Felices Cantus Händel
Handel Utrecht Te Deum HWV 278 European Union Baroque Orchestra Lars Ulrik Mortensen
updated
Coronation Anthems omposed for the coronation of King George II
Cappella Academia Frankfurt
00:00 Zadok the Priest
05:49 Let thy hand be strengthened
14:21 The King shall rejoice
25:20 My hearth is inditing
St. John Passion Johannes-Passion 1703
Music for the Royal Fireworks HWV 351
Richard Egarr Finnish & Radio Symphony Orchestra
1.Ouverture: Adagio, Allegro, Lentement, Allegro 0:00
2.Bourrée 7:13
3.La Paix: Largo alla siciliana 9:22
4.La Réjouissance: Allegro 12:09
5.Menuets I and II 14:02
Water Music
The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717 after King George I had requested a concert on the River Thames.
Jörn Boysen conducts Festival Baroque Orchestra
00:00 Suite No 1 HWV 348 F Major
28:29 Suite No 2 HWV 349 D Major
39:17 Suite No 3 HWV 350 G Major/minor
Music for the Royal Fireworks HWV 351
Ton Koopman Tonkünstler Orchestra
1.Ouverture: Adagio, Allegro, Lentement, Allegro 0:00
2.Bourrée 8:15
3.La Paix: Largo alla siciliana 9:21
4.La Réjouissance: Allegro 13:00
5.Menuets I and II 14:55
Messiah Oratorio composed in 1741, some individual movements revised and recomposed between 1742 and 1754.
Première charity concert Dublin April 14th 1742 , from 1750 was established the annual charity performances of Messiah at London's Foundling Hospital, which continued until Handel's death and beyond.
William Christie conducts Les Arts Florissants
Singers: Patricia Petibon, Sophie Daneman, Patricia Bardon, William Burden, Nathan Berg, Cyril Verhulst
******************************Part I******************************
***Scene 1: Isaiah's prophecy of salvation***
Sinfony 0:00
Air: Comfort ye, My people 2:53 Isaiah 40,1-3
Air: Ev'ry Valley shall be exalted 5:47 Isaiah 40,4
Chorus: And the glory of the Lord 9:00 Isaiah 40,5
***Scene 2: The coming judgment***
Air: But who may abide 13:03
Chorus: And He shall purify the sons of Levi 17:23
***Scene 3: The prophecy of Christ's birth***
Air: O thou that tellest good tidings to Zion 20:15 Isaiah 7,14 Isaiah 40,9 Isaiah 60,2–3 Isaiah 9,2
Chorus: "For unto us a Child is born" 30:30 Isaiah 9,6
***Scene 4: The annunciation to the shepherds***
Pifa (Pastoral Symphony) 34:15
Chorus: Glory to God 38:34
***Scene 5: Christ's healing and redemption***
Air: Rejoice greatly, o daughter of Zion 40:40 Zechariah 9,9–10 Isaiah 35,5–6
Air: He shall feed his flock 46:03 Isaiah 40,11
Chorus: His yoke is easy 51:40
******************************Part II******************************
***Scene 1: Christ's Passion***
Chorus: Behold the Lamb of God 53:59 John 1,29, which recalls Isaiah 53
Air: He was despised 56:17 Isaiah 53,3 Isaiah 50,6
Chorus: Surely he hath borne...Chorus: And with his 1:06:55 Isaiah 53,5
Chorus: All we like sheep have gone astray 1:10:43
Chorus: He trusted in God 1:15:05
***Scene 2: Christ's Death and Resurrection***
Air: But thou didst not leave his soul in hell 1:21:03
***Scene 3: Christ's Ascension***
Chorus: Lift up your heads 1:23:24
***Scene 4: Christ's reception in Heaven***
Chorus: Let all the Angels 1:26:22
***Scene 5: The beginnings of Gospel preaching***
Air: Thou art gone up on high 1:27:38
Chorus: The Lord gave the word 1:30:40
Air: How beautiful are the feet 1:31:51 Isaiah 52,7
Chorus: Their sound is gone out 1:34:40
***Scene 6: The world's rejection of the Gospel***
Air: Why do the nations...Let us break their bonds asunder 1:35:59
***Scene 7: God's ultimate victory***
Air: Thou shalt break them 1:40:36
Chorus: "Hallelujah" 1:42:30 Revelation 19,6,16, Revelation 11,15
******************************Part III******************************
***Scene 1: The promise of eternal life***
Air: I know that my Redeemer liveth 1:46:08
Chorus: Since by man came death 1:52:30
***Scene 2: The Day of Judgment***
Recitative: Behold, I tell you a mystery 1:54:52
Air: The Trumpet shall sound 1:55:17
***Scene 3: The final conquest of sin***
Duet: O Death 2:03:56
Air: If God be for us 2:07:03
***Scene 4: The acclamation of the Messiah***
Chorus: Worthy is the Lamb... Blessing and honour 2:11:52
Chorus: Amen 2:15:28
Messiah Oratorio composed in 1741, some individual movements revised and recomposed between 1742 and 1754.
Première charity concert Dublin April 14th 1742 , from 1750 was established the annual charity performances of Messiah at London's Foundling Hospital, which continued until Handel's death and beyond.
