PraveenMohan
The Dark Secret of the Naga Bridges
updated
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0:00 - 1000-Year-Old Cell phone
1:35 - First Voice Mail?
2:56 - Oldest iPad
4:01 - Video Call in 1950s
5:30 - Advanced Ancient Technology
6:43 - Conclusion
Hey guys, what is this girl doing? Is she using a cell phone? Look at that, right? she is holding a slim, rectangular device, right next to her ear and mouth, just like how we use a cell phone today. But this temple is at least 1000 years old, so how is that possible? What about this one? Look at this woman. Again, she is holding a thin, flat, rectangular device, in a position, just like how we hold a mobile phone. What is that device? What could that possibly be? We think, cell phones were invented in the last 100 years, but why do we see these strange carvings in this temple called Rani Ki Vav, which is at least 1000 years old, even by main stream accounts. Many experts argue that this is just a mirror she is holding, but no, I will show you the carving right next to this one. This is a mirror, it is bigger, it has a handle to hold, she is directly looking into the mirror, primping and preening. This is a mirror; this one is definitely not a mirror. She is not even looking at it, because we don’t look at the phone while we are doing a voice call, do we? Here is another carving I found in the same temple.
Look at this figure, what is she doing? She is keeping a rectangular gadget, in a position, as though she is leaving a voicemail. This is exactly what people do, when they leave a voice message on WhatsApp, right? But there is something even more crazy, look at what is happening below her. This guy is clearly putting his hand on his ear, and is listening and talking. I think it is crystal clear, that they were using some advanced wireless communication. Were they using cell phone like technology in ancient India? By the way, the quality of all these photos is lower than usual, because we cannot access this area, this zone is barricaded, so I am zooming in as much as I can. I wish I could show you in a higher quality, so we can analyze more details. It is really mind boggling, to see such spectacular carvings showing that ancient Indians may have used cell phone or wireless technology.
Remember, about 2 years ago, I posted a video of these 2 carvings which went viral at that time. On the left, she appears to be using a cell phone, even more weird, on the right, she appears to be using an iPad or a tablet, and she even has a stylus or a digital pen and seems to working on that device, Just like how people use a stylus and make digital art on a tab. I did not film this by the way, these photos were sent to me through email, and when I posted them, there was a huge uproar, because it goes against mainstream history. According to modern historians, ancient Indians did not possess such advanced devices. According to them, 1000 years ago, or let’s go back 5000 years ago, Indians lived a very primitive lifestyle using simple tools like sticks and stones.
However, if you read ancient Indian texts which are classified as “mythology” now, they always talk about very advanced technology matching today’s technology. They talk about how they used aircrafts or Vimanas, they talk about weapons like nuclear weapons which could destroy an entire city. In these ancient Vedic texts, they mention this cell phone technology or wireless communication, everywhere. For example, there is a movie that was made in 1957, I cannot post the video because of copyright issues, but you can see that the people open up a box, and inside that box, you can see people from far away and you can talk to them. You can basically communicate with audio & video to anybody in the world. When people saw this movie 60 years ago, they just thought it was magic, but this is advanced technology, this is exactly what you are doing when you are doing video call or facetime. So, we have to question ourselves, is it possible that ancient Indian texts were mentioning advanced gadgets like cell phone and wireless technology?
#AncientTechnology #PraveenMohan #hinduism
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0:00 - Natural Hair Drier
3:01 - History Rewritten
4:32 - Fashion Infinite
5:13 - 100% NATURAL
6:51 - The HIDDEN Meanings
8:07 - Indian Gold
8:57 - A Crying Baby
9:25 - A Dancing Musician
10:07 - Hospitality
11:17 - Monkey & Madhanika
11:42 - Ancient Hand Signal
12:37 - Pet Owls?
14:31 - Punishing a Snake?
15:23 - A Venomous Virgin
16:53 - The SECRET Man
19:09 - Helpless Warrior
21:26 - The Eastern Philosophy
24:23 - Humans & GODS
27:38 - Key to be A GOD
29:21 - Conclusion
Hey guys, An Ancient Secret Lies Hidden in these female carvings of Rani Ki Vav Temple. These Women, known as Madhanikas are carved in most Indian temples, but in this temple they reveal a shocking secret.
Here is a woman, just waking up from her sleep, see how she is stretching her arms, as we all do as soon we wake up. Notice her hair, how it is made into a casual bun from last night. What would she do next? Of course she has to go take a bath and get ready for the day.
She has now taken a bath and is standing in front of a mirror. Look at her hair now, it is not in a bun, she has long wet hair. And she is wrapping a towel around her hair, and drying it. This is called a towel-wrap, and most women do it today, before they use a hair drier. The sculptor has beautifully captured this moment, where she is casually drying off her hair. But there is a twist in the carving, you see this bird? What is it doing it here? The water droplets from the tip of her hair, is trickling, drop by drop, and the bird is fascinating by this, and it is drinking those water droplets.
Now look at this figure, this is carved in the restricted area of the temple. So, I couldn’t get a close up view of the carving. But she is doing something strange. She is holding a weird device. Can you tell me what it is? Yes it a hair drier. I know some of you will say, this is a ridiculous claim, they did not use hair driers a 1000 years ago. But what if I told you Indians still use these ancient hair driers, but they are not electric hair driers. In India, most women still do not use electric hair driers, they burn a natural benzoin resin called Sambrani.
They will put it inside a container and light it on fire and close the lid, which has holes in it. The device has a long handle and benzoin burns slowly and the women let their hair dry from the heat and smoke. We can buy these native hair driers in any country store in India. Ok, what happens next? Of course she would put on make up and lipstick, right?
And you may think that Indian women did not use lipstick in ancient times, but you are wrong. Again, and again I have shown you ancient carvings where lipstick was used by women. This is a thousand year old temple and you can see clearly that she is putting lipstick on. This is why I keep saying that we should recognize Rani Ki Vav as a wonder of the world, because it changes history, many people think lipsticks were invented in Europe. No. Indians were using lipstick more than two thousand years ago. In my previous videos, when I mentioned that ancient Indians used lipstick, many historians tried to dismiss it saying, no she is chewing betel leaves, or she is about to eat a piece of clove, etcetera, simply because it goes against the mainstream narrative. But the ancient text of Kamasutra clearly mentions that women used lipstick to appear beautiful. The book even tells us how they made lipstick – it was made of beeswax, and coloring agents. And this book is around 1800 years old, so you can imagine how Indian women were pioneers in fashion technology.
And here is another one, a woman putting eyeliner. Yes, She is looking at the mirror, and she is putting eyeliner, or I don’t know if it Mascara or what you call it. And you may have previously thought that eyeliners and Mascaras and all these fashion accessories were creations from the western world, but look I am showing you a series of ancient carvings proving that Indian women were doing all of this. Women of Ancient India probably lived the same lifestyle of today’s women, if they were not more advanced.
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0:00 - Pinard horn
2:05 - Flash Light
3:54 - Insane Stone Assembly
5:18 - Angle Finder
6:44 - Failed Egyptian Pyramid
8:08 - Ancient Ruler
9:11 - Theodolite
10:14 - Arc Reactor
12:06 - Conclusion
Hey guys, you can see this ancient carving of a beautiful woman, but there is something strange about her, right?
She is carved with full, puffed-up breasts, and she doesn’t have a flat stomach, unlike most other carvings. Why? Because she is pregnant, that’s why. And look below, this guy is holding up a cylindrical device, ready to press it on her belly, because he wants to listen to the heart rate of the baby inside her belly. But is it really possible to hear the heartbeat of an unborn baby without using ultrasound technology?
Believe it or not we use the same technology today, many doctors and midwives use a device called a Pinard horn instead of an ultrasound device. A lot of doctors use this device on pregnant women, and some even claim, that it is easier and better than advanced ultrasound devices. If you think about it, many of the fancy electronic and computerized machines we have today, were simple devices operating on basic principles of physics. But this carving changes history, because we think that the Pinard horn was invented by Dr. Pinard in 1895, that’s about 125 years ago. But this carving is found in an inverted negative temple called Rani Ki Vav in India, and it was carved at least 1000 years ago. So, you can see ancient Indians were using such devices more than a thousand years ago. And I am going to show you more evidence of advanced technology from the same temple.
Here we can see a male figure with a variety of tools. But you see the problem here? He is holding a flashlight or an electric torch, just like what we use today. I mean look at the similarity, a typical flashlight has a broad bulb on one end and a long slender cylinder with buttons on the other end, and that is exactly what we see today. And look at his fingers, it is almost like he is pressing a button and turning it on. Is it a flashlight?
According to historians the flash light was invented by David Misell just 130 years ago. But we find it in this 1000-year-old temple, that is why I keep saying Rani Ki Vav is a very mysterious place, perhaps the most mysterious temple in the world. May be this device explains how ancient sculptors could carve in deep dark chambers, where there is no possibility of getting sunlight. We always find fantastic and impossible carvings in dark chambers and wonder how the sculptors carved them. If they used torches with actual fire, the walls and ceiling should have traces of carbon because of soot, but ancient Hindu temples show no trace of that. Were they using flashlight like devices in ancient times? Was this how they were able to assemble and fit blocks perfectly, even in pitch black areas of the temple?
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0:00 - An Inverted Temple
1:30 - Model of the Temple
3:42 - An Unknown Wonder
5:51 - The Forbidden Place
6:22 - An Accidental Discovery
7:20 - Incomplete Excavations
8:13 - Mysterious Structure
9:18 - Unknown Builder
10:49 - Negative Construction
13:03 - Positive Construction
14:01 - Conclusion
Hey guys, there is a mysterious ancient structure in Gujarat. What is it? Archeologists and historians tell us a standard story: This is called Rani Ki Vav, it is a step well, built for the locals, so the locals can get down these steps and draw water from this well. But you are about to learn that this is not a step well, but it was built for a completely different reason.
What you are looking at is one of its kind. It is an inverted, negative, temple. Some fancy words, you may think.
A typical Hindu temple starts with ground level, has some steps going up to increase its height or altitude gradually. Finally, at the tower area, starts with a large base, and then ends up have a pointy end at the top, right? Now, Rani Ki Vav is designed exactly the opposite way, it starts with the ground level, slowly starts to decrease its altitude, you gradually go down, and at this area, it starts with a larger top, but ends up having a pointy end at the very bottom.
Maybe I can do better, so here, we are making a model of Rani Ki Vav, imagine this foam is the piece of land, and I am starting to carve the steps here, and then there is a flat area here, and then I carve more steps, then a flat area, and so on. And at the far end, I have made a deep, so called “well” which gradually reduces in its radius towards the bottom. If you look at this model, it looks very much like Rani Ki Vav. But in order to see the negative temple, we have to fill up the empty space, and see what happens.
So, I have taken some plaster of paris, and I am going to fill up the empty space. I am filling up everything and kind of levelling up at the ground level. The plaster of paris is, now, slowly solidifying inside the empty space. In a few minutes, it completely solidifies. Now, remember, I told you it is an inverted negative temple. So, I have to invert this model. Now let me cut off the foam, and see how the solidified empty space looks. The foam represents the positive material and I am slowly, slowly removing it. As I am doing it, you can start to understand that it looks very much like a Hindu temple. Let me clean up the foam sticking on it, and you can see for yourself. This is not just looking similar to an ancient temple; it is looking identical to a typical ancient temple. I have just proved my theory that Rani Ki Vav is not a step well, but an inverted negative temple. If you go to most ancient temples, you will see steps rising in altitude, then there will be a small shrine called a mandapa, then there will be more steps, leading to more mandapas, and at the far end, you will see a giant tower with a pointed top.
This is exactly what we see here. If we exclude the minor details, and look at the macro model, there is no doubt that it was built as a negative, inverted temple and no other temple has ever been built like this, not only in India, but in the whole world. So, what we are looking at is actually a wonder of the world. No one has understood that this is such a temple in the last few centuries, I think I am the first one to understand this.
How did I realize it was a Negative temple? I visit hundreds of ancient sites, and the energy and vibration in every place is usually very positive and peaceful. However, our entire team became very negative as we entered this site. They felt anger and sorrow, they blamed it on the weather and other things but I could feel the negativity get more and more intense as I went deeper and deeper into the structure. This is the exact opposite of what happens when you visit a positive temple. Typically, in a Hindu temple, as you walk towards the main chamber your positivity increases and you reach a calm, joyful state when you are in the main chamber. You can easily dismiss this as pseudoscience but we have all had at least one instance where we met a negative person, but we did not trust our instinct and paid for it.
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0:00 - World’s First Rifle
1:00 - An Ancient Gun
2:09 - Solid proof in ancient texts
3:33 - Alexander Escaped? – WHY?
4:58 - Oldest Bombs in India
5:39 - Master of Weapons
7:46 - A Weird Weapon
8:25 - Grenades in Jerusalem
9:30 - Making Gunpowder
10:13 - Ancient proof for Grenades
10:48 - Time Bombs are not new
12:16 - Conclusion
Hey guys, today I am going to show you some solid evidence of advanced weapons from ancient India.
Yes, what you are looking at is a carving of a gun, a rifle. If you look carefully, you can clearly see that he is loading a gun, this was the old-fashioned way of loading a gun, where you had to put gunpowder through the barrel and then stick a piper from the top. And you can see that he is doing exactly that in this carving in an ancient Indian temple. Of course, immediately your mind is filled with doubt, isn’t it? Is this ancient carving really showing a gun? Maybe it is something else, because ancient Indians could not have used guns, right? So perhaps it is just some other weapon like a spear, or even an iron rod or something.
But here is another carving in a different temple. There is a bearded man on a horse, and he is ready to pull out his sword. But look below him, what is this guy holding? He is clearly holding a gun and is pointing at the horse rider. There should be absolutely no doubt in your mind that this is a gun, because look at his eyes. He has closed his left eye and has opened his right eye, and aiming for the enemy’s heart. If he fires the bullet, this man is dead instantly, right? Yet, he is not shown wearing modern clothes or even medieval clothes, he is shown with just a loin cloth in his waist, and his hairdo resembles the ancient Indian hairstyle. But, if guns were invented by Europeans just 600 years ago, why do we see ancient Indian carvings showing guns? Are these carvings really ancient?
Look at this one, it is now in the archeology museum of Kakinada. There is no official plaque or signboard next to it, but it is said to be 1,000 years old. If guns did exist in India before 600 years, why were they not mentioned in ancient Indian texts, right?
Let me read from a text called Manusmriti, historians say this text is about 2000 years old. In chapter 7, it says:
“No one should use concealed weapons, barbed arrows, poisoned arrows, or projectiles kindled by fire. “Projectiles kindled by fire? That is a gun, right? I mean what else could it be? Why would something like this be written in a 2000-year-old text?
Another Indian text called Naisadha Charita also talks about guns. Experts confirm that it was written in 12th century. The author compares a woman’s elevated nostrils to a pair of guns. In fact, many Ancient Indian texts clearly mention Guns, it was called Naalika in Sanskrit language.
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Hey guys, I never thought I would make a video like this, but YouTube is racist, it hates Hinduism, and it does not want YouTubers to make videos about Hindu temples. This is because Youtube management genuinely thinks that Hindu temples are dirty, barbaric places not fit to be seen by normal people. I will prove this to you.
Many of you know that two years ago, YouTube deleted some of my videos, it demonetized some videos and even threatened to ban my channel, and I posted videos about the ban. But then YouTube realized it made a mistake and it stopped doing that. But did it? No, it still demonetizes many of my videos, it still posts so may different types of restrictions on my videos. I have chosen to be quiet, because I don’t like drama, all I want to do is, research about ancient sites.
