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Max Richter - Piano Works | complete
updated
Prelude in B minor, BWV 855a (Arr. by Alexander Siloti)
Here is some classical music today: I finally got to Bach's Prelude in B minor BWV 855a arranged by Alexandre Siloti which many generations of pianists often play as an encore. And don't get me wrong, I love Gilels and Sokolov, but I've always felt that for some reason this prelude is traditionally played faster than I like to hear. As a result, I tried to play it slower than traditional interpretations. And of course, I did not stop there, I also recorded my own versions of this composition - remixed and reimagined (although in this case, it would be more logical to call it re-reimagined) as well as a version in a traditional tempo.
1. Version One - 00:00
2. Remixed - 03:50
3. Reimagined - 07:30
4. Version Two - 08:56
The Prelude in B minor (J. S. Bach, arranged Siloti) is a transcription for piano by Alexander Siloti of the Prelude in E minor BWV 855a by Johann Sebastian Bach from his Klavierbüchlein für Wilhelm Friedemann Bach. Johann Sebastian Bach reused the piece (in a slightly different form) as the tenth prelude in the first volume of his The Well-Tempered Clavier. The piece has been performed by many pianists, including Emil Gilels.
Klavierbüchlein für Wilhelm Friedemann Bach is a collection of keyboard music compiled by Johann Sebastian Bach for his oldest son Wilhelm Friedemann Bach. Most of the pieces were composed by Johann Sebastian Bach, and are better known as parts of the Well-Tempered Clavier and the Inventions and Sinfonias. The authorship of some of the other pieces is debated; in particular, some of the famous Little Preludes, BWV 924–932, are sometimes attributed to Wilhelm Friedemann Bach, not to Johann Sebastian Bach.
Alexander Siloti (1863 - 1945) was a Russian pianist, conductor and composer. He made more than 200 piano transcriptions, as well as orchestral arrangements, of the music of Bach, Beethoven, Liszt, Tchaikovsky, and Vivaldi. Perhaps his most famous transcription is the The Prelude in B minor (J. S. Bach, arranged Siloti)
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Taken from the album Eulogy of Evolution (2007), which was reissued as part of the Erased Tape's 10th-anniversary celebrations in 2017.
This piece was written by Olafur Arnalds when he was only 17 years old.
It's part of an ambitious album concept that he drafted as a teenager when he lost and gained family members around the same time.
The album talks about the cycle of life: growth and decay, birth and death. This particular song represents the birth of someone or something.
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*"The Legend of 1900" is the soundtrack to the movie of the same name (Italian: La leggenda del pianista sull'oceano, The Legend of the Pianist on the Ocean) directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince and Mélanie Thierry. It was Tornatore's first English-language film. The film is inspired by Novecento, a monologue by Alessandro Baricco. The film was nominated for a variety of awards worldwide, winning several for its soundtrack.
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*"The Legend of 1900" is the soundtrack to the movie of the same name (Italian: La leggenda del pianista sull'oceano, The Legend of the Pianist on the Ocean) directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince and Mélanie Thierry. It was Tornatore's first English-language film. The film is inspired by Novecento, a monologue by Alessandro Baricco. The film was nominated for a variety of awards worldwide, winning several for its soundtrack.
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Morning Breaks appeared on "William Shakespeare's Romeo + Juliet: Volume 2" album released in 1997
*William Shakespeare's Romeo + Juliet: Music from the Motion Picture is the soundtrack to the 1996 film of the same name. The soundtrack contained two separate releases: the first containing popular music from the film and the second containing the score to the film composed by Nellee Hooper, Craig Armstrong and Marius de Vries.
The first soundtrack album to accompany the film was released on the Capitol Records label. It features songs by a number of artists including Garbage, Butthole Surfers and Radiohead (their song "Exit Music (For a Film)", which appears over the end credits, was not included on the soundtrack however, but appeared a year later on Radiohead's album OK Computer).
The soundtrack was a popular and solid seller, reaching No. 2 on the Billboard 200 albums chart and went triple-platinum sales in the U.S. It was especially successful in Australia, where it was the second-highest selling album in 1997, going five times Platinum in sales. A number of hit singles also resulted from the soundtrack, including "Lovefool" by The Cardigans, the love theme "Kissing You" by Des'ree, and a cover of "Young Hearts Run Free" by Kym Mazelle. Quindon Tarver's choral rendition of Rozalla's "Everybody's Free (To Feel Good)" was later used in Luhrmann's "Everybody's Free (To Wear Sunscreen)" single.
The soundtrack was later followed by a sequel, William Shakespeare's Romeo + Juliet: Music from the Motion Picture, Volume 2, which featured the film's orchestral score, dialog from the film, and songs not featured on the previous album.
