Christian Maté Grab
Yung Sony X Sam Newton - VINTAGE 📽 (Official Music Video prod. ENCORE)
updated
We built EMUL8 to make Film Emulation in Final Cut Pro great again. It’s 5x cheaper, 10x faster than Dehancer and built to actually run in real-time on Apple Silicon Macs. No lag, no seat-based pricing, no 40 film stocks you’ll never use. Just the tools that matter to turn your footage into filmic, aesthetic videos.
This is the plugin I always wanted: fast cinematic results without a lagging timeline, without film terms I never heard of, without the $500+ price tag.
Features of EMUL8 (might change until release)
✔️ 5 Film Looks (no, you don't need more)
✔️ Basic corrections
✔️ Color Density with 6 vector sliders +skin tone control
✔️ Beautiful Halation (with presets)
✔️ Cinematic Bloom (no more Promist filter needed)
✔️ 16mm, 35mm, 65mm Film Grain with full control
✔️ Film Resolution slider for smoother, less digital images
shot on sony a7c ii
color graded with cinem8.co/products/sony-slog3-cinematic-luts-fx3-fx30-a7cii-a7siii
In this video I’m talking about something a lot of Filmmakers on Youtube don’t want to admit: Nobody really cares about your camera (and gear).
I’ve been making videos for years and I’ve seen so many creators (including myself) get stuck in this trap of thinking the next camera, the next lens or the next LED COB light will finally make their content matter. Spoiler: It won’t.
This isn’t a gear hate video. I still love creating beautiful visuals and geek about cameras sometimes. But I think we need to talk about what actually makes a video impactful and why obsessing over specs might be the very thing holding you back.
If you're a filmmaker, content creator, YouTuber or just someone who wants to get out of the never-ending GAS cycle, this one's for you.
In this video Filmmaker Sum Ting Wong shares his advice on technically perfect cinematography when it comes to using Film Halation 🎥
Halation is that soft glow you sometimes see around bright areas in film images. It happens when light hits the emulsion layer of the film, passes through, reflects off the film base and bounces back. Usually creating a reddish aura around highlights. It’s a beautiful imperfection, born from the physical limitations of celluloid.
If you’re trying to understand what makes film look like film, halation is a big piece of the puzzle. But if you’re like me and like to break the rules: Try to shift the halation hue into the greens for something..well technically incorrect but somehow magically aesthetic.
Shot on Sony A7C II + Tamron 28-75mm f2.8 II
Tiffen Black ProMist 1/2
Chasing endless optimization, tutorials, providing value and perfect retention hooks might not be the future we're heading toward, especially with the rise of AI and the new era of education. maybe we're missing something more real, more authentic, more human. If you're tired of the usual YouTube guru advice and the non-stop hustle culture, this one's for you.
My Filmmaking & Color Grading Assets 👉🏼 cinem8.co
#contentcreation
Went for a morning walk, took the Sony A7C II with me and tried to record with my Slog3 LUT baked-in (I was even lazier today than usually)
This custom Slog3 LUT was designed to work as a monitoring LUT on the latest Sony mirrorless cameras like the A7C II, FX30, FX3 or A7S III (you can use it in post too). It’s built to take the super flat Slog3 profile and give you a clean, punchy, filmic look while you're shooting, so you can actually see what your final image will look like in-camera.
Sony lets you also load user LUTs and apply them not just for preview but also bake them directly into your footage (which I did for this video).
👇🏼 Gear & Post Production
Sony A7C II + Tamron 28-75 f2.8 II
Tiffen Black Promist 1/2
Nisi VND Filter
Shot in Slog3 / 6000K
CMG_VISION_50D.cube LUT baked onto footage in-camera
Dehancer Pro for film grain & halation
mFilmLook for chromatic aberration
👉🏼 cinem8.co/collections/cinematic-luts
Thought I'd try something revolutionary to Color Grade my iPhone Videos. Because clearly, who needs DaVinci, LUTs or actual color science when you’ve got a pair of Oakleys and a bit of delusion to create that beautiful vintage, dreamy film look!?
This video is my unofficial contribution to the world of iPhone Filmmaking tips. Shot in harsh light, graded by accident and somehow looking kinda dreamy and cinematic.
1000+ FREE Sound Effects for Filmmakers
👉🏼 cinem8.co/pages/free-sound-effects-for-video-editing-content-creation
📱 Shot on iPhone 15 Pro with standard camera app (no LOG)
🕶 Graded with questionable eyewear choices (make sure you run a 5K before trying this trick so there's enough sweat and dirt on your lenses)
1000 FREE Sound Effects 👉🏼 cinem8.co/pages/free-sound-effects-for-video-editing-content-creation
In this video, I once again do what every aspiring filmmaker on YouTube is morally obligated to do: Test his own Cinematic LUTs even if it's 2025 and nobody cares.
