If anyone has a higher quality copy of this, it would be much appreciated to be sent a copy.
Ziggy
This is a behind the scenes tour of the production of Foodfight! from 2006, hosted by director Larry Kasanoff sitting in the studio that the film was being animated in. This video was created to show current and potential investors what Threshold was doing for the movie. Threshold failed to meet multiple investor deadlines for the film to be completed, so videos like this had to be made to keep them up to date on what's going on. This includes a mix of animation from the pre-mocap and post-mocap phases of production. Much of it however discusses the mocap phase, which at the time this was being made was early-on for the production.
If anyone has a higher quality copy of this, it would be much appreciated to be sent a copy.
If anyone has a higher quality copy of this, it would be much appreciated to be sent a copy.
updated 2 years ago
If anyone has a higher quality copy of this, it would be much appreciated to be sent a copy.
These demos displaying its usage were available to be watched at a Kiosk on NYIT campus as well as various consumer shows.
The source would like to remain anonymous.
Living Above the Mouse's Ear is a short film created by Duane Palyka and Hank Grebe, artists and animators of the lab. It was a joint effort between the Computer Graphics Lab and the 2D animation studio, which was originally founded for the production of NYIT's 1975 film Tubby the Tuba. Animators a part of that team include John Gentilella and Francis Glebas. Mouse's Ear was mostly animated on paper before the drawings were scanned and lined, colored, and composited digitally. The film was originally presented to Vestron Video in 1985 or 1986 for possible distribution, however it was rejected and never saw a public release or screening.
This film was provided anonymously.
The raw file can be viewed and downloaded here
archive.org/details/livingabovethemousesear
The animation in this compilation comes from a trailer for the film uploaded by Video Center employee Richard Carter, a teaser contributed by Amber Denker, and two demo reels contributed by Matthew Harris.
Everything after 36:12 was in the "not using" folder so there might be a few duplicates under different names (Polka seems to be identical to Carnival) but I included them anyway just to be safe.
These files were in a large collection of assets from the game. You can read an in depth description of how this was acquired, along with the backstory behind the game, at my blog. mimeohead.blogspot.com/2024/06/this-was-foodfight-videogame.html
The game was never completed and most, if not all that was finished is seen in this reel. Cat Daddy has told me directly that they do not have a build to share of the game and do not have the time/resources to share the source.
To clarify, I do NOT have the game and have already asked. Please do not contact anyone involved with Cat Daddy for a copy.
You can read an in depth description of how this was acquired, along with the backstory behind the game, at my blog. mimeohead.blogspot.com/2024/06/this-was-foodfight-videogame.html
You can download all of the files I was sent for this game here: archive.org/details/foodfight-cat-daddy
Some of these were never used, such as "you sugar coated witch" instead of "you cold farted itch."
These were given to Cat Daddy Games for use within the canceled videogame. Some of the damage sounds might not be Charlie Sheen but I honestly have no idea given that I'm pretty sure the lines I have of Sunshine Goodness recorded specifically for the game sound just like Hillary Duff.
Files dated February 13th, 2007. Photograph is dated February 5th, 2007 so I'm pretty sure this was taken during one of the sessions these exact recordings are from!
Pretty sure these are in order? Received in technically labeled sessions with a few rogue files that I'm pretty sure weren't in the film and only a few seconds long. Apologies if something isn't right though. Didn't have the patience to comb through the movie and match everything.
This is from a larger collection of files relating to the film that should be getting uploaded in the coming week.
The original file was very poorly encoded, having been interlaced, downscaled, and stretched. Unfortunately, for it to be viewable without hideous interlacing artifacts, it needed a fair amount of enhancements. It has been generously restored to the best of the ability by @Notelu
The unrestored version can be found at archive.org/details/foodfight-teaser
2:34 Be a Man
The audio from Mr. Wonderbird is pretty poor and not much could be done to make it sound better, but I did the best I could without employing AI tools.
For those who are unaware, The King and the Mockingbird is a French animated film that was originally animated between 1948-1952. It was released in an incomplete form as The Curious Adventures of Mr. Wonderbird and dubbed in English. In 1980, it was completed as intended and released as The King and the Mockingbird, also dubbed in English. (Though the original French version of Wonderbird seems lost.)
The 1952 version is what was seen by anime pioneers such as Miyazaki and Takahata, so I thought it deserves a little more respect instead of being considered the runt of the two.
Unfortunately, funding did not come easy and the original production seems to have shuttered around 2012 when it could not make its goal on Kickstarter.
The most recent update is that it seems it was reworked into a 3D animated film titled FlabberGasted, but it's unknown if it was canceled, or if so why and when.
The book, along with T-shirts and a full music CD album, was sold on the Miracle Studios website in the mid/late 2000s to help promote the film and the new business. The full CD still remains lost from what I can tell.
Q-Tip was named after prop maker Michael Lynch's technique of using colored q-tip heads in the stadiums of The Phantom Menace to give the illusion of a crowd of people.
Not all the audio is accurate, some of it has lines dubbed over it from the table read audio on the workprint. But you can hear the original dubbing underneath their lines at certain points. (Mostly noticeable with Daredevil Dan.)
