The Fitzwilliam Museum
Story of The Boat of Millions of Years
updated
From elaborately decorated coffins to Books of the Dead, ancient Egyptians produced objects which remain iconic today. But who were the makers behind them and how were they made?
🔓 Unlock the secrets of Ancient Egypt’s craftspeople in our new exhibition. This is the first exhibition to explore ancient Egypt through the lives of its makers – featuring cutting-edge research and spectacular loans, many never before seen in the UK.
🔗 Book tickets: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/made-in-ancient-egypt
💡Join as a Friend to get free unlimited entry: fitzmuseum.cam.ac.uk/support-us/become-a-friend
🎓 18–25 or a student of any age? Join the Fitz List to get free exhibition tickets, exclusive content and more: fitzmuseum.cam.ac.uk/fitz-list
Supported by David and Molly Lowell Borthwick.
Book now for our upcoming exhibition, 'Made in Ancient Egypt', where you can explore ancient Egypt through the lives of its craftspeople and discover the untold stories of the makers behind their extraordinary creations.
OPENING SOON: 3 October 2025 - 12 April 2026
🔗 Book here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/made-in-ancient-egypt
From elaborately decorated coffins to the Books of the Dead, ancient Egyptians produced objects which remain iconic today. But who were the makers behind them and how were they made?
Find out more: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/made-in-ancient-egypt
'Made in Ancient Egypt’ opens 3 October 2025.
Inspired? Plan your visit: fitzmuseum.cam.ac.uk
Inspired? Plan your visit: fitzmuseum.cam.ac.uk
Inspired? Plan your visit: fitzmuseum.cam.ac.uk
Inspired? Plan your visit: fitzmuseum.cam.ac.uk
Inspired? Plan your visit: fitzmuseum.cam.ac.uk
Inspired? Plan your visit: fitzmuseum.cam.ac.uk
In his abstract painting, British artist Graham Sutherland reimagines the moment Jesus is taken down off the cross, a scene known as 'the deposition' and a popular subject for Christian art.
Painted in 1946, right after World War 2 had ended, Sutherland interprets the scene through a modern lens. As an official war artist, the horrors he'd witnessed and seen in photographs permeated his work — palpable distress, anguish and skeletal figures that echo the survivors of the concentration camps.
But through this imagery inspired by renaissance themes of salvation and light and religious stories of resurrection and life after death, he incorporates a sense of hope even in the darkest of times.
Our new display 'Essence and Presence' invites you to uncover how the past continues to shape the future of art and how artists, then and now, are united by bold ideas and shared themes.
📍 See it up-close in Gallery 6. Free to visit, no booking needed.
🎞️ Film by Rob Hill
🖼️ Graham Sutherland ‘The Deposition’, 1946 © The estate of Graham Sutherland.
Over 100 years later, this small but intense painting is back at @CharlestonTrust on loan from the Fitzwilliam Museum. The 'Inventing Post-Impressionism' exhibition.
🗓️ ‘Inventing Post-Impressionism: works from The Barber Institute of Fine Arts’ is open until 2 November at Charleston in Firle.
🎞️ Rosie Powell Freelance
🖼️ Paul Cézanne, Still Life with Apples, c.1878, oil on canvas. On loan from King’s College (Keynes collection). By kind permission of the Provost and Scholars of King’s College, Cambridge.
Essence and Presence brings together some of the finest examples of early renaissance art in our collection in conversation with works by modern and contemporary artists—from Filippo Lippi, Simone Martini and Domenico Veneziano to William Blake, Fernand Léger, Pablo Picasso, Sylvia Snowden and Stanley Spencer.
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/essence-and-presence
Featuring spectacular loans never before seen in the UK, this exhibition brings cutting-edge research to life and sheds new light on one of the world’s most fascinating civilisations.
📅 Opens 3 October 2025. Find out more: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/made-in-ancient-egypt
contributions.
Find out more in 'Rise Up: Resistance, Revolution, Abolition' open until 1 June.
Find out more in 'Rise Up: Resistance, Revolution, Abolition' open until 1 June.
They empowered themselves through earning extra income and retaining some control over their lives and contributed to the cultural and economic fabric of their
societies.
Discover more in 'Rise Up: Resistance, Revolution, Abolition', open until 1 June.
These powerful words surround you in this 3D installation by British artist Karen McLean, on display in our 'Rise Up' exhibition. The piece draws from American abolitionist and activist Sojourner Truth’s famous 1851 abolitionist speech while also inviting us to consider how Truth's legacy has been shaped, and sometimes distorted, over time.
