ClashMagazine
Begonia - Marigold (Live Session)
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To show the journey, we are throwing it back to 2017 when we had J Hus come in a black Benz and leave in a white one to perform “Did You See” for the very first time. Hus was unfortunately one of the many artists plagued by the infamous Form 696, making a headline show in his home city impossible. Nothing stopped him attending one of our pop ups and jumping on stage however.
Read the full interview here: clashmusic.com/next-wave/next-wave-1108-mac-wetha
Words: James Mellen
Photography: Bella Howard
Fashion: Sabrina Soormally
There has always been a passion within MEYY’s music, and an intriguing subversion of concepts, but her incoming EP ‘Digital Gloss’ sees an artist fully coming into their own, locating growing confidence both as an artist and as a collaborator. “I really admire a lot of the producers I’ve worked with,” she comments. Collaborating with the EP’s executive producer PIPPIN “kind of feels like I’m walking through a museum because it’s so impressive. I saw all the little tricks embedded in the production and the process.”
Read the full interview here: clashmusic.com/next-wave/next-wave-1109-meyy
Words: Eve Boothroyd
Photography: Bella Howard
Fashion: Sabrina Soormally
Her musical journey is indelibly linked to her family’s eternal support; Nell cites their endless benevolence as the reason she pursued the career more openly. “If it wasn’t for my parents, I don’t think I would have been as brave and released my music when I did,” she begins. “It was actually their idea to go and record them. They knew I had been writing a lot and decided it was time to give it a go. I feel like you need that type of supportive environment at all times, it’s what pushes you further.”
Read the full interview here: clashmusic.com/next-wave/next-wave-1111-nell-mescal
Words: Shannon Garner
Photography: Bella Howard
Fashion: Sabrina Soormally
This is the thread that ties together the artists that SPIDER has grown up with and loves – not any specific sound, as they range from Halsey to PJ Harvey to HOLE to Grimes – but an artistic sense of commitment. “I really love artists who very much stand in the statements they make, what they want to say, and are very vocal about things. They do whatever the f**k they want.”
Read the full interview here: clashmusic.com/next-wave/next-wave-1110-spider
Words: Ims Taylor
Photography: Bella Howard
Fashion: Sabrina Soormally
Since 2020’s debut single ‘Could You Please?’, the slick rhymer has offered an alternative sound, crafting stone-cold verses with grandiose sound palettes that skip between trap, indie, and soul. “I like a lot of big, cinematic sounds. A lot of it is dramatic – I like impactful music and I like it to feel empowered.”
Read the full interview here: clashmusic.com/next-wave/next-wave-1112-tommy-saint
Words: Ana Lamond
Photography: Bella Howard
Fashion: Sabrina Soormally
Filmed in-studio, we invite a CLASH co-signed artist into the studio, dissecting their latest work through a thoughtful interrogation of influences, themes and iconography. For episode 7, we're joined by South London artist Che Lingo.
Arriving a few years after 2020's 'The Worst Generation', 'Coming Up For Air' is Che's most introspective project to date. In conversation, Che shares how he used the experience of making this album as a therapeutic exercise, processing a turbulent period where he dealt with familial loss, injuries, relationship struggles, money issues, and even an eating disorder.
Che shares the inspiration and intricacies behind key songs 'Jaded' and 'Out The Blue', how the recurring motif of water aided his spiritual rediscovery, and why it was key he offset the cataclysms in his life with the sense of community and togetherness he's fostered in his music since his debut.
View part one of the conversation now, more to follow....
This season's LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with the Queen of West Coast radio, DJ Charisma.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and DontBeMike make their way backstage to catch up with underground hero-turned-viral sensation Freddie Dredd.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with underground hero-turned-viral sensation Freddie Dredd.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with Memphis heavyweight Duke Deuce
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with the Queen of West Coast radio, DJ Carisma.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with Los Angeles multidiscipliarian Desto Dubb.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with the distinctive voice of Danny Towers
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with none other than Curren$y
This season's’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with Los Angeles multidiscipliarian Desto Dubb.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with the Queen of West Coast radio, DJ Carisma.
