ARRI Tech Talk: Wireless 3rd Party Camera Control with the ARRI Hi-5 ARRIChannel 2023-03-02 | 3rd Party Camera Control is now available for the Hi-5, when using either the cforce mini RF or RIA-1 as a motor controller. In this video, Sean will walk you through setting up the Sony Venice and Venice 2, RED DSMC2 cameras and the RED Komodo/V-Raptor to enable camera control for Hi-5. Please use the chapters in the video to jump to the most relevant section for you.Additionally, it's also possible to inject lens metadata into a Sony Venice or Venice 2, and there is a dedicated tutorial section on that at the end of this video. ARRI License Shop: www.alshop.arri.deARRI Hi-5 webpage: www.arri.com/hi-5Cables mentioned in this video:CAM to RED CTRL: K2.0015758CAM to SONY Remote: K2.0047268CAM to ENG: K2.0015759Chapters:00:00 Intro01:54 Cables02:22 Camera Control Features03:12 RED DSMC206:41 RED Komodo/V-Raptor08:27 Sony Venice/Venice 212:32 Sony Venice Lens Metadata Injection
ARRI Tech Tip: How to use the Light Engine Compensation Setting for your SkyPanels ARRIChannel 2023-02-27 | It is possible, that your SkyPanels are equipped with different light engine generations. To ensure, that this does not affect the color and output, we show you in this video how easy it is to compensate for these differences in the software settings.
Video interview with gaffer Thorsten Kosellek on lighting “Bardo” ARRIChannel 2023-02-26 | Since its release at the Venice Film Festival in 2022, “Bardo, False Chronicle of a Handful of Truths,” or “Bardo” for short, has been getting much industry attention. Illuminated with ARRI lights and shot with the ALEXA 65 camera and a lens package supplied by ARRI Rental, “Bardo” was a festival favorite before being nominated for Best Cinematography at the 95th Academy Awards. The film was screened in select theaters and is now available on Netflix.Learn more on www.arri.link/bardo
ARRI Tech Talk: How to shim Signatures for Impression Filters (with subtitles EN,ES,IT,PT,KO,JP) ARRIChannel 2023-02-22 | Joachim Jäger, ARRI Service Manager Optics, shows how easy it is to shim Signature lenses for our negative Impression V Filters IV 050N, IV 100N, IV 200N, and IV 290N.
ARRI Impression V Filters Guided Tour (with subtitles CN, EN, ES, FR, IT, JP, KR, PT) ARRIChannel 2023-02-22 | ARRI is launching its new line of Impression Filters with eight Impression V Filters that give a vintage feel to Signature Prime and Signature Zoom lenses. Watch our guided tour and discover how the four negative and four positive diopter filters incrementally shift the focus characteristics of the image, allowing a range of detuned looks to be created for Super 35 or large format with one set of Signature lenses. Be inspired and learn more at www.arri.com/impressionfilters
ARRI Tech Talk: Impression Filters (with subtitles CN, ES, EN, FR, IT, PT, KO, JP) ARRIChannel 2023-02-22 | ARRI’s new Impression V Filters provide a cost-effective way to deconstruct the digital image and achieve multiple creative looks with just one set of Signature lenses. In this Tech Talk, cinematographer and ARRI Cinema Lens Specialist Art Adams introduces a new line of Impression Filters and demonstrates how these additional optical elements can detune the lenses in a controllable way, whether the goal is to make skin tones even more gentle and forgiving, or to create a particular mood with unusual focus characteristics. Learn more on our website: www.arri.com/impressionfilters
Behind the Scenes of Taste of Freedom with ARRI Signature Prime lenses ARRIChannel 2023-02-20 | From extreme wides to extreme longs – ARRI Signature Primes are the best choice for a classic, beautiful look that’s matched across all focal lengths from 12 mm to 280 mm. Cinematographer Josua Stäbler recently limited his kit to the widest and longest lenses in the range for ARRI's "Taste of Freedom" showreel. Watch the final showreel here: youtu.be/qE1TKxzI5DI Learn more about ARRI Signature Prime lenses at arri.com/en/signature-primes#ARRI #ARRISignaturePrimes #largeformat #lenses #arrialexa
