NoEvDia
DEATHSPELL OMEGA The Synarchy of Molten Bones
updated
Syht (Haemoth) and Akhaeus (Bael) laid the foundations - both new and deeply rooted in a claimed and embraced heritage - whose embodiment drew upon the contributions of Yhrm (Deviant), Hth (Haemoth), MkM (Antaeus), Aguares (Bael), Ablass (6666).
What one could describe as resolutely nihilistic Black Metal, fueled by the layered experiences of its contributors, is based on the cold pronouncement of an undeniable truth: all is vanity; all that exists is doomed to fade into naught.
The entirety of it assumed shape from 2022 through an iterative and decidedly exploratory method, a prolonged process at once guided and of unbounded definition.
If a paradox must needs be forged to articulate that which is not, it is but the stark illustration of an impotence, a confession, a confusion.
The inherent contradiction of expressing nothingness has guided the artistic approach embedded within this work. Tangibly, the piece aims to represent a form of chaos, emptiness, a descent into the void, delivered through tones and playing built on a 'traditional' Black Metal praxis interspersed with noisier passages, creating a sound that's both coherent & exploratory, and a visual approach by Metastazis that is equally abstract and materially vertiginous.
This is no more about darkness than it is about light.
Yet in the void, none can fail to envision the presence of that which corrupts.
Support INRITVM:
NoEvDia: noevdia.com/artist/inritvm
Bandcamp: inritvm.bandcamp.com/album/ex-nihilo-ad-nihilum
Conceived by MkM (Antaeus, ex-Aosoth), TerrorReign (Necroblood), and Arafel, the band once more calls upon the percussive force of Blastum to give their vision flesh. The result is an album shifting between brachial black/death violence and sickly, psychotic melody – arpeggio-driven passages and unnerving samples forming a fractured narrative. Mid-paced dirges erupt into furious outbursts, solos spiral from the gloom, and a suffocating atmosphere of torment lingers throughout.
MkM’s unmistakable voice cuts through it all: lifeless, caustic, steeped in the aura of death. In fact, the concept of “Providence” stems from his need to give form to impulses that resurface in endless repetition. Through a patchwork of soundscapes, samples, and scalding riffs, Destruction Ritual channel this internal chaos into ritual discipline.
Tracklist:
Providence - 00:00
Pride & Corrupted Dreams - 05:21
Gone Days of Splendor - 11:11
Decaying Mask of Remorse - 17:41
Washed Away Sins - 27:12
Closure - 25:27
Support Destruction Ritual:
NoEVDia: noevdia.com/artist/destruction-ritual
Bandcamp: destructionritual.bandcamp.com/music
Tracklist:
I - 00:00
II - 03:30
III - 08:31
IV - 13:07
Support Der Märtyrer:
NoEVDia: noevdia.com/artist/der-martyrer
Bandcamp: dermartyrer.bandcamp.com/album/der-m-rtyrer
Spewed forth by a collective of serpents from the scorching south and sulphurous north of the Old World, Desert Psalms is an act of defiance – an offering to the lawless, the unruly, and the bright star rising in the eastern dawn.
A descent beyond the pale. Across its seven abominations, Desert Psalms drags the listener into howling darkness, where transgression and purification are one.
This is black metal in its most primal and adversarial form: venomous, unrepentant, seared in the flames of desolation. Both scourge and scripture, Desert Psalms is a baptism in bile and blood, stripping away all pretense until nothing remains but raw nerve and burning truth.
Envisioned by A.Ara of Angrenost, Desert Psalms is now manifested with the contribution of Misþyrming members Dagur Gíslason and Magnús Skúlason, Erdsaf of Angrenost, and Ólöf Rún Benediktsdóttir of Svartþoka.
Support SERPENTES here:
NoEvDia: noevdia.com/artist/serpentes
Bandcamp: serpentes.bandcamp.com/album/desert-psalms
Tracklist:
I - 00:00
II - 09:55
III - 15:28
IV - 21:45
V - 26:37
VI - 33:23
VII - 38:04
#SerpentesDesertPsalms #NoEvDia
Spewed forth by a collective of serpents from the scorching south and sulphurous north of the Old World, Desert Psalms is an act of defiance – an offering to the lawless, the unruly, and the bright star rising in the eastern dawn.
A descent beyond the pale. Across its seven abominations, Desert Psalms drags the listener into howling darkness, where transgression and purification are one.
This is black metal in its most primal and adversarial form: venomous, unrepentant, seared in the flames of desolation. Both scourge and scripture, Desert Psalms is a baptism in bile and blood, stripping away all pretense until nothing remains but raw nerve and burning truth.
Envisioned by A.Ara of Angrenost, Desert Psalms is now manifested with the contribution of Misþyrming members Dagur Gíslason and Magnús Skúlason, Erdsaf of Angrenost, and Ólöf Rún Benediktsdóttir of Svartþoka.
Support SERPENTES here:
NoEvDia: noevdia.com/artist/serpentes
Bandcamp: serpentes.bandcamp.com/album/desert-psalms
#SerpentesDesertPsalms #NoEvDia
With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.
The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.
The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.
By uniting its earliest fire with its latest incarnation, Svartsyn asserts an unbroken path of black devotion. “Vortex of the Destroyer” is both a return and an advance, where destruction and renewal converge.
Tracklist:
00:00 - Dwelling in the Dark Golden Age
06:05 - Surtr
11:58 - Hellstorm of Fenrir
17:46 - The Prometheus of Dark Dreams
24:43 - The Black Temple
29:09 - Seraphims Torn Apart
32:54 - Beyond the Memories
39:12 - Agents of Lightbearers
42:39 - Utter Northern Darkness
50:05 - Offerings of Darkness
Support SVARTSYN:
NoEvDia: bit.ly/SVARTSYN-on-NoEvDia
Bandcamp: bit.ly/SVARTSYN-on-Bandcamp
#Svartsyn #NoEvDia
This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.
As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.
The cycle is eternal. The dead shall die again, their bodies will be feasted upon by worms, and the voice of the black earth will proclaim to those who sleep in the dust with the tumultuous clamour of empty graves, overshadowing the clouds.
