Benny Safdie on The Curse | Episodes 4 & 5 Film at Lincoln Center 2024-10-17 | Benny Safdie on The Curse | Episodes 4 & 5
Todd Haynes, Samy Burch, Christine Vachon & More on May December | NYFF61 Film at Lincoln Center 2023-10-02 | The 61st edition of the New York Film Festival kicked off on Friday, September 29 with the North American premiere of May December, directed by Todd Haynes. From the sensational premise born from first-time screenwriter Samy Burch’s brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. Boasting a trio of bravura, mercurial performances by Julianne Moore, Natalie Portman, and Charles Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes’s status as one of our consummate movie artists. A Netflix release. Opening Night of NYFF61 is presented by Campari.Don’t forget to mark your calendars: May December opens at FLC on November 17 and on Netflix December 1.To learn more and get tickets for this year's NYFF, taking place through October 15 throughout NYC, visit filmlinc.org/nyff.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Pressure | Trailer | NYFF61 Film at Lincoln Center 2023-10-01 | Pressure is a Revivals selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/pressureOne of the most important British films of the 1970s and an enduringly potent document on the social conditions known by West Indian immigrant families, Horace Ové’s fiction feature debut chronicles the experience of Tony, a young man caught between his parents’ submissiveness and his brother’s militancy. As Tony’s professional prospects grow ever dimmer, he finds community with other young Black Brits whose sense of social alienation has driven them into the streets in search of purpose and enrichment. Mesmerizingly performed by a cast of professional and non-professional actors, Pressure remains a richly forceful work of political cinema that examines the formation of identity by Black British people within a miserably racist society. A Janus Films release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Yorgos Lanthimos, Robbie Ryan, Holly Waddington & More on Poor Things | NYFF61 Film at Lincoln Center 2023-10-01 | We were happy to have director Yorgos Lanthimos back at the New York Film Festival to discuss Poor Things, a Main Slate selection of this year’s festival, as well as cinematographer Robbie Ryan, costume designer Holly Waddington, composer Jerskin Fendrix, and production designers James Price & Shona Heath, with NYFF programmer Rachel Rosen.In his boldest vision yet, iconoclast auteur Yorgos Lanthimos, previously featured in NYFF with The Lobster (NYFF57) and The Favourite (NYFF56), creates an outlandish alternate 19th century on the cusp of technological breakthrough, in which a peculiar, childlike woman named Bella (Emma Stone) lives with her mysterious caretaker, the scientist and surgeon Godwin Baxter (Willem Dafoe). At once poignant and grotesque, Poor Things, based on a 1992 novel by Alasdair Gray, is a punkish update of the Frankenstein story that becomes a deeply feminist fairy tale about women taking back control of their own bodies and minds. A Searchlight Pictures release.Don’t forget to mark your calendars: Poor Things opens in theaters on December 8.Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by clicking here.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Anselm | Trailer | Opens December 8 Film at Lincoln Center 2023-09-27 | Wim Wenders's Anselm opens December 8 in our theaters. Learn more: filmlinc.org/daily/film-at-lincoln-center-announces-fall-winter-2023-programming-lineupShot in 3D on ultra-high-resolution camera rigs, the latest documentary from three-time Oscar-nominated director Wim Wenders (Buena Vista Social Club, Salt of the Earth, Pina) traces the life of Anselm Kiefer, one of the most innovative and influential fine artists working today. For more than five decades, Kiefer’s paintings and sculptures have confronted his native Germany’s dark past through a vast network of cultural and philosophical references and with a distinctive focus on physical elements: from lead, glass, and textiles to found and incinerated organic matter. As he did for his sublime portrait of Pina Bausch in 2011, Wenders (born the same year as Kiefer during the last months of World War II) employs groundbreaking stereoscopic cinematography to transport us to key chapters of Kiefer’s early life in post-Nazi Germany and throughout his 100-acre studio in France, a present-day labyrinth of the artist’s haunting obsessions. Anselm, which debuted at this year’s Cannes Film Festival, is a portrait of an artist at work like you’ve never seen before—an indelible visual experience and a vivid tour of Kiefer’s imposing yet intricately textured works. A Sideshow and Janus Films release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Curse | Teaser | NYFF61 Film at Lincoln Center 2023-09-27 | Nathan Fielder and Benny Safdie's The Curse is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/the-curseIn this brilliantly discomfiting collaboration between Nathan Fielder (hot on the heels of his revelatory comic creation The Rehearsal) and Benny Safdie (Uncut Gems, NYFF57), Fielder and Emma Stone play Asher and Whitney Siegel, married entrepreneurs (don’t call them gentrifiers!) whose latest plan is to flip houses and convert them into eco-friendly homes for the struggling residents of Española, New Mexico—all for an HGTV-style reality show being overseen by an ingratiating producer (Safdie) with demons of his own. From this premise, which nimbly touches upon inescapable American issues of race, class, and capital, Fielder and Safdie branch out into an increasingly tangled network of ethical and moral gray zones, expertly balancing the tender and the merciless. The New York Film Festival is pleased to premiere the first three episodes of this genre-defying, riotously funny series, directed by Fielder and David and Nathan Zellner; episodes 4–10 will be screened at Film at Lincoln Center during the show’s run. An A24/Showtime release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Killer | Teaser | NYFF61 Film at Lincoln Center 2023-09-26 | David Fincher's The Killer is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/the-killerWith corrosive wit and rigorously precise technique, this mesmerizing new film from director David Fincher (The Social Network, NYFF48; Gone Girl, NYFF52) pares the payback thriller down to its spare but deeply pleasurable essentials. Adapted by Andrew Kevin Walker from a graphic novel by Alexis “Matz” Nolent and Luc Jacamon, and starring a perfectly chilled Michael Fassbender as a globe-trotting hit man of near-ascetic commitment to his craft, it’s an exemplary process movie in which revenge proves unpredictable, character is action (and inaction), and murder isn’t personal — until, suddenly, it is. A Netflix release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
May December | Trailer | NYFF61 Film at Lincoln Center 2023-09-26 | Todd Haynes's May December is the Opening Night selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/may-decemberElizabeth (Natalie Portman), a popular television star, has arrived in a tight-knit island community in Savannah. Here, she will be doing intimate research for a new part, ingratiating herself into the lives of Gracie (Julianne Moore), whom she’ll be playing on-screen, and her much younger husband, Joe (Charles Melton), to better understand the psychology and circumstances that more than 20 years ago made them notorious tabloid figures. As Elizabeth attempts to get closer to the family, the uncomfortable facts of their scandal unfurl, causing difficult, long-dormant emotions to resurface. From the sensational premise born from first time screenwriter Samy Burch’s brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. It’s a feat of storytelling and pinpoint-precise tone that is shrewd in its wicked embrace of melodrama while also genuinely moving in its humane treatment of tricky subject matter. Boasting a trio of bravura, mercurial performances by Moore, Portman, and Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes’s status as one of our consummate movie artists. A Netflix release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Menus-Plaisirs Les Troisgros | Clip 2 | NYFF61 Film at Lincoln Center 2023-09-21 | Frederick Wiseman's Menus-Plaisirs Les Troisgros is a Spotlight selection of NYFF61. Learn more: filmlinc.org/nyff2023/films/menus-plaisirs-les-troisgrosThe United States’s unrivaled maestro of observational nonfiction, Frederick Wiseman, brings his camera into a three-star Michelin restaurant in rural central France, and the results are as expansive, delectable, and provocative as one would hope. La Maison Troisgros, located in the Roanne commune in Loire, is run by head chef Michel Troisgros and his sons César and Léo. In addition to displaying the craft and skill that goes into Troisgros’s mouthwatering dishes, Wiseman takes an organic approach, bringing us to the local farms that provide the restaurant’s produce and animal products as well as behind the scenes with floor staff and administrators. The result is a patient, kaleidoscopic documentary portrait of the demand for perfection that makes for a surprising but apt subject in Wiseman’s decades-long inquiries into the inner workings of complicated institutions that function with their own rules and standards. A Zipporah Films release.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
