National Gallery of Art
Ada Limón shares a moving poem inspired by Andy Goldsworthy’s “Roof”
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But now, with the help of machine learning, those sensations come to life.
Using A.I. technology, you can experience Sargent’s enigmatic vision of a pair of dancers performing outdoors, their movements lit by stars or fireworks. Sargent attempted to convey what he, as an outsider, viewed as essential Spain: its mystery, tradition and spirit.
You can learn more about Sargent’s appreciation for Spanish dance in #SargentAndSpain, currently on view in our West Building through January 2, 2023.
Plan your visit: nga.gov/exhibitions/2022/sargent-and-spain.html
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But now, with the help of machine learning, those sensations come to life.
Using A.I. technology, you can experience Sargent’s enigmatic vision of a pair of dancers performing outdoors, their movements lit by stars or fireworks. Sargent attempted to convey what he, as an outsider, viewed as essential Spain: its mystery, tradition and spirit.
You can learn more about Sargent’s appreciation for Spanish dance in #SargentAndSpain, currently on view in our West Building through January 2, 2023.
Plan your visit: nga.gov/exhibitions/2022/sargent-and-spain.html
Still haven’t subscribed to our YouTube channels?
National Gallery of Art ►►youtube.com/NationalGalleryofArtUS
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ABOUT THE NATIONAL GALLERY OF ART
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The Double: Identity and Difference in Art since 1900 was on view at the National Gallery of Art July 10 – October 31, 2022.
The Robert and Mercedes Eichholz Foundation provided major support for the exhibition.
It was also generously supported by Dr. Mihael Polymeropoulos and Mrs. Mahy D. Polymeropoulos.
Additional funding was provided by the Tower Project of the National Gallery of Art.
The exhibition was supported by an indemnity from the Federal Council on the Arts and the Humanities.
“Untitled” © Felix Gonzalez-Torres, Courtesy of the Felix Gonzalez-Torres Foundation
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But now, with the help of artificial intelligence, those sensations come to life.
Using A.I. technology, you can experience the wonder of Sargent’s encounters with Carmen Dauset Moreno (aka La Carmencita). When Sargent saw La Carmencita for the first time, he was captivated. The artist was struck by her confidence and the vibrancy of her wardrobe. He was so inspired, in fact, he asked the famous flamenco dancer to pose for a painting in his studio. And thus, La Carmencita was forever immortalized in paint.
You can learn more about La Carmencita and Sargent’s appreciation for Spanish dance in #SargentAndSpain, currently on view in our West Building through January 2, 2023.
Plan your visit: nga.gov/exhibitions/2022/sargent-and-spain.html
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The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity.
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#Art
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#SargentandSpain
#Flamenco
#AI
#AIAnimation
#JohnSingerSargent
#Painting
#Spain
#Dance
But now, with the help of artificial intelligence, those sensations come to life.
Using A.I. technology, you can experience the wonder of Sargent’s encounters with Carmen Dauset Moreno (aka La Carmencita). When Sargent saw La Carmencita for the first time, he was captivated. The artist was struck by her confidence and the vibrancy of her wardrobe. He was so inspired, in fact, he asked the famous flamenco dancer to pose for a painting in his studio. And thus, La Carmencita was forever immortalized in paint.
You can learn more about La Carmencita and Sargent’s appreciation for Spanish dance in #SargentAndSpain, currently on view in our West Building through January 2, 2023.
Plan your visit: nga.gov/exhibitions/2022/sargent-and-spain.html
Still haven’t subscribed to our YouTube channels?
National Gallery of Art ►►youtube.com/NationalGalleryofArtUS
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“Figura de Poder” was on view at the National Gallery of Art from April 10-July 17, 2022, as part of the “Afro-Atlantic Histories” exhibition. Learn more: nga.gov/exhibitions/2022/afro-atlantic-histories.html
Major support for this exhibition was provided by the Ford Foundation.
Additional funding was provided by the Exhibition Circle of the National Gallery of Art and the Annenberg Fund for the International Exchange of Art.
This film was made possible in part by the Elson Lecture Series.
The Elson Lecture Series features distinguished contemporary artists who are represented in the Gallery's permanent collection. The Honorable and Mrs. Edward E. Elson generously endowed this series in 1992. Find out more about the Elson Lecture Series on our website: nga.gov/audio-video/elson.html
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-----
Mientras se prepara para la exhibición de su escultura “Figura de Poder”, el artista Daniel Lind-Ramos explora sus intereses artísticos y sus orígenes. Desde su proceso de construcción hasta la mística de los vejigantes, Lind-Ramos nos guía a través de su crianza en Loíza, Puerto Rico y la miríada de fuentes de inspiración para su arte.
