Bleeding Nose RecordsOrder/Save „The March of the Puppets 2022“ here: https://bfan.link/the-march-of-the-puppets-2022
The clowns are in town! 2022 marks the beginning of a new decade of madness, as the CIRCUS OF FOOLS turns 10 and celebrates this with the most elaborate album of its career, completely financed by the fans.
With "The March of the Puppets 2022", a re-recording of the "Raise the Curtain" classic in a completely new guise is now being released as a single in advance. In the successful crowdfunding for the new album, this song was chosen by the supporters to be given a new coat of paint. You can hear the incredible development that this band has gone through in the last few years. A new, German-language verse, adapted to the current situation in the world, was written and performed by none other than ULLI PERHONEN, vocalist of the symphonic metal through-starters SNOW WHITE BLOOD... And the awesome mix by Christoph Wieczorek (annisokay, WBTBWB, Future Palace) refines the gem to a true bling. Wild, crazy, brute and with a good portion of irony.
Boundaries are torn down here, musically as well as socially! Always with a broad, satirical grin, the seven poisonous court jesters of the apocalypse raise their warning finger and roll out the steamroller over ignorance, hate, discrimination and self-destruction. In these 10 years, the band has undergone an insane development: From a couple of hobby musicians in a student's room, to an absolute dramatic force, both live on stage and preserved for eternity. Modern Metal Madness, that is the fusion of the charismatic voices of singer/screamer Tim Strouken and the new, very versatile singer Tammy Keinath, epic string arrangements of violist Coen Strouken and the monstrous but at the same time very detailed metal blast of guitarists Julian Langer and Dominik Bolter, bassist Yannick Ninkov and drummer Nico Staller. Symphonic, industrial, folk, nu metal, metalcore, melodic death, gothic... the influences are manifold and yet they form a coherent, very own and unmistakable sound. Look forward to a spectacular show!
Lyrics: FEED US! FEED US! Feed us your simplified lies, Our fiend is the open mind, We are the silent ones, Asking loud to be fed to the guns.
I'm the one hiding behind my PC, I like to swear, „anonymous", you see?
I'm his daughter, solarium brown, My parents told me, i've to fear „their" colored gown.
I'm this unlucky, middle-class guy, I'm just angry, and a little bit shy.
I'm here because of my friends, Yeah, we're the people and we are against…!
This is the march of Puppets: Blind, deaf and dumb. We're the people! Trying to reason just makes us numb.
Feed us simplified lies, Teach us naivety, your tales are nice! Hate makes us strong, Just give us a fiend. In rank and file, is that wrong?
Feed us your simplified lies, Our fiend is the open mind, We are the silent ones, Asking loud to be fed to the guns.
And the sun goes down above the occident, We are our own horizon. It's always easier to follow a lead, And revel in our own greed.
Und ich bin die, die statt gerade nur quer denkt, Die Fakten in Hass und Gefühlen versenkt. Schrei lauthals „Ihr Kriecher, die dort oben sind schuld“, Folge doch selbst einem vorkauenden Kult.
Feed us simplified lies, Teach us naivety, your tales are nice! Hate makes us strong, Just give us a fiend. In rank and file, is that wrong?
Feed us your simplified lies, Our fiend is the open mind, We are the silent ones, Asking loud to be fed to the guns.
This is the march of Puppets, Blind, deaf and dumb. We're the people! Trying to reason just makes us numb.
Music and Lyrics by Tim Strouken Originally released in 2015, re-recorded in 2021. Produced by Daniel Hildebrand Mixed and Mastered by Christoph Wieczorek at Sawdust Recordings Studios
Video by Tim Strouken/Ketten2006Art „Naivity“ played by Jule Pötzl
Circus of Fools The March of the Puppets 2022 feat Ulli Perhonen (Snow White Blood) Bleeding NoseBleeding Nose Records2022-03-09 | Order/Save „The March of the Puppets 2022“ here: https://bfan.link/the-march-of-the-puppets-2022
The clowns are in town! 2022 marks the beginning of a new decade of madness, as the CIRCUS OF FOOLS turns 10 and celebrates this with the most elaborate album of its career, completely financed by the fans.
With "The March of the Puppets 2022", a re-recording of the "Raise the Curtain" classic in a completely new guise is now being released as a single in advance. In the successful crowdfunding for the new album, this song was chosen by the supporters to be given a new coat of paint. You can hear the incredible development that this band has gone through in the last few years. A new, German-language verse, adapted to the current situation in the world, was written and performed by none other than ULLI PERHONEN, vocalist of the symphonic metal through-starters SNOW WHITE BLOOD... And the awesome mix by Christoph Wieczorek (annisokay, WBTBWB, Future Palace) refines the gem to a true bling. Wild, crazy, brute and with a good portion of irony.
Boundaries are torn down here, musically as well as socially! Always with a broad, satirical grin, the seven poisonous court jesters of the apocalypse raise their warning finger and roll out the steamroller over ignorance, hate, discrimination and self-destruction. In these 10 years, the band has undergone an insane development: From a couple of hobby musicians in a student's room, to an absolute dramatic force, both live on stage and preserved for eternity. Modern Metal Madness, that is the fusion of the charismatic voices of singer/screamer Tim Strouken and the new, very versatile singer Tammy Keinath, epic string arrangements of violist Coen Strouken and the monstrous but at the same time very detailed metal blast of guitarists Julian Langer and Dominik Bolter, bassist Yannick Ninkov and drummer Nico Staller. Symphonic, industrial, folk, nu metal, metalcore, melodic death, gothic... the influences are manifold and yet they form a coherent, very own and unmistakable sound. Look forward to a spectacular show!
Lyrics: FEED US! FEED US! Feed us your simplified lies, Our fiend is the open mind, We are the silent ones, Asking loud to be fed to the guns.
I'm the one hiding behind my PC, I like to swear, „anonymous", you see?
I'm his daughter, solarium brown, My parents told me, i've to fear „their" colored gown.
I'm this unlucky, middle-class guy, I'm just angry, and a little bit shy.
I'm here because of my friends, Yeah, we're the people and we are against…!
This is the march of Puppets: Blind, deaf and dumb. We're the people! Trying to reason just makes us numb.
Feed us simplified lies, Teach us naivety, your tales are nice! Hate makes us strong, Just give us a fiend. In rank and file, is that wrong?
Feed us your simplified lies, Our fiend is the open mind, We are the silent ones, Asking loud to be fed to the guns.
And the sun goes down above the occident, We are our own horizon. It's always easier to follow a lead, And revel in our own greed.
Und ich bin die, die statt gerade nur quer denkt, Die Fakten in Hass und Gefühlen versenkt. Schrei lauthals „Ihr Kriecher, die dort oben sind schuld“, Folge doch selbst einem vorkauenden Kult.
Feed us simplified lies, Teach us naivety, your tales are nice! Hate makes us strong, Just give us a fiend. In rank and file, is that wrong?
Feed us your simplified lies, Our fiend is the open mind, We are the silent ones, Asking loud to be fed to the guns.
This is the march of Puppets, Blind, deaf and dumb. We're the people! Trying to reason just makes us numb.
Music and Lyrics by Tim Strouken Originally released in 2015, re-recorded in 2021. Produced by Daniel Hildebrand Mixed and Mastered by Christoph Wieczorek at Sawdust Recordings Studios
Video by Tim Strouken/Ketten2006Art „Naivity“ played by Jule Pötzl
(DE): Dying Empire: catchy Hooks jetzt Akustisch Festival-Laune vor der heimischen Stereo-Anlage? Dying Empire schaffen das. Mit ihren hymnischen Refrains, den schwebenden Gitarren-Soli und drängenden Rythmusgitarren. Dazu teilen sich Frontmann Joe Gastel und Bassist Panzer die äußerst abwechslungsreichen Gesangspassagen auf. Die Themen der Songs: Nachhaltigkeit, Umweltschutz, unser Umgang mit der Natur und die Einflüsse moderner Technik auf die Gesellschaft. Nun endlich auch als „Akustisch“ Song des Chart-Erfolgsalbum „Samsara“ (TOP 200 iTunes: Germany All Genre #165, Metal #11, Rock #36; Austria All Genre #38, Metal #3, Rock #5; USA Metal #66; Canada Metal #23, Rock #85).