Tracks:
00:00 - Enter the Hypogeum
06:48 - Sepulchral Carrion God
14:16 - From the Visceral Abyss
22:51 - Sevenhundreddogsfromhell
23:55 - Strangling Visions
29:21 - And Darkness was All
37:05 - Tomb Corpse Haruspex
Support TEITANBLOOD:
NoEvDia: noevdia.com/artist/teitanblood
Bandcamp: teitanblood.bandcamp.com/album/from-the-visceral-abyss
#Teitanblood #NoEvDia #FromtheVisceralAbyss
Today we're unveiling the song Hellstorm of Fenrir.
NoEvDia proudly presents: Svartsyn – “Vortex of the Destroyer”
With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.
The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.
The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.
By uniting its earliest fire with its latest incarnation, Svartsyn asserts an unbroken path of black devotion. “Vortex of the Destroyer” is both a return and an advance, where destruction and renewal converge.
Support SVARTSYN:
NoEvDia: bit.ly/SVARTSYN-on-NoEvDia
Bandcamp: bit.ly/SVARTSYN-on-Bandcamp
#Svartsyn #NoEvDia
With “Austere Dawning”, Monte Penumbra crafts a work as dense and profound as the void itself – a chaotic, shape-shifting force that drags the listener to the brink of the abyss. Created by the same visionaries behind “As Blades in the Firmament”, this album forsakes the shores of deliverance to confront the beast lurking in the shadows.
Bjarni Einarsson once again excels behind the drum kit, his inventive and precision-driven percussion forming the pulsating backbone of W.uR’s multilayered, ceremonial dissonance. The album’s soundscape feels simultaneously massive and suffocating, perfectly capturing its sinister, unrelenting spirit. Mons Vcnt contributed the visual incarnation of “Austere Dawning”, as well as its interludes.
Spanning seven volatile compositions, “Austere Dawning” delves deep into the turbulent realms of cutting-edge black metal, forged in the same cursed fires that birthed the genre’s earliest pioneers.
Tracks:
00:00 - Ab.gott
06:07 - Void of Quietude
12:48 - Lux Electa
20:50 - Sub Forma de Animal
27:02 - Murrain Unveiled
31:49 - To Sleye No Begining but an End
36:30 - Stamen of Barrenness
Support MONTE PENUMBRA:
NoEvDia: noevdia.com/artist/monte-penumbra
Bandcamp: montepenumbra.bandcamp.com/album/austere-dawning
#MontePenumbra #NoEvDia
Today we're unveiling the song Stamen of Barrenness .
Their journey began with Saturn Sector (1998), a raw debut rooted in the defiant tradition of black metal, yet unmistakably their own. Their latest release, Mortui incedere possunt ("Dead Can March"), showcases an expanded role for drummer Polar Maya as vocalist, along with an ambitious production by TT of Abigor. Now joined by second guitarist Der Nukleare Herjarnn, a longtime live collaborator, Blackdeath’s sound hints at Voivod and the radical strains of orthodox black metal, exploring mid-tempo, ice-laden grooves.
Merging familiar intensity with newfound uniqueness, Blackdeath may well have achieved their pinnacle. Thematically, they dissect reality through an anti-cosmic lens, revealing Chaos in all things.
00:00 - Annihilate Thy Forest II
05:10 - Wiegenlied für die Toten
11:15 - In den Wolken der Venus
16:33 - Emmeleia
20:01 - Die größte Kraft
25:25 - Verwünschung
31:47 - Im Namen des künstlichen Intellekts
37:33 - Der Zorn
Support BLACKDEATH here:
NoEvDia: noevdia.com/artist/blackdeath
Bandcamp: trueblackdeath.bandcamp.com/album/mortui-incedere-possunt
#Blackdeath #blackmetal
Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.
In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.
Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.
“Í vökulli áþján” tracklist:
00:00 - Reikul vofa
08:13 - Viðjar holdsins
12:56 - Helgrindur
17:49 - Dreyrrauði
22:35 - Hvíldarsálmur
28:49 - Iðrun og ótti
33:17 - Úr iðramyrkri
37:24 - Duftið eitt
Cover artwork courtesy of View from the Coffin. Layout by Heresie Studio. Logo by Skaðvaldur.
Support VAFURLOGI:
NoEvDia: noevdia.com/artist/vafurlogi
Bandcamp: vafurlogi.bandcamp.com/album/v-kulli-j-n
#Vafurlogi #Svartidauði #Sinmara #NoEvDia #OrationRecords
Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.
In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.
Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.
“Í vökulli áþján” tracklist:
1. Reikul vofa
2. Viðjar holdsins
3. Helgrindur
4. Dreyrrauði
5. Hvíldarsálmur
6. Iðrun og ótti
7. Úr iðramyrkri
8. Duftið eitt
Cover artwork courtesy of View from the Coffin. Layout by Heresie Studio. Logo by Skaðvaldur.
Support VAFURLOGI:
noevdia.com/artist/vafurlogi
#Vafurlogi #Svartidauði #Sinmara #NoEvDia #OrationRecords
Aethyrick's longstanding partnership with The Sinister Flame ended when the label closed its doors for good. However, the flow of inspiration could not be halted, and the fervent work on the new album continued in the shadows. By the summer of 2024, the process was complete, and the duo found a new home abroad under the banner of EAL Productions.
Musically, “Death is Absent” builds on Aethyrick's signature style, pushing it further while occasionally increasing the tempo. Rooted in the melodic and atmospheric side of mid-90s Black Metal, their music evokes a time when the genre first captured their imaginations. They craft a soundscape that is both familiar and fresh, embodying the mysteries of the existential nightside.
Revelations within both the sacred circle and the dreamlike realms have infused this offering with deep emotion, draped in the regal mantle of Finnish Black Metal. The lyrics acknowledge and honour the Reaper's role as the extinguisher of mortal life, yet deny his authority over the flames of eternal faith.
Paths come to an end. Voices fall silent. Hearts cease to beat. But the song of Spirit continues, and thus, death is truly absent.
Pre-order CD, LP, & Digital Album:
noevdia.com/artist/aethyrick
aethyrick.bandcamp.com
Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.
In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.
Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.
“Í vökulli áþján” tracklist:
1. Reikul vofa
2. Viðjar holdsins
3. Helgrindur
4. Dreyrrauði
5. Hvíldarsálmur
6. Iðrun og ótti
7. Úr iðramyrkri
8. Duftið eitt
Cover artwork courtesy of View from the Coffin. Layout by Heresie Studio. Logo by Skaðvaldur.
Support VAFURLOGI:
noevdia.com/artist/vafurlogi
#Vafurlogi #Svartidauði #Sinmara #NoEvDia #OrationRecords
To be released on NoEvDia April 30 2024.