All of Us Strangers | Trailer | NYFF61 Film at Lincoln Center 2023-09-21 | Andrew Haigh's All of Us Strangers is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/all-of-us-strangersBritish director Andrew Haigh, whose 2011 feature breakthrough Weekend is among the most widely beloved queer romances of the 21st century, has returned with an expertly modulated, emotionally overwhelming love story suspended in a metaphysical realm. Adam (Andrew Scott), a melancholy screenwriter living alone in a newly built, nearly empty high-rise on the outskirts of London, meets and tentatively begins a passionate relationship with the more extroverted Harry (Paul Mescal), his apparent only neighbor in the building. At the same time, Adam begins another, parallel journey, venturing out to the city’s suburbs to confront his troubled past and perhaps reconcile his unsettled present. Adapted from a 1987 novel by Taichi Yamada, All of Us Strangers is uncommonly perceptive about the desires, fears, and traumas of a specific generation of gay men while extending into the universal—or perhaps the cosmic—in its depiction of familial love and estrangement. And in a quartet of superb performances, Scott, Mescal, Jamie Bell, and Claire Foy pierce straight to the heart. A Searchlight Pictures release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
61st New York Film Festival | Trailer Film at Lincoln Center 2023-09-19 | Presented by Film at Lincoln Center, the New York Film Festival highlights the best in world cinema. The 61st edition will take place September 29 – October 15, 2023. Tickets are now on sale: filmlinc.org/nyff2023An annual bellwether of the state of cinema that has shaped film culture since 1963, the festival continues a long-standing tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent. NYFF61 tickets are now on sale to the general public. For details about ticket prices and passes visit: filmlinc.org/nyff61-passes-ticket-informationMore info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Green Border | Clip | NYFF61 Film at Lincoln Center 2023-09-18 | Agnieszka Holland's Green Border is a Main Slate selection of NYFF61. Learn more: filmlinc.org/nyff2023/films/green-borderA Syrian family leaves the violence of their country behind, hoping to cross from Belarus into Poland and then onto the safe haven of Sweden. But, like so many lost souls, they end up caught in a political maelstrom, demonized by the Polish government and press and used as pawns in an inhumane, deadly border game. This harrowing, urgent drama from the veteran Polish director Agnieszka Holland (Europa Europa; Spoor, NYFF55) constructs an intricate account of the contemporary global humanitarian crisis, expanding out to encompass the interconnected lives of security patrol officers, activist lawyers, and civilians who put themselves on the line for strangers. With the sobering and sometimes shocking Green Border, Holland reaffirms both her unyielding commitment to political filmmaking and the ability of immersive storytelling to illuminate the darkest corners of the world.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Strangler | Clip | NYFF61 Film at Lincoln Center 2023-09-14 | Paul Vecchiali’s The Strangler is a Revivals selection of NYFF61. Learn more: filmlinc.org/nyff2023/films/the-stranglerThe psychological thriller receives one of its most distinctive treatments in Paul Vecchiali’s third feature, a stylish and sophisticated investigation into the nature of compulsion. Several unhappy-looking women are murdered by a psychotic young man (Jacques Perrin), who believes these killings to be acts of mercy rather than malice. The detective assigned to the case (Julien Guiomar) becomes utterly fixated on catching his man, and will go to dubiously ethical lengths to bring the killer to justice. A complex, melancholic meditation on isolation as well as a portrait of collective hysteria, The Strangler endures as a key work within Vecchiali’s deeply underrated oeuvre. An Altered Innocence release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Delinquents | Trailer | NYFF61 Film at Lincoln Center 2023-09-14 | Rodrigo Moreno's THE DELINQUENTS is a Main Slate selection of the 61st New York Film Festival. Learn more: https://www.filmlinc.org/nyff2023/fil...A heist picture unlike any other, The Delinquents upends genre expectations with a gentle yet deftly constructed existentialist fable. Timid bank clerk Morán (Daniel Elías), fed up with his dead-end middle-management job, decides one day to simply walk into the vault, pack a bag with enough cash to cover his salary until retirement age, and saunter out. Knowing he has been inevitably caught on security camera, Morán plans on turning himself in, but not before passing the stash along to his coworker Román (Esteban Bigliardi), now an accomplice who agrees to hold onto the money until Morán gets out of prison. From this gripping premise, Argentinean writer-director Rodrigo Moreno spins an endlessly surprising tale that moves into increasingly idyllic territory, adding layer upon layer to the twinned stories of these two men’s lives, and inquiring what it means to be free in a world of monetary satisfaction. A MUBI release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Menus-Plaisirs Les Troisgros | Clip 4 | NYFF61 Film at Lincoln Center 2023-09-07 | Frederick Wiseman's Menus-Plaisirs Les Troisgros is a Spotlight selection of NYFF61. Learn more: filmlinc.org/nyff2023/films/poor-thingsThe United States’s unrivaled maestro of observational nonfiction, Frederick Wiseman, brings his camera into a three-star Michelin restaurant in rural central France, and the results are as expansive, delectable, and provocative as one would hope. La Maison Troisgros, located in the Roanne commune in Loire, is run by head chef Michel Troisgros and his sons César and Léo. In addition to displaying the craft and skill that goes into Troisgros’s mouthwatering dishes, Wiseman takes an organic approach, bringing us to the local farms that provide the restaurant’s produce and animal products as well as behind the scenes with floor staff and administrators. The result is a patient, kaleidoscopic documentary portrait of the demand for perfection that makes for a surprising but apt subject in Wiseman’s decades-long inquiries into the inner workings of complicated institutions that function with their own rules and standards. A Zipporah Films release.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Menus-Plaisirs Les Troisgros | Clip 3 | NYFF61 Film at Lincoln Center 2023-09-07 | Frederick Wiseman's Menus-Plaisirs Les Troisgros is a Spotlight selection of NYFF61. Learn more: filmlinc.org/nyff2023/films/menus-plaisirs-les-troisgrosThe United States’s unrivaled maestro of observational nonfiction, Frederick Wiseman, brings his camera into a three-star Michelin restaurant in rural central France, and the results are as expansive, delectable, and provocative as one would hope. La Maison Troisgros, located in the Roanne commune in Loire, is run by head chef Michel Troisgros and his sons César and Léo. In addition to displaying the craft and skill that goes into Troisgros’s mouthwatering dishes, Wiseman takes an organic approach, bringing us to the local farms that provide the restaurant’s produce and animal products as well as behind the scenes with floor staff and administrators. The result is a patient, kaleidoscopic documentary portrait of the demand for perfection that makes for a surprising but apt subject in Wiseman’s decades-long inquiries into the inner workings of complicated institutions that function with their own rules and standards. A Zipporah Films release.