But what YouTube is doing now, is not just Anti-Praveen Mohan, it is taking an anti-Hindu stance.
For example, my latest video, I show nearly 40 ancient carvings, all of them over 1000 years old But YouTube has put a restriction on it, it says it is not just age restricted, it is offensive content, and also no ads for this video. Because according to YouTube, ancient Indians were barbaric, and violent. But these are actual Hindu Gods and Heros worshiped even today, all these are shrines and temples, you can see fresh turmeric paste on them, because locals worship them. But YouTube thinks, no this is not right, such Hindu temples should not be shown to others.
But may be I am just over reacting because YouTube just banned my recent video, right? No, I will show you another example. YouTube has also restricted, and demonetized this video. I don’t know why? All I know is that I was showing some weird creatures, two of these creatures sitting on two of these creatures, and somehow, it is not suitable for most viewers, because these creatures are not covered up. I did appeal for a manual review, and guess what? They manually reviewed it, and then decided yes, it is unsuitable. Why? Because these carvings are from a Hindu temple, and YouTube is racist, that’s why. I will prove this to you now.
Here is another video, shorts video. YouTube thinks that Hindu temples violate its Sex and Nudity policy. Most of you know me, I never talk about erotica or private parts of carvings, I don’t even use curse words in my videos.
Now why am I saying this is racist right? Because the same standards do not apply outside India. Lets a pick a video, a random video. This is a museum in Athens, Greece. Let me just randomly show you. Here is a nude woman, and here is a nude man, already. But why is this not banned? Why is this not age restricted or inappropriate? I can show you all the videos in this column, showing the same museum or other European museums with a lot of nude statues, and YouTube has no problem showing them to everybody, because they are all carvings of white people, they were all ancient greeks, so may be the barbaric and dirty nudity rules, somehow do not apply to them. These rules only apply if Indian statues are standing like this. This is the only conclusion I can think of, prove me wrong. What is the difference between this statue and this statue? Just race. I think, YouTube is inherently Hinduphobic. About my latest video, I know many of you will think, this is because of the violence, suicide rituals, cutting heads, etc, may be YouTube is not racist. So Why aren’t vidoes about Japanese suicides banned? Why is n’t this video banned? Pretty much the same violence, right? The only reason is because it is not Indian, these are Greek Gods. If I make a video about Indian Gods killing someone, YouTube would absolutely restrict that video claiming it is inappropriate. I think the people running YouTube, genuinely believe that Hinduism is not a good religion and Indian temples are not fit to be seen by everybody.
And there is a very sinister and planned agenda attached to this, because YouTube is waging an economic warfare against Hinduism. I am sure it has restricted videos of many YouTubers who show Hindu temples. But most YouTubers do not come out and say this is what is YouTube is doing to their videos, instead, they will just stop showing Hindu temples.
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0:00 - Weird Ancient Carvings
1:14 - A Ritual Sacrifice
1:57 - Self-Torture
3:29 - Ravana – The Source of Self Torture
5:01 - Japanese Traditions
6:16 - Instant Death
8:12 - Barbaric Suicides – But WHY?
10:38 - Suicide Creates a New GOD?
14:21 - Conclusion
Hey guys, in the city of Chennai, some bizarre ancient carvings are found. As you can see, this place does not even have a roof, but you can see this series of carvings, doing something weird. Can you tell me what is going on here? This man is smiling, but he is holding his hair bun, his top knot in one hand, while using a sword to cut his own neck. Why would he be smiling while taking his own life? Look at the carving next to it, a calm, content face as he is cutting off his own head. The blade has actually gone into the neck at this point, that is why it is not visible in the center, only the 2 ends of the sword are visible. Almost all these carvings, show men cutting off their own heads while looking happy and content. What is the story behind these 1100 year old carvings?
The oldest tamil text called Tolkappiyam refers to this act of ritual suicide as AviBali, meaning Life – Sacrifice. Now, we know that soldiers can get killed in action, and soldiers can also do suicide attacks, like Kamikaze pilots in Pearl Harbor, knowing that they die destroying their enemies, but this Avipali has nothing to do with that. It was not done in a battlefield, it was usually done in front of an idol they worshipped, or in front of a King, as a form of ritual sacrifice.
There are three main types of AviBali, and each one is significantly different than the other. The first one is called Navakandam which means nine pieces. It is not the straightforward way of killing yourself, rather the person cuts out 9 pieces from his body, to please or appease God. It sounds barbaric, right? But this act of hurting your own body to please God, exists in all religions, even today. We have just become mellow, nowadays, it can be in the form of fasting, which is basically denying food or even water to your body on certain days. You can also see self-flagellation in many parts of the world, interestingly, this ritual is found in all major religions, including Christianity and Islam. So Navakandam, was the slow excruciating way of hurting oneself to please the God, but the person dies because of this ritual, he gives his life in order to supposedly gain something.
Ancient Indians thought that by slowly cutting off their body parts, they could convince God to appear before them and then the God would grant them their wish. How did such a strange thought process begin?
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0:00 - Cross in a Temple?
1:06 - Christianity in India
3:45 - Christian Cross in Ancient Temples
5:18 - History of the Indian Cross
7:05 - Cave Paintings of Cross in India
8:36 - Conclusion
Hey guys, today I am going to show you some solid evidence of the Cross, like the Christian Cross in ancient Hindu Temples.
In a corner of the main chamber, at the top of this pillar, we can see a strange figure. On its neck, it wears something strange. Yes, it is a cross. I am trying to show you as much as possible, but we can only see so much because of the darkness and height. Is it wearing a Cross on its neck, like modern day Christians? Is this evidence of Christianity in ancient times? I found this carving in the Sun Temple of Modhera, in the state of Gujarat. The carvings here clearly prove that this is a Hindu temple and Archeologists confirm that the Modhera temple was built 1000 years ago.
But when did Christianity reach India? According to Wikipedia, Christianity reached India as early as 52 A.D, that means Christianity has been in India for nearly 2000 years. But this claim is also heavily disputed by many historians who say Christianity was brought into India by Europeans in 15th century, making it only 600 years old, and this temple is much older than 600 years.
But I was still not satisfied that this is a cross. So I went to the Museum in the Modhera temple complex, trying to find more evidence. And luckily, I found exactly that. Now, you can clearly see that it looks very much like a Cross, like how Christians wear the cross in their necks today. This is a very rare find. See what it says, this figure is called Keechak, and this figure was carved in the 11th century, so it is a thousand years old. It was actually a part of the Modhera temple, the statue was placed on another pillar in the dark chamber and it got broken a little, so they moved it to the museum.
Of course, some of you may have a gut reaction to dismiss this evidence as fake. Or some will claim that these crosses were carved much later by Christians, to foist their religion on Hinduism, as a means of propaganda. But if Christians did this just for propaganda, they would have placed these figures in a bright, prominent place where everybody would look. Why would they carve them in dark, remote corner, at a height where nobody would look? Understanding and decoding evidences like this is very hard, so most people will just jump to simple conclusions based on their bias. But what if, this Sun temple at Modhera was compromised somehow, and both these statues were only a few centuries old. Do we see the cross in any other Hindu temple?
I found another carving in the ancient Shikanathar Temple, which is 1200 miles away from the Modhera Sun temple.
Is this a cross? Obviously, there is this raised rectangle or square, but in the middle we can see that it is clearly a cross, very similar to the Christian cross. Why is it carved in this ancient Hindu temple ? This temple is at least 1300 years old, this is long before European conquerers came to India. Right now, you are going to be struggling with cognitive dissonance, on one hand, most historians tell us Christianity came through European conquerers and spread very slowly in India, and we know that Christian symbols are almost never found in Hindu temples. On the other hand, I am showing you actual evidences of the Christian cross in Ancient Indian temples. This is like going into a mall and finding a beach, inside the mall. It doesn’t belong there, right? So you have to decide if the mall is fake or the beach is fake, but in this case, both of them are real.
Now, the history of the cross itself is very interesting. Believe it or not, the cross is everywhere, it is found on your keyboard as a plus sign. It is found on your chessboard on top of the king, etcetera. It is almost impossible not to see the cross on a daily basis, mostly because Christianity is the largest religion in the world.
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0:00 - Hidden Fish
3:18 - Fish in Tank
4:54 - Blind Fish
5:44 - Types of Fishes
7:07 - Behavior of Fish
8:42 - Optical Illusion
9:11 - Conclusion
Hey guys, today I am going to show you some secret carvings that are hiding in plain sight. What do you see? Do you see a fish? Our eyes are naturally attracted to the pillars and the giant doorway, but if we look at this wall here.. we can see a fish carved on the wall. Why is it carved here? What could possibly be the reason for this?
The fish is not carved with great details, or polished, it is specifically carved vaguely so it is not visible to casual visitors. However, when we inspect it closely, it appears to be a fancy, ornamental fish, look at how many fins are shown, including the tail fin. Why did ancient builders carve it here? Is it some kind of a symbol or signal, but why is it carved in a place where nobody will look?
Here you can this beautiful monolithic pillar, and you can be easily be mesmerized by the details on the warriors, but 99% of the visitors will miss this pair of kissing fish. Why are they carved here? Look at the details on these fish, they are simply fantastic. But why would they be placed 20 feet above the ground, in a place where nobody is looking? What is the meaning of this?
I am zooming in with my phone, look at the tail, this is a pair of exotic fish, this carving is too pretty to be placed at such a height . What is the need to carve fishes all over the temple in this way? And why did ancient builders place them in a way that people will not notice these fish?
Look at this one, but you are probably not even seeing it now, because you are only human. The fish are actually right there in front of you, but 99% of people will take a good look at this, but will completely miss these fish. It seems as though the ancient builders were masters of hiding things in plain sight by exploiting basic human tendencies.
Now, forget about documenting the symbolism or finding the meaning behind them, It is impossible even to find all the hidden fish carvings. How can anyone possibly expect a visitor to observe this fish. I have visited this temple so many times, that’s why you see me in so many different outfits in the same temple. I have even grown a beard now, But everytime I come here, I will find more and more fish carvings. A lot of them are hidden in dark corners. Why are there so many ? There must be some reason for this, right?
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0:00 - Strange Snake
0:50 - Egyptian Cobras
1:41 - Egyptian Carvings in India
3:39 - Snakes with Pinecones
6:06 - Snake Whisperers
7:41 - Conclusion
Hey guys, today, let’s go into this forbidden area of this 1300 year old temple, nobody has ever filmed this area, but it has some strange secrets hidden inside. Here you can see a snake, a cobra with its open hood. But the strange detail is on the top. It is shown with a crown or a headdress on top. This detail is never carved in Indian temples, because it is simply not a part of Hindu Iconography. But why is it carved in this temple, and why was it placed in a dark corner, hidden away from regular visitors?
But here is a 2000-year-old artifact, looks almost identical to the carving, right? A cobra with an open hood, and it has the same crown or headdress. But this not from India, this is an ancient Egyptian artifact. Coincidence? What about this one? Again, from ancient Egypt, a cobra with a crown. Again and again, we can see that snakes are shown with crowns in Ancient egypt. So how is this typical Egyptian Carving Found in India? But we shouldn’t jump to a conclusion just because we found one similar carving, so let us see if we find anything else here.
And just a few pillars away from this carving, we can see this carving. Intertwined snakes are common in Hindu temples, but there is a big difference, there is something carved in between them here. It is a little bit eroded, but there is definitely something carved between their hooded heads. I am using my phone’s flashlight, but this area is very dark, so I cannot decipher what it is.
The only way to find out what it is, is to find a similar carving in a bright area in the same temple. Here, look at this carving . Two intertwined snakes, and a pinecone like object in between, but the pinecone is placed on a stem. Immediately I am reminded of an Egyptian artefact, now displayed in the museum of Turin, in Italy. This artifact was supposedly made around 1200 BC, that means it is 3200 years old. And It shows the same details, there are two intertwined snakes, and there is a pinecone like object with a stem in between them. Now, what’s more interesting to me is the tiny little detail, both these snakes are shown with crowns or headdresses. This is the detail that really seals the deal. It is found on the Egyptian artifact, as well as this Indian carving. How can this Hindu temple in India, have ancient Egyptian carvings? This temple is 3,000 miles away from Egypt. so how was such a connection possible during ancient times?
And what is this object in between the snakes? Is it really a pinecone? Or is it something else? Well, nobody seems to know the real answer to this, some even claim that this is not a real thing, this whole thing is just a mystical symbol. Now, let us explore some other carvings in these dark areas, maybe we can find more carvings and understand this better.
We can see a lot of very strange, unexplainable carvings. But here, we can see these intertwined snakes, and on top, we can find the pinecone. The pinecone is above the heads of the snakes, but it does not have a long stem. So, it cannot just be a symbol, because it differs from the previous carving. So, what is it? There, in a distance, we can see another carving. At first, it looks the same right, but as we go closer, we can see that, the pinecone has been inverted, and it has also moved below the head level of the snakes. What does this mean? Look at the second loop of the intertwined snakes, again you can see an inverted pinecone there too. What is this object? Why is it shown in different positions in different carvings? How is it connected to snakes? Are they really pinecones? Since India does not have any pinecones trees, how did ancient builders carve them here? Again, we can see the crowns on the snakes, clearly an Egyptian depiction.
And what is more interesting is that we can see all these details separately in an ancient Egyptian site called catacombs of Kom El Shoqafa. This is about 2000 years old. You can see the giant snake with the crown in the middle. On the left, you can see intertwined snakes, and on the right, you can see the mysterious pinecone like thing with a stem. Like Ancient Indians, Egyptians also depicted Snakes everywhere.
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heard of Monolithic structures and Megalithic Structures, But here we have 'Mono-Megalithic' Structure.
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0:00 - A Rare Combo
2:15 - Strange Inscriptions
2:54 - Outside View
3:25 - Inside The Main Chamber
4:45 - Oldest Musical Inscriptions
5:37 - THE IMPOSSIBLE STONE WORK
7:20 - Micro Details in a Megalith work
8:47 - Monomegalithic Structure
10:59 - Conclusion
Hey guys, I found a radical new stone technology in an ancient temple. Please observe carefully: Is this a megalithic structure, meaning is it made of many big stone blocks? Or is it a monolithic temple, meaning is it made of just one rock? Believe it or not, It is a combination, the ancient builders have managed to combine both these construction techniques in this 1300 year old temple. This is the line where the megalithic construction ends and the monolithic architecture begins. It is very rare to see such a sight. You see this line; this is the magical meeting point. On that side of this line, you can see giant rocks added to build a structure, the technique of adding, the temple is made of multiple stone blocks, that is megalithic. On this side of the line, you can see tons of rock scooped out, the technique of removing was used to create a structure, this side is monolithic. And both these construction techniques meet in this line. I have shown you giant monolithic structures like the Kailasa Temple, I have also shown you many megalithic temples. But to see both of them together used in the one single temple, this is extraordinary, I have never seen it before, and I don’t think anybody has found this detail, because ancient builders have combined them so smoothly. Only when you look at the beams and pillars, you start realizing the differences. This side, they are made of giant blocks of stone, you can see the joints. But look at this pillar, it has no joints, because it was made by removing the rock around it. When I look at the writings here, again I can see something very strange. There are 2 ancient languages, Sanskrit and Tamil, combined in these inscriptions. You can see 2 scripts, side by side. This is a very strange combination because these two ancient languages are said to have completely different origins and experts claim that they did not coexist in ancient times, but here, you can see them used together 1,300 years ago.
Of course, you may wonder, how did they put such a giant single stone block here, obviously they cannot move such a giant stone block and put it here, I don’t think. This is part of a hill, I will show you how it looks from the outside, and you can see that this structure is built joining the face of the hill. Megalithic here, and monolithic in the hill face. So, this chamber was made by scooping out tons and tons of rock of the hill. And what is inside the main chamber? There is a very large lingam, again it is also a part of the hill. Even though we have flashlights, we cannot see the lingam clearly, only the outline is visible.