Support LIFVSLEDA here:
NoEvDia: noevdia.com/artist/lifvsleda
Bandcamp: lifvsleda.bandcamp.com
#Lifvsleda #EvangeliiHärold #NoEvDia
‘Do you not recognise the trials requested of you? Do you not hear the swarms of voracious flies? Do you not smell corruption’s fetid perfume? As moths to candle flame, so compelled and beguiled to be blind to your annihilation in the Devil’s fires.’
With “The Apophatic Wilderness”, Verberis reveals an image of man cast into the house of Abaddon. Three formidable compositions totalling 41 minutes proceed from 2022’s “Adumbration of the Veiled Logos”, recounting an entanglement of hubris, submission, worship, and ruin.
As with the past two releases, “The Apophatic Wilderness” was recorded by the constellation of DA with JSM, NH, and MP. This time, the essence of germanium transistors and magnetic tape imbues the sonic spectrum and provides an aura of vintage viscerality.
While collaborating once more with Ars Alchymiae and Magnus Lindberg, further control was relinquished to achieve a final product reaching beyond the capacities of the band’s core alone. In this respect, mixing was by the hands of Richard Behrens, whereas layout and typography came forth from an open grave.
Take heed in the apophatic wilderness.
Support Verberis:
Bandcamp: verberis.bandcamp.com
NoEvDia: noevdia.com/artist/verberis
#Verberis #TheApophaticWilderness #NoEvDia
LVME steadfastly uphold the essence of traditional Black Metal while boldly broadening their musical scope. “Of Sinful Nature” presents five expertly crafted tracks that defy conventions. This album is an intense Black Metal sermon, marked by a fluid fusion of complex riffs and surprising twists; a powerful expression of raw, unbridled and rebellious energy.
“Of Sinful Nature” stands out with its authentic production quality – a real treat for those familiar with the feral force of an analogue drum kit. The album's production harks back to the organic sound of earlier decades, enriched with the grit of all-analogue mastering.
Once you immerse yourself in “Of Sinful Nature”, you'll be swept away by its commanding presence for forty-five minutes. This album is an experience to be embraced and surrendered to, a celebration of Black Metal and its conquering spirit.
Support the band:
NoEvDia: noevdia.com/artist/lvme
Bandcamp: lvme.bandcamp.com
00:00 - The Venomous Fire
09:36 - Strix Rêverie
15:21 - Without Light nor Guide
24:34 - Into Ashen Stone
35:17 - Obenaus und Nirgends an!
#LVME #NoEvDia
LVME steadfastly uphold the essence of traditional Black Metal while boldly broadening their musical scope. “Of Sinful Nature” presents five expertly crafted tracks that defy conventions. This album is an intense Black Metal sermon, marked by a fluid fusion of complex riffs and surprising twists; a powerful expression of raw, unbridled and rebellious energy.
“Of Sinful Nature” stands out with its authentic production quality – a real treat for those familiar with the feral force of an analogue drum kit. The album's production harks back to the organic sound of earlier decades, enriched with the grit of all-analogue mastering.
Once you immerse yourself in “Of Sinful Nature”, you'll be swept away by its commanding presence for forty-five minutes. This album is an experience to be embraced and surrendered to, a celebration of Black Metal and its conquering spirit.
Support the band:
NoEvDia: noevdia.com/artist/lvme
Bandcamp: lvme.bandcamp.com
#LVME #NoEvDia
Afterwards, the band started rehearsing to prepare for a series of concerts. Line-up complications eventually doomed the attempt at performing this particular album live.
The following video of the song The Fires of Frustration is an internal working document – the kind produced when musicians are scattered across a continent. The recording device was a smartphone.
While the idea of concerts for Furnaces is now water under the bridge, we can at least divulge a fraction of what we were working on. The performance itself reflects the early phase of a series of rehearsals and, as such, is not flawless.
Aesthetics: Dehn Sora
Sound improvement : Mikołaj Żentara
#DeathspellOmega #FurnacesOfPalingenesia #NoEvDia
Emerging from northern Portugal in the formative years of the second wave of black metal, Angrenost has been defined not by output but by its unorthodox evolution. With roots planted by Pursan and A. Ara, the project has been a vessel for exploring the evil within man, free from the constraints of the prevailing scene or current trends.
The reunion of Pursan with A. Ara, alongside Erdsaf and M. Skúlason, has yielded Angrenost’s most mature and inspired offering to date: Magna Lua Ordem Mística ("The Mystical Order of the Great Moon"). A work full of bygone tradition, elevated by a mastery of sound, as well as words and spirit that make it shine with a distinct light.
The album invites listeners to walk a contemplative path across the ephemeral nature of existence. It is a narrative of humanity’s voyage from the still waters of the immaterial plane into the mortal sphere of chaos and corruption – a world where the celestial bond fractures and the soul of Man encounters raw embodiments of the diabolical.
Magna Lua Ordem Mística stands at the crossroads of tradition and modernity, blending esoteric lore with the intricacies of composition. It represents a sincere and powerful display of everything that makes black metal an obscure and sinister art form.
Support ANGRENOST here:
NoEvDia: noevdia.com/artist/angrenost
Bandcamp: angrenost1.bandcamp.com
Interlúnio: O Arco Escuro e a Seta de prata 0:00
Côncava Fornalha lunar... os abismos da Manifestação 05:32
Crescente: No fio de lua o enforcado 11:24
Corcunda: Da prata gibosa, a foice do Mago 17:41
Água Real: Na ampulheta o diabo, enxofre por firmamento 26:41
Disseminadora: Caverna solar... os breus da Contemplação 35:41
Minguante: No coração de pedra, a fortaleza do Ermita 42:00
Balsâmica: Nos fumos esquecimento, dédalos de enxofre 46:16
#Angrenost #MagnaLuaOrdemMistica
2019, the end of a cycle: A pinnacle in our approach to what a ceremony should be, especially on the occasion of "Les Feux de Beltane" (The Fires of Beltane). The lands of Brittany always provide us with the energy and the perfect setting for letting go and immersing ourselves completely in our Art.
Each of our ceremonies has marked a milestone in our congregation since that time. Les Feux de Beltane was marked by the replacement of Kristik A.K. with Vagus Nox. "Et il n'y aura plus de nuit" was Messiatanik Armrek's final ceremony after more than 18 years of ignominious activism. Since then, he has taken a different path and now follows a different light.