(EN): Dying Empire: catchy Hooks and heavy stuff Festival mood in front of your home stereo? Dying Empire can do it. With their hymnic choruses, floating guitar solos, pushing rhythm guitars. Frontman Joe Gastel and bassist Panzer divide up the extremely varied vocal passages. Dying Empire sing about sustainability, environmental protection, our interaction with nature and the influence of modern technology on society. Now finally available as an "acoustic" song from the chart-topping album "Samsara" (TOP 200 iTunes: Germany All Genre #165, Metal #11, Rock #36; Austria All Genre #38, Metal #3, Rock #5; USA Metal #66; Canada Metal #23, Rock #85).
Order/Save „A Broadcast from GEN .0“ here: https://Circusoffools.bfan.link/a-broadcast-from-gen-0
DE: Circus of Fools: Dystopische Metal Madness Modern Metal Madness im dystopischen Endzeit-Sound: In den zwölf Songs auf ihrem dritten Album A Broadcast from GEN .0 drehen Circus of Fools Folk, Elektro und Industrial durch den Metal-Fleischwolf, intonieren ihre Werke ironisch und satirisch, aggressiv und düster, bang- und tanzbar. Ein musikalisches Drama mit Unterhaltungswert samt Überraschungsgarantie, an dem man sich kaum satt hören kann. A Broadcast from GEN .0, erscheint am 25. November 2022 bei Bleeding Nose Records.
EN: Circus of Fools: Dystopian Metal Madness Modern Metal Madness in a dystopian apocalyptic sound: On their third album, A Broadcast from GEN .O, Circus of Fools mix folk, electro and industrial music. The track’s intonation is always ironical as well as satirical, aggressive as well as moody, fit for headbanging as well as dancing. A musical drama with entertainment value and the guarantee of surprise – you can hardly get enough of it. A Broadcast from GEN .0 will be released on November 25, 2022 through Bleeding Nose Records. The album contains twelve songs.
Bene Nordenskjöld - Camera Ben Barthel - Lights Arnd Möller - Assistant Direction Tim Strouken - Editing
Music written by Dominik Bolter, Coen Strouken and Christoph Wieczorek, Produced, mixed and mastered by Christoph Wieczorek at Sawdust Recordings. Lyrics written by Tammy Keinath and Tim Strouken.
The third single of Circus of Fools’ third album „A Broadcast from GEN .0“ is devoted to the softer side of this versatile alternative metal outfit. Acoustic guitar, mellow viola leads, a James Bond-title song vibe and almost whispered vocals from singer Tammy Keinath create an haunted and solemn atmosphere depicting the icy cold society we are born into. As the song progresses, it builds up to an epic climax and one of the most brutal breakdowns Circus of Fools has done so far. This power ballad shows the band from their darkest side, a stark contrast to the fun upbeat atmosphere of the first single "Our Digital Drug", and toned down, in contrast to the grandiloquence of the second single „In the Name of Science“. So put on your best earphones, lean back and savor those four minutes of beauty and despair.
#circusoffools #cof #distanced #metal #symphonicmetal #modernmetal #metalcore #circusoffools #clowns #dark #femalevocals #femalefronted #screams #growls #christophwieczorek #annisokay #sawdustrecordings #bleedingnoserecords #bnr2022 #newmusic #darkart #puppet #marionette #germanband #abroadcastfromgendotzero #abroadcastfromgen0 #GenDotZero #feedus #werethepeopleCIRCUS OF FOOLS - In the Name of Science feat. Egomey (Official Music Video) | Bleeding Nose RecordsBleeding Nose Records2022-05-27 | Circus of Fools’ official music video for „In the Name of Science“ featuring Egomey taken from the upcoming album „A Broadcast from GEN .0“
Order/Save „A Broadcast from GEN .0“ here: https://Circusoffools.bfan.link/a-broadcast-from-gen-0
Felix König - Monster Tammy Keinath - Frankenclown Yannick Ninkov, Nico Staller, Julian Langer, Dominik Bolter, Tim Strouken
Simon Bross - Camera Lichtweberei/Infested Music - Lights Tim Strouken - Script, Direction, Editing
Music written by Dominik Bolter and Christoph Wieczorek, produced, mixed and mastered by Christoph Wieczorek at Sawdust Recordings. Lyrics written by Tammy Keinath and Tim Strouken.
This epic horror tale inspired by Mary Shelley’s „Frankenstein“ is the second single of Circus of Fools upcoming album „A Broadcast from GEN .0“. The curse of every scientific progress is to never foresee consequences. Mankind always finds a way to accomplish the impossible, but at what cost. The Industrial Revolution brought us wealth and near extinction events in the first half of last century, nuclear research brought us radiology and the atomic bomb… To weaponize inventions will always come hand in hand with making the world more and more our own, becoming godlike creators ourselves. The song is the most symphonic and most epic of the broadcastings on „A Broadcast from GEN .0“ and features new singer Tammy Keinath in a very prominent role as Vittoria Frankenclown, as well as the awesome screams of guest singer Felix König of Egomey who portrays the struggles between sophisticated and completely schizophrenic of Frankenclown’s Monster. A real Caliban, a modern Prometheus.
Let’s shudder together, have fun with „IN THE NAME OF SCIENCE“!
Order/Save „A Broadcast from GEN .0“ here: https://Circusoffools.bfan.link/a-broadcast-from-gen-0
(DE): 10 Jahre CIRCUS OF FOOLS, DAS gilt es zu feiern!
Die Band, die ihren vielschichtigen Alternative Metal als „Modern Metal Madness“ bezeichnet veröffentlichen dieses Jahr ihr spektakulärstes Album: Finanziert durch die Fans in einem sehr erfolgreichen Crowdfunding und produziert in den Sawdust Recordings Studios mit Christoph Wieczorek und Julian Breucker (annisokay, Beyond the Black, Eisbrecher, We Butter the Bread with Butter…), stellt dieses Album einen absoluten Meilenstein in der Karriere der Tübinger Clowns dar. Die sieben Musiker nehmen die*den Hörer*in mit auf eine Reise aus der Zukunft zurück in unsere jetzige Zeit und stellen die Frage „ist die Apokalypse noch zu verhindern?“ – Die Songs sind eingebettet als Geschichten in einer Radiosendung einer postapokalyptischen Generation, „A Broadcast from GEN .0“, die das Ergebnis unseres „Nichts-Tuns“ ist, unserer Zeit den Spiegel vorhält und hart mit Diskriminierung, Ausbeutung, Ignoranz, Umweltzerstörung und das Erkalten der Gesellschaft ins Gericht geht. Dabei wurden die Songs, in zwei COVID-getränkten Jahren ohne Konzerte, zu absoluten Bombast-Glanzstücken poliert. Bretterharte Gitarren und Bässe, aber auch erstmals in der Geschichte der Band filigrane Akustikparts gespielt von Julian Langer, Dominik Bolter und Yannick Ninkov, hunderte Streichorchesterspuren, aufgenommen durch Violist/Violinist Coen Strouken und unterstützt durch Cellistin Ceciel Strouken, extrem vielseitige aber trotzdem unverkennbare Vocals der neuen Sängerin Tammy Keinath und Bandgründer Tim Strouken, ein echter Chor, kreatives Sounddesign und die überraschendsten und kreativsten Drumparts des Drummers Nico Stallers bisher. Die Band schreckte noch nie vor verschiedensten Einflüssen zurück und so wird der düstere und moderne, symphonische Metal(core)bombast gewürzt mit Trapbeats, Industrialgrooves, Gothic-Attitüden, Rap und Folk.
(EN):10 years of CIRCUS OF FOOLS, that’s what we’re celebrating!
The band, that’s calling their versatile Alternative Metal „Modern Metal Madness“, is about to release their most spectacular album yet. Financed by the fans through a very successful crowd funding and produced at Sawdust Recording Studios by Christoph Wieczorek and Julian Breucker (anisokay, Beyond the Black, Eisbrecher, We Butter the Bread with Butter…), this album marks a milestone in the career of those metal clowns from Tübingen. The seven musicians take the listener on a trip from the future back to our time and ask the question: „Is the apocalypse still avoidable?“ – The songs are bedded into a radio broadcast of a post-apocalyptical generation („A Broadcast from GEN .0“) which is the fruit of our „let’s-do-nothing“-mentality. It reflects our society and criticizes discrimination, exploitation, ignorance, environmental destruction and our generation growing colder and colder. During two years of COVID and without any concerts, the band polished those stories to be real heavy-hitters, pure bombast. The heaviest guitars and basses meat, for the first time in Circus of Fools band history, emotional acoustic parts, played by Julian Langer, Yannick Ninkov and Dominik Bolter. It also features hundreds and hundreds of real string orchestra tracks, recorded by violist/violinist Coen Strouken and assisted by cellist Ceciel Strouken, a broad spectrum of vocals by new singer Tammy Keinath and band founder Tim Strouken, a real choir, creative sound design as well as the most versatile and creative drum parts by drummer Nico Staller yet. The band has never shied away from other influences, so the dark and modern, symphonic metal(core) bombast ist spiced up by trap beats, industrial grooves, gothic attitudes and even rap and folk.