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Menus-Plaisirs Les Troisgros | Clip 1 | NYFF61 Film at Lincoln Center 2023-09-07 | Frederick Wiseman's Menus-Plaisirs Les Troisgros is a Spotlight selection of NYFF61. Learn more: filmlinc.org/nyff2023/films/menus-plaisirs-les-troisgrosThe United States’s unrivaled maestro of observational nonfiction, Frederick Wiseman, brings his camera into a three-star Michelin restaurant in rural central France, and the results are as expansive, delectable, and provocative as one would hope. La Maison Troisgros, located in the Roanne commune in Loire, is run by head chef Michel Troisgros and his sons César and Léo. In addition to displaying the craft and skill that goes into Troisgros’s mouthwatering dishes, Wiseman takes an organic approach, bringing us to the local farms that provide the restaurant’s produce and animal products as well as behind the scenes with floor staff and administrators. The result is a patient, kaleidoscopic documentary portrait of the demand for perfection that makes for a surprising but apt subject in Wiseman’s decades-long inquiries into the inner workings of complicated institutions that function with their own rules and standards. A Zipporah Films release.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Boy and the Heron | Teaser | NYFF61 Film at Lincoln Center 2023-09-06 | Hayao Miyazaki's The Boy and the Heron is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/the-boy-and-the-heronThe first film in a decade from Hayao Miyazaki is a ravishing, endlessly inventive fantasy that is destined to be ranked with the legendary animator’s finest, boldest works. While the Second World War rages, the teenage Mahito, haunted by his mother’s tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy’s mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the “long-awaited one.” Indeed, an extraordinary and grand fate is in store for our young hero, who must journey to a subterranean alternate reality in the hopes of saving Natsuko—and perhaps himself. Uniting the countryside surreality of My Neighbor Totoro with the Alice in Wonderland–like dream logic of Spirited Away and the personal historical backdrop of The Wind Rises (NYFF51), yet fabricating something ingeniously original, The Boy and the Heron is a deeply felt work of eccentric beauty brimming with inspired images that lodge in the mind, from the adorable to the grotesque. Moving from earthbound serenity to a universe of boundless imagination, Miyazaki’s long-anticipated film seeks, once and for all, a world without malice. A GKIDS release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Park Chan-wook on Korean Cinemas Golden Decade: the 1960s Film at Lincoln Center 2023-09-06 | Film at Lincoln Center and Subway Cinema announce “Korean Cinema’s Golden Decade: The 1960s,” running from September 1–17. Get tickets: filmlinc.org/series/korean-cinemas-golden-decade-the-1960s/#films Long before Bong Joon Ho, Hong Sangsoo, and Park Chan-wook catapulted South Korean cinema onto the world stage, the foundation of their country’s film industry formed in the aftermath of the Korean War. The period kickstarted a wealth of eclectic and innovative filmmaking that culminated in the 1960s. Closer inspection of this decade, now widely considered Korea’s premier film renaissance, reveals the arrival of seminal works from auteurs such as Kim Ki-young, Shin Sang-ok, Yu Hyun-mok, Kim Soo-yong, and Lee Man-hee, alongside a meteoric rise and reinvention of genres—from melodramas and period epics to action, horror, war, and giant monster movies. Although the military dictatorship still imposed tight constraints throughout this era, what these filmmakers managed to accomplish under such conditions, in arthouse fare and unabashed popular entertainment alike, continues to reverberate and inspire to this day. This September, Film at Lincoln Center and Subway Cinema are thrilled to showcase this rich period and its remarkably varied films, encapsulating a generation’s collective endeavor to define a national cinema.Highlights include Kim Ki-young’s The Housemaid, one of the unquestionable masterpieces of Korean cinema which tells the story of a bizarre ménage à trois formed between a music teacher, his wife, and their increasingly assertive housemaid; Kang Dae-jin’s The Coachman, the first Korean film to win a major overseas award, the Silver Bear (Special Jury Prize) at the 1961 Berlin Film Festival; Hong Eun-won’s A Woman Judge, the second Korean feature to be directed by a woman and considered lost for more than 50 years until a 16mm print was recovered in 2015; Special Agent X-7, a highly entertaining and beautifully shot color spy film from Chung Chang-wha (The King Boxer), which was also long considered lost until the 35mm print was discovered in 2013; Kim Kee-duk’s The Great Monster Yonggary aka Yongary, Monster from the Deep, Korea’s first monster movie and an entertaining take on Godzilla and Gamera “that’s long on rampages and short on sensible behavior”; Shin Dong-hun’s The Story of Hong Gil-dong, South Korea’s very first animated feature film which follows the iconic Robin Hood-like figure Hong Gil-dong and was considered lost until 2008; and A Day Off, Lee Man-hee’s spare, lyrical film concerning the strained relationship of a poor young couple, belatedly recognized as one of the decade’s masterpieces after censors refused to allow its release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
May December | Teaser | NYFF61 Film at Lincoln Center 2023-09-05 | Todd Haynes's May December is the Opening Night selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/may-decemberElizabeth (Natalie Portman), a popular television star, has arrived in a tight-knit island community in Savannah. Here, she will be doing intimate research for a new part, ingratiating herself into the lives of Gracie (Julianne Moore), whom she’ll be playing on-screen, and her much younger husband, Joe (Charles Melton), to better understand the psychology and circumstances that more than 20 years ago made them notorious tabloid figures. As Elizabeth attempts to get closer to the family, the uncomfortable facts of their scandal unfurl, causing difficult, long-dormant emotions to resurface. From the sensational premise born from first time screenwriter Samy Burch’s brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. It’s a feat of storytelling and pinpoint-precise tone that is shrewd in its wicked embrace of melodrama while also genuinely moving in its humane treatment of tricky subject matter. Boasting a trio of bravura, mercurial performances by Moore, Portman, and Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes’s status as one of our consummate movie artists. A Netflix release.Presented by Campari.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Pigeon Tunnel | Trailer | NYFF61 Film at Lincoln Center 2023-08-30 | Errol Morris's The Pigeon Tunnel is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/the-pigeon-tunnelPioneering documentarian Errol Morris applies his signature aesthetic to a riveting portrait of John Le Carré, whose novels such as The Spy Who Came in from the Cold and Tinker, Tailor, Soldier, Spy forever changed the way we perceive espionage in popular culture and the world. Adapting Le Carré’s 2016 nonfiction memoir of the same name, The Pigeon Tunnel—named for the cement paddock where the birds are kept before being released as shooting targets for sportsmen—traces with thriller-like precision the fascinating life of the British-Irish author, born David Cornwell, from a motherless childhood overseen by a con-man father to his travels to Berlin and his eventual fame as the 20th century’s preeminent writer of existential, intricately detailed spy stories that were realist, politically acute alternatives to James Bond. At the center of the film, however, is the relationship between the main interview subject, recorded not long before his death in 2020, and his interrogator: for Le Carré, submitting to Morris’s camera becomes a willful act of “self-examination,” a chance to question the nature of truth and what can—or refuses to—be revealed behind a placid outward exterior. An Apple Films release.