Harry Christophers & The Sixteen
Singers: Gillian Keith, soprano; Catherine Win-Rogers, mezzosoprano; Mark Padmore, tenor; Matthew Brook, bass
***Scene 1: Isaiah's prophecy of salvation***
Sinfony 0:00
0:03:03 Air: Comfort ye, My people, Isaiah 40,1-3
0:06:10 Air: Ev'ry Valley shall be exalted, Isaiah 40,4
0:09:31 Chorus: And the glory of the Lord, Isaiah 40,5
***Scene 2: The coming judgment***
0:13:49 Air: But who may abide
0:18:45 Chorus: And He shall purify the sons of Levi
***Scene 3: The prophecy of Christ's birth***
0:22:24 Air: O thou that tellest good tidings to Zion, Isaiah 7,14 Isaiah 40,9 Isaiah 60,2–3 Isaiah 9,2
0:33:10 Chorus: "For unto us a Child is born", Isaiah 9,6
***Scene 4: The annunciation to the shepherds***
0:37:39 Pifa (Pastoral Symphony)
0:41:48 Chorus: Glory to God
***Scene 5: Christ's healing and redemption***
0:43:44 Air: Rejoice greatly, o daughter of Zion, Zechariah 9,9–10 Isaiah 35,5–6
0:48:35 Air: He shall feed his flock, Isaiah 40,11
0:53:58 Chorus: His yoke is easy
******************************Part II******************************
***Scene 1: Christ's Passion***
0:56:19 Chorus: Behold the Lamb of God, John 1,29, which recalls Isaiah 53
0:59:10 Air: He was despised 49:08, Isaiah Isaiah 50,6
1:10:12 Chorus: Surely he hath borne...Chorus: And with his, Isaiah 53,5
1:13:41 Chorus: All we like sheep have gone astray
1:18:05 Chorus: He trusted in God
***Scene 2: Christ's Death and Resurrection***
1:11:40 Air: But thou didst not leave his soul in hell
***Scene 3: Christ's Ascension***
1:14:00 Chorus: Lift up your heads
***Scene 4: Christ's reception in Heaven***
1:17:11 Chorus: Let all the Angels
***Scene 5: The beginnings of Gospel preaching***
1:24:22 Air: Thou art gone up on high
1:29:51 Chorus: The Lord gave the word
1:30:30 Air: How beautiful are the feet, Isaiah 52,7
***Scene 6: The world's rejection of the Gospel***
1:33:52 Air: Why do the nations...Let us break their bonds asunder
***Scene 7: God's ultimate victory***
1:38:27 Air: Thou shalt break them
1:40:33 Chorus: "Hallelujah" Revelation 19,6,16, Revelation 11,15
******************************Part III******************************
***Scene 1: The promise of eternal life***
1:44:17 Air: I know that my Redeemer liveth
1:50:19 Chorus: Since by man came death
***Scene 2: The Day of Judgment***
1:52:26 Recitative: Behold, I tell you a mystery
1:53:10 Air: The Trumpet shall sound
***Scene 3: The final conquest of sin***
1:57:03 Duet: O Death
2:00:25 Air: If God be for us
***Scene 4: The acclamation of the Messiah***
2:05:25 Chorus: Worthy is the Lamb... Blessing and honour
2:08:39 Chorus: Amen
Messiah Oratorio composed in 1741, some individual movements revised and recomposed between 1742 and 1754.
Première charity concert Dublin April 14th 1742 , from 1750 was established the annual charity performances of Messiah at London's Foundling Hospital, which continued until Handel's death and beyond.
Sir Neville Marriner conducts RTVE Orchestra and Chorus (restored)
Singers: Margaret Marshall, soprano; Helen Watts, alto; Anthony Rolfe Johnson, tenor; Neil Howlett, bass
******************************Part I******************************
****Scene 1: Isaiah's prophecy of salvation****
0:00:00 Sinfony
0:03:18 Air: Comfort ye, My people, Isaiah 40,1-3
0:06:01 Air: Ev'ry Valley shall be exalted, Isaiah 40,4
0:09:24 Chorus: And the glory of the Lord, Isaiah 40,5
****Scene 2: The coming judgment****
0:14:01 Air: But who may abide
0:18:26 Chorus: And He shall purify the sons of Levi
****Scene 3: The prophecy of Christ's birth****
0:21:19 Air & Chorus: O thou that tellest good tidings to Zion, Isaiah 7,14 Isaiah 40,9 Isaiah 60,2–3 Isaiah 9,2
0:31:30 Chorus: "For unto us a Child is born", Isaiah 9,6
****Scene 4: The annunciation to the shepherds****
0:36:10 Pifa (Pastoral Symphony)
0:38:06 Chorus: Glory to God
****Scene 5: Christ's healing and redemption****
0:40:56 Air: Rejoice greatly, o daughter of Zion Zechariah 9,9–10 Isaiah 35,5–6
0:45:48 Air: He shall feed his flock, Isaiah 40,11
0:48:17 Chorus: His yoke is easy
******************************Part II******************************
****Scene 1: Christ's Passion****
0:53:31 Chorus: Behold the Lamb of God, John 1,29, which recalls Isaiah 53
0:56:08 Air: He was despised, Isaiah 53,3 Isaiah 50,6
1:00:21 Chorus: Surely he hath borne...Chorus: And with his, Isaiah 53,5
1:02:36 Chorus: All we like sheep have gone astray
1:06:13 Chorus: He trusted in God
****Scene 2: Christ's Death and Resurrection****
1:12:11 Air: But thou didst not leave his soul in hell
****Scene 3: Christ's Ascension****
1:14:25 Chorus: Lift up your heads
****Scene 5: The beginnings of Gospel preaching****
1:17:54 Chorus: The Lord gave the word
****Scene 6: The world's rejection of the Gospel****
1:20:19 Air & Chorus: Why do the nations...Let us break their bonds asunder
****Scene 7: God's ultimate victory****
1:25:30 Air: Thou shalt break them
1:27:23 Chorus: "Hallelujah", Revelation 19,6,16, Revelation 11,15
******************************Part III******************************
****Scene 1: The promise of eternal life****
1:31:40 Air: I know that my Redeemer liveth
1:37:06 Chorus: Since by man came death
****Scene 2: The Day of Judgment****
1:39:07 Recitative: Behold, I tell you a mystery
1:39:48 Air: The Trumpet shall sound
****Scene 3: The final conquest of sin****
1:43:52 Air: If God be for us
****Scene 4: The acclamation of the Messiah****
1:47:46 Chorus: Worthy is the Lamb... Blessing and honour
1:50:26 Chorus: Amen
Messiah Oratorio composed in 1741, some individual movements revised and recomposed between 1742 and 1754.
Première charity concert Dublin April 14th 1742 , from 1750 was established the annual charity performances of Messiah at London's Foundling Hospital, which continued until Handel's death and beyond.