The score to Romeo + Juliet was composed by British music producer Nellee Hooper, Scottish composer Craig Armstrong, and English music composer and producer Marius de Vries. It was arranged, orchestrated, and conducted by Craig Armstrong using the London Session Orchestra and The Metro Voices.
The score fuses bombastic choral sequences produced by The Metro Voices as well as flamboyant orchestral pieces by the London Session Orchestra. It also contains Hooper's favorite trip hop sequences, especially seen in the track "Introduction to Romeo". Some high-beat techno tunes were fused with the chorus and orchestra in the track "Escape from Mantua".
Dialogue from the film was also inserted into several of the tracks. Justin Warfield of One Inch Punch as well the Butthole Surfers and Mundy also contribute vocals to the score. A cover of Prince's "When Doves Cry" by Quindon Tarver features on the album; it became a hit for him in Australia in 1997.
Craig Armstrong's Film Works 1995–2005 solo disc work contained several of these tracks. The score won BAFTA Award for Best Film Music for best film score in 1997. Composer Nellee Hooper was also awarded BAFTA's Anthony Asquith Award for Music for his composition of the score in 1998.
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*William Shakespeare's Romeo + Juliet: Music from the Motion Picture is the soundtrack to the 1996 film of the same name. The soundtrack contained two separate releases: the first containing popular music from the film and the second containing the score to the film composed by Nellee Hooper, Craig Armstrong and Marius de Vries.
The first soundtrack album to accompany the film was released on the Capitol Records label. It features songs by a number of artists including Garbage, Butthole Surfers and Radiohead (their song "Exit Music (For a Film)", which appears over the end credits, was not included on the soundtrack however, but appeared a year later on Radiohead's album OK Computer).
The soundtrack was a popular and solid seller, reaching No. 2 on the Billboard 200 albums chart and went triple-platinum sales in the U.S. It was especially successful in Australia, where it was the second-highest selling album in 1997, going five times Platinum in sales. A number of hit singles also resulted from the soundtrack, including "Lovefool" by The Cardigans, the love theme "Kissing You" by Des'ree, and a cover of "Young Hearts Run Free" by Kym Mazelle. Quindon Tarver's choral rendition of Rozalla's "Everybody's Free (To Feel Good)" was later used in Luhrmann's "Everybody's Free (To Wear Sunscreen)" single.
The soundtrack was later followed by a sequel, William Shakespeare's Romeo + Juliet: Music from the Motion Picture, Volume 2, which featured the film's orchestral score, dialog from the film, and songs not featured on the previous album.
The score to Romeo + Juliet was composed by British music producer Nellee Hooper, Scottish composer Craig Armstrong, and English music composer and producer Marius de Vries. It was arranged, orchestrated, and conducted by Craig Armstrong using the London Session Orchestra and The Metro Voices.
The score fuses bombastic choral sequences produced by The Metro Voices as well as flamboyant orchestral pieces by the London Session Orchestra. It also contains Hooper's favorite trip hop sequences, especially seen in the track "Introduction to Romeo". Some high-beat techno tunes were fused with the chorus and orchestra in the track "Escape from Mantua".
Dialogue from the film was also inserted into several of the tracks. Justin Warfield of One Inch Punch as well the Butthole Surfers and Mundy also contribute vocals to the score. A cover of Prince's "When Doves Cry" by Quindon Tarver features on the album; it became a hit for him in Australia in 1997.
Craig Armstrong's Film Works 1995–2005 solo disc work contained several of these tracks. The score won BAFTA Award for Best Film Music for best film score in 1997. Composer Nellee Hooper was also awarded BAFTA's Anthony Asquith Award for Music for his composition of the score in 1998.
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Angelina appeared on Piano Works - the third album of Craig Armstrong, containing solo piano pieces from different soundtracks played by himself.
*Accompanying his album Film Works, Piano Works (2004, Sanctuary Music / Universal) is a more personal endeavour, seeing Craig Armstrong return to the simplicity of the piano to create stripped-down versions of themes for films such as the BAFTA award-winning Moulin Rouge!
Also included are new works, where Armstrong brings in Berlin electronic artist AGF to elicit a sound that rests firmly in the modern age. Armstrong says of the album: ‘The piano has always been a very personal form of musical expression for me. It was important for me to involve an electronic element within the album to place the record in the 21st century, not as a reverie in the past but a piece of work that looks forward.’
Craig Armstrong, OBE (b. 1959)is a Scottish composer of modern orchestral music, electronica and film scores. He graduated from the Royal Academy of Music in 1981, and has since written music for the Royal Shakespeare Company, the Royal Scottish National Orchestra and the London Sinfonietta.