Order/Save „Affair of the Poisons“ here: https://backl.ink/143128600
(DE): Circus of Fools – die verrückten Alternative Metaler aus dem beschaulichen Universitätsstädtchen Tübingen – haben aus der aktuellen Situation eine Tugend gemacht und das kosmopolitischte Werk ihrer bisherigen Karriere abgeliefert. Im Zuge eines Crowdfundings (www.startnext.com/das-neue-circus-fools-album) für das nächste full-length Album präsentieren die sieben Clowns nun „Affair of the Poisons“, vier Songs die eine durchgehende Geschichte erzählen. Angelehnt an die Giftaffäre während der Regentschaft Ludwigs des XIV., einer dunklen Zeit voller Verschwörungstheorien, Lügen und Unsicherheiten, sind diese Tracks eine Metapher für die aktuelle Gesellschaftslage.
Die vier Songs entstanden komplett im „Social-Distancing-Homerecording“ in den Wohn- und Schlafzimmern der Bandmitglieder –von Zürich über Tübingen bis Hamburg– und sind außerdem eine internationale Zusammenarbeit, die hervorragend die Möglichkeiten des Internets in Krisensituationen präsentiert: Gemischt wurden die Songs vom Niederländer Thijs den Ouden, gemastert wurde das Ganze durch den langjährigen Freund und ehemaligen Produzenten der Band Lasse Schlör und das Artwork wurde, passend zum französischen Setting der Geschichte, gestaltet durch den genialen französischen Tattoo-Artist-Newcomer Matthieu Decock (Instagram.com/mattdmk).
Vier Songs die unterschiedlicher nicht sein könnten und einen guten Querschnitt durch das Schaffen der Band bieten… und außerdem einen guten Eindruck davon geben, warum man diese Band im Crowdfunding unterstützen sollte! Wenn sie dies erreichen mit minimalen finanziellen Mitteln und einfachsten Homerecording-Umständen, was könnten sie dann erschaffen in einem professionellen Studio-Umfeld?
(EN): Circus of Fools – the crazy Alternative Metal group from the picturesque little town of Tübingen – have taken the current situation to their advantage and present the most cosmopolitan work of their career. During a crowd funding campaign (www.startnext.com/das-neue-circus-fools-album) for their next full-length album the seven clowns will release „Affair of the Poisons“. Those four songs tell a coherent story about the Affair of the Poisons, a dark and conspiracy theory driven time during the reign of Louis XVI. They function as a metaphor for the status of our own modern society in those uncertain times.
The songs where recorded in „social distancing home recording“ in the living and bed rooms of the band members, from Zurich to Tubingen to Hamburg. They are also a result of a very international form of work liaison, showing how much is possible with our globaly connected world and the internet without meeting face to face: Mixed by the dutch producer Thijs den Ouden, mastered by long time band friend and ex-Circus of Fools producer Lasse Schlör and the artworks where designed by genius French tattoo artist newcomer Matthieu Decock (Instagram.com/mattdmk) - fitting for a French set story.
Four songs that could not be more different, showing a cross-section through what this band is all about. And giving a good reason why you should co-fund the work of those eerie clowns: If they are able to create something like this with minimal financial support and the simplest home recording equipment, think about what they could accomplish in a professional studio setting!
Pre-order/pre-save „Affair of the Poisons“: https://backl.ink/143128600
(DE): Circus of Fools – die verrückten Alternative Metaler aus dem beschaulichen Universitätsstädtchen Tübingen – haben aus der aktuellen Situation eine Tugend gemacht und das kosmopolitischte Werk ihrer bisherigen Karriere abgeliefert. Im Zuge eines Crowdfundings (www.startnext.com/das-neue-circus-of-fools-album) für das nächste full-length Album präsentieren die sieben Clowns nun „Affair of the Poisons“, vier Songs die eine durchgehende Geschichte erzählen. Angelehnt an die Giftaffäre während der Regentschaft Ludwigs des XIV., einer dunklen Zeit voller Verschwörungstheorien, Lügen und Unsicherheiten, sind diese Tracks eine Metapher für die aktuelle Gesellschaftslage.
Die vier Songs entstanden komplett im „Social-Distancing-Homerecording“ in den Wohn- und Schlafzimmern der Bandmitglieder –von Zürich über Tübingen bis Hamburg– und sind außerdem eine internationale Zusammenarbeit, die hervorragend die Möglichkeiten des Internets in Krisensituationen präsentiert: Gemischt wurden die Songs vom Niederländer Thijs den Ouden, gemastert wurde das Ganze durch den langjährigen Freund und ehemaligen Produzenten der Band Lasse Schlör und das Artwork wurde, passend zum französischen Setting der Geschichte, gestaltet durch den genialen französischen Tattoo-Artist-Newcomer Matthieu Decock (Instagram.com/mattdmk).
Vier Songs die unterschiedlicher nicht sein könnten und einen guten Querschnitt durch das Schaffen der Band bieten… und außerdem einen guten Eindruck davon geben, warum man diese Band im Crowdfunding unterstützen sollte! Wenn sie dies erreichen mit minimalen finanziellen Mitteln und einfachsten Homerecording-Umständen, was könnten sie dann erschaffen in einem professionellen Studio-Umfeld?
(EN): Circus of Fools – the crazy Alternative Metal group from the picturesque little town of Tübingen – have taken the current situation to their advantage and present the most cosmopolitan work of their career. During a crowd funding campaign (www.startnext.com/das-neue-circus-fools-album) for their next full-length album the seven clowns will release „Affair of the Poisons“. Those four songs tell a coherent story about the Affair of the Poisons, a dark and conspiracy theory driven time during the reign of Louis XVI. They function as a metaphor for the status of our own modern society in those uncertain times.
The songs where recorded in „social distancing home recording“ in the living and bed rooms of the band members, from Zurich to Tubingen to Hamburg. They are also a result of a very international form of work liaison, showing how much is possible with our globaly connected world and the internet without meeting face to face: Mixed by the dutch producer Thijs den Ouden, mastered by long time band friend and ex-Circus of Fools producer Lasse Schlör and the artworks where designed by genius French tattoo artist newcomer Matthieu Decock (Instagram.com/mattdmk) - fitting for a French set story.
Four songs that could not be more different, showing a cross-section through what this band is all about. And giving a good reason why you should co-fund the work of those eerie clowns: If they are able to create something like this with minimal financial support and the simplest home recording equipment, think about what they could accomplish in a professional studio setting!
„Samsara“ is available here: https://backl.ink/111029238
(DE): Dying Empire: catchy Hooks zu harter Kost Festival-Laune vor der heimischen Stereo-Anlage? Dying Empire schaffen das. Mit ihren hymnischen Refrains, den schwebenden Gitarren-Soli, drängenden Rythmusgitarren und ballernden Blastbeats. Dazu teilen sich Frontmann Joe Gastel und Bassist Panzer die äußerst abwechslungsreichen Gesangspassagen auf – sie reichen von Arch-Enemy-Growls über angezerrte Shouts bis hin zu Melodie-Passagen. Die Themen der Songs: Nachhaltigkeit, Umweltschutz, unser Umgang mit der Natur und die Einflüsse moderner Technik auf die Gesellschaft. Ganz schön passend zur geballten Energie des Deathmetals in Kombination mit den catchy Hooks des Metalcores.
(EN): Dying Empire: catchy Hooks and heavy stuff Festival mood in front of your home stereo? Dying Empire can do it. With their hymnic choruses, floating guitar solos, pushing rhythm guitars and devastating blastbeats. Frontman Joe Gastel and bassist Panzer divide up the extremely varied vocal passages, ranging from arch-enemy-growls to distorted shouts and melodic parts. Dying Empire sing about sustainability, environmental protection, our interaction with nature and the influence of modern technology on society. Quite fitting to the concentrated energy of Death Metal in combination with the catchy hooks of Metalcore.