Christopher Hogwood condusts St. Louis SO
Soloists: Emma Kirby, Carolyn Watkinson, Ian Partridge, David Thomas
******************************Part I******************************
***Scene 1: Isaiah's prophecy of salvation***
Sinfony 0:00
Air: Comfort ye, My people 3:05 Isaiah 40,1-3
Air: Ev'ry Valley shall be exalted 5:59 Isaiah 40,4
Chorus: And the glory of the Lord 9:35 Isaiah 40,5
***Scene 2: The coming judgment***
Air: But who may abide 12:20
Chorus: And He shall purify the sons of Levi 16:21
***Scene 3: The prophecy of Christ's birth***
Air: O thou that tellest good tidings to Zion 19:20 Isaiah 7,14 Isaiah 40,9 Isaiah 60,2–3 Isaiah 9,2
Chorus: "For unto us a Child is born" 29:50 Isaiah 9,6
***Scene 4: The annunciation to the shepherds***
Pifa (Pastoral Symphony) 33:55
Chorus: Glory to God 36:25
***Scene 5: Christ's healing and redemption***
Air: Rejoice greatly, o daughter of Zion 36:14 Zechariah 9,9–10 Isaiah 35,5–6
******************************Part II******************************
***Scene 1: Christ's Passion***
Chorus: Behold the Lamb of God 38:10 John 1,29, which recalls Isaiah 53
Air: He was despised 40:45 Isaiah 53,3 Isaiah 50,6
Chorus: Surely he hath borne...Chorus: And with his 45:28 Isaiah 53,5
Chorus: All we like sheep have gone astray 49:06
Chorus: He trusted in God 53:30
***Scene 2: Christ's Death and Resurrection***
Air: How beautiful are the feet 55:40 Isaiah 52,7
***Scene 6: The world's rejection of the Gospel***
Air: Why do the nations...Let us break their bonds asunder 57:33
***Scene 7: God's ultimate victory***
Chorus: "Hallelujah" 1:00:31 Revelation 19,6,16, Revelation 11,15
******************************Part III******************************
***Scene 1: The promise of eternal life***
Air: I know that my Redeemer liveth 1:03:57
***Scene 2: The Day of Judgment***
Recitative: Behold, I tell you a mystery 1:09:00
Air: The Trumpet shall sound 1:09:30
***Scene 3: The final conquest of sin***
Duet: O Death 1:13:22
***Scene 4: The acclamation of the Messiah***
Chorus: Worthy is the Lamb... Blessing and honour 1:16:32
Chorus: Amen 1:19:48
Theodora HWV 68 Oratorio 1750
Jacquelyn Wagner (Sopran - Theodora), Christopher Lowrey (Countertenor - Didymus), Julie Boulianne (Mezzosopranistin - Irena), David Portillo (Tenor - Septimus) und Evan Hughes (Bassbariton - Valens)
Orchester: La Folia Barockorchesters conducted by Leitung: Bejun Mehta
Water Music Suites
Collegium 1704 conducted by Václav Luks
Suite No 1 HWV 348 F Major
00:00 Overture (Largo – Allegro)
03:09 Adagio e staccato
05:06 Allegro da capo
07:25 Andante
09:26 Allegro da capo
11:45 Menuet Air Menuet
14:34 Air
17:23 Allegro Andante Allegro
20:00 Bourrée
22:00 Alla Hornpipe
24:36 Andante
Suite No 2 HWV 349 D Major & Suite No 3 HWV 350 G major
28:04 Allegro
30:00 Alla Hornpipe
34:00 Sarabande
36:36 Rigaudon
39:12 Lentement
41:01 Bourrée
42:10 Menuet I & II
44:33 Deux Gigues
46:08 Menuet
Music for the Royal Fireworks HWV 351
Collegium 1704 conducted by Václav Luks
1.Ouverture: Adagio, Allegro, Lentement, Allegro 0:00
2.Bourrée 7:12
3.La Paix: Largo alla siciliana 9:03
4.La Réjouissance: Allegro 12:16
5.Menuets I and II 16:05
Music for the Royal Fireworks HWV 351
Gottfried von der Goltz conducts Orchestra of the Age of Enlightenment & Robert King & The King's Consort
Coronation Anthems, omposed for the coronation of King George II
Robert King & The King's Consort
00:00 Overture from Occasional Oratorio
05:13 Zadok the Priest
11:04 The King shall rejoice
13:55 Exceeding glad shall he be
17:07 Glory and worship hast thou laid
19:53 Alleluja
22:31 Let thy hand be strengthened
25:46 Let justice and judgment
28:49 Alleluja
30:53 My hearth is inditing
33:37 King's daughters
37:00 Upon thy right hand
39:58 Kings shall be thy nursing father
Orlando HWV 31, 27 January 1733
Opera from "Orlando Furioso" by Ludovico Ariosto
Orlando: Bejun Mehta, Angelica: Sophie Karthäuser, Medoro: Kristina Hammarström, Dorinda: Sunhae Im, Zorosastro: Konstantin Wolff
B'Rock Orchestra conducted by René Jacobs
0:00:00 Overture
0:04:00 Geroglifici eterni
0:09:06 Lascia Amor e siegui Marte
0:14:36 Non fu già
0:22:44 Ho un certo rossore
0:26:58 Ritornava al suo bel viso
0:28:42 Chi possessore è del mio core
0:33:11 Se 'l cor mai ti dirà
0:37:31 O care parolette
0:43:51 Se fedel voi che io ti creda
0:48:47 Fammi combattere
0:54:58 Consolati o bella
1:01:27 Quando spieghi i tuoi tormenti
1:06:22 Se mi rivolgo al prato
1:10:13 Cielo! Se tu il consenti
1:15:38 Tra caligini profonde
1:21:04 Verdi allori
1:27:14 Non potrà dirmi ingrata
1:32:24 Verdi piante
1:40:16 Orlando madness: Ah stigie larve! Ah scelerati spettri, 1:42:43 Già latra il cerbero, 1:44:23 Vaghe pupille, non piangete, no
1:49:16 Sinfonia
1:51:13 Vorrei poterti amar
1:56:18 Unisca amor in noi
1:58:10 Così giusta è questa speme
2:07:00 Amor è qual vento
2:13:40 Sorge infausta una procella
2:19:24 Finchè prendi ancora il sangue
2:24:05 Già l'ebbro mio ciglio
2:30:20 Sinfonia
2:33:30 Per far mia diletta per te la vendetta
2:36:30 Trionfa oggi 'l mio cor
The Sorceress or the Magic Opera, a Handel celebration
Kiri Te Kanawa, soprano
Christopher Hogwood, The Academy Of Ancient Music
00:00 Alcina: Overture
06:25 Giulio Cesare: Tu la Mia Stella Sei
11:39 Amadigi: Simfonia
12:38 Giulio Cesare: Sinfonia
