Choir of The Queens College, Oxford
Handel Messiah, Academy of Ancient Music AAM & Choir of The Queens College, Oxford
updated
PRELUDE Karg-Elert, Jesu, hilf siegen, du Fürste des Lebens
RESPONSES Radcliffe
LESSONS Hosea 6.1–3 & 2 Timothy 3.10–end
CANTICLES Dyson in F
ANTHEM Darke, Be strong and of a good courage
VOLUNTARY Bach, Allabreve in D BWV 589
Johann Adam Reincken (1643–1722) Toccata in G
Dietrich Buxtehude (1637–1707) Chaconne in c, BuxWV 159
Georg Böhm (1661–1733) Ouverture (Suite No 2)
Johann Kuhnau (1660¬–1722) Biblical sonata No. 2 (The melancholy of Saul assuaged)
J. S. Bach (1685–1750) Passacaglia and Fugue in c, BWV 582
Richard Moore has entertained audiences across the globe, from North America to Australia and New Zealand, as well as throughout Europe. Concerto appearances have included Lou Harrison’s Concerto for Organ with Percussion Orchestra (collaborating with conductor Thomas Søndergård), and amongst recent recording projects is a first recording of Elizabeth Poston’s Te Deum, and the premiere of Philip Moore’s devotional sequence Via crucis.
Richard is Sub-Organist at Christ Church, Oxford, where he articulates the liturgies of the Cathedral and is Deputy Conductor of the world-renowned Cathedral Choir. A prize-winning graduate of the Royal College of Music, he also read Music as Organ Scholar of St John’s College Oxford. Having been Organ Scholar at St Paul’s Cathedral, he went on to roles at St Martin-In-the-Fields, and Guildford Cathedral, where, with the choirs, he regularly broadcast on BBC Radio 3 and 4.
© Richard Moore, September 2025
PRELUDE Bach Nun komm, der Heiden Heiland BWV 659
SETTING Rheinberger Missa sanctæ crucis
LESSON Romans 13.11–14
GOSPEL Matthew 24.36–44
MOTET Byrd Rorate cæli desuper
PREACHER The Chaplain
VOLUNTARY Bach Fugue in b BWV 544
PRELUDE Bach Andante, Sonata 4 BWV 528
RESPONSES Leighton
LESSONS Jeremiah 31.31–7 & Hebrews 10.11–18
CANTICLES Murrill in E
ANTHEM Ešenvalds O salutaris hostia
VOLUNTARY Buxtehude Præludium in g BuxWV 148
PRELUDE Buxtehude Passacaglia BuxWV 161
RESPONSES Smith
LESSONS Jeremiah 31.1–9 & Matthew 15.21–31
CANTICLES Jackson in G
ANTHEM Harris Faire is the Heaven
VOLUNTARY Leighton Paean
PRELUDE Bach Schmücke dich, o liebe Seele BWV 654
INTROIT Darke The eyes of all wait upon Thee
RESPONSES Howells
LESSONS Colossians 1.11–20 & Luke 23.33–43
CANTICLES Dyson in D
ANTHEM Handel Lift up your heads
PREACHER The Revd Dr Susan Bridge, Associate Chaplain, New College, Oxford
VOLUNTARY Bruhns Præludium in e ‘Great’
PRELUDE Dupré Prelude in g Op. 7
RESPONSES Clucas
LESSONS Micah 4.1–5 & Luke 9.28–36
CANTICLES Weelkes Short Service
ANTHEM Cook View me, Lord
VOLUNTARY Dupré Fugue in g Op. 7
PRELUDE Marchand Fond d’orgue
SETTING D. Lobo Missa de beata virgine
MOTET Cardoso Sitivit anima mea
VOLUNTARY Marchand Plein jeu
PRELUDE De Grigny Récit de cromorne
INTROIT Leitão de Aviles In jejunio et fletu