By the way, this place is very dark, and this is the best we could capture, even though we used decent flash lights. Only when I used the flash from my DSLR, I could see the lingam clearly for a second. I will show you how this place looks with no light, it is almost pitch black, you cannot even see who is standing right next to you, so how did ancient builders manage to build such a structure? But it is not just the structure, it is about details. Look at this giant carving, may about 7 or 8 feet tall, look at the details carved on him, in this darkness. Look at his belt, the buckle and the straps hanging on both sides.
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0:00 - A Combo Carving
0:35 - Polar Opposites together
1:04 - Tricky Forehead
1:52 - Deliberately Destructed Noses
2:27 - Variations in a few Centimeters
2:57 - Beauty in Millimeters
3:32 - WHY A COMBO?
3:59 - Differences between Shiva & Vishnu
5:02 - Temples reflect the personalities
7:48 - The Mysterious Mystery
9:19 - The Controversial Bell
10:55 - Conclusion
Hey guys, who is this deity carved in this ancient temple? Look carefully, is he Shiva or is he Vishnu?
It is a combination of Shiva and Vishnu in one statue. And if you put a line exactly in the center of the carving, we can see the stunning depiction, because the sculptor has carved everything related to Shiva on the left side, and everything about Vishnu on the other side. And these two gods are polar opposites, right? Shiva is simple, he has bundled his hair at the top. Vishnu however is sophisticated, he is wearing a long, ornate crown or a helmet. Even for tying his hair, Shiva doesn’t buy a hairclip, he uses a snake to tie his hair, but Vishnu’s helmet is adorned with precious stones.
The forehead is a very tricky situation, and the sculptor has handled it masterfully. This is Shiva’s third eye, sometimes even called the awakened pineal gland, but you can only see one half of the third eye. What is the other half showing?
On the right side, you can see this strange mark. It is actually a half of Urdhva Pundra. What is Urdhva Pundra? It is a sign, people put on the forehead, worn by Vishnu and his followers. This is called Naamam in Tamil, and is still in practice by devotees of Vishnu.
The nose, you can see someone has cut off his nose, this is a deliberate act of destruction, you can see many statues of this 1300-year-old temple, their noses were cut off to make them look bad. We don’t know what valuable detail would have been carved on the nose. And some of you may say, Praveen, this is ridiculous, what information can be carved in a nose, it is just a few centimeters long.
In my defence, look at the lips. If you focus only one the left side, you will see that Shiva has a somewhat serious face, he is known for his solemn demeanor. But, if you hide the left, and look at the right side, you will realize that Vishnu is smiling joyfully, because he is a happy-go-lucky person. Again, the lips, just a few centimeters long, but it can give us valuable information. If you speak to a plastic surgeon or a cosmetic surgeon, he will tell you the difference between the face of a supermodel and an ugly face is just millimeters. And this is exactly what the sculptor has done here, the sculptor was the cosmetic surgeon here, right? Just by extending the lips a little bit longer, he has shown Vishnu’s cheerful attitude, while Shiva’s lips are shorter, showing a serious face.
And why are Shiva and Vishnu shown this way? I have photoshopped this, by mirroring the images on one side, this is roughly how a full-size Vishnu would have looked. And this is how a full-size Shiva statue would have looked. There seems to be some very deep subliminal information hidden in ancient Indian carvings.
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0:00 - The Unsolved Puzzle
0:32 - Identical Twin Carvings
1:22 - Disconnected Carvings?
3:27 - Hidden Meanings
5:58 - Zig Zag Carvings
8:29 - Darwin’s Evolution
9:31 - Warrior of Fire
11:02 - Skull Trophies
12:16 - Ape Brothers
13:07 - (Cosmic) Dance Competition
15:32 - Puzzle Decoded
16:25 - Conclusion
Hey guys, today we are going to look at an ancient temple called Shikanathar Temple, located in a remote village called Kudumiyanmalai. This temple is referred to as The Unsolved Puzzle by experts, because of its completely unexplainable, and unrelated carvings. Today, I am going to try to solve this puzzle and I want you to join me in understanding what the ancient builders were doing.
Some have claimed that this temple is showing twin carvings. For example, there are 2 apes who are identical placed opposite to one other. There are 2 identical warriors placed in front of one another. You can see 2 Beauties in the same way, and see many other carvings the same way. However, the theory that this temple is made of a bunch of twin carvings is also not accepted because in other places, there are non-identical carvings, you can see carvings like these opposite to one another, and they are not identical carvings and they don’t even look similar.
If we look at the carvings side by side, it gets even more confusing. For example, when we enter this 100 pillar hall, on the right side, you can see this beautiful six-headed God, called Karthikeya sitting on a peacock. But right next to that, you can see Narasimha, a lion headed deity killing a demon. There is no connection at all between the first carving and the second carving. And if you look on the left side, you can see the a similar problem, here is the elephant God Ganesha and right next to him, you can see this fantastic carving of a 10 headed figure called Ravana. And these figures are not connected, at least most people think that way. And you can go on and on, for example there is no connection between Ravana and this female deity. So, this random array of completely disconnected Gods, is never seen in any Hindu temple. Not just in ancient temples, even when they build new temples today, they still follow a pattern of connectivity between adjacent carvings. I mean, you should be able to see them, like you see the consecutive scenes of a movie. They don’t just throw a bunch of carvings here and there, there has to be a rhyme and reason. And because of this complete disconnect in this temple, experts and even pilgrims just don’t come here, I mean it is human tendency to ignore things you don’t understand. Even worse, some people have dismissed these carvings as the work of pure madness.
But it is not the fault of ancient builders, it is our fault because we are not looking carefully, and we are simply, not as smart as them. But let’s try to get into the mind of the architect, let’s experiment. If you enter this part of the temple, let’s say the first deity you look at, is this one, the elephant God Ganesha. But then you are supposed to look on the opposite side, this is his brother, this God on the peacock is the brother of Ganesha. This is the connectivity, this is how the carvings are arranged opposite to one another. I am sure some experts have noticed this pattern, but when they looked at these 2 carvings, may be they dismissed this theory. Here, you can see the 10 headed Demon called Ravana and on the opposite side, we can see the Lion Headed God, an avatar of Lord Vishnu. What is the connection between them? Most experts haven’t read all the ancient Indian texts, so they cannot see any connection between the two carvings. They are comparing a Demon to an avatar of God Vishnu. Who is the most powerful between the two? And more importantly, is there a connection between the two?
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0:00 - Joker in Temples
0:59 - Humor in Indian Carvings
2:33 - Who is the JOKER?
4:22 - Astavakra Gita
5:39 - An Atheist in a Temple?
7:53 - The Strange Twist
8:13 - The Healed Joker
8:43 - Conclusion
Hey guys, did you know there is a rule to have a Joker carved in all Hindu temples? We know that the only sensible way to live in this world is without rules. Yet, there is such a rule, it is not an option, all Hindu temples must have at least one carving of the Joker. How did such a crazy rule come into effect? This makes no sense, right? Did the British, force Indians to make such carvings during their occupation of India? Did they do this to discredit Hinduism? No, the carvings of the Joker are seen in very ancient temples, for example this is a 1300-year-old temple, and you can see the so-called Joker. Who is he? And why do they still carve this joker in temples?
Nobody knows about him today, and if you ask any expert or priest, they will refer to him simply as the Vidushaka, a sanskrit word that also means clown or a joker. Some experts argue that there is a lot of humor in ancient Indian carvings, so they dismiss this carving as just a joker or a clown. For instance, you can see a dancing woman here, and this guy has been watching her from the back while she is dancing, but she suddenly turns and reveals her face. And it is a man, even though he has some parts of the woman, this face reveal results in absolute horror for this guy. The sculptor actually carved a round hole in the mouth to show the shock, and look at this accomplice of the scammer, she is absolutely loving what’s going, unable to control her laughter. Because of carvings like these, we can easily dismiss this as a just another joker or a clown.
But there is a problem, why does he appear again and again in all the temples? Why is it mandatory to carve him in temples, and he doesn’t do anything, he just stands there with his strange breakdancing move.
The truth is, this forgotten figure is not a joker, he is a saint by the name of AstaVakra. And he is smiling, because it confuses people, he is smiling because it is easier than explaining what is killing him inside. He is not break dancing, he had a medical condition, called rickets. Deformity of the limbs is the result of extreme case of this disorder. When we look at actual patients suffering from rickets, we can see why he is shown like this in the carving. And that’s precisely what his name Astavakra means, it means 8 Bends or 8 curves, and the carvings accurately depict his 8 bends. Now here is a fun fact: A certain species of spider is named after him, these types are called Astavakra Sexmucronata, I mean you can definitely see why this 8-legged insect is named after him.
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A strange ancient carving shows some weird details. Why is this carved in an Indian Temple?
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0:00 - Hidden Meaning
0:21 - Ancient Genetic Engineering
2:08 - Sperm Cells Carved
2:38 - Oldest DNA Manipulation
4:25 - Strange Carvings
5:08 - Animal Behaviors Carved
6:35 - External Anatomy of a Calf
7:17 - What is the Connection?
9:05 - DNA Manipulated Hybrids
11:47 - Carvings of DNA & Proteins
13:15 - Conclusion
Hey guys, here we can see a 1200-year-old carving. You can see a lingam in the middle, that is surrounded by 2 intertwined Nagas. What is the real meaning of this? What is the connection between the lingam and these double helix strands?
In the same temple, you can see this carving. A man wearing a weird hat, his ears are gigantic, and his nose is also unusually large. You may think he is just doing Namaste, but he is not. He is actually displaying a cylindrical object in between his hands. The thing between his hands is long enough, that he is unable to join both the hands. He is definitely doing some important work, because look at these legs, he is wearing very thick shoes. Look at his shoulder, he is not bare chested, he is wearing a tight suit. And why have ancient builders highlighted that thing specifically? What is this thin cylinder between his hands, eerily reminding us of a test tube or a glass vial? What’s inside this?
May be the answer is found right above the carving itself. Is this a single cell, with a nucleus inside? I will be more specific, is it a human egg cell or an Ovum? If you compare this carving to a human egg cell, the similarity is striking. Is it possible that they were performing genetic engineering in ancient times? But perhaps this is just one odd carving that happens to be coincidentally carved here, right? No, the temple is full of such carvings, oddly resembling egg cells. Once we start to observe carefully, these carvings are found everywhere.
And we know in many ancient Hindu temples, we can see carvings of sperms. Sometimes the sperms are clearly shown swimming towards the egg cell and fertilizing it. In other carvings, we can even see a group of sperms swimming, racing against one another.
Or all these things, mere coincidences or did ancient builders actually understand genetic modification?
Perhaps the answer lies in this temple itself. There is a specific corner in this temple called the Naga corner. This is dedicated to the Nagas, the Gods of fertility. When you look casually, it looks like a random array of statues, but if you look carefully, at the back row, you will see intertwined snakes, strongly resembling the double helix structure of DNA, and in the front you will see human like figures emerging out of these so called snakes. How can humans emerge out of actual snakes? Are ancient builders telling us about Humans and their DNA? Why does this ancient temple at Thirumayyam in South India have these strange carvings? Of course, we have to go back to the very first question: what’s the connection between DNA and lingam? In a previous video about the same temple, I showed you the mystery of the Cosmic egg, and how Lord Shiva may have landed here using this lingam as a pod. Is it possible that Shiva, brought this advanced technology of DNA manipulation and genetic engineering to our planet? When ancient texts mention that Gods created many varieties of plants and animals, were they actually talking about altering the DNA of various species?
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0:00 - The Search for the Cave
0:50 - Twin Carvings
1:56 - Chinese Dragons
5:17 - Drip Ledges
7:36 - Inscriptions
10:15 - Jain Beds?
12:38 - Cave Exploration
13:51 - Cup and ring mark
14:43 - Prehistoric Work
15:46 - Why Did they carve these?
17:10 - Hilarious reason for Height
17:58 - Aliens Cave Paintings
20:07 - Winged Alien?
22:31 - An Easy Way Is There
22:57 - Conclusion
Hey guys, today we are going in search of a very mysterious cave in a hill called Aalurutti malai. You can see the arrow mark that tells us to go through the gate, it gets less than 5 visitors a year, but some people claim this cave has 5000-year-old carvings. The area, even though protected by archeological department of India has thick overgrown bushes making it nearly impossible to go through. And, suddenly, you can see some carvings at a distance. We can see 2 carvings on the rock face, and a huge cave underneath.
Who are these 2 figures? Lord Buddha? It is very hard to identify them when you look at it from the ground level, they are carved at a height of about 20 feet. First, I am going to remove my shoes and then, we are going to use a drone to observe the details.
These are not Buddhist carvings; these belong to an ancient religion called Jainism. The central figure in this rectangle could be Lord Mahavira, in deep meditative state. On the sides, you can see 2 attendants holding something weird. What are they? Archeologists say this is a fly-whisk, called Chamara, very similar to a hand-made fan. Perhaps this is a convincing theory because today, some people use fly whisks in religious sites.
But your eyes may be naturally attracted to these animals, they look like Chinese dragons, right? On the left, there is a smiling dragon, and on the right, this one has an angry face. They are definitely not lions, because they have horns. But there are 2 more animals hiding in this carving. Can you tell me what they are? Yes, there are 2 snakes carved on either side of the chair. You can also say it is a 2-headed snake sharing one body. But you can see feathers on the head here. On the other side, you can see the same detail, a feathered snake’s head. The feathered serpent is not only worshipped in India, but also worshipped by Mayans of Mexico. This Mayan God is called Kukulkan or Quetzalcoatl. And in many Mayan sites, you can see the exact same iconography, where a feathered snake’s head alone is carved, with an open mouth.
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0:00 - Secret Chamber – A Cosmic Egg
1:19 - Negative Lingam
2:20 - Impossible Construction
4:21 - More Secret Chambers?
4:53 - Thirumayam Fort
5:40 - What’s HIDDEN Inside?
6:11 - A Lingam
7:54 - Lingam - NOT A Phallic Symbol
9:08 - Arrival of GODS
12:01 - Lord Shiva with Advanced Devices
13:03 - WHY Thirumayam?
14:04 - Lord Shiva Ruled South India?
15:44 - Conclusion
Hey guys, imagine a giant rock like this, an egg shaped rock which is standing at a 10 feet height from the ground level. You cannot even touch it, and it looks shiny and smooth like an egg. What if I told you there is a secret chamber hidden inside this rock? It would be an insane theory, right? But this is exactly what happened a few centuries years ago. It looked just like this, and then, because of an earthquake, a stone door cracked and fell down. Only then, the locals realized that it had a chamber inside. The door was so well made and it was perfectly fit in the doorway, that nobody could even recognize it was a door. They had to put a ladder, now they have put this metal ladder, but I am sure at that time, they would have put a wooden ladder, and climbed up, and this is how they discovered this chamber. No one knows when this chamber was originally created, there are no inscriptions pointing to the origin of this chamber.
Now, before we analyze the exterior further, let’s go take a look at what is inside. There is only one thing inside today, a single lingam. It looks fascinating, a very nice cylinder sitting on a square pedestal. Who made this lingam, carried it, and placed it here? No one. See normally people put things together, and make them into a shape and then place it in a certain location. This is the positive construction technique. But this lingam was made with a negative construction technique. The lingam is carved out of the bedrock itself. Meaning that the lingam was not built, rather it was created as a left over by scooping the rocks around it. So, we could call it a negative lingam.
