Etta PeachAll tracks composed by Peter Frampton; except where indicated(2nd solo lp)
"I Got My Eyes On You" - 0:00 "All Night Long" - 4:27 (Frampton, Gallagher) "Lines On My Face" - 7:47 "Which Way the Wind Blows" - 12:38 "I Believe (When I Fall In Love It Will Be Forever)" - 16:12 (Stevie Wonder, Syreeta Wright) "White Sugar" - 20:19 "Don't Fade Away" - 23:54 "Just The Time Of Year" - 28:33 "Do You Feel Like We Do" 32:34 (Frampton, Gallagher, Wills, Siomos)
Personnel
Peter Frampton - double bass, bass guitar, guitar, electric guitar, acoustic guitar, keyboards, vocals Mick Gallagher - piano, electric piano, hammond organ, organ, hammond B-3, synthesizer, moog synthesizer, fender rhodes, harpsichord, accordion, keyboards, harmonica, vocals Rick Wills - double bass, bass guitar John Siomos - drums, percussion
Additional Personnel
Frank Carillo - double bass, bass guitar, guitar, electric guitar, acoustic guitar, keyboards, harmonica, vocals, talk box Mike Kellie - drums, percussion
Charts
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Peter Frampton - Framptons Camel (October 20, 1973)Etta Peach2013-08-30 | All tracks composed by Peter Frampton; except where indicated(2nd solo lp)
"I Got My Eyes On You" - 0:00 "All Night Long" - 4:27 (Frampton, Gallagher) "Lines On My Face" - 7:47 "Which Way the Wind Blows" - 12:38 "I Believe (When I Fall In Love It Will Be Forever)" - 16:12 (Stevie Wonder, Syreeta Wright) "White Sugar" - 20:19 "Don't Fade Away" - 23:54 "Just The Time Of Year" - 28:33 "Do You Feel Like We Do" 32:34 (Frampton, Gallagher, Wills, Siomos)
Personnel
Peter Frampton - double bass, bass guitar, guitar, electric guitar, acoustic guitar, keyboards, vocals Mick Gallagher - piano, electric piano, hammond organ, organ, hammond B-3, synthesizer, moog synthesizer, fender rhodes, harpsichord, accordion, keyboards, harmonica, vocals Rick Wills - double bass, bass guitar John Siomos - drums, percussion
Additional Personnel
Frank Carillo - double bass, bass guitar, guitar, electric guitar, acoustic guitar, keyboards, harmonica, vocals, talk box Mike Kellie - drums, percussion
Charts
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Love-You Set the Scene - Forever Changes (November, 1967) Lyrics BelowEtta Peach2016-01-13 | Arthur Lee: lead vocals, guitar Bryan MacLean: rhythm guitar, background vocals Johnny Echols: lead guitar Ken Forssi: bass guitar Michael Stuart: drums, percussion
Where are you walking, I've seen you walking Have you been there before? Walk down your doorsteps, you'll take some more steps What did you take them for? There's a private in my boat and he wears Pins instead of medals on his coat There's a chicken in my nest and she won't Lay until I've given her my best At her request she asks for nothing You get nothing in return If you want she brings you water If you don't then you will burn
You go through changes, it may seem strange Is this what you're put here for? You think you're happy and you are happy That's what you're happy for There's a man who can't decide if he should Fight for what his father thinks is right There are people wearing frowns who'll screw you up But they would rather screw you down At my request I ask for nothing You get nothing in return If you're nice she'll bring me water If you're not then I will burn
This is the time and life that I am living And I'll face each day with a smile For the time that I've been given's such a little while And the things that I must do consist of more than style There are places that I am going
This is the only thing that I am sure of And that's all that lives is gonna die And there'll always be some people here to wonder why And for every happy hello, there will be goodbye There'll be time for you to put yourself on
Everything I've seen needs rearranging And for anyone who thinks it's strange Then you should be the first to want to make this change And for everyone who thinks that life is just a game Do you like the part you're playing
I see your picture It's in the same old frame We meet again You look so lovely You with the same old smile Stay for a while I need you so, oh, oh, oh, oh And if you take it easy I'm still teethin' I want to love you, but Oh, oh, oh, oh, oh, oh, oh
This is the time and life that I am living And I'll face each day with a smile For the time that I've been given's such a little while And the things that I must do consist of more than style There'll be time for you to start all over
This is the time and this is the time and It is time, time, time, time, time, time, time, time, time, time
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Mountain-Flowers Of Evil (November, 1971)Etta Peach2015-12-02 | Oh can you tell me Oh how the joy Passed from his childhood That's not my boy I see he's finished, he's run his race We're not his family, that's not his face
We taught him well And from his youth He knew he always Must know the truth He left his country to go to war When he returned, he'd found we closed the door
But we never dreamed when he was leaving That he would taste the flowers of evil
I know his habit was not so bad When for fifty dollars it could be had But now he's home to his promised land And what he needs got to cost a Grand
When he'd been home for six month's time My son he told me, he'd made up his mind He's re-enlisted for three years more It's too expensive to stop this war
But we never dreamed when he was leaving That he would taste the flowers of evil
Oh can you tell me, Oh how the joy Passed from his childhood That's not my boy He's re-enlisted, for three years more
Is the price of peace worth the price of war? Is the price of peace worth the price of war? Is the price of peace worth the price of war? Is the price of peace worth the price of war?