Connectivity and Control - New SUP 7.2 for ALEXA Mini LF! ARRIChannel 2023-02-15 | SUP 7.2 for ALEXA Mini LF is here! This latest software update is all about connectivity and control. A major update to the WiFi capabilities of the camera will bring improved performance and a stronger connection between your devices and the camera, and enhancements to the Camera Access Protocol offer additional functions in the Camera Companion App. Alternatively, the browser-based Web Remote is now out of Beta status and is a great option for iOS, Android, MacOS and Windows users looking to remotely control the ALEXA Mini LF. Available now from www.arri.com/supsMore information, examples and technical detail about REVEAL Color Science is available here: www.arri.com/reveal00:00 Intro01:23 Release Notes02:01 REVEAL Color Science for ALEXA Mini LF03:22 WiFi updates05:50 Web Remote fully released06:45 CAP enhancements08:17 Other updates
DP Adam Suschitzky BSC on using ALEXA 35 ARRIChannel 2023-02-15 | Adam Suschitzky, BSC I www.adamsuschitzky.com I recently completed shooting "Orphan Black: Echoes" for AMC in Toronto, his first experience with ALEXA 35. Adam commented, “Throughout the shoot, I marvelled at the images we achieved daily, the extraordinary dynamic range, the stunning depth of color, the beautiful skin tones, the high ISO capabilities.” Then after grading at Pictureshop Toronto, he added: “I was quite simply BLOWN AWAY by the images this camera helped produce. To say this is a game changer sounds cliché, but it is true! The sensor is outstanding, giving one the toolset to produce such subtle imagery day and night. I’d say that we could also fly through the scenes in the grade far faster than ever before, partly from the marvellous way the sensor reproduces the tones of any given scene so elegantly. There was far less need to window all the highlights or bring detail back into the shadows as it was all there to start with.” After his interview, Adam reflected: “I am deeply passionate about visual storytelling, but equally about the equipment that extends and inspires us, such as the ALEXA 35, and the milestone that it so clearly is to our industry. “Learn first-hand from this interview about his experience with the camera.
Match spotlights in seconds—interview with lighting designer Michael Heidinger ARRIChannel 2023-02-10 | Creating the right mood on stage at the right time is essential in theater. The #ARRI #Orbiter is not only suitable because of its enormous output in the theatre as an alley light, but also because of the integrated color sensor and extended color management. Lighting designer, Michael Heidinger, shares his experience on how the ARRI Orbiter is the perfect fixture for this play ...
ARRI Orbiter: As flexible as you are ARRIChannel 2023-02-03 | Are you in a hurry?🌪️Transform your Orbiter into different types of lampheads, including Open Face, Fresnel, Projection, and Soft Light, all in a matter of seconds. Film and TV production, broadcast, theater and live entertainment, and photography are just some of the environments where Orbiter excels.Discover Orbiter: https://arri.link/3jpgpAK #ARRI #ARRIOrbiter #ARRILighting #theaterlighting #broadcastlighting #filmlighting #gafferlife #doplife #lightingequipment
DP Tudor Panduru on shooting R.M.N. on ARRI ALEXA Mini LF & Signature Prime lenses ARRIChannel 2023-01-30 | In an interview with ARRI recorded at Cannes Film Festival 2022, cinematographer Tudor Vladimir Panduru R.S.C. discusses his approach to the cinematography of the Romanian film "R.M.N." Panduru captured the drama with the ARRI ALEXA Mini LF and ARRI Signature Prime lenses.More information: ALEXA Mini LF : arri.com/en/camera-systems/cameras/alexa-mini-lfARRI Signature Prime lenses: arri.com/en/camera-systems/cine-lenses/arri-signature-prime-lenses