Yes, we’re using my super unique Sony Slog3 LUTs that definitely don't resemble the 10,000 other "Cinematic LUT Packs" out there. And because I care deeply about your creative journey I may or may not have included some "Free LUTs" - depending on how you define “free” (with FREE I mean free to use once you purchased it for $15)
Shoutout India, this one's for you! Hopefully with my discount you are now able to get the undisputable, indistinguishable Teal & Orange Kodak Vision3 Color Grading on your videos for your next Ganges Banger or Joker Reels 🧡
LUT used in this Video:
CMG_Vision_50D from the Sony Cinematic LUTs Pack
Shot on Sony A7CII in Slog3
In this video I go on a rant about the DJI Osmo Action 5 Pro and why this camera just made me waste an entire forest walk with my dogs (22 minutes in total).
I explain the frustrating jitter/ghosting, shutter speed and stabilization issues action cam filmmakers face, especially if you're trying to follow the 180-degree rule for natural motion blur. Spoiler: even with stabilization turned off and using Gyroflow in post, the footage still looks like garbage.
If you’re into cinematic action cam footage, use ND filters or care about actual image quality, you might want to watch this before trusting DJI’s "Pro" label. Also: DJI, fix your sh*t. Thanks. The new Osmo Action 6 better has this issue fixed.
👇🏼 This might help you to reduce Jitters/Flickering:
If you're struggling with jittery or ghosted footage on action cams like the DJI Osmo Action 5 Pro, one quick workaround is to quadruple your shutter speed instead of following the standard 180-degree rule. That means if you're shooting at 25 fps, instead of using the usual 1/50 sec, go for 1/100 or even 1/200 sec. Especially when using Rocksteady!
If you're filming at 50 fps, aim for 1/200 sec. This reduces motion blur and gives the digital stabilization (or Gyroflow in post) a cleaner image to work with. Yes, it sacrifices that natural cinematic motion blur, but it significantly reduces ghosting, highlight flicker and general jitteriness. You’ll need to compensate exposure with higher ISO — or ditch your ND filters entirely and just go full-auto everything so you don't have to deal with these issues at all.
1000+ FREE Sound Effects for your next Edit 👉🏼 cinem8.co/pages/free-sound-effects-for-video-editing-content-creation
In this video I talk about how one viral video with over 3 million views completely ruined my YouTube channel. I break down how much I actually earned from it, how it brought me nearly 19,000 new subscribers and how those numbers created a long-term problem I didn’t see coming on my Youtube journey.
I also show how this one iPhone cinematic test unexpectedly became my second most viewed video ever, but ultimately derailed the channel’s growth. We’ll look at YouTube analytics, subscriber behavior, algorithm issues and how going viral can mess up your audience completely... especially if you’re not planning to niche down and are a multi-passionate creator.
Watch my iPhone 14 Pro Video here 👉🏼 youtube.com/watch?v=oY9qKzEvIaM&t=2s
Watch my iPhone 15 Pro Video here 👉🏼 youtube.com/watch?v=kJXQ8hGCAs4
#youtubegrowth
Color Graded with 👉🏼 cinem8.co/products/cinematic-film-luts-dji-osmo-action-5
Shot on DJI Osmo Action 5 Pro
D-Log M 10-bit
Get 15% OFF my Color Grading & Filmmaking assets
👉🏼 cinem8.co
Because that’s the only skill left on the internet apparently.
here's a quote that chatgpt gave me as I can't think on my own (I didn't buy a copywriting course):
"If everyone’s a Guru, no one is"
Now please buy my filmmaking store cinem8.co (it makes around $50k / year with only a few bad performing youtube videos) so I can leave the internet and this effing niche forever. I even give you my completely dead instagram channel with 70k followers on top.
thanks for watching.
Took the DJI Osmo Action 5 Pro out to record some cinematic audiovisual resources on a sunny, harsh day – really diggin this look after 9 years of bokeh-maxing.
Dehancer used for grain, halation and bloom
Settings & Post Production:
4K 25fps at 1/50
Wide FOV
D-Log M
rocksteady off
-0.7EV
ND32
Music by faowi:
youtube.com/watch?v=WrFsZUJDxOE&t=18s
Turned off all the fancy features that make the Osmo Action 5 look good. Because who needs stabilization or modern aspect ratios when you can suffer in 4:3 with shaky footage like a real indie filmmaker?!
Settings:
Aspect Ratio: 4:3
RockSteady: Off
FOV: Standard
Exposure: -0.7 / 1/50 shutter at 25fps (ND 16)
Color Profile: D-Log M (converted to rec709)
Color Grading: My custom LUTs + Dehancer (grain + halation + film damage)
Another quick video from the forest… just some thoughts about creativity, pressure and why maybe now isn’t the time to create.
I’ve been thinking a lot about why it feels so hard to create good content lately. Maybe it’s because creativity can’t be forced. When your mind is constantly focused on survival — on making money, paying the bills, figuring out what’s next — there’s little space left for real artistic expression.
Do whatever you want with this information... take shortcuts or avoid the hard stuff if you like. But just keep in mind: There's a version of you, 74 years from now, who's hoping you'll show up for yourself today.
a film by Christian Maté Grab
Creativity should be about freedom. Not about what an algorithm wants. But on YouTube, many multi-passionate creators including myself are trapped in a niche. Let’s talk about it.