RESPONSES Clucas
LESSONS Malachai 4.1–2a & Luke 21.5–19
CANTICLES Sharp in A flat
ANTHEM Gjeilo Ubi caritas et amor
PREACHER The Revd Oliver Blease, Vicar, Christ Church & St John’s, Radlett
VOLUNTARY Bach Toccata in F BWV 540
PRELUDE Bach Adagio in C BWV 564
RESPONSES Tomkins
LESSONS Malachai 4 & John 4.5–26
MAGNIFICAT Palestrina primi toni
NUNC DIMITTIS Fernandez octavi toni
ANTHEM Lhéritier Nigra sum sed formosa
VOLUNTARY Cabanilles Tocata de quinto tono
PRELUDE Finzi Forlana
RESPONSES Howells
LESSONS Leviticus 26.3–13 & Revelation 7.1–4, 9–end
CANTICLES Sumsion in G
ANTHEM Bainton And I saw a new heaven
VOLUNTARY Bach Passacaglia in c BWV 582
PRELUDE Howells Master Tallis’s Testament
INTROIT Guest For the fallen
RESPONSES Radcliffe
LESSONS 2 Thessalonians 2.1–5, 13–end & Luke 20.27–38
CANTICLES Leighton Magdalen Service
ANTHEM Elgar They are at rest
PREACHER The Chaplain
VOLUNTARY Bach Prelude in c BWV 546
PRELUDE Howells, Psalm Prelude Set 1 No. 1
INTROIT Thalben-Ball, I would find thee
RESPONSES Radcliffe
LESSONS Jeremiah 29. 1, 4–7 & Luke 17.11–19
CANTICLES Howells, Gloucester Service
ANTHEM Wood, Hail, gladdening light
PREACHER The Revd Canon Dr Peter Groves, Associate
Archdeacon of Oxford
VOLUNTARY Bach, Fugue in Eb BWV 552 ‘St Anne’
PRELUDE Duruflé, Prelude sur le nom d’Alain Op.7
RESPONSES Smith
LESSONS Proverbs 3.13–18 & Matthew 19.16–end
CANTICLES Gibbons, Short Service
ANTHEM Parsons, Domine quis habitabit
VOLUNTARY Duruflé, Fugue sur le nom d’Alain Op.7
PRELUDE De Grigny, Fugue à 5 qui renferme le chant du Kyrie
RESPONSES Smith
LESSONS Proverbs 3.27–end & Matthew 18.21–end
CANTICLES Howells, Collegium regale
ANTHEM Marsh, Evening Prayer
VOLUNTARY Bach, Prelude in C BWV 547
PRELUDE Purcell, Voluntary in G
INTROIT Byrd, Justorum animæ
RESPONSES Smith
LESSONS 2 Thessalonians 1 & Luke 19.1–10
CANTICLES Byrd, Second Service
ANTHEM Byrd, Gaudeamus omnes in Domino
PREACHER The Revd Nicky Skipworth, Lead Chaplain,
Thames Valley Police
VOLUNTARY De Grigny, Point d’orgue sur les grands jeux
PRELUDE Bach, Allegro, Trio Sonata 2 BWV 526
RESPONSES Clucas
LESSONS Isaiah 40.27–end & Revelation 19.6–10
CANTICLES Stanford in B flat
ANTHEM Bullock, Give us the wings of faith
VOLUNTARY Bruhns, Præludium in e
SETTING Asola, Missa pro defunctis
LESSON 1 Thessalonians 4.13–end
GOSPEL John 14.1–6
PREACHER The Chaplain
MOTET D. Lobo, Audivi vocem de cælo
PRELUDE Rheinberger, Adagio espressivo, Sonata 2, Op. 65
INTROIT Nystedt, Peace I leave with you
RESPONSES Smith
LESSONS Isaiah 59.9–20 & Luke 14.1–14
CANTICLES Watson in E
ANTHEM Handel, And the glory of the Lord
PREACHER The Revd Lee Chantler, Rector, Christ Church
Blackfriars Bridge, Diocese of Southwark
VOLUNTARY Bach, Prelude & Fugue in G BWV 541
PRELUDE Gibbons, Verse
RESPONSES Smith
LESSONS Jeremiah 14.1–9 & Luke 23.44–56
CANTICLES Gray in f
ANTHEM Sheppard, Libera nos I
VOLUNTARY Clérambault, Grand plein jeu