ARRI France Camera Showreel 2022 ARRIChannel 2023-01-27 | Experience a selection of French productions captured with ARRI cameras in 2022, from Features to TV shows, music videos and commercials. Thank you to all cinematographers for trusting in our products!À PLEIN TEMPSDir : Eric GravelDOP : Victor SeguinShot on ALEXA Mini LF NOVEMBREDir : Cédric JimenezDOP : Nicolas LoirShot on ALEXA Mini LFLES ENFANTS DES AUTRESDir : Rebecca ZlotowskiDOP : George LechaptoisShot on ALEXA MiniPETITE NATUREDir : Samuel TheisDOP : Jacques GiraultShot on ALEXA MiniGOLIATHDir : Frédéric TellierDOP : Renaud ChassaingShot on ALEXA MiniLA NUIT DU 12Dir : Dominik MollDOP : Patrick GhiringhelliShot on ALEXA Mini LF & Master AnamorphicOVNI(S)Dir : Antony CordierDOP : Nicolas GaurinShot on ALEXA MiniSIMONE, LE VOYAGE DU SIÈCLEDir : Olivier DahanDOP : Manu DacosseShot on ALEXA MiniLES COMBATTANTESDir : Alexandre Laurent, DOP : Jean-Philippe GosselinShot on ALEXA MiniVOGUE & GUCCI BLOOMDir : YumnaDOP : Elodie TahtaneShot on ALEXA Mini LFPEON - VALD FT. ORELSANDir : Romain Chassaing DOP : Rik ZangShot on ALEXA Mini LF & TRINITYNOTRE-DAME BRÛLEDir : Jean-Jacques AnnaudDOP : Jean-Marie DreujouShot on ALEXA Mini LFMASCARADEDir : Nicolas BedosDOP : Laurent TangyShot on ARRICAM LT & ARRICAM STBELVEDEREDir : Taika WaititiDOP : Nicolas KarakatsanisShot on ALEXA 35More information: ALEXA 35 : arri.com/en/camera-systems/cameras/alexa-35ALEXA Mini LF : arri.com/en/camera-systems/cameras/alexa-mini-lfALEXA Mini : arri.com/en/camera-systems/cameras/alexa-miniMaster Anamorphic : arri.com/en/camera-systems/cine-lenses/master-anamorphic-lenses TRINITY : arri.com/en/camera-systems/camera-stabilizer-systems/trinity-2-and-artemis-2
ARRI Tech Talk: ALEXA 35 and Stabilizers - SAM Plates and Power! ARRIChannel 2023-01-19 | The ARRI Stabilizer Adapter Mount (SAM) plates offer a quick and easy, tool-less transition from traditional shooting styles such as tripod-mounted or hand-held into a variety of stabilizers from ARRI and third-party companies. In this tech talk, Sean Dooley will demonstrate each of the six new SAM plates in their respective stabilizers, and touch on how to power this new 24 V camera within different rigs. Stabilizer Adapter Mount SAM -5 K2.0024572For FREEFLY MōVI Pro and MōVI M15Stabilizer Adapter Mount SAM-6 K2.0024508Stabilizer Adapter Mount SAM-6 450mm/18in K2.0039405For ARRI CSS Products Including TRINITY 2, TRINITY Gen.1, ARTEMIS 2, MAXIMA, SRH-3, SRH-360 Stabilizer Adapter Mount SAM-7 K2.0024511For ARRI artemis Gen.1 and GPi PRO Stabilizers Stabilizer Adapter Mount SAM-8 K2.0044479For Tiffen Steadicam products including M1 & M2 Stabilizer Adapter Mount SAM-9 K2.0041949For DJI Ronin 2 Ignite Digi Ronin 2 to Movi Top Plate adapter: https://www.ignitedigi.com.au/products/adapter-ronin2-to-camera-top-plate For more information, check out our ALEXA 35 Accessory Explorer here: arri.com/en/camera-systems/cameras/alexa-35#support-for-any-situation00:00 Intro02:12 Accessories for SAM Plates04:19 SAM -5 for Movi Pro07:59 SAM-6 for TRINITY, ARTEMIS 2, SRH-3/360, MAXIMA12:34 Top Accessories for TRINITY, SRH-3/36014:22 SAM-7 for Artemis Gen.1, GPI Pro16:08 SAM-8 for Steadicam19:28 SAM-9 for Ronin 2
The cinematography behind period musical ”Payung Fantasi” shot with ARRI equipment ARRIChannel 2023-01-19 | Indonesian Director Naya Anindita and Cinematographer Bella Panggabean were impressed with ARRI equipment and ARRI LUTs while filming the musical series “Payung Fantasi” inspired by Ismail Marzuki, which now has millions of views on YouTube. You can watch the series at Indonesia Kaya’s YouTube channel.Special thanks to DP Rahul Hemnani, Barracuda Film Gallery and Temata Productions for supporting us with this interview.
We wish you a joyous holiday season! Our gift for this year? Special greetings from Santa! 😉 🎅 ⛷️ ARRIChannel 2022-12-24 | ...
ARRI Tech Tip: Pro Camera Accessories for Sony Venice Extension Unit 1/2 ARRIChannel 2022-12-22 | Learn everything you need to know about the ARRI accessories for the Sony Venice Extension Unit 1/2. Most parts are cross-compatible with the ARRI accessories for the Sony Venice 1/2 which are featured in a separate Tech Talk: youtube.com/watch?v=iMJAXoNizJU.
ARRI lighting on stage with K.I.nd of human ARRIChannel 2022-12-16 | Artificial intelligence is a progressive technology that is already affecting the lives of many people. The play "K.I.nd of human" portrays the reflection of the human being in artificial intelligence. LED light is the right choice for staging this huge topic. Watch this video to find out, how lighting designer Michael Heidinger benefits from using the ARRI Orbiter and ARRI SkyPanel. A big advantage for this application is the easy and flexible adjustment of the color temperature to show the interaction but also the contrasts between man and machine, on a stage.