Since 2019, Romford rapper French The Kid has built his reputation by galvanising a fanbase online, dissolving the barrier between artist and consumer through challenges on social media. His Daily Duppy freestyle in 2021 was a viral success on YouTube; the comments section heralded the arrival of an insurgent but relatable force in UK rap.
Last year, French unveiled debut mixtape ‘Never Been Ordinary’, hitting the sticky spot between road rap and tailor-made, commercialised drill. A year on, a new era dawns. On follow-up project 'No Signal’, new epigrams and sonic signifiers are folded into a more mosaic portrayal of French The Kid. Misty-eyed, the rapper visibly measures up his rapid ascent as a rap prodigy with the friends he’s made along the way and the ones he’s left behind. The storytelling is more compelling than the bruised bravado first suggests: that of a mercurial man working through the growing disparity between his humble beginnings, his brush with the criminal underworld and the public-facing figure now commanding thousands of fans to his mainstage.
For this month’s PLTFRM feature, the Romford rapper connects the dots of his journey leading up to the release of ‘No Signal’, touching on his roots, the catharsis that comes with solitude, and the importance of pursuing a passion with unrelenting vigour.
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with Memphis heavyweight Duke Deuce
This season’s LA gig prides the likes of Playboi Carti, Lil Wayne, Travis Scott and Future as its main headliners, symbolic of rap’s evolution into an increasingly broad, eclectic sound palette. Other standout names include Lil Yachty, Saweetie, Lil Baby and Central Cee.
Dream-team presenters Sophie Beeching and Don't Be Mike make their way backstage to catch up with the distinctive voice of Danny Towers
#shorts #dannytowers #rollingloud
p-rallel is heading up a new generation of electronic producers honouring the best of black British club culture; the Channel U aesthetics, the proliferation of pirate radio, the quirks and idiosyncrasies of black vernacular and coded language.
As part of our digital #PLTFRM feature, p-rallel shares the moment his love of dance music was crystallised, his co-creating production process and why his UK garage renaissance is both a call-to-arms and a tribute to his origins.
Filmed in-studio, we invite a CLASH co-signed artist into the studio, dissecting their creative process through a thoughtful interrogation of influences, themes and iconography.
Building on the promise of his breakout Sarz-produced 'LV N ATTN' project, Lojay's new 7-track EP ‘Gangsta Romantic’, charts the next stage in his evolution as an artist taking the reins. Coming into his own as a producer - toeing the line between jaunty amapiano-inflected beats and more mellow, languorous rhythms - 'Gangsta Romantic' features intimate confessionals exploring the cycles of romantic relationships; navigating temptation, desire, heartache and loss.
In conversation, Lojay shares the unifying thread in his work: his vocal production. Taking cues from the melismatic style present in Afrobeats, Lojay’s expression of romantic melodrama has never sounded more potent. Lojay reveals the inspiration behind key songs like 'MOTO', the sonic details and intricacies we may miss on first listen, and the deeper connection he wants to foster with listeners through songs that will endure beyond chart recognition.
This year represents a shift in Finn’s output; one that pivots to stadium-sized ambitions. On timely single ‘Leaders’, Finn invoked the unruly spirit of punk progenitors, taking aim at bureaucratic systems in an anthem that doubles as a dose of hedonism, and an invective against those that seek to mislead the disenfranchised.
In conversation, Finn reflects on the seamless transition from lo-fi rap upstart to a true genre-anarchist.
Visit clashmusic.com for the full piece..
Arriving on the scene as part of the Frank Ocean co-signed collective, House of Pharaohs – an intersecting network of eccentric voices spanning the music, dance and fashion worlds – the Kennington-raised rapper has subverted convention from the get-go.