There's a few scenes tacked at the end because I felt they were too short to put in order without being jarring. Was mainly just wanting to upload this so they're up anyway. There's a few extremely short clips I forgot to add, which can be seen in the behind the scenes video and the Q-tip tests, but this is 95% of what I've found.
This animation was made years before the change to motion capture, directed by Jim George and George Johnsen and animated in LightWave.
At this time, there were no lines recorded for the cast, they were in the beginning stages of recording motion capture, there was nothing to show investors. This is just a bunch of storyboards stitched in with some animation from the demo reel that was done in 2001, which was made years before motion capture was even considered.
This was specifically made just to show investors and was of no use to the team. Foodfight didn't even have enough material to put together a workprint (if they even made one) until at least 2007.
The Works was an animated feature film being produced at New York Tech's Computer Graphics Laboratory between 1979-1986. It was intended to be the first fully computer animated film. However, due to technological restraints, only about 20 minutes of footage was produced, most of which test animation, before it was permanently halted.
This trailer was provided by a ex-member of the NYIT lab.
During the project, he sent me a collection of commercials he had directed (and sometimes animated) in the past, along with some of his short films.
Unfortunately, though I wish I could have talked to him more, Eli passed away this week. To celebrate his work, which has inspired me, I've decided to share what he shared with me.
Noyes directed these short intertitles with his friend Kit Laybourne, also an animator, in 1987.
Kit has already uploaded these to his Vimeo account years ago, however I thought I'd upload the tape that Eli sent me as well, just for the sake of sharing it.
During the project, he sent me a collection of commercials he had directed (and sometimes animated) in the past, along with some of his short films.
Unfortunately, though I wish I could have talked to him more, Eli passed away this week. To celebrate his work, which has inspired me, I've decided to share what he shared with me.
Eli can be seen as the sleeping man in the first MTV countdown bumper, along with being the voice of the "Wow!" MTV bumper, which was fully animated by him. The clay Nickelodeon bumper was also fully voiced and animated by Noyes, and is extremely reminiscent of his style and beginnings as a clay animator.
During production it was discovered that the technology was not advanced enough to be able to animate human beings properly. Because of this, it was decided that the characters would be 2D animated and placed on top of 3D rendered environments. The 2D animation was managed by Al Lowenheim and Lion's Den Studios before it slowed down in 1989 when campus owner Alexander Schuare disagreed with the use of 2D animation. Attempts were made to switch it back to 3D animation, however when Vestron and ITC Productions confessed that they don't actually have the rights, the film came to a halt in 1992.
There were a few pieces produced between 1989-1992 that are not included within this reel, however the majority of which that is known to exist is here.
There are some scenes that may seem confusing besides the fact that they are out of order. This is because, according to art director David Lubell, that CGL threw in some things that they had already animated beforehand into the reel because they thought it might fit. They might have also been included to gain the trust of potential investors in their impressive quality.
The source of this tape would like to remain anonymous.
Despite previous rumors, Don Bluth was not part of this film. However, animator Jeff Merghart, who worked on An American Tale, was a key member of the animation team. Bluth's style likely heavily influenced Merghart and therefore the look of the film.
The complete soundtrack was intended to be:
Michael Jackson - Come Together
Cyndi Lauper - Across the Unierse
Crosby, Stills & Nash - Blackbird
Robert Palmer - Baby, You're a Rich Man
Siedah Garrett - Hey Jude
Cheap Trick - Magical Mystery Tour
Luther Vandross - Michelle
Stevie Ray Vaughan - Taxman
N/A - Strawberry Fields
A handful of these songs can be heard in the reel, a few of which were recorded specifically for it. Cyndi Lauper's cover of Across The Universe is not included but can be found uploaded on YouTube as a bootleg copy. Jackson's cover of Come Together is pulled from the same performance on the 1988 film Moonwalker.
A direct copy of the digitization I was sent can be found here.
archive.org/details/strawberry-fields-wip-reel
This copy was anonymously provided by a crew member.
Originally, when this film was presented in person the host that the main character refers to would be saying their lines in person. In this version the lines have been pre-recorded for reasons I'm not entirely sure. So it isn't quite the raw file that would have been used in the theater, but it's the next best thing (and also perfect for watching at home.)
This was generously sent by an anonymous crew member.
The 3D version can be downloaded at
archive.org/details/hersheys-really-big-3d-show-stereoscopic
F.R.O.Y.D. appeared in the 1991 Macy's Thanksgiving Parade, had a mail-in poster avaliable if you wanted (though unknown what it looks like) as well as a story of how he came from another planet. Unfortunately, the details of his story still remain unknown, including a possible duet with rap group Run DMC that only exists in the form of Carolyne herself saying it only happened once.