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Ferrari | Teaser | NYFF61 Film at Lincoln Center 2023-08-30 | Michael Mann's Ferrari is the Closing Night selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/ferrariMichael Mann (The Insider) brings his astonishing command of technique and storytelling to bear on this emotional, elegantly crafted dramatization of the life of the legendary car manufacturer and entrepreneur Enzo Ferrari at a professional and personal fulcrum. It’s 1957, and the marriage of Enzo (Adam Driver, in an artfully internalized performance) and Laura (Penélope Cruz, a ferocious revelation) has begun to irrevocably fracture as a result of his philandering and the tragic recent death of their young son. Their unsettled domestic world is on a collision course with his work life as Enzo faces a pair of major turning points: financial pressure to increase productivity, which means going against his long-standing desire to only produce race cars, and preparations for the treacherous cross-country open-road Mille Miglia race. Dovetailing these narrative strands, Mann effortlessly shifts gears between elegiac and spectacular, climaxing in an exhilarating and terrifying race across the Northern Italian landscape—a visual and aural wonder of revving machinery against bucolic splendor—that ranks with the greatest set pieces of Mann’s career. Aided by a magnificent cast, which also includes Shailene Woodley, Gabriel Leone, Patrick Dempsey, and Jack O’Connell, and glorious on-location shooting in Ferrari’s hometown of Modena, Mann has constructed a marvel of classical cinema. A Neon release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Remembering Every Night | Clip #2 Film at Lincoln Center 2023-08-30 | Yui Kiyohara’s Remembering Every Night opens September 15 in our theaters. Learn more: filmlinc.org/films/remembering-every-nightA film that moves on the rhythms of a gentle breeze, Yui Kiyohara’s follow-up to her acclaimed Our House (a selection of ND/NF 2018) is an evocatively quotidian film that’s as mysterious and beautiful as everyday life itself. Kiyohara immerses viewers in the quiet pursuits of several women, including a wandering university student, a helpful neighborhood meter reader, and a middle-aged gentle soul seeking employment but finding herself agreeably lost instead. Their paths converge or just miss one another over the course of a single sunny afternoon, captured by Kiyohara with calming long takes and the occasional drifting camera that seems to have a perspective all its own. Remembering Every Night is a treasure of unconventional filmmaking that abounds with simple pleasures, reminding the viewer of the fragility of time, happiness, and love. A KimStim release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Remembering Every Night | Clip #1 Film at Lincoln Center 2023-08-30 | Yui Kiyohara’s Remembering Every Night opens September 15 in our theaters. Learn more: filmlinc.org/films/remembering-every-nightA film that moves on the rhythms of a gentle breeze, Yui Kiyohara’s follow-up to her acclaimed Our House (a selection of ND/NF 2018) is an evocatively quotidian film that’s as mysterious and beautiful as everyday life itself. Kiyohara immerses viewers in the quiet pursuits of several women, including a wandering university student, a helpful neighborhood meter reader, and a middle-aged gentle soul seeking employment but finding herself agreeably lost instead. Their paths converge or just miss one another over the course of a single sunny afternoon, captured by Kiyohara with calming long takes and the occasional drifting camera that seems to have a perspective all its own. Remembering Every Night is a treasure of unconventional filmmaking that abounds with simple pleasures, reminding the viewer of the fragility of time, happiness, and love. A KimStim release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Ryuichi Sakamoto | Opus | Teaser | NYFF61 Film at Lincoln Center 2023-08-29 | Neo Sora's Ryuichi Sakamoto | Opus is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/ryuichi-sakamoto-opusWhen Ryuichi Sakamoto died in March 2023 at age 71, the world lost one of its greatest musicians: a classical orchestral composer, a techno-pop artist, and a piano soloist who elevated every genre he worked in and inspired and influenced music-lovers across the globe. As a final gift to his legions of fans, filmmaker Neo Sora (Sakamoto’s son) has constructed a gorgeous elegy starring Sakamoto himself in one of his final performances. Recorded in December 2022 at NHK Studio in Tokyo, this filmed concert is an intimate, melancholy, and achingly beautiful one-man show, featuring just Sakamoto and a Yamaha grand, as the composer glides through a playlist of his most haunting, delicate melodies (including “Lack of Love, “The Wuthering Heights,” “Aqua,” “Opus,” and many more). Shot in pristine black-and-white by Bill Kirstein and edited by Takuya Kawakami, this stirring film brings us so close to a living, breathing artist that it feels like pure grace.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Do Not Expect Too Much From the End of the World | Teaser | NYFF61 Film at Lincoln Center 2023-08-28 | Radu Jude's Do Not Expect Too Much From the End of the World is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/do-not-expect-too-much-from-the-end-of-the-worldAs he proved with his scandalous, scathing political comedy Bad Luck Banging or Loony Porn (NYFF59), Romanian filmmaker Radu Jude is among the most radical filmmakers working today and one of the few unafraid to diagnose the absurd evils and moral blind spots that make contemporary living what it—unfortunately—is. In his latest film, Jude again explodes conventional boundaries of narrative and form, this time charting a lacerating course through one day in the life of a severely overworked film production assistant, Angela, who drives around Bucharest on her latest gig: filming work accident victims auditioning to be in a safety equipment video for a German multinational corporation. At the same time, the sleep-deprived Angela upkeeps her own side project—a face-filtered, trash-talking, right-wing alter ego with more than 20,000 viewers that serves as the film’s perverse Greek chorus. Intercutting all this with footage from Romanian director Lucian Bratu’s feminist 1981 film Angela Moves On, following the travels of a female cab driver around the city’s same sights and locations, Jude initiates a conversation with his country’s past and present, while engaging in a meta-commentary about the ability of the captured image to exploit, and to contort the truth.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
61st New York Film Festival | Teaser Film at Lincoln Center 2023-08-28 | Presented by Film at Lincoln Center, the New York Film Festival highlights the best in world cinema and takes place September 29 – October 15, 2023. Tickets go on sale September 19, with Passes on sale now: filmlinc.org/nyffAn annual bellwether of the state of cinema that has shaped film culture since 1963, the festival continues a long-standing tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent. NYFF61 tickets will go on sale to the general public on September 19 at noon ET, with early access opportunities for FLC members prior to this date. For details about ticket prices and passes visit: www.filmlinc.org/passesMore info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Abrahams Valley | Clip | NYFF61 Film at Lincoln Center 2023-08-26 | Manoel de Oliveira's Abraham's Valley is a Revivals selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/abrahams-valleyAmong the most essential films in Manoel de Oliveira’s vast, epoch-spanning oeuvre is this adaptation of Agustina Bessa-Luis’s 1991 transposition of Flaubert’s Madame Bovary to 20th-century Portugal. Leonor Silveira stars as Ema, who, ensnared within a loveless marriage as a young woman, takes on a succession of lovers to satiate the desires that animate her inner life—namely, her desire to be desired. Ema’s passions yield increasingly stifling consequences through her life, and as we behold her struggle to square conflicting realities, Oliveira draws us ever deeper into her labyrinthine complexity through typically captivating images that seem to hover on the precipice between the sensual and the metaphysical. An NYFF31 Main Slate selection.