thepostarchiveCornel Ronald West is an American philosopher, political activist, social critic, author, and public intellectual. The son of a Baptist minister, West focuses on the role of race, gender, and class in American society and the means by which people act and react to their "radical conditionedness"
James Arthur Baldwin was an American novelist, playwright, and activist. His essays, as collected in Notes of a Native Son, explore intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th-century America
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Cornel West on the Unpopular James Baldwinthepostarchive2019-10-19 | Cornel Ronald West is an American philosopher, political activist, social critic, author, and public intellectual. The son of a Baptist minister, West focuses on the role of race, gender, and class in American society and the means by which people act and react to their "radical conditionedness"
James Arthur Baldwin was an American novelist, playwright, and activist. His essays, as collected in Notes of a Native Son, explore intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th-century America
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Les Statues Meurent Aussi (Sub Ita) - Présence Africainethepostarchive2024-10-17 | Statues Also Die (French: Les statues meurent aussi) is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. The film won the 1954 Prix Jean Vigo. Because of its criticism of colonialism, the second half of the film was banned in France until the 1960s.
The film was commissioned from Marker by the association Présence Africaine in 1950, as Alain Resnais said in an interview in 1996.[6] Marker, who knew Resnais, offered to make the film together, because it would be more "fun and enjoyable". Both embarked on the adventure of the chief operator Ghislain Cloquet. According to Resnais, the original intent was not to make an anticolonial film, but only a film about African art. However, when the filmmakers started to do research, they were struck by the fact that African art was exhibited at the ethnological Musée de l'Homme, and not the Louvre like art from elsewhere. As research continued, the disintegrating effects of colonialism became more prominent in the filmmakers' approach to the subject.[7]
Les Statues Meurent Aussi - Chris Marker, Alain Resnais - 1953James Baldwin sings Precious Lordthepostarchive2024-08-02 | A recording of Baldwin singing Precious Lord was played at his Funeral.
I post this video to remember Baldwin on what would have been his 100th Birthday.
Born: August 2, 1924, NYC Health + Hospitals/Harlem, New York, NY Died: December 1, 1987 (age 63 years), Saint Paul de Vence, France
Precious Lord · David Linx · James Baldwin · Pierre Van Dormael
A Lover's Question
℗ Label Bleu
Released on: 1987-01-01
Lyricist: Thomas A. Dorsey Composer: Thomas A. Dorsey
James Arthur Baldwin was an American writer and civil rights activist who garnered acclaim for his essays, novels, plays, and poems. His 1953 novel Go Tell It on the Mountain has been ranked by Time magazine as one of the top 100 English-language novels.Aaron McGruder - Free Speech in a Time of War talkthepostarchive2024-07-18 | Free Speech in a Time of War - SEPTEMBER 10, 2002
Mr. McGruder, the creator of the comic strip “The Boondocks", discussed free speech and the war on terrorism. "The Boondocks” is a social and political commentary cartoon based on the lives of African-American city children adjusting to suburban life. He spoke about the media’s coverage of the September 11, 2001 attacks, arguing that they “overdid the drama” of the event. He also spoke about the American peoples' support of President Bush following the attacks, and questioned the country’s judgment. His comic strip was temporarily cancelled because he expressed his views on these issues. He also commented on the media’s inability to speak out against the government, as many journalists have been silenced for doing so. Finally, he spoke on the 2000 presidential election and President Bush’s victory.Aaron McGruder, Tavis Smiley, & Cornel West on Western Media 2003 C-Spanthepostarchive2024-07-14 | All love to op: youtube.com/watch?v=tkd2dMYQMwI
August 11, 2003: Black Youth and the Media Professor Cornel West and Political Cartoonist Aaron McGruder talked about minority depictions in the media. Among the topics they addressed were information control, image manipulation, projecting leadership values and positive images of minorities, and leading by example. Following their remarks, they answered questions from the audience.
Cornel Ronald West is an American philosopher, theologian, political activist, politician, social critic, actor, and public intellectual. The grandson of a Baptist minister, West's primary philosophy focuses on the roles of race, gender, and class struggle in American society.