15:04 Giulio Cesare: V'adoro pupille
22:00 Ariodante: Ballo - Musette
24:31 Agrippina: Bel Piacere
26:32 Amadigi Desterò dall'empia Dite
32:29 Alcina: Ah! Ruggiero Crudel
35:05 Alcina: Ombre pallide
38:26 Giustino: Adagio
40:09 Giulio Cesare: Piangerò la Sorte Mia
46:28 Alcina: Menuet
Pasticcio from: Hercules, Solomon, Agrippina, Semele, Acis & Galatea, Orlando, Sinfonia in B flat, Xerxes, Ariodante, Flavio, Water Music, Teseo, Rinaldo
Reinhard Goebel conducts Drottningholms Slottsteater Orkester
Singers: Barbara Bonney, Anne Sofie von Otter, Magnus Lindén, Jonpaul Asplund, Felix Greiner, Mats Garpendal, Mats Jansson, Jesper Krosness, Tobias Norenstedt
0:00:00 Sinfonia
0:07:23 Arrival of the Queen of Sheba (Solomon)
0:12:44 Ciel, soccorri ai miei disegni (Agrippina)
0:16:33 Myself, I shall adore (Semele)
0:23:33 O ruddier than the cherry (Acis and Galatea)
0:26:10 Finche prendi ancora il sangue (Orlando)
0:29:30 Sinfonia in B flat HWV 338 (Allegro)
0:33:40 Ombra mai fu (Xerxes)
0:38:56 Volate, amori (Ariodante)
0:43:11 Scherza infida (Ariodante)
0:48:13 Ricordati, mio ben (Flavio, Re de' Longobardi)
0:53:30 Water Music
0:57:28 Sinfonia
1:04:47 Sibilando, ululando (Teseo)
1:10:58 Mi restano le lagrime (Alcina)
1:20:40 Fermati! No crudel! (Rinaldo)
1:23:36 Nel mio caro bacco amabile (Xerxes)
1:25:18 Augelletti che cantate (Rinaldo)
1:30:49 Ogni vento (Agrippina)
1:35:32 March (Rinaldo)
1:36:47 Lascia ch'io pianga (Rinaldo)
1:42:36 Or la tromba (Rinaldo)
1:47:48 Battaglia (Rinaldo)
Ariodante HWV 33, opera 8 January 1735
Opera from "Orlando Furioso" by Ludovico Ariosto
Andrea Marcon conducts Freiburger Barockorchester
Sarah Connolly: Ariodante, Patricia Petibon: Ginevra, Sandrine Piau: Dalinda, Sonia Prina: Polinesso, David Portillo: Lurcanio, Luca Tittoto: Il Re di Scorzia, Christopher Diffey: Odoardo
Act I
0:00:00 Ouverture
0:04:40 Vezzi, lushinghe, e brio ^ Ginevra
0:08:07 Orrida a gl'occhi miei ^ Ginevra
0:11:00 Apri le luci, e mira ^ Dalinda
0:15:28 Coperta la frode ^ Polinesso
0:19:30 Qui d'amor nel suo linguaggio ^ Ariodante
0:22:34 Prendi da questa mano ^ Ginevra & Ariodante
0:25:40 Volate, amori ^ Ginevra
0:30:16 Voli colla sua tromba ^ Il Re di Scorzia
0:34:39 Con l'ali di constanza ^ Ariodante
0:46:05 Spero per voi, sì, sì ^ Polinesso
0:47:47 Del mio sol vezzosi rai ^ Dalinda
0:54:20 Il primo ardor ^ Dalinda
0:58:37 Sinfonia pastorale
0:59:28 Se rinasce nel mio cor & Chorus Si godete al vostro amor ^ Ginevra & Ariodante
1:01:13 Ballet, Lentment, Andante, Allegro
1:06:21 Chorus Si godete al vostro amor
Act II
1:09:19 Sinfonia
1:12:16 Tu preparati a morire ^ Ariodante
1:17:01 Tu vivi, e punito ^ Lurcanio
1:21:26 Scherza infida ^ Ariodante
1:34:23 Se tanto piace al cor ^ Dalinda
1:38:35 Se l'inganno sortisce felice ^ Polinesso
1:44:15 Invida sorte avara ^ Il Re di Scorzia
1:49:52 Mi palpita il core ^ Ginevra
1:55:40 l tuo sangue, ed il tuo zelo ^ Lurcanio
2:02:50 Il mio crudel martoro ^ Ginevra
2:13:01 Ballet: Entrée des Songes agréables, Entrée des Songes funestes, Entrée des Songes agréables affligés, Le combat des songs funestes et agréables
Act III
2:19:50 Sinfonia - Cavatina. Numi! Lasciarmi vivere ^ Ariodante
2:22:54 Cieca notte, infidi sguardi ^ Ariodante
2:29:03 Neghittosi, or voi che fate? ^ Dalinda
2:32:43 Dover, glustizia, amor ^ Polinesso
2:37:50 Io ti bacio, o mano augusta ^ Ginevra
2:42:10 Al sen ti stringo ^ Il Re di Scorzia
2:46:38 Sì, morrò ^ Ginevra
2:48:35 Sinfonia.
2:51:18 Dopo notte atra e funesta ^ Ariodante
2:58:50 Dite spera, e son contento ^ Lurcanio & Dalinda
3:03:35 Manca, oh Dei! ^ Ginevra
3:06:02 Bramo aver mille vite ^ Ariodante & Ginevra
3:10:44 Ballet: Gavotte, Rondeau, Bourrée & Chorus: Ogn'uno acclami bella virtute
3:13:22 Chorus: Sa trionfar ognor virtude
Alcina HWV 34, 16 April 1735
Libretto by Ferdinando Saracinelli, based on Ludovico Ariosto's Orlando Furioso
Christophe Rousset conducts Les Talens Lyriques
Sandrine Piau, Alcina; Maite Beaumont, Ruggiero; Angélique Noldus, Bradamante; Sabina Puértolas, Morgana; Chloé Briot, Oberto; Daniel Behle, Oronte; Giovanni Furlanetto, Melisso; Edouard Higuet, Astolfo
0:11:14 dì, cor mio, quanto t'amai
0:26:48 è gelosia, forza è d'amore
0:47:48 la bocca vaga
0:52:18 tornami a vagheggiar
1:03:35 pensa a chi geme
1:10:16 vorrei vendicarmi
1:24:02 ama, sospira
1:37:58 ah mio cor
1:58:48 verdi prati
2:06:55 ombre pallide, lo so mi udite
2:14:36 credete al mio dolor
2:29:08 ma quando tornerai
2:37:18 sta nell'lrcana
2:43:04 mi restano le lagrime
2:55:47 non è né gelosia
2:58:10 Dall'orror di notte cieca (chorus), Tamburino, Dopo tante amare pene (chorus)
Alcina HWV 34, 16 April 1735
Libretto by Ferdinando Saracinelli, based on Ludovico Ariosto's Orlando Furioso
Federico Maria Sardelli conducts Moscow Chamber Orchestra & Intrada Vocal Ensemble
Alcina: Sorceress, Inga Kalna (soprano); Ruggiero: a Knight, Vivica Genaux (mezzo-soprano); Morgana: Alcina's sister, Anna Devin (soprano); Bradamante: Patricia Bardon, (mezzo-soprano); Oronte: Benjamin Hulett (tenore); Melisso: Oleg Tsybulko, (basso); Oberto: Alina Yarovaya (soprano)
0:13:39 Dì, cor mio, quanto t'amai
0:29:36 E' gelosia
0:48:27 La bocca vaga
0:53:04 Tornami a vagheggiar
1:01:48 Pensa a chi geme
1:08:43 Vorrei vendicarmi
1:21:21 Ama, sospira, ma non t'offende
1:39:18 Ah! mio cor! schermito sei!
