Mik Milman
Event Photography Tips and Tricks (How to Hold Your Camera)
updated
mikmilman.com
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#bushmills #eventphotography #bushmillsirishwhiskey #flashphotography #lowlight #lowlighting #filmphotography #live #peakyblinders
mikmilman.com
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#bushmills #eventphotography #bushmillsirishwhiskey #flashphotography #lowlight #lowlighting #filmphotography #live #peakyblinders
Do you ever use custom white balance? One of these unedited images was shot with AWB, the other with a custom white balance.
Can one lens replace all of this?
logging the data
What do you find most challenging about PHOTOGRAPHING PEOPLE?
Why I have not been on youtube
mikmilman.com
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Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#bushmills #eventphotography #bushmillsirishwhiskey #flashphotography #lowlight #lowlighting #filmphotography #live #peakyblinders
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @MikMilman instagram.com/mikmilman
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #rulesofcomposition #composition
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @MikMilman instagram.com/mikmilman
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent
Thank you, Joseph Paguio for some of the supplemental footage you see in this video.
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @MikMilman instagram.com/mikmilman
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #eventphotographycoverage
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #hokas #yoga
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @mikmilman instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #jobreview #lowlightphotography #lowlighitngphotography
My FLASH PHOTOGRAPHY playlist:
youtube.com/playlist?list=PL7juywq2ZoCztdP__VYLSOlAC7mAzMgHE
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #shorts
check out my FLASH PHOTOGRAPHY playlist:
youtube.com/watch?v=8ayloPxXBQs&list=PL7juywq2ZoCztdP__VYLSOlAC7mAzMgHE
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #shorts #flash #flashphotography #offcameraflash
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #shorts
My FLASH PHOTOGRAPHY playlist:
youtube.com/playlist?list=PL7juywq2ZoCztdP__VYLSOlAC7mAzMgHE
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #shorts
check out my FLASH PHOTOGRAPHY playlist:
youtube.com/watch?v=8ayloPxXBQs&list=PL7juywq2ZoCztdP__VYLSOlAC7mAzMgHE
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #shorts #flash #flashphotography #offcameraflash
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #shorts
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Instagram | @mikmilman instagram.com/mikmilman
Facebook | facebook.com/mikmilman
#eventphotographer #eventphotography #losangeleseventphotographer #flashphotography #ttlvsmanual #flashsettings #eventphotographyflashsettings #flashexposurecompensation #consistentflash
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Instagram | @mikmilman instagram.com/mikmilman
Facebook | facebook.com/mikmilman
#eventphotographer #eventphotography #losangeleseventphotographer #flashphotography #ttlvsmanual #flashsettings #eventphotographyflashsettings #flashexposurecompensation #consistentflash
In this segment I discuss the lack of impact your shutter speed will have on your flash exposure, how flash exposure is controlled by aperture and ISO.
General outline of what's discussed in this video:
Discussion on hard factors vs soft factors that go into low light shooting
Camera limitations:
ISO performance
Ability to focus
Focus point considerations
Maximum aperture of the lens impacts your cameras ability to focus in low light this (not mentioned in video).
IBIS
Lens limitations:
(mostly) Maximum aperture
Image stabilization (IS)
Longer focal lengths = more camera shake = you cant shoot with as slow shutter speeds
Variable apertures
Thoughts on f1.2 lenses:
I want to make this clear: you DO NOT NEED a 1.2 lens. For most, they’re prohibitively expensive. Yes I went well over a decade of doing this successfully and producing excellent work in low light without one.
Personal skills / limitations:
How to hold your camera.
Using a wall to stabilize your camera in low light
using a table etc. to stabilize your camera
RAW VS JPEG
Shoot in raw to allow for the most latitude in adjustments you can make (data)
NOISE reduction
Jpegs apply it already - sometimes a bit heavy handed
When and why to use flash
When to use flash and why
Need
Choice
Quality (of light)
Protocols
Pushing limits and the order in which I'd do so
Can you use a continuous light?
Philosophical etc.
Lighting for correct vs lighting for what it was like to be there.
What is technical perfection, really?
00:00 INTO
00:24 HARD VS SOFT FACTORS
00:43 CAMERA LIMITATIONS
03:24 LENS LIMITATIONS
06:29 DO YOU NEED AN F1.2 LENS?