It was also during that same year, at "Et il n'y aura plus de nuit", that we had the honor of introducing Dehn Sora on stage, handling the machines and percussions. Dehn Sora was already known for his remarkable visual work on our previous album, "Fils de Dieu".
Our last ceremony in January 2020 marked the arrival of Eurnnath Nefast on bass. We then delved into our inner selves to find necessary rest, and the health crisis was conducive to that. Our resilience was tested until the last minute before entering the studio in July 2021. We left as five and arrived at the gates of studio Kerwax as four. Vagus Nox had fallen into a vortex from which we are still not certain he has returned to this day.
In this context, fraught with obstacles and challenges, it is within ourselves that we found the energy and inspiration to compose and present you this new offering, "Et Facta Est Lux". This fourth album marks the end of an era, both personally and artistically. Would it be possible at all to separate the two?
Just like our previous works, a dynamic of improvisation remains at the core of our creative endeavors. The process has been enriched by numerous additions of instruments and sounds, brought by the fresh blood that has joined our congregation as well as this unique place that is the Kerwax studio. The sound palette of Sektarism has thus evolved, heaviness being still at the heart of the orchestration. "Et Facta Est Lux" continues our work with a sense of greater maturity and mastery while retaining that element of insecurity and urgency that is inseparable from the context of improvised live recordings.
Some will find light in it, while others will find darkness. For us, it is the very essence of who we are. This work is the result of hard labor and has been born out of pain. For without that, can we truly speak of Art?
Support SEKTARISM here:
NoEvDia: noevdia.com/artist/sektarism
Bandcamp: sektarism.bandcamp.com
Fiat Lux 0:00
Le Vent des Serpents 22:00
#Sektarism #EtFactaEstLux
Release date 20th of January 2023 on NoEvDia.
The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album's title, naturally, should be read ambiguously.
Whilst capturing moments of the subconscious speaking in tongues, the songs on “Benediction” expand on the derelict Black Metal heard on “Gothic”, spiralling even further into absolute darkness. Sodality’s musical incarnation inches ever closer to the abyss, mirroring dedication taken to extremes – which is the utmost essence of the believer.
Support Sodality here:
NoEvDia: noevdia.com/artist/sodality
Bandcamp: sodality.bandcamp.com
Rapture 0:00
Possession 10:27
The Nativity aka Heathen Angel 19:24
With Faithful Voice I Make my Supplication 29:45
#Sodality #Benediction #BlackMetal
Release date 16th of December 2022 on NoEvDia.
By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.
Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
In the band’s own words:
Authentic and genuine, entirely devoid of gimmicks, Með hamri is a celebration of violence and excess. Arrogant, vitriolic, and with contemptuous disregard for your every sensibility, this album is our statement against all that is false and vain in today’s underground scene. With the timeless values of true metal woven into its very fabric – unironic and unapologetic – this is the Devil’s music made manifest. There is plenty of room for nuance and subtlety in Black Metal, but the hammer leaves no room for interpretation.
Support Misþyrming here:
NoEvDia: noevdia.com/artist/misthyrming
Bandcamp: misthyrming.bandcamp.com/album/me-hamri
Með hamri 0:00
Með harmi 6:27
Engin miskunn 14:38
Engin vorkunn 22:57
Blóðhefnd 30:11
Aftaka 33:41
#Misþyrming #MedHamri #BlackMetal
Release date 16th of December 2022 on NoEvDia.
By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.
Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
In the band’s own words:
Authentic and genuine, entirely devoid of gimmicks, Með hamri is a celebration of violence and excess. Arrogant, vitriolic, and with contemptuous disregard for your every sensibility, this album is our statement against all that is false and vain in today’s underground scene. With the timeless values of true metal woven into its very fabric – unironic and unapologetic – this is the Devil’s music made manifest. There is plenty of room for nuance and subtlety in Black Metal, but the hammer leaves no room for interpretation.
Support Misþyrming here:
NoEvDia: noevdia.com/artist/misthyrming
Bandcamp: misthyrming.bandcamp.com/album/me-hamri
#Misþyrming #MedHamri #BlackMetal
Release date 14th of October 2022 on EAL Productions and Profound Lore.
Four years after their latest offering, the "Sulphur Soul" MLP, Gevurah strikes back with its most intense and scalding release yet. Somber and vicious Black Metal, yet authentic and efficient in its delivery, "Gehinnom" is a journey through the physical and metaphysical desert, realm of death and transformation. From the pits of Gehinnom, we tread deeper into the abyss towards the final resurrection, with eyes opened and spirit liberated. Each track represents a step in this process of negating the flesh, linking microcosm with macrocosm and deepening the fall of Man.
Support the band here:
NoEvDia: bit.ly/GEVURAH-on-NoEvDia
Profound Lore: https://linktr.ee/profoundlorerecords
Bandcamp: gevurah.bandcamp.com/album/gehinnom
00:09 - Gehinnom
02:28 - At the Orient of Eden
09:14 - Blood-Soaked Katabasis
14:18 - Towards the Shifting Sands
22:51 - Lv 16 22
25:27 - Memento, Homo...
33:04 - Gloria In Excelsis Deo, Et Ira Ad Homines in Terra
#Gevurah #Gehinnom
In a nutshell, this blatant disregard for norms and expectations is precisely what “To be shunned by all…as centres of Pestilence” is about. It’s an album that falls into no fixed category besides the one reserved for highly personal takes on Black Metal.
The vocals veritably jump at your throat, the organic drum sound delivers barrages of artillery sprinkled with surprising ideas, and the guitars… well, it’s simply a pleasure to witness such a relentless riff delivery, never short on daring ventures. It’s evident that both members – likely due to their involvement with other touring bands – have grown immensely as musicians over the past decade. Their instrumental mastery turns “To be shunned by all…” into a masterclass of extreme underground metal.
There’s a lot that comes over as very real on this record: the sound, the songwriting, and the overall performance. The spirit is not one of today – its roots lie elsewhere. And most importantly, sincere. So, “To be shunned by all…as centres of Pestilence” is Kathaaria’s epitaph. We’re left with a peculiar legacy in the realm of German Black Metal.
Support the band here:
NoEvDia: noevdia.com/artist/kathaaria
Bandcamp: kathaaria.bandcamp.com
00:00 Agenda Nihil
06:38 The Last Act of Rebellion
15:02 Degenerate Encapsulate
24:10 The Judas Principle
31:51 Never Dead Enough
41:41 Apathetic
#Kathaaria #ToBeShunnedByAllAsCentresOfPestilence
Release date 14th of October 2022 on EAL Productions and Profound Lore.