1:56:56 Verdi prati
2:11:42 Credete al mio dolor
2:22:48 Ma quando tornerai
2:27:21 Sta nell'Ircana
2:33:25 All'alma fedele, Amore placato
2:37:16 Mi restano le lagrime
2:49:28 Non è amor, né gelosia
2:55:20 Dall'orror di notte cieca (chorus), Tamburino, Dopo tante amare pene (chorus)
Giulio Cesare, opera 1724 HWV 17
Andrea Marcon conducts La Cetra Barockorchester Basel
Emöke Baráth, soprano: Cleopatra; Beth Taylor, mezzo-soprano: Cornelia; Carlo Vistoli, countertenor: Giulio Cesare; Rachele Raggiotti, mezzo-soprano: Tolomeo; Juan Sancho, tenor: Sesto; José Antonio López, baritone: Achilla
0:00:00 01 Sinfonia, Viva viva il nostro Alcide, Presti ormai l'egizia terra
0:06:19 02 Empio, dirò, tu sei
0:09:44 03 Priva son d'ogni conforto
0:15:58 04 Svegliatevi nel core
0:17:15 05 Non disperar, chi sa
0:21:09 06 L'empio, sleale, indegno
0:24:15 07 Non è sì vago e bello
0:25:45 08 Tutto può donna vezzosa
0:30:25 09 Nel tuo seno, amico sasso
0:33:50 10 Tu la mia stella sei
0:35:59 11 Va tacito e nascosto
0:42:56 12 Tu sei il cor di questo core
0:47:27 13 S'armi ai miei danni
0:50:39 14 Sinfonia
0:52:35 15 V'adoro pupille
0:58:02 16 Se in fiorito ameno prato
1:05:05 17 Se a me non sei crudele
1:08:23 18 Si, spietata, il tuo rigore
1:11:26 19 Cessa omai di sospirare!
1:15:05 20 L'angue offeso mai riposa
1:19:27 21 Venere bella
1:21:12 22 Al lampo dell'armi
1:24:16 23 Se pieta di me non senti
1:33:33 24 Dal mio brando
1:36:04 25 Scorta siate ai passi miei
1:40:30 26 Dal fulgor di questa spada
1:43:40 27 Sinfonia
1:44:17 28 Domero la tua fierezza
1:47:49 29 Piangerò la sorte mia
1:54:34 30 Sinfonia
1:55:29 31 Aure, deh, per pietà
2:01:40 32 Quel torrente,che cade dal monte
2:03:32 33 Sperai, né m'ingannai
2:08:30 34 Da tempeste il legno infranto
2:14:28 35 Non ha piu che temere
2:17:25 36 Sinfonia
2:18:50 37 Caro! Bella!
2:23:34 38 Ritorni omai nel nostro core
Rinaldo HWV 7, Opera Seria, libretto by Giacomo Rossi from a scenario provided by Aaron Hill, first performed at the Queen's Theatre in London's Haymarket on 24 February 1711
Rinaldo: Philippe Jaroussky, Almirena: Anett Fritsch, Goffredo: Carlo Vistoli, Eustazio: Kangmin Justin Kim, Argante: Jose Antonio Lopez, Armida: Arianna Vendittelli, Araldo: Jean Miannay, Mago Cristiano: Paul Figuier
Lausanne Opera conductor Andrea Marcon
0:00:00 01 Sinfonia
0:0530 02 Sovra balze
0:09:33 03 Combatti da forte
0:12:58 04 Ogni indugio d'un amante
0:16:47 05 Sulla ruota di fortuna
0:19:48 06 Sibilar gli angui d’Aletto
0:24:33 07 No, no, che quest’alma
0:27:09 08 Vieni o cara
0:31:13 09 Furie terribili
0:33:23 10 Molto voglio
0:36:06 11 Augellette
0:41:55 12 Scherzano sul tuo volto
0:45:32 13 Cara sposa
0:56:26 14 Core ingrato
1:00:18 15 Col valor della virtù
1:03:37 16 Venti turbini
1:07:15 Il vostro maggio
1:09:28 18 Tricerbero umiliato
1:11:20 19 Mio cor
1:14:18 20 Lascia ch’io pianga
1:19:10 21 Basta che sol tu chieda
1:21:30 22 Fermati
1:23:38 23 Abbrucio, avvampo e fremo
1:26:16 24 Uomo crudele
1:32:15 25 Vo’far Guerra
1:38:33 26 Sinfonia
1:41:12 Andate o forti
1:44:18 Sorge dal petto
1:49:26 29 March
1:50:38 30 Al trionfo del nostro furore
1:54:22 31 Bel piacere
1:56:16 Di Sion nell’alta sede
1:59:17 33 March
2:01:11 Or la trompa
2:04:46 35 Battaglia
2:09:19 36 Vinto è sol dalla virtù
Alcina HWV 34, 16 April 1735, selection of highlights
Libretto by Ferdinando Saracinelli, based on Ludovico Ariosto's Orlando Furioso
Singers: Patricia Petitbon - Alcina, Philippe Jaroussky - Ruggiero, Anna Prohaska - Morgana, Katarina Bradic - Bradamante, Antony Gregory, Krzysztof Baczyk, Elias Madler
Andrea Marcon conducts Freiburger Barockorchester
Act I
0:00:00 Overture
0:02:55 O s'apre al riso
0:07:40 Questo è il cielo de' contenti (chorus)
0:09:47 Dì, cor mio, quanto t'amai
0:16:15 Chi m'insegna il caro padre
0:19:30 Di te mi rido, semplice stolto
0:23:18 E' gelosia, forza è d'amore
0:27:26 Semplicetto! A donna credi?
0:32:55 Sì, son quella, non più bella
0:38:20 La bocca vaga
0:40:26 Tornami a vagheggiar
Act II
0:44:54 Col celarvi a chi v'ama un momento
0:48:22 Pensa a chi geme
0:54:01 Vorrei vendicarmi dal perfido cor
0:58:20 Mi lusinga il dolce affetto
1:05:40 Ama, sospira, ma non t'offende
1:09:55 Mio bel tesoro
1:14:20 Tra speme e timore
1:17:49 Ah! mio cor! schermito sei!