Armstrong's score for Baz Luhrmann's Romeo + Juliet earned him a BAFTA for Achievement in Film Music and an Ivor Novello. He would collaborate with Luhrmann again on his next two films, Moulin Rouge! and The Great Gatsby. His score for the former earned him the 2001 American Film Institute's composer of the Year award, a Golden Globe Award for Best Original Score and a BAFTA. Armstrong was awarded a Grammy Award for Best Original Score in 2004 for the biopic Ray. His other feature film scoring credits include Love Actually, Oliver Stone's World Trade Center, Elizabeth: The Golden Age and The Incredible Hulk.
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Leaving Paris appeared on Piano Works - the third album of Craig Armstrong, containing solo piano pieces from different soundtracks played by himself.
*Accompanying his album Film Works, Piano Works (2004, Sanctuary Music / Universal) is a more personal endeavour, seeing Craig Armstrong return to the simplicity of the piano to create stripped-down versions of themes for films such as the BAFTA award-winning Moulin Rouge!
Also included are new works, where Armstrong brings in Berlin electronic artist AGF to elicit a sound that rests firmly in the modern age. Armstrong says of the album: ‘The piano has always been a very personal form of musical expression for me. It was important for me to involve an electronic element within the album to place the record in the 21st century, not as a reverie in the past but a piece of work that looks forward.’
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2. Sleep tight 02:57
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Stream Memories: https://song.link/MemoriesOfOctober
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/
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ableton live / nord grand
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*Wolf Hall is a British television serial first broadcast on BBC Two in January 2015. The six-part series is an adaptation of two of Hilary Mantel's novels, Wolf Hall and Bring Up the Bodies, a fictionalised biography documenting the rapid rise to power of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More, followed by Cromwell's success in freeing the king of his marriage to Anne Boleyn.
The series was a critical success and received eight nominations at the 67th Primetime Emmy Awards and three nominations at the 73rd Golden Globe Awards, winning for Best Miniseries or Television Film.
**Composer Debbie Wiseman offers up a score that is simply brilliant. The score has simple instrumentation that fits perfectly, but most of all the melodies are so emotionally on point that every narrative nuance can be felt. (c) FMM
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***I found this composition in the "Easy Contemporary Pieces for Piano Solo" songbook published by Chester Music
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I found this composition in the "Easy Contemporary Pieces for Piano Solo" songbook published by Chester Music.
*Sam Watts is a pianist and composer living in London. He is known for playing Brazilian music and Jazz and has performed and recorded with many great artists, including Jean Toussaint, Jason Miles, Jason Marsalis, Ray Warleigh, Abram Wilson and Judi Jackson. His debut album Mime Music was released in 2017 (c) Sam Watts website.
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(Although I found this composition in the "Easy Contemporary Pieces for Piano Solo" songbook published by Chester Music, and never heard before of Wolf Hall TV series or composer Debbie Wiseman. So much music, so little time...)
*Wolf Hall is a British television serial first broadcast on BBC Two in January 2015. The six-part series is an adaptation of two of Hilary Mantel's novels, Wolf Hall and Bring Up the Bodies, a fictionalised biography documenting the rapid rise to power of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More, followed by Cromwell's success in freeing the king of his marriage to Anne Boleyn.
The series was a critical success and received eight nominations at the 67th Primetime Emmy Awards and three nominations at the 73rd Golden Globe Awards, winning for Best Miniseries or Television Film.
**Composer Debbie Wiseman offers up a score that is simply brilliant. The score has simple instrumentation that fits perfectly, but most of all the melodies are so emotionally on point that every narrative nuance can be felt. (c) FMM
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My Brilliant Friend (Italian: L'amica geniale) is an Italian- and Neapolitan-language coming-of-age drama television series created by Saverio Costanzo for HBO, RAI and TIMvision. Named after the first of four novels in the Neapolitan Novels series by Elena Ferrante, it is set to adapt the entire literary work over four eight-episode seasons. The series is a co-production between Italian production companies Wildside, Fandango, The Apartment, Mowe and international film group Umedia.
‘Richter’s music mimics the ebb and flow of Elena and Lila’s ever-morphing friendship.’ (c) Atwood Magazine
Max Richter is a German-born British composer and pianist. He works within postminimalism and in the meeting of contemporary classical and alternative popular musical styles. Richter is classically trained, having graduated in composition from the Royal Academy of Music, and studied with Luciano Berio in Italy.
Richter also composes music for stage, opera, ballet and screen. He has also collaborated with other musicians, as well as with performance, installation and media artists. He has recorded eight solo albums, and his music is widely used in cinema. Richter had created and composed the musical score of Ari Folman's Israeli animated war film Waltz with Bashir (2008), for which he garnered widespread success.
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Another (odd) track played today on an old Schimmel grand piano.
And I'm not sure if this music works with a piano solo, but nevertheless, the piece is recorded and I can't leave it unpublished...