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Foe | Trailer | NYFF61 Film at Lincoln Center 2023-08-24 | Garth Davis's Foe is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/foeIn the year 2065, a married midwestern couple, Hen (Saoirse Ronan) and Junior (Paul Mescal), live in Junior’s weather-beaten ancestral farmhouse. Their relationship seems to be on ground as unsolid as the expansive, desolate landscape that surrounds them, parched and mottled by decades of climate change. One night, a stranger (Aaron Pierre) arrives at their door with a surprising proposal, offering them the chance to change their own futures and perhaps alter the course of human existence. In this superbly rendered, sensationally acted science-fiction drama, adapted from the acclaimed novel by Iain Reid, director Garth Davis (Lion) brilliantly toys with viewers’ perceptions while interrogating essential questions of our time about environmental apocalypse and the rise of artificial intelligence, building in emotional intensity to a devastating climax. An Amazon Studios release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Fallen Leaves | Trailer | NYFF61 Film at Lincoln Center 2023-08-23 | Aki Kaurismaki's Fallen Leaves is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/fallen-leavesSweet-souled in story, scalpel-sharp in filmmaking precision, this enchanting love story from Finnish virtuoso Aki Kaurismäki circles around two financially strapped Helsinkians who keep finding and losing one another in a world that seems to be falling apart. Evoking such dark-comic romances from his early career such as Shadows in Paradise and Ariel (NYFF27), the sardonic yet exquisitely melancholic Fallen Leaves devotes its wry, humane gaze to grocery clerk Ansa (Alma Pöysti) and construction laborer Holappa (Jussi Vatanen), who commence an on-again, off-again relationship of extreme tentativeness, while seeking employment and stability. As with the greatest of Kaurismäki’s films, everyday details register as grand, meaningful cinematic gestures. This filmmaker has scrupulously carved another fictive universe out of a handful of specific, vivid locations, yet Fallen Leaves very much takes place in the world we’re living in, which makes its surrender to hope all the more affecting. Winner of the Jury Prize at the 2023 Cannes Film Festival. A MUBI release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Pictures of Ghosts | Trailer | NYFF61 Film at Lincoln Center 2023-08-21 | Kleber Mendonça Filho's Pictures of Ghosts is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/pictures-of-ghostsThe life of a true cinephile is one constantly haunted by the dead, as the history of the movies is a corridor of ghosts. Brazilian filmmaker and unrepentant cinema obsessive Kleber Mendonça Filho’s new documentary serves as a poignant testament to the liminal state of movie love, telling, in three chapters, the story of his cinematic world—namely the city of Recife, where his youthful film education took place. At theaters like the Veneza and the São Luiz, Mendonça discovered a popular art form that would change his life; today, with the landscape of the city altering drastically, he surveys its empty rooms now pregnant with memories. This moving and playful film, as much about the architectural and social structures of a city as about the movies that inspire and haunt us, honors the personal spaces that are also the communal lifeblood of our urban centers. A Grasshopper Film release.All NYFF61 feature documentaries are presented by HBO.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Remembering Every Night | Trailer | Opens September 15 Film at Lincoln Center 2023-08-21 | Yui Kiyohara’s Remembering Every Night opens September 15 in our theaters. Learn more: filmlinc.org/films/remembering-every-nightA film that moves on the rhythms of a gentle breeze, Yui Kiyohara’s follow-up to her acclaimed Our House (a selection of ND/NF 2018) is an evocatively quotidian film that’s as mysterious and beautiful as everyday life itself. Kiyohara immerses viewers in the quiet pursuits of several women, including a wandering university student, a helpful neighborhood meter reader, and a middle-aged gentle soul seeking employment but finding herself agreeably lost instead. Their paths converge or just miss one another over the course of a single sunny afternoon, captured by Kiyohara with calming long takes and the occasional drifting camera that seems to have a perspective all its own. Remembering Every Night is a treasure of unconventional filmmaking that abounds with simple pleasures, reminding the viewer of the fragility of time, happiness, and love. A KimStim release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Korean Cinema’s Golden Decade The 1960s | Trailer | September 1-17 Film at Lincoln Center 2023-08-18 | Film at Lincoln Center and Subway Cinema present "Korean Cinema’s Golden Decade The 1960s," a sweeping retrospective of 24 films from this remarkable period in Korean film history. Learn more: filmlinc.org/series/korean-cinemas-golden-decade-the-1960s/#about Long before Bong Joon Ho, Hong Sangsoo, and Park Chan-wook catapulted South Korean cinema onto the world stage, the foundation of their country’s film industry formed in the aftermath of the Korean War.The period kickstarted a wealth of eclectic and innovative filmmaking that culminated in the 1960s. Closer inspection of this decade, now widely considered Korea’s premier film renaissance, reveals the arrival of seminal works from auteurs such as Kim Ki-young, Shin Sang-ok, Yu Hyun-mok, Kim Soo-yong, and Lee Man-hee, alongside a meteoric rise and reinvention of genres—from melodramas and period epics to action, horror, war, and giant monster movies. Although the military dictatorship still imposed tight constraints throughout this era, what these filmmakers managed to accomplish under such conditions, in arthouse fare and unabashed popular entertainment alike, continues to reverberate and inspire to this day. This September, Film at Lincoln Center and Subway Cinema are thrilled to showcase this rich period and its remarkably varied films, encapsulating a generation’s collective endeavor to define a national cinema.Highlights include Kim Ki-young’s The Housemaid, one of the unquestionable masterpieces of Korean cinema which tells the story of a bizarre ménage à trois formed between a music teacher, his wife, and their increasingly assertive housemaid; Kang Dae-jin’s The Coachman, the first Korean film to win a major overseas award, the Silver Bear (Special Jury Prize) at the 1961 Berlin Film Festival; Hong Eun-won’s A Woman Judge, the second Korean feature to be directed by a woman and considered lost for more than 50 years until a 16mm print was recovered in 2015; Special Agent X-7, a highly entertaining and beautifully shot color spy film from Chung Chang-wha (The King Boxer), which was also long considered lost until the 35mm print was discovered in 2013; Kim Kee-duk’s The Great Monster Yonggary aka Yongary, Monster from the Deep, Korea’s first monster movie and an entertaining take on Godzilla and Gamera “that’s long on rampages and short on sensible behavior”; Shin Dong-hun’s The Story of Hong Gil-dong, South Korea’s very first animated feature film which follows the iconic Robin Hood-like figure Hong Gil-dong and was considered lost until 2008; and A Day Off, Lee Man-hee’s spare, lyrical film concerning the strained relationship of a poor young couple, belatedly recognized as one of the decade’s masterpieces after censors refused to allow its release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Anatomy of a Fall | Trailer | NYFF61 Film at Lincoln Center 2023-08-18 | Justine Triet's Anatomy of a Fall is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/anatomy-of-a-fallThe winner of this year’s Palme d’Or at the Cannes Film Festival, Justine Triet’s drama is a riveting procedural and a delicate inquiry into the impossibility of an ultimate truth in human relationships. When the husband of famous novelist Sandra Voyter (played by Toni Erdmann’s Sandra Hüller) is found dead on the ground outside their chalet in the French Alps, authorities suspect that she might have been responsible, as the impact and position of his body suggest a push rather than a fall. This leads to a murder trial that puts every aspect of their marriage under impossible scrutiny, and whose outcome might