YouTube rewards consistency, not creativity. If you try to step outside of your niche, your reach often dies. Multi-passionate creators are stuck playing the same game over and over again, while the algorithm decides what succeeds.
In this video I dive into why YouTube does not like creators who explore different passions, why the algorithm only favors a single type of content to boost their ad revenue and how this system is designed to keep you in a box.
Shot on Sony A7CII
Tamron 28-75 f2.8 + Sony GM 24mm f1.4
Color graded with my S-Log3 LUTs 👉🏼 cinem8.co
This Video is sponsored by Artlist.io
In this video I'm shilling my LUTs and also diving into how to get the most out of your S-Log3 footage using my (or any other) stylized LUTs for your Sony camera like the FX3, FX30, A7CII or ZV-E1. Whether you're using Final Cut Pro, Premiere Pro or DaVinci Resolve (I guess then you don’t use LUTs), I'll guide you through the process to achieve stunning results in a few minutes.
We'll cover essential tips on exposure, including how to use Zebra settings to nail perfect skin tones and dynamic range. I'll also show you step-by-step how to apply these LUTs in Final Cut Pro and how to make necessary adjustments to exposure, contrast and saturation before applying the LUT for the best results.
I’ll introduce you to a special LUT from my pack designed for newer Sony cameras that not only enhances your footage but also helps you monitor a color-graded image while shooting (by using View assist in-camera). This is perfect for run-and-gun filming where you need to rely on your camera's display instead of looking at the effing histogram all the time.
#slog3 #colorgrading
Color graded with one of my old Canon LUTs from cinem8.co
Dehancer film grain / film damage
mFilmLook Chromatic aberration
Went outside this morning to take some test shots with the Sony A7CII and the Tamron 28-75mm f2.8 G2 zoom lens. Not the usual mood, a lot of harsh light but I really love this compact setup so far. If you got any questions drop them in the comments 🤙🏼
Not gonna lie, I don’t see a reason to spend double on the Sony 24-70mm GM II. The Tamron is sharp, compact, and just gets the job done. Perfect balance of size, weight, and performance. For my workflow, the zoom range is spot on—versatile enough for anything I shoot. Solid lens, no regrets.
GEAR & POST PRODUCTION*
Sony A7CII 👉🏼 amzn.to/4i5zVvu
Tamron 28-75mm f2.8 G2 👉🏼 amzn.to/3QGjF84
Sound recorded with the Sony ECM-M1 👉🏼 amzn.to/4ioc0H1
Cheap ND filter from K&F 👉🏼 amzn.to/4h3CIny
Tiffen Black Pro Mist 1/2 👉🏼 amzn.to/4hWFzQg
Shot in Slog3.Cine (1 - 1.7 stops overexposed)
Color graded with my new Sony LUTs
Subtl film grain and halation added with Dehancer
*Affiliate links
ok jokes aside 👇🏼
- Shot on iPhone 15 Pro in ProRes Log 4K
- Color graded with my iPhone LUTs
- Halation added with Dehancer
- Chromatic Aberration added with mFilmLook
- Motion blur with RSMB
#iphone17 #filmmaking
This video is not sponsored by any of the tools or apps mentioned.
#filmmaking #musicforvideos #aimusic
My Color Grading assets & LUTs 👉🏼 cinem8.co
#lifeadvice #escapethematrix #creatoreconomy
If you're interested in taking over my digital product marketplace cinem8.co for filmmakers and video editors that generates $50,000 in annual revenue, drop me a mail so I can send over a detailed PDF deck!
✉️ contact@christianmategrab.com
#digitalproducts #contentcreation #filmmaking
Get my SLOW SHUTTER TRANSITIONS 👉🏼 cinem8.co/products/slow-shutter-transitions
Visit my new Filmmaking Shop 🎥 cinem8.co
Elevate your video editing game with my brand-new pack featuring over 25 stunning slow shutter transitions, now available on CINEM8.CO. These dreamy, filmic transitions are designed for seamless drag-and-drop integration into any video editing software, including Final Cut Pro X, Premiere Pro, DaVinci Resolve, and more.
🎞️ What is Step-Printing?
Step-printing is a cinematic technique used to create a dreamy, surreal effect in film and video. This method involves duplicating frames, which results in a slow-motion effect that appears choppy and stylized, giving your footage a unique visual rhythm. Originally popularized in classic films, step-printing can add a nostalgic or otherworldly atmosphere to modern projects. By manipulating the frame rate and duplicating frames during the editing process, filmmakers can achieve this distinct look, making it a powerful tool for storytelling and artistic expression.
🎥 How to create these Effects In-Camera
Creating slow shutter effects in-camera involves adjusting your camera settings to lower the shutter speed, allowing more light to hit the sensor and capturing more motion in each frame. To achieve this, set your camera to a low shutter speed—typically below 1/30th of a second - I mostly used 1/16th for my transitions.