This commercial, one out of a few made, is the only one that's been found so far, on a broadcast recording on VHS found by my friend @foundstuff9655
The idea behind this project was to create a version of The Thief that uses the least amount of unfinished animation and storyboards as possible, with no jarring quality changes and retain a consistent story and consistent feel. This, I feel, I accomplished to a great degree. I found a lot of work arounds to include scenes without their unfinished shots, learned a lot in how the film was originally supposed to be edited, and various other little things here and there. This is the project as it was, with a few things tied up, when I abandoned it a year ago. Errors are rampant across this, the only thing I finished (for the most part) was the editing.
mimeohead.blogspot.com/2024/07/the-thief-and-cobbler-practice-in.html
It was a fun project, I had a small team with me that I would speak to for advice on how to edit certain scenes properly or what should be done with restoring footage or adding music.
The old team was:
94-kun
Notelu
Colmedy
Tacktoons
Doctor Fool
pieman
Red Mango
stelomation
Twigrph
Shimo
All the material used for this cut started as raw, unedited and unrestored material from film scans, DVD and tape rips, and other bits and pieces that can be found online in some shape or form. None of this came from other fan edits.
This copy was found online being sold by a CD store in Los Angeles. There was only one bid.
Merry Christmas.
If you see this and think to yourself "my god, I need to report this as a copyright violation!" and you yourself are not part of Dreamworks or represent them legally, please get a life. This movie was never finished, the effort that went into this film has been remarkably unappreciated because of that. Covering this up because you think it's "right" is only burying people's hard work and not protecting anything.
Some scenes don't have audio, that's not a me, thing, that's just how they are.
BeatHead's concept was birthed from the era's popularity of rave music and MTV. Every level has a fictional track title and artist appear in the bottom left as if it were a music video. Every background is patterned after psychedelic rave flyers, and the characters themselves use a similar style to Dire Staits' music video for Money for Nothing.
Every level has a randomized track title and artist, so the songs aren't actually named. I have named them according the order I was presented on a play though, and are not the actual titles.
0:00:00 - Introduction
0:00:17 - Comf'tably Dum by Overture
0:02:54 - Spiral Meningitis by Overture
0:04:12 - Lips by Eat The Beat
0:04:54 - Bite It by Eat The Beat
0:05:51 - U R When U Beat by Eat The Beat
0:08:06 - Stripped Ease by Sex
0:09:39 - Unzipped by Sex
0:11:28 - Gone'tlet by War
0:12:58 - Grid D'igor by War
0:14:16 - Psycho Trouncer by Rave
0:15:22 - Voodoo Blues by Voodoo Doodoo
Music was composed by Don Diekneite, art direction by Chuck Eyler, and hardware design by Lyle Reins.
Album cover is a recreation of the game's title screen by me.
The Dancing Pumpkin was given a new spotlight when YouTuber Saberspark reviewed the film's 2017 sequel, The Dancing Pumpkin and the Ogre's Plot.
Weirdly enough, I couldn't find a single copy of this movie online in a digital format. So, I thought I'd do the honor(?) of sharing it with others.
These scenes are taken from the demo disc of the game. Weirdly enough, these scenes are not actually used, but pictures from them are used as placeholders instead. However, they were still included on the disc.
It is based off his and his friends experiences in college.
Animated by Max Ink Cafe. LLC, distributed and produced by Mantra Entertainment.
PLAYERS existence was discovered by LMW user NPC on a VHS tape at a thrift store. After posting some pictures and clips from his TV screen, it was discovered that a company named Max Ink Cafe did the animation. Upon contacting the company's co founder Todd Perry, he had a digitized copy and sent it over.
The tape rip comes from badmovies.org user wrightmonger, who uploaded it to Mediafire and shared in 2014 on the badmovies.org forum.
Music by John Morris except for Ain't It Kinda Wonderful which was written by Wilder and sang by Harry Nilsson
Note, I'm too lazy to add timestamps to this video, I've been researching this movie for weeks and I'm finally starting to burn out.
The original video was uploaded by YouTube channel The Silent Man, at this link: youtube.com/watch?v=FoXrCDi5wdE
This was later re-uploaded by the Facebook page for the documentary The Persistence of Memory, which is what I've used, given that the original channel it was on has been shutdown for unknown reasons. All I've done is removed the audio (music added by the uploader) and corrected the perspective.
For those who don't know when the film was handed to Calvert's team in 1992 a fair amount of the studios involved where not aware that Tack was not supposed to have a mouth for the majority of the film, here I have removed it for it to be consistent with Tack's intended model.
While I'm aware line test for this exact sequence exists, it's been very difficult getting it to sync up correctly, and even if I do, I feel like it would make it look more unfinished.
The song is High-wire by David Burman, from the film's soundtrack.
This trailer was produced somewhere between 1988-1992, my guess is 1990, it mentions the film being in production for the past 24 years and I wouldn't be surprised if they used the publication of Williams' Nasrudin in 1966 as a benchmark, though it's been pointed out that many of these scenes were only completed in 1991.
I apologize for the quality in which the film is in, finding a high quality version of it isn't that easy especially in the United States so I had to make due with the YouTube copy.
While I realize the mixing isn't great, a lot of that is MGM's fault, their mix is lacking compared to CBC's. I did try amending it but unfortunately the guitar accompaniment is too distorted to really make sound better, the most i can do is boost the vocals but I'm not entirely sure what this song should sound like. Regardless, this is what it sounds like in the film, and I'll keep it that way.