Leslie West - guitar, vocals Felix Pappalardi - bass, vocals Corky Laing - drums, percussion Steve Knight - organ
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.John Mayall - The Turning Point -July 12, 1969 at the Fillmore EastEtta Peach2015-04-13 | July 12, 1969 at the Fillmore East, New York City, New York Side one
"The Laws Must Change" – 0:00 "Saw Mill Gulch Road" – 7:22 "I'm Gonna Fight For You J.B." – 12:11 "So Hard To Share" – 17:32
Side two
"California" (Mayall, Steve Thompson) – 24:33 "Thoughts About Roxanne" (Mayall, Thompson) – 34:04 "Room To Move" – 42:05
John Almond – flute, saxophone, alto saxophone, tenor saxophone, mouth percussion Jon Mark – acoustic guitar John Mayall – guitar, harmonica, keyboards, tambourine, vocals, slide guitar, mouth percussion Steve Thompson – bass guitar
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Hi Hello How Are You- New Riders of the Purple SageEtta Peach2015-03-10 | HI, HELLO, HOW ARE YOU WHY DON'T YOU ALL COME IN HI, HELLO, HOW ARE YOU TELL ME HOW YOU'VE BEEN HI, HELLO, HOW ARE YOU I'M GLAD YOU ALL CAME BY WE GONNA HAVE US A GOOD TIME AT LEAST WE'RE GONNA TRY
LET ME SAY THAT WE JUST GOT TO TOWN WE DON'T EVEN KNOW OUR WAY AROUND BUT IT SURE FEELS GOOD FOR ME TO KNOW THAT YOU'VE COME TO SEE US AT THE SHOW
HI, HELLO, HOW ARE YOU WHY DON'T YOU ALL COME IN HI, HELLO, HOW ARE YOU TELL ME HOW YOU'VE BEEN HI, HELLO, HOW ARE YOU I'M GLAD YOU ALL CAME BY WE GONNA HAVE US A GOOD TIME AT LEAST WE'RE GONNA TRY
LET ME SAY THAT WE JUST GOT TO TOWN WE DON'T EVEN KNOW OUR WAY AROUND BUT IT SURE FEELS GOOD FOR ME TO KNOW THAT YOU'VE COME TO SEE US AT THE SHOW
HI, HELLO, HOW ARE YOU WHY DON'T YOU ALL COME IN HI, HELLO, HOW ARE YOU TELL ME HOW YOU'VE BEEN HI, HELLO, HOW ARE YOU I'M GLAD YOU ALL CAME BY WE GONNA HAVE US A GOOD TIME AT LEAST WE'RE GONNA TRY
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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Band members Jeff Beck: guitars, bass and production Bobby Tench: vocals and rhythm guitar Max Middleton: piano and keyboards Clive Chapman: bass Cozy Powell: drums
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.The Allman Brothers Band - Leave My Blues At Home(Idlewild South, Sept. 23. 1970)Etta Peach2014-03-14 | I been trapped inside four walls, feel like I can't call to no one Ah, way out on the outside. Well livin' alone is easy, but too long just don't seem really Quite the thing to do, no. Think I'll drink up a little more wine, to ease my worried mind. And walk down on the street, and leave my blues at home. Alright The landlord is on my line, I can't get no peace of mind. But I know there's something better.
I can't stay and I can't run, can't keep waitin' for someone To find me, no. no Well I'll gather up all my four leaf clovers. Don't leave, I'm on my way over. A walk down on the street, and leave my blues at home. Alright. And I feel I have to scream Whenever I get the notion. And though I try so hard, I can't hold back my emotions. But I... love you, but I can't hide it.. Won't you sit by my side. Oh, don't fight it.
You don't work, the man don't pay ya. There ain't no saint to come and save ya, oh, when you're tore down. Well, if you ride you pay the fare... with Satan on your back. And he don't care where you come from or where you goin'. And before I get myself all down, I jump up and kick the door down. And walk down on the street, and leave my blues at home. Alright.