This will result in a blurrier image as the sensor records the movement of objects over a longer period. Pair this with fast, deliberate movements of the camera or the subject to enhance the dreamy, surreal effect. This technique is perfect for capturing light trails, water motion, or any scene where you want to convey fluidity and motion.
Musicbed SyncID
MB012E7DZGUZLAJ
Color Graded with 👉🏼 cinem8.co/products/cinematic-luts-collection
Used Dehancer for halation & filmgrain
Musicbed SyncID
MB01ITXDWOAPXIM
Filmmaking Master Bundle ► bit.ly/get-the-masterbundle
My LUTs & Lightroom Presets ► bit.ly/luts-lightroom-presets
Shot mostly on Sony a6500 / DJI Phantom 4
Get my iPhone LUTs ► cinem8.co/products/iphone-lut-collection
My LUTs & Lightroom Presets ► bit.ly/luts-lightroom-presets *
This video was shot on the iPhone 15 Pro with ProRes Log in the Moment Pro Camera app (1080p) and my Apple LOG V2 LUT baked-in (no color grading or correction in post)
35mm film grain and halation added with Dehancer
This video does not contain any paid sponsorships or product placements from third parties.
Watch the Short Film here 🎥 youtu.be/03Qo7M7jL6g
Canon RF 24-105mm F2.8L IS USM Z 👉🏼 https://canon.sm/49OPJ0u
Canon EOS R5 C 👉🏼 https://canon.sm/3Umf3Xg
In this short Behind-the-Scenes I take you with me into our local forest and the making of our short film „WOODLINE“ in collaboration with Canon. We shot a Mystery/Horror short film in just under 48 hours on the Canon EOS R5 C and only one lens: The new Canon RF 24-105mm F2.8L IS USM Z. This lens also lets you attach Canon’s Power Zoom Adapter PZ-E2 for smooth zoom scenes which we used to create all the zoom shots in-camera instead of doing this digitally in post production.
📽️ Gear & Settings we used
Canon EOS R5 C
RF 24-105mm F2.8L IS USM Z
PZ-E2 Power Zoom Adapter
Recorded internally on the EOS R5 C in Clog-3 Cinema Gamut and color graded with my R5 LUTs
👉🏼 cinem8.co/products/canon-r5-cinematic-luts
This Video is sponsored by Canon Europe
Collaborations ✉️ youtube@christianmategrab.com
🎧 Music (by Musicbed)
Special thanks to:
Main Actor: Karolin (as Chloe)
DP: Danny Jakov (@deadapefilms)
The Antlered Shadow: Roman Jordan
BTS & B-Roll: Thanh La & Sebastian Müller
Canon RF 24-105mm F2.8L IS USM Z 👉🏼 https://canon.sm/49OPJ0u
Canon EOS R5 C 👉🏼 https://canon.sm/3Umf3Xg
Watch BEHIND-THE-SCENES 🎥 youtu.be/V6lsgUf2X2o
In collaboration with Canon Europe we shot a Mystery/Horror Short Film in our local forest with only one lens:
The new Canon RF 24-105mm F2.8L IS USM Z. This lens also lets you attach Canon’s Power Zoom Adapter PZ-E2 which we used to create all the zoom shots in-camera instead of doing this digitally in post production.
📽️ Gear & Settings we used
Canon EOS R5 C
RF 24-105mm F2.8L IS USM Z
PZ-E2 Power Zoom Adapter
Recorded internally on the EOS R5 C in Clog-3 Cinema Gamut and color graded with my R5 LUTs
👉🏼 cinem8.co/products/canon-r5-cinematic-luts
This Video is sponsored by @CanonEurope
Collaborations ✉️ youtube@christianmategrab.com
🎧 Music by Musicbed.com
Special thanks to:
Main Actor: Karolin (as Chloe)
DP: Danny Jakov (@deadapefilms)
The Antlered Shadow: Roman Jordan
BTS & B-Roll: Thanh La & Sebastian Müller
Musicbed SyncID:
MB01HMKTV1KWSE2
Check out audiio.com for unlimited Music & SFX: audiio.com/cmg
Recorded internally on the EOS R5 in Clog-3 Cinema Gamut and color graded with my R5 LUTs
👉🏼 cinem8.co/products/canon-r5-cinematic-luts
Grain & Halation: Dehancer Pro in FCPX
Lenses used:
Canon RF 24mm 1.8
Canon RF 35mm 1.8
Canon RF 70-200 2.8 (Campfire scene)
For lighting we used the ZHIYUN X60, Cinepeer X100 and G200 Video lights
Special thanks to the talent: @deadapefilms
This Video is sponsored by @helloaudiio
✉️ Collaborations & Business inquiries
youtube@christianmategrab.com
🎧 Music by audiio.com
Fire & Smoke - Beech Love
Listen to "runnin" on Spotify 👉🏼 sptfy.com/Qdw9