PRELUDE Bohm, Vater unser im Himmelreich
RESPONSES Smith
LESSONS 2 Hosea 14 & James 2.14–26
CANTICLES D. Purcell in e
ANTHEM Schütz, Ich bin ein rechte Weinstock
VOLUNTARY Sweelinck, Mein junges Leben hat ein End
PRELUDE Reger, Aus tiefer Not schrei ich zu dir Op. 67
INTROIT McKie, We wait for Thy loving kindness
RESPONSES Sumsion
LESSONS 2 Timothy 3.14–4.5 & Luke 18.1–8
CANTICLES Ireland in F
ANTHEM Stanford, Lighten our darkness
PREACHER The Chaplain
VOLUNTARY Buxtehude, Prelude, Fugue & Chaconne BuxWV 137
Anonymous (c.1640) D-B MS Lynar B 7 (excerpt)
Anthoni van Noordt (c.1619–75) Tabulatuurboeck van Psalmen en Fantasyen (excerpt)
Jan Pieterszoon Sweelinck (1562–1621) Psalm 140 Ik heb den Heer lieft
Peeter Cornet (c.1570–1633) Salve Regina
Arthur Wills (1929–2020) Prelude and Fugue ‘Alkmaar’
Stanley Godfrey is Organist and Assistant Director of Music at Great St Mary’s, the University Church of Cambridge. He has previously held posts at Ely Cathedral and Selwyn College, Cambridge, and is a graduate of St Peter’s College, Oxford, where he was Organ Scholar. A prize-winning Associate of the Royal College of Organists, he maintains a regular recital presence both in the United Kingdom and abroad.
Cecilia McDowall (b.1951) Wo Gott der Herr nicht bei uns hält
Jacques van Ootmerssen (1950–2015) Nun ruhen alle Wälder
Iain Farrington (b.1977) Herr Gott, dich loben alle wir
John Bull (c.1562-1628) Ut re mi fa sol la
J. S. Bach (1685–1750)
– Kyrie, Gott Vater in Ewigkeit Canto fermo in Soprano, BWV 669
– Christe, aller Welt Trost Canto fermo in Tenore, BWV 670
– Kyrie, Gott heiliger Geist Canto fermo in Basso, BWV 671
Felix Mendelssohn (1809–1847) Sonata in A major, Op. 65 No. 3
– Praeludium in g, BuxWV 149
– Es Spricht der unweisen mund wohl, BuxWV 187
– Fuga in C (gigue), BuxWV 174
Girolamo Frescobaldi (1583–1643)
– Canzona Terza
– Bergamasca from Fiori Musicali
Maurice Greene (1696–1755) Voluntary VIII in c (Largo-Allegro)
William Boyce (1711–79) Trumpet Voluntary in D (Larghetto-Vivace)
Georg Muffat (1653–1704) Toccata Septima
Previously Chapel Organist and Music Teacher at St Edward’s, Oxford, Gabriele Damiani has recently served as Director of Music at Our Lady’s, Abingdon (OLA), where he led a team of fifteen Visiting Music Teachers and oversaw the school’s full academic and practical music programme.
He studied at the Verdi Conservatoire in Turin, Italy, before continuing his training with Anne Marsden Thomas at the Guildhall School of Music and Drama in London. As part of his Bachelor of Music studies, he attended masterclasses with P. Hurford, A. Marcon, L. Lohmann and J. van Oortmerssen, and undertook extensive training in counterpoint, conducting, basso continuo and accompaniment. During his final year, he was appointed Church Music Scholar at the Royal Hospital, Chelsea, and subsequently served as Organ Scholar at Westminster RC Cathedral.