hinge on the perspective of their vision-impaired 11-year-old son. Triet’s fiercely intelligent, emotionally devastating film dissects the ways we create subjective narratives for ourselves and others and questions the insufficiency of language to describe the essential mysteries each of us possesses. At its core is the brilliant Hüller, whose Sandra is articulate, open, and utterly inscrutable. A NEON release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Strange Way of Life | Trailer | NYFF61 Film at Lincoln Center 2023-08-17 | Pedro Almodóvar's Strange Way of Life is a Spotlight selection of the 61st New York Film Festival. Learn more: filmlinc.org/films/strange-way-of-lifeAlmodóvar has spent his career creating gorgeous works of cinematic pastiche without sacrificing the essential human core. In his dazzling new short, he has created something unexpected, a hyper-male Western melodrama of vivid colors and explosive homoeroticism starring Ethan Hawke as a small-town sheriff who, after 25 years, rekindles a sexual relationship with a former lover, played by Pedro Pascal, when the latter’s son is suspected of a local killing. Gorgeously shot and scored by Almodóvar’s standbys José Luis Alcaine and Alberto Iglesias, Strange Way of Life captures the rarely dramatized intensity of middle-aged romance. A Sony Pictures Classics release. Followed by a conversation with Pedro Almodóvar.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Delinquents | Clip | NYFF61 Film at Lincoln Center 2023-08-16 | Rodrigo Moreno's The Delinquents is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/the-delinquentsA heist picture unlike any other, The Delinquents upends genre expectations with a gentle yet deftly constructed existentialist fable. Timid bank clerk Morán (Daniel Elías), fed up with his dead-end middle-management job, decides one day to simply walk into the vault, pack a bag with enough cash to cover his salary until retirement age, and saunter out. Knowing he has been inevitably caught on security camera, Morán plans on turning himself in, but not before passing the stash along to his coworker Román (Esteban Bigliardi), now an accomplice who agrees to hold onto the money until Morán gets out of prison. From this gripping premise, Argentinian writer-director Rodrigo Moreno spins an endlessly surprising tale that moves into increasingly idyllic territory, adding layer upon layer to the twinned stories of these two men’s lives, and inquiring what it means to be free in a world of monetary satisfaction. More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Maestro | Teaser | NYFF61 Film at Lincoln Center 2023-08-16 | Bradley Cooper's Maestro is the Spotlight Gala selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/maestroIn his directorial follow-up to A Star Is Born, Bradley Cooper dramatizes the public and private lives of legendary musician Leonard Bernstein with sensitivity, visual ingenuity, and symphonic splendor. Coasting on the boundless energy of its subject’s runaway genius, Maestro transports the viewer back to a vividly re-created postwar New York, when Bernstein (Cooper) began his stratospheric rise to international fame as both a conductor and composer, and also when he first met Felicia (Carey Mulligan), the actress whom he would marry and spend his life with. Maestro is a tender, often intensely emotional film about the different faces one wears when living in the public eye, depicting the complicated yet devoted decades-spanning relationship between Leonard and Felicia. Fueled by Cooper and Mulligan’s perfectly matched duet of towering performances, Matthew Libatique’s balletic cinematography, and, of course, Bernstein’s thrilling music, Maestro is a tour de force for its director.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Music | Trailer | NYFF61 Film at Lincoln Center 2023-08-15 | Angela Schanelec's Music is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/musicLeading contemporary German filmmaker Angela Schanelec (I Was at Home, But…, NYFF57) is singularly adept at creating dramas of unexpected catharsis via the most oblique narrative strategies. Her latest film, Music, pushes this approach to new levels of emotionality. Using abstract gestures and broad narrative ellipses, yet still managing to plumb the depths of its characters’ complicated traumas, Music tells the story of a young man and woman unknowingly united by the same violent death. Brought together by fate and horrible irony, Ion (Aliocha Schneider) and Iro (Agathe Bonitzer) first meet in prison, where he’s an inmate and she’s a guard; they kindle a romance fomented by passion for classical music and opera, followed by marriage and children. Yet as in all tragedies, the past returns to haunt them. Inspired by the Oedipus myth, Schanelec has created an alternately austere and vivid portrait of grief and redemption through art told with her distinctive compositional rigor. A Cinema Guild release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Passages Q&A with Ira Sachs Film at Lincoln Center 2023-08-11 | Director Ira Sachs discusses his feature, Passages, in a Q&A moderated by film critic, Esther Zuckerman. Get tickets: filmlinc.org/films/passagesA masterful work of psychosexual intensity, the newest film from Ira Sachs offers one of the director’s most cutting variations on desire and intimacy. Co-written by author and longtime collaborator Mauricio Zacharias, Passages follows Tomas (Franz Rogowski), a mercurial German filmmaker living in Paris whose commitment to his husband, Martin (Ben Whishaw), falls short when he pursues a dalliance with a young schoolteacher, Agathe (Adèle Exarchopoulos). Martin begins his own affair soon after, while Tomas swings between both relationships and unleashes a reckless succession of breakups and makeups. With fearless performances from Rogowski, Whishaw, and Exarchopoulos, Sachs crafts a cinematic rarity in which the white-hot pleasures and compulsions of a particularly dysfunctional amour fou are kept on par with ferocious honesty. A MUBI release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Eureka | Trailer | NYFF61 Film at Lincoln Center 2023-08-10 | Lisandro Alonso’s Eureka is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/eurekaThe protean Argentinean director Lisandro Alonso (La Libertad, NYFF39; Jauja, NYFF52) continues to shapeshift, delight, and challenge with his marvelous and immersive new film, which takes the viewer on an unexpected journey through three stories set in wildly different terrain, each of them reflecting lives haunted by the specter of colonialist violence. In the first, Viggo Mortensen and Chiara Mastroianni guest-star in a black-and-white neo-Western pastiche following a taciturn gunslinger seeking revenge in a lawless frontier town. In the second section, in a different kind of law-and-order narrative, set during the present day in the Pine Ridge Reservation in South Dakota, we accompany a Native American cop (Alaina Clifford) on her nighttime patrols, revealing a community troubled by addiction and poverty, but also, because of the cop’s good-hearted basketball coach niece (Sadie Lapointe), touched by transcendence. Finally, the film travels to the magnificent Brazilian rainforest of the 1970s, where Indigenous workers pan for gold while articulating their dream lives. Cleverly transitioning between segments without hand-holding the viewer, Alonso has created an improbably unified aesthetic experience that leaves it up to us to make the connections among its transient worlds.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