I think that originally, there must have been other items inside, because there is no reason to hide and seal this chamber if it only had this lingam right? May be it had gold and diamonds, perhaps some advanced machines or devices. And you may ask: Why would they find some sophisticated devices here, right? How do you suppose they created such an advanced secret chamber that lay hidden for many centuries? Such a construction would be impossible without advanced technology.
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0:00 - Beautiful Illusion
2:44 - First Eye Donation
4:48 - Ancient Marine Biology
6:48 - Oldest Inca Cross
7:34 - Blueprint of Temple Tank?
9:02 - Spectacular Peacock
10:31 - God of LOVE
12:41 - Hybrid Animals
13:43 - Fierce Elephant
14:36 - Pet Elephant?
16:05 - Gods are Giants?
17:04 - Purpose of a Temple
Hey guys, today I am going to show you some of the unexplained carvings of this ancient temple called Thirumayam.
This is a giant carving of a breathtakingly beautiful woman. But experts are not able to explain who she is. She has many strange features; one is this line exactly in the center of her body. See how it is shown as a thin bump, protruding from her skin. Today, this is exactly what the doctors call a traditional thoracic incision. When surgeons operate on a patient’s chest, this is the traditional way of cutting, to start the surgery. And a few months after the surgery, this is exactly how the skin heals and the scar looks. But how could they carve this detail in a 9th century temple? Did this woman undergo some type of surgery, 1200 years ago? If so, what type of surgery was it?
And look carefully, at this piece of her clothing, here it is coming out of her waist, here it is going above this first belt, but here, it is going below the belt, and it comes out here. In reality, there is nothing up or down, it is just one stone, so this is all an illusion.
And that may be the key to the statue, this could be Mohini, the goddess of illusion, an unstoppable force that cannot be understood, but only felt. And she is shown as a giant because you can see two humans here, they look tiny compared to her. This one, who is close to her hand, looks astonished to see her beauty, that’s why he has placed both his hands on his cheeks, giving us a clear sign of surprise. What is the other man doing? He is trying to push her hair sideways, so he can also have a glimpse of her beauty. This man is also quite excited to see her features.
Right next to her, you can see another giant carving of a male figure, equally impressive. Who is he? With no inscriptions, how can we identify this figure? A picture is worth a thousand words, but every ancient Indian carving is worth a million pictures. Look at his hand, what is he holding in this hand? It looks like a knife, but there is no handle, right? It is an arrow head, he is holding the front portion of an arrow. Why would he do that? Look at his other hand, what is he holding here? He is holding his own eye. He has cut out, one of his eyes with an arrow head and he is holding it in his palm. Now what is he going to do with that eye? Look at the bottom of his feet, you can see a lingam, a symbol of Shiva. He is stomping on this lingam. Today, if somebody stomps on a lingam, there would be riots in India, but see how this man is wearing fancy shoes with multiple straps and is stomping on Shiva himself. Who is he? The answer lies in Ancient Tamil Texts, this man’s name is Kannappa, he is considered the greatest devotee of Shiva, and he was willing to donate both his eyes, while he was alive, to Lord Shiva. There are a lot more details in this carving, they give us a lot of description about what is going on, but this temple is not only known for these giant carvings, there are many, unexplained smaller carvings as well.
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0:00 - Strange Temple
0:21 - Unique Architecture
1:28 - Nails reflecting Sunlight?
2:45 - Masterpiece in Architecture
4:27 - Carvings of Complex Gears
6:19 - Ancient Wingsuit?
7:47 - Astronaut’s Foot holds Carved?
8:36 - Ancient Flame Throwers
9:24 - Arc reactors on Ceilings
10:35 - Conclusion
Hey guys, today let’s explore the ancient temple called Veeranarayana temple, this is located in a remote village by the name of Belavadi, it gets very few visitors but is known for its strange, unexplained features.
As soon as I entered though the outermost entrance, I realized that the temple’s design is very unique. From the main entrance, you can actually see the innermost chamber, and even the idol inside, it is designed in one straight line. The only thing that is planted in between is this flag post.
There are actually seven doorways, in between, and all 7 of them are designed in one straight line, they are aligned perfectly. WHY was such an architecture needed? And why am I asking WHY? It could just be a random design, right? No. Ancient architects did everything for a reason, so there must have been a specific reason for this design. When I asked the priest of the temple, he revealed something spectacular.
Every year, on March 23rd, the first rays of sunlight come through the main entrance, crosses 7 doors, and this flag post makes sure the sunrays don’t fall on his face, but the rays fall on the fingernails of the Veeranarayana idol in the main chamber. Of course, I find the idol itself to be very strange, the main deity looks very handsome, but look at his hands. He is holding up his hands like the paws of a tiger. It is said that the claws of a tiger will shine spectacularly in sunlight and can be quite a sight. And such a spectacle happens on this idol too. Some have even claimed that the reflected light from the nails will show 7 different colours. Why does it only happen on march 23rd? Why did ancient builders take great pains to build this temple with such a design?
If you look at the aerial view, you will realize that this temple is an architectural masterpiece of ancient India, unfortunately most people don’t even know such a temple exists today. Look at how complex, this design is, and how beautiful it looks. Even archeologists are stunned by its unique style, it was built around the same time as Hoysaleswara temple, and Chennakeshava temple, but unlike those temples, it has towers. And not just one, it has 3 towers.
There are several interconnected chambers inside, connected by several doorways. Archeologists say this temple has the shiniest lathe turned pillars in the world, they almost look like they are made of glass, and you can even see your own reflection, if you observe carefully. A total of one hundred and eight (108) pillars are set up, and this number is a sacred number in Hinduism, which is the basis of life itself.
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0:00 - Introduction
0:07 - Shocking Buddha
2:11 - Krishna's Backpack
3:18 - Snakes Under Stones
4:15 - Multi Headed Snakes
5:20 - Hidden Humour
6:13 - Unused Extra Toe
7:42 - De-tusking Elephants?
9:03 - Temple Or Chariot?
9:40 - Mummies Carved?
10:01 - Mysterious Krishna
12:14 - Obsession with Snakes
13:17 - Very First Selfie
14:55 - Conclusion
Hey guys, today, we are going to look at some strange carvings of Veeranarayana Temple. This first carving is a real shocker, it is a large scale model of Lord Buddha. Now, this is an ancient Hindu temple that is about 800 years old. But you can see they have carved Buddha, on the front wall, as a giant statue. This could be shocking to many people today, because they think Hinduism and Buddhism are completely different religions, in fact, people theorize that these 2 religions were fighting against each other. But here, you can this giant carving of Buddha, right in the front of the temple, the same size as the Hindu God Krishna nearby, so the ancient builders had no issues in accepting Buddha as a Hindu God.
Unfortunately, this is completely destroyed by invaders, you can see they disfigured it from top to bottom, and because of this destruction, some experts have even claimed that this is not Buddha, this is some other Hindu deity. But this is Buddha, you can see him in the meditating pose, with clear Hand signals. We can also see him carved in the main statue of this temple, that one is much smaller, but we can clearly identify him as Buddha. Again, I have also shown you that Buddha was carved in another Hindu temple nearby, the Chennakeshava temple also shows Buddha. But this carving is actually a real treasure because the rest of them are smaller statues, and as far as I have seen in this region, this is the only large statue of Buddha carved in a Hindu temple, but it is a shame that it is nearly unrecognizable.
Right next to Buddha, you can see Lord Krishna, and he is playing flute, and every body is mesmerized by his music. Not only humans, but even animals are completely enthralled by his music, but do you notice anything strange? This guy, is wearing a backpack, just like today’s backpack. It is clearly shown that it is a separate bag, but it is strapped to him. This is really fantastic, because we would assume that they started using backpacks may be in the last century, but this is at least 800 years old.
Here is another carving, of a man standing under a tree, this is very confusing, because I don’t fully understand the details, but he is clearly shown with a backpack, and it seems like he is removing the backpack. Now, there is another strange feature in this carving, there is a weird animal hiding in the tree. In this carving you can see a hill, or you can think of it as a giant boulder, with lots of trees and several animals. This boulder is being lifted by Krishna, and you can see snakes come out of the bottom of the rock. This is a fascinating detail, because Snakes are known for hiding under stones.
I remember when I was a child, when I flipped over small stones, I would always find worms, and when I got too excited, and I flipped bigger stones, I would sometimes find snakes, I guess it is always moist and dark under the stones, this is probably an ideal condition for worms and snakes. But this detail shows how observant ancient builders were. Here you can see another snake, it is shown with 5 heads. Did such snakes exist during the time of Krishna? Remember, Krishna is said to have lived about 5000 years ago, so we can only image if such multi-headed snakes actually existed during those times. Today, sometimes they find two-headed snakes, and it makes us wonder if what we see in these carvings is fiction or fact? But here, the story gets more interesting, it is not just a snake, it is a demon in the form of Naga, and here, you can see a woman, begging for mercy. Who is she? She is one of the wives of this Naga, and at this point, Krishna is considering if he should show mercy to the snake, while he is dancing on its head.
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0:00 - Introduction
0:26 - Well Planned Destruction
2:45 - An Unbreakable Megalithic Structure
4:27 - Stapler on Stones
7:52 - Weird Holes
9:11 - Stone Plugs?
10:43 - A Mysterious Construction
12:53 - Most Mysterious Builders
14:21 - Conclusion
Hey guys, today we are going to look at a very ancient temple called Veeranarayana temple. Actually, this temple should not even exist, it should have been completely destroyed and razed to the ground, but there are some hidden secrets which make it still standing, even after centuries of destruction.
Some experts claim that this temple was not attacked by invaders, but they are wrong. Focus on the faces of the carvings. Every face has been defaced, without an exception. You can see this careful, planned defacing in all the carvings. This is a clear example of destruction by invaders because they truly believed that idol worship is wrong. And they are forbidden not only to carve faces, but also to set eyes on carved faces, they consider it evil. This is why All the faces have been scraped off carefully. This is not a case of natural erosion, nature doesn’t focus only on faces, it would destroy every part of the body, the same way.
A classic example of disfiguration is this beautiful lady. Her nose has been completely cut off. Her lips have been chopped off, and her eyes have been removed. Today, sometimes we see in the news that, some woman has been disfigured by acid attack, sometimes women are mutilated purposely to demean them. This was the ancient predecessor to these attacks. And this statue, unike a human being, will remain for thousands of years, as a testimony of hate.
But invaders did not just casually destroy this temple, it was a planned effort, look at the top, on the tower. This is really mind boggling, the people who destroyed it, had unbelievable dedication, they even climbed on top of the tower, and destroyed these statues, so it was very well planned. You can clearly understand that they used ladders to climb up and used axes to make sure all these statues were destroyed.
So you can see, Invaders have laid their hands on almost all these statues, but even then, they could not destroy the temple’s architecture. Think about this, instead of defacing all these faces one by one, they could have completely removed all the stone blocks from the temple and destroy this temple fully, right? But they could only scratch the surface, they could not dismantle even a single stone blocks from this temple. Why? What happens when a passionate, destructive force meets an advanced immovable obstacle?
This is the result. The Veeranarayana temple holds the key to creating unbreakable megalithic structures. If architects want to build structures that last for eternity, they should come and study how ancient builders assembled the stone blocks here. Even today it is impossible to remove any single stone block from this temple. Because every block is connected to more stone blocks with several types of fastening. To dismantle just one block at the bottom, you have to dismantle the entire temple itself, starting from the top, and this could take years. First you should unscrew the top screw (kalasam), and then begin to dismantle everything.
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0:00 - Introduction
0:50 - Strangest Design
2:13 - Peculiar Architecture
3:24 - First Genetic Modification
4:52 - The Secret of Sphinx
6:49 - Extinct Animals Carved
8:50 - Stylish Doorkeeper
9:49 - Oldest Door Bell
10:40 - Main Chamber
11:10 - The Temple Construction
12:09 - Mysterious Origin
14:25 - Unusual Carvings
16:18 - Weird Location
18:11 - Conclusion
Hey guys, there is a remote, deserted ancient temple on a hill top, where no body comes to visit or worship. But researchers, historians and archeologists are not only studying this site, but are baffled by it. Everything about this temple is a mystery, its origin, its design and its hidden codes. Let’s go take a look at this extraordinary temple called Vijayalaya Choleeswaram.. can you see a temple tower behind the trees? That’s the temple, today it is called Vijayalaya Choleesaram, but even its real name is debated by experts.
As soon as I enter, I am surprised by its design. There is no main entrance to this temple complex? This is shocking! You can take any Hindu temple for that matter, an entrance would have been designed directly in front of the main tower. There will be a main tower, and there will at least be one more tower, with an entrance to the temple complex. But this design is completely different. Not only that, directly in front of the temple, within a 100 feet distance, we can see a giant rock face of the hill. This means nobody can make a grand entrance into the temple, imagine a king sitting on an elephant, entering the temple. He cannot do that, he has to come on this side, or on this side, which is weird. But this gets even more strange, there is one small entrance at the back, but it is not even designed in the center, it is lopsided. Why? If you look carefully, you will realize why, the entrance and the compound wall were renovations, they were not part of the original temple design.
And there is another aspect that is very odd, the main tower is surrounded by 6 smaller structures, and they seem to be facing random directions, completely confusing archeologists. Again, there is no symmetry followed, and you can see that the design does not follow a typical temple architecture. From the outside, you can see these domes, although they are destroyed, the resemble temple tower domes, right? So you may think these are also shrines, and have Hindu Gods housed inside. But what is inside these structures? When you start entering these structures, you will realize that they are all completely empty. There is no trace of any idol and these structures may have always been empty. WHY? So What was the reason for constructing these structures? Did they use them for some strange scientific experiments?
Why am I talking about scientific experiments on a temple site, Right? Because of these carvings here. We can see genetically modified animals. Each Carving is called Yaali. Now what does Yaali mean? Today we have made a new species called liger which is half lion and half tiger, and experts took the first two letters from Lion and last 3 letters from Tiger, and called it Liger. But this is not new, it was done in India during ancient times. The word Yaali comes from ancient Tamil language, and Yaali is a hybrid of elephant and Tiger, that’s why they took the first half of the word Yaanai which means elephant and the last half of Puli which means Tiger, and called this animal as Yaali. And this Yaali may be a genetic, hybrid prototype which could have been compined with many other animal’s dna to create more new species. Now, the question is, is this just fiction, or were ancient Indians manipulating DNA and experimenting with these animal hybrids?
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0:00 - Unseen Carvings
0:57 - Documenting for the first Time
1:20 - What is CARVED here?
2:45 - Weird Location
6:14 - Intriguing Blockades
7:07 - Who are NAYANARS?
7:50 - Ancient Hinduism
9:57 - Conclusion
Hey guys, I am at a very ancient temple at Kudumiyanmalai, and I am told that there is a set of ancient carvings in the face of a hill behind the temple, and it has not been seen by anyone in the last 1000 years. We can see these carvings from the distance, and it looks strange, almost like a large carving of a wristwatch. There is a dial in the center and the strap is extending on both sides of the dial. But what does this carving actually show? How do we observe and analyze the details? I am told that no one can reach this place now, because rocks have fallen in the path, and it is too risky, so nobody has seen this carving in a millennium.
So, I am going to use a drone to document this unseen carving. As we go closer, we realize that the center dial is not a dial, we can see a giant animal in the middle. And we can even see some figures sitting on this animal. Who are they and what are they doing? The animal is a Giant Bull, called Nandhi and there are 2 figures sitting on it. One is Lord Shiva, shown with 4 hands, and you can see his wife sitting right next to him. If you observe carefully, you can even see what he is holding in his hands.