An ARCO prize-winner, Gabs has been an accredited Royal College of Organists’ organ teacher since 2012, representing the Oxford area and specialising in practice techniques and Baroque repertoire. A visiting tutor at the University of St Andrews and co-founder of the Accademia Organistica in Trieste, Italy, he maintains an active performance schedule across the UK and internationally. He is also active as piano accompanist, continuo player, orchestral conductor and church musician.
– Piece d’Orgue, BWV 572
– Allein Gott in der Höh’ sei Ehr, BWV 676
René Louis Becker (1882–1956)
– First Sonata for Organ in G, Op. 40, I: Praeludium festivum
– Scherzo ‘Hommage á J. S. Bach’
Georg Bohm (1661–1733) Vater unser im Himmelreich a 2 clav. et ped.
Johann Pachelbel (1653–1705) Ciacona in f
J. S. Bach (1685–1750) Fantasia in g, BWV 542
Internationally acclaimed organist Damin Spritzer has been praised for performances that are ‘spellbinding’ (Organists Review), ‘expressive and musical’ (American Record Guide), and ‘enormously sensitive’ (AAM Journal). Known for championing rare and rediscovered repertoire, she has performed across the U.S., the U.K. and Europe, South America, and as far as Israel, appearing at major festivals, universities, and international conventions. A prolific recording artist for Raven Recordings, her eight acclaimed albums pair overlooked composers with historic instruments worldwide, earning consistent praise in review. Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma and Artist-in-Residence for St. Matthews Episcopal Cathedral Arts in Dallas.
Robert Costin’s performing career encompasses recitals, broadcasts, and collaborations with orchestras internationally. His critically acclaimed recordings include J.S. Bach’s complete Well-Tempered Clavier, recorded on the organ of Trinity College, Cambridge.
He has held cathedral appointments in the UK and New Zealand. A dedicated educator, he has held teaching posts in the UK, Italy, and Thailand and is currently Head of Academic Music and Organist at Sherborne School. His early musical training began as a chorister at Peterborough Cathedral, leading to studies at the Royal Academy of Music and the University of Cambridge. He was elected an Associate of the Royal Academy of Music in 2024.
PRELUDE Wesley Andante in C
INTROIT Rheinberger Abendlied
RESPONSES Rose
LESSONS Exodus 34:1-10 & Mark 7:1-13
CANTICLES Howells St Paul’s Service
ANTHEM Rutter Hymn to the Creator of Light
VOLUNTARY Vierne Symphony 1: Final
PRELUDE Karg-Elert Jesu, hilf siegen, du Fürste des Lebens
IESPONSES Leighton
LESSONS Exodus 3:1-12 & Acts 7:30-38
CANTICLES Dyson in D
ANTHEM Darke O brother man
VOLUNTARY Franck Piece en mi bemol
Fantasia and Fugue in C minor (BWV 537)
Wo soll ich fliehen hin (BWV 646)
Trio Sonata No.1 in E flat major (BWV 525)
[Allegro moderato]
Adagio
Allegro
Wenn wir in höchsten Nöten sein (BWV 668)
Toccata in E major (BWV 566)
Paul Walton began his musical career as a chorister at Holy Trinity Church, Stratford-upon-Avon (Shakespeare’s church), and studied at the Royal Northern College of Music, with Margaret Philips, Matthew Owens and Kevin Bowyer.
Since September 2001, Paul has been Assistant Organist of Bristol Cathedral. As well as accompanying and assisting in the training of the Cathedral Choir, he directs the Cathedral Consort. From 2001 to 2024 (when the Cathedral organ was refurbished), he gave 96 recitals at the Cathedral and other venues throughout Bristol without repeating a piece. Other solo recital venues have included St. Peter’s Church, Eaton Square, London (sponsored by the Keyboard Charitable Trust), cathedrals including St. Paul’s, Liverpool, Coventry and Hereford, Westminster Abbey, Tewkesbury Abbey, Rochdale Town Hall, Parr Hall, Warrington, and the Marktkirche, Hannover. He has been accompanist for Bristol Cathedral Choir’s tours to France, Germany, Italy, Poland and the USA. In summer 2019, he spent two months as Acting Master of the Choristers during Mark Lee’s sabbatical.