Listen to "runnin" on Apple Music 👉🏼 music.apple.com/de/album/runnin-single/1729936589
Video was shot on Canon R5 + RF 35mm 1.8
Kodak Gold 200 Film Emulation
Filmmaking Assets, LUTs & Lightroom Presets
🎥 cinem8.co
Get my iPhone LUTs 🎥 cinem8.co/products/iphone-lut-collection
My Cinema LUTs 👉🏼 cinem8.co
Film Transition Overlays 🎥 cinem8.co/products/film-transition-overlays
Free Music for Filmmakers 🎬 cinem8.co/collections/cinescores
My Lightroom Presets 📷 cinem8.co/products/lightroom-presets-collection
SmallRig Cage on B&H 👉🏼 bhpho.to/3R3sCJz
SmallRig Cage on Amazon 👉🏼 amzn.to/47uU0FS
SmallRig Shop 👉🏼 bit.ly/iPhone15ProMax-Cage
Blackmagic Camera App 🤳🏼 apps.apple.com/de/app/blackmagic-camera/id6449580241
Universal Phone Cage 👉🏼 bit.ly/universal-phone-cage
Chapters:
0:00 Intro
0:15 Video Settings
0:59 Exposure Settings
1:42 Camera Cage
2:25 Lighting
3:07 Post Production
Portable LED Light with built-in battery:
youtube.com/watch?v=74VndaYF08E
🎥 My LUTs, Lightroom Presets & Filmmaking Assets
cinem8.co
✉️ Business inquiries & Collaboration:
youtube@christianmategrab.com
📷
This video is sponsored by @SmallRigGlobal
PRE-ORDER THE RC 60 👉🏼 bit.ly/SmallRig-RC60
RC 60 at B&H Photo 👉🏼 bhpho.to/3QRR949
SMALLRIG RC 60* 👉🏼 amzn.to/3uaROEX
In this video I take you with me to our local forest to test the RC 60B COB LED Light by SmallRig. A 60 watts LED Light for Content Creators, Filmmakers and Photographers who want to carry as little as possible with them. From a warm 2700K to a cool 6500K, the RC 60 offers bi-color temperature in a super compact size.
For those working in tight spaces, small YouTube studios or looking for an efficient and portable outdoor lighting solution, the RC 60B saves you from carrying heavy lights and tangled cables.
This video was shot on the Canon R5 with the RF 35mm f1.8 + RF 70-200 2.8 and color graded with my Canon R5 LUTs 👇🏼
cinem8.co/products/canon-r5-cinematic-luts
🎥 My LUTs, Lightroom Presets & Filmmaking Assets
cinem8.co
✉️ Business inquiries & Collaboration:
youtube@christianmategrab.com
📷
SyncID
MB01GXIKD83HFIK
This video is sponsored by @SmallRigGlobal
*Affiliate Link
Download the ProRes Log footage (5GB): bit.ly/apple-log-test-footage
Color Graded with 👉🏼 cinem8.co/products/iphone-lut-collection
+ Dehancer Pro 2.0 for film grain, expand & halation
We went for a short morning walk in the misty forest where I filmed some test shots on the iPhone 15 Pro in ProRes Log with -0.7 Exposure in the stock camera app. Color graded with my iPhone LUTs Collection. Film grain, expand and halation added with Dehancer Pro 2.0.
SHOT ON iPHONE 15 PRO | CINEMATIC MODE
👉🏼 youtube.com/watch?v=kJXQ8hGCAs4
🥷🏼 EDC Blackout Wallpapers for iPhone 15 Pro bit.ly/blackout-wallpapers
🪨 Natural Titanium Wallpapers for iPhone 15 Pro bit.ly/iphone-titanium-wallpapers
🖌 PANTONE® Pastel Wallpapers for iPhone 15 Pro bit.ly/iphone-pantone-wallpapers
🎥 My LUTs, Lightroom Presets & Filmmaking Assets
cinem8.co
✉️ Business Contact & Collaboration:
youtube@christianmategrab.com
📷
#iPhone15Pro
This Video is not sponsored by Apple
Musicbed SyncID
MB01WSZI6ALOFYU
COLOR GRADED WITH MY iPHONE LUTs 👉🏼 cinem8.co/products/iphone-lut-collection
1000 FREE Sound Effects 👉🏼 cinem8.co/pages/free-sound-effects-for-video-editing-content-creation
I went outside to film some first Videos on the iPhone 15 Pro in Cinematic Mode (Standard Camera App) to come up with a Trailer of a movie that probably never gets released. This footage was recorded on the iPhone 15 Pro, edited and color-graded in Final Cut Pro X with my iPhone LUTs Collection and my Master Bundle.
Some shots were filmed in Cinematic Mode (4K / 30fps), others with the regular wide-angle/telephoto/macro camera lens. I didn’t use any third-party-apps like Filmic Pro, no Log or ProRes Codecs - Maybe there will be another Video in the future in which I’ll test the new Log format and ProRes as well as the new focal lengths.