1:30:40 Sinfonia
1:31:30 E' un folle, è un vil affetto
1:35:38 Verdi prati, selve amene
1:40:30 Ruggero crudel
1:41:42 Ombre pallide, lo so mi udite
Act III
1:47:44 Credete al mio dolor
1:54:55 Un momento di contento
1:58:43 Ma quando tornerai
2:02:45 Sta nell'Ircana pietrosa tana
2:08:50 All'alma fedele, Amore placato
2:11:50 Mi restano le lagrime
2:19:18 Non è amor, né gelosia
2:23:37 Dall'orror di notte cieca (chorus)
2:25:25 Tamburino
2:27:27 Dopo tante amare pene (chorus)
Orlando HWV 31, Highligts Selection, 27 January 1733
Teatro Real de Madrid, conductor Ivor Bolton Orlando: Christophe Dumaux, Angelica: Anna Prohaska, Medoro: Anthony Roth Costanzo, Dorinda: Giulia Semenzato, Zoroastro: Florian Boesch
****TRACKS****
0:00:00 lascia amor e siegui marte
0:03:56 non fu già men forte Alcide
0:09:21 chi possessore è del mio core
0:12:52 o care parolette o dolci sguardi
0:15:52 fammi combattere
0:19:20 consolati o bella
0:24:22 cielo! Se tu il consenti
0:28:41 tra caligini profonde
0:32:34 Verdi allori
0:39:19 non potrà dirmi ingrata
0:42:52 Orlando madness: ah stigie larve! Ah scelerati spettri
0:45:12 Orlando madness: già latra il cerbero
0:47:01 Orlando madness: vaghe pupille, non piangete, no
0:51:23 già lo stringo già l'abbraccio
0:55:47 sorge infausta una procella
0:59:56 finchè prendi ancora il sangue
1:02:11 Per far mia diletta per te la vendetta
1:03:15 trionfa oggi 'l mio cor
Orlando HWV 31, 27 January 1733
Les Arts Florissants conducted by William Christie
Orlando - Patricia Bardon, Angelica - Lynne Dawson, Dorinda - Rosa Mannion, Medoro - Hilary Summers, Zoroastro - Harry van der Kamp
Highlights Selection from Rinaldo, [Opera 1711]
Václav Luks conducts Collegium 1704
Stanislava Jirku (Goffredo), Katerina Knezikova (Almirena), Mariana Rewerski (Rinaldo), Marketa Cukrova (Eustazio), Adam Plachetka (Argante), Marie Fajtova (Armida), Jan Martinik (Mago, Araldo),
Andrea Miltnerova, Romana Konradova, Viktor Badinka, Jan Brezina, Germans Filipovs, Petr Kriz (dancers)
Louise Moaty (stage director) Adeline Caron (scenography) Alain Blanchot (costumes)
****TRACKS****
00:00 overture
06:10 sovra balze
10:20 combatti da forte
15:35 sulla ruota di fortuna
15:08 sibillar gli angui d'Aletto
19:37 furie terribili
21:27 molto voglio molto spero
24:03 venti turbini
28:06 il vostro maggio
30:05 mio cor, che mi sai dir?
32:56 lascia ch'io pianga
37:35 vo' far guerra, e vincer voglio
42:55 sinfonia
45:16 pagan march
46:21 al trionfo del nostro furore
49:42 christian march
50:36 or la tromba in suon festante
54:20 battaglia
55:51 vinto è sol della virtù
Selection of highlights from Hercules Oratorio HWV 60 year 1745
William Christie
Solomon HWV 67, Oratorio composed in 1748, selection of highlights
Solomon, King of Israel: Iestyn Davies, countertenor; Solomon's Queen: Sarah Tynan, soprano; First Harlot: Sarah Tynan, soprano; Second Harlot: Gillian Webster, soprano; Queen of Sheba: Gillian Webster, soprano; Zadok, High Priest of Israel: Jeremy Ovenden, tenor; a Levite: Peter Harvey, baritone
Gabrieli Consort and Players
Paul McCreesh, conductor
Selection of highlights from Susanna, Oratorio HWV 66 year 1749
Les Arts Florissants William Christie
00:00 Ombra mai fu, from Xerxes
03:25 Lascia la spina, former version of Lascia ch'io pianga from Giulio Cesare
L'Allegro Il Penseroso ed Il Moderato, ("The Cheerful, the Thoughtful, and the Moderate Man"), Oratorio (Patoral Ode) HWV 55, from John Milton's poems
Paul Mc Creesh conducts Gabrieli Consort and Players
0:00:00 L'Allegro, Il Penseroso
0:47:35 Il Penseroso
1:22:28 Il Moderato
1:32:43 aria and chorus, "As Steals the Morn", Shakespeare's The Tempest, V.i.65–68.
Theodora HWV 68 Oratorio 1750
Moscow Philharmonic conductor Alexander Rudin
Henriette Bonde-Hansen (soprano), Tim Mead (countertenor), Caspar Singh (tenor), Morgan Pearse (baritone),Kristina Hammarström (mezzo-soprano)
Messiah, Oratorio 1741
B'Rock Orchestra Conductor Peter Dijkstra
Julia Doyle, soprano; Lawrence Zazzo, countertenor; Steve Davislim, tenor; Neal Davies bass
Comfort ye, My people 3:05
Ev'ry Valley shall be exalted 6:09
And the glory of the Lord 9:32
But who may abide 13:30
For unto us a Child is born 32:30
Glory to God 39:16
Hallelujah 1:44:20
I know that my Redeemer liveth 1:48:16
The Trumpet shall sound 1:56:49
Worthy is the Lamb 2:13:55
Amen 2:17:10
Messiah, [Oratorio] 1741
Harry Christophers The Sixteen
Singers: Lynda Russell, soprano; Alison Browser alto, Adriian Thomson, tenor; Michael George, bass
Comfort ye, My people 2:40
Ev'ry Valley shall be exalted 5:40
And the glory of the Lord 9:05
But who may abide 13:30
For unto us a Child is born 31:24
Glory to God 37:50
Hallelujah 1:31:30
I know that my Redeemer liveth 1:35:29
The Trumpet shall sound 1:43:20
Worthy is the Lamb 1:56:06
Amen 1:59:37
Messiah Oratorio composed in 1741, some individual movements revised and recomposed between 1742 and 1754.