07:26 SOFT SKILLS AND DEMONSTRATIONS ON HOW TO HOLD YOUR CAMERA
09:34 RAW FILES VS JPEG FILES
10:37 WHEN TO USE FLASH
12:22 CONTINUOUS LIGHTING FOR EVENT PHOTOGRAPHY
13:27 PROTOCOLS TO FOLLOW WHEN SHOOTING IN LOW LIGHT
__________________________________________________________
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #lowlightphotography
For a longer video on how to move as an event photographer, click the link below!
Event Photography: How to Move, Navigate Crowds, and More!
youtu.be/aHDz9a0G9m4
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #howtomoveasaphotographer #howtonavigatecrowds
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #aperture #vintagelens #howapertureworks
Event Photography: How to Use Flash and Make it Look Natural!
youtu.be/aSl2X2TaTw4
Flash Photography: TTL vs Manual Exposure. Which is Right for Event Photography?
youtu.be/8ayloPxXBQs
Event Photography: Flash Photography Problems
youtu.be/KwmetuxcIkk
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #flashphotography #exposurecompensation #ttl #ttlinconsistent #whyttlisinconsistent
#ettl #weddingphotography
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #photographymindeset
Step 1: Alpha 7 IV
electronics.sony.com/imaging/interchangeable-lens-cameras/all-interchangeable-lens-cameras/p/ilce7m4-b
Step 2: FE 24-70mm F2.8 GM II
electronics.sony.com/imaging/lenses/all-e-mount/p/sel2470gm2
Step 3: HVL-F60RM
electronics.sony.com/imaging/imaging-accessories/interchangeable-lens-camera-accessories/p/hvlf60rm
Step 4: FE 70-200 mm F2.8 GM OSS II
electronics.sony.com/imaging/lenses/all-e-mount/p/sel70200gm2
Step 5: FE PZ 16-35mm F4 G
electronics.sony.com/imaging/lenses/full-frame-e-mount/p/selp1635g
*** Building an event photography kit in 11 steps ***
Step 1: Buy a Camera Body
Step 2: Mid Range / Bread and Butter
Step 3: Flash
Step 4: 70-200 or Something Wide (depends on what you think you’ll be shooting)
Step 5: Whatever you didn't get in step 3.
Step 6: Backup Camera
Step 7: Backup Flash
Step 8: TAKE A VACATION
Step 9: Upgrades + Things You Need
Step 10: Stop buying gear!
Step 11: Start buying gear again, you’ll actually need the write offs
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #photogrpahygear #photographykit #eventphotographykit #sonykit #sonyeventphotography #sonyeventphotographykit #sonycameras
Step 1: Nikon Z6ii
nikonusa.com/en/nikon-products/product/mirrorless-cameras/1659/z-6ii.html
Step 2: NIKKOR Z 24-70mm f/2.8 S
nikonusa.com/en/nikon-products/product/mirrorless-lenses/nikkor-z-24-70mm-f%252f2.8-s.html
Step 3: SB-5000 Speedlight
nikonusa.com/en/nikon-products/product/flashes/sb-5000-af-speedlight.html
Step 4: NIKKOR Z 70-200mm f/2.8 VR S
nikonusa.com/en/nikon-products/product/mirrorless-lenses/nikkor-z-70-200mm-f%252f2.8-vr-s.html
Step 5: NIKKOR Z 14-30mm f/4 S
nikonusa.com/en/nikon-products/product/mirrorless-lenses/nikkor-z-14-30mm-f%252f4-s.html
*** Building an event photography kit in 11 steps ***
Step 1: Buy a Camera Body
Step 2: Mid Range / Bread and Butter
Step 3: Flash
Step 4: 70-200 or Something Wide (depends on what you think you’ll be shooting)
Step 5: Whatever you didn't get in step 3.
Step 6: Backup Camera
Step 7: Backup Flash
Step 8: TAKE A VACATION
Step 9: Upgrades + Things You Need
Step 10: Stop buying gear!