Aaron Vincent McGruder is an American writer, cartoonist, and producer best known for creating The Boondocks, a Universal Press Syndicate comic strip and its animated TV series adaptation.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
If you are a copyright holder that would like something removed from my channel please message me on YouTube & I will respond so you do not need to file a DMCA Copyright Takedown Request with YouTube. Thank You.Black Reparations Panel [Full] ft. Muhammad Kenyatta, Philadelphiathepostarchive2023-04-04 | 'Input' was a Philadelphia panel discussion program from the late 1960's and early 1970's, airing Sunday mornings on WCAU-TV10, produced by the Wellsprings Ecumenical Center.
Muhammad I. Kenyatta, was an American professor, civil rights leader, and international human rights advocate. Jackson changed his name in the early 1970s to Muhammad Kenyatta
AIR DATE : 9-21-1969 REC DATE : 9-14-1969 TITLE : Black Reparations - Part 1 Reverend Carroll D. Jenkins 5th Presbyterian Church, Chester Muhammed Kenyatta Black Economic Development Conference Reverend Vaughn T. Eason Council of Black Clergy Father Paul M. Washington Council of Black Clergy/ The Church of the Advocate Clifford Lester Chester Friends Meeting Reverend Robert A. Raines 1st United Methodist Church, Germantown Donald Belcher Deputy, Episcopal General Convention Reverend Dean H. Lewis Official, Church & Society United Presbyterian Church U.S.A DIRECTOR : George Jason SET DESIGN : Mort Chavenson (listed on each of second season episodes)
AIR DATE : 9-28-1969 REC DATE : 9-14-1969 TITLE : Black Reparations - Part 2 Monsignor Philip J. Dowling Cardinal’s Committee on Human Relations Reverend Frank V. Kensill United Methodist Midown Parish Robert K. Greenfield Jewish Community Relations Council Father James E. Woodruff Episcopal Union Black Clergy & Unity Clifford Lester Chester Friends Meeting Reverend Robert A. Raines 1st United Methodist Church, Germantown Donald Belcher Deputy, Episcopal General Convention Reverend Dean H. Lewis Official, Church & Society United Presbyterian Church U.S.A DIRECTOR : George Jason
NATIONAL BLACK ECONOMIC DEVELOPMENT CONFERENCE The National Black Economic Development Conference took place in Detroit from April 25-27, 1969. The conference was organized by African American clergymen and business people in conjunction with interfaith social justice advocates to develop strategies for Black economic autonomy. James Forman, an author and American Civil Rights leader active in the Student Nonviolent Coordinating Committee, the Black Panther Party, and the International Black Workers Congress, presented at the conference his famous “Black Manifesto.” It called for reparations to African Americans for slavery. Forman demanded that both White churches and White synagogues pay $500 million in total to support Black companies and institutions, including a land bank and a publishing company, for their complicity in racism.
The conference initially adopted the manifesto, but later began to distance itself from Forman when he began to disrupt and protest at church services. Furthermore, many prominent Black organizations, including the National Association for the Advancement of Colored People (NAACP) and the National Baptist Convention, also distanced themselves from the call for reparations and urged that money be given to them for related purposes instead. Nevertheless, some predominantly White churches expressed sympathy with the aims of the manifesto but primarily increased aid to existing or new programs of their own rather than providing money for the reparations fund. Forman's call did raise about half a million dollars, about $200,000 of which came from Riverside Church in New York City alone.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Clip of Muhammed Kenyatta, Philadelphia 1969, discussing the case for reparationsthepostarchive2023-04-04 | Muhammad I. Kenyatta, was an American professor, civil rights leader, and international human rights advocate. Jackson changed his name in the early 1970s to Muhammad Kenyatta
'Input' was a Philadelphia panel discussion program from the late 1960's and early 1970's, airing Sunday mornings on WCAU-TV10, produced by the Wellsprings Ecumenical Center.