Duane Allman - lead, slide, and acoustic guitar Gregg Allman - vocals, piano, organ Dickey Betts - lead guitar Berry Oakley - bass guitar, vocals on "Hoochie Coochie Man", and harmony vocals on "Midnight Rider" Butch Trucks - drums Jai Johnny "Jaimoe" Johanson - drums, congas guest Thom "Ace" Doucette - harmonica and tambourine
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Duane and Gregg Allman (Demos 1968)Etta Peach2014-01-17 | Forgive the sound quality on some songs, they were recorded as demos on September 1968 at TK Studios, Hialeah, United States (Never meant to be released and never mixed properly, but still the early sounds of Duane and Gregg for sure). "Morning Dew" (Tim Rose, Bonnie Dobson) -- 0:00 "God Rest His Soul" (Gregg Allman) -- 3:47 "Nobody Knows You When You're Down and Out" (Jimmy Cox) -- 7:50 "Down in Texas" (Eddie Hinton, Marlon Greene) -- 12:23 "Melissa" (Gregg Allman, Alaimo) -- 15:29
Side two
"I'll Change for You" (David Brown) -- 18:40 "Back Down Home with You" (Brown) -- 21:29 "Well I Know Too Well" (Alaimo) -- 23:51 "In The Morning When I'm Real" (Robert Pucetti) -- 26:04
Personnel
Duane Allman -- lead/slide guitar Gregg Allman -- organ, lead vocals Scott Boyer -- acoustic guitar, vocals David Brown -- bass Butch Trucks -- drums, percussion
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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"Isn't It About Time" -- 0:00 "Lies" (Chris Hillman) -- 3:02 "Pensamiento" (Stills, Nelson Escoto) -- 6:00 "So Many Times" (Hillman, Stills) -- 8:39 "Business on the Street" -- 12:12 "Do You Remember The Americans" -- 15:10 "Down The Road" -- 17:21 "City Junkies" -- 20:38 "Guaguancó de Veró" (Stills, Joe Lala) -- 23:34 "Rollin' My Stone" (Stills, Calvin Samuel) -- 26:34
Personnel
Stephen Stills - guitar, piano, bass, vocals Dallas Taylor - drums Chris Hillman - guitar, bass, mandolin, vocals Joe Lala - percussion, vocals Al Perkins - guitar, pedal steel guitar, banjo Calvin "Fuzzy" Samuel - bass, vocals Paul Harris - piano Joe Walsh - slide guitar Bobby Whitlock - keyboards Sydney George - flute Jerry Aiello - organ Charlie Grimes - guitar Guille Garcia - percussion Lachy Espinol - percussion Pat Arnold - vocals
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.John Mayall - Saw Mill Gulch Road (The Turning Point, Live at the Fillmore East, July 12, 1969)Etta Peach2013-12-03 | Living in Saw Mill Gulch Road There's a lonely girl who's now fifteen Since I've been gone She's kept a part of me and something seen Remembering
I took her home We rode a car through rushing trees The moon and night It seemed so wrong to say goodbye Things unsaid - it wasn't right
She's sneaking out her back window I'm waiting in Saw Mill Gulch Road She couldn't see me ride away And leave her behind so all alone
A pack of cards for solitaire Hidden meanings to stow away Lots of things for memories For when she dreams of future days
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.The Gregg Allman Band - Playin Up A Storm (Album - May, 1977)Etta Peach2013-11-24 | "Come and Go Blues" (Gregg Allman) -- 0:00 "Let This Be a Lesson to Ya'" (Gregg Allman, Malcolm Rebennack) -- 4:47 "Brightest Smile in Town" (Ray Charles, Barry De Vorzon, Bob Sherman) -- 8:30 "Bring It on Back" (Gregg Allman) -- 11:36 "Cryin' Shame" (Beckmeier, Steve Berlin) -- 16:26 "Sweet Feelin'" (Clarence Carter, Daniel, Hall, Candi Staton) -- 20:11 "It Ain't No Use" (Bernie Baum, Bill Giant, Florence Kaye) -- 23:48 "Matthew's Arrival" (Neil Larsen) -- 27:43 "One More Try" (Gregg Allman) -- 31:34
Personnel The Gregg Allman Band
Gregg Allman -- vocals, organ, piano, acoustic guitar Willie Weeks -- bass, Fender Rhodes Steve Beckmeier -- guitar Ricky Hirsch -- guitar, slide guitar John Leslie Hug -- guitar Neil Larsen -- synthesizer, piano, keyboards, Fender Rhodes, horn arrangements Bill Stewart -- drums
With
Fred Beckmeier -- bass Red Callender-- bass Dr. John -- keyboards Victor Feldman -- percussion Venetta Fields -- background vocals Clydie King -- background vocals Milt Holland -- percussion David Luell -- horn, saxophone Steve Madaio -- horn Pat Rizzo -- horn Sherlie Matthews -- background vocals Bill Payne -- synthesizer, keyboards
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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You know that it would be untrue You know that I would be a liar If I was to say to you Girl, we couldn't get much higher Come on baby, light my fire Come on baby, light my fire Try to set the night on fire
The time to hesitate is through No time to wallow in the mire Try now we can only lose And our love become a funeral pyre Come on baby, light my fire Come on baby, light my fire Try to set the night on fire, yeah
The time to hesitate is through No time to wallow in the mire Try now we can only lose And our love become a funeral pyre Come on baby, light my fire Come on baby, light my fire Try to set the night on fire, yeah