*"The Legend of 1900" is the soundtrack to the movie of the same name (Italian: La leggenda del pianista sull'oceano, The Legend of the Pianist on the Ocean) directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince and Mélanie Thierry. It was Tornatore's first English-language film. The film is inspired by Novecento, a monologue by Alessandro Baricco. The film was nominated for a variety of awards worldwide, winning several for its soundtrack.
The Crisis is also used in "Seven Pounds" - a 2008 American drama film directed by Gabriele Muccino starring actor Will Smith.
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Neil Cowley: 3 pieces for piano solo
1. Two Years 00:00
2. Shard 02:52
3. Tiger Moth 06:00
Neil Cowley is an English contemporary (jazz) pianist and composer. He has also released music as part of Fragile State, the Green Nuns of the Revolution, and the Neil Cowley Trio. With his trio, he appeared on Later... with Jools Holland in April 2008 and won the 2007 BBC Jazz Award for best album for Displaced. In 2018, Cowley announced he was working on a new electronic focused solo project. In 2020, Cowley announced his debut solo album, 'Hall of Mirrors'
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Questa Volta is a composition from "Piano italiano" 2003 album by Ludovico Einaudi
*Ludovico Maria Enrico Einaudi (born 23 November 1955) is an Italian pianist and composer. Trained at the Conservatorio Verdi in Milan, Einaudi began his career as a classical composer, later incorporating other styles and genres such as pop, rock, folk, and world music.
Einaudi has composed the scores for a number of films and television productions, including This Is England, The Intouchables, I'm Still Here, the TV miniseries Doctor Zhivago, and Acquario (1996), for which he won the Grolla d'oro. His music was used as the score for the Golden Globe and Academy Award-winning films Nomadland and The Father. He has also released a number of solo albums of piano and orchestra, notably I Giorni in 2001, Nightbook in 2009, and In a Time Lapse in 2013. Taranta Project, a collaborative album, was released in May 2015, and Elements was released in October 2015. On 1 March 2019, he announced a seven-part project named Seven Days Walking, which will be released over the course of seven months in 2019.
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In a Time Lapse has received overwhelmingly positive reviews from music critics. According to a Classic FM review, "The Italian composer strikes gold once more with a haunting combination of dreamlike piano tunes and busy orchestral soundscapes." The CD Critic put forth that In a Time Lapse is "gorgeously ambient." The Independent critic noted the "trancelike wave motion of tracks like 'Corale' and 'Run'" and "the more complex, layered pieces such as 'Life' ... cycling piano and glockenspiel against rhapsodic, flowing string lines", while also saying, concerning Einaudi's talent, that "there's a deeply satisfying emotional logic to his piano-based progressions that makes him as much the inheritor" of Frédéric Chopin and Erik Satie as of minimalists such as Philip Glass and Steve Reich
Ludovico Maria Enrico Einaudi (born 23 November 1955) is an Italian pianist and composer. Trained at the Conservatorio Verdi in Milan, Einaudi began his career as a classical composer, later incorporating other styles and genres such as pop, rock, folk, and world music.
Einaudi has composed the scores for a number of films and television productions, including This Is England, The Intouchables, I'm Still Here, the TV miniseries Doctor Zhivago, and Acquario (1996), for which he won the Grolla d'oro. His music was used as the score for the Golden Globe and Academy Award-winning films Nomadland and The Father. He has also released a number of solo albums of piano and orchestra, notably I Giorni in 2001, Nightbook in 2009, and In a Time Lapse in 2013. Taranta Project, a collaborative album, was released in May 2015, and Elements was released in October 2015. On 1 March 2019, he announced a seven-part project named Seven Days Walking, which will be released over the course of seven months in 2019.
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piano: Bluthner grand piano made in ~1930
mics: 2 Oktava 012
#bluthner #piano #einaudi #coversart #oktava
*Neil Cowley is an English contemporary (jazz) pianist and composer. He has also released music as part of Fragile State, the Green Nuns of the Revolution, and the Neil Cowley Trio. With his trio, he appeared on Later... with Jools Holland in April 2008 and won the 2007 BBC Jazz Award for best album for Displaced. In 2018, Cowley announced he was working on a new electronic focused solo project. In 2020, Cowley announced his debut solo album, 'Hall of Mirrors'
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#coversart #bluthner #piano #oktava
*My Brilliant Friend (Italian: L'amica geniale) is an Italian- and Neapolitan-language coming-of-age drama television series created by Saverio Costanzo for HBO, RAI and TIMvision. Named after the first of four novels in the Neapolitan Novels series by Elena Ferrante, it is set to adapt the entire literary work over four eight-episode seasons. The series is a co-production between Italian production companies Wildside, Fandango, The Apartment, Mowe and international film group Umedia.