(DE): UNREDD ist eine brachiale und emotional aufgeladene moderne Metal-Band, deren Sound von verschiedenen aktuellen Genres des Metal beeinflusst ist. Aber diese Band repräsentiert viel mehr als nur das Klonen der traditionellen Muster. Was UNREDD schafft und spielt, ist ein sehr einzigartiger, sehr energetischer und markanter Sound, der dem Hörer sofort zeigt, dass er für mehr als nur ein paar breakdowns hierher gekommen ist. Sowohl die Instrumente als auch die Vocals zeichnen das Bild einer energischen, ehrlichen Band, die sich ihrer musikalischen Fähigkeiten bewusst ist und weiß, wie man sie richtig einsetzt. Vor allem auf ihren Shows schwitzen, schlagen und schreien UNREDD ihre Energie direkt von der Bühne.
(EN): UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
(DE): Dying Empire: catchy Hooks zu harter Kost Festival-Laune vor der heimischen Stereo-Anlage? Dying Empire schaffen das. Mit ihren hymnischen Refrains, den schwebenden Gitarren-Soli, drängenden Rythmusgitarren und ballernden Blastbeats. Dazu teilen sich Frontmann Joe Gastel und Bassist Panzer die äußerst abwechslungsreichen Gesangspassagen auf – sie reichen von Arch-Enemy-Growls über angezerrte Shouts bis hin zu Melodie-Passagen. Die Themen der Songs: Nachhaltigkeit, Umweltschutz, unser Umgang mit der Natur und die Einflüsse moderner Technik auf die Gesellschaft. Ganz schön passend zur geballten Energie des Deathmetals in Kombination mit den catchy Hooks des Metalcores. Samsara erscheint am 24. April 2020 bei Bleeding Nose Records.
(EN): Dying Empire: catchy Hooks and heavy stuff Festival mood in front of your home stereo? Dying Empire can do it. With their hymnic choruses, floating guitar solos, pushing rhythm guitars and devastating blastbeats. Frontman Joe Gastel and bassist Panzer divide up the extremely varied vocal passages, ranging from arch-enemy-growls to distorted shouts and melodic parts. Dying Empire sing about sustainability, environmental protection, our interaction with nature and the influence of modern technology on society. Quite fitting to the concentrated energy of Death Metal in combination with the catchy hooks of Metalcore. Samsara appears on April, 24, 2020 through Bleeding Nose Records.
Pre-order/pre-save „The Trial“ now: https://backl.ink/126248500
(DE): Circle of Execution: Straight forward in den Metalcore Nach einem kurzen, fast lieblichen Intro katapultiert es auf The Trial den eruptiven, wütenden Straight-forward-Sound des Metalcore aus den Boxen: mit Knochenbrecher-Riffs, Blastbeat-Hatz und sehr abwechslungsreichen Vocals – tiefe Growls abgelöst von hohen Screams und gezielt platziertem Klargesang. Vorhersehbar? Nein. Circle of Execution legen genau dann eine Wendung hin, wenn der geneigte Hörer meint, den Song zu Ende denken zu können. The Trial erscheint mit elf Songs am 22. Mai 2020 bei Bleeding Nose Records.
(EN): Circle of Execution: Straight forward into Metalcore After a short, almost sweet intro, The Trial catapults the eruptive, furious straight forward sound of Metalcore out of the speakers: with bone-crashing riffs, one big blastbeat houndling and very varied vocals. Deep growls replaced by high screams and purposefully placed clear vocals. Predictable? No. Circle of Execution take a turn exactly when the listener believes he can think the song through to the end. The Trial will be released on May 22nd 2020 through Bleeding Nose Records, consisting of eleven songs.
(DE): UNREDD ist eine brachiale und emotional aufgeladene moderne Metal-Band, deren Sound von verschiedenen aktuellen Genres des Metal beeinflusst ist. Aber diese Band repräsentiert viel mehr als nur das Klonen der traditionellen Muster. Was UNREDD schafft und spielt, ist ein sehr einzigartiger, sehr energetischer und markanter Sound, der dem Hörer sofort zeigt, dass er für mehr als nur ein paar breakdowns hierher gekommen ist. Sowohl die Instrumente als auch die Vocals zeichnen das Bild einer energischen, ehrlichen Band, die sich ihrer musikalischen Fähigkeiten bewusst ist und weiß, wie man sie richtig einsetzt. Vor allem auf ihren Shows schwitzen, schlagen und schreien UNREDD ihre Energie direkt von der Bühne.
(EN): UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
(DE): UNREDD ist eine brachiale und emotional aufgeladene moderne Metal-Band, deren Sound von verschiedenen aktuellen Genres des Metal beeinflusst ist. Aber diese Band repräsentiert viel mehr als nur das Klonen der traditionellen Muster. Was UNREDD schafft und spielt, ist ein sehr einzigartiger, sehr energetischer und markanter Sound, der dem Hörer sofort zeigt, dass er für mehr als nur ein paar breakdowns hierher gekommen ist. Sowohl die Instrumente als auch die Vocals zeichnen das Bild einer energischen, ehrlichen Band, die sich ihrer musikalischen Fähigkeiten bewusst ist und weiß, wie man sie richtig einsetzt. Vor allem auf ihren Shows schwitzen, schlagen und schreien UNREDD ihre Energie direkt von der Bühne.
(EN): UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
(DE): Dying Empire: catchy Hooks zu harter Kost Festival-Laune vor der heimischen Stereo-Anlage? Dying Empire schaffen das. Mit ihren hymnischen Refrains, den schwebenden Gitarren-Soli, drängenden Rythmusgitarren und ballernden Blastbeats. Dazu teilen sich Frontmann Joe Gastel und Bassist Panzer die äußerst abwechslungsreichen Gesangspassagen auf – sie reichen von Arch-Enemy-Growls über angezerrte Shouts bis hin zu Melodie-Passagen. Die Themen der Songs: Nachhaltigkeit, Umweltschutz, unser Umgang mit der Natur und die Einflüsse moderner Technik auf die Gesellschaft. Ganz schön passend zur geballten Energie des Deathmetals in Kombination mit den catchy Hooks des Metalcores. Samsara erscheint am 24. April 2020 bei Bleeding Nose Records.
(EN): Dying Empire: catchy Hooks and heavy stuff Festival mood in front of your home stereo? Dying Empire can do it. With their hymnic choruses, floating guitar solos, pushing rhythm guitars and devastating blastbeats. Frontman Joe Gastel and bassist Panzer divide up the extremely varied vocal passages, ranging from arch-enemy-growls to distorted shouts and melodic parts. Dying Empire sing about sustainability, environmental protection, our interaction with nature and the influence of modern technology on society. Quite fitting to the concentrated energy of Death Metal in combination with the catchy hooks of Metalcore. Samsara appears on April, 24, 2020 through Bleeding Nose Records.
Pre-order/pre-save „The Trial“ now: https://backl.ink/126248500
(DE): Circle of Execution: Straight forward in den Metalcore Nach einem kurzen, fast lieblichen Intro katapultiert es auf The Trial den eruptiven, wütenden Straight-forward-Sound des Metalcore aus den Boxen: mit Knochenbrecher-Riffs, Blastbeat-Hatz und sehr abwechslungsreichen Vocals – tiefe Growls abgelöst von hohen Screams und gezielt platziertem Klargesang. Vorhersehbar? Nein. Circle of Execution legen genau dann eine Wendung hin, wenn der geneigte Hörer meint, den Song zu Ende denken zu können. The Trial erscheint mit elf Songs am 22. Mai 2020 bei Bleeding Nose Records.
(EN): Circle of Execution: Straight forward into Metalcore After a short, almost sweet intro, The Trial catapults the eruptive, furious straight forward sound of Metalcore out of the speakers: with bone-crashing riffs, one big blastbeat houndling and very varied vocals. Deep growls replaced by high screams and purposefully placed clear vocals. Predictable? No. Circle of Execution take a turn exactly when the listener believes he can think the song through to the end. The Trial will be released on May 22nd 2020 through Bleeding Nose Records, consisting of eleven songs.
(DE): UNREDD ist eine brachiale und emotional aufgeladene moderne Metal-Band, deren Sound von verschiedenen aktuellen Genres des Metal beeinflusst ist. Aber diese Band repräsentiert viel mehr als nur das Klonen der traditionellen Muster. Was UNREDD schafft und spielt, ist ein sehr einzigartiger, sehr energetischer und markanter Sound, der dem Hörer sofort zeigt, dass er für mehr als nur ein paar breakdowns hierher gekommen ist. Sowohl die Instrumente als auch die Vocals zeichnen das Bild einer energischen, ehrlichen Band, die sich ihrer musikalischen Fähigkeiten bewusst ist und weiß, wie man sie richtig einsetzt. Vor allem auf ihren Shows schwitzen, schlagen und schreien UNREDD ihre Energie direkt von der Bühne.