Wise's debut solo EP 'Sorry You Were Saying', released in 2019, ushered in the arrival of a raw, precocious voice but new mixtape 'Free Game' solidified his transatlantic potential; merging a homegrown, bullish charm with a crossover sound conjuring the best of trap, boom bam rap, breezy atmospherics and Dionysiac sax flourishes.
Over 13 tracks, featuring appearances from the likes of Knucks, Venna and Lord Apex, Wise elucidates his experience languishing in the grey area; offsetting the precarity of youth and the lure of street life with offbeat humour, lackadaisical hooks and feel-good anthemics.
As part of our digital #PLTFRM series spotlighting nascent talent breaking down barriers, Sam Wise opened up about how performing arts enabled his latent creativity, the synergetic spirit of the House of Pharaohs movement, which in turn informed his solo career – and why 'Free Game' is rooted in discovery and cross-genre experimentation.
Visit clashmusic.com for the full piece now..
Her new extended play, ‘Bank Statement’, is a fluid continuum of breezy afroswing rhythms, whip-smart lyricism and infectious hooks. A slick collection of songs with production credits from the likes of 4Play, DA and Karma Kid, it builds on the playability of her last release, ‘The Coldest Winter Ever, Pt. 2’ but ventures further down the diasporic route, bridging her Ugandan-Nigerian roots with her homegrown South London-honed vernacular.
From the brash bravado of opener ‘Bluff’ to the body-talk sass of ‘Get Low’, Ms Banks role-plays with different vocal inflections, modulating her voice to match the elevated fantasy she elicits in these lustful riddims.
CLASH spoke to Ms Banks on the eve of her new release as part of our digital PLTFRM series, exploring her autonomous spirit, her deep appreciation for South London OGs, her personal connection to the afrobeats takeover and why she’s playing the long game.
Visit clashmusic.com for the full piece..
Now, we head over to Shepherd’s Bush to spotlight punk-poet Finn Foxell.
Finn was raised on a broad spectrum of influences, from the alternative rock his parents were immersed in, to old skool rap and grime inherited from his brother’s involvement in the scene. He embraces generational crossovers in his music, striking a balance between established and contemporary influences - his potent storytelling inspired by the mundanity of commutes between menial jobs.
Across multiple projects, his sound took cues from London’s underground hip-hop scene: A focal part of DIY collective Elevation Meditation, alongside p-rallel, Lord Apex, Xav and Louis Culture, this hub was born from a shared desire to co-exist and create together as independent musicians without the support of big label backing.
2022 marked a period of rebirth for Finn Foxell. Galvanised by his time performing on the road, he transitioned from a muted, lo-fi realm to stadium-sized anthemics; the singles ‘What’s Your Poison’ and ‘Leaders’ urged the crowds to use its nostalgic hooks as a form of escapism, the latter a pointed diatribe against the establishment and their misuse of power.
New single ‘Red & Blue’, sees Finn reconcile his artful rap with a guitar-led sound, baring a softer more romantic side, merging late-night introspection with an abrasive, punk-infused edge.
Now, we head over to Shepherd’s Bush to spotlight punk-poet Finn Foxell.
Finn was raised on a broad spectrum of influences, from the alternative rock his parents were immersed in, to old skool rap and grime inherited from his brother’s involvement in the scene. He embraces generational crossovers in his music, striking a balance between established and contemporary influences - his potent storytelling inspired by the mundanity of commutes between menial jobs.
Across multiple projects, his sound took cues from London’s underground hip-hop scene: A focal part of DIY collective Elevation Meditation, alongside p-rallel, Lord Apex, Xav and Louis Culture, this hub was born from a shared desire to co-exist and create together as independent musicians without the support of big label backing.
2022 marked a period of rebirth for Finn Foxell. Galvanised by his time performing on the road, he transitioned from a muted, lo-fi realm to stadium-sized anthemics; the singles ‘What’s Your Poison’ and ‘Leaders’ urged the crowds to use its nostalgic hooks as a form of escapism, the latter a pointed diatribe against the establishment and their misuse of power.