ARRI Hi-5 Focus Pullers Meetup ARRIChannel 2022-12-15 | This Chaos Show session is the perfect chance for you to learn from a number of career focus pullers around the globe. It starts off with a roundtable discussion where several experienced users will break down their favorite Hi-5 setups and detail some of their most challenging and interesting on-set experiences. Afterwards, participants had the chance to ask questions and share their own stories. Podium participants are: Ambar B Capoor - Focus Puller/Camera Technician and Hi-5 owner (www.instagram.com/boxoftstops) Brian Aichlmayr - 1st AC and Hi-5 owner (www.instagram.com/brianaichlmayr)Jim McLean - 1st AC and Hi-5 owner (www.instagram.com/losjim)Laird Pierce - Focusbug Designer/Director and 1st AC (www.instagram.com/focusbug_technologies) Moderation by: Michael Best - ARRI ECS Product ExpertTobias Frischmuth - ARRI ECS Product Manager00:00:00 Introduction to topic, moderators, participants00:08:02 Brian Aichlmayer shares his favorite Hi-5 setup00:12:19 What could be improved about the Hi-5? (Brian Aichlmayer)00:20:53 Jim McLean shares his experience with the Hi-500:22:36 Focus pullers’ experiences with ARRI radio modules 00:30:29 Discussion on which features are missing on the Hi-500:38:38 How much assistance for focus pulling is needed on set? (Laird Pierce)00:41:23 Laird Pierce about autofocus and demonstrating cineRT00:43:52 Will there be possibility to connect your phone to the lens control system via Bluetooth?00:48:10 Connection and control between cineRT and Hi-500:54:25 Upcoming software update for LCUBE00:58:10 Functions of the cineRT and upcoming features01:00:07 Which other devices need to be update in order to be used with the updated LCUBE?01:03:39 Laird about programming in the field with humans and mannequins01:04:45 When should autofocus be used?01:06:23 Explanation 10-100 mode on cineRT 01:07:50 Feedback on OCU-1 on set and in combination with OCU-101:10:43 Where does the high-speed protocol work and where doesn’t it? Does it work with WCU-4?01:14:13 Jim explains his RIA-1 setup01:18:35 ZMU-4 and wireless focus pulling 01:21:50 Default to custom input of mm on lenses and lens programming01:39:53 Hi-5 usage in handheld modus01:42:11 Do others antennas reduce range?01:48:02 Setting limits for the focus rings01:54:14 Hi-5 customization and silicone-covers02:02:03 Thank yous and goodbyes
ARRI Radio Modules: Optimizing Your Signal Strength ARRIChannel 2022-12-15 | In this Chaos Show session we invited some of our engineering team along to provide detailed information about the different ARRI ECS Radio Modules and how they can be best utilized on set. ARRI Product Management and several professional 1st ACs were on hand to share their practical tips and tricks. Afterwards, a Q&A for all participants was held, which delivered interesting questions and further insights.Participants:Ambar B Capoor - Focus Puller/Camera Technician and Hi-5 owner Karl Keil - 1st AC and Hi-5 owner Leonard Preyman - ARRI Senior Hardware Designer and Project Leader Chase Hagen - ARRI Technical Sales Representative Tobias Frischmuth - ARRI ECS Product Manager00:00:00 Introduction to topic, moderator, participants00:06:27 Presentation: Hi-5 Ecosystem 00:07:40 Presentation: Radio Interface Adapter RIA-100:15:27 Presentation: Licenses for Hi-500:16:20 Presentation: ARRI radio modules00:34:44 Presentation: RF-EMIP and WiFi00:37:48 Presentation: Range test in New York00:40:13 Karl Keil about working with ARRI radio modules00:45:19 Ambar Capoor about range and demonstrating the signal with Hi-5 in combination with the RF-90000:57:38 Start Q&A00:57:39 RIA-1 with range extender on set, combined with OCU-1 for iris control: Is there a limitation regarding lens metadata e.g. with Cooke or Hawk lenses?00:59:27 Data rate of radio modules01:00:53 How do the radio modules perform with several camera units on set? What is the limit of cameras?01:06:00 Karl Keil about the longest distance between camera and hand unit he worked with01:07:43 Will there be an LCUBE software update? 01:09:16 Is ARRI planning on controlling e.g. white balance for Sony Venice or the newer RED cameras remotely?01:11:17 ALEXA 35 UDM and focus distance is now in the center of the UI; Is it possible to move it back to the original spot?01:14:10 Will it be possible to integrate the radio modules with more devices? 01:17:14 Will monitor overlays be possible with Hi-5?01:19:19 Karl and Ambar about how much info about the RF environment they usually get on set01:25:44 Importance of monitor overlay for focus pullers on set01:28:52 End of session and goodbyes
ALEXA 35 Encounters: “The Siren” - Interview with filmmakers James Friend BSC & Mike Valentine BSC ARRIChannel 2022-12-09 | As part of the "Encounters" ALEXA 35 short film series, James Friend BSC and Mike Valentine BSC put the ALEXA 35 through its paces with every weather element they could imagine. Learn first-hand from this interview about their adventure with their short film "Siren."Siren was shot with ALEXA 35, the K445 Default and L345 Shadow ARRI Textures, ARRI Signature Prime and ARRI Master Anamorphic lenses.Learn more about #ALEXA35 at www.arri.com/alexa35
ALEXA 35 Encounters: “Treasure Hunter” - Meet the filmmakers ARRIChannel 2022-12-09 | Meet the filmmakers behind the Korean Encounters film, "Treasure Hunter". Director Sehyun Park, DP Jinkyung Ha, Gaffer Gyung-geun Kang and Focus Puller Seungwon Yoon share their experience capturing stunning images with the ALEXA 35 in various locations in Korea.