Come explore 'Rise Up' in person to discover the many layers of meaning behind McLean's work.
🔗 Visit our website to plan your visit: https://shorturl.at/xfife
📅 'Rise Up: Resistance, Revolution, Abolition' open until 1 June.
🎬 Film by Rosie Powell.
🖼️ Karen McLean, Ar’n’t I a Woman! Woven Bodies 1, 2021. Courtesy of Karen McLean.
Though these masks represent young women's beauty and female power, they are worn by initiated young men who wear them while dancing in the masquerades.
🎭 Masking and oral storytelling have long been central to Igbo culture, a legacy captured in the 1789 autobiography of writer and abolitionist Olaudah Equiano, who offers rich descriptions of his homeland and his people.
🔗 You can come face-to-face with this maiden spirit mask and learn more about Equiano's life and connection to Cambridge in our 'Rise Up' exhibition. Visit our website to plan your visit: https://shorturl.at/xfife
📅 'Rise Up: Resistance, Revolution, Abolition' open until 1 June.
🎬 Film by Rosie Powell.
🖼️ Unrecorded Igbo maker, Agbogho Mmuo (Maiden Spirit) mask, c.20th century. Museum of Archaeology and Anthropology (@maacambridge), 2014.300, University of Cambridge.
Discover the history of the fight to end transatlantic slavery through the stories of the people, communities and anti-slavery movements who campaigned for abolition.
From historical objects to contemporary works by artists like Jacqueline Bishop, Joy Labinjo, Keith Piper and more, there's much to uncover.
🔗 Visit our website plan your visit: https://shorturl.at/xfife
🎬 Film by Rosie Powell.
🎨 Join artists Jacqueline Bishop, Kimathi Donkor, Joy Labinjo, Karen McLean and Keith Piper as they discuss their inspirations, creative practices and artworks displayed in our new exhibition, ‘Rise Up’.
Find out more about the artists and book your spot: tickets.museums.cam.ac.uk/events?kid=116
📅 Keith Piper, Thursday 17 April, 1-2pm.
📅 Karen McLean, Thursday 24 April, 1-2pm.
📅 Kimathi Donkor, Thursday 1 May, 2-3pm.
📅 Joy Labinjo, Tuesday 6 May, 1-2pm.
This film features in our exhibition 'Rise Up: Resistance, Revolution, Abolition'.
Performed by Alistair Nwachukwu
Directed by Sharon Walters
Camera/editor Mat Sunderland
Sound Graham Tobias
Produced by Thing of Beauty
Fireworks have dazzled the river since 1733, and the show was so popular that it became an annual festival known as ‘Ryōgoku Kawabiraki Hanabi' - with the literal translation of 'hanabi' being ‘flower fire’.
🎬 TomFoolery Ltd.
🌟 Utagawa Hiroshige, Ryôgoku hanabi, 1858, colour print from woodblocks © The Fitzwilliam Museum, University of Cambridge.
One of the boldest voices in the fight was British activist and writer Sylvia Pankhurst: a trailblazer who refused to play by the rules. Here, she’s captured in profile by her classmate at the Royal College of Art, British artist Maria Cowell. The phrase ‘Suffragettes for VOTES’ suggests this sketch dates to around 1906, before the now-iconic slogan ‘Votes for Women’ took centre stage.
Keep an eye out for more women’s stories from our collection throughout the month of March: instagram.com/fitzmuseum_uk
🎥 Tomfoolery LTD
📅 'Picturing Excess: Jan Davidsz de Heem' is open until 13 April 2025.
Free entry, no booking required. Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
‘Rise Up: Resistance, Revolution, Abolition’ continues until 1 June 2025.
Plan your visit: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/rise-up
🔗Find out more here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
Open until 13 April 2025.
🔗Find out more here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
Open until 13 April 2025.
🔗Find out more here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
Open until 13 April 2025.
🖼️ Jan Davidsz de Heem (1606–1684), A Banquet Still Life, 1643, Oil on canvas, 155 x 211 cm © Frederick Iseman Art Trust LLC.
📅 'Picturing Excess: Jan Davidsz de Heem', is open until 13 April 2025.
Free entry, no booking needed. Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
📅 'Picturing Excess: Jan Davidsz de Heem', is open until 13 April 2025.
Free entry, no booking needed. Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/glenn-ligon-all-over-the-place
💸 Free entry, no booking needed. Come indulge! Visit our website to plan your visit: tinyurl.com/rtrn3pyh
📅 'Picturing Excess: Jan Davidsz de Heem', open until 13 April 2025.