The Bull is decorated beautifully, look at the layers of beads on his neck and look at how he is standing stiff, almost looks angry and you can see his tongue sticking out of his mouth. But there is an interesting figure standing next to the bull. Who is he? What is he holding in his hands? Is it a large umbrella for the Gods? Or is it something else? I am shocked by his hairdo, look at how his hair is standing erect, as though he is getting electrocuted by an electric pole. Is he human or is he something else?
But who are these figures? There are lots of strange figures on both sides, who are they? Before going into this, you must have had an important question popping into your mind right now.
Why did ancient builders carve this here?
Just think about this, there is so much of vacant space around this hill and they have already constructed an entire temple at the ground level. Ancient builders have carved as much as possible inside that temple too, but still they were not satisfied? Why did they climb to this inaccessible location and carve these figures here? It is not easy even today to climb and reach this place. There is no proper pathway to reach this spot actually.
But here, my question is, why are they carved separately away from the actual temple premises and why in such a weird, unreachable location? Only a handful of locals know that this carving exists, none of the visitors or researchers even know about this. But even if you get to know about this carving, you cannot see it clearly.
Only if you take a drone, you will able to see it. So, the question is why did ancient builders decide to carve something in a place that is unreachable for anyone? And no historian or archeologists has made a detailed analysis of this. This is the very first time these relief carvings are being documented, on our channel. You will not find any documentation of these carvings anywhere on the internet.
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0:00 - Introduction
1:06 - Mystical Monolithic Statue
2:49 - A Weird Creature & Poor Renovations
4:15 - Carvings & Interesting Stories Behind
6:26 - Ramayana Carvings
8:04 - HIDDEN Inscriptions DISCOVERED!!
9:56 - ORIGINAL Name of the Temple
13:22 - Brick Tower – The Main Structure
15:12 - OCTAGONAL Top
16:52 - Main statue DISAPPEARED!!
19:00 - DECODING from the Ruins
22:30 - Conclusion
Hey guys, today, I am in search of an ancient Hindu temple, and this is supposed to be at least a thousand years old. Let’s go take a look and see what we can find.
Some people have claimed there is an abandoned temple in the village of Kothamangalam, but the beauty is that this village is not even on google maps, the closest village on maps is Kattur, and I have to physically explore this area to find the temple.
Oh there… You can see a giant Vishnu statue. And there you can see the ruined temple. This is the ancient temple we were looking for. Let me remove my shoes, and then we can start finding out what is there.
Let’s take a look at this Vishnu, guys. So, here you can see this gigantic Vishnu guys. It will be... I would say it is about 5 or 6 feet long. Now the question is... is this really Vishnu? Or is this some other God? How did I identify this as Vishnu? Now the obvious symbol is this... And this is called Naamam in Tamil, and you can say that this is a new Naamam they have put on the carving. But you can see other details as well. Now, for example, here you can see the conch, or the Shanku as they call it. And this is a clear symbol of Lord Vishnu. It is a classic symbol, it is called a Shyana Vishnu or PalliKonda Perumal, where he is putting one hand like this and sleeping and he is wearing a sacred thread and he is wearing ornaments, and he is also wearing giant ear studs. Fully loaded with his crown or helmet, so we know that this is Vishnu. Usually, Vishnu will have his wife or consort called Lakshmi by his feet, but that is missing, but this is clearly Vishnu. And what else can we find here?
This is a monolithic statue, meaning it is made of one stone, and you can see the depth here, showing the thickness of Vishnu’s feet, to make it look realistic. It is remarkable. Look at his face, he looks quite life-like and has a mysterious smile.
There is a tall brick tower, but before that you can see another structure that has been made completely with granite. Let us go closer to this, right away, I am greeted by this short, fat creature blowing a conch. Who is he? He has a very fancy hairdo, but due to neglect, everything is completely eroded. And he is not only wearing large earrings, he is even wearing a belt like thing on his belly.
Immediately I can see some renovation attempts by inferior civilizations, you can see the cylindrical pillar on the left supported by a separate rectangular block at the bottom, while the pillar on the right has a separate small cylindrical block at the top, adjusted for height. You may think this is an engineering blunder by ancient builders, but, if you look carefully, you can see everything else is of one color and the color of the right-side pillar is different. This was a poor renovation attempt done a few centuries ago, that’s why it looks weird, but thankfully, these carvings are original.
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0:00 - Peculiar Statue
0:54 - Impossible Technology
3:21 - Ancient Builders used CNC Machines?
4:23 - Stone Softening Technology?
6:49 - Conclusion
Hey guys, today I am going to show you this statue in an ancient temple. This is a giant statue, more than 7 feet tall, but do you see what the problem is? Look carefully, is anything out of place?
There are tiny ridges, curves all over the face and the body of the statue. Look carefully, they are not straight lines, they are not circles, they are smooth, shallow curves, all over him. At least on his face, there is only one center point for these curves, but look at his chest. On his left side, it curves in one direction, on the right side, it is curving in another way, and the abdomen has a different set of curves.
And you may ask, is it really hard to do these curves? It is not hard, it’s impossible, unless we use computerized machines like CNC machines. Let me explain. To cut or carve anything, I have to use a tool harder than the Object that needs to be cut. This should be easy to understand, why I am able to cut butter with a plastic knife or fork, but I can’t cut metal with a plastic knife. Simply because Butter is less hard, plastic is harder, and metal is even harder. There is a scale called Moh’s Hardness Scale where materials are categorized according to their hardness. Now, this ape statue is made of granite, which is one of the hardest rocks, and it is very hard to cut and carve, because you have to use a tool that is harder than granite.
So how did ancient builders cut granite? In India they just used metal tools, harder than granite, may be even diamond tipped tools were used. But the real issue is these curves. I can use a metal chisel and use brute force to cut granite, but I can only make deep, rough cuts. I cannot make shallow, smooth curves like this, it is impossible to do this manually, using brute force. Now, It is also impossible to create this using a lathe machine, because these are not even circles, so you cannot achieve this, even if you use a rotating mechanism. I have shown you circular marks in many ancient sites, and you can even argue that they were rotating the rocks manually like a potter’s wheel, somehow managing a high speed rotation. But how do we explain these curves? I have spoken to a couple of engineers and stone masons about this, and they are absolutely baffled at this statue. One guy did not even believe that this is ancient, he thought I was lying.
But archeologists confirm that this statue is ancient, this is found in the temple of Kudumiyaanmalai, which is at least 1300 years old. Now, according to reports, several dynasties have renovated this temple, but nobody has touched this temple in the last 400 years. So even by conservative estimates, it must be at least 400 years old, but it could even be 1300 years old.
So, how did they make these curves? One possibility is that, they could have used very advanced technology, like today’s CNC machines, this is the only way we can do this now. We have to program these curves in a computer, and the computer will control these smooth curves. I cannot think of any other way today.
But in India, it is said that the ancient builders, were able to soften stone, they were able to make the stone really soft, like butter. And you may ask, how does that solve the problem? Once you make granite soft like butter, just take a simple tool like this fork, and you can make these smooth curves, this is a very interesting theory. But is it possible to soften stone? Of course, many people in India, think ancient people used certain herbs or plants and would grind them in a specific combination, and when they applied this concoction to granite, the stone became very soft and pliable like butter. I am not sure if this is just a myth, or if there is some truth to it. On one hand, we can think like how can these plants soften granite? On the other hand, we know plants do produce a variety of acids, and plants themselves are notorious for taking over not just one or two granite blocks, but in some cases, entire temples have been devoured by these harmless plants.
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0:00 - Introduction
0:36 - What is a Moat?
1:18 - Mainstream Theories
4:12 - A Simple Demonstration
6:07 - Water bodies in TEMPLES – Why?
8:00 - These are NOT Moats
9:22 - Conclusion
Hey guys, today I am going to show you why many ancient temples have moats around them. You can take Angkor Wat, which is the largest Hindu temple in the world, and it is completely surrounded by water on all four sides. You can take the great Brihadeeswara temple in Thanjavur, and you can see a water body around it too. Many ancient temples are designed this way, but there should be a serious question popping in your mind right now.
A moat, by definition is a defense mechanism, it protects people inside it. If you look at Wikipedia, it says “historically to provide a structure with a preliminary line of defense.” Moats are typically used in castles, to prevent enemies from attacking them easily. But these are temples, these are places of worship, not castles or forts, kings and even common people don’t live inside these temples, so why were the moats necessary?
Archeologists and historians have cracked this a long time ago. Let us look under the Plan section of Angkor Wat in Wikipedia:
The temple is a representation of Mount Meru, the home of the gods according to Hindu mythology: the central quincunx of towers symbolises the five peaks of the mountain, and the walls and moat symbolize the surrounding mountain ranges and ocean.
So, it clearly states that the moat was just a representation of the sea surrounding the mythical mountain called Meru. So, you can see that ancient Hindus were making these elaborate structures, in fact mile long structures just to mimic an imaginary mountain called Meru. And if you are a Hindu, you know that lord Vishnu will always sleep in the middle of the sea of milk. So, the moat must have been an absolute requirement. There is even a huge carving of the churning of the sea of milk in Angkor wat Temple. You see this is how the ancient builders really thought. They had deep superstitious beliefs and to make these myths into a reality, they went through great pains, to make their fantasies real. This is why they built this massive moat to ensure that Lord Vishnu can reside in the sea of milk. If you believed this theory, you belong to the mainstream people. These kinds of theories are repeatedly mentioned in history books, Wikipedia, and documentaries, it sounds almost realistic, but in reality, it actually demeans the ancient builders. Why? Because it assumes that ancient builders did not build this gigantic moat for a scientific reason. The fact is, whoever built the largest religious structure in the world, would have been anything but unscientific.
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0:00 - Introduction
0:21 - Missing Statues
1:06 - Invisible Joints
2:22 - Unthinkable Engineering
3:09 - Interlocked Towers
4:48 - Rotating Pillar = How many Pieces?
6:05 - ASSEMBLED Sculptures
7:34 - Enigmatic Carving
10:57 - Interlaced Ceiling
12:48 - Intricate Technology
14:22 - Stone LEGO Blocks
15:48 - Interlocking Stone Technology
16:59 - Unique Ancient Architecture
19:13 - Conclusion
Hey guys, in this video I want to show you some radical new findings about how the ancient Chennakeshava temple was really built. This ancient technology is completely different and mind boggling, so make sure to watch till the end of the video.
Here you can see that several statues are missing. Archeology reports say that at least 94 statues are missing from the temple. People stole these priceless statues and sold them to foreign collectors. But this is where we can find some crazy details.
If you see here, you can see that the statues have been removed, and you can see multiple holes at the top. But if you look closely, you can also see the holes in the bottom. And on the very right, you can see a statue that has not been removed. What does this mean?
This means that statue and the stone behind are not made of one stone block. When we look at this temple wall, you can see a bunch of carvings, we normally assume, these are all carvings etched on top of the giant blocks that make up the wall. But no, ancient builders carved the statues separately and then fixed them on the walls, just like how we wall mount TVs today. The statues ae simply mounted on these slots using a variety of joints.
But let’s take an even closer look, we can see how the statues have been mounted on these holes. These statues are small, only about 6 to 9 inches tall, but look behind them. Each statue has atleast 2 cylindrical extensions, 2 rods, I mean 2 stone cylinders at the back, which were then plugged into the holes on the wall. This is actually a brilliant engineering technology and is very hard to remove or dismantle.
But that was not enough, so in addition to the 2 joints in the middle, there were also joints made at the top and bottom, making it nearly impossible to understand that the statues were made independently and then joined to the wall. There are tube like extensions joining the statue and the wall, these are actually plugged in to the back, but the mount is so perfect, everything looks like one piece. The same type of joint is also found on the top, and it is very difficult to even explain it, and it is nearly impossible to engineer such joints in stone, today.
#AncientTechnology #PraveenMohan #Hinduism
This is clear evidence of ancient machining technology at Chennakeshava temple, India.
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0:00 - Introduction
0:17 - Intricate Pillars
1:15 - Gears on Pillars
4:06 - Timing belts & Pulleys
6:53 - Mysterious Builders
7:19 - Oldest Ratchet Wrench?
9:08 - Impossible Drilling Technology
10:53 - Flexible Drilling Machine
12:03 - OUTSTANDING Sculpture
13:56 - Ancient Screw Jack System
15:31 - Conclusion
Hey guys, Today I am going to show you some solid evidence of ancient technology in Chennakeshava Temple. When you see this, you immediately realize that it is not possible to make this without advanced technology.
We can see a complex set of gear like structures on this pillar. I have already shown you smooth lathe turned pillars, which look like this, but the pillars I am showing you today are even more complicated. And we can make these pillars only by using advanced lathe operations like Milling, Chamfering, knurling and Gear Cutting. Archeologists agree that these pillars can be made only using lathe machining technology, but they also confirm that these pillars are at least 900 years old. But we are not going to question HOW ancient builders made these pillars 900 years ago. But we are going to look at WHY? Why did they make these complex pillars?
But, are they just pillars? What do I mean by this? A pillar, by definition is a supporting structure for a monument. But are these pillars just supporting structures? Or were they made for a different purpose?
Let us examine these 4 pillars in a row. We are only going to focus on the ring like structures at the top of these pillars, where the light is shined. Listen to what the tour guide says.
So, the ring on the first pillar has 8 sides, the ring on the second pillar has 16 sides, the third ring has 32 sides and the fourth has 64 sides. These are not rings but are gears with a gear ratio of 1:2:4:8, I mean what is going on here? So, were these 4 pillars aligned with this specific ratio, by accident? The probability of having 4 pillars in one row, with such exact ratio is nearly zero. But these are just carvings on a solid stone pillar, they cannot rotate, right? No, according to archeologists, these pillars are not made of one stone, in fact each ring, is a separate stone ring, that can be rotated. I have already shown you the rotating ring in another temple, just 150 miles away. So, the rings in Chennakeshava temple must also be rotatable, but they are not rings at all. They are Gears. Yes, they are actual, rotatable Gears and when they are all connected to by a Belt or a Chain, each gear will rotate at a different speed, this is why these gears are in this 1:2:4:8 ratio.
Today, we use the same technology in many machines, like a bicycle, there is a smaller gear with x number of teeth, connected to a larger gear with 2x number of teeth and we use this mechanism by just connecting the gears with a chain.
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0:00 - Hidden Chamber
1:03 - Inside the Dark Chamber
2:22 - Science of Gold & Gems
4:29 - Conclusion
Hey guys, why were thousands of Shiva Lingams and other ancient Indian idols destroyed? I am going to show you why today, using this as an example. As you can see this is just a small shrine, originally it is said to have a Shiva linga in the center. But take a look at what is here today. What is Underneath? You may have expected a small pit where the lingam was removed, but look, a deep, secret underground chamber had been built.
This will easily be atleast 6 feet deep, too bad people are using this as a trash can now, but the opening is only about 2 feet wide, but inside, you can see that the chamber is much bigger. They would have fit a lingam on top of this, and it would have looked like a nice little temple.
So, the question is, what was kept in the secret underground chamber? Gold, Silver and precious gems like diamonds and ruby. How do we know this? This is still the standard procedure today, while constructing Hindu temples and placing the main idol. Even today, while they build Hindu Temples, they bury precious metals and stones. In fact, even when we build a house, we have to bury them as a part of the ritual, this ritual is called Bhoomi Pooja. But since we cannot afford to bury gold and diamonds today, they sell symbolic fake ones in all jewellery shops. This is just 100 rupees, 1 or 2 dollars, and Hindus buy this and bury this before starting their house construction. But in ancient temples, they were burying original Gold and Diamonds, and not just a little bit, an enormous amount of them. This is why time and time again; we find underground treasures hidden in ancient Hindu temples.