All Dirt Roads Taste of Salt | Trailer | NYFF61 Film at Lincoln Center 2023-08-09 | Raven Jackson’s All Dirt Roads Taste of Salt is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/all-dirt-roads-taste-of-saltOne of the most visually striking, profoundly moving American moviemaking debuts in years, Raven Jackson’s All Dirt Roads Taste of Salt is an arresting immersion into a young woman’s inner world, filmed and edited with an extraordinary tactility and attention to the tiniest detail. This impressionistic journey skips ahead and back through decades to tell the story of Mack, whose upbringing in rural Mississippi is touched by grace, dotted with heartbreak, and always carried aloft by the surrounding natural beauty. As she ages, she loses loved ones and gains others, while making decisions that change the course of her life, and that of her beloved sister. Relying on sounds and images to tell her story, and employing minimal dialogue, Jackson has created something breathtakingly quiet and ultimately transporting—a spiritual tribute to the moments, feelings, and connections that make a life. An A24 release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Master Gardener Q&A with Paul Schrader, Sigourney Weaver, and Joel Edgerton Film at Lincoln Center 2023-08-09 | Director Paul Schrader and cast members Sigourney Weaver and Joel Edgerton discuss Master Gardener in a Q&A moderated by FLC Assistant Programmer, Maddie Whittle. Learn more: filmlinc.org/films/master-gardenerNarvel Roth (Joel Edgerton) takes great care and pride in his work as the longtime head horticulturist at Gracewood Gardens, the historic estate of the demanding, imperious Norma Haverhill (Sigourney Weaver). An enclosed, scrupulously run world of its own, Gracewood has been in the Haverhill family for generations, and Norma trusts no one other than Narvel to continue its traditions. However, a threat of change is harkened by the arrival of Norma’s troubled grand-niece, Maya (Quintessa Swindell), whose presence sets off a chain reaction of events that catalyze Narvel into coming to terms with his own shocking past. Following First Reformed and The Card Counter, Paul Schrader continues his dramatic renaissance with an equally effective, startling tale about dormant violence and the possibility of regeneration. An NYFF60 Main Slate selection. A Magnolia Pictures release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Poor Things | Teaser | NYFF61 Film at Lincoln Center 2023-08-08 | Yorgos Lanthimos's Poor Things is a Main Slate selection of the 61st New York Film Festival. Learn more: filmlinc.org/nyff2023/films/poor-thingsIn his boldest vision yet, iconoclast auteur Yorgos Lanthimos (The Lobster, NYFF53; The Favourite, NYFF56) creates an outlandish alternate 19th century on the cusp of technological breakthrough, in which a peculiar, childlike woman named Bella (Emma Stone) lives with her mysterious caretaker, the scientist and surgeon Godwin Baxter (Willem Dafoe). Violently rambunctious, with a growing and unquenchable desire for sexual gratification, Bella turns every social propriety on its head. The shocking truth about her state, soon revealed, doesn’t stop Godwin’s gentle young apprentice (Ramy Youssef) from falling in love with her. After a rakish, libertine lawyer (Mark Ruffalo) whisks her away to see the world, Bella comes to understand her place in it, allowing us to bear witness to her journey of self-actualization. At once poignant and grotesque, Poor Things, based on a 1992 novel by Alasdair Gray, is a punkish update of the Frankenstein story that becomes a deeply feminist fairy tale about women taking back control of their own bodies and minds. A Searchlight Pictures release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Conversation with Souleymane Cissé | New York African Film Festival 2023 Film at Lincoln Center 2023-08-07 | Malian filmmaker Souleymane Cissé sits down with filmmaker and multi-disciplinary artist Moussa Sène Absa in a conversation moderated by Film Comment co-deputy editor Devika Girish. Learn more: filmlinc.org/events/free-talk-in-conversation-with-souleymane-cisseOne of the living greats of cinema, Souleymane Cissé is known for catapulting African film to the world stage with Yeelen, which won the Grand Jury Prize at Cannes in 1987 and became the first African movie to be awarded at the festival. Over a long career, the Malian filmmaker, now 82, has pioneered an original, uncompromising style of realism and incisive social critique through films like Den Muso (1975), the first feature to made in the Malian language of Bambara; Baara (1977) which won the Etalon de Yennenga at FESPACO; and Waati, which was screened in Competition at Cannes in 1995. A beacon of inspiration for artists worldwide, Cissé has also dedicated his career to supporting African filmmaking through initiatives such as the Union of West African Cinema and Audiovisual Designers, which he founded.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Night of the 12th Q&A with Dominik Moll and Gilles Marchand Film at Lincoln Center 2023-08-07 | Director Dominik Moll and screenwriter Gilles Marchand discuss their feature, The Night of the 12th, in a Q&A moderated by FLC Assistant Programmer, Maddie Whittle. Learn more: filmlinc.org/films/the-night-of-the-12thPerhaps best known for stylish thrillers like With a Friend Like Harry… (2000) and Only the Animals (2019), Dominik Moll takes a starker turn with his latest. The Night of the 12th tracks an investigation headed by Yohan (Bastien Bouillon) and his older, recently divorced colleague Marceau (Bouli Lanners) into the murder of Clara, a young woman set on fire one night after leaving a party in a small, quiet Alpine town. That horrific story comes from one section of Pauline Guéna’s 18.3, a massive chronicle of a year of French murder investigations that was itself partly inspired by David Simon’s Homicide: A Year on the Killing Streets. Moll’s film combines a French version of Simon’s dizzyingly comprehensive overview with the sweep of Zodiac and Memories of Murder, delivering the genre hallmarks of true crime while excavating insidious strains of misogyny in contemporary French society. A Film Movement release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Winter Boy Q&A with Christophe Honoré Film at Lincoln Center 2023-08-07 | Director Christophe Honoré discusses his feature, Winter Boy, in a Q&A moderated by FLC Senior Director of Programming, Florence Almozini. Learn more: filmlinc.org/films/winter-boy“My life has become a wild animal that I can’t approach without getting bitten,” explains young Lucas (Paul Kircher) at the beginning of the latest from Rendez-Vous alumnus Christophe Honoré (last year’s Guermantes, Love Songs). In the wake of his father’s sudden death, adolescent Lucas is plunged into deep grief, leading his mother, Isabelle (Juliette Binoche), to send him to live temporarily with his brother, Quentin (Vincent Lacoste), in Paris. Manic in his mourning, Lucas tumultuously explores his queer sexuality as his brother and mother deal with their own emotional turmoil. Inspired by Honoré’s experience of losing his own father at the age of 15, Winter Boy stands as one of the director’s most autobiographical films yet, a story that he’s updated and set in the present day—rendering his past both immediate and universal in this raw, tender, and gorgeous work.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
The Card Counter Q&A with Paul Schrader Film at Lincoln Center 2023-08-07 | Director Paul Schrader discusses his feature, The Card Counter, in a Q&A moderated by FLC Assistant Programmer, Maddie Whittle. Learn more: filmlinc.org/films/the-card-counter“I had never imagined myself as someone suited to a life of incarceration.” So begins Schrader’s followup to First Reformed, which casts Oscar Isaac as William Tell, an ex-con whose eight-year prison sentence for the torturing of Iraqi prisoners at Abu Ghraib gave him time to form new gambling skills to employ in the outside world. A solitary routine of casino-crawling and eking out meager winnings is punctuated by moments in spartan motel rooms where Tell obsessively revisits past misdeeds in his diary. But that lasts only so long before an interested financier (Tiffany Haddish) and the son of a late military vet (Tye Sheridan) offer him a risky path to redemption. The Card Counter is part crime thriller, part horror-war film—a tightly wound, ominous plunge into the moral terror between indifference and suffering, revenge and self-sacrifice. A Focus Features release.