You know that it would be untrue You know that I would be a liar If I was to say to you Girl, we couldn't get much higher Come on baby, light my fire Come on baby, light my fire Try to set the night on fire Try to set the night on fire Try to set the night on fire Try to set the night on fire
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Stephen Stills - Stephen Stills (Album, November 23, 1970)Etta Peach2013-10-30 | Side 1
"Love the One You're With" -- 0:00 "Do for the Others" -- 3:04 "Church (Part of Someone) -- 5:56 "Old Times Good Times" -- 10:02 "Go Back Home" -- 13:41
Side 2
"Sit Yourself Down" -- 19:35 "To a Flame" -- 22:39 "Black Queen" -- 25:48 "Cherokee" -- 31:15 "We Are Not Helpless" -- 34:38
Personnel Stephen Stills - vocals, guitars, bass, piano, organ, steel drum, percussion Calvin "Fuzzy" Samuel - bass Dallas Taylor - drums Conrad Isedor - drums Ringo Starr (listed as "Richie" on "To a Flame", "We Are Not Helpless") - drums[3] Johnny Barbata - drums Jeff Whittaker - congas Jimi Hendrix - guitar ("Old Times Good Times") Eric Clapton - guitar ("Go Back Home") Booker T. Jones - organ, vocals Sidney George - flute and alto saxophone David Crosby - vocals Graham Nash - vocals John Sebastian - vocals Rita Coolidge - vocals Priscilla Jones - vocals Claudia Lennear (Linear on album) - vocals Cass Elliott - vocals Henry Diltz - photography (cover), vocal Liza Strike - vocals Judith Powell - vocals Larry Steele - vocals Tony Wilson - vocals Sherlie Matthews - chorus, vocals
Horns arranged by Stephen Stills; strings arranged by Stephen Stills and Arif Mardin Additional personnel
Bill Halverson - producer Andy Johns - engineer Gary Burden - art direction, photography Charles John Quarto - sleeve poem Joe Gastwirt - digital remastering
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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Sam Clayton - percussion, vocals Lowell George - vocals, guitar Paul Barrere - guitar Kenny Gradney - bass Richie Hayward - drums, backing vocals Bill Payne - keyboards, vocals
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Joe Cocker Mad Dogs & Englishmen - Lets Go Get Stoned (August, 1970)Etta Peach2013-10-07 | Let's go get stoned Oh let's go get stoned Let's go get stoned Oh let's go get stoned You know my baby, she won't let me in I've got a few pennies, I'm gonna buy a big big bottle of Gin Then I'm gonna call my buddy on the telephone and say "Let's go get stoned" I've been working so hard all day long Everything I try to do will always seems turn out wrong Well that's where I'm gonna stop now On my way home Baby, let's go get stoned You know it ain't no harm In gettin' a little taste Oh don't blow your cool now And start messin' up the man's place I tell you that it ain't no harm my friend In takin' a little nip now Oh but don't fall down Bustin' your lip
Let's go get stoned girl Oh yeah, let's go get stoned Walk down to the rocks Let's go get stoned Oh let's go get stoned Let's go get stoned It ain't no harm, no harm Gettin' a taste Oh don't blow your cool And start messin' up the man's place I said that it ain't no harm my friend In takin' a little nip now Oh but don't fall down Bustin' your lip Let's go get stoned Oh let's go get stoned Let's go get stoned Oh let's go get stoned Baby, let's go get stoned now, oh
Seems like there's going to be a little point somewhere till the end You're talkin' about moon dust Angel dust, every other kinda dust Oh and if you, yeah Oh baby, baby let's Oh let's go Let's all go and get stoned Let's go get stoned Let's go get stoned Let's go get stoned, oh I can't go on forever Can't go on forever Can't go on, can't go on forever Where ever the Hell I wanna live on the air One love, one more And I said let's Oh let us go Let's go and get stoned
Vocals: Joe Cocker, Don Preston, Leon Russell, Rita Coolidge, Donna Washburn, Claudia Lennear, Denny Cordell, Daniel Moore, Pamela Polland, Matthew Moore, Nicole Barclay, Bobby Jones Guitars: Don Preston, Leon Russell Bass guitar: Carl Radle Hammond organ, keyboards, piano: Leon Russell, Chris Stainton Drums, percussion: Jim Gordon, Chuck Blackwell, Jim Keltner, Sandy Konikoff Saxophones: Bobby Keys Trumpets: Jim Price Album cover photography: Jim McCrary Tour photographers: Andee Cohen, Linda Wolf
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.The Gregg Allman Tour - StandBack (1974)Etta Peach2013-10-06 | Songwriters: RAYMOND BERRY OAKLEY, GREGG L. ALLMAN. By Gregg Allman and Berry Oakley Copyright 1972 Unichappell Music Inc. and Elijah Blue Music (BMI)
I recall once upon a time, Livin was so easy and I felt so fine. But, my, my, my right before my very eyes, Satan came with fire to burn me, Wouldn't listen when they warned me. A dagger in my back while she's calling me honey, Wouldn't stand back, for neither love nor money.