As well as performing the standard organ repertoire, Paul is a keen advocate of both rare and new music, and his four CD recordings on the Regent label include 20 first recordings of music by David Bednall, David Briggs, Paul Bryan, Paul Fisher, Nicolas Kingman, John Pickard, Philip Wilby and Elizabeth Winters, as well as the almost forgotten organist of Notre Dame, Léonce de Saint-Martin. These recordings have received widespread critical acclaim, including an Editor’s Choice in Organists’ Review, a Star Review in Choir & Organ, and two 4-star ratings in BBC Music Magazine. Paul has been described as ‘thoroughly musical and technically assured’, ‘committed performer’ and (his personal favourite) ‘young’.
Paul is also active as a composer and arranger. His recent work includes an organ piece in the Oxford Hymn Settings for Organists series, and a book of descants to 125 hymn tunes, Descants are for Life (not just for Christmas), released last year by Quires and Places.
Projects in Bristol in 2025 have included a cycle of the complete organ symphonies of Louis Vierne, and an ongoing series of the Bach trio sonatas. More information can be found at paul-walton.com
Julia Doyle - soprano
Esther Lay - mezzo-soprano
Guy Cutting - tenor
Ashley Riches - bass-baritone
Choir of The Queen's College Oxford
Academy of Ancient Music
Owen Rees - director
Film directed by David Hinitt of www.classicalfilms.co.uk
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Kyrie eleison (I) – 0:44
Christe eleison – 10:43
Kyrie eleison (I) – 15:39
Gloria – 19:24
Et in terra pax – 21:07
Laudamus te – 26:12
Gratias agimus tibi – 30:22
Domine Deus – 33:44
Qui tollis – 39:20
Qui sedes – 42:26
Quoniam tu solus sanctus – 46:53
Cum sancto spiritu – 51:35
Credo in unum Deum – 55:57
Patrem omnipotem – 57:58
Et in unum Dominum – 1:00:20
Et incarnatus est – 1:04:47
Crucifixus – 1:07:53
Et resurrexit – 1:11:08
Et in Spiritum Sanctum – 1:15:42
Confiteor – 1:21:18
Et expecto – 1:25:56
Sanctus – 1:28:23
Pleni sunt coeli – 1:31:23
Osanna (I) – 1:33:46
Benedictus – 1:36:49
Osanna (II) – 1:42:14
Agnus Dei – 1:45:19
Dona nobis pacem – 1:50:46
PRELUDE Vaughan Williams Rhosymedre
ITROIT Guerrero Duo seraphim
RESPONSES Radcliffe
LESSONS Romans 5:1-5 & John 16:12-15
CANTICLES Jackson in G
ANTHEM Leighton A Hymn to the Trinity
PREACHER Br John Church OP
VOLUNTARY Bach Fugue in g BWV 542
PRELUDE Vierne Berceuse
RESPONSES Clucas
LESSONS Isaiah 51:1-8 & John 8:48-end
CANTICLES Stanford in C
ANTHEM Balfour Gardiner Evening Hymn
VOLUNTARY Lefébure-Wély Sortie in Eb
PRELUDE Howells Preludio ‘Sine Nomine’
RESPONSES Radcliffe
LESSONS Tobit 4:5-11 & Acts 9:26-31
CANTICLES Cook The Queen's College Service
ANTHEM McKie We wait for thy loving kindness
VOLUNTARY Ravel Le jardin féerique (transcr. for organ)
Johann Sebastian Bach (1685-1750)
Toccata, Adagio, and Fugue BWV 564
Dieterich Buxtehude (1637-1707)
Ciacona in E minor Bux
Johannes Brahms (1833-1897)
Fugue in A flat Minor
Felix Mendelsohn (1809-1847)
Sonata No.1
Timothy is currently in his second year at the Royal Birmingham Conservatoire after having been awarded the DMC McDonald Foundation Scholarship Award. He is also Organ Scholar at Birmingham Cathedral (St Philips).