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Currents Program 8: Time Out of Mind Q&A w/ Ben Russell and Tiffany Sia | NYFF60 Film at Lincoln Center 2023-08-03 | Currents Program 8: Time Out of Mind directors Ben Russell and Tiffany Sia discuss their short films in a Q&A moderated by NYFF Shorts programmer, Aily Nash. NYFF61 takes place September 29-October 15. Learn more: filmlinc.org/nyff2023Learn more about each of the shorts included in Currents Program 8: Time Out of Mind below:Against TimeBen Russell, 2022, France, 23mA fractal almanac, Ben Russell’s Against Time begins in reverse as a means of moving forward. An homage to the late filmmaker Jonathan Schwartz, and filmed between the Carpathian Mountains, Vilnius punk clubs, a Belarusian Independence Day celebration, and Marseille, it hovers in a limbo of drone and fog, then descends into stroboscopic clusters of moments and movements. In the Beginning, Woman Was the SunSylvia Schedelbauer, 2022, Germany, 18mJapanese with English subtitlesNorth American PremiereBorrowing its title from the memoir of early Japanese suffragette Hiratsuka Raichō, In the Beginning, Woman Was the Sun plunges deep into an oceanic vortex of saturated color and fleeting archival images, conjuring moments from the history of Japanese women’s movements in a headlong montage of bodies in protest, pulsating into abstraction.What Rules The InvisibleTiffany Sia, 2022, U.S., 10mU.S. PremiereThrough archival travelogue footage of Hong Kong and family stories from her mother, Tiffany Sia explores Hong Kong’s tangled colonial histories in What Rules the Invisible. Appropriating and reframing the home movies’ voyeuristic images, the filmmaker finds small disruptions, returned gazes, and the ghostly residue of past resistance left undocumented.The Sower of Stars / El sembrador de estrellasLois Patiño, 2022, Spain, 25mJapanese with English subtitlesIntricate composite patterns of tiny, dazzling lights break through the inky blackness of night in Lois Patiño’s dream-like Tokyo nocturne. Narrated in dialogue by disembodied voices meditating on the qualities of color, light, and silence, The Sower of Stars is a minor-key city symphony in which the dense metropolis, viewed from afar, becomes a quiet atmosphere of twinkling electronics, snaking reflections, and liquid stars. More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Currents Program 7: Ordinary Devotion Q&A w/ Simon Liu, Alexandra Cuesta, and More | NYFF60 Film at Lincoln Center 2023-08-03 | Currents Program 7: Ordinary Devotion directors Simon Liu, Alexandra Cuesta, and Pablo Mazzolo discuss their short films. NYFF61 takes place September 29-October 15. Learn more: filmlinc.org/nyff2023Learn more about each of the shorts included in Currents Program 7: Ordinary Devotion below:The Demands of Ordinary DevotionEva Giolo, 2022, Belgium, 12mU.S. PremiereFlipping a coin, pumping a breast, hand-rolling pasta, winding a Bolex: The Demands of Ordinary Devotion is an accumulation of small gestures, ordinary affects, and cryptic rites—a catalog of moments that captures the elegance and the banality of creation, which Eva Giolo documents through juxtapositions of rich 16mm images and precise sonic events. RenateUte Aurand, 2021, Germany, 16mm, 6mNorth American PremiereUte Aurand’s delicate portrait of her friend and fellow filmmaker Renate Sami is rich with quiet micro-events, intimating a wealth of shared histories, songs, and readings (including an untranslated passage from the Austrian poet Friederike Mayröcker’s Stillleben), and evoking the fragile beauty of the present. LungtaAlexandra Cuesta, 2022, Mexico/Ecuador, 10mAlexandra Cuesta’s enigmatic film derives its title from the mythical Tibetan creature (literally, “wind horse”) that symbolizes the air or spirit within the body. Combining sound artist’s Martín Baus’s distorted aerophonic score with blurred 16mm footage, Lungta foregrounds the material substructure of the filmic process while invoking the history of Muybridge’s earliest experiments in chronophotography, which gave motion to still images for the first time.The Newest OldsPablo Mazzolo, 2022, Argentina/Canada, 35mm, 15mU.S. PremiereThrough his deft hand-processing and manipulation of 35mm film stock, Pablo Mazzolo creates a kaleidoscopic landscape study of sites in and around the transborder agglomeration of Detroit, Michigan, and Windsor, Ontario. Transforming this space into a pulsating environment of liquid terrain, volatile abstraction, and an ever-changing color palette, The Newest Olds also draws on archival sound and field recording to reveal the two cities’ energies of uncertainty and unrest. Devil’s PeakSimon Liu, 2022, Hong Kong/U.S., 30mNorth American PremiereIn Devil’s Peak, Simon Liu’s frenetically associative montage and shimmering images map a twisted psychogeography of Hong Kong. What emerges is a dizzying portrait of a metropolis bustling with jagged contrasts: between the shiny objects of capitalist futurism and the past’s ghostly whispers, between gestures of resistance and forces of suppression.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Currents Program 6: Inside Voices Q&A w/ Mackie Mallison, Thuy-Han Nguyen-Chi, & More | NYFF60 Film at Lincoln Center 2023-07-27 | Currents Program 6: Inside Voices directors Kim Salac, Mackie Mallison, Thuy-Han Nguyen-Chi, Courtney Stephens, Sheilah Restack, and Angelo Madsen Minax discuss their short films in a Q&A moderated by NYFF Shorts programmer, Tyler Wilson. NYFF61 takes place September 29-October 15. Learn more: filmlinc.org/nyff2023Learn more about each of the shorts included in Currents Program 6: Inside Voices below:Bigger on the InsideAngelo Madsen Minax, 2022, U.S., 12mU.S. PremiereOuter and inner space collapse in Angelo Madsen Minax’s cosmic essay film, which diffracts feelings, memories, and longings during a blurry sojourn in a remote cabin in the woods. Looking at the stars, flirting with guys on dating apps, taking ketamine (or not), and watching YouTube lecture videos, Minax draws a warped cartography of desire and distance.The Sky’s In ThereDani and Sheilah ReStack, 2022, U.S., 11mWorld PremiereIn Dani and Sheilah ReStack’s intimate album of sensations, the camera becomes a communal tool, weaving between domestic scenes with children, friends, animals, and collaborators, miniature art worlds, and abstracted natural formations. Threading these scenes with their trademark strategies of feral domesticity, these quotidian spaces of play and repose become models of transformation, experience, and care. Lesser ChoicesCourtney Stephens, 2022, U.S., 8mWorld PremiereThe bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present. Diana, DianaKim Salac, 2022, U.S., 10mEnglish and Tagalog with English subtitlesWorld PremiereIn this fractured double-portrait, artist Kim Salac superimposes the story of Princess Diana onto images and narratives drawn from their mother’s life. Through palimpsests of voices and images, the artist’s own dance performances, and archival interviews with the princess just before her divorce, Diana, Diana meditates on iconography and celebrity, globalization and colonization, and women’s shared struggle for autonomy across class lines. It Smells Like SpringtimeMackie Mallison, 2022, U.S., 16mChinese, English, and Japanese with English subtitlesWorld PremiereThrough family conversations, home movies, still-lifes, and portraiture, Mackie Mallison’s It Smells Like Springtime explores the complexity of Asian-American identity and experience in dialogue with the artist and jeweler Ada Chen and a riotous cadre of kids. Together, they grapple with their ties to their family’s homelands, the paradoxes of representation, and their sense of belonging.Into The Violet BellyThuy-Han Nguyen-Chi, 2022, Belgium/Germany/Iceland/Malta/Denmark, 20mVietnamese and English with English subtitlesWorld PremiereInterweaving family lore, mythology, science fiction, and digital abstraction, Thuy-Han Nguyen-Chi’s film follows the collaboration between the artist and her mother, Thuyen Hoa, who fled Vietnam after the end of the American War via a near-calamitous sea journey. Oscillating between voices, visual registers, and timescales—was it seven months or seven thousand years?— Into The Violet Belly offers up an image of its multiplicitous structure: a massive digital swarm, tiny avatars of migrating bodies, swimming in an infinite blue.More info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
Blissfully Yours Q&A with Apichatpong Weerasethakul Film at Lincoln Center 2023-07-25 | Director Apichatpong Weerasethakul discusses his 2002 feature, Blissfully Yours, as part of his recent visit to FLC for our retrospective, The World of Apichatpong Weerasethakul. Moderated by Dennis Lim. Learn more: filmlinc.org/daily/take-a-trip-to-the-world-of-apichatpong-weerasethakul-may-4-14-with-the-director-in-personMore info: http://filmlinc.orgSubscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcomLike on Facebook: http://facebook.com/filmlincFollow on Twitter: http://twitter.com/filmlincFollow on Instagram: http://instagram.com/filmlinc