Première charity concert Dublin April 14th 1742 , from 1750 was established the annual charity performances of Messiah at London's Foundling Hospital, which continued until Handel's death and beyond.
Choir & orchestra of The King's Consort, conductor Robert King
Soprano, Julia Doyle; alto, Hilary Summers; tenor, Joshua Ellicott; bass, David Wilson-Johnson
******************************Part I******************************
***Scene 1: Isaiah's prophecy of salvation***
Sinfony 0:00
Air: Comfort ye, My people 2:40 Isaiah 40,1-3
Air: Ev'ry Valley shall be exalted 5:42 Isaiah 40,4
Chorus: And the glory of the Lord 8:48 Isaiah 40,5
***Scene 2: The coming judgment***
Air: But who may abide 12:44
Chorus: And He shall purify the sons of Levi 16:50
***Scene 3: The prophecy of Christ's birth***
Air: O thou that tellest good tidings to Zion 20:00 Isaiah 7,14 Isaiah 40,9 Isaiah 60,2–3 Isaiah 9,2
Chorus: "For unto us a Child is born" 30:55 Isaiah 9,6
***Scene 4: The annunciation to the shepherds***
Pifa (Pastoral Symphony) 35:00
Chorus: Glory to God 37:2
***Scene 5: Christ's healing and redemption***
Air: Rejoice greatly, o daughter of Zion 39:05 Zechariah 9,9–10 Isaiah 35,5–6
Air: He shall feed his flock 43:29 Isaiah 40,11
Chorus: His yoke is easy 48:20
******************************Part II******************************
***Scene 1: Christ's Passion***
Chorus: Behold the Lamb of God 51:12 John 1,29, which recalls Isaiah 53
Air: He was despised 53:50 Isaiah 53,3 Isaiah 50,6
Chorus: Surely he hath borne...Chorus: And with his 1:03:30 Isaiah 53,5
Chorus: All we like sheep have gone astray 1:07:14
Chorus: He trusted in God 1:11:36
***Scene 2: Christ's Death and Resurrection***
Air: But thou didst not leave his soul in hell 1:17:47
Chorus: The Lord gave the word 1:19:42
Air: How beautiful are the feet 1:21:00 Isaiah 52,7
***Scene 6: The world's rejection of the Gospel***
Air: Why do the nations...Let us break their bonds asunder 1:23:17
***Scene 7: God's ultimate victory***
Air: Thou shalt break them 1:26:01
Chorus: "Hallelujah" 1:29:50 Revelation 19,6,16, Revelation 11,15
******************************Part III******************************
***Scene 1: The promise of eternal life***
Air: I know that my Redeemer liveth 1:35:48
Chorus: Since by man came death 1:41:44
***Scene 2: The Day of Judgment***
Recitative: Behold, I tell you a mystery 1:43:52
Air: The Trumpet shall sound 1:44:30
***Scene 3: The final conquest of sin***
Duet: O Death 1:43:50
Air: If God be for us 1:48:40
***Scene 4: The acclamation of the Messiah***
Chorus: Worthy is the Lamb... Blessing and honour 1:53:44
Chorus: Amen 1:57:10
Alcina HWV 34, 16 April 1735
Libretto by Ferdinando Saracinelli, based on Ludovico Ariosto's Orlando Furioso
Christopher Moulds conducts Orquesta Titular del Teatro Real, Madrid
Alcina: Karina Gauvin, Morgana: Anna Christy, Ruggiero: Christine Rice,Bradamante: Sonia Prina,Melisso: Luca Tittoto, Oronte: Allan Clayton, Oberto: Erika Escribà
Messiah Oratorio composed in 1741, some individual movements revised and recomposed between 1742 and 1754.
Première charity concert Dublin April 14th 1742 , from 1750 was established the annual charity performances of Messiah at London's Foundling Hospital, which continued until Handel's death and beyond.
Masaaki Suzuki conducts H+H Orchestra and Chorus
Elizabeth Watts, soprano; Reginald Mobley, countertenor; Nicholas Phan, tenor; Dashon Burton, bass-baritone
****************************Part I****************************
** Scene 1: Isaiah's prophecy of salvation **
Sinfony 0:00
Air: Comfort ye, My people 3:05 Isaiah 40,1-3
Air: Ev'ry Valley shall be exalted 5:36 Isaiah 40,4
Chorus: And the glory of the Lord 8:40 Isaiah 40,5
** Scene 2: The coming judgment **
Air: But who may abide 12:46
Chorus: And He shall purify the sons of Levi 16:41
** Scene 3: The prophecy of Christ's birth **
Air: O thou that tellest good tidings to Zion 20:10 Isaiah 7,14 Isaiah 40,9 Isaiah 60,2–3 Isaiah 9,2
Chorus: "For unto us a Child is born" 30:16 Isaiah 9,6
** Scene 4: The annunciation to the shepherds **
Pifa (Pastoral Symphony) 34:10
Chorus: Glory to God 38:27
** Scene 5: Christ's healing and redemption **
Air: Rejoice greatly, o daughter of Zion 39:56 Zechariah 9,9–10 Isaiah 35,5–6
Air: He shall feed his flock 44:54 Isaiah 40,11
Chorus: His yoke is easy 49:43
****************************Part II****************************
** Scene 1: Christ's Passion **
Chorus: Behold the Lamb of God 52:10 John 1,29, which recalls Isaiah 53
Air: He was despised 55:10 Isaiah 53,3 Isaiah 50,6
Chorus: Surely he hath borne...Chorus: And with his 1:04:38 Isaiah 53,5
Chorus: All we like sheep have gone astray 1:08:11
Chorus: He trusted in God 1:12:46
** Scene 2: Christ's Death and Resurrection **
Air: But thou didst not leave his soul in hell 1:18:21
** Scene 3: Christ's Ascension **
Chorus: Lift up your heads 1:20:21
** Scene 4: Christ's reception in Heaven **
Chorus: Let all the Angels 1:23:32
** Scene 5: The beginnings of Gospel preaching **
Air: Thou art gone up on high 1:24:56
Chorus: The Lord gave the word 1:27:47
Air: How beautiful are the feet 1:28:57 Isaiah 52,7
Chorus: Their sound is gone out 1:31:12
** Scene 6: The world's rejection of the Gospel **
Air: Why do the nations...Let us break their bonds asunder 1:32:55
** Scene 7: God's ultimate victory **
Air: Thou shalt break them 1:35:55
Chorus: "Hallelujah" 1:37:50 Revelation 19,6,16, Revelation 11,15
****************************Part III****************************
** Scene 1: The promise of eternal life **
Air: I know that my Redeemer liveth 1:41:35
Chorus: Since by man came death 1:47:32
** Scene 2: The Day of Judgment **
Recitative: Behold, I tell you a mystery 1:49:38
Air: The Trumpet shall sound 1:50:17
** Scene 3: The final conquest of sin **
Duet: O Death 1:59:42
Air: If God be for us 2:02:38
** Scene 4: The acclamation of the Messiah **
Chorus: Worthy is the Lamb... Blessing and honour 2:07:10
Chorus: Amen 2:10:27
Water Music Danced, at English Baroque Festival, 3 Suites: Suite nr 1 HWV 348 in F Major, nr 2 HWV 349 in D Major & nr 3 HWV 350 G major
The English Bach Festival Baroque Orchestra
The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717 after King George I had requested a concert on the River Thames.