“Figura de Poder” estuvo en exhibición en la Galería Nacional de Arte del 10 de abril al 17 de julio de 2022 como parte de la “Exposición “Historias afroatlánticas”. Obtenga más información: nga.gov/exhibitions/2022/afro-atlantic-histories.html
La Ford Foundation brindó un apoyo significativo para esta exhibición.
El Círculo de Exposiciones de la Galería Nacional de Arte y el Fondo Annenberg para el Intercambio Internacional de Arte proporcionaron financiación adicional.
Esta película fue posible en parte gracias a la serie de conferencias Elson.
La serie de conferencias Elson presenta a distinguidos artistas contemporáneos que están representados en la colección permanente de la galería. El Honorable Edward E. Elson y su esposa financiaron generosamente esta serie en 1992. Obtén más información sobre la serie de conferencias Elson en nuestro sitio web: nga.gov/audio-video/elson.html
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00:00 Jeannette, how do you get to work in a museum?
00:53 If there's one artist that you can have dinner with, who would it be?
1:13 What would be your dream exhibition?
1:53 If you could live in a painting, which painting would you live in?
2:14 If you didn't work in a museum, what would you do?
2:53 What's the coolest part about working in a museum?
3:39 What's a work of art you saw as a kid that's always stuck with you?
Have burning questions of your own? Post it in the comments and we’ll answer your questions in future episodes!
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0:00 Ask the National Gallery Anything
0:04 Who was the most problematic artist in history?
0:40 Has anyone ever tried to sell a forgery to the National Gallery?
1:15 Someone told me that the paintings in the National Gallery are not real. Is that true?
1:45 If you didn't work in a museum, what would you do?
2:21 Does art history matter?
6:24 If you could go back in time, what is a work of art that you would introduce to your younger self?
7:00 Is it true that Leonardo da Vinci was a vegetarian and an animal rights activist?
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Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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The National Gallery of Art asked visitors to interview themselves about their visit to “The Double” exhibition. This is what they said.
Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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0:00 Visitors Interview Themselves
0:18 What was your favorite artwork in The Double ?
0:33 If you could be in two places at the same time, where would you want to be?
1:01 So, if you could live in two different time periods, when would you want to live?
1:22 Have you ever felt like you were someone else?
1:36 Have you ever met someone just like you?
Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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Over seven extended visits between 1879 and 1912, he depicted stunning landscape views, detailed architectural studies, local peoples and traditions, dynamic scenes of flamenco dance, and everyday moments of Spanish Roma life.
Learn more about the exhibition “Sargent and Spain” on view October 2, 2022 – January 2, 2023. For more information, visit
nga.gov/exhibitions/2022/sargent-and-spain.html
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Over seven extended visits between 1879 and 1912, he depicted stunning landscape views, detailed architectural studies, local peoples and traditions, dynamic scenes of flamenco dance, and everyday moments of Spanish Roma life.
Learn more about the exhibition “Sargent and Spain” on view October 2, 2022 – January 2, 2023. For more information, visit
nga.gov/exhibitions/2022/sargent-and-spain.html
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In 2020, the National Gallery acquired 40 sculptures, assemblages, paintings, reliefs, quilts, and drawings from the Souls Grown Deep Foundation, and several related gifts have recently entered the collection as well. Enjoy these inventive works, including nine Gee’s Bend quilts, and learn the remarkable stories of their making and makers.
Music by James "Son Ford" Thomas, excerpted from "I Ain't Lyin'," directed by William Ferris.
Learn more about the exhibition “Called to Create: Black Artists of the American South” on view September 18, 2022 – March 26, 2023. For more information, visit
nga.gov/exhibitions/2022/called-to-create.html
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0:00 Visitors Interview Themselves
0:02 Can I ask you some questions about The Double?
0:18 What did you like about that?
0:35 If you could be in two places at once, where would you want to be?
0:53 If you had to pick a kind of museum, what would you pick?
1:04 If you could live in two different times, when would you want to live?
1:10 Would you like to live in any other time period?
1:16 Have you ever met someone just like you?
1:22 So how are you guys alike?
Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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0:00 Visitors Interview Themselves
0:16 What was your favorite artwork in The Double?
0:36 If you could be in two places at once, where would you like to be?
1:00 If you could live in two different time periods, when would you like to live?
1:22 Have you ever felt like you were someone else?
1:42 Is there anyone in your life you'd want to share The Double with?
Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/press/exhibitions/exhibitions-2022/5360.html
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0:00 Ask the National Gallery Anything
0:30 Is the National Gallery a part of the Smithsonian?
01:16 Is it OK to touch art in the National Gallery?
01:47 What is the coolest part about working in a museum?
03:16 What's a work of art you saw as a kid that's always stuck with you?
07:15 If you could live in a painting, which would you live in?
08:49 If you didn't work in a museum, what would you do?
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Visit the National Gallery of Art to see “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, nga.gov/exhibitions/2022/the-double-identity-and-difference-in-art-since-1900.html
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Plus check out Chef Chris’s Peacock Picadillo Empanadas recipe below. Bon Appétit!
Peacock Picadillo Empanadas Dough Recipe
Serves: 30 appetizer-sized empanadas
Ingredients
For the Dough:
3 cups | Masa Harina for tortillas
3/4 tsp. | Salt
1 Tbsp. | Lard
2-3 cups | Warm water
30 Tbsp. | Filling (recipe follows)
Method:
1. In a large bowl mix together the masa, salt and lard. Gradually add enough water to form a smooth soft dough. Add additional water if the dough seems dry.
2. Divide the dough into 30 balls about the size of a walnut.
3. Place a ball of the dough between two pieces of plastic wrap. Flatten each ball into a six-inch circle, using a tortilla press
4. Remove the top layer of plastic and add 1 tablespoon of the peacock picadillo mixture in the center of the dough. Using your fingertip or a pastry brush, place a little bit of water around the edge of the dough. Fold the dough over and seal. Remove the empanada from the plastic and place on a parchment lined baking sheet.
5. Repeat until all the empanadas are formed.
6. Pan fry or deep fry the empanadas in hot oil until nicely browned.
Peacock Picadillo Empanadas Recipe
Ingredients for the filling:
1 Tbsp | Olive Oil
1 lb. | Lean ground peacock or other meat
1/2 ea. | Yellow onion, finely chopped
1 clove | Finely chopped garlic
2 ea. | Peeled, seeded and chopped tomatoes
1 ea. | Peeled seeded and chopped cooking apple
1 ea. | Chopped Serrano chili pepper
1/2 cup | Apricot & Dates plumped in warm water and drained when soft
1/4 cup | Chopped green olives
1/2 tsp. | Oregano
1/2 tsp. | Thyme
1/2 tsp. | Cumin
Salt and pepper for seasoning
Method:
1. Heat the oil in a sauté pan over medium-high heat. Add the ground peacock and sauté, breaking up any chunks until nicely browned.
2. Add the onion and garlic and continue to sauté for 5 minutes.
3. Add all the remaining ingredients and allow to simmer over low heat for an additional 20 minutes. Season to taste and allow to cool.
Hear more about “Still Life with Peacock Pie” with Carla Hall, audiotour Stop 203: nga.gov/visit/tours-and-guides/self-guided-tours/en/stops/stop-203.html
Discover more about this painting: nga.gov/collection/art-object-page.132271.html
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#Art #NationalGalleryOfArt #ExoticFood #DutchArt #CarlaHall #ChefTalk #Peacock #PeacockPie #PieterClaesz
Visit the National Gallery to see “Today (News from Kabul)” is part of the National Gallery’s exhibition “The Double: Identity and Difference in Art since 1900,” on view July 10 – October 31, 2022. For more information, visit nga.gov/exhibitions/2022/the-double-identity-and-difference-in-art-since-1900.html
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ABOUT THE NATIONAL GALLERY OF ART
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#Art #NationalGalleryOfArt #MarioGarciaTorres #AlighieroBoetti #Kabul #Afghanistan #Mexico #ArtePovera #ConceptualArt #MirrorWriting
Major support for this exhibition is provided by the Ford Foundation.
Additional funding is provided by the Exhibition Circle of the National Gallery of Art and the Annenberg Fund for the International Exchange of Art.
This film was made possible in part by the Elson Lecture Series.