Thirty minutes after my ship set sail, She put up a sign and my house began to wail. But, why, why, why I couldn't see it in my little girl's eyes? She had such a way to fool me, Lord she had a way to fool me. And I would ask the woman, "Can you find it in yourself to please stand back? You ain't gonna rule me."
Just when all began to fade, I reached out, threw the Ace of Spades. I put her on a train to the Everglades.
Now that it's all over and gone, Somehow I just don't feel so alone. But, lie, lie, lie it seemed like such a waste of time. She did not ever seem to know me, But, now it's much too late to show me. But, if I ever see that woman walkin down the street I'll just stand back, And try to move away slowly. Oh, yeah.
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.The Hourglass - Been Gone Too Long (Gregg and Duane Allman,1967))Etta Peach2013-10-01 | Waiting in the rain at the station, Standing by the train, Looks like you're comin home to stay. It's been quite a while since you've seen him, Now, inside you smile against the rain, Cause you still feel the same.
But, you're gonna cry, and search for the reason why, Carry your pain and you'll finally go insane. Uh, cause you, baby, Whoa, you been gone much too long.
You can't believe there's no one there to greet you now, You can't believe that no one cares, To take your hand, you want your man.
But, you're gonna cry, and search for the reason why, Carry your pain and you'll finally go insane. Uh, cause you, baby, Whoa you been gone, much too long. Yeah, baby, much too long. Whoa, much too long. You went away a long time ago Much too long
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Buffalo Springfield - Retrospective (Album, February 10,1969)Etta Peach2013-09-20 | Side One
"For What It's Worth" (Stephen Stills) -- 0:00 Recorded December 5, 1966, Columbia Studios, Los Angeles, California. Lead vocal: Stephen Stills. Bass: Bruce Palmer. Producers: Charles Green and Brian Stone. "Mr. Soul" (Neil Young) -- 2:40 Recorded April 4, 1967. Lead vocal: Neil Young. Bass: Palmer. "Sit Down I Think I Love You" (Stills) -- 5:31 Recorded August 1966, Gold Star Studios, Los Angeles, California. Lead vocal: Stills, Furay. Bass: Palmer. Producers: Green and Stone. "Kind Woman" (Richie Furay) -- 8:05 Recorded February--March 6, 1968, Atlantic Studios, New York City & Sunset Sound, Los Angeles, California. Lead vocal: Richie Furay. Bass: Jim Messina. Producer: Messina. "Bluebird" (Stills) -- 12:19 Recorded April 8, 1967, Sunset Sound, Los Angeles, California. Lead vocal: Stills. Bass: Bobby West. "On the Way Home" (Young) -- 16:48 Recorded November 15-December 13, 1967, Sunset Sound, Los Angeles, California. Lead vocal: Furay. Bass: Palmer.
Side Two:
"Nowadays Clancy Can't Even Sing" (Young) -- 19:17 Recorded July 18, 1966, Gold Star Studios, Los Angeles, California. Lead vocal: Furay. Bass: Palmer. Producers: Green and Stone. "Broken Arrow" (Young) -- 22:45 Recorded August 25 & September 5--18, 1967, Columbia Recording Studios & Sunset Sound, Los Angeles, California. Lead vocal: Young. Bass: Palmer. "Rock and Roll Woman" (Stills) -- 28:58 Recorded June 22, August 8 & October 8, 1967, Sunset Sound, Los Angeles, California. Lead vocal: Stills. Rhythm guitar: Jim Fielder. Bass: Palmer. "I Am a Child" (Young) -- 31:44 Recorded February 5, 1968, Sunset Sound, Los Angeles, California. Lead vocal: Young. Bass: Gary Marker. Producer: Messina. "Go and Say Goodbye" (Stills) -- 34:07 Recorded July 18, 1966, Gold Star Studios, Los Angeles, California. Lead vocal: Stills. Bass: Palmer. Producers: Green and Stone. "Expecting to Fly" (Young)-- 36:30 Recorded May 6, 1967, Sunset Sound, Los Angeles, California. Lead vocal: Young. Arrangement: Jack Nitzsche. Young is the only member of the group who appears on this recording.