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00:00 - Introduction
00:11 - Strange Stone House
05:35 - Garuda Naga Linga
07:31 - Weird Chamber
08:30 - Cave of Light Experiments
11:19 - Conclusion
Hey guys, today I am going to explore just outside Chandravalli caves, and there are many unexplained structures here, like this one.
It looks very strange right? Is it a temple? Or is it something else? It has been created between 2 giant natural rocks, and we can see a crude triangle with three windows. Let’s go closer and take a good look. Why would somebody create such a structure in the middle of nowhere? It is set up about 20 feet high from the ground, on top of a rock, and look at this area, it almost looks like a well-done roof. What is inside this structure? Let me see if I can go up there.
There is a strange carving here, that most people will probably miss. It looks like a Reptilian, pointing to the right. It is either an unfinished carving or it was made specifically so faintly, so most people will not notice it.
I am squeezing through these rocks and trying to get to this area. It must have been a secret hideout or something, because they did not create a proper pathway for people to get to this building. My camera person and guide have stayed behind while I am trying to see what is up here.
A brick structure with a nice entrance, it is less than 4 feet tall. Many old doorways in this area are less than 4 feet tall, as though they were designed for little people or little green men. But there is nothing inside. Some parts are made into brick walls plastered with lime mortar. I am struggling to climb up, I think there is another way through the right side. But no, I don’t think so. You have to manually climb the rock using your hands. It is very hard. On the top, again, there is nothing, just a natural rock floor, and the brick windows. What was the point of constructing this? This is how it looks from the top. It is quite high, even though I didn’t feel it while I climbed. The brick walls are well plastered, and the windows are designed with nice arches. Was it a look out post, a watch tower of sorts? What other purpose could it have?
You cannot even stand upright in this, because the ceiling is, again less than 4 feet tall. You can see how I am crouching, because of the low ceiling. The floor is also sloping on both sides, you can slide off through the window and fall down, or slide down to the other side. I mean what was this structure used for, there is no room, no practical use, nothing, you cannot even stand here.
But climbing down is even harder, because there is nothing to grasp or hold on to.
Originally something must have been inside.
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00:00 - Introduction
00:50 - Sarcophagus
02:58 - Lingam
03:19 - Blocked Underground Chambers
04:12 - Entrances and Exits
11:11 - Mining Conveyor
12:16 - Made for Humans?
14:32 - Wash Plant
17:05 - Lamp Holders
17:56 - Ventilation at the Deepest Spot
19:03 - Conclusion
Hey guys, today I am going to show you one of the strangest underground caves in the world, this just looks like an ancient temple right, but as we go in through these metal doors, everything changes. It is completely pitch black, my tour guide is shining a flash light, but even then, we cannot see much, so we have to use bigger lights to see reasonably well. They have forced me to take a guide, because there are so many interconnecting chambers that I can get lost inside and will not know how to come out. But there is another secret reason why they don’t allow anyone alone inside.
Because of this. There is a human body, perhaps a mummified body inside this big cube like thing. According to locals, a person by the name of Paradeshappa rests here, this is very strange, because Hindus normally burn the dead. But we can see something very odd, you can see fresh concrete patches. This is definitely done recently. The guide says it is just a routine renovation and is hurrying me to look at the other parts of the cave, but when I went on the other side, I spotted this. Somebody has made a hole to see what is inside, or may be someone tried to loot the contents. Look closely, this is not a natural deterioration, this is man-made. A deep hole has been drilled in, a large hole of at least 3-inch diameter. Why would someone do this? Who is doing this? What is actually inside this? I think this is the reason why they have kept this cave locked with an iron gate and I think this is why they don’t allow anybody inside without a guide, to make sure nobody is opening this. The guide is not allowing me to examine this hole further, and I have to move on. But what is on top of this is even more weird to me, they have made a pillow like elevation in concrete. Is someone sleeping on this at nights?
But do You see this other structure nearby? People say his belongings are preserved inside this one. These are rituals practiced by ancient Egyptians, only Egyptians keep the belongings preserved near the dead, not Hindus.
But when I turn around, I can see something even more strange. There is a lingam right opposite to the sarcophagus. It is against Hindu religion to put a dead body inside a shrine or even near it. This lingam has a unique smell, and it is made of multiple stones.
But here, you can see something crazy, a hole, on the floor near the lingam. But that hole has been covered recently by a pile of rocks. Originally the water poured on the lingam would have fallen through that hole. But where will it go? There should be another level, a deeper underground level below this.
There are many secret areas completely sealed off in this cave. The reason for this is not clear. For example, look at this one. This way is completely sealed off using metal bars. Why was it so important to put these bars here? What is on the other side? What are they hiding from us?
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00:00 - Ancient Lathe Factory
01:16 - Centralized Megalithic Factory
03:21 - Spare Parts
04:53 - Testing Area?
06:00 - Lost Machining Technology
09:07 - Giant Lathe Machines
10:43 - Conclusion
Hey guys, today I am going to show you an ancient pillar manufacturing site, a mass manufacturing factory with more than 100 different pillars and most of them are lathe turned pillars.
Let us go closer and take a better look. I will show you more pillars nearby, but here you can see at least 20 pillars. You realize that these are quite exotic, Archeologists confirm that yes, you need a lathe machine, a rotating mechanism to make such pillars. You can see a lot of scrawling on the stones, these were done by vandals this is why now they have put these barricades and prevented anyone from taking a closer look. I really wish I could get inside and examine them better and can also show some good details. I have shown you finished and assembled pillars set up in ancient temples, but to see a bunch of these freestanding pillars is a rare sight.
Many people argue that pillars and temple parts would be made on site, but I think they were usually made in a different location. It is usually a centralized location, an ancient megalithic manufacturing factory. I have shown you one in Warangal fort, it is also a fantastic place where you can see a variety of temple parts strewn in one place. So, these parts would then be transported to the temple site, and then assembled. If you see the pillar in the middle, this is a male pillar because it has a projection on top, and it will fit onto another female block. But this one is a female, it does not have a projection, but it probably has a hole on top. So, the ancient builders must have planned the assembling parts very well. Notice that each pillar is different from any other pillar, they look similar, but you can pause or rewind and check these pillars, each one is actually different from another pillar.
Now, nearby we can see more pillars. You are looking at atleast 25 different pillars and you may have realized that none of them are the same, each and every pillar is different from all others. Actually, at the back we can see more pillars, but again each one is different. The pillars are anywhere from 3 feet to 7 feet tall.
Here is a fabulous pillar which looks like a long-geared shaft, imagine what kind of machining technique and mechanism would have been needed to make this. Let us see what is on top of this, a perfect square hole. So, this is a female pillar. Now what are we looking at, right?
We are looking at a spare part, like an extra screw lying around in a garage. It was just a backup, it was never polished and used. Some of this pillar’s sisters are fit inside the temple, and they look incredible after polishing, and when assembled with other stone blocks.
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00:00 - Introduction
00:26 - Rotating Pillar
02:05 - Table of Contents
03:20 - Artistic Beauty
04:46 - What controls the pillar?
06:53 - How did it Stop?
08:00 - Wax for Lubrication?
10:01 - Worshiping the Pillar
11:00 - Conclusion
Hey guys, today I am going to show you this strange pillar inside the Chennakesava temple. Experts confirm that this is a rotating pillar, and was not built as a regular pillar. At first glance, the pillar looks like a metal cylinder, but after a closer look, you realize it is made of stone.
Will this pillar actually rotate? I did take multiple tour guides, and all of them explained that the Archeological Survey of India, a government organization has confirmed that it was built as a rotating pillar 900 years ago by ancient builders, but the pillar stopped rotating about 300 years ago.
I have already shown you a pillar with rotating parts in another temple, but an entire pillar rotating would be a spectacular sight. How did it rotate? At the bottom, you can see a small gap. If you look inside, you can see small stone balls, some of them are still intact, even though most of the stone balls have been crushed. These are the ball bearings on which the pillar rotated. This is called Thrust Bearing or Thrust Ball Bearing where balls are placed between 2 rotating parts to reduce friction. We use the same technology for rotating parts today but we use metal balls instead of stone. On the top of the pillar also, u can see the exact same gap, yes there are ball bearings there too, confirming that it was built as a rotating pillar.
But why did they create such a rotating pillar? What could be the reason for that? This entire cylinder looks like a miniature index, like the table of contents in a book. What do I mean by this? Before buying a book, you will take a look at the table of contents, to get an idea of what is inside the book. This pillar is designed to show the contents of the temple. On the top, you will see small scale Madhanikas standing at an angle. All over the temple, there are giant Madhanikas placed around the top, standing at an angle. If you walk around the temple, you will see large carvings of various Gods, we do see miniature carvings of various Gods in the pillar. You can see miniature models of everything you will see in the temple. Here is a tiny elephant, a cute little bull, yeah that does look like a dinosaur. And yes, we do see these weird dinosaurs and other animals carved outside as well.
But they not only carved the same miniature figures, they also carved using the same technique. Watch this. You can take both your hands, and then put the fingers inside at the back of several carvings, and your hands will touch one another. What does it mean? This means, it is completely hollow behind these carvings. These carvings are just a few inches tall, so think about the advanced carving techniques the ancient builders must have used. I know it is hard to see because it is dark, but if you look carefully, you can see both the hands touching behind these carvings, this is an insane mix of technology and artistic beauty.
But why did they have to make this pillar rotatable? Today, we scroll through the table of contents to see what we like in a book, did ancient people rotate this pillar to check out the miniature carvings, to see what they like in this temple? I know this theory is not convincing to you, because it is also not convincing to me. Perhaps the real answer lies in this spot. Yes, there is a particular spot, that is completely empty.
On the left rectangle, you can see a figure carved. On the right, again you can see another carving. But why is this blank? One interpretation is that they left it blank to show that God, the Supreme power has no definite shape, size or form. Many people think Hinduism is only about Idol worship and polytheism, but even during ancient times, Hinduism acknowledged and discussed other philosophies like God is formless, this is called Nirakara & Nirguna during ancient times. Hinduism even discusses atheism, theosophy and other beliefs as well. So, did the sculptors leave it blank to show that God is formless? This is a wonderful theory, but why didn’t the sculptors leave any giant panels empty in the temple walls to show that God is formless?
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00:00 - Majestic Tower
00:35 - Peculiar Design
01:35 - Miniature of the Main Structure
02:45 - Buddha = Vishnu?
03:35 - Ancient Balcony
04:07 - Musical Archer?
05:42 - American Macaw?
06:21 - Ancient Gold Mining
07:19 - Weird Carvings
08:29 - Stone Chain?
08:52 - Conclusion
Hey guys, today I am going to show you a special temple called Chennakesava temple in Belur. This temple is known for many strange carvings and engineering feats and the first thing that strikes you is this beautiful giant tower. Now if you zoom in at the top, the 2 ends are actually designed to look like the horns of a cow, and they say this is why they call this tower Gopuram. The word Go means Cow in Sanskrit language.
Now, if you climb this tower and stand on this tower and you look at the temple, you can see that it is designed in a very peculiar way. I don’t think there is a word to explain the shape of this main structure, it is very odd, and it is also not evenly shaped, because the back has another unique flower shaped design. There are 32 corners in this temple and you can see that the entire temple is built on a raised platform that has 3 different entrances. There is a very strange pattern on the top, like an insect with 6 legs. That marks the position of the main statue, in other words, exactly underneath that marking, you will find the 9 foot tall statue of Chennakesava, inside the main chamber.
Right next to it, you can see another smaller structure designed with the same shape as the main structure. From the top view, they look identical in shape. What is it? When you look at it from the ground, you realize that it was first built as a smaller, primitive model before the main structure was built. Archaeologists confirm that yes, it was built as a model and this is why this structure does not have much carvings on its walls.
And the main structure is completely adorned with carvings. There are more than 10,000 carvings found on this structure. Mainstream archaeologists claim that it took more than a hundred years to complete this temple, and more than a thousand people worked on it at any given time. And even though this temple is 900 years old, it is still a fully functional and active temple, meaning that Hindu rituals are performed here every day.
But even though this is a Hindu temple, there is a very strange secret hiding in the very entrance. Just above the entrance is a brilliant carving with plenty of Hindu Gods. There are 10 small carvings showing 10 avatars of Lord Vishnu, however, if you look at the 9th avatar, this is Lord Buddha. And this is very surprising because today, we think Buddhism is a completely separate religion from Hinduism. However, we can see that 900 years ago, Buddha was incorporated into this Hindu Temple, and Buddha was considered as one of the avatars of Lord Vishnu.
The temple not only shows Gods, but also shows how ancient human beings lived. Here we can see that ancient people must have had balconies or decks in their houses. The carvings clearly show multistoried buildings with every floor having a balcony where you can sit out and relax, just like what we do today.
There are some carvings which have been deliberately destroyed for unknown reasons. You can see this figure has gone through some considerable destruction, as though someone took a hammer and kept pounding on the carving, we can see huge dents all over the carving. Who is he? And why was he destroyed? He is Arjuna, a master archer and he is shooting on a revolving target that is shaped like a fish, while looking at its reflection on a bowl of oil on the ground. You can see a similar statue in other temples, so there is no doubt that this is Arjuna. Locals say that originally, the string on his bow, produced 7 musical notes when tapped on. It sounds fascinating to imagine a stone string, that can produce various notes. We cannot confirm this, but locals say that it was destroyed because people kept hitting on this carving with smaller stones, which is why everything got destroyed and it has severe dents.
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00:00 - Introduction
00:58 - Indian Pug
02:25 - The Retriever
03:59 - Ancient Bullykutta
04:51 - Abutiu buried at Giza
06:07 - Guard(God) of the Underworld?
08:21 - Source of the Civilizations
08:55 - Conclusion
Hey guys, today we are going to looks at Dogs & their connection to Gods. Have you ever wondered if ancient Indians walked their dogs? Did they keep dogs as pets inside their houses and took their dogs out for walking everyday? The common narrative from historians is that, ancient Indians did not allow dogs inside the house, and they were only kept outside. Even today you can see a lot of street dogs in India & many people think this is how Indians historically treated dogs. And they say this practice of keeping dogs as pets inside the house, and taking them out for a daily walk was learnt from Europeans, just a few centuries ago.
But, I found this 900 year old carving. Here is a pretty woman, but right next to her, you can see this man, her assistant, and what is he doing? He is holding a leash tied to a tiny, pet dog. This carving is in the ancient Chennakesava temple at Belur, and it really changes our perspective. Indians did keep dogs as pets inside the house, this is why you need a collar and leash, if the dogs were always left outside, there is no need for a collar and leash. And see how the dog is shown as tiny & cute, like a modern day pug. See, they are not showing a dog that is huge or aggressive which has real benefits like guarding or protecting, they are clearly indicating that people used them as cute little pets in ancient times too. And the dog is even shown barking, this is why the sculptor has carved an open mouth. This is just a tiny dog, it serves no practical purpose. Yet they kept it as a pet, for its cuteness, just like today.
I found another carving too. This is a beautiful female hunter who has just released an arrow to kill a bird. This statue is more than 15 feet from the ground, so I was zooming in with my DSLR, and I found this dog. Again her assistant, is holding a dog. In this carving, you can clearly see a collar on its neck, and you can see the leash going from the back of the collar, and that leash is firmly held by the assistant. Look at the end of the leash, it even has a loop, this is exactly like a modern leash, we have this, so we can put our hand inside to make sure the dog is in our control.
And look at this dog, it looks perfectly calm, just waiting, right? Waiting for what? Yeah, you can successfully shoot an arrow and kill a bird that is flying hundreds of feet away, but how will you retrieve the fallen bird?