“Figura de Poder” is on view at the National Gallery of Art from April 10 to July 17, 2022 as part of Afro-Atlantic Histories exhibition. Plan your visit before the exhibition ends: nga.gov/exhibitions/2022/afro-atlantic-histories.html
“Figura de Poder” se exhibe en la Galería Nacional de Arte desde el 10 de abril hasta el 17 de julio como parte de Historias Afroatlánticas (Afro-Atlantic Histories). Planifique su visita aquí: nga.gov/exhibitions/2022/afro-atlantic-histories.html
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#Art #NationalGalleryOfArt #AfroAtlanticHistories #AfroAtlantic #DanielLindRamos #Vejigante #PuertoRico #Loiza #FiguraDePoder #Sculpture #TimeLapse
Learn more about this work of art and come see it in person: nga.gov/collection/art-object-page.44332.html
Hear more from Mary Beard on the “Twelve Caesars” here: youtube.com/playlist?list=PLErBGbWC2wSO8DCCSR3s-QZ3FoArssQYU
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#MaryBeard
#TwelveCaesars
#Pisanello
#LeonelloDEste
#MarquessofFerrara
#Medal
#MariaOfAragon
#Renaissance
#NeapolitanCourt
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Plan your visit to Afro-Atlantic Histories: nga.gov/exhibitions/2022/afro-atlantic-histories.html
Dalton Paula elaborou retratos imaginados de Zeferina e João de Deus Nascimento, líderes de rebeliões de escravos brasileiros cujos rostos foram perdidos para a história. Ao criar imagens desses dois heróis da diáspora africana, Paula proporciona a eles dignidade e identidade. Essas pinturas são parte das “Histórias Afro-Atlânticas", em exposição na Galeria Nacional até 17 de julho de 2022.
Planeje sua visita às Histórias Afro-Atlânticas: nga.gov/exhibitions/2022/afro-atlantic-histories.html
Learn more about Dalton Paula and what makes his work so unique and profound: youtube.com/watch?v=21987_4B8lI
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#DaltonPaula
#Quilombo
#Terreiro
#Portrait
#MASP
#Candomble
#Zeferina
#JoaoDeDeusNascimento
Learn more about this exhibition: nga.gov/exhibitions/2022/renaissance-north-new-prints-perspectives.html
For a deeper dive, check out this video on our Talks channel:
youtu.be/mkJXNVFDMAA
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#Art #NationalGalleryOfArt #AlbrechtDurer #HendrickGoltzius #printmaking #woodcuts #NorthernRenaissance #BrooksRich
Learn more about this exhibition: nga.gov/exhibitions/2022/the-double-identity-and-difference-in-art-since-1900.html
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#Art
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#Artists
#Exhibition
#Matisse
#Duchamp
#Gorky
#Rauschenberg
#Johns,
#Warhol
#Truitt
#Hesse
#KerryJamesMarshall
#GlennLigon
#RoniHorn
#YinkaShonibare
Learn more about this work of art and come see it in person: nga.gov/collection/art-object-page.45042.html
Hear more from Mary Beard on the “Twelve Caesars” here: youtube.com/playlist?list=PLErBGbWC2wSO8DCCSR3s-QZ3FoArssQYU
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#MaryBeard
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Made possible by the Diamonstein-Spielvogel Lecture Series.
Learn more about Teresita Fernández: nga.gov/calendar/lectures/diamonstein-spielvogel/teresita-fernandez.html
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#Art #NationalGalleryOfArt #TeresitaFernandez #ParadiseParados #colonization #sculpture #DiamonsteinSpielvogel #BrooklynAcademyOfMusic #ConceptualArt #MonumentalArt #Vinales #Maelstrom
When We Gather was performed in conjunction with the National Gallery of Art’s Afro-Atlantic Histories exhibition, on view until July 17, 2022. Learn more here: nga.gov/exhibitions/2022/afro-atlantic-histories.html
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#Art #NationalGalleryOfArt #MariaMagdalenaCamposPons #WhenWeGather #AfricaIsEverywhere #AfroAtlanticHistories #WashingtonDC #PerformanceArt
This show features Hiffernan’s powerful influence over numerous works by Whistler and others, including Whistler’s three famous “Symphony in White” paintings, which are being shown together for the first time in the United States.