Step 11: Start buying gear again, you’ll actually need the write offs
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #photogrpahygear #photographykit #eventphotographykit #nikonmirrorless #nikonlenses
#nikonkit #buildinganikonkit
Step 1: Canon R6
usa.canon.com/shop/p/eos-r6?color=Black&type=New
Step 2: RF 24-70mm F2.8 L IS USM
usa.canon.com/shop/p/rf-24-70mm-f2-8l-is-usm?color=Black&type=New
Step 3: Speedlite 600EX II-RT
usa.canon.com/shop/p/speedlite-600ex-ii-rt?color=Black&type=New
Step 4: RF70-200mm F2.8 L IS USM
usa.canon.com/shop/p/rf-70-200mm-f2-8-l-is-usm?color=Black&type=New
Step 5: RF14-35mm F4 L IS USM
usa.canon.com/shop/p/rf14-35mm-f4-l-is-usm?color=Black&type=New
*** Building an event photography kit in 11 steps ***
Step 1: Buy a Camera Body
Step 2: Mid Range / Bread and Butter
Step 3: Flash
Step 4: 70-200 or Something Wide (depending on what you think you’ll be shooting)
Step 5: Whatever you didn't get in step 3.
Step 6: Backup Camera
Step 7: Backup Flash
Step 8: TAKE A VACATION
Step 9: Upgrades + Things You Need
Step 10: Stop buying gear!
Step 11: Start buying gear again, you’ll actually need the write offs
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #photogrpahygear #photographykit #eventphotographykit
0:23 Step 1: Buy a Camera Body
01:51 Step 2: Mid Range / Bread and Butter
02:37 Step 3: Flash
04:05 Step 4: 70-200 or Something Wide (depending on what you think you’ll be shooting)
06:16 Step 5: Whatever you didn't get in step 3.
06:54 Step 6: Backup Camera
08:34 Step 7: Backup Flash
09:25 Step 8: TAKE A VACATION
10:30 Step 9: Upgrades + Things You Need
12:57 Step 10: Stop buying gear!
13:16 Step 11: Start buying gear again, you’ll actually need the write offs
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #photographykit #eventphotographykit
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #instagram
Business tips for working professional photographers
Effective use of time
The first tip I have - and I would say this is the second most important tip I have - is to follow the 80/20 rule which states that 80 percent of the output from a given situation or system is determined by 20 percent of the input.
So in other words: Don’t waste your time obsessing over little things like the color of the font on your website.
A lot of people do things like this to avoid doing the real work that will actually have results
Essentially its a way to rationalize you got stuff done today when you didn't.
There are a lot of great productivity tips out there, but I really feel that we need to identify what’s the most effective use of our time before we try to maximize our use of time.
Emails / Correspondence and how to convert inquiries into bookings
Always email people back right away
I have lost job opportunities simply by emailing someone back an hour or two after the email went through.
For most jobs, at least big corporate ones, the process will be slower and you are not going to be at risk of losing the gig if you don’t get back to them right away.
But responding quickly within reason shows you’re serious about the work.
And sometimes you may get the job simply because you got the ball rolling quicker than anyone else.
One reason people aren’t emailing back right away is because they get hung up on how to respond, what to charge, etc.
THE SOLUTION TO THIS is :You should Have a price sheet, a template response, but at the damn least know your rates!
Know your rates, write them down! (you do not want to panic price! Or worse delay and lose the job!)
ALWAYS GET A CONTRACT (and speaking of which, SEND IT RIGHT AWAY!)
Protects you
As much for them as it is for you (don’t be afraid).
Take a deposit (because let's be real, is suing ever worth it?)
AND SPEAKING OF CONTRACTS: send those right away too! Sometimes you’ll have multiple people within an organization tasked to find a photographer and more than one finds one, with the job going to the person that got the contract signed first! \
Itemize your pricing - within reason
Helps you to work within someone's budget without devaluing your services
If you lump price everything and it’s not in their budget 1 of two things will happen:
They go in another direction or
They negotiate- which now has you in a situation in which you are devaluing yourself.
But if you’ve itemized your services, your client is
Helps with any complications down the road
etc.
PROFESSIONALIZE the way you do things, from how you write your emails to how you conduct yourself. Show you know your stuff and you can dependably be worked with- that you’re a serious consummate professional
Its really important to WRITe PROFESSIONALLY No matter who the client is.
But to be clear: professional does not mean you can’t be personable as well.
I could probably make a whole video on the subject of how to write, but if you're looking to improve your writing game I recommend ____The Elements of Writing by Strunk and White
INSURANCE
To me, having insurance is worth the peace of mind. But more importantly you will need insurance in order to do certain jobs when venues require it.
Personally I have actually had to file a claim when I had a theft. And although Ive spent twice as much on my insurance than I received back in that claim- the peace of mind insurance has given me has been worth it.