Everything has to be quiet until the bird is hit, but once the bird falls down, this dog will go and retrieve the bird. This type of a dog is called a retriever or a gun dog whose job is to retrieve the game. The most popular one today is the golden retriever.
There are many ancient carvings of Dogs in Indian temples, this one shows, a large aggressive dog, and this carving is also more than 850 years old. Actually, it shows a giant native breed called the Bully Kutta, which surprisingly still exists, even though people don’t breed the native dogs much anymore. The most important detail in this carving, is this band, you see a harness was used on its back for better control. Today, owners use harnesses on dogs just like what we see in the carving. Instead of a collar on the neck, the harness goes on the dog’s body.
Now, dogs have been carved in several ancient cultures, because I think domestication of Dogs probably contributed significantly to human advancement. Egyptian Carvings show dogs with collar and leash, this is approximately 4500 years ago .They have even given a royal ceremonial burial to a dog called Abutiu in the Giza Complex in ancient Egypt.
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00:00 - Frog Man
00:48 - Goat Woman
01:59 - Naga Corner
03:56 - Horse Man
05:31 - Human-Ape Hybrid
08:35 - Predator
09:54 - Mermaid
10:19 - Conclusion
Hey guys, today I am gonna show you carvings like this, yes it looks like a Human-Frog or a FrogMan. All these carvings I am showing you today are from the 900 year old Chennakeshava temple. So you can understand why I am calling this the FrogMan because of how it is sitting, right? And its eyes are quite big, like that of a frog. But other than that, it is clearly wearing shoes and clothes, which makes me wonder was it a genetically modified human like spiderman? Did ancient people experiment with Genetic Modification?
Here is another strange one, hiding in an inaccessible location. The body is definitely human, but what about the face? What animal is it? It clearly looks like a sheep or a goat, but the hairdo is very similar to the hairdo of the women shown in other carvings of this temple. By looking at the body we can clearly understand that it is a female, and she is holding some strange pointy things in both of her hands.
So why did ancient Builders carve these strange figures in this ancient temple? Most historians agree that sculptors carved what they saw? When they look at a beautiful carving like this, they say “oh the sculptor must have seen a woman in this dancing posture, that is why he carved it”. So, did the sculptors also see these genetically modified figures in ancient times? Did ancient builders know about genetic engineering?
In this temple, unlike any other temple, there is a big corner dedicated to the Nagas, the Serpentine Gods. This whole area is full of Naga carvings, In the center, there is a giant female Naga, with a seven headed snake guarding her from the top. Locals are still worshiping her, with flowers and saffron powder. Why? Because Naga is a symbol of fertility. Women without children come and worship the Nagas, and hope the Naga will bless them with babies. And what is really interesting is that, the entire wall is full of carvings reminding us of DNA strands. because these intertwined Nagas look very similar to the double helix structure of the DNA strands. And here you can see a bunch of sperms swimming, racing to fertilize the ovum, to create more life. Is this all just a coincidence, or did ancient builders experiment with genetic modification?
Here is a Naga Figure, holding a human in her lap. No, she is not holding a baby, she is holding a grown woman, look at the fully grown breasts on that human, and the Naga with her hood behind her head is shown much larger, holding the woman in her lap. Does it have anything to do with Aliens interbreeding with humans?
Behind this carving is another very strange carving. A man with a horse face is interacting with a woman. This sounds really interesting, because so far we saw the frog man and goat woman just being alone, but now we can see this horse-faced man with a human female. Sorry about my shaky video, these weird figures are mostly carved in inaccessible locations, so I am struggling to show them to you.
Now this is not the only horse faced figure, there is a female with a horse face, standing close to a man. It is safe to say that they are not just friends. And this carving is in a much more accessible location, so you cannot miss it, so if you visit this place, the tour guide will tell you that this carving was made to show you that love is blind, and when you are young, even a girl with a horse face will look attractive to you, but this theory is wrong,
first because look at her genitalia, it does not look like a woman’s, it looks quite different from normal female genitalia and two, because there are many statues which are standing alone, even horse faced statues standing alone. The tour guides are spinning these theories because they don’t know what is going on.
Now here is a figure that is much more human like, but it is not fully human. Looks like a messed up genetic experiment, between a human and some other ape like a gorilla. I say this because its arms are very long, it extends beyond its knees. It’s head is kind of deformed, with no hair on the head. And it has a very big, strong chest like a gorilla. And we know that in the last 100 years, many countries have secretly tested human-ape hybrids.
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00:00 - Snake Belt
00:33 - Vandalization
01:20 - Who is Lord Ganesha?
01:51 - Do You Understand?
You can see this Lord Ganesha here. Really interesting carving in Belur temple. Very interesting, Lord Ganesha who is a really hefty God, right? He has the face of an elephant and he has a pot belly, but look what he is standing on. A tiny little mouse. And look at his belt - It’s a snake! And he is dancing on a tiny mouse.
And here is where the most interesting thing is. Can you see that I can put my fingers inside? And on this side, they have broken this, they have vandalized this! It’s a shame, Because it looks so good. I am thinking that… if you touch here, its feels very very polished. I think they must have had a stone ball inside at one point in time, and may be another ball on this side as well. You can see here, you can see better here. I’m seeing the wear and tear because they have rotated the ball. But unfortunately, they have broken it, probably they tried to pull out the ball.
Ganesha is known as the Lord who never married and who is basically single all his life. You can see right next to him, you can see erotica. This is really interesting to me. You can see two people kissing, may be showing romance a little bit more, erotica. And then here on this side, you can see the result of this, you can see the result of that romance: which is basically Child Birth.
Right next to the God who is Bachelor Forever you can see this. I don’t understand the full meaning of this, but it is really quite interesting. You can see the balls, the stuff that is broken, the Bachelor God, the Romance, the Child Birth. Perhaps the real secret is here. What do you see? May be this holds the key to the meaning of life?
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00:00 - Who Broke This?
01:05 - Planned Destruction
03:18 - Spine Tingling Carvings
08:42 - Very First Hindu Temple?
09:15 - Lathe Turned Pillars
10:02 - Mysterious Ancient Builder
11:44 - Conclusion
Hey guys, somebody tried to destroy this ancient temple. As you can see this ancient statue is lying on the floor. This is the statue of Kaali, a fierce Goddess and on November 20, 2020, it is said that locals heard strange noises during night time, and when the authorities came in the morning, they found out that the statue was in this position. They have tried to dismiss it as a mere accident. Police say that nothing was stolen, so why did someone come to a very remote village in India, and break this statue. They have claimed that it fell naturally, but that is impossible because stone statues don’t naturally fall by themselves, and two, people have tried to destroy this temple for more than 900 years.
As soon as I entered the temple, I noticed something very odd. All the carvings in the front have been deliberately removed. They have methodically destroyed and have completely defaced these carvings. Why?
Let us go inside one of the shrines. Here you can see a fantastic stone structure, it looks amazing. But the lingam, the main cylinder that was supposed to be in the middle, is gone. It has been carefully removed. Why? Who would do such a thing?
Even on the ceilings, the destroyers have carefully planned and disfigured the carvings. It is done with such attention that we cannot recognize the original carving, so we are not able to decode the ancient information.
But let us investigate why people have repeatedly tried to destroy this temple. This is one of the entrances to the main chamber. On top, the rectangle which had a carving has been completely defaced. And at the bottom, you can see this figure, which is also hacked. We cannot see the details clearly, and on the other side, this carving is also completely destroyed. And then these 4 stone blocks as well, they are completely defaced. Some experts have claimed that Islamic invaders destroyed this temple because they don’t believe in idol worship and are not allowed to see images, but this cannot be true. Because on both sides, you can see 2 guardians, they are completely untouched. If these carvings were destroyed by Muslim kings, why would they leave these 2 carvings?
Whoever destroyed and is still destroying these carvings are doing it because they don’t like the information in these carvings. And the carvings in this temple are hiding some insane details.
For example, what do you see? Your natural instinct is to look in the middle where people have destroyed a beautiful lingam. But no, see here:
At first sight, you think this man is pulling a rope. But no, that’s his intestines. He has cut open his belly with his sword, and is removing his own intestines, which looks like a twisted rope. His face is deliberately disfigured to make sure we cannot identify him. Right next to him, you can see a woman. I am not exactly sure what they are trying to show here, but her legs are tied using a snake, symbolizing a venomous virgin or Vishaykanya. In case, you don’t believe my theory that this guy was cutting up his own stomach, it’s ok, because I also did not believe that in the beginning.
Look at the other side, this giant figure, is cutting off his own head with a sword. His hair looks quite fancy and he is holding his hair firmly with one hand, while decapitating himself. There are three very strange details here: Inspite of killing himself, he is also in the process of killing someone else, because he is standing on the face of this man. The victim is not dead yet, because you can see his hands in the Namaste pose, begging for mercy. On the other side, you can see a mysterious figure, fully clothed from top to bottom, calmly looking away. The third detail is the most important, you can see a coin here. This means locals are still worshiping this figure. I am not able to identify the figure, but if I talk to the locals, I could find more information and unravel the story.
Why are these 2 self destructive figures posted as guardians of this lingam? Who destroyed their faces? And Who removed the cylinder out of its base?
On top, you can see another strange figure called Vetala. Its hair looks like spaghetti...
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00:00 - Forbidden Statues
01:05 - The Strange Holes
02:32 - Ancient Medical Technology?
05:53 - A Hidden Hole
06:38 - Advanced Ancient Technology?
08:04 - Conclusion
Hey guys, today, I am going to show you just two, very strange ancient statues, and why these statues are so important to understand.
This is the first one, take a careful look. I found this in a very ancient Indian temple. As you can see, it looks quite scary. I can go into a lot of details like what he is, why he looks like this. Why his hair is looking like this, why his tongue is sticking out, if he is human or if he is something else, etcetera. But I am not going to describe these details now, because there is something much more important I would like to show you today.
Right opposite to this statue, there is the 2nd statue. The hairdo is a little bit different, the eyes are popping out, again it looks quite scary, these statues are definitely not for the faint of heart.
But this is not the shocking part. The shocking part is this hole on his stomach, on his abdomen. As you can see, this is a large hole, it is large enough for me to put a finger into this. My finger is freely going inside. Why would someone make these scary statues in a Hindu temple, I mean surely these are not put for worshipping, right? On top of that, why would they drill a hole on his abdomen? But this could be a coincidence, may be an ancient sculptor was just bored and testing out his drilling skills, right?
Let us go back to the opposite statue and take a look. Again, the same hole, the same size, in the same spot, on the right side of his abdomen.
Why? I am going to tell you why in this video, but the standard answer from Historians and Archeologists is very shallow. According them, these are meaningless holes, these are demons and demons have holes in their bodies, etc. They come up with elaborate names for these statues like Vetal, Booth, etc. But when it comes to these holes, nobody can give a good answer.
Now, it is very interesting to me that today, doctors put holes exactly in this place on human bodies. Because that is precisely where your liver is. If you ask your doctor: he will tell you that the liver is located at the upper right portion of your abdomen, just below your ribs. And this is not a coincidence. Because both these statues show the exact same detail, the upper right portion of the abdomen.
Biliary Drainage:
Now why would a doctor, a surgeon put a hole here, right? This procedure is called a Biliary drainage procedure. When the liver is not able to function well, and its fluid is not driining well, you can manually drain it by putting a hole, right here. The liver secretes a fluid called Bile, that’s why this procedure is called Biliary Drainage, I am not going to bore you with more medical details. And of course, why would your liver not function well? Yes, correct, liver problems start mostly if you are drinking too much alcohol.
And here is the strange part of this, look at these figures at the bottom of this statue. All these four figures have something in common. They appear to be drinking, here it is clear that he is drinking from a tall glass or cup. The guy on top has a smaller, shallow cup. On the other side, this guy is clearly licking the side of a cup, it must remind you of tequila shots, right? On top again, this guy is holding a smaller cup, I think he is offering alcohol to the main guy. Very strange depiction. These 4 guys only seem to reinforce the theory that yes, he is in alcoholic that hole was in fact done for biliary drainage.
Of course we have to talk about these figures, I mean what do they represent? Do they represent demons, fallen angels, Goblins, aliens? Or are they actually mocking humans, are they representing alcoholics? Wikipedia confirms that, these figures are called Vetala or Vetal . The term actually means evil spirits...They are known to be more active at night and trouble normal humans. They are known to be extremely weak and they walk shakily and are known for their rage and meaningless talk. This guy has cut someone’s head off and he is gonna eat his brain. That’s a universal expression, even in English. So is Vetal just a metaphor for an Alcoholic? But there is something even more strange. Watch carefully. These are the scary eyes popping out, but right behind this eye socket, in the skull, there is another hole.
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00:00 - Introduction
00:28 - Beauty
03:21 - Your Mindset
07:11 - Stunning Details
12:18 - Feelings and Emotions
14:25 - Third Nipple?
15:01 - Cosmetic Surgeries
16:09 - New Writings
17:20 - A Dental Surgeon
18:26 - Alopecia
19:59 - Animal Behavior
26:35 - Social Aspects
30:50 - Butterfly Effect
33:48 - Moving Madhanikas
36:49 - Madhanikas are Lizards
38:14 - Gods
41:23 - Conclusion
Hey guys, today I am going to show you this famous temple called ChennaKesava temple, but I am only going to focus on these statues on top, popularly known as Madhanikas. Why were they put here? Were they put here simply for beauty? Or do they have a deeper meaning? These are the questions we will decode in this video.
At first sight, your natural inclination is to admire the beauty of a Madanika herself.
Here is a carving that is simply impossible to ignore. She is beautiful in every aspect, her facial features, her eyes, her eyebrows are amazing. And look at her hair, how every thing looks perfect, she has a fashionable hairclip to make her hair twist and turn beautifully. .At the end, her hair is perfectly cut into a straight line. Her body is just breath takingly beautiful, adorned with a variety of ornaments.
Here is another spectacularly beautiful woman, her hairdo is quite different from the previous Madhanika. She looks majestic and is lifting one of her feet, and her assistant is doing something. What is happening here? She is actually holding a ring, a toe ring in her hand, and her assistant is putting another toe ring on to her toe. If you zoom in, you can see her individual toes and some of them already have rings.
There are a total of 42 Madhanikas in this temple, the word Madanika means ‘To get excited or aroused’ especially by beauty or love. And even after 900 years, visitors, both men and women are completely captivated by the beauty of these Madhanikas.
Here is a woman with a strange facial expression. What is happening here? She is singing, look below, you can see a bunch of drummers on the left and a man playing a flute on the right side. So, she is the lead singer, that is why her mouth is open, because she is singing. And not only do we see the upper row of teeth, the sculptor has even carved the inside of her mouth, this is just fantastic.
Here is another woman, who is also singing joyfully, her excitement is visible even after 900 years, and playing the cymbals in her hand at the same time. It looks like she is blushing and smiling at the same time, as though it is her first time performing.
So our natural inclination, is to admire the beauty of these Madhanikas, but if you manage to get past the beauty of these women, which is very hard to do, you will start observing other fascinating aspects, based on your skill set and education.
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00:00 - Mysterious Event
01:15 - Anti-Gravity Pillar
03:55 - Secret of Mohini
06:06 - Ancient Science of Gravity
08:07 - Two Strange Mohinis
10:13 - Gravitational Pull
12:23 - Not Human, Just a Force
13:27 - Purpose of the Pillar
15:17 - Rotating Parts
16:14 - Ancient Seismograph?
18:09 - Praveen MOHA...