AIR DATE : 9-21-1969 REC DATE : 9-14-1969 TITLE : Black Reparations - Part 1 Reverend Carroll D. Jenkins 5th Presbyterian Church, Chester Muhammed Kenyatta Black Economic Development Conference Reverend Vaughn T. Eason Council of Black Clergy Father Paul M. Washington Council of Black Clergy/ The Church of the Advocate Clifford Lester Chester Friends Meeting Reverend Robert A. Raines 1st United Methodist Church, Germantown Donald Belcher Deputy, Episcopal General Convention Reverend Dean H. Lewis Official, Church & Society United Presbyterian Church U.S.A DIRECTOR : George Jason SET DESIGN : Mort Chavenson (listed on each of second season episodes)
NATIONAL BLACK ECONOMIC DEVELOPMENT CONFERENCE The National Black Economic Development Conference took place in Detroit from April 25-27, 1969. The conference was organized by African American clergymen and business people in conjunction with interfaith social justice advocates to develop strategies for Black economic autonomy. James Forman, an author and American Civil Rights leader active in the Student Nonviolent Coordinating Committee, the Black Panther Party, and the International Black Workers Congress, presented at the conference his famous “Black Manifesto.” It called for reparations to African Americans for slavery. Forman demanded that both White churches and White synagogues pay $500 million in total to support Black companies and institutions, including a land bank and a publishing company, for their complicity in racism.
The conference initially adopted the manifesto, but later began to distance itself from Forman when he began to disrupt and protest at church services. Furthermore, many prominent Black organizations, including the National Association for the Advancement of Colored People (NAACP) and the National Baptist Convention, also distanced themselves from the call for reparations and urged that money be given to them for related purposes instead. Nevertheless, some predominantly White churches expressed sympathy with the aims of the manifesto but primarily increased aid to existing or new programs of their own rather than providing money for the reparations fund. Forman's call did raise about half a million dollars, about $200,000 of which came from Riverside Church in New York City alone.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Walidah Imarisha Liberated Archives Keynotethepostarchive2023-03-15 | Transcript: walidah.com/blog/2017/8/22/transcript-of-walidahs-liberated-archives-keynote
Society of American Archivists (SAA) 2017 Annual Conference The Liberated Archive Morning Keynote: The Liberated Archive: A Forum for Envisioning and Implementing a Community-Based Approach to Archives by Walidah Imarisha
Walidah Imarisha is an educator, writer, public scholar and spoken word artist. She has co-edited two anthologies, Octavia's Brood: Science Fiction Stories From Social Justice Movements and Another World is Possible. Imarisha’s nonfiction book Angels with Dirty Faces: Three Stories of Crime, Prison, and Redemption won a 2017 Oregon Book Award. She is also the author of the poetry collection Scars/Stars, and in 2015, she received a Tiptree Fellowship for her science fiction writing. Imarisha is currently an Assistant Professor in the Black Studies Department and Director of the Center for Black Studies at Portland State University. In the past, she has taught at Stanford University, Pacific Northwest College of the Arts and Oregon State University. For six years, she presented statewide as a public scholar with Oregon Humanities' Conversation Project on several topics, including Oregon Black history. She was one of the founders and first editor of the political hip hop magazine AWOL. She has toured the country many times performing, lecturing and challenging, and has shared the stage with folks as different as Angela Davis, Cornel West, Amiri Baraka, Nikki Giovanni, Kenny Muhammad of the Roots, Chuck D, Michael Franti and Spearhead, Robin D.G. Kelley, Umar bin Hassan from The Last Poets, Boots Riley, Saul Williams, Ani DiFranco, John Irving, dead prez, Rebecca Solnit, and Yuri Kochiyama.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.JAMES BALDWIN ON THE ASSASSINATION OF GEORGE JACKSON – 1971thepostarchive2023-03-13 | On the assassination of George Jackson – A brilliant statement recorded in Paris, France in 1971 in response to news of George Jackson’s murder.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.its a lot like falling in love lesbian publishing in the 70s, 80s, 90s, and beyondthepostarchive2022-12-08 | Hoping to share for greater dissemination, all rights and love to op: vimeo.com/761555472
Thank you for joining us on October 13th at 6:00 PM EST for "It's a Lot Like Falling in Love: Lesbian Publishing in the '70s, '80s, '90s, and Beyond," a virtual roundtable with a distinguished panel of participants focusing on lesbian-feminist literary communities. Panelists Stephanie Andrea Allen, Cheryl Clarke, Katherine V. Forrest, Joan Nestle, and Barbara Smith, in a discussion moderated by Julie R. Enszer, the panelists discuss the books, passions, and times that shaped the lesbian print movement.