Timothy has enjoyed recent competition success after being awarded first prize at the IAO-RCO organ playing competition, with the final taking place at York Minster (2024) the London Organ Competition held in St Clement Danes church, London (2023), the Leonard Gibbons Organ Competition which was held at St Chads Cathedral, Birmingham (2024).
He is active as a recitalist, having given solo recitals at numerous prestigious venues such as, Westminster Abbey, Coventry Cathedral, Clare College, Cambridge and many other cathedrals and churches around the country.
PRELUDE Bach Komm, Heiliger Geist BWV 652
READINGS Acts 2:1-12 & John 14:8-17, 25-27
SETTING Palestrina Missa Papæ Marcelli
PREACHER The Chaplain
MOTET Tallis If ye love me
VOLUNTARY Bach Komm, Heiliger Geist BWV 651
PRELUDE D’Anglebert Quatuor sur le Kyrie
RESPONSES Leighton
LESSONS Ezekiel 36:22-28 & Matt 12:22-32
CANTICLES Noble in b
ANTHEM Harris Bring us, O Lord God
VOLUNTARY Guilmant Valet will ich dir geben
READINGS Acts 20:28-end & John 17:11-19
SETTING Haydn Missa brevis Sancti Johannis de Deo
MOTET Mozart Ave verum corpus
VOLUNTARY Frescobaldi Toccata Terza
Passacaglia in D minor, BuxWV 161
Carl Philipp Emanuel Bach (1714 – 1788)
Sonata in Bb major, Wq. 70/2
Allegro
Arioso
Allegro
Felix Mendelssohn (1809 – 1847)
Sonata IV in Bb major, Op. 65/4
Allegro con brio
Andante religioso
Allegretto
Allegro maestoso e vivace
Johann Sebastian Bach (1685-1750)
Prelude and Fugue in E minor, BWV 548
Edward Bence is a 21-year-old organist and pianist. He is currently studying Mathematics at Oxford, while holding Oriel College’s Organ Scholarship.
Having been music scholar at King Edward VI School, Southampton, Edward was awarded a music scholarship when he moved to Winchester College for sixth form. During his time there, Edward became an Associate of the Royal College of Organists while studying under George Castle and completed two diplomas on the piano under the tuition of Nick Salwey. He also gave a joint recital of Bach and Buxtehude with fellow student Christopher Brain at Queen’s in April 2022. Between school and university, Edward was Organ Scholar at Romsey Abbey and played Saint-Saëns’ G minor Piano Concerto with Southampton Youth Orchestra. He continues to accompany on both piano and organ in Hampshire.
Although studying Maths, Edward remains fully immersed in the Oxford music scene. Oriel’s Organ Scholarship involves conducting and playing for the three weekly services in Oriel’s Chapel and he plays regularly in other churches and chapels in Oxford. Edward is also particularly active in the Oxford chamber music scene on the piano, both as a soloist and as an accompanist, with recital venues including New, Oriel, Magdalen, Worcester and Jesus Colleges. Other recent recitals have included Bristol Cathedral, Romsey Abbey and Gosport Holy Trinity and his next Oxford organ recital will be at Magdalen in November.