Hey guys, just two month ago, on September 17, something very strange happened in the ancient Chennakesava temple at Belur. In Late- afternoon about 5:30 PM, a small stone ball, fell down from the top of this pillar. Only a very few people noticed this, and most people do not even know such an event happened. What could be so special about that particular day and time, why would a ball magically drop from this ancient pillar? In a few minutes, it became clear that an earthquake had hit the entire area, it was a mild earthquake with a 2.3 magnitude on a richter scale, but pillars don’t magically release balls, in fact, pillars should actually fall down during an earthquake. And this pillar probably did not fall down, because it is firmly buried inside this large base, right?
But when we take a look closer, we are completely shocked by this. This pillar is not buried in the base at all, it is not even attached to the base. It is just made to stand there with no support at the bottom, or at the top. This is a completely free standing pillar, they have simply placed it with no support, no binding material, no foundation, and not even a little bit of mortar or cement to attach it to the floor.
This is impossible, imagine making a long cylinder like a pencil, stand on a table. It is very hard, but now turn on the fan and make the wind blow on it, to mimic the wind blowing in the temple. And then shake the table to mimic the earthquake. Will the pencil still be standing?
Even worse, this pillar is not standing on all 4 corners, it is standing on just 3 legs, one of the corners is not even resting on the floor. Authorities say you can pass a thin cloth or paper through this space and prove that it is not resting, and they used to do it before, but now people are forbidden from going near the pillar. But let me zoom in, and you can clearly see that one of the corners is just hanging in the air.
And this pillar is huge, archeologists say this is monolithic, a single giant block of granite, standing 42 feet tall, about three and a half feet wide, and must weigh about 45 tons. Archeologists confirm that it is not a recent structure, it is in fact ancient.
How was it erected, how was it made to just balance like this with no support, and most importantly, how is it still standing after so many centuries?
To make it balance like this, the builders must have had an insane ability to precisely calculate the center of gravity. There is no way they can create such a miracle without a scientific understanding of the center of gravity. But is there any evidence in this temple itself, to prove that ancient builders understood gravity?
There is something very strange and secretive about this temple. In 1926, not only did Indian leaders like Gandhi and Nehru visited this temple, but Pakistan’s first prime Minister Mohammed Ali Jinnah also visited this temple. Why would a muslim who does not believe in idol worship, visit this temple? He did not come to worship, but he was interested in watching a strange scientific phenomenon associated with this carving.
This particular idol called Mohini was removed from the top and brought down for a strange demonstration to these leaders. You can immediately see that her posture is different, she seems to be standing like a puppet, connected to an invisible string. Her both hands hint this. But there is no string, in fact she is letting a drop of water drip from a finger on her top hand. An actual drop of water was used in front of the leaders while keeping this statue erect. The drop fell from the finger of her right hand, exactly between her brows, touched the nose, touched her left nipple, fell exactly between her legs and touched the extended toe on her left leg before falling on the ground. It is said all the three politicians instinctly stood up and gave a standing ovation when they saw this demonstration. How could an ancient builder carve such an idol without understanding gravity?
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00:00 - Introduction
00:23 - Shocking Design
02:15 - Arc Reactor
03:38 - Lathe Machine?
06:24 - Ancient Solar Batteries
08:04 - Manual of Arc Reactor?
10:23 - Cooling System
12:09 - Back View
13:30 - Secrets hidden Inside
15:18 - Conclusion
Hey guys, today I am going to show you some solid evidence of an ancient arc reactor that existed 800 years ago. I know some of you will think this is an absurd claim, but I challenge you to watch till the end of this video and then prove me wrong.
Here we can see this insane carving on the ceiling of an ancient temple. At first view, it is quite shocking to see such an advanced design at such large scale, it is not a flower or a leaf or something that is available in nature. It is clearly a technical device. archeologists estimate that this temple was built around 1250 A.D, so it was built approximately 800 years ago, although it could be much older.
You cannot help but think that this could be a rotating mechanism like a jet engine propeller we see on airplanes. From the center, you can see the protruding knob. It is clearly a knob and it is exactly how jet propellers look. But this design is actually much more complex than a modern-day propeller.
Now you can see an electrician has put a light bulb in the center. This is done recently, but look, how the wire is routed inside the carving, not in just one place but in multiple places. This means the entire thing is hollow, this is a complex 3D model of an advanced machine.
I am not going into go into too much details about this because this video is not a technical presentation, but there are 5 concentric circles, and there seem to be some parts radiating from the center. Each of these studs could be a coil, which is basically the same design as a modern-day arc reactor.
Most of you will agree that, yes this is a fantastic design and yes, it does remind you of Iron Man’s arc reactor. But do I have any actual evidence that this was some sort of an energy device? This is just some fancy pattern ancient sculptors carved to impress us, it may not be a machine at all, right? I asked myself the same question, but this is what I found in the temple walls.
Here you can see the same device, you can see the circular part of the device, but it is attached to a thick cable, looks remarkably similar to a modern day multi track cable. And you can see how it is connected to the right, using these 2 attachments. And here is this guy holding a huge cylinder in his arms. The end of this cylinder is also attached to the right. But this doesn’t make much sense, what is the connection between this cylinder and the arc reactor?
Let us go on the other side and see what is happening. On the other side, you can see the story of churning of the sea of milk. According to ancient texts, Demons and Gods churned the sea using a snake as a rope, and a mountain as a churning rod. But this carving shows some very strange details, first the churning rod is not a mountain, it is a pillar that has a smooth cylindrical middle part, and at the top and bottom of this pillar are square shaped. But here is the weird part. The exact same pillars are found in the same temple, look at this pillar, it has a square shape at the top and has a square shaped bottom, and has a smooth cylindrical middle part. And you see this central part, archeologists confirm that these are turn marks created by a rotating lathe machine, but may be the ancient builders are showing us how these marks were actually created, how they turned, or shall I say churned the pillar itself into this shape. But what is right on top of the large-scale pillar, the large-scale arc reactor. Is it a coincidence that they put a large-scale arc reactor right next to this giant pillar?
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00:00 - Introduction
00:33 - Unique Obstruction
01:40 - Weird Face
03:10 - Who Built Adam's Bridge?
04:50 - Testing?
06:45 - Who are Vanaras?
07:26 - Ancient War Tank?
09:57 - Strange Vehicle
12:11 - Two-in-one Carvings
14:53 - A Prehistoric animal?
16:22 - Four legged bird?
17:34 - Mithridatism
21:03 - Interconnected Ancient Civilizations
22:06 - Secrets under the Bed
23:30 - Prahlada
24:49 - Conclusion
Hey guys, today we are going to a very ancient temple in a remote village called Javagal. Nobody visits this temple including archeologists, because it is said that the carvings
here are so strange that nobody can understand them. Today, I am going to see if I can understand what these carvings show, and who created them.
But first, I have to deal with this...I found a unique obstruction when I’m trying to enter this ancient temple guys.
Here he doesn’t… she doesn’t want to move.
Why…??
Ok...??
She is crying…
Ok Bye
Now, from the front view, you can see that the temple seems quite small, but archeological reports say it has more than 1000 carvings, and most them are found on the outer walls. Walking around, I find this one. So, here you can see something really weird. This is a box and there is a face, there is a head on that box. And, there is a hand like this and there is a head sticking out of a box. Ok, so when I look closer, I don’t see one hand, I see 2 hands on either side of the head. And it is all put on top of a box, as though they are trying to display the head and hands, but why? This is just a very strange carving.
Now, let’s look at the nearby carvings to see if we can understand this more, here you can see a giant figure, and sure enough, you can see he does not have a head and his 2 hands
have been cut off from the wrist-up. Right next to him, you can see this smaller ape like figure, and you can see this figure holding a bow, it is an advanced compound bow, because
you can see the gears on both sides.
The person with the advanced bow is Lord Rama, and the entire event is explained in the ancient Hindu texts. The Giant’s name is Kumbakarna and he gets his head and hands chopped
off in the battlefield. Walking around, I find another strange carving. This is one of the carvings experts are totally confused about. Here you can see 2 giant figures, both are
ape or monkey like figures and one of them is holding a long cylinder like thing on its face. Some have even claimed that this a telescope. But that cannot be, because the other end
is held by another giant ape, and on top of this, there are a few monkeys, and on the bottom, you can see a couple of more monkeys. So, what is the story?
Now let’s see if we can find more information from the carvings nearby. Let us go back a little bit and see here. Here you can see the waves and fish swimming in the water.
So, this is actually happening right next to water.
Here, you can see an ape working on a bunch of rocks, and right next to him, again you can see the waves with a lot of fish. On the other side of water, you can see giants. Again, this is mentioned in ancient Indian texts that a race of apes called Vanaras building a bridge between India and Sri Lanka. These two giant apes are called Nala and Neela who built that bridge to Sri Lanka.
And this long thing must be some material and they are testing its strength. Vanaras are walking on it to check if it will be strong enough as part of the bridge. Of course, making a bridge on the ocean between 2 countries seems like pure mythology, but just a few years ago, scientists have sheepishly accepted that
such an ancient bridge actually exists between India and Sri Lanka and it is not a natural formation.
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0:00 - Rama’s Bow
0:54 - Simple Bow
1:24 - Compound Bow
2:34 - Ancient Geared Bow
3:29 - Pull-Back Bow
5:50 - Ancient Missiles
7:49 - Bow Sight
8:34 - Lost Technology
9:40 - Conclusion
Hey guys, today I am going to show you what I found about Lord Rama’s bow and arrow. In case you are not familiar with him, Rama is the protagonist of the ancient Indian epic called Ramayana. Even today, Hindus worship Lord Rama who is typically shown with a bow and arrow. Ancient Indian texts mention that he never missed his target, and his arrows could go through multiple targets at the same time, there are carvings showing how his arrows go through 7 trees before hitting the final target. Was this a magical bow? Or was he using advanced technology?
Here you can see two guys with bows and arrows. It is clear that they are bows and it looks remarably simple, like basic wooden bows used by primitive tribes. Again, you can see a third one, but perhaps these are just regular archers, because look at their clothes, just a loin cloth and no ornaments. And they are just marching along, right next to regular foot soldiers.
But look at these bows.. there are wheels, strategically placed on both ends of the bow. This is crazy because Believe it or not, today we use wheels or cams in bows, we call them compound bows. You can see these are smooth circles, just like today’s cam wheels on compound bows. This is quite interesting because if you search online, you will see that the compound bow was invented just 50 years ago, in the US. But this temple is a thousand years old, and it clearly shows how ancient builders were using compound bows with wheels. It is easy to understand why putting wheels on a bow can make it much more powerful and efficient, because you have just installed some mechanical equipment to enhance human effort. But is this why Rama’s bow was much more effective? Did he just put wheels on his bow?
Here is where I found something really fascinating. I found some huge carvings of Rama and his brother, and their bows show some insane details. At first look, I thought they had wheels in their bows, but when I examined them closer, I realized that they are not wheels, they are gears. I mean look, you can see the teeth of the gear wheel, there is a gear mechanism attached to the bow. This is very very advanced ancient technology, because today’s bows don’t even use this technology. But within 20 years, before 2040, someone will start manufacturing this type of bow. What will such a bow be called? “Pull-Back Bow”
Sounds familiar, right? Because we have pull back cars today. When we were kids, we had toy cars and when we wanted them to move forward, we just pushed them forward. But then someone gave us a “Pull-Back Car” and instead of pushing it forward, you pulled it back, and it made a strange clicking sound, and when we released it, you remember how fast it went.
This is the exact same technology Rama used in his ancient bow. And you may think the pull back cars have batteries or something inside, but If you opened the car, inside you will find a couple of gears, and a spring. But yet, when we use this for technology, we can make wonders with it, so many machines like watches and bikes, use this technology.
Of course some day, some guy will come and claim that these are just flowers. Huh? But why would warriors put flowers on their bows? And if you look at any flower, the petals will be huge, and the center part will be smaller compared to the petals. But if you take any gear, the center part will be bigger and the gear teeth on the sides will be much smaller. And this is exactly what we see here. And you can see the strings attached to the mechanism, just like today’s bow. Everytime you see the gear, there is a string attached to it. You can see this on all the geared bow carvings. And you can also see these loose strings and knots.. These are called string silencers to absorb the noise and vibration. Even in modern day bows you will see them, it is just the nature of the beast itself. So Rama and his brother were using Pull-Back bows, this is why their bows were so efficient.
So why does Rama need gears & Pull-back mechanism in his bow, right? Just to shoot a regular arrow? It is time to look at the arrows, but this arrow is deliberately destroyed. But you can see this one survived, and it looks absolutely weird.
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00:00 - Shocking Technology
01:49 - Ancient Pillars
02:00 - Rotating Parts
04:32 - Coral Castle
04:57 - How and Why?
06:05 - Combination Lock System
07:51 - Underground Chamber
08:57 - Conclusion
Hey guys, in the past 3 weeks, hundreds of archeologists have been quietly visiting an Indian temple after they realized that this temple is made of moving parts, like parts of a machine. This information is groundbreaking, because it changes everything we know about ancient Hindu temples.This temple is found in the heart of an ancient Indian city. What city is that? Bangalore. Today, Most people know Bangalore as a very modern, hitech City. But Bangalore also has a very long history, and is hiding some very advanced ancient technology.
As you can see, this temple is located in a crowded area and at first sight, you can see the fresh paint on the tower, when you go inside, you can see the polished tiles on the floor, and the walls are also painted recently. But these are routine renovations.
Until last month, archeologists thought that this was a medieval temple built roughly 550 years ago, but now the Archeology department of India has scanned every stone and has doubled the temple’s age. Now archeologists say it was built 1263 years ago, and some experts are claiming it is even older than that.
But what made archeologists examine this ordinary looking temple in the heart of a big city? You may have noticed that inspite of the new tiles and freshly painted walls, the granite pillars look quite different, it is because they are very ancient. Not only that, every pillar is made of 5 different stone blocks, and these tire like blocks are individually rotatable.
As you can see, this stone block can be rotated like a tire in an axle of a car. And these blocks are all, at least 1263 years old. But perhaps this is just a assembling error, right? How can I say all the pillars were designed like this, with rotating stones? Look carefully, you can see the dark areas, this is modern day concrete, patched recently, to stop these blocks from rotating. You can see that this is applied on all the pillars, all except one to prevent people from rotating all the blocks. But Why? Why did they have to alter the original ancient design? Watch.
So long story short, recently when people started to realize these blocks are rotatable, a lot of people started coming in and started spinning these blocks. so much so that the authorities worried that this temple might collapse because of it. So they applied concrete on everything except this one pillar.
But the real question is Why? Why would ancient builders make these blocks rotatable? I mean this is solid granite rock, to make it rotate is not easy. Even today, this is pretty hard. In the U.S, there was a man by the name of Edward Leedskalnin who single-handedly built a castle called Coral Castle, and he was able to make rock doors that could spin. But these rock doors stopped rotating after just a few decades and even the top engineers could not make them spin after that. So, how could the so called primitive builders from ancient times, build an entire temple full of these stone tires which could all be rotated? And how are these blocks still rotating even after 1200 years?
Now, let us go back to the why? Why were they made rotatable? Simply because they could make them spin? I mean, today, why do we make tires in a car rotatable? Simply because we can? Or is it because it has an important purpose, I mean the whole idea why we build an axle and the rotatable tires is because it has the actual purpose of moving the car, right?
But we can see that these pieces are not connected by a single pillar, so what mechanism needs them to be individually rotatable , without being connected to one another in a single axis? A combination lock system, like the number locks on a briefcase. Is it possible that these rock tires can be set in a certain combination to make a secret chamber open? I mean what else could it be? Why else would they make such a complex rotating mechanism?
#Hinduism #Ancienttechnology #PraveenMohan