This event was co-sponsored by the Lesbian Herstory Archives and the Program in Women's, Gender, and Sexuality Studies at Florida State University.
As the home of Naiad Press, Inc. for twenty years, Tallahassee, Florida, was a hotbed of lesbian publishing. The LGBT Oral History Project of North Florida at Florida State University and the current exhibition at the FSU Museum of Fine Arts restores some of the storied histories of Naiad Press. Naiad's work was part of a larger blossoming of lesbian-feminist publications—books, periodicals, broadsides, and more—around the United States. This publishing work brought lesbian-feminist voices to their communities and the broader U.S. reading public. Explore this exciting period in lesbian-feminist literary communities with a distinguished panel of participants in the movement and print culture scholars.
The exhibition "It's A Lot Like Falling in Love: Legacies of Naiad Press in the Tallahassee Lesbian Community" is currently on view at the FSU Museum of Fine Arts until October 29th, 2022. The oral history collection can be accessed at diginole.lib.fsu.edu. The PEN & Inc project site can be viewed at lgbtoralhistory.create.fsu.edu/naiadpress.
If you are a copyright holder that would like something removed from my channel please message me on YouTube & I will respond so you do not need to file a DMCA Copyright Takedown Request with YouTube. Thank You.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Aimé Césaire on a panel, Tape 3thepostarchive2022-12-07 | Aimé Fernand David Césaire was a French poet, author, and politician. He was "one of the founders of the Négritude movement in Francophone literature" and coined the word négritude in French
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Aimé Césaire speaking in parliamentthepostarchive2022-12-06 | Aimé Césaire speaking in parliament.
Aimé Fernand David Césaire was a French poet, author, and politician. He was "one of the founders of the Négritude movement in Francophone literature" and coined the word négritude in French
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The Revolution Will Not Be Funded: Beyond the Non-Profit Industrial Complex Conference April 30-May 1, 2004, UC Santa Barbara INCITE! Feminists of Color Against Violence Panel 3: Alternatives to the Non-Profit Mode
Sista II Sista is a Brooklyn-wide, community-based organization located in Bushwick, New York. It is a collective of working class young and adult Black and Latino women building together to model a society based on liberation and love. The organization is dedicated to working with young women of color to develop personal, spiritual and collective power. Sista II Sista is committed to fighting for justice and creating alternatives to the systems we live in by making social, cultural and political change. Sista II Sista’s involved in a variety of projects. Three examples of their work include: The Freedom School for Young Women of Color, The Big Mouth Project which is a series of workshops and talks on violence against women, ageism, sexism, sexual harassment, peer pressure and understanding multiple expressions of oppression and privilege. Another project is Sista Liberated Ground, a community action project to fight violence against women of color in their community without relying on the police.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.lMambo Girl ft. Grace Chang - English Substhepostarchive2022-12-04 | Li Kailing, a high-school student, is nicknamed the Mambo Girl for her gifted talent in music and dance. Just before her 20th birthday, Kailing discovers that she is adopted and sets out in search of her birth mother. Initial release: March 6, 1957
Director: Evan Yang Screenplay: Evan Yang
Grace Chang, known in Chinese as Ko Lan, is a Hong Kong-Chinese actress and singer. She was a popular idol in the 1950s, especially among students and the middle class. She was a renowned Cathay Organization actress with many successes including It Blossoms Again, The Wild, Wild Rose, and Mambo Girl.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Ofelia Zepeda reads & discusses B o E-a:g maṣ ab Him g Ju:kĭ/It is Going to Rain on July 10, 2020.thepostarchive2022-12-03 | Resharing to hopefully further disseminate: loc.gov/item/2020785240
A member of the Tohono O’odham (formerly Papago) Nation, Ofelia Zepeda grew up in Stanfield, Arizona. She earned a BA, an MA, and a PhD in linguistics from the University of Arizona. She is the author of a grammar of the Tohono O'odham language, A Papago Grammar (1983). Zepeda’s poetry collections include Ocean Power: Poems from the Desert (1995) and Jewed’l-hoi/Earth Movements, O’Odham Poems (1996).