ARRI x Dylan George Signature Zoom Featurette ARRIChannel 2022-12-01 | High-end fashion is a natural fit for ARRI Signature Zooms. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to this shoot for brand Dylan George, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, with color grading by Picture Shop. Produced in partnership with AbelCine.ARRI Signature Zooms. Consistent Performance. Signature Look.
ALEXA 35 First Encounters (multilingual - choose your subtitles EN, FR, ES, PT, KO, JA) ARRIChannel 2022-11-30 | Filmmakers from all over the world share the excitement of their first experiences with the new ARRI ALEXA 35. Most of them were involved in our “Encounters” series of short films, exploring the camera’s unique features through creative visual storytelling. Behind-the-scenes interviews and clips illustrate what they learned about the ALEXA 35’s dynamic range, sensitivity, colors, and ARRI Textures, all of which elevate the Super 35 format to new heights. Be inspired. Learn more about ALEXA 35 on our website: www.arri.com/alexa35
DP Benjamín Echazarreta on using ALEXA LF & Master Anamorphic lenses on Chilean movie Blanquita ARRIChannel 2022-11-24 | The South American production "Blanquita" was shot by cinematographer Benjamín Echazarreta on ALEXA LF and Master Anamorphic lenses.In this interview with ARRI, he explains which look he wanted to adopt for this drama and how the look deserves the story. Nominated in the Orizzonti section at the Venice International Film Festival, the movie which won a 'best screenplay' award involves a young woman, politicians and businessmen in a sex scandal. The young woman finds herself confront to the press and becomes the key witness in this affair and a feminist martyr.
ARRI Tech Talk: Orbiter Fresnel Lens 15-65° ARRIChannel 2022-11-17 | ARRI's Senior Product Manager, Markus Klüsener, explains an Orbiter accessory: the Orbiter Fresnel Lens 15-65°. Watch the video to learn more about this accessory which creates a precise light spot with a soft single shadow, and it delivers true Fresnel output with a real Gaussian field of light. Learn more about this accessory on www.arri.com/orbiter-fresnel
ARRI Tech Talk: Orbiter Docking Ring ARRIChannel 2022-11-17 | ARRI's Senior Product Manager, Markus Klüsener, explains how to use the Orbiter Docking Ring. This accessory enhancement expands the lighting designers’ and DP’s toolbox even further. The new tool allows for the application of already-owned third-party optics on the Orbiter as an alternative to ARRI optics while still benefiting from the quality and power of ARRI lighting.Learn more about this accessory on www.arri.com/orbiter-dockingring
ARRI Tech Talk: Orbiter Dome Mini ARRIChannel 2022-11-17 | ARRI's Senior Product Manager, Markus Klüsener, explains an Orbiter accessory: the Orbiter Dome Mini. Watch the video to learn more about this accessory which provides great quality omnidirectional light at a high intensity. Compared to the Dome optic, the Dome Mini is a compact version; smaller and therefore lighter. The highly translucent material keeps the light output loss to a minimum compared to the usually larger, cloth-based domes. The light it produces is great for near distance applications with limited available space.Learn more about this accessory following www.arri.link/3UO0mtY or visit www.arri.com/orbiter-accessories
ARRI Tech Talk: Orbiters Color Sensor ARRIChannel 2022-11-17 | ARRI's Senior Product Manager, Markus Klüsener, explains the Orbiter's Color Sensor. The LED fixture includes an integrated color sensor for measuring and matching the ambient light. Watch the video to learn how to use the color sensor.Learn more about Orbiter's features on www.arri.com/orbiter
ARRI Tech Talk: Orbiter Glass Cover ARRIChannel 2022-11-17 | ARRI's Senior Product Manager, Markus Klüsener, explains an Orbiter accessory: the Orbiter Glass Cover. Watch the video to learn more about this small, compact, and lightweight optical accessory for the Orbiter. With its ultra-translucent glass, the Glass Cover allows for full, unrestricted light output without impacting color temperature or quality. It is ideal for near distance applications with limited available space where much light is needed.Learn more about this accessory going on www.arri.link/3AlFGRy or visit www.arri.com/orbiter-accessories