But more importantly having insurance will protect you against liability and simply allow you to do certain jobs. Some venues or clients will actually require you to have it and when that comes up you don’t want to have to scrabble to try to quickly insure yourself in order to take the job.
Follow the links below to see my work.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent #professionalphotography #professionalphotographers
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent
Low light photography 101
INTRO
A comprehensive look at low lighting
The perspective of an event photographer - in other words, this won’t be specific to something like night photography on a tripod
Discussion on hard factors vs soft (skills etc)
Camera limitations
ISO performance
Ability to focus
Focus point considerations
Maximum aperture of the lens impacts this
IBIS
Lens limitations
(mostly) Maximum aperture
IS
Longer focal lengths = more camera shake = you cant shoot with as slow shutter speeds
Variable apertures
I want to make this clear: you DO NOT NEED a 1.2 lens. For most, they’re prohibitively expensive. Yes I went well over a decade of doing this successfully and producing excellent work in low light without one.
Personal skills / limitations
How to hold your camera
RAW VS JPEG
Shoot in raw to allow for the most adjjustments (data)
NOISE reduction
Jpegs apply it already - sometimes a bit heavy handed
Lightroom options
When and why to use flash
Protocols
Pushing limits and the order in which I'd do so
When to use flash and why
Need
Choice
Quality (of light)
Miscellaneous Questions I can answer
Can you use a continuous light?
Philosophical etc.
Lighting for correct vs lighting for what it was like to be there.
What is technical perfection, really.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#bushmills #eventphotography #bushmillsirishwhiskey #flashphotography #lowlight #lowlighting #filmphotography #live #peakyblinders
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#bushmills #eventphotography #bushmillsirishwhiskey #flashphotography #lowlight #lowlighting #filmphotography #live #peakyblinders
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophtoographanevent #addisonrae #itembeauty #cycleforsurvival #eventphotographyshottypes
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophtoographanevent #shorts
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophtoographanevent
I wish someone had given me a general idea of what a photographer's career path would be, but unfortunately one just does not exist. Typically what happens is that you just kind of figure it out, photography job to photography job. But having a general idea of where you want to go with your career can be PROFOUNDLY helpful. So in this video I share my experience in figuring it all out, wit the hope that it will help you out on your own professional photography journey.
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
Facebook | facebook.com/mikmilman
#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent
#eventphotographyshotlist #howtophotographanevent
mikmilman.com
Patreon | patreon.com/mikmilman
Instagram | @retrograding instagram.com/retrograding
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#eventphotography #eventphotographer #eventphotographyshottypes #eventphotographyshotlist #eventphotographytips #eventphotographytipsandtricks #howtoshootanevent #eventphotographyin2021
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Leaving early for a job and why.
Getting the right mindset for the photography job and why.
Accepting that all the prep work has been done and all you can do is do your best at that point.
What to wear on the job, Overdressing vs underdressing, and developing a sense for what to wear.
Dealing with nerves and my own experience
The anxiety of photographing my first wedding as a primary shooter
letting go and being present
How fast time goes when you're present
Being your worst critic
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Event Photography Shot Types:
youtube.com/watch?v=-Pxy9P_ytiM&t=42s
My event photography guide (written version plus video):
mikmilman.com/guide-on-becoming-an-event-photographer
See my work:
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This video is all about lens choices available as an event photographer. I get into what different lenses are best used for, what I personally use, using primes vs zoom lenses, etc.
0:00
0:07 24-70mm
01:22 17-40mm
04:04 16mm
04:59 70-200mm
08:15 Prime lenses
10:36 85mm
12:05 135mm
12:13 135mm vs 70-200mm
13:36 50mm
15:48 200mm
OUTLINE OF VIDEO:
24-70
One of the least glamorous, but most widely used lenses, the 24-70 should likely be your first professional grade lens purchase. Does it need to be f2.8 or even Canon’s 28-70 f2 lens? Nope. But in most situations f2.8 is a plenty wide enough aperture for the job.
Most versatile zoom lens because of its focal range
Good for
Establishing shots
Detail shots
Close candids
Candid interactions
And even speakers on stage if you’re able to get close enough
This lens could easily be your one lens owned if you’re shooting in areas in which you can physically move your body as close or far aways as you need to get the shot
Other options
24-105 or Nikon’s 24-120
More versatile than a 24-70, but if I were choosing between a 24-70 f2.8 vs one of these lenses, I would prefer the versatility of a wider maximum F Stop.