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Poco - DeLIVErin (Album - January 13, 1971)Etta Peach2013-09-20 | "I Guess You Made It" (Richie Furay) -- 0:00 "C'mon" (Furay) -- 3:10 "Hear That Music" (Timothy B. Schmit) -- 6:21 "Kind Woman" (Furay) -- 9:51 "Medley: Hard Luck / Child's Claim To Fame / Pickin Up The Pieces" (Furay, Schmit) -- 15:55 "You'd Better Think Twice" (Jim Messina) -- 20:41 "A Man Like Me" (Furay) -- 24:37 "Medley: Just In Case It Happens, Yes Indeed / Grand Junction / Consequently So Long" (Furay, Rusty Young, Skip Goodwin) -- 28:45
Personnel
Jim Messina — guitar, vocals Richie Furay — guitar, vocals Rusty Young — steel guitar, guitar, vocals Timothy B. Schmit — bass, vocals George Grantham — drums, vocals
Production
Producer: Jim Messina, Timothy B. Schmit Recording Engineer: Jim Reeves Liner notes: Pete Fornatale
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.The Byrds - 20 Essential Tracks(1965-1990)Etta Peach2013-09-16 | ,
1 Mr. Tambourine Man (0:00) 2 I'll Feel a Whole Lot Better (2:31) 3 All I Really Want to Do (5:05) 4 Turn! Turn! Turn! (To Everything There Is a Season) (7:10) 5 5d (Fifth Dimension) (11:05) 6 Eight Miles High (13:42) 7 Mr. Spaceman (17:18) 8 So You Want to Be a Rock & Roll Star (19:29) 9 Have You Seen Her Face (21:36) 10 Lady Friend (24:20) 11 My Back Pages (26:58) 12 Goin' Back (30:06) 13 The Ballad of Easy Rider (33:34) 14 Jesus Is Just Alright (35:38) 15 Chestnut Mare (37:49) 16 I Wanna Grow up to Be a Politician (42:58) 17 He Was a Friend of Mine (45:01) 18 Paths of Victory (47:29) 19 From a Distance (50:41) 20 Love That Never Dies (53:56)
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching, history or research tool, or for social commentary.Graham Nash - Songs For Beginners (Album, May 28,1971)Etta Peach2013-09-10 | All songs by Graham Nash, except "Be Yourself" by Nash and Terry Reid. Side one
"Military Madness" — 0:00 Graham Nash - guitar, vocals; Dave Mason - electric guitar; Joel Bernstein - piano; Calvin "Fuzzy" Samuels - bass; Johnny Barbata - drums; Rita Coolidge, P.P. Arnold -- backing vocals "Better Days" — 3:30 Nash - piano, organ, vocals; Joe Yankee - piano; Sermon Posthumas - bass clarinet; Samuels - bass; Dallas Taylor - drums; Coolidge - backing vocals; Larry Cox - whiskers "Wounded Bird" — 7:22 Nash - guitar, vocals "I Used to Be A King" — 9:33 Nash - guitar, vocals; David Crosby - electric guitar; Jerry Garcia - piano, pedal steel guitar; Phil Lesh - bass; Johnny Barbata - drums "Be Yourself" — 14:18 Nash - guitar, vocals; Coolidge - piano, electric piano; Fuzzy Samuels - bass; Johnny Barbata - drums; Everyone Loose There - chorus
Bill Halverson, Russ Gary — recording engineers Gary Burden — art direction
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Hall & Oates - Its a Laugh/Melody For A Memory (Along the Red Ledge, 1978)Etta Peach2013-09-09 | Hall & Oates (Along The Red Ledge - 1978) It's a Laugh 0:00 Melody For A Memory 3:41 You must be thinking something but you ain't saying nothing You remember me I used to be your boyfriend
There ain't no point in reason it only gets defensive And why should we ruin the purity of the moment
It's a laugh what a laugh It's so stupid I gotta laugh And the funny thing is Everyone thought We were forever
It's a laugh what a laugh It's so stupid That I gotta laugh And the odd thing is That I really thought we were special
Maybe I should feel guilty Is that the American way? But I just look at myself as if I were above me
You must be thinking something but you ain't saying nothing You remember me I have been here always
It's a laugh what a laugh It's so stupid I gotta laugh And the funny thing is Everyone thought We were forever
It's a laugh what a laugh It's so stupid That I gotta laugh And the odd thing is That I really thought we were special We were forever
It's a laugh what a laugh It's so stupid I gotta laugh And the funny thing is Everyone thought We were forever
It's a laugh what a laugh It's so stupid That I gotta laugh And the odd thing is That I really thought we were special We were forever .......................................................... 3:41 One for the money One song I'm writing for you And if you can't take me with you girl Take this Melody for a Memory
Love in the morning Love in the late afternoon There'll be no words when I leave you girl Just a Melody for a Memory
And if you can't take me with you Take this Melody for a Memory
She cried when he left her Her eyes went black with the blue The infrequent letters The sooner the better The cold distant phone calls Will have to do
And if you can't take me with you Take this Melody for a Memory