(EN): UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
Credits: DIRECTOR: C. Yuhki Oka PROD: Tanina Holz DoP: Thomas Otto 1st AC: Joko "Yoshi" Neumann LIGHTING TECHNICIANS: Svea Ena Rose Marcel Riedel UNIT MGR: Marius König DIT: Anna Freber EDIT: C. Yuhki Oka COLOUR: Peter Schulz
Lyrics: We awake in a second like struck by a thunder Into a world that seems to have lost all it ́s sense for reality Decisions over millions of people chosen by self-seeking thiefs Profit is god Our planet has lost control, slipping from war to crisis, from crisis to war We are trapped in this spiral of madness Hour for hour, day after day, the wheel of destruction keeps spinning Wars - hunger - sickness - greed - money - pain Defenseless we ́re left in the eye of a hurricane They use our anxieties against us Your misguided power will swallow you whole If you scream out the phrases they feed you with every second Fear turns to anger And we ́re bombing their houses Killing their children, killing their dreams Taking their lifes for our greed We walk to the drums playing our own deathmarch It feels like a fucking nightmare to me, can ́t we all just wake up We ́re stricken up in human madness We gotta stop
(DE): „Der Mensch war immer Mensch, voll Unvollkommenheit. Wir stehen vor einem Abgrund. Ein letzter Schritt. Verderben.“ Eine Band, die den Menschen schonungslos ihre dunkelsten Seiten zeigt. Den Zuhörer erwartet eine Reise durch die Tiefen des menschlichen Seins in all seinen Facetten. Zerstörung allen Lebens durch das eigene Handeln, skrupellos und egoistisch. Die Botschaft wird in einem aggressiven Gewand eingebettet und verweigert sich hartnäckig jeglichem Schubladendenken. Schnelle und harte Parts gepaart mit Breakdowns und Melodien werden ebenso bedient wie epische Refrains und atmosphärische Cleanparts. Der moderne Sound wird von genreübergreifenden Gesangspassagen abgerundet. Die vier Dresdner Musiker bringen ihren modernen Mix brachial und energiegeladen auf die Bühne. Die bisherige Laufbahn findet nun ihren vorläufigen Höhepunkt mit dem neuen Album Samsara.
(EN): "The human being was always human, full of imperfection. We stand before an abyss. One last step. Doom." A band that relentlessly shows people their darkest sides. The listener can expect a journey through the depths of human existence in all its facets. Destruction of all life through their own actions, unscrupulous and selfish. The message is embedded in an aggressive garment and stubbornly refuses to be pigeonholed. Fast and hard parts paired with breakdowns and melodies are served as well as epic refrains and atmospheric clean parts. The modern sound is rounded off by cross-genre vocal passages. The four musicians from Dresden (Germany) bring their modern mix brute and energetic on stage. Their career so far has now reached its peak with the new album Samsara.
(DE): Egal ob Metal-Festival oder Gothic-Show – Circus of Fools hinterlassen regelmäßig offene Münder, kreisende Köpfe, moshende Massen und… eine Polonaise? Diese Band ist vieles, aber nicht Standard. Mit ihrem 2018 erschienenen zweiten Album REX konnten die Tübinger um die Fronterdoppelspitze Tim Strouken und Carolin Saia bereits Fans wie Kritiker überzeugen. Aufgetischt werden deftiger Metal, bitterzarte Melodien und eine ordentliche Prise Wahnsinn. Und es wird nicht ruhig um die sieben düster-Narren: Schon am 10. Januar 2020 – nicht mal eineinhalb Jahre nach dem Release von REX – erscheint das neue Mini-Album Contracult. Unter anderem findet sich darauf ein Featuring mit COPPELIUS-Klarinettist LE COMTE CASPAR sowie sechs weitere Tracks zwischen sanfter Melancholie und beinhartem, modernem Todesstahl.
(EN): No matter if metal festival or gothic show - Circus of Fools regularly leave open mouths, circling heads, moshing masses and... a polonaise? This band is a lot, but not standard. With their second album REX, released in 2018, the band from Tübingen (Germany) around the fronter double leader Tim Strouken and Carolin Saia could already convince fans and critics. The menu includes solid metal, bitter melodies and a good pinch of madness. And it won't be quiet around the seven dark fools: Already on 10 January 2020 - not even one and a half years after the release of REX - the new mini album Contracult will be released. Among other things, it features a Featuring with COPPELIUS clarinetist LE COMTE CASPAR as well as six other tracks between soft melancholy and leg-hard, modern death steel.
(DE): Egal ob Metal-Festival oder Gothic-Show – Circus of Fools hinterlassen regelmäßig offene Münder, kreisende Köpfe, moshende Massen und… eine Polonaise? Diese Band ist vieles, aber nicht Standard. Mit ihrem 2018 erschienenen zweiten Album REX konnten die Tübinger um die Fronterdoppelspitze Tim Strouken und Carolin Saia bereits Fans wie Kritiker überzeugen. Aufgetischt werden deftiger Metal, bitterzarte Melodien und eine ordentliche Prise Wahnsinn. Und es wird nicht ruhig um die sieben düster-Narren: Schon am 10. Januar 2020 – nicht mal eineinhalb Jahre nach dem Release von REX – erscheint das neue Mini-Album Contracult. Unter anderem findet sich darauf ein Featuring mit COPPELIUS-Klarinettist LE COMTE CASPAR sowie sechs weitere Tracks zwischen sanfter Melancholie und beinhartem, modernem Todesstahl.
(EN): No matter if metal festival or gothic show - Circus of Fools regularly leave open mouths, circling heads, moshing masses and... a polonaise? This band is a lot, but not standard. With their second album REX, released in 2018, the band from Tübingen (Germany) around the fronter double leader Tim Strouken and Carolin Saia could already convince fans and critics. The menu includes solid metal, bitter melodies and a good pinch of madness. And it won't be quiet around the seven dark fools: Already on 10 January 2020 - not even one and a half years after the release of REX - the new mini album Contracult will be released. Among other things, it features a Featuring with COPPELIUS clarinetist LE COMTE CASPAR as well as six other tracks between soft melancholy and leg-hard, modern death steel.
Recording/Mix/Master: Manuel Renner @Überlarm Studios www.ueberlaerm.com
The Butcher Sisters: Sechs vor Testosteron strotzende Moschusochsen, behangen mit Goldketten, schwerer als ihre Stiernacken sie tragen können. Männlichkeit wird hier groß geschrieben, weil es ist ein Namenwort. Deutschrap hat die Messlatte sehr tief gelegt, doch die sechsköpfige Hustlebande tanzt gekonnt Limbo drunter hindurch. Mit einem Sound, der härter knallt als jeder Booster und Riffs, so fett, als seien sie in der Massephase, ist das neue Album "Alpha & Opfah" das größte musikalische Schwergewicht Deutschlands und die garantierte Supernova eines jeden Gendersterns. Nur das Niveau ist tiefer als der Bass. Spannung: ** Humor: ** Anspruch: - Action: ************* Erotik:* Warnhinweis: Exzessives Hören könnte Ihren Bizeps auf ungeahnte Größe wachsen lassen und bei Frauen eine spontane Schwangerschaft hervorrufen.
(EN): SHOUTS, (T)RAP, GROOVE and 069 – DOUX from Frankfurt am Main, Germany do not look at other bands or the United States to define their style. In lieu they mix their own sound of precision and rawness.
(DE): SHOUTS, (T)RAP, GROOVE und 069 – DOUX aus Frankfurt am Main schauen nicht auf andere Bands oder in die Vereinigten Staaten, um ihren Stil zu definieren. Stattdessen mischen sie ihren eigenen Sound aus Präzision und Rohheit.