ARRI Tech Talk: Orbiter Bag-o-Light ARRIChannel 2022-11-17 | ARRI's Senior Product Manager, Markus Klüsener, explains an Orbiter accessory: the Orbiter Bag-o-Light. Watch the video to learn more about this accessory by Licht-Technik which is ideal for close-up applications in motion picture and photography where soft light with almost no shadows is required. This accessory, looking like a huge tube, transforms the light output from the standard 15° Open Face optic on the Orbiter into beautiful soft light.Learn more about this accessory going on www.arri.link/387uZr3 or visit www.arri.com/orbiter-accessories
Cinematographer Michal Dymek on shooting “EO” with the ARRI ALEXA Mini LF ARRIChannel 2022-11-14 | Feature film “EO” from director Jerzy Skolimowski was captured with the ARRI ALEXA Mini LF. In this interview, DP Michal Dymek explains how he wanted to work with a “camera as light as possible” on set. The Polish drama uses the life of a donkey and its various owners to cast light on the highs and lows of human nature. It won the Jury Prize at the Festival de Cannes 2022.Learn more about ALEXA Mini LF on arri.com/alexa-mini-lf
ARRI x Dylan George Signature Zoom Reel ARRIChannel 2022-11-09 | ARRI teamed up with AbelCine and Dylan George to explore the application of ARRI Signature Zooms in the world of high-end fashion production. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to the shoot, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, on ARRI’s ALEXA Mini LF, with color grading by Picture Shop.ARRI Signature Zooms. Consistent Performance. Signature Look.To learn more about the ARRI Signature Zoom lenses, visit www.arri.com/signaturezooms
Nikita Kuzmenko about using ARRI Signature Primes and ALEXA Mini LF on “Pamfir“ ARRIChannel 2022-11-02 | DP Nikita Kuzmenko, winner of the MTV Video Music Awards 2022 for Best Cinematography, talks about his use of ARRI equipment on set of Ukrainian feature film Pamfir: “Director Dmytro Sukholytkyy-Sobchuk fell in love with the ARRI Signature Prime 47mm. He told me: ‘We need to shoot everything on this!’” In combination with the ALEXA Mini LF, the filmmakers were very happy with their technical choices. “Pamfir” received a great response from press and audience at the Quinzaine des Réalisateurs in Cannes and is out now in selcted theatres.Learn more about ARRI Signature Prime lenses at arri.com/signature-primes
ARRI interview: Cinematographer Matias Boucard AFC on capturing “Athena” with ARRI cameras & lights ARRIChannel 2022-10-28 | The Netflix production “Athena” was captured on ALEXA 65, ALEXA Mini LF, and illuminated with ARRI SkyPanels, provided by ARRI Rental. In this interview with ARRI, cinematographer Matias Boucard AFC explains his shooting intentions in extreme conditions.Nominated in the main competition of the Venice International Film Festival, “Athena” is a French family drama with references to Greek tragedy that pits an impoverished neighborhood against the police force.
ARRI Interview: Cinematographer Serafin Spitzer on capturing “Eismayer” with ALEXA XT and ALEXA Mini ARRIChannel 2022-10-28 | Cinematographer Serafin Spitzer captured feature film “Eismayer” with ARRI’s ALEXA XT and ALEXA Mini, serviced by ARRI Rental. In a video interview, the DP explains the visual approach and why he pushed the sensors of the ARRI cameras to the limits. Director David Wagner’s debut film tells a true love story about a gay couple that materialized in the Austrian army. Following its success after the world premiere at the Venice International Film Festival, “Eismayer” will be screened in theatres around the world.
Taste of Freedom with ARRI Signature Primes ARRIChannel 2022-10-27 | Cinematographer Josua Stäbler limited his lens kit to the widest and longest Signature Primes for this new showreel, demonstrating how the 12, 15, 200, and 280 mm can bring exciting new perspectives to visual storytelling. Extreme focal lengths, but just as smooth, forgiving, and easy to work with as the rest of the Signature Prime range.ARRI Signature Primes. Consistent Performance. Signature Look.