Video directed by Frederick Maheux
Cinematography by Luc Desjardins
Four years after their latest offering, the "Sulphur Soul" MLP, Gevurah strikes back with its most intense and scalding release yet. Somber and vicious Black Metal, yet authentic and efficient in its delivery, "Gehinnom" is a journey through the physical and metaphysical desert, realm of death and transformation. From the pits of Gehinnom, we tread deeper into the abyss towards the final resurrection, with eyes opened and spirit liberated. Each track represents a step in this process of negating the flesh, linking microcosm with macrocosm and deepening the fall of Man.
Support the band here:
NoEvDia: bit.ly/GEVURAH-on-NoEvDia
Profound Lore: https://linktr.ee/profoundlorerecords
Bandcamp: gevurah.bandcamp.com/album/gehinnom
#Gevurah #Gehinnom
Two years from intention to completion and recorded across two diametrically opposed continents, Verberis’ sophomore album is a work that has undergone yet further refinement from 2018’s “Vorant Gnosis” EP, and the band's antipodean wellspring.
An evolution spurred by the clearing of vision and honing in upon the specific essences most relevant to it, “Adumbration of the Veiled Logos” is a monument whose aural intensity is matched both by the arresting artwork of Ars Alchymiae as well as the album’s metaphysical subject matter.
As with the preceding EP, the foundations of “Adumbration of the Veiled Logos” were received by DA (guitars) and then actualised through the indispensable expertise of JSM (percussion), NH (vocals) and MP (bass).
Support the band here:
NoEvDia: bit.ly/NoEvDia-VERBERIS
Bandcamp: verberis.bandcamp.com
00:00 Sepulchre of Shattered Saints
09:21 Adamantine Amidst Transience
21:17 Severed Paragon
30:56 Ennoia
37:23 I am the Father and the Tomb of the Heavens
#Verberis #Adumbrationoftheveiledlogos #NoEvDia
Tunnel vision, gritted teeth, and shivering. For someone who’s been involved with Black Metal for over a quarter of a century, the bar to be taken by surprise is predictably high. That feeling of absolute rapture becomes a rare occurrence.
Yet, the magic of this genre is that there are records written and released today which manage to summon spirits of ages past – all the while adding just the right amount of know-how and expanded songwriting skills. The result ends up being something timeless, with both demonstrably deep roots and strong claims on shaping the future. Black Metal infused with reverent reminiscence of the 1990s, but that still feels from the now. Old, but in no way obsolete. Emotionally implacable. And that’s what yields the aforementioned tunnel vision, gritted teeth, and shivering.
The words above pertain to LIFVSLEDA. It is with great pride that NoEvDia will release the 2nd Album "Sepulkral Dedikation" on April 1 2022.
Support the band here:
NoEvDia: bit.ly/NoEvDia-LIFVSLEDA
Bandcamp: lifvsleda.bandcamp.com
00:00 Sändebudet
05:15 Lifvspänn
10:24 Djefvulen
14:50 Hädankallad
19:26 Likbålet
24:40 Dödspredikanten
30:09 Evigheten
34:40 Kallet
#Lifvsleda #Lifvspänn #SepulkralDedikation
"Headless Rite", taken from "The Broken Seal" by LVCIFYRE.
Released on September 10th 2021 by Dark Descent / NoEvDia.
Bandcamp: lvcifyre.bandcamp.com/album/the-broken-seal-2
NoEvDia: noevdia.com
Dark Descent: darkdescentrecords.com
Regarding The Broken Seal:
Calculating and cruel, steeped in an ambiance of controlled fury, the nine tracks offer a jarring journey through the haunted recesses of the mortal mind. They are violent and hypnotic, but also bring out the occasional demented melody to keep things unpredictable. The lyrics - manic demonological verses that read as the album sounds - are roared, chanted, moaned and snarled with equal parts conviction and possession.
All combined, this results in a soundscape which, whilst firmly rooted in the death metal tradition, is thoroughly imbued with a theatrical vibe and spiritual depth more associated with black metal. The Broken Seal is a unique fusion of musical worlds, concocted to plague the reality of flesh.
#LVCIFYRE #TheBrokenSeal #DehnSora
Stand witness to The Long Defeat! Hearken to the first emanation of the third era of DEATHSPELL OMEGA; forty-four minutes of Black Metal enacted through five instalments. Recorded live by the French power trio in July 2021. Bile and venom distilled and added until the leaves fell.
“The Long Defeat” unfolds over three parallel storylines told via three different mediums. Two in writing: the lyrics, as well as a fable. The third speaks through the artwork – two metres’ worth of maniacally detailed visions depicting the same premise its written content draws from. All three are fundamentally entwined but diverging in narrative, each complementing or contradicting the others.
Support the band here:
NoEvDia: bit.ly/NoEvDia-DEATHSPELL-OMEGA
Bandcamp: deathspellomega.bandcamp.com
00:00 - Enantiodromia
11:56 - Eadem, sed aliter
21:05 - The Long Defeat
29:40 - Sie sind gerichtet!
36:58 - Our Life is Your Death
#DeathspellOmega #TheLongDefeat #NoEvDia
Tunnel vision, gritted teeth, and shivering. For someone who’s been involved with Black Metal for over a quarter of a century, the bar to be taken by surprise is predictably high. That feeling of absolute rapture becomes a rare occurrence.
Yet, the magic of this genre is that there are records written and released today which manage to summon spirits of ages past – all the while adding just the right amount of know-how and expanded songwriting skills. The result ends up being something timeless, with both demonstrably deep roots and strong claims on shaping the future. Black Metal infused with reverent reminiscence of the 1990s, but that still feels from the now. Old, but in no way obsolete. Emotionally implacable. And that’s what yields the aforementioned tunnel vision, gritted teeth, and shivering.
The words above pertain to LIFVSLEDA. It is with great pride that NoEvDia will release a seven-inch EP featuring one new song and a cover of Darkthrone’s “Transilvanian Hunger” – sung in Swedish – followed around April by their second album “Sepulkral dedikation”.
The 7'' is to be released on February 25.