🎥 My LUTs, Lightroom Presets & Filmmaking Assets
cinem8.co
Voiceovers created with Elevenlabs AI text-to-speech
🎙️ try.elevenlabs.io/ppksyrwe76pc
✉️ Business Contact & Collaboration:
youtube@christianmategrab.com
📹 Related Videos
Shot on iPhone 14 Pro youtube.com/watch?v=oY9qKzEvIaM&t=1s
$60 Vintage Lens youtube.com/watch?v=RzlWb8Epm6M
Insta360 RS ONE Cinematic youtube.com/watch?v=YuXvHBniAxw&t=1s
Re-creating the Look of DARK youtube.com/watch?v=EUD6rCCB8k8&t=42s
#iPhone15Pro
This Video is not sponsored by Apple
(@Apple pls )
Song: „Where is my Mind“ by Safari Riot & Grayson Sanders
News speaker Voiceover: Cliff Berg
Special thanks to these guys for helping me to pull this up in less than 3 days:
Karolin (prepping & acting)
Kevin (Zombie & Quarantine worker)
Sebastian (Lighting & camera)
Written and narrated by AI with the help of ChatGPT and ElevenLabs.
Find out more about the Insta360 ONE RS 1-Inch* 🎥 bit.ly/insta360-ONE-RS-1-Inch
A few weeks back, Insta360 sent me their ONE RS 1-Inch Camera and without a script in hand, I turned to ChatGPT, an artificial intelligence model to let it write a VoiceOver for the shots we captured.
🤖 TRY ELEVENLABS AI TEXT-TO-SPEECH HERE:
elevenlabs.io/?via=27ee24
To my surprise, it crafted an emotionally charged video script that dovetailed beautifully with the footage we shot. Join me on this adventure as we explore what's possible with AI, the Insta360 RS ONE 1-Inch and the great outdoors in my hometown. Thanks to @deadapefilms for helping me film this!
All scenes were shot in 6K 24fps and the standard color profile.
Song: Judah Earl - Before the Dawn (Musicbed)
Color Graded with my iPhone LUTs Collection
👉🏼 cinem8.co/products/iphone-lut-collection
My 4K Film Transition Overlays
👉🏼 cinem8.co/products/film-transition-overlays
Find out more about Insta360
📹 store.insta360.com
👇🏼
✉️ Business Inquiries & Collaboration
youtube@christianmategrab.com
With its cutting-edge technology and exceptional image quality, the Insta360 ONE RS 1-Inch camera allows you to capture every moment with stunning detail and clarity. Whether you're an adventure seeker, filmmaker, or content creator, the Insta360 ONE RS 1-Inch is your perfect companion, offering endless possibilities for creative expression. Take your storytelling to new heights and immerse your audience in captivating visuals with this revolutionary camera.
#insta360
This Video is sponsored by @insta360
MB01UVNBGXIUCZR
My MASTER BUNDLE ► cinem8.co/products/the-master-bundle
My Film Transition Overlays pack (Part of my MASTER BUNDLE) is a must-have for filmmakers and video editors looking to elevate their projects to the next level. With over 50+ 4K Film Transitions included, you'll be able to easily add professional-looking transitions to your edits with just a simple drag and drop. These Film Transitions Overlays are compatible with every video editing program, including Premiere Pro, Final Cut Pro X or Davinci Resolve.
Whether you're a professional video editor or just starting out, these Film Transitions will help you bring your projects to life. Whether you're working on a music video, a short film, or a corporate video for your clients: With a wide range of styles, you're sure to find the perfect transitions for your project and edits.
The Film Transitions included in this pack are all 4K quality, so you can be sure that your projects will look stunning, no matter what resolution you're working in. They're also easy to use - simply drag and drop the Film Transition Overlay into your timeline and change the blend mode to "Screen", "Multiply" or any other blend mode that fits the style of your video, and you're done. No need for complicated keyframe animations, these transitions are ready to use right out of the box.
You will find a Video Tutorial inside of the .zip file in which I go through the process of using the Transitions on my own projects.
This video does not contain any paid sponsorships or product placements from third parties.
*Ad / Anzeige
Yung Sony - 35mm (is enough) Official Music Video - Prod. by ENCORE
Directed by @cmg & @deadapefilms
Stream „35mm“ on Spotify: https://spoti.fi/3BnpjVi
Shot on the Canon R6 + Canon R5 in C-Log3 BT.709
Lenses: Canon RF 24-70 2.8 / RF 70-200 2.8 / Canon RF 35mm 1.8
Edited in Final Cut Pro X
DEADAPEFILMS ON INSTAGRAM
instagram.com/deadapefilms
Color Graded with my Canon R5 LUTs ► bit.ly/CanonR5LUTs
GET MY MASTER BUNDLE ► bit.ly/get-the-masterbundle *
MY LUTs & LIGHTROOM PRESETS ► bit.ly/luts-lightroom-presets *
Business Inquiries & Collaborations:
youtube@christianmategrab.com
This video does not contain any paid sponsorships or product placements from third parties.
And to answer this question „What Gear do you use?“ once and for all, let me give you a quick room tour of my Home Studio with all the details you need to find out if some of this would fit your own creative process.