Recording/Mix/Master: Manuel Renner @Überlarm Studios www.ueberlaerm.com
The Butcher Sisters: Sechs vor Testosteron strotzende Moschusochsen, behangen mit Goldketten, schwerer als ihre Stiernacken sie tragen können. Männlichkeit wird hier groß geschrieben, weil es ist ein Namenwort. Deutschrap hat die Messlatte sehr tief gelegt, doch die sechsköpfige Hustlebande tanzt gekonnt Limbo drunter hindurch. Mit einem Sound, der härter knallt als jeder Booster und Riffs, so fett, als seien sie in der Massephase, ist das neue Album "Alpha & Opfah" das größte musikalische Schwergewicht Deutschlands und die garantierte Supernova eines jeden Gendersterns. Nur das Niveau ist tiefer als der Bass. Spannung: ** Humor: ** Anspruch: - Action: ************* Erotik:* Warnhinweis: Exzessives Hören könnte Ihren Bizeps auf ungeahnte Größe wachsen lassen und bei Frauen eine spontane Schwangerschaft hervorrufen.
Recording/Mix/Master: Manuel Renner @Überlarm Studios www.ueberlaerm.com
The Butcher Sisters: Sechs vor Testosteron strotzende Moschusochsen, behangen mit Goldketten, schwerer als ihre Stiernacken sie tragen können. Männlichkeit wird hier groß geschrieben, weil es ist ein Namenwort. Deutschrap hat die Messlatte sehr tief gelegt, doch die sechsköpfige Hustlebande tanzt gekonnt Limbo drunter hindurch. Mit einem Sound, der härter knallt als jeder Booster und Riffs, so fett, als seien sie in der Massephase, ist das neue Album "Alpha & Opfah" das größte musikalische Schwergewicht Deutschlands und die garantierte Supernova eines jeden Gendersterns. Nur das Niveau ist tiefer als der Bass. Spannung: ** Humor: ** Anspruch: - Action: ************* Erotik:* Warnhinweis: Exzessives Hören könnte Ihren Bizeps auf ungeahnte Größe wachsen lassen und bei Frauen eine spontane Schwangerschaft hervorrufen.
Recording/Mix/Master: Manuel Renner @Überlarm Studios www.ueberlaerm.com
The Butcher Sisters: Sechs vor Testosteron strotzende Moschusochsen, behangen mit Goldketten, schwerer als ihre Stiernacken sie tragen können. Männlichkeit wird hier groß geschrieben, weil es ist ein Namenwort. Deutschrap hat die Messlatte sehr tief gelegt, doch die sechsköpfige Hustlebande tanzt gekonnt Limbo drunter hindurch. Mit einem Sound, der härter knallt als jeder Booster und Riffs, so fett, als seien sie in der Massephase, ist das neue Album "Alpha & Opfah" das größte musikalische Schwergewicht Deutschlands und die garantierte Supernova eines jeden Gendersterns. Nur das Niveau ist tiefer als der Bass. Spannung: ** Humor: ** Anspruch: - Action: ************* Erotik:* Warnhinweis: Exzessives Hören könnte Ihren Bizeps auf ungeahnte Größe wachsen lassen und bei Frauen eine spontane Schwangerschaft hervorrufen.
Lyrics: Ich hangel‘ mich von Ast zu Ast Zeig mir, was für ne’ Banane du hast Kein Billigscheiß, Chiquita, du Spast Öffne den Mund, schluck‘ den Bananensaft
TBS: das B steht für Banane Weicher Kern, süßer Kern Und gelbe Schale Ihr tragt Giorgio Armani Wir Bruno Banani Was für Dolce & Gabbana Wir wollen ‘ne Banana Junge, schäl‘ sie, riech‘ sie Leck‘ sie und dann beiß‘ sie ab (2x) Guck auf die Frucht meiner Lenden Gepflückt von der Staude mit den eigenen Händen
Weißt, du was ich hab‘ Banana Sie ist gelb und hart Banana Ich weiß, was du magst Banana Weißt du, wer an ihr nagt Deine Mama Gorillamann (4x)
Ich bin Gorilla mit Pitbull gepaart Donkey Kong: Muskulös und behaart Ich werfe Bananen: Mario Kart Welches Muster mein Pyjama wohl hat
Wedel die Palme, es regnet meinen Samen Junge, Kohlenhydrate direkt in meine Arme Die heilige Frucht, Banana unser, Amen Ob im Dschungel oder Straße: Der König der Plantage Junge, schäl‘ sie, riech sie Leck‘ sie und dann beiß‘ sie ab (2x) Die Frucht meiner Lenden Gepflückt von der Staude mit den Eigenen Händen
Weißt, du was ich hab‘ Banana Sie ist gelb und hart Banana Ich weiß, was du magst Banana Weißt du, wer an ihr nagt Deine Mama
pre-order DOUX’ album „presents“ exclusive at iTunes: and get 3 songs („Unhit“, „Six Eight“, „Lousy“) for download before March 22nd, 2019: itunes.apple.com/album/presents/1444082774
(EN): SHOUTS, (T)RAP, GROOVE and 069 – DOUX from Frankfurt am Main, Germany do not look at other bands or the United States to define their style. In lieu they mix their own sound of precision and rawness.
(DE): SHOUTS, (T)RAP, GROOVE und 069 – DOUX aus Frankfurt am Main schauen nicht auf andere Bands oder in die Vereinigten Staaten, um ihren Stil zu definieren. Stattdessen mischen sie ihren eigenen Sound aus Präzision und Rohheit.
pre-order DOUX’ album „presents“ exclusive at iTunes: and get 3 songs („Unhit“, „Six Eight“, „Lousy“) for download before March 22nd, 2019: itunes.apple.com/album/presents/1444082774
„Lousy“ is available here: - Spotify: - Deezer: - Amazon.de: - Google Play Music:
The Butcher Sisters: Sechs vor Testosteron strotzende Moschusochsen, behangen mit Goldketten, schwerer als ihre Stiernacken sie tragen können. Männlichkeit wird hier groß geschrieben, weil es ist ein Namenwort. Deutschrap hat die Messlatte sehr tief gelegt, doch die sechsköpfige Hustlebande tanzt gekonnt Limbo drunter hindurch. Mit einem Sound, der härter knallt als jeder Booster und Riffs, so fett, als seien sie in der Massephase, ist das neue Album "Alpha & Opfah" das größte musikalische Schwergewicht Deutschlands und die garantierte Supernova eines jeden Gendersterns. Nur das Niveau ist tiefer als der Bass. Spannung: ** Humor: ** Anspruch: - Action: ************* Erotik:* Warnhinweis: Exzessives Hören könnte Ihren Bizeps auf ungeahnte Größe wachsen lassen und bei Frauen eine spontane Schwangerschaft hervorrufen.
(EN): UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
(DE): UNREDD ist eine brachiale und emotional aufgeladene moderne Metal-Band, deren Sound von verschiedenen aktuellen Genres des Metal beeinflusst ist. Aber diese Band repräsentiert viel mehr als nur das Klonen der traditionellen Muster. Was UNREDD schafft und spielt, ist ein sehr einzigartiger, sehr energetischer und markanter Sound, der dem Hörer sofort zeigt, dass er für mehr als nur ein paar breakdowns hierher gekommen ist. Sowohl die Instrumente als auch die Vocals zeichnen das Bild einer energischen, ehrlichen Band, die sich ihrer musikalischen Fähigkeiten bewusst ist und weiß, wie man sie richtig einsetzt. Vor allem auf ihren Shows schwitzen, schlagen und schreien UNREDD ihre Energie direkt von der Bühne.
pre-order DOUX’ album „presents“ exclusive at iTunes: and get 3 songs („Unhit“, „Six Eight“, „Lousy“) for download before 2019: itunes.apple.com/album/presents/1444082774
Video produced by Peter kunz @Roughshot Productions Recorded by Tom Kornis & Manuel Renner in Überlärm & Chaos AD Studio & Music Temple Mixed by Manuel Renner in Überlärm Studio Master By Tom Kornis in Chaos AD Studio
UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
pre-order Shadow Domain’s album „Digital Divide“ (out December 21st, 2018) exclusive at iTunes: geo.itunes.apple.com/de/album/id1435141063 and get 3 songs („Turbogenerator“, „Magnitizdat“, „Hyperkarma“) for download before December 21st.
Shadow Domain: Industrial meets Cyberpunk! Guitar riffs (Kris Norris, ex Darkest Hour) like fate’s grumble from underworld. Bass drum salvos (Nick Oshiro, ex Static-X) played by Thor’s hammer. And Shadow Domain frontman Benjamin (ex Sybreed) shouting his dystopian fantasies only to swap into this haunting lament the next moment. And thus he switches again: pure guttural assault. Contrasting that the music tunes down to oppressing psychedelic Electro-spheres. It’s these nuanced changes of pace – one minute raucous and muted the next that give a song a promising sense of tightness. On Digital Divide we have ten songs just like that: they march straight into the cerebral cortex and stick like hell.
