Gaffer: Nathan Krauss Key Grip: Larry Schuler BB Grip: Dom Ciofalo Swing: Tannie Xin PA: Alex Woods
Production Designer: Philip Sieverding Production Designer: Griffin Stoddard Art Assistant: Zack Angeline Art Assistant: Gio Mjavanadze
Colorist: Arianna Shining Star Sound Design: Cody Twitchell VFX: Matthew Delisi
Talent Coordinator: Mia Shelton Dance Couple/Choreographers: Cameron Boyce, Christine Flores Tap Dancer/Choreographer: Leo Manzari Jazz Trio: Grace Kelly, Olithea Elizabeth, Compton Timberwolf Cello: Susan D. Mandel Piano: Julius Rodriguez Listening Room: Philip Sieverding, Christina Suzuki, Ryan Cobleigh, Hal Degroat, Azain Brito, Rachel Kang
Hozier HMU: Megan Lanoux Talent HMU: Emily Klein
Columbia Records: Video Commissioner: Jill Kaplan Video Assistant: Alexa Zeliger Video Intern: Audrey Fenter Marketing: Alyssa Lopresti Digital: Betsy Whitney, Ian Block Stills: Ian Block BTS: Andres Escobar
Mgmt: MCD / Caroline Downey
Filmed at The Metropolitan Building in New York
Ask your voice device to play Hozier!
Lyrics: I wouldn't know where to start Sweet music playing in the dark Be still, my foolish heart Don't ruin this on me I wouldn't know where to start Sweet music playing in the dark Be still, my foolish heart Don't ruin this on me
#Hozier #Almost #SweetMusic #OfficialVideo #WastelandBaby #Blues #Rock #Soul #FolkHozier - Movement (Maya Jane Coles Remix / Audio)Hozier2019-03-22 | Listen to Movement (Maya Jane Coles Remix) here : https://Hozier.lnk.to/MJCID Taken from the new album Wasteland, Baby! which is out now: hozier.lnk.to/WastelandBabyID
Director: Kevin Slack Executive Producer: Steven Gottlieb Production Company: Content Video DP: Blaine Dunkley 1st AC: Kirk Nakamura PA: Misha Macnie
Ask your voice device to play Hozier!
Lyrics: I wouldn't know where to start Sweet music playing in the dark Be still, my foolish heart Don't ruin this on me I wouldn't know where to start Sweet music playing in the dark Be still, my foolish heart Don't ruin this on me
Starring Anya Taylor-Joy & Andrew Hozier-Byrne Directed by Anthony Byrne Executive Producer - Jess Wylie Producer - Fred Bonham Carter Director of Photography - Si Bell Editor - Chris Roebuck Colourist - Simone Grattarola Production Design - Ruth Crawford Stylist - Hannah Hopkins Make-Up - Nathalie Eleni Hair - Narad Kutowaroo
Ask your voice device to play Hozier!
Lyrics: That's the kind of love I've been dreaming of That's the kind of love I've been dreaming of
#Hozier #DinnerAndDiatribes #OfficialVideo #WastelandBaby #Blues #Rock #Soul #FolkHozier - Shrike (Live) | Vevo Official PerformanceHozier2019-03-05 | Hozier - Shrike an exclusive official live performance for Vevo.
Director: Alex Thompson DP: Liam White Producer: Antonio Cacciavillani
http://vevo.ly/sKkv7cHozier - Movement (Live) | Vevo Official PerformanceHozier2019-02-11 | Hozier - Movement an exclusive official live performance for Vevo.
Director: Alex Thompson DP: Liam White Producer: Antonio Cacciavillani
http://vevo.ly/UM156qHozier - Nina Cried Power (Black Box Sessions - Indie88)Hozier2018-11-30 | Music video by Hozier performing Nina Cried Power (Black Box Sessions - Indie88). (C) 2018 Rubyworks Ltd., under license to Columbia Records, a Division of Sony Music Entertainment
Music: Hozier Starring: Sergei Polunin Directors: Us Production Comp: Academy Films Producer: Tabetha Glass-Jackman Executive Producer: Leah Joyce Executive Producer: Sheira Rees-Davies DOP: Sebastian Wintero Choreographer: Sergei Polunin Edit House: Trim Editor: Vid Price Post Production: The Mill VFX Supervisor: James Mac 2D artist: Amit Kambli Colourist: James Bamford With thanks to Panavision
http://vevo.ly/5FWxxSHozier - Hozier On Moments Silence (Common Tongue)Hozier2018-10-30 | Listen to 'Moment's Silence (Common Tongue)' from the Nina Cried Power EP: https://Hozier.lnk.to/NCPID As heard in the Season 5 trailer for “How To Get Away With Murder”
http://vevo.ly/vDUdtpHozier - Nina Cried Power (feat. Mavis Staples) - Live At Windmill Lane StudiosHozier2018-10-01 | Listen to 'Nina Cried Power ft. Mavis Staples' from the Nina Cried Power EP: https://Hozier.lnk.to/NCPID
http://vevo.ly/JbACtwHozier - Hozier On Nina Cried Power Pt. 3Hozier2018-09-29 | Listen to 'Nina Cried Power ft. Mavis Staples' from the Nina Cried Power EP: https://Hozier.lnk.to/NCPID