ARRI ASIA Hour: Turning Music into Stunning Visuals ARRIChannel 2022-10-19 | Discover how expert filmmakers translate lyrics and music into incredibly stunning visuals through music video productions. K-pop MV directors Dong Ju Jang & Rima Yoon, with Korean DP Sung Hun Hong and Singapore DP Kelvin Chew, walk us through their creative and technical process. TIMESTAMPS00:00 - ARRI ASIA Hour intro00:50 - Guest introduction02:17 - Quen Anh Di MV creative process07:09 - Talk that Talk MV and Hot MV creative process13:30 - Steps in pre-production to principal photography20:15 - Kpop MV production planning27:30 - Choosing camera and lighting packages for MV production36:00 - Overcoming limited budgets45:07 - Q&A - How to keep your MVs unique and stand out?49:45 - Q&A - How do you adapt when a storyboard can’t be pulled off last minute?54:54 - Q&A - What is your choice for recording codecs?58:15 - ARRI ASIA Hour Outro
Even. Precise. Brilliant. Orbiter Projection Optics 25° and 35°. More: arri.com/orbiter-projection ARRIChannel 2022-10-17 | ...
ALEXA 35 Launch Event at ARRI Stage London ARRIChannel 2022-10-12 | Hear what cinematographers and ARRI Friends have to say about the new ALEXA 35 and its image quality, the B Mount system, and its usage on camera stabilizers and drones! This film was recorded during the ARRI & Friends ALEXA 35 launch event at ARRI Stage London.We are grateful to our friends for showing their solutions incorporating ALEXA 35: Anton Bauer BatteriesBebob BatteriesThe Helicopter GirlsJim McLeanMiller TripodsOConnorRonford BakerSmallHDTraktion (with SRH-360 and TRINITY 2)And our ARRI Stage London partnerCT - Creative Technology
ALEXA 35 Stress Test: Nagano Senjyojiki (Snow Mountain) and Shizuoka (Beach) in Japan ARRIChannel 2022-10-04 | Filmmakers from TFC Plus takes the ALEXA 35 for a stress test in Japan's sandy beaches and snowy mountains: “We went to the beach and observed the splashes, the wind, and the high temperatures. In the snowy mountains, we tested the camera in below zero temperatures and at high elevations. ARRI focused not only on the specific technical features, like 4K resolution, high-speed frames, and enhanced sensitivity but also on integrating various functions which have raised the ALEXA 35 to another level.” TFC General Manager: Junichi HosodaCinematographer: Hiroshi AkitaDIT: Masaki ShirotaLearn more about ALEXA 35 at www.arri.com/alexa35
ARRI Tech Talk: RIA-1 Radio Interface Adapter and New Radio Modules ARRIChannel 2022-10-04 | Compact and solidly built, the RIA-1 is an exceptionally versatile hub for countless different shooting setups. By supporting ARRI’s swappable radio modules, it facilitates powerful wireless camera and lens control in any situation - universal connectivity! Explore more about RIA-1 on our website arri.com/ria-1 In this ARRI Tech Talk, Sean will walk you through the features of the RIA-1, explain how to use it on set and list the various cables you might need for ARRI and third party cameras. The RED and SONY camera control licenses for Hi-5, as well as the Focusbug license, can be purchased at https://alshop.arri.deNote: Support for /i Technology encoding varies depending on lens type and lens firmware version. Please consult the lens manufacturer. 00:00 Intro01:13 Rugged housing and mounting interfaces02:22 Control and connector layout03:37 LBUS Connectivity04:03 When to use CAM instead of LBUS05:31 Radio Modules – Intro & RF-EMIP08:39 Radio Modules – RF-240010:56 Host & Client Mode12:14 CAM to ALEXA 3512:27 CAM to ALEXA Mini & Mini LF12:55 CAM to ALEXA Plus & ALEXA LF13:13 CAM to ALEXA EV13:31 CAM to Third Party15:07 SERIAL cables for RIA-115:40 Setting the Serial Protocol16:54 Rules of Thumb for RIA-118:12 Sample Setup: RIA-1 and ALEXA Mini LF19:26 Sample Setup: RIA-1 and Mini LF with no LDS20:56 Sample Setup: RIA-1 and ALEXA 35 with client device
Cinematographer Javier Juliá on capturing Argentina, 1985 with ARRI equipment ARRIChannel 2022-09-29 | "Argentina, 1985" tells the story of the trial of the leaders of the bloodiest military dictatorship in Argentina that took place between 1976 and 1983. Watch as cinematographer Javier Juliá explains his approach to the cinematography of the film in this interview with ARRI. "Argentina, 1985" was captured on ARRI ALEXA Mini LF with ARRI Signature Prime lenses and illuminated with ARRI Orbiter, SkyPanels, M-Series & Fresnels.