Take part of me, take part of me Take this Melody for a MemoryJackson Browne - For Everyman (Album, October, 1973)Etta Peach2013-09-08 | Side One
"Take It Easy" (Browne, Glenn Frey) -- 0:00 "Our Lady of the Well" -- 3:25 "Colors of the Sun" -- 7:31 "I Thought I Was a Child" -- 11:48 "These Days" -- 15:34
Side Two
"Redneck Friend" -- 20:22 "The Times You've Come" -- 24:20 "Ready or Not" -- 28:00 "Sing My Songs to Me" -- 31:35 "For Everyman" -- 35:00
Personnel
Jackson Browne - acoustic guitar, guitar, piano, rhythm guitar, keyboard, vocals David Crosby - harmony vocals Craig Doerge - piano Wilton Felder - bass Glenn Frey - vocals, guitar, harmony vocals Doug Haywood - bass, vocals, harmony vocals Don Henley - vocals, guitar, harmony vocals, drums Elton John - piano (on "Red Neck Friend" - credited as Rockaday Johnnie) Jim Keltner - drums Sneaky Pete Kleinow - pedal steel Russ Kunkel - drums David Lindley - acoustic guitar, fiddle, guitar, violin, electric guitar, steel guitar, slide guitar, electric fiddle Gary Mallaber - drums Mickey McGee - drums Joni Mitchell - piano, electric piano Spooner Oldham - organ David Paich - piano Bill Payne - piano, keyboard Bonnie Raitt - vocals, harmony vocals Leland Sklar - bass Mike Utley - organ, keyboard
Production notes:
Jackson Browne -- producer John Haeny -- engineer Al Schmitt -- engineer Kent Nebergall -- assistant engineer Rick Tarantini -- assistant engineer Al Schmitt -- mixing Greg Ladanyi -- mastering Anthony Hudson -- art direction, design
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.David Lindley - El Rayo-X (Album,April 1981)Etta Peach2013-09-08 | SIDE ONE "She Took Off My Romeos" (Bob "Frizz" Fuller) - 0:00 "Bye Bye Love" (Boudleaux Bryant, Felice Bryant) - 3:00 "Mercury Blues" (K. C. Douglas, Bob Geddins) - 5:53 "Quarter of a Man" (Bob "Frizz" Fuller) - 9:29 "Ain't No Way" (Bob "Frizz" Fuller) - 13:17 "Twist and Shout" (Phil Medley, Bert Russell) - 16:58 SIDE TWO "El Rayo-X" (Jorge Calderón, David Lindley) - 19:45 "Your Old Lady" (Elmo Glick, O'Kelly Isley, King Curtis) - 22:41 "Don't Look Back" (William Robinson, Ronald White) - 26:54 "Petit Fleur" (Solomon Feldthouse, Nancy Lindley) - 30:49 "Tu-Ber-Cu-Lucas and the Sinus Blues" (Huey "Piano" Smith) - 34:00 "Pay the Man" (David Lindley, George "Baboo" Pierre) - 36:13
Personnel
Curt Bouterse - Hammer Dulcimer on "Petit Fleur" Jackson Browne - Vocals, Producer Jorge Calderón - Vocals Bob Glaub - Bass Garth Hudson - Horn, Keyboards on "El Rayo X" Greg Ladanyi - Engineer, Producer David Lindley - Bass, Fiddle, Guitar, Violin, Guitar (Electric), Vocals, Whistle (Human), Slide Guitar, Bandurria, Divan Saz Reggie McBride - Bass Bill Payne - Organ, Keyboards on "Bye Bye Love" Doug Sax - Mastering William D. "Smitty" Smith - Organ, Keyboards Gloria Von Jansky - Lettering Jimmy Wachtel - Art Direction, Design Ian Wallace - Drums George Ybara - Assistant Ras Baboo - percussion, timbales, vocals, accordion on "Pay the Man"
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Steely Dan Live @ The Rainbow Theatre (Concert, May 20, 1974)Etta Peach2013-09-05 | 1 Bodhisattva 0:00 2 The Boston Rag 6:04 3 Do It Again 13:07 4 Brooklyn (Owes The Charmer Under Me) 21:28 5 King Of The World 25:40 6 Rikki Don't Lose That Number 31:03 7 Pretzel Logic 35:40 8 My Old School (Incomplete) 42:32 9 Dirty Work 48:39 10 Your Gold Teeth (instrumental) 52:32 11 Reelin' In The Years 53:59 12 Show Biz Kids 59:40 13 This All Too Mobile Home 1:07:12
Donald Fagen - keyboards, saxophone, lead vocals Walter Becker - bass, guitar, background vocals Jeff "Skunk" Baxter - lead guitar Denny Dias - guitar Michael Macdonald- Electric keyboards, vocals Royce Jones-percussion and vocals Jim Hodder - drums Jeff Porcaro - drums
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Stephen Stills - Just Roll Tape (Album, 1968)Etta Peach2013-09-05 | "All I Know is What You Tell Me" (Stephen Stills) -- 0:00 "So Begins the Task" (Stills) -- 1:40 Later recorded for Manassas "Change Partners" (Stills) -- 4:07 Later recorded for Stephen Stills 2 "Know You Got To Run" (Stills) -- 7:22 Later recorded (and much rearranged) for Stephen Stills 2 Also forms the first part of "Everybody I Love You" on Déjà Vu "The Doctor Will See You Now" (Stills) -- 10:34 "Black Queen" (Stills) -- 13:12 Later recorded for Stephen Stills "Bumblebee (Do You Need A Place to Hide?)" (Stills) -- 16:18 Later recorded as "The Love Gangster" on Manassas "Judy" (Stills) -- 18:13 "Dreaming of Snakes" (Stills) -- 20:16 "Suite: Judy Blue Eyes" (Stills) -- 22:01 Later recorded for Crosby, Stills & Nash "Helplessly Hoping" (Stills) -- 28:34 Later recorded for Crosby, Stills & Nash "Wooden Ships" (Stills, David Crosby, Paul Kantner) -- 30:46 Later recorded for Crosby, Stills & Nash "Treetop Flyer" (Stills) -- 33:12 Later recorded for Stills Alone