Support the band here:
NoEvDia: bit.ly/NoEvDia-LIFVSLEDA
Bandcamp: lifvsleda.bandcamp.com
00:00 Lifvspänn
05:08 Transilvansk Hunger
#Lifvsleda #Lifvspänn #SepulkralDedikation
As did the three past albums, “Deiform” exhibits a completely different approach to sound production compared to its predecessor. Nevertheless, from the first song to the last, the source of this multi-layered madness is unmistakable; all the classic Funeral Mist characteristics are present. Ambitious interludes which are impressive compositions in their own right. Innovative use of various samples which become a living, breathing part of the music. And frenzied oration delivered by what many believe to be the best and most versatile vocalist in black metal. All culminating in spiritual violence in its crudest form.
“Deiform” is a holistic experience, in the sense that music, art, and photography – all deriving from the project’s mastermind, D Rostén – is connected, and thereby best experienced in unison.
Support the band here:
NoEvDia: bit.ly/NED-FUNERAL-MIST
Bandcamp: funeralmist.bandcamp.com
0:00 Twilight of the Flesh
09:38 Apokalyptikon
14:04 In Here
23:01 Children of the Urn
30:46 Hooks of Hunger
35:41 Deiform
44:50 Into Ashes
#FuneralMist #Deiform
As did the three past albums, “Deiform” exhibits a completely different approach to sound production compared to its predecessor. Nevertheless, from the first song to the last, the source of this multi-layered madness is unmistakable; all the classic Funeral Mist characteristics are present. Ambitious interludes which are impressive compositions in their own right. Innovative use of various samples which become a living, breathing part of the music. And frenzied oration delivered by what many believe to be the best and most versatile vocalist in black metal. All culminating in spiritual violence in its crudest form.
“Deiform” is a holistic experience, in the sense that music, art, and photography – all deriving from the project’s mastermind, D Rostén – is connected, and thereby best experienced in unison.
Support the band here:
NoEvDia: bit.ly/NED-FUNERAL-MIST
Bandcamp: funeralmist.bandcamp.com
#FuneralMist #Deiform
NoEvDia: noevdia.com/artist/treha-sektori
Besides serving as an expression in the instinctive language inherent in the Treha Sektori project, ‘rejet’ is French for ‘rejection’.
In the dictionary of corporeal modification, rejection occurs when an impulse leaves the body. As mirrored in the first edition of Treha Sektori in literary format – a book entitled The Sensation of Being one of Them – it assumed the form of a primal emotional state. A quixotic reflection, like a mirage, but still deeply felt. Here, rejection is imbued in the process of shedding flesh and replacing it with armour. Scales that no arrow could ever pierce without being absorbed. A body able to drink unscathed from puddles of purest poison; it is the rejection of the mortal cloak.
“Rejet” is one step further in Treha Sektori’s strife to transcend its own limitations. Each and every medium is linked together. All of the accompanying images are crucial factors for those who wish to understand “Rejet” – vestigial structures of these bodies, and testimonies of their burdens.
Fuelling the choice of the book format was the ironclad will to push ever-onwards – a sentiment deeply echoed in each of these tracks. The tunes themselves provide notation to mental images and help blur the borders between different sensory inputs.
The music morphs from abstract inspirations to percussive pulses: heartbeats and breaths, as if beseeching external energies. The soundscape shows greater compositional confidence than before, ranging from desperate primal screams to the acceptance of wounds and the structured chaos of a trance, with disenchanted voices murmuring in the background. It’s designed to bring you to a place where your feet are stuck in the mud and grime, while your spirit soars freely through the fog.
#TrehaSektori #NoEvDia #DarkAmbient
To be released on October 8th 2021 by EAL Productions / Distribution through NoEvDia.
Bandcamp: trueblackdeath.bandcamp.com
NoEvDia: noevdia.com/shop
When it comes to Russian Black Metal, there are few bands more iconic than Blackdeath. The progression within their discography is remarkable, quite frankly: a linear evolution starting with the most primitive of monochord black noise, then gradually morphing into the orchestral swarm of blades that is today’s incarnation. Constantly pummelling the boundaries of their own limits, for ten albums straight now.
The new album is not only different to its predecessor, “Phantasmhassgorie”, but also from everything else they’ve done. “Also sprach das Chaos” consists of two songs: 14 and 19 minutes, respectively. Both as glacial and hostile as the Russian winter, with a plethora of surprises lurking in the icy darkness. The cover, by the way, is courtesy of Valnoir / Metastazis.
Considering the peculiar spirit of some arrangements… perhaps distant kin to what one might have expected from early-90s Master’s Hammer? Or is that the bite of Laibach? Or even a scar left by the wildest era of Einstürzende Neubauten? Nonetheless, make no mistake here: experimental as it may be, we’re still talking fiercely unapologetic underground Black Metal. But one that acknowledges no limit in spirit. We are proud to release this album on EAL Productions.
Blackdeath regards “Also sprach das Chaos” as a play of sorts. The band commented:
‘The main song is actually the second one, "Im Labyrinth”. It’s a poetic description of an Anti-Cosmic mystery. The narrator, a dead man, performs the initiation rite - the ultimate goal of which is liberation from the laws of Cosmos. The first track, "Paralysiertes Äquinoktium" ("Paralyzed Equinox") is a kind of sequel which narrates the resulting cosmic collapse.’
Blackdeath are currently gearing up to enact their sinister tale on the road, once the world starts opening up again. After extensive touring and numerous festival dates since their live debut in 1997, this forced hiatus has left them hungrier than ever.
#BLACKDEATH #AlsoSprachdasChaos
To be released on September 10th 2021 by Dark Descent / NoEvDia.
Bandcamp: lvcifyre.bandcamp.com/album/the-broken-seal-2
NoEvDia: noevdia.com
Dark Descent: darkdescentrecords.com
Calculating and cruel, steeped in an ambiance of controlled fury, the nine tracks offer a jarring journey through the haunted recesses of the mortal mind. They are violent and hypnotic, but also bring out the occasional demented melody to keep things unpredictable. The lyrics - manic demonological verses that read as the album sounds - are roared, chanted, moaned and snarled with equal parts conviction and possession.
All combined, this results in a soundscape which, whilst firmly rooted in the death metal tradition, is thoroughly imbued with a theatrical vibe and spiritual depth more associated with black metal. The Broken Seal is a unique fusion of musical worlds, concocted to plague the reality of flesh.
#LVCIFYRE #TheBrokenSeal
To be released on September 10th 2021 by Dark Descent / NoEvDia.