PRELUDE Bach Auf meinen lieben Gott (Emans 30)
iITROIT McDowall Ave Maria
RESPONSES Carter Rose
LESSONS Romans 12:9-16 & Luke 1:39-45
CANTICLES Gibbons Second Service
ANTHEM Guerrero Ave virgo sanctissima
PREACHER The Chaplain
VOLUNTARY Bach Præludium & Fuga in C BWV 545
PRELUDE Duruflé Méditation
RESPONSES Leighton
LESSONS 2 Sam 23:1-5 & Col 2:20-3:4
CANTICLES Walmisley in D
ANTHEM Finzi God is gone up
VOLUNTARY Duruflé Fugue sur le nom d’Alain op.7
Programme
Felix Mendelssohn (1809 – 1847)
from Sonata No. 1 in F
Allegro Moderato e Serioso
Adagio
Carl Phillip Emanuel Bach (1714 - 1788)
Organ Sonata in B-flat
Allegro
Andante
Allegretto
Jan Pieterszoon Sweelinck (1562 - 1621)
Variations on Mein junges Leben hat ein End’
J. S. Bach (1685 – 1750)
Fantasia and Fugue in G Minor, BWV 542
David Enlow is a “commanding” organist (The New Yorker), hailed for his “performances full of color, passion, invention, and power” (The American Record Guide). As a conductor, “Mr. Enlow drew fresh and lively performances from the players…” (The New York Times).
David was appointed Music Director of Park Avenue Synagogue in 2020, continuing as Organist and Choir Master at the Church of the Resurrection, where he has been since 2001, and as Assistant Conductor and repetiteur to the Clarion Choir, and organist of the Clarion Music Society. David has appeared in most all of New York’s major concert halls and churches, and in cathedrals and halls around Europe.
David’s solo recordings on the Pro Organo label include Pater Seraphicus, the complete major organ works of César Franck; Piano à l’Orgue, an album of piano transcriptions; and Bach on Park Avenue, recorded on the Mander organ at the Church of St. Ignatius Loyola in New York. As a concerto soloist, David has appeared with orchestras in works of Barber, Poulenc, Haydn, Handel, Respighi, Bach, Rheinberger, and Saint-Saens.
David has taught church music, improvisation, and organ repertoire classes for local, regional, and national events of the American Guild of Organists, and at the Juilliard School, from which he received two degrees.
PRELUDE Aguilera de Heredia Tiento de falsas de cuarto tono
INTROIT Howells God be in my head
RESPONSES Parry
LESSONS Acts 16:9-15 & Revelation 21:10, 22-22:5
CANTICLES Harwood in Ab
ANTHEM Bainton And I saw a new heaven
PREACHER Dr Tim Middleton
VOLUNTARY Buxtehude Praeludium in g BuxWV 148
PRELUDE Bach Adagio, Trio Sonata No.1 in Eb BWV 525
RESPONSES Reading
LESSONS Ezekiel 36:33-end & Romans 8:1-11
CANTICLES D. Purcell in e
ANTHEM Purcell I was glad
VOLUNTARY Bach Allegro, Trio Sonata No.1 in Eb BWV 525
RESPONSES Parry
LESSONS Hosea 13:4-14 & 1Cor 15:50-end
CANTICLES Murrill in E
ANTHEM Hadley My beloved spake
VOLUNTARY Scheidt Benedicamus Domino à 6 SSWV 158
principal Organist for the Chapel’s round of services, for the Royal Household, the Order of the
Companions of Honour and concerts, broadcasts and recordings. Joshua completed his master's and
undergraduate studies at the Royal Academy of Music under the tutelage of David Titterington and
Bine Bryndorf, where he was awarded several major prizes and awards. A previous prize winner at
the Northern Ireland International Organ competition, Joshua made a critically acclaimed CD with
the choir of King’s College London and was praised by Gramophone - “Joshua played superbly with
virtuoso use of the organ”. He has collaborated with Delphian and Resonus Record Labels and
recent concert appearances has taken Joshua to Germany and the UK.
Programme
William Byrd (c. 1540-1623)
Fantasia in d
John Bull (1562-1628)
Salve Regina
Anon. Dutch (from the Camphuysen manuscript)
Daphne
Anthoni van Noordt (c. 1619–1675)
Psalm 24
Francisco Correa de Arauxo (1584–1654)
Tiento de tiple de séptimo toño
Johann Sebastian Bach (1685-1750)
Prelude and Fugue in A minor BWV 543