UNREDD is a brute as well as emotionally charged modern metal band, which sound is influenced by various current genres of metal. But this band represents a lot more than just cloning the traditional patterns. What UNREDD creates and plays is a very unique, a very energetic and prominent sound, that instantly shows the listener that he came here for more than just a few breakdowns. The instruments as well as the vocals draw a picture of an energetic, honest Band that is well aware of it’s musicianship and knows how to use it the right way. Especially on their shows UNREDD sweat, beat and scream their energy straight onto the stage.
pre-order Shadow Domain’s album „Digital Divide“ (out December 21st, 2018) exclusive at iTunes: geo.itunes.apple.com/de/album/id1435141063 and get 3 songs („Turbogenerator“, „Magnitizdat“, „Hyperkarma“) for download before December 21st.
Shadow Domain: Industrial meets Cyberpunk! Guitar riffs (Kris Norris, ex Darkest Hour) like fate’s grumble from underworld. Bass drum salvos (Nick Oshiro, ex Static-X) played by Thor’s hammer. And Shadow Domain frontman Benjamin (ex Sybreed) shouting his dystopian fantasies only to swap into this haunting lament the next moment. And thus he switches again: pure guttural assault. Contrasting that the music tunes down to oppressing psychedelic Electro-spheres. It’s these nuanced changes of pace – one minute raucous and muted the next that give a song a promising sense of tightness. On Digital Divide we have ten songs just like that: they march straight into the cerebral cortex and stick like hell.
Circus of Fools: Musikalische Freakshow Erwartungen erfüllen? Ja, vor allem diese: Es wird anders. In zwölf Songs mischen Circus of Fools auf ihrem zweiten Album REX Folk, Elektro und Cabarett mit einer deftigen Portion Metal. Einfach völlig durchgeknallt. Neben Gitarren- gibt es Bratschensoli, stämmig-männliche Shouts wechseln sich mit kehligem Frauengesang ab – ohne Nightwish-Drama, wohlgemerkt. Radikale Stimmungswechsel betonen immer wieder: Erwartet nichts. Oder alles.
Counterweight: spherical Metalcore with powerful breakdowns! Heavy growls in the verse, sugary clean-hymns in the chorus. Polyphonic lead guitars layered over soulful harmonies. Sounds definitely like Metalcore. Yet it only describes the base on which Counterweight compose. They season goose-bump-cleans with ragged shouts, place steamroller breakdowns as counterpoint to the spherical tapestry of sound they unroll until they reach an epic climax. Counterweight’s latest EP features six complex and multilayered songs full of passion for the detail. And with the definite “It can’t be over yet” regret in the end.
We have crowned the devil and have made him GodWe are the messengers of our own downfallWe’ve built this hellWith our own handsAnd every day we live through this nightmareOpen up your eyes to see the flamesBreathe inFill your lungs with fireWake upWake up Wake up and fall into the deepThis is the place where the sun doesn’t shineWhere everything disappears in the darkness of nothingBrick by brick we’ve set it upThis world is our prison on lifetimeWe have burned all the bridges We have burned all the bridges This is the world we’re living inThis is the price that we pay This is the price that we payWe have burned all the bridges We have burned all the bridges Can you see our dying worldThis is the price that we pay This is the price that we pay We have burned all the bridgesWe have crowned the darkness to infect the worldWe are the messengers of our own downfallWe’ve built this hellWith our own handsAnd every day we live through this nightmareI am the king l’ll bring disaster on you and all your loved onesWe are the silence of everything Open up your mouthLet the darkness inBreathe in and exhale the ashes Wake upWake upWake upWe have burned all the bridges We have burned all the bridges This is the world we’re living inThis is the price that we pay This is the price that we payWe have burned all the bridges We have burned all the bridges Can you see our dying worldThis is the price that we pay This is the price that we pay We have burned all the bridgesWe have burned all the bridgesWe have burned all the bridgesWe are We are The silence of everythingWe areWe are The silence of everythingWe are the silence of everything We areWe are Welcome to hell We areWe are
Circus of Fools: A musical freak show Fulfilling expectations? Mostly this: all’s different. The twelve songs on the band’s sophomore album, REX, mix folk, electro and cabaret with a solid dose of metal. Just plain loopy. Besides of guitar soli you’ll get a viola solo. Male chunky shouts take turns with throaty female cleans – only without the Nightwish drama. Radical changes of atmosphere underline: expect nothing. Or everything.
„SIDESHOW - Das Letzte Sandkorn fällt" is already available here: - iTunes: - Spotify: - Deezer: - Amazon.de: - Google Play Music:
Lyrics written by Veronika Carver, www.veronika-serwotka.de – Inspired by the WYVERN - trilogy. Part 3 "Die Ohnmacht des Barden" will be released on June 22nd through Eisermann Verlag, www.eisermann-verlag.de
Song taken from Mindthreat's debut album "Black Dreams" Produced by Jim Kakes Engineered, recorded and mixed by Petros Vinakos Mastered by Troy Glassner
Directed and filmed by Aleister (Mindthreat) Edit and post production by Jim Kakes (Mindthreat)
Starring Apostolos Magkanaris, Anton (Mindthreat), Christos Anamourloglou, Sotirios Blithikiotis
MinthreaT: Melodic Metalcore meets Greek mythology Concerning Greece and metal one naturally thinks of Septicflesh and their mythological epos of death. But it can get much more snappy. More this-worldly. The Greeks fellow-countrymen, MinthreaT, demonstrate how. With smacking double bass and staccato riffs over epic choral inserts. Frontman Anton Mess shouts, roars and ralphs, only to purr angelically immediately after. MinthreaT's debut album Black Dreams appears May 25, 2018 through Bleeding Nose Records.
Keep the Promise: Metal-Hardcore, straightforward The band calls its genre Hardcore-Metal Assault. And that’s not exaggerated. Keep the Promise’ sophomore album, Ghost of Revenge, is one big assault. Short and violently the nine songs roll over the listener, cutting through the Christmas tree planting like a chainsaw. Accompanied by either Metalcore staccato guitars or slow-mo-breakdowns the two singers shout and growl their painstakingly channeled hatred. All this with genre-specific fuck off attitude – yet as an unusual on the spot maneuver. Ghosts of Revenge appear June 29th 2018 through Bleeding Nose Records.
Counterweight: spherical Metalcore with powerful breakdowns! Heavy growls in the verse, sugary clean-hymns in the chorus. Polyphonic lead guitars layered over soulful harmonies. Sounds definitely like Metalcore. Yet it only describes the base on which Counterweight compose. They season goose-bump-cleans with ragged shouts, place steamroller breakdowns as counterpoint to the spherical tapestry of sound they unroll until they reach an epic climax. Counterweight’s latest EP features six complex and multilayered songs full of passion for the detail. And with the definite “It can’t be over yet” regret in the end.
Once when heaven and earth has been created With the seed of heaven sleeping in the ground Prometheus shaped man out of mud And breathed life into its lungs
The empty shells had to wander around Without nothing to die for Without nothing to live for So I made man stand upright as the Gods did and gave them fire But you took it away I gave them fire I put my life into them and you took it away
You shall not reap what you have not sown I think I’m broken I think I’m broken Don’t let me drown in the swamps of sorrows I think I’m broken I think I’m broken
I lit a torch from the sun And brought it back again But Zeus was enraged that man again had fire He inflicted a punishment on both man and me
A gift to man A woman of stunning beauty With a deceptive heart and a lying tongue She opened the jar Evils, sorrows, plagues and misfortunes flew out The bottom of the jar hold one good thing and this is hope
You shall not reap what you have not sown I think I’m broken I think I’m broken Don’t let me drown in the swamps of sorrows I think I’m broken I think I’m broken
They’ve chained me to a rock They have abandoned me here With an eagle tearing at me I am powerless
You shall not reap what you have not sown I think I’m broken I think I’m broken Don’t let me drown in the swamps of sorrows I think I’m broken I think I’m broken
Produced by Jim Kakes Engineered, recorded and mixed by Petros Vinakos at Destiny Studios Mastered by Troy Glessner at Spectre Studios Directed and filmed by Jim Kakes and Aleister (Mindthreat)
MinthreaT: Melodic Metalcore meets Greek mythology Concerning Greece and metal one naturally thinks of Septicflesh and their mythological epos of death. But it can get much more snappy. More this-worldly. The Greeks fellow-countrymen, MinthreaT, demonstrate how. With smacking double bass and staccato riffs over epic choral inserts. Frontman Anton Mess shouts, roars and ralphs, only to purr angelically immediately after. MinthreaT's debut album Black Dreams appears April 27, 2018 through Bleeding Nose Records.