‘Richter’s music mimics the ebb and flow of Elena and Lila’s ever-morphing friendship.’ (c) Atwood Magazine
Max Richter is a German-born British composer and pianist. He works within postminimalism and in the meeting of contemporary classical and alternative popular musical styles. Richter is classically trained, having graduated in composition from the Royal Academy of Music, and studied with Luciano Berio in Italy.
Richter also composes music for stage, opera, ballet and screen. He has also collaborated with other musicians, as well as with performance, installation and media artists. He has recorded eight solo albums, and his music is widely used in cinema. Richter had created and composed the musical score of Ari Folman's Israeli animated war film Waltz with Bashir (2008), for which he garnered widespread success.
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You always learn something new, although it is not at all new. This time I came across a track by John Murphy - Adagio in D minor which I didn't know about and which I decided to rework and record. The first thing I noticed, of course, is that this harmonic sequence, which only the laziest composer has not used in the last few centuries, has a very strange name - "adagio in d minor", although it is obvious that the track is written in the key of E minor. Thanks google, here is Murphy's explanation: "The official answer from John Murphy it is in E minor it was written before the film and transposed to E minor as in his words it sounded better for the film as it gave more hope." (lol)
Well, below you will find some more information about this composition.
Stunned, of course, I always wonder why such music, in such an uncomplicated arrangement, collects some unthinkable views and gives the author such a volume of potential royalties... 120 bpm, E minor, midi keyboard, simple harmonic sequence. It's like winning the lottery, really :)
**Sunshine: Music from the Motion Picture is the soundtrack album for the 2007 Danny Boyle film Sunshine. It is a joint composition by the electronic band Underworld and film score composer John Murphy. Underworld has a long history of collaboration with Boyle, having been featured on the soundtracks of Boyle's Trainspotting, A Life Less Ordinary, and The Beach. Murphy composed the scores to Boyle's 28 Days Later and Millions.
"Adagio in D Minor"
The tracks "Sunshine (Adagio in D Minor)", and "Kaneda's Death Pt. 2 (Adagio in D Minor)" have been adapted in other media. Variations of the adagio's progression appear in many films, television programs, trailers, and adverts. Notably, John Murphy heavily re-used the adagio as a theme during composition of the Kick-Ass soundtrack, and wrote a series of variations for use in the film. Other examples include:
A scene in the movie Top Gun: Maverick
A trailer for the movie Ready Player One
A trailer for the movie The Big Picture, original title 'L'homme qui voulait vivre sa vie'
A trailer for the movie Blindness
A trailer for the movie The Adjustment Bureau
A trailer for the movie Like Dandelion Dust
A trailer for the movie X-Men: Days of Future Past
A trailer for the IMAX documentary Hubble 3D
A part of the trailer for X-men Origins: Wolverine
The unaired pilot episode of the television series Fringe.
The season finale of the 2009 television series V (season 1, episode 12: "Red Sky").
Multiple episodes of the television series The Walking Dead (season 1, episode 5: "Wildfire"; season 2, episode 1: "What Lies Ahead").
An NBC feature on speed skater Apolo Ohno that aired on 14 February 2010 during the network's coverage of the 2010 Winter Olympics in Vancouver.
The 2009 film The Lovely Bones
The advert used in Cineworld Cinemas
The soundtrack for the movie Kick Ass
Episode 2 of BBC 2's How to Grow a Planet
The opening segment on HBO's 24/7 Rangers vs. Flyers series that debuted in December 2011
A trailer for the movie The Mortal Instruments: City of Bones
A trailer for the movie Star Trek Into Darkness
A 2012 advert for Dior perfume J'adore
A 2013 advert for a Samsung Smart TV
The BBC documentary Asteroids - The Good the Bad and the Ugly
A TV spot for the 2013 film Gravity
A 2013 NASCAR/ESPN advert
A 2013 Nike Canada advert "All Ice is Home Ice"
A 2014 advert for the U.S. cable network History
A trailer for the film Unbroken, released on Christmas Day, 4
Multiple episodes of Antiques Roadshow Detectives on BBC2 in 2015
Announcement trailer for the PC game Civilization VI
Episode 1 of Second Chance
Promotional video for The Duke of Edinburgh's Award
Video of Ryan Lockwood getting streets 1:12
Season 5 Episode 14 of Love Island (2015 TV series)
Season 3 Episode 17 of FOX's 9-1-1
Season 1 Episode 9 of ESPN/Netflix docuseries The Last Dance (TV series)
An aerial scene in 2020's Wonder Woman 1984
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To be honest, I still don't get the phenomenon/popularity of this composer. But I really want to understand) Do you have any recommendations for what I should listen to or maybe perform/record?
piano: Spitfire Audio — Originals Cinematic Soft Piano
"The Exchange" appeared on The Claim: Music From The Motion Picture - the soundtrack album to the 2001 film The Claim directed by Michael Winterbottom.
Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer of minimalist music, pianist, librettist, musicologist, and filmmaker, known for numerous film scores (many written during his lengthy collaboration with the filmmaker Peter Greenaway), and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
Note from allmusic:
*Michael Nyman's sweeping score to director Michael Winterbottom's film The Claim might contain the most mournful compositions of the composer's career. Nyman's most successful scores in the past have been those where he explored baroque minimalism, as seen in his film scores to many Peter Greenaway films, and those where he tackled strong emotions, as in his score to Jane Campion's The Piano. With The Claim, Nyman composes in broad strokes; the minimalism of past compositions is still on display, but it's buried under a wall of evocative strings and weary brass through most of tracks. Some critics have called The Claim Nyman's answer to Ennio Morricone's score for Sergio Leone's Once Upon a Time in the West.
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"Sur le fil" appeared on Amélie - the soundtrack to the 2001 French film Amélie. It was also included in the "Six Pieces Pour Piano - Volume 2" piano sheet music book
Amélie (also known as Le Fabuleux Destin d'Amélie Poulain or The Fabulous Destiny of Amélie Poulain) is a 2001 French-language romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre.
Director Jean-Pierre Jeunet was introduced to the accordion- and piano-driven music of Yann Tiersen by his production assistant. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. The soundtrack features both compositions from Tiersen's first three albums, as well as new items, variants of which can be found on his fourth album, L'Absente, which he was writing at the same time.
The film received critical acclaim, with praise for Tautou's performance, the cinematography, production design, and writing. Amélie won Best Film at the European Film Awards, four César Awards, including Best Film and Best Director, and two British Academy Film Awards including Best Original Screenplay. It was nominated for five Academy Awards, including Best Foreign Language Film and Best Original Screenplay. The film was a commercial success, grossing $174.2 million worldwide against a budget of $10 million, and is one of the biggest international successes for a French film.
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Prelude in G minor, Op. 23, No. 5, is a piece of music by Sergei Rachmaninoff, completed in 1901. It was included in his Opus 23 set of ten preludes, despite having been written two years earlier than the other nine. Rachmaninoff himself premiered the piece in Moscow on February 10, 1903, along with Preludes No. 1 and 2 from Op. 23
piano - an old Bechstein model C grand piano
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nord grand, roland ju-06a, spitfire audio
stream: https://album.link/shades
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stream: https://album.link/shades
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Here is another track suggested by my dad: this time the piano transcription of Volker Bertelmann's monumental creation for the 2018 film "Adrift". Because the battery in my camera did not live up to the last chord - I used a photo for the final bars (and also for a thumbnail) by Matt Hardy / inst: mattchardy
*Adrift is a 2018 American survival drama film produced and directed by Baltasar Kormákur and written by David Branson Smith, Aaron Kandell and Jordan Kandell. The film is based on the 2002 book Red Sky in Mourning by Tami Oldham Ashcraft, a true story set during the events of Hurricane Raymond in 1983. The film stars Shailene Woodley and Sam Claflin as a couple who are adrift in the middle of the Pacific Ocean after a hurricane, and must find their way to Hawaii with a damaged boat and no radio.
Academy Award-nominated composer Hauschka composed the original score for the film. The film's soundtrack includes his original score, and a cover of Tom Waits's "I Hope That I Don't Fall In Love With You", by Emilíana Torrini. Also featured in the film but not on the soundtrack is "Picture In A Frame" by Waits, which is played during a montage scene of Tami Oldham Ashcraft before the end credits. The soundtrack has been released by Sony Classical.
piano transcription by White Admiral
cover photo / thumbnail by Matt Hardy
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"Together We Will Live Forever" appeared on The Fountain: Music from the Motion Picture is the soundtrack album to the 2006 film The Fountain directed by Darren Aronofsky. Released on November 27, 2006, through Nonesuch Records, the album is a collaboration between contemporary classical composer and frequent Aronofsky collaborator Clint Mansell, classical string quartet the Kronos Quartet, and post-rock band Mogwai.
Clint Mansell — the composer for Aronofsky's previous films Pi and Requiem for a Dream—reprised his role for The Fountain. The San Francisco-based string quartet Kronos Quartet—who previously performed for the Requiem for a Dream soundtrack—and Scottish post-rock band Mogwai also contributed to the film score. Darren Aronofsky hoped that David Bowie—whose song "Space Oddity" helped influence the film's space traveler storyline—would record a song when the musical artist worked briefly with composer Clint Mansell during production. Aronofsky planned for Bowie to rework pieces of the score and to vocalize them, but the plan was unsuccessful.
The song "Together We Will Live Forever" was an electronic piece designed by Mansell to be the protagonist's memory theme. Antony Hegarty, lead singer of Antony and the Johnsons, was commissioned to create a vocal piece over piano arrangement of "Together We Will Live Forever" for the end credits, but the director decided that the vocals would not be appropriate to end the film. The song was ultimately performed by pianist Randy Kerber.