Learn more about this exhibition: nga.gov/exhibitions/2022/woman-in-white.html
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#Whistler
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#Joanna Hiffernan
#Symmphony in White
#Painting
#NationalGalleryOfArt
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Learn more about this work of art and come see it in person: nga.gov/collection/art-object-page.46473.html
Hear more from Mary Beard on the “Twelve Ceasars” here: youtube.com/playlist?list=PLErBGbWC2wSO8DCCSR3s-QZ3FoArssQYU
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Carrie Mae Weem’s "Untitled" can be seen in conversation with Augustus Saint-Gauden’s "The Shaw 54th Regiment Memorial" at the National Gallery of Art. For more information, visit: nga.gov/exhibitions/special/conversations-carrie-mae-weems.html
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“Figura de Poder” is on view at the National Gallery of Art from April 10 to July 17 as part of Afro-Atlantic Histories exhibition. Plan your visit: nga.gov/exhibitions/2022/afro-atlantic-histories.html
El artista Daniel Lind-Ramos crea su escultura “Figura de Poder”, una obra imponente y provocadora que evoca el espíritu del vejigante con misticismo, música y activismo. Lind-Ramos nos guía a través de las conexiones de la escultura con su familia y celebra la historia de sus ancestros en Loíza, Puerto Rico.
“Figura de Poder” se exhibe en la Galería Nacional de Arte desde el 10 de abril hasta el 17 de julio como parte de Historias Afroatlánticas (Afro-Atlantic Histories). Planifique su visita aquí: nga.gov/exhibitions/2022/afro-atlantic-histories.html
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The exhibition and catalog are made possible through the leadership support of the Trellis Fund and a generous gift from Jane P. Watkins.
The exhibition is also made possible in part by The Shared Earth Foundation.
Additional support is provided by Randi and Bob Fisher, Wes and Kate Mitchell, Nion McEvoy, Greg and Aline Gooding, and the James D. and Kathryn K. Steele Fund for Photography.
For more information on the exhibition, visit: nga.gov/exhibitions/2022/american-silence-photographs-of-robert-adams.html
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Plan your visit to Afro-Atlantic Histories:nga.gov/exhibitions/2022/afro-atlantic-histories.html
O artista plástico e retratista Dalton Paula ilumina sua missão de preservar a memória de figuras históricas esquecidas criando retratos de negros brasileiros contemporâneos. Viaje com Paula na busca por inspiração no Quilombo Kalunga, uma comunidade de resistência e empoderamento fundada séculos atrás por indígenas brasileiros e por aqueles que fugiam da escravidão. Os retratos de Paula estão expostos na National Gallery of Art do dia 10 de abril a 17 de julho como parte das Histórias Afro-Atlânticas.
Planeje sua visita às Histórias Afro-Atlânticas: nga.gov/exhibitions/2022/afro-atlantic-histories.html
Learn more about Dalton Paula and what makes his work so unique and profound: youtube.com/watch?v=YHjDRn2zulk
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Find out more about this exhibition on our website: nga.gov/exhibitions/2022/afro-atlantic-histories.html?utm_medium=youtube&utm_source=nga_youtube&utm_campaign=aah&utm_content=aah_two_minute_tour
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The New Woman was a global symbol of female empowerment based on real women making revolutionary changes in life and art. Modern, independent, and confident, the New Woman was an inspirational model for women photographers around the world during the 1920s to the 1950s.
For more about on our website: nga.gov/exhibitions/2021/new-woman-behind-camera.html
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For centuries, artists have told and retold the complex histories of the African Diaspora. Explore this enduring legacy in the exhibition Afro-Atlantic Histories, which takes an in-depth look at the historical experiences and cultural formations of Black and African people since the 17th century. More than 130 powerful works of art, including paintings, sculpture, photographs, and time-based media by artists from Africa, Europe, the Americas, and the Caribbean, bring these narratives to life.
This exhibition was initially presented as Histórias Afro-Atlânticas in 2018 by the Museu de Arte de São Paulo in Brazil.
Major support for this exhibition is provided by the Ford Foundation.
Additional funding is provided by the Exhibition Circle of the National Gallery of Art and the Annenberg Fund for the International Exchange of Art.
Learn more about the exhibition nga.gov/exhibitions/2022/afro-atlantic-histories.html?utm_medium=youtube&utm_source=nga_youtube&utm_campaign=aah&utm_content=aah_trailer
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Learn more about the National Gallery of Art’s collection on our website:
nga.gov/collection.html
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Learn more about Art Tales at the National Gallery of Art: nga.gov/arttales
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Learn more about Art Tales at the National Gallery of Art: nga.gov/arttales
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