Special thanks to all the guys and girls who participated in this video: Ian Stratis, Ilias Bogdanos, Romnick Palo, Alex Patilla, Thanos Mishopoulos and Alex Psaras from Kin Beneath Chorus, Aris and Aggelos Karatzas from Domination, Marios Sourlis, Mitch from Kin Corruption, Kostas Stefanidis, Paris Tsirimiagkos, Alex Gkountis, Elianna Zoura, Katerina Giannopoulos, Katerina Baila, Gina Langadinos, Maritina Griva, Fay Patsalidou, Fotini Papathoma, Kostas Mamalis, Evan Koukoularis, Jason Mistsis and Petros Vinakos
Circus of Fools: A musical freak show Fulfilling expectations? Mostly this: all’s different. The twelve songs on the band’s sophomore album, REX, mix folk, electro and cabaret with a solid dose of metal. Just plain loopy. Besides of guitar soli you’ll get a viola solo. Male chunky shouts take turns with throaty female cleans – only without the Nightwish drama. Radical changes of atmosphere underline: expect nothing. Or everything.
Keep the Promise: Metal-Hardcore, straight forward Die Band selbst nennen ihr Genre Hardcore-Metal-Assault. Und übertreibt damit kein bisschen. Denn das zweite Album Ghost of Revenge von Keep the Promise ist ein einziger Angriff. Kurz und gewalttätig überrollen neun Songs den Hörer, fahren wie eine Kettensäge durch die Christbaum-Plantage. Mal zu Metalcore-Stakkato-Gitarren, mal zu Slow-Mo-Breakdowns shouten und growlen die beiden Sänger ihren mühsam kanalisierten Hass auf Ungerechtigkeit hinaus. Das kommt natürlich in genretypischer Leck-mich-am-Arsch-Attitüde – aber als ungewöhnlich konturiertes Auf-den-Punkt-Geballere. Ghosts of Revenge erscheint am 29.6.2018 bei Bleeding Nose Records.
Counterweight: Sphärischer Metalcore mit wuchtigen Breakdowns! Fette Growls in der Strophe, zuckrige Clean-Hymnen im Refrain. Mehrstimmigen Leadgitarren über schmachtenden Harmonien. Klar, eindeutig Metalcore. Doch das beschreibt nur die Basis, auf der Counterweight aufbauen. Sie würzen Gänsehaut-Cleans mit angefuckten Shouts, setzen Dampfwalzen-Breakdowns als Kontrapunkt zum sphärischen Klangteppich, schrauben sich hoch bis zum epischen Höhepunkt. Die EP umfasst sechs aufwändig und vielschichtig instrumentierte Songs mit Liebe zum Detail. Und mit einem garantierten Oh-schon-vorbei-Bedauern am Ende.
//Recording: Christoph Binder DESSS-Records //Shooting and Editing: Patrick Gutmann //Studio: Grandurfilmstudio GmbH //Make Up: Thomas Stingl //Actors: Arne Schiemann, Claudia Plüsch, Katharina Jakobič, Julia Wurmitzer
You pray for forgiveness You pray for the lie But all that’s left to do Is pay the fucking price Your ship is sinking deeper and deeper The deeper you sink The further you fall
Breathe in Breathe out Your ship is sinking deeper and deeper Breathe in Breathe out
How can I fly with my broken wings Breathe in Breathe out I shut my eyes and start to fall I start to fall Breathe in Breathe out
You pray for salvation You pray for more time But all that’s left for you Is give your fucking life Your Gods are falling deeper and deeper The higher they rise The harder they fall
Breathe in Breathe out Your Gods are falling deeper and deeper Breathe in Breathe out
How can I fly with my broken wings Breathe in Breathe out I shut my eyes and start to fall I start to fall Breathe in Breathe out
You know nothing You know nothing You know nothing You know nothing Do you really believe in the words that they preach Do you really believe in the lies that they spread Look in my eyes Now I tell you the truth Death is the only salvation for you
How can I fly with my broken wings Breathe in Breathe out I shut my eyes and start to fall I start to fall Breathe in Breathe out How can I fly with my broken wings Breathe in Breathe out I shut my eyes and start to fall I start to fall Breathe in Breathe out
Directed and filmed by Aleister (Mindthreat) Edit and Post production by Jim Kakes (Mindthreat) Produced by Jim Kakes Engineered, recorded and mixed by Petros Vinakos at Destiny Studios Mastered by Troy Glessner at Spectre Studios
MinthreaT: Melodic Metalcore meets Greek mythology Concerning Greece and metal one naturally thinks of Septicflesh and their mythological epos of death. But it can get much more snappy. More this-worldly. The Greeks fellow-countrymen, MinthreaT, demonstrate how. With smacking double bass and staccato riffs over epic choral inserts. Frontman Anton Mess shouts, roars and ralphs, only to purr angelically immediately after. MinthreaT's debut album Black Dreams appears April 27, 2018 through Bleeding Nose Records.
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World of Tomorrow: Beatdown with Slam fury 13 songs - straight outta hell. Like slow-motion-punches uncountable Beatdown passages hurl themselves right in the pit of your stomach. Low-pitched guitars squeeze through unrestrained squawking and rasping. At times aggressively like Nasty only to curb to Black Tongue slow motion. Sounds like New York making, comes from Mannheim. World of Tomorrow partially shift down to quarter time only to accelerate massively shortly after. The Moshpit burns. The collective sweat flows from the walls. Plain hardcore.
South German Brutality released worldwide December 15th 2017, via Bleeding Nose Records as Jewelcase CD and Digital
Directed and filmed by Aleister (Mindthreat) Edit and Post production by Jim Kakes (Mindthreat)
MinthreaT: Melodic Metalcore meets Greek mythology Concerning Greece and metal one naturally thinks of Septicflesh and their mythological epos of death. But it can get much more snappy. More this-worldly. The Greeks fellow-countrymen, MinthreaT, demonstrate how. With smacking double bass and staccato riffs over epic choral inserts. Frontman Anton Mess shouts, roars and ralphs, only to purr angelically immediately after. MinthreaT's debut album Black Dreams appears April 27, 2018 through Bleeding Nose Records.
The Butcher Sisters: Hip Hop feat. Hardcore How does Jan Böhmermann sound when hardcored? Like TBS on their newest EP. All four tracks give a fat respect to genre-heroes of gangster rap – from Toni D to KIZ. But in their own way – with brute guitar-walls over heavy double bass thunder. To this frontmen Alex and Matsches rap and shout their innards away. And Böhmermann? By TBS he suddenly sounds properly wasted… 68 Undercover will be digitally released through Bleeding Nose Records on January 5th, 2018
„over“ was nominated for the Berlin Music Video Awards 2018.
Inspired by performence and theatre works of Marina Abramović (RHYTHM 0, The Artist is Present) and Ulay (Imponderabilia), Yoko Ono (Cut Piece), Chris Burden (Shoot), Punchdrunk (Sleep No More), Forced Entertainment & SIGNA, and the performance theories of Roman Ondák and Marcel Duchamp.
(DE) Doux: Knochenbrecher Beats ft. Nu Metal Groovige Riffs und knochenzermalmende Beats auf fetten Drums. Sänger Mert brüllt dazu hart angefuckt ins Mic. Seine Skills decken eine phänomenale Vielseitigkeit im Stil von Slipknot-Shouter Corey Taylor bis hin zu Limp-Bizkit-Rap ab. Kassetten und Walkman Flair à la 1999. Eben nur brandaktuell. Es sind diese Laut-Leise-Wechsel, welche einem Song die erfolgsversprechende Spannung verleihen. Auf dem Debüt Album gibt es viele Stücke davon - sie rammen sich tief in die Großhirnrinde und klicken dort unseren Like-Button.
(EN) Doux: Bone crusher Beats ft. Nu Metal Grooving riffs and bone crusher beats on heavy drums. In addition singer Mert roars furiously. His skills cover a phenomenal versatility in the style of Slipknot-shouter Corey Taylor up to Limp Bizkit rap. It’s cassette and Walkman flair from 1999. Just hot of the press. It’s these nuanced changes of pace – one minute raucous and muted the next that give a song a promising sense of tightness. On the debut album we have a lot songs just like that: they march straight into the cerebral cortex and trigger our like button.