Suite No 1 HWV 348 F Major
00:00 Overture (Largo – Allegro)
03:16 Adagio e staccato
05:18 Allegro – Andante – Allegro da capo Aria
12:46 Menuet
15:11 Air
18:32 Menuet
20:29 Bourrée
22:18 Alla Hornpipe
23:20 Andante
Suite No 2 HWV 349 D Major & Suite No 3 HWV 350 G major
26:58 Overture (Allegro)
28:45 Alla Hornpipe
31:56 Sarabande
34:43 Rigaudon
37:08 Lentement
38:28 Bourrée
39:45 Menuet I
40:34 Menuet II
42:52 Deux Gigues
44:10 Menuet
The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, after King George I had requested a concert on the River Thames.
Andrew Manze, on river Thames from Withehall to Chelsea (London)
00:00 Air
02:28 Minuet
05:35 Two variations
07:50 Alla hornpipe
11:51 Minuet
13:47 Bourrée
Suites for Harpsichord, Book I (Set I), 1720
Scott Ross, Harpsichord
0:00:00 No.1 in A major, HWV 426
0:11:56 No.2 in F major, HWV 427
0:21:19 No.3 in D minor, HWV 428
0:44:43 No.4 in E minor, HWV 429
0:57:47 No.5 in E major "The Harmonious Blacksmith", HWV 430
1:11:50 No.6 in F sharp minor, HWV 431
1:20:05 No.7 in G minor, HWV 432
1:38:25 No.8 in F minor, HWV 433
Neville Marriner, Academy of St Martin in the Fields
Gerorge Malcom, Organ
0:00:00 Organ Concerto No. 7 in Bb major, HWV306, Op. 7 No. 1
0:18:35 Organ Concerto No. 8 in A major, HWV307, Op. 7 No. 2
0:31:40 Organ Concerto No. 9 in Bb major, HWV308, Op. 7 No. 3
0:44:55 Organ Concerto No. 10 in D minor, HWV309, Op. 7 No. 4
1:01:10 Organ Concerto No. 11 in G minor, HWV310, Op. 7 No. 5
1:13:15 Organ (Harpsichord) Concerto No. 12 in Bb major, HWV311, Op. 7 No. 6
Neville Marriner, Academy of St Martin in the Fields
George Malcom, Organ
00:00 Organ Concerto No. 1 in G minor, HWV289, Op. 4 No. 1
14:02 Organ Concerto No. 2 in Bb major, HWV290, Op. 4 No. 2
23:46 Organ Concerto No. 3 in G minor, HWV291, Op. 4 No. 3
33:18 Organ Concerto No. 4 in F major, HWV292, Op. 4 No. 4
47:34 Organ Concerto No. 5 in F major, HWV293, Op. 4 No. 5
56:15 Organ Concerto No. 6 in Bb major, HWV294, Op. 4 No. 6
Neville Marriner, Academy of St Martin in the Fields
George Malcom, Organ
00:00 Organ Concerto No. 13 in F major, HWV295 'The Cuckoo and the Nightingale'
12:25 Organ Concerto No. 14 in A major, HWV296
28:35 Organ Concerto No. 15 in D minor, HWV304
41:15 Organ Concerto No. 16 in F major, HWV305
Sarabande from Suite HWV 437 in D minor, Set II No 4
Zuzana Ruzickova, harpsichord
00:00 Prelude
02:56 Courante
04:44 Sarabande (Folia)
09:52 Gigue
Harpsichord Suite HWV 436 D minor, Set II No 3
Trevor Pinnock
00:00 Allemande
04:30 Allegro [courante]
05:51 Air [sarabande]
08:53 Gigue
10:42 Menuetto (3 variations)
Chaconne in G major HWV 435, harpsichord Suite Set II No 2
Theme with 21 Variations, 1733
Trevor Pinnock, harpsichord
Harpsichord Suite HWV 434 B flat, Set II No 1 [Brahms]
Trevor Pinnock
Harpsichord Suite HWV 432 in G minor, Set I No 7
Scott Ross, harpsichord
Ouverture 0:00
Andante 3:49
Allegro 6:35
Sarabande 8:58
Gigue 11:45
Passacaglia (Passacaille) 13:14
Harpsichord Suite HWV 428 in D minor, Set I No 3
Scott Ross, harpsichord
Prelude 0:00
Allegro 1:02
Allemande 3:17
Courante 7:33
Air with 5 variation 9:09
Presto 18:19
Judas Maccabaeus HWV 63, Oratorio 1747
Óscar Gershensohn conductor RTVE
0:03:50 Chorus: Mourn, ye afflicted children
0:11:45 Chorus: For Zion lamentation make
0:15:49 Air: Pious orgies
0:18:32 Chorus: O Father, whose almighty power
0:21:56 Air: Arm, arn, ye brave!
0:24:52 Chorus: We come in bright array
0:26:56 Air: Call forth thy power
0:31:52 Air duet: Come, ever-smilig liberty
0:33:08 Chorus: Lead on, lead on
0:34:05 Chorus: Fallen is the foe
0:37:44 Air & Chorus: Zion now her head shall raise
0:44:06 Air: From mighty kings
0:47:26 Air duet & Chorus: Hail, hail, Judea
0:50:17 Air: Ah! Wretched Israel!
0:52:38 Chorus: Ah! Wretched Israel!
0:57:11 Air: The Lord worketh wonders
1:00:38 Air & Chorus: Sound an alarm!
1:05:33 Air: Father of Heaven
1:13:28 Chorus: See the conquering hero comes
1:15:56 March
1:17:17 Air duet & Chorus: Sing unto God
1:21:10 Air: With honor let desert
1:25:18 Air: Rejoice oh Judah!
1:27:07 Chorus: Hallelujah - Amen!