CHAPTERS
0:00 Intro
0:37 Computer Setup
1:01 Studio Monitors
1:40 Adam A7V Studio Monitors
2:49 Audio Interface
3:20 CF Express Card Reader
3:33 Dynamic Microphone
4:14 Headphones
4:30 MIDI Keyboard
4:47 Adjustable Desk
5:01 Camera Gear
6:05 Boom-Mic
6:24 Lighting
The following is a list of Gear mentioned in this Video.
These are Affiliate Links that give me a small commission if you purchase something through that link and doesn’t cost you more..
COMPUTER & DESK
Apple Mac Studio ► apple.co/3Ahufuk
Apple Studio Display ► http://bit.ly/3O66R8K
Good Standing Desks ► amzn.to/3Gfe7xh
AUDIO
Adam A7V Monitors ► amzn.to/3UQuDrK
Budget Studio Monitors ► amzn.to/3TI3YMy
Audio Interface ► amzn.to/3ExMXjL
Budget Audio Interface ► amzn.to/3Anwkov
Dynamic Microphone ► amzn.to/3UFQuSI
Headphones ► amzn.to/3UBTUWx
MIDI-Keyboard ► amzn.to/3Xgq2kD
CAMERA GEAR
Canon R5 ► amzn.to/3GlEIIX
35mm Lens ► amzn.to/3GjEUbS
24-70mm Lens ► amzn.to/3TE94tp
70-200 Lens ► amzn.to/3UJ18bt
Tiffen Black ProMist ► amzn.to/3TI4Ssq
Velium Filter System ► bit.ly/veliumkickstarter
CF Card Readers ► amzn.to/3TDy57K
Carbon Tripod ► amzn.to/3ExyDYA
LIGHTING
Amaran 200X ► amzn.to/3tvXu8R
Aputure F22C LED Mat ► amzn.to/3Ew5gGe
Cheap Tube Light ► amzn.to/3hF6Yfo (Battery sucks)
Better, Quality Tube Light ► amzn.to/3gdsDLb
C-Stand ► amzn.to/3ExXefO
Listen to some Songs I recorded with the Shure SM7B
Neil Moody on Spotify: http://bit.ly/3g9L0AL
Yung Sony on Spotify: https://spoti.fi/3hIyyse
This Video was shot on the Canon R6 in 4K + RF 24-70mm 2.8 + RF 35mm 1.8 in C-Log3
Thanks to @ADAMAudioBerlin for sending me the A7Vs to test them.
Other Brands in this Video (not sponsored):
@aputurelighting @CanonUSA @shure @UniversalAudio @SIRUIImaging @NeewerOfficial
Musicbed SyncID
MB01ZML1DGS9XXB
🤖 ChatGPT für Unternehmer & Selbständige aus Deutschland:
Über 5000 Prompts für Online-Marketing, Sales, Recruiting, Agenturgeschäft und Web-Entwicklung - So automatisierst du 2000+ Aufgaben deines Business mit der Hilfe von AI.
👉🏼 aivocado.ai
Get my Master Bundle ► https://christianmategrab.sellfy.store/p/the-master-bundle/
I got myself a new (old) Vintage Lens - The Vivitar 28mm f2 and used it with a cheap Canon FD to RF Adapter on my Canon R5 to film a short Visual. If you’re looking for a budget manual Lens that gives your Videos that Cinematic Nostalgia and Imperfection I think this is one to consider.
Here are some cheap Adapters for your Camera System**
Canon FD to Canon RF: amzn.to/3zLK3oM
Canon FD to Sony E-Mount: amzn.to/3TaaQBY
Canon FD to Fuji X: amzn.to/3NE2KQX
Filmed on the Canon R5 in C-Log3 (BT.709) - 4K IPB
Color Graded with my Canon R5 LUTs in Final Cut Pro X
Grain & Halation added with Dehancer
MY MASTER BUNDLE FOR VIDEO EDITORS
► bit.ly/get-the-masterbundle *
MY LUTs & FREE LIGHTROOM PRESETS
► bit.ly/luts-lightroom-presets *
Business Contact:contact@christianmategrab.com
Music licensed by Musicbed:
Phillip Cuccias - Altered State
Luke Atencio - Apart
*Ad / Werbung
**Affiliate Link
Musicbed SyncID:
MB01JKSVG0QJZJM
0:00 Intro - The Vivitar 28mm f2
0:45 Cinematic Visuals - Daytime
2:45 Cinematic Visuals - Blue Hour
MY FILMMAKING MASTER BUNDLE (20% OFF) ► bit.ly/get-the-masterbundle
MY LUTs & FREE LIGHTROOM PRESETS ► bit.ly/luts-lightroom-presets
I discovered three creepy places in my German hometown, including a abandoned cabin in the woods. So I filmed this Found-Footage Short film in the style of scary Reddit Stories. No property was damaged, we just observed. Happy Halloween.
0:00 Place 1 - The Rockpit
2:50 Place 2 - Blue Tent Fountain
3:55 Place 3 - Witch's Cabin
This video does not contain any paid sponsorships or product placements from third parties.