Bandcamp: lvcifyre.bandcamp.com/album/the-broken-seal-2
NoEvDia: noevdia.com
Dark Descent: darkdescentrecords.com
Calculating and cruel, steeped in an ambiance of controlled fury, the nine tracks offer a jarring journey through the haunted recesses of the mortal mind. They are violent and hypnotic, but also bring out the occasional demented melody to keep things unpredictable. The lyrics - manic demonological verses that read as the album sounds - are roared, chanted, moaned and snarled with equal parts conviction and possession.
All combined, this results in a soundscape which, whilst firmly rooted in the death metal tradition, is thoroughly imbued with a theatrical vibe and spiritual depth more associated with black metal. The Broken Seal is a unique fusion of musical worlds, concocted to plague the reality of flesh.
#LVCIFYRE #TheBrokenSeal
To be released on march 26th 2021 by EAL/Oration.
Bandcamp: montepenumbra.bandcamp.com
NoEvDia: noevdia.com
Oration: http://www.orationrecords.com
A stranger to time, space or any geographical scene, Monte Penumbra returns with might and main: a full-length entitled “As blades in the firmament”. An opus for the Antagonist, ranging from vicious Black Metal to eerie ambient sections, beseeching the abyss and rejoicing at the antipode of the Sun.
“As blades in the firmament” has been composed by W.uR and feeds off an ancestral sense of fatalism, intertwined with the triumphant emblems of Death, in a ceremonial attack upon heavenly ardour.
Unlike its forerunners, it features Bjarni Einarsson (Sinmara / Rebirth of Nefast) on drums, in place of Mons Vcnt. The latter nevertheless contributed essential elements to the album: its visuals.
Bjarni Einarsson’s drumming on the album is overwhelmingly the result of his creative freedom. The drums were recorded at Studio Emissary (Iceland) and the rest of the elements were crystalized during various sessions in Portugal. All tracks were mixed and mastered at Studio Emissary by Stephen Lockhart.
#MontePenumbra
Bandcamp: montepenumbra.bandcamp.com
NoEvDia: noevdia.com
Oration: http://www.orationrecords.com
00:00 - Farewell With the Tribe
06:20 - The Blood of Gladiators
16:14 - One Cannot Serve Two Masters on This Earth
22:37 - A Mischief in the Night
26:55 - What Blooms in the Shadows
37:31 - The Castle of Death and Doom
Support SODALITY here:
bit.ly/NoEvDia-SODALITY
Vidfare Productions presents Gravrost – the second album of DomJord. D Rostén delves further into the minimalistic yet immersive electronic sounds explored on the project’s debut.
“This time, I took the easy route by drawing most of my inspiration from a place far closer to home, resulting in a musical journey oozing with apocalyptic gloom and existential despair. Gravrost is an odyssey in seven chapters, guiding the listener through ominous landscapes of rust-laden ruins, barren ground, and the thick black fog of burning oil. In other words, the perfect soundtrack to the death of a civilisation – perhaps from a forgotten past, perhaps in the foreseeable future.”
Enjoy!
Domjord - Gravrost is a 7 track album:
00:00 - Övergång
07:17 - Andrum
11:10 - Dödsdans
19:30 - Gravrost
24:14 - Järn
30:46 - Farsot
39:19 - Undergång
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Gravrost #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist
Courtesy of Violent Motion and Collectif Iceberg who captured the event, you can now withness this unique artistic performance filled with sinister sectarian and religious echoes.
Caption Violent Motion
Video editing Violent Motion
Follow Sektarism:
Official site: http://www.sektarism.org
Facebook: fr-fr.facebook.com/sektarism
Support Sektarism:
Bandcamp: http://bit.ly/Bandcamp-SEKTARISM
NoEvDia: http://bit.ly/NoEvDia-SEKTARISM
Necrocosm: http://bit.ly/Necrocosm-SEKTARISM
#FuneralProcession, #Ritual
Excerpt from an interview in Bardo Methodology #6 with D. Rostén of Funeral Mist and Marduk.
A more recent musical outlet of Rostén’s is his new project, DOMJORD. A full-length album, “Sporer”, will be released on March 13, courtesy of Vidfare Productions via Norma Evangelium Diaboli and The Ajna Offensive.
– DOMJORD is an all-electronic project I’ve been working on for some time now. As everyone knows, certain situations call for certain music and certain moods call for certain tunes; having long searched for this specific type of sound without ever really finding anything even remotely close to what I had in mind, I simply decided to make it myself. The original plan – if there ever was one – was to just keep the music for myself and bring it out whenever this particular void needed filling. However, the musician in me felt otherwise and couldn’t just leave it at that. It had to be released, if not to reach out to a supposed listenership with the same or similar needs then at least to put an end to a chapter and move on.
This will probably be categorised as dark ambient or similar, but how would you describe it yourself?
– Very melodic, fairly repetitive, somewhat minimalistic – pulsating and hypnotic, lots of contrast, lots of texture and, as just stated, all electronic… and not that I want to tell people how to listen to music, but this is laydown-close-your-eyes-and-float-away-music. In other words, the complete opposite of everything I’ve ever released, performed, or taken part of before. As for genre classifications, I’ll leave that to others.
All single tracks on playlist: http://bit.ly/Playlist-DOMJORD
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Sporer #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist
Excerpt from an interview in Bardo Methodology #6 with D. Rostén of Funeral Mist and Marduk.
A more recent musical outlet of Rostén’s is his new project, DOMJORD. A full-length album, “Sporer”, will be released on March 13, courtesy of Vidfare Productions via Norma Evangelium Diaboli and The Ajna Offensive.
– DOMJORD is an all-electronic project I’ve been working on for some time now. As everyone knows, certain situations call for certain music and certain moods call for certain tunes; having long searched for this specific type of sound without ever really finding anything even remotely close to what I had in mind, I simply decided to make it myself. The original plan – if there ever was one – was to just keep the music for myself and bring it out whenever this particular void needed filling. However, the musician in me felt otherwise and couldn’t just leave it at that. It had to be released, if not to reach out to a supposed listenership with the same or similar needs then at least to put an end to a chapter and move on.
This will probably be categorised as dark ambient or similar, but how would you describe it yourself?
– Very melodic, fairly repetitive, somewhat minimalistic – pulsating and hypnotic, lots of contrast, lots of texture and, as just stated, all electronic… and not that I want to tell people how to listen to music, but this is laydown-close-your-eyes-and-float-away-music. In other words, the complete opposite of everything I’ve ever released, performed, or taken part of before. As for genre classifications, I’ll leave that to others.