Mansell won the Chicago Film Critics Association's 2006 award for Best Original Score, and he also won the World Soundtrack Award for Best Original Soundtrack of the Year and Public Choice Award. He was also nominated for the 2006 Golden Globe Award for Best Original Score for The Fountain, but lost to Alexandre Desplat for The Painted Veil. Mansell also lost a nomination for the 2006 BFCA Critics' Choice Award for Best Composer to Philip Glass for The Illusionist.
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Together We Will Live Forever · Clint Mansell
(from The Fountain OST)
Writer: Clint Mansell
Arranger: Justin Skomarovsky
Performer: Coversart
Last night this aria played in my playlist (performed by Bartoli youtu.be/c56qtfgV5f8) and I immediately decided to record it. In principle, I was going to play it by ear, but a google search suggested that the arrangement of this aria had already been created (long before me) by a quite respectable arranger, lol - Moritz Moszkowski. Therefore, without any doubt, I performed his version of this brilliant creation.
The aria has been recorded by many artists, and is featured in several films including Farinelli; All Things Fair by Bo Widerberg; L.I.E. by Michael Cuesta; Antichrist and Nymphomaniac, both by Lars von Trier.
INFO:
"Lascia ch'io pianga" (English: "Let me weep"), originally "Lascia la spina, cogli la rosa" (English: "Leave the Thorn, Take the Rose"), is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece.
Its melody is first found in act 3 of Handel's 1705 opera Almira as a sarabande; the score for this can be seen on page 81 of Vol. 55 of Friedrich Chrysander. Handel then used the tune for the aria "Lascia la spina, cogli la rosa", or "Leave the Thorn, Take the Rose", for the character Piacere in part 2 of his 1707 oratorio Il trionfo del Tempo e del Disinganno (which was much later, in 1737, revised as Il trionfo del Tempo e della Verità).
Four years after that, in 1711, Handel used the music again, this time for his London opera Rinaldo and its act 2 aria "Lascia ch'io pianga" ("Let me weep"), a heartfelt plea for her liberty addressed by the character Almirena to her abductor Argante. Rinaldo was a triumph, and it is with this work that the aria is chiefly associated.
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couldn't find any information about this composition, and even the original recording does not seem to be available anywhere...
The only info regarding this release is on Discogs:
Hauschka - Brooklyn
Artist: Volker Bertelmann*
Album: Small Pieces
Release date: September 2009
Label: Secret Furry Hole
*Volker Bertelmann (born 1966) is a German pianist and composer who mainly performs and records under the name Hauschka. He is best known for his compositions for prepared piano
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Thirteen Preludes Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. It complements his earlier Prelude in C♯ minor, Op. 3/2, and 10 Preludes, Op. 23, to complete the full set of 24 Preludes in all 24 major and minor keys. The prelude No. 12 in G-sharp minor is one of the most famous, especially under Vladimir Horowitz* fingers. (c) happynote.com
*I agree, Horowitz is simply amazing, you can watch / listen to his interpretation here - - youtu.be/VeAsgMIRcAU
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“...Glass proceeds to tell the story of how back in 1979, the organizers of the Dalai Lama’s very first public address in North America had approached Glass to create a piece of music with one very particular prerequisite: because the Dalai Lama’s schedule – and thereby his arrival at the venue – was so vague, they needed a piece of music that could be stretched for an indefinite period of time without the audience realize there was any delay occurring, and this provided the beginnings for one of the most iconic minimalist compositions of all time! Glass also elaborates that Mad Rush was originally composed as an organ piece, and was created on the very organ that rests inside New York’s Saint John The Divine Cathedral which sits near the northwestern corner of Central Park. Musically Mad Rush is based on alternations between two themes. One theme is peaceful and meditative, but the other is fast and a bit frantic. Glass himself explained that the two themes represent the play of the wrathful and peaceful deities in Tibetan Buddhism. Glass went to India in the 60s and came in contact with Tibetan refugees. During this time he started to gravitate towards Buddhism. Practicing Buddhism and meditation has become an important part of his life. He is also known to be a strong supporter of Tibetan independence...”
Philip Glass Playlist: youtube.com/playlist?list=PLWv6irCJGAKJdar2UgBhi70J4rSRUO8nF
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Quite often I get requests for tutorial videos, and to be honest, I'm pretty skeptical about all these Synthesia tutorials myself, I do not quite understand how these falling notes can help in learning to play the piano. Nevertheless, people use this method quite intensively and with success. So here we go - my first Synthesia tutorial (where you can even see me using the sustain/dumper pedal) on the piano version of the composition I posted a few days ago: youtu.be/ykhT8ZoziI4
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Sarabande is one of the bonus tracks from Ludovico Einaudi's 2013 album "In a Time Lapse"
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*Ludovico Maria Enrico Einaudi OMRI is an Italian pianist and composer. Trained at the Conservatorio Verdi in Milan, Einaudi began his career as a classical composer, later incorporating other styles and genres such as pop, rock, folk, and world music.