17-40
Somewhere around 75% of the time I am using this lens at 17mm for my establishing shots
But also great for:
Large groups
Much lighter than any 24-70 (great for weight conscious people or for the end of a long long day) (especially if you don't need to shoot wider than f2.8
Other Options
RF 14-35 F4
RF 15-35 F2.8
EF 16-35 F2.8
Why I am happy with an f4 / usually when shooting wide, multiple subjects or establishing, having more depth is a good thing.
RF 16 f2.8
Because I have found that I am so often not using my 17-40 at any focal length other than 17mm, the RF 16mm has been an excellent lens for the distinct jobs in which I can shoot an entire event with one lens minus a small handful of wide shots. I can simply throw this in my bag- taking up nearly no space and contributing barely any weight.
70-200
great for close up candids
Can be less obtrusive, but I think a stealthy photographer that knows how to move can easily go unnoticed with something as “wide” as a 50mm.
BUT Typically used for reach when you CAN NOT physically move in closer
People on stage, etc.
A kids birthday party photographer could probably go their whole career without one, but for large corporate events, this lens is a MUST
Anything with more reach than 200mm
Shooting with just primes:
Sacrificing versatility for less weight (in most cases) and wider apertures
Why positioning matters
Memorizing / seeing in focal lengths / pre visualization
This really forces you to engage with your work, having physical, creative benefits
Can be lighter, but not necessarily
Especially great on a two body setup!
Prime Lenses I own:
RF 50mm f1.2
Currently my favorite lens
Unloved by some, I find the normal range to be exceptionally versatile. With it I can shoot:
wide scenes if I can backup enough
Candid interactions
Detail shots
Even close candids
Huge maximum aperture
Light weight
Incredible auto focus in low light
Max aperture, auto focus ability in low light, and my r6 IS allows me to shoot in light I would not be able to with any other lens I own
EF 85mm f1.8
Hard to beat for event photographers that may need to shoot impromptu portraits or set up a headshot station at a conference, for example
Classic portrait lens, but turns out to be a pretty great lens for shooting candids.
However, when shooting with two cameras, one with the 50mm, i find that the 135mm to be a better companion
EF 135 f2
Known for its excellent character (canon)
If that matters for events is another story
Also great for portraits
Can be used to shoot headshots
Becomes mostly impractical for anything but close up candids
F2 advantage to a 70-200 is somewhat offset by the 70-200 (IS), but shooting with a wider aperture with a faster shutter can be an advantage too.
EF 200 F2.8
Light but no IS
Also, not a pixel peeper, but likely somewhat dated optics
Not much lighter than the most modern 70-200 lenses (plastics)
In the end of the day, unless on a budget, prob not worth it
Honorable mentions
Fisheye lens
Fisheye lens: You dont need it, but
doesn't mean its useless or you can't have fun with it.
Great for dynamic dance photos
Wedding: how I learned and the one shot we used it for.
Vintage lenses
Fun, full of character, but not practical.
I really hope you enjoy this one! Thanks for watching!
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Stuff included in this video:
How to get the rate you deserve
How to advocate for yourself / demonstrate your value.
How your mentality can hold you back
Not simply replying to inquiries with rates
Dealing with stiff competition
Being professional without being too formal
Answering emails and calls right away
Checking your darn spam folder!
Negotiating rates
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Starting in March of 2021, things really started to open up, both literally and figuratively, I guess. I immediately saw a boom in business at that time, with things eventually simmering down a bit before absolutely booming again in the fall. And I was not alone. It seemed like most photographers I knew were extremely busy, especially in October. People and businesses just seemed to be champing at the bit to throw an event. And the data I have really seems to back up my personal experience. In the fall I saw my channel grow at levels it never had before. Although I am proud of the content I have produced, I really don't think it gets the majority of the credit. Things really seemed to stay on course all the way up until the new year for me. I worked my butt off at the time because I assumed I would have January off. But although I didn't, I did see my channel's growth begin to slow down as expected.
So what about the current wave of you know what? Truthfully it barely seemed to have an impact. I had just one event cancel.
What about going forward? I think that we are entering a stage of the pandemic in which people just want to carry on for better or for worse.... and even though we may continue to see new waves impact us, fortunately they will come when there are fewer events going on anyway.
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Let me know what you guys think about the Godox 1V.
My awesome sweater is by: instagram.com/needlepushersest2001
Not a sponsor, just a friend.
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