All single tracks on playlist: http://bit.ly/Playlist-DOMJORD
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Sporer #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist
Excerpt from an interview in Bardo Methodology #6 with D. Rostén of Funeral Mist and Marduk.
A more recent musical outlet of Rostén’s is his new project, DOMJORD. A full-length album, “Sporer”, will be released on March 13, courtesy of Vidfare Productions via Norma Evangelium Diaboli and The Ajna Offensive.
– DOMJORD is an all-electronic project I’ve been working on for some time now. As everyone knows, certain situations call for certain music and certain moods call for certain tunes; having long searched for this specific type of sound without ever really finding anything even remotely close to what I had in mind, I simply decided to make it myself. The original plan – if there ever was one – was to just keep the music for myself and bring it out whenever this particular void needed filling. However, the musician in me felt otherwise and couldn’t just leave it at that. It had to be released, if not to reach out to a supposed listenership with the same or similar needs then at least to put an end to a chapter and move on.
This will probably be categorised as dark ambient or similar, but how would you describe it yourself?
– Very melodic, fairly repetitive, somewhat minimalistic – pulsating and hypnotic, lots of contrast, lots of texture and, as just stated, all electronic… and not that I want to tell people how to listen to music, but this is laydown-close-your-eyes-and-float-away-music. In other words, the complete opposite of everything I’ve ever released, performed, or taken part of before. As for genre classifications, I’ll leave that to others.
All single tracks on playlist: http://bit.ly/Playlist-DOMJORD
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Sporer #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist
DomJord Sporer CD/LP (Ajna & Vidfare Productions, a division of NoEvDia).
Excerpt from an interview in Bardo Methodology #6 with D. Rostén of Funeral Mist and Marduk.
A more recent musical outlet of Rostén’s is his new project, DOMJORD. A full-length album, “Sporer”, will be released on March 13, courtesy of Vidfare Productions via Norma Evangelium Diaboli and The Ajna Offensive.
– DOMJORD is an all-electronic project I’ve been working on for some time now. As everyone knows, certain situations call for certain music and certain moods call for certain tunes; having long searched for this specific type of sound without ever really finding anything even remotely close to what I had in mind, I simply decided to make it myself. The original plan – if there ever was one – was to just keep the music for myself and bring it out whenever this particular void needed filling. However, the musician in me felt otherwise and couldn’t just leave it at that. It had to be released, if not to reach out to a supposed listenership with the same or similar needs then at least to put an end to a chapter and move on.
This will probably be categorised as dark ambient or similar, but how would you describe it yourself?
– Very melodic, fairly repetitive, somewhat minimalistic – pulsating and hypnotic, lots of contrast, lots of texture and, as just stated, all electronic… and not that I want to tell people how to listen to music, but this is laydown-close-your-eyes-and-float-away-music. In other words, the complete opposite of everything I’ve ever released, performed, or taken part of before. As for genre classifications, I’ll leave that to others.
All single tracks on playlist: http://bit.ly/Playlist-DOMJORD
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Sporer #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist
Excerpt from an interview in Bardo Methodology #6 with D. Rostén of Funeral Mist and Marduk.
A more recent musical outlet of Rostén’s is his new project, DOMJORD. A full-length album, “Sporer”, will be released on March 13, courtesy of Vidfare Productions via Norma Evangelium Diaboli and The Ajna Offensive.
– DOMJORD is an all-electronic project I’ve been working on for some time now. As everyone knows, certain situations call for certain music and certain moods call for certain tunes; having long searched for this specific type of sound without ever really finding anything even remotely close to what I had in mind, I simply decided to make it myself. The original plan – if there ever was one – was to just keep the music for myself and bring it out whenever this particular void needed filling. However, the musician in me felt otherwise and couldn’t just leave it at that. It had to be released, if not to reach out to a supposed listenership with the same or similar needs then at least to put an end to a chapter and move on.
This will probably be categorised as dark ambient or similar, but how would you describe it yourself?
– Very melodic, fairly repetitive, somewhat minimalistic – pulsating and hypnotic, lots of contrast, lots of texture and, as just stated, all electronic… and not that I want to tell people how to listen to music, but this is laydown-close-your-eyes-and-float-away-music. In other words, the complete opposite of everything I’ve ever released, performed, or taken part of before. As for genre classifications, I’ll leave that to others.
All single tracks on playlist: http://bit.ly/Playlist-DOMJORD
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Sporer #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist
Excerpt from an interview in Bardo Methodology #6 with D. Rostén of Funeral Mist and Marduk.
A more recent musical outlet of Rostén’s is his new project, DOMJORD. A full-length album, “Sporer”, will be released on March 13, courtesy of Vidfare Productions via Norma Evangelium Diaboli and The Ajna Offensive.
– DOMJORD is an all-electronic project I’ve been working on for some time now. As everyone knows, certain situations call for certain music and certain moods call for certain tunes; having long searched for this specific type of sound without ever really finding anything even remotely close to what I had in mind, I simply decided to make it myself. The original plan – if there ever was one – was to just keep the music for myself and bring it out whenever this particular void needed filling. However, the musician in me felt otherwise and couldn’t just leave it at that. It had to be released, if not to reach out to a supposed listenership with the same or similar needs then at least to put an end to a chapter and move on.
This will probably be categorised as dark ambient or similar, but how would you describe it yourself?
– Very melodic, fairly repetitive, somewhat minimalistic – pulsating and hypnotic, lots of contrast, lots of texture and, as just stated, all electronic… and not that I want to tell people how to listen to music, but this is laydown-close-your-eyes-and-float-away-music. In other words, the complete opposite of everything I’ve ever released, performed, or taken part of before. As for genre classifications, I’ll leave that to others.
Domjord - Sporer is a 5 track album:
00:00 - Fornblod
04:04 - Sporer
14:41 - Avgrund
22:19 - Ande
29:14 - Natt
All single tracks on playlist: http://bit.ly/Playlist-DOMJORD
Support DomJord:
http://bit.ly/NoEvDia-DOMJORD
domjord.bandcamp.com
#Psybient #Ambient #DarkAmbient #DomJord #Sporer #PsychedelicChillout #ElectronicMusic #Psychill #Downtempo #Psychedelic #Soundtrack #FuneralMist