Einaudi has composed the scores for a number of films and television productions, including This Is England, The Intouchables, I'm Still Here, the TV miniseries Doctor Zhivago, and Acquario (1996), for which he won the Grolla d'oro. His music was used as the score for the Golden Globe and Academy Award-winning films Nomadland and The Father.
He has also released a number of solo albums for piano and other instruments, notably I Giorni in 2001, Nightbook in 2009, and In a Time Lapse in 2013. On 1 March 2019, Einaudi announced a seven-part project named Seven Days Walking, which was released over the course of seven months in 2019.
Kind appeared on Felt - a 2011 album by German composer Nils Frahm. It was released on 7 October 2011 on Erased Tapes records. The name of the record refers to Nils placing felt on the strings of his piano, initially to dampen the sound to enable nighttime playing and later as he liked the sound it produced.
*Nils Frahm is a German musician, composer, and record producer based in Berlin. He is known for combining classical and electronic music and for an unconventional approach to the piano in which he mixes a grand piano, upright piano, Roland Juno-60, Rhodes piano, drum machines, and Moog Taurus.
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Turquoise Hexagon Sun appeared on Music Has the Right to Children - the debut studio album by Scottish electronic music duo Boards of Canada. It was released on 20 April 1998 in the United Kingdom by Warp and Skam Records and in the United States by Matador Records. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, samples, field recordings, and hip hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996).
The album received critical acclaim upon its release, and has since been acknowledged as a landmark work in electronic music, going on to inspire a variety of subsequent artists. It has been included on various best-ever lists by publications such as Pitchfork and Mojo.Music Has the Right to Children is the debut studio album by Scottish electronic music duo Boards of Canada. It was released on 20 April 1998 in the United Kingdom by Warp and Skam Records and in the United States by Matador Records. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, samples, field recordings, and hip hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996).
The album received critical acclaim upon its release, and has since been acknowledged as a landmark work in electronic music, going on to inspire a variety of subsequent artists. It has been included on various best-ever lists by publications such as Pitchfork and Mojo.
*Boards of Canada are a Scottish electronic music duo consisting of brothers Michael Sandison and Marcus Eoin. Signing to Skam and then Warp Records in the 1990s, the duo received recognition following the release of their debut album Music Has the Right to Children in 1998. Their subsequent albums, Geogaddi (2002), The Campfire Headphase (2005) and Tomorrow's Harvest (2013), have received critical praise. They have remained reclusive, rarely giving interviews or performing live.
The duo's music incorporates elements such as vintage synthesisers, analogue production methods, hip hop-inspired breakbeats, and samples from 1970s public broadcasting programmes and other outdated media; it has been described as exploring themes of nostalgia, childhood memory, and nature. In 2012, Fact called them "one of the best-known and best-loved electronic acts of the last two decades."
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1. Burkhard Dallwitz - It's a Life 00:00
2. Burkhard Dallwitz - It's a Life (Arr. for Piano Solo) 01:29
The Truman Show: Music from the Motion Picture is a soundtrack to the 1998 film of the same name and was composed by Burkhard Dallwitz. Dallwitz was hired after Peter Weir received a tape of his work while in Australia for the post-production. Some parts of the soundtrack were composed by Philip Glass, including four pieces which appeared in his previous works (Powaqqatsi, Anima Mundi and Mishima, the opening movement from the latter of which appears over the end credits in The Truman Show). Glass also appears very briefly in the film as one of the in-studio composer / performers. Glass and Dallwitz won a Golden Globe for Best Original Score.
*The Truman Show is a 1998 American psychological science fiction satirical comedy-drama film directed by Peter Weir, produced by Scott Rudin, Andrew Niccol, Edward S. Feldman, and Adam Schroeder, and written by Andrew Niccol. The film stars Jim Carrey as Truman Burbank, a man who grew up living an ordinary life that—unbeknownst to him—takes place on a large set populated by actors for a television show about him.
The Truman Show held its world premiere in Los Angeles on June 1, 1998, and was released in North America on June 5. The film was a financial success, debuting to critical acclaim, and earned numerous nominations at the 71st Academy Awards, 56th Golden Globe Awards, 52nd British Academy Film Awards, and 25th Saturn Awards. The Truman Show has been analyzed as an exploration of simulated reality, existentialism, surveillance, religion, metaphilosophy, privacy, and reality television, and described as a genre-blending that features elements of dystopian fiction, metafiction, psychological drama, romantic comedy, satire, and social science fiction.
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