Plan your visit here: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/glenn-ligon-all-over-the-place
Plan your visit: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/glenn-ligon-all-over-the-place
This platform is the first of its kind dedicated to the technical investigation of such minute artworks. Find out more here: unlocking-miniatures.fitzmuseum.cam.ac.uk
🎞️ Tomfooleryltd
Isaac Oliver, Unknown Lady, c.1590, Watercolour on vellum on card © The Fitzwilliam Museum, University of Cambridge.
This platform is the first of its kind dedicated to the technical investigation of such minute artworks. Find out more here: unlocking-miniatures.fitzmuseum.cam.ac.uk
🎞️ Tomfooleryltd
Isaac Oliver, Unknown Man, c.1588 © The Fitzwilliam Museum, University of Cambridge.
This platform is the first of its kind dedicated to the technical investigation of such minute artworks. Find out more here: unlocking-miniatures.fitzmuseum.cam.ac.uk
🎞️ Tomfooleryltd
Isaac Oliver, Unknown Man, 1610 © Ham House, National Trust.
Find out more: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/picturing-excess-jan-davidsz-de-heem
From his dramatic neon on our historic portico to the curated interventions throughout the Museum, the artist is peeling back the layers of history to reveal a new perspective on our collection.
📅 'Glenn Ligon: All Over The Place' is open until 2 March 2025
🔗 Find out more and plan your visit: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/glenn-ligon-all-over-the-place
It's Halloween, so what better time to recall that old medieval adage 'Memento mori' or 'remember you must die'. This story dates back to the early 1200s, known to some as 'The three living and the three dead'...
🖼️ Book of Hours, The Three Living and the Three Dead, c.1490-1510 © Fitzwilliam Museum, University of Cambridge.
🎞️ @tomfooleryltd
Open until 2 March 2025.
'Glenn Ligon: All Over The Place' is generously funded by De Ying Foundation. We are grateful to The Ampersand Foundation for their additional support of the installation of 'Waiting for the Barbarians'.
Find out more: fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/glenn-ligon-all-over-the-place
🗓️ You can view this Bracquemond trophy up close in our exhibition ‘Paris 1924: Sport, Art and the Body’, 19 July – 3 November 2024.
📢 Tickets are available on our website now: tinyurl.com/353ehyfr
🎞️ Film by Rosie Powell.
🏺 Paris 1924 Olympic Games, gold-medal winner’s vase, 1924. Émile Louis Bracquemond (1889–1970), and Octave Denis Victor Guillonnet (1872–1967) for Sèvres Porcelain (founded 1740), pâte-sur-pâte porcelain, paint, gold leaf. Markus Osterwalder, Switzerland, Olympic historian and collector.
🗓️ Come view these works on loan from The Olympic Museum in our exhibition ‘Paris 1924: Sport, Art and the Body’, 19 July – 3 November 2024.
📢 Tickets are available on our website now: tinyurl.com/353ehyfr
🎞️ Film by Rosie Powell.
🖼️ Jean Jacoby, Corner, from the Sport Studies triptych, 1924, Jean Jacoby (1891–1936), oil on canvas © Olympic Museum Collections, Lausanne 81598.
🖼️ Rugby, from the Sport Studies triptych, 1924 Jean Jacoby (1891–1936), oil on canvas, © Olympic Museum Collections, Lausanne 81599.
And he meant it— Hubbard nailed the final jump, soaring over 24 feet to win the gold medal in the long jump, becoming the first ever Black athlete to win an individual Olympic gold medal!
🗓️ Come and see the letter for yourself in our exhibition ‘Paris 1924: Sport, Art and the Body’, 19 July – 3 November 2024.
📢 Tickets are available on our website now: tinyurl.com/353ehyfr
📜 On loan from the Cincinnati Museum Center.
🎞️ Film by Rosie Powell.
✉️ Letter written by William DeHart Hubbard (1903–1976) to his mother on board the SS America before sailing to Paris with the US Olympic team, 1924, Pen and ink on paper with printed letterhead. On loan from Cincinnati Museum Center, MSS 1067.1 w
It became Sintenis’ most celebrated sports piece and helped to solidify her legacy as one of the few female sculptors who thrived in the male-dominated art world of the 1920s.
🗓️ Come view the ‘Flying Finn’, on loan from Leicester Museums, up close in our exhibition ‘Paris 1924: Sport, Art and the Body’, 19 July – 3 November 2024.
📢 Tickets are available on our website now: tinyurl.com/353ehyfr
🎞️ Film by Rosie Powell.
⚒️ Renée Sintenis, The Athlete (Nurmi),1926, bronze. © Leicester Museums and Galleries.