New single ‘Red & Blue’, sees Finn reconcile his artful rap with a guitar-led sound, baring a softer more romantic side, merging late-night introspection with an abrasive, punk-infused edge.
Delilah reveals her favourite hotspot, an artist recommendation we should all be listening to and a favourite film that conjures feelings of dewy-eyed nostalgia.
The inspiration behind Fred Again’s breakthrough hit ‘Delilah (pull me out of this)’, Delilah is no stranger to crossover success. Her own sound cultivated from a feeling of interiority spans across three distinct EPs, threading together her experiences with addiction and romantic entanglements, through profusion of glossy, bedroom pop and raw, flecked acoustics.
We’re excited to unveil Delilah’s special performance of her signature song ‘Lost Keys’.
Adam Kaye and George Townsend, otherwise known as Bondax, are carving their own lane within the dance music realm. Navigating between their root influences in disco, early house and soul, the duo have spent the last decade refining a more niche sound. Although they rose to commercial acclaim in 2011, it wouldn’t be until 2018, with the release of their debut album ‘Revolve’, where the duo tested the barometers of their tried and tested formula, merging more cerebral inflections with a referential continuum of dance music.
In recent years the duo's embrace of a crossover, pop-centric club sound marks a turning point in their journey as DJs, producers and performers. It’s a creative evolution that makes perfect sense; they’ve graced expansive stages at Lost Village, El Dorado and hosted their own sold-out ‘Bondax and Friends’ show at Village Underground. Their latest offering ‘Yabaal to London’ is demonstrative of this shift, elevating their love of celebratory disco-tinged nostalgia, roping in Somalia’s highly-praised funk outfit Dur-Dur Band. Opting for warm grooves and infectious drum patterns, the single is an injection of late summer rooftop glory released via tastemaker label Future Disco.
To demonstrate their skillfulness as producers-in-sync, Bondax have created a track exclusively for this collaboration series between CLASH and Pioneer DJ, utilising the TORAIZ SQUID dynamic sequencer, TORAIZ AS-1 Monophonic synthesiser and RMX effector. The pair detail how an original track can be fashioned in moments, just when inspiration strikes and how this piece of studio wizardry can be tailor-made for the stage when in performance mode.
Experience this polyrhythmic original track by Bondax now…
Adam Kaye and George Townsend, otherwise known as Bondax, are carving their own lane within the dance music realm. Navigating between their root influences in disco, early house and soul, the duo have spent the last decade refining a more niche sound. Although they rose to commercial acclaim in 2011, it wouldn’t be until 2018, with the release of their debut album ‘Revolve’, where the duo tested the barometers of their tried and tested formula, merging more cerebral inflections with a referential continuum of dance music.
In recent years the duo's embrace of a crossover, pop-centric club sound marks a turning point in their journey as DJs, producers and performers. It’s a creative evolution that makes perfect sense; they’ve graced expansive stages at Lost Village, El Dorado and hosted their own sold-out ‘Bondax and Friends’ show at Village Underground. Their latest offering ‘Yabaal to London’ is demonstrative of this shift, elevating their love of celebratory disco-tinged nostalgia, roping in Somalia’s highly-praised funk outfit Dur-Dur Band. Opting for warm grooves and infectious drum patterns, the single is an injection of late summer rooftop glory released via tastemaker label Future Disco.
To demonstrate their skillfulness as producers-in-sync, Bondax have created a track exclusively for this collaboration series between CLASH and Pioneer DJ, utilising the TORAIZ SQUID dynamic sequencer, TORAIZ AS-1 Monophonic synthesiser and RMX effector. The pair detail how an original track can be fashioned in moments, just when inspiration strikes and how this piece of studio wizardry can be tailor-made for the stage when in performance mode.
Experience this polyrhythmic original track by Bondax now…