Personnel
Stephen Stills - vocals, guitar, dobro, producer John Haeny - recording engineer Joe Vitale, Jr. - digital engineer & mixing Joe Vitale - mixing on track 13 John Hanlon - mixing and digital engineer track 13 Steven Rhodes - assistant engineer John Nowland - digital transfers James Austin & Robin Hurley - A&R Supervision Marc Salata - production manager Graham Nash - photos Joe Halbardier & Steve Woolard - project assistance Elliot Roberts - direction
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Graham Parker & The Rumour - White Honey (Live, Palladium, NYC, 79)Etta Peach2013-08-31 | Graham Parker -- lead vocals, rhythm guitar Brinsley Schwarz -- guitar, backing vocals Martin Belmont -- rhythm guitar, backing vocals Bob Andrews -- keyboards, backing vocals Steve Goulding -- drums, backing vocals Andrew Bodnar -- bass
White honey get it from the candy man White honey yeah any time I think I can. You wake up early in the morning A-playing on the clarinet Whole town down when the man comes around And no one pays their rent it's all spent on White honey get it from the candy man White honey yeah any time I think I can. She's come and laid on a sample A little sweet white honey bee Tastes so good that the whole town stood And stared and looked at me they all see the White honey get it from the candy man White honey get any time I think I can.
Cmon and (scat to chorus and the chords as in intro) But now I aint wanna criticise But let me tell you what I found Since they took away the record machine White honey don't come around. get down! White honey get it from the candy man oh oh oh oh oh White honey any time I think I can Said honey what you doing what you doing what you doing What you're doing downtown tell me baby. Honey what you do what you do what you doing You're trying to make me look like a clown. I said hit white honey when the chips are down I'm gonna taste white honey when aint no one around I said honey honey honey honey honey honey honey honey yeah Wah wah wah I said bop do do do do do bop do do do do do Bop do do do do do bop do do do do do bop do do do do do Bop do do do do do bop do do do do do bop yeah yeah White honey white white honey honey white now yeah yeah
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Dave Mason - Alone Together (Album, June,1970)Etta Peach2013-08-30 | All songs written and composed by Dave Mason, except where indicated. No. Title Length 1. "Only You Know and I Know" 0:00 2. "Can't Stop Worrying, Can't Stop Loving" 4:05 3. "Waitin' on You" 7:09 4. "Shouldn't Have Took More Than You Gave" 10:11 5. "World in Changes" 16:11 6. "Sad and Deep as You" 20:46 7. "Just a Song" 24:19 8. "Look at You Look at Me" (Dave Mason, Jim Capaldi) 27:20 Credits and personnel
Dave Mason - guitar, vocals Bonnie Bramlett - vocals
Leon Russell - keyboards Carl Radle - bass Chris Ethridge - bass Larry Knechtel - bass Jim Capaldi - drums Jim Gordon - drums Jim Keltner - drums Michael DeTemple - guitar Don Preston - keyboards John Simon - keyboards John Barbata - drums Rita Coolidge - vocals Mike Coolidge - vocals Claudia Lennear - vocals Lou Cooper - vocals Bob Norwood - vocals Jack Storti - vocals
Production
Dave Mason, Tommy LiPuma - producer Bruce Botnick, Douglas Botnick - recording engineer Al Schmitt - mixing Barry Feinstein, Tom Wilkes - photography/design
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.Edgar Winters White Trash - RoadWork (Album, March, 1972)Etta Peach2013-08-23 | "Save the Planet" -- 0:00 "Jive, Jive, Jive" -- 7:39 "I Can't Turn You Loose" -- 10:53 "Still Alive and Well" -- 14:52 "Back in the U.S.A." -- 18:52 "Rock & Roll, Hoochie Koo" -- 24:48 "Tobacco Road" -- 30:33 "Cool Fool" -- 47:46 "Do Yourself a Favor" -- 53:53 "Turn on Your Love Light" -- 58:59
Edgar Winter: Lead and backing vocals, Keyboards, Saxophone Jerry LaCroix: Lead and backing vocals, saxophone Jon Smith: Backing vocals, saxophone Rick Derringer: Lead vocals, guitars Randy Jo Hobbs: Bass Bobby Ramirez: Drums Marshall Cyr: Trumpet Mike McClellan: Trumpet Tilly Lawrence: Trumpet Johnny Winter: Lead vocals, guitar on "Rock & Roll, Hoochie Koo" Robert Honablue - engineering
All lyrics and music are the intellectual property of those listed. If you enjoy the music, please honor the rights of the owners to receive compensation for their gifts and effort - purchase their work.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
Please feel free to use this as a teaching or research tool, history or social commentary.