DP Frida Marzouk on capturing Under the Fig Trees with ALEXA Mini & Ultra Prime lenses ARRIChannel 2022-09-16 | In this interview, DP Frida Marzouk talks about shooting feature film “Under the Fig Trees” ("Sous Les Figues") from director Erige Sehiri with the ARRI ALEXA Mini & Ultra Prime lenses. The drama was screening at the Quinzaine des Realisateurs in Cannes and the Filmfest Munich in 2022. Karzouk explains how she chose the ALEXA Mini and ARRI Ultra Prime lenses for their versatility on set: “I needed to do everything with the camera,” says the cinematographer, who trusted ARRI to provide the most compact and reliable equipment for the shoot.
Application possibilities: Orbiter Projection Optics ARRIChannel 2022-09-06 | The Orbiter Projection Optics 25° and 35° provide unparalleled precision in every detail allowing for crisp projection of a light spot, as well as immaculate gobo projection and precise shutter cuts. The field of light is entirely even and without color aberration. The projection has no visible hot spot or drop to the edge and the depth of field is outstanding.Combined with Orbiter’s ARRI Spectra light engine, the high-end optical system provides a state-of-the-art LED profiler which is perfectly suited for theaters, cinematic applications, as well as broadcast studios or live productions.Learn more about Orbiter and its accessories on www.arri.com/orbiter or www.arri.com/orbiter-accessories
How to Use Continuous Lighting for Portrait Photography with ARRI LED lights ARRIChannel 2022-09-02 | This part of the second series of ARRI’s continuous lighting is about portrait photography. Portrait photographer Thomas Kierok speaks about how continuous lighting with ARRI’s LED fixtures helps him capturing interesting aspects of a person’s face.Learn more about continuous lighting for photography or contact us: www.arri.com/photography #ARRI #continuouslighting #photography #illumindatedwithARRI #ARRILighting #setlighting #productphotography
Create Colorful Portrait Photographies with Continuous Lighting by ARRI LEDs ARRIChannel 2022-09-02 | This part of the second series of ARRI’s continuous lighting is about portrait photography. Portrait photographer Thomas Kierok speaks about how continuous lighting helps him with his work when taking portraits of kids. From colorful lights, face coloring and moving portraits, he shows a big range while using ARRI’s LED fixtures.Learn more about continuous lighting for photography or contact us: www.arri.com/photography#ARRI #continuouslighting #photography #illumindatedwithARRI #ARRILighting #setlighting #productphotography
How to Shoot Portraits Without Flash Using Continuous Lighting of ARRIs Photography Solutions ARRIChannel 2022-09-02 | This part of the second series of ARRI’s continuous lighting is about portrait photography. Portrait photographer Thomas Kierok captures portraits of a dog and the owner and dives into the topic of their character similarities of them. He explains how continuous lighting especially helps him when taking photos of animals.Learn more about continuous lighting with ARRI’s LED fixtures for photography or contact us: www.arri.com/photography#ARRI #continuouslighting #photography #illumindatedwithARRI #ARRILighting #setlighting #productphotography
ALEXA 35 Tech Talk: Companion App ARRIChannel 2022-08-24 | The ARRI Camera Companion App allows for user-configurable remote control of ALEXA 35, ALEXA Mini LF, ALEXA Mini, and AMIRA cameras from iPhones, iPads, and M1 & M2 Macs.To set up a ‘mock’ camera enter at least:- a project name- a camera serial number, for example 50100 for an ALEXA 35 or 30100 for an ALEXA Mini LF- ‘Mock’ in ‘Host’- ‘Mock’ in ‘CAP Password’- ‘Mock’ in ‘Description’- Tap ‘Save’ and you are ready to go!The mock will not allow you to explore all features, but lets you create your own layout for your next project!Learn more about the Camera Companion App and register for the beta version on our website: www.arri.com/camera-companion-appIf you have any questions or feedback, please contact us via companionapp@arri.de0:00 Intro0:11 Compatibility2:27 Project & network settings4:46 Camera settings5:29 Configuring wifi on your camera8:18 Features of a default layout15:51 User Buttons17:07 Adding a User Button20:41 Controlling multiple cameras - camera switcher21:17 Adding a camera to an on-set wifi network22:15 Adding a second camera to your project23:18 Multiple layouts for multiple cameras25:14 Adding a second page
Filmmakers’ take on the Orbiter: Japanese Lighting Director Kenjiro So ARRIChannel 2022-08-19 | Japanese Lighting Director Kenjiro So shares why the Orbiter and ARRI Lights were his first and immediate choice in lighting Disney+ series "Tomorrow, I will be Someone's Girlfriend" Learn more about ARRI’s latest LED luminaire at arri.com/Orbiter.