*Ad / Anzeige
lost places deutsch, lost place germany, lost place discovery, canon r5 cinematic, reddit stories, creepy reddit stories, reddit story horror #halloween
MASTER BUNDLE ► bit.ly/get-the-masterbundle
MY LUTs & LIGHTROOM PRESETS ► bit.ly/luts-lightroom-presets
This video does not contain any paid sponsorships or product placements from third parties.
Anyway thanks to @SmallRigGlobal for sending out the MagicFIZ Wireless Follow Focus.
*Ad / Anzeige
Film Transitions & Overlays 👉🏼 cinem8.co/products/cinematic-film-transitions-bundle
Get ACEBEAM Flashlights on Amazon:*
L17: amzn.to/3CK7ocB
H30: amzn.to/3rGo0LW
X75: amzn.to/3SYMEmM
X50 CRI: amzn.to/3fMvEBH
Can we use Flashlights for Filmmaking and Photography?
I wanted to find out and partnered with ACEBEAM to re-create a Scene from Netflix' DARK with a 68,000 Lumens Flashlight - The X75. In addition to ACEBEAM's strongest light we also got two Acebeam X50 CRI Flashlights. Those can be used perfectly for Filmmaking & Photography because of their Color Rendering Index (CRI) of 95.
Often it can be a hassle to bring powerful lights to your set, especially when you are shooting outdoors and there's no electricity to power them. That's why I picked some of my favorite scenes from the Netflix Show „DARK" and tried to re-create it only with light from Acebeam Flashlights.. Instead of an ARRI Alexa 65 which was used to film the Netflix Original we used my Canon R5 to film this.
Thanks for helping me out @Fiebs93 !
Chapters:
0:00 The Beauty of DARK
1:18 ACEBEAM Flashlights for Filmmaking
1:57 Making-Of
3:02 Cinematic Cut
*This Video is sponsored by @ACEBEAM
www.acebeam.com
Music from Musicbed:
Portals - It's all happening
Business Contact
contact@christianmategrab.com
THE MASTER BUNDLE* ► bit.ly/get-the-masterbundle
MY LUTs & LIGHTROOM PRESETS* ► bit.ly/luts-lightroom-presets
This video does not contain any paid sponsorships or product placements from third parties.
*Ad / Anzeige
MY LUTs & LIGHTROOM PRESETS ► cinem8.co/collections/products
I'm currently filming a Mini Doc about my friend Timo and his passion for Cars (VDS Autosport) which will we released in October 2022. Some of you wanted a quick breakdown of my first ever Interview Scene which I shot on the Canon R5 + 24-70 2.8 RF + Atomos Ninja V+ so here's how to shoot an Interview in the style of Netflix Documentaries.
Recorded in CLog3 BT.709 4K ProRes 422
Color Graded and edited with my LUTs and Dehancer for FCPX
This video does not contain any paid sponsorships from third parties.
*Ad / Anzeige | Produktplatzierung / Product Placement
► cinem8.co/products/iphone-lut-collection
350+ Assets for Filmmakers ► cinem8.co/products/the-master-bundle
Lightroom Presets ► cinem8.co/products/lightroom-presets-collection
Cinema LUTs Collection ► cinem8.co/products/cinematic-luts-collection
Some quick shots I took this morning with the new iPhone 14 Pro in Cinematic Mode (Standard Camera App). I didn’t use any third-party-apps like Filmic Pro, no Log - Took this footage straight from the camera and graded it in Final Cut Pro X with my iPhone LUTs.
Of course the iPhone struggled with the heavy contrast scenes and the mist. A lot of artefacts and color banding due to the poor codec but I think especially in the Close and Mid-Close Shots it performed pretty decent.
Edited in Final Cut Pro X (2:1 aspect ratio) and graded with my iPhone LUT Collection:
📽 Color Graded with: cinem8.co/products/iphone-lut-collection
This Video is not sponsored by Apple.
Business Contact:
youtube@christianmategrab.com
#iPhone14Pro
GET MY MASTER BUNDLE ► bit.ly/get-the-masterbundle *
MY LUTs & LIGHTROOM PRESETS ► bit.ly/luts-lightroom-presets *
3 Years ago I stopped uploading to Youtube and working as a Filmmaker/Photographer because I experienced severe Panic Attacks, Depression and Anxiety which completely took over my reality. Most of you didn't know why I left. After the hardest time of my life as a Creator and as a human being I wanted to create this Video to share my journey and speak out about the "other side" of Social Media and what was going on so maybe it helps someone out there who struggles in life the way I did. I need to re-enter life - And this is my close on this chapter of my life.
Shot on Canon R5 + 35mm 1.8 RF + 24-70mm 2.8 RF
Color Graded with my Canon R5 LUTs:
bit.ly/CanonR5LUTs
Business Inquiries & Collaborations:
youtube@christianmategrab.com
This video does not contain any paid sponsorships or product placements from third parties.
*Ad / Anzeige