Zepeda’s poetry touches on linguistics, O’odham traditions, the natural world, and the experience of contemporary O’odham life. Her work is influenced by traditional Papago themes and songs. Dennis Holt, reviewing Zepeda’s work for Drunken Boat, identified the “cultural mélange” of her work, commenting that “a number of Zepeda’s poems display varying patterns of bilingualism, including code-switching and immediate interlinear translation.”
Zepeda was honored with a MacArthur Fellowship (1999) for her contributions as a poet, linguist, and cultural preservationist. She received a grant from the Endangered Language Fund for her work on the Tohono O’odham Dictionary Project. Zepeda has been a professor of linguistics and director of the American Indian Studies Program at the University of Arizona, as well as director of the American Indian Language Development Institute. She edits Sun Tracks, a book series devoted to publishing work by Native American artists and writers, at the University of Arizona Press.
B ‘O E-A:G MAṢ ‘AB HIM G JU:KĬ B ‘o ‘e-a:g maṣ‘ab him g ju:kĭ. Ṣag wepo mo pi woho. Nañpi koi ta:tk g jewed mat am o i si ka:ckad c pi o i-hoiñad c o ñenḍad. Ṣag wepo mo pi woho. Nañpi koi ta:tk g da:m ka:cim mat o ge s-wa’usim s-we:ckad. Ṣag wepo mo pi woho. Nañpi koi ta:tk g hewel mat s-hewogim o ‘i-me: Ṣag wepo mo pi woho. Nañpi koi hewegid g s-wa’us jeweḍ Mat g hewel ‘ab o u’ad. Nia, heg hekaj o pi ṣa’i woho matṣ o ju:. IT IS GOING TO RAIN Someone said it is going to rain. I think it is not so. Because I have not felt the earth and the way it holds still in anticipation. I think it is not so. Because I have not yet felt the sky become heavy with moisture of preparation. I think it is not so. Because I have not yet felt the winds move with their coolness. I think it is not so. Because I have not yet inhaled the sweet, wet dirt the winds bring. So, there is no truth that it will rain. —Ofelia Zepeda
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Sista II Sista Interview - January 23, 2004thepostarchive2022-12-03 | Resharing to hope to disseminate more. University of Michigan, Ann Arbor..
Sista II Sista is a Brooklyn-wide, community-based organization located in Bushwick, New York. It is a collective of working class young and adult Black and Latino women building together to model a society based on liberation and love. The organization is dedicated to working with young women of color to develop personal, spiritual and collective power. Sista II Sista is committed to fighting for justice and creating alternatives to the systems we live in by making social, cultural and political change. Sista II Sista’s involved in a variety of projects. Three examples of their work include: The Freedom School for Young Women of Color, The Big Mouth Project which is a series of workshops and talks on violence against women, ageism, sexism, sexual harassment, peer pressure and understanding multiple expressions of oppression and privilege. Another project is Sista Liberated Ground, a community action project to fight violence against women of color in their community without relying on the police.
Sista II Sista reps: Verónica Giménez and Loira Limbal Interviewer: Nadine Naber
All Rights and Love to the OP : https://deepblue.lib.umich.edu/handle/2027.42/55718
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.La Bombe - Rabah Laradji [full movie]thepostarchive2022-04-25 | If you are a copyright holder that would like something removed from my channel please message me on YouTube & I will respond so you do not need to file a DMCA Copyright Takedown Request with YouTube. Thank You.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Algerian movie
La Bombe (Rabah Laradji, 1969), 40 mins. Production : ONCIC Avec Dalila Ouyed et Arezki Nebti Synopsis : Le jeune frère de Nadia est assassiné par un commando de l'OAS. Nadia décide de prendre la relève, elle est chargée de déposer une bombe dans un bar...
Partie du film à sketches : "Histoires de la Révolution"Girl from Hanoi [full movie]- English subthepostarchive2022-04-25 | When the US attacks Vietnam and destroys its cities, a young girl from Hanoi who has lost her family in the bombardment embarks on a journey in search of her soldier father. This film was made during Operation Linebacker II during the Vietnam War, and extensive use of war-time scenery is used depicting war-time Hanoi.
Starring Thế Anh Release date July 1975
Little Girl from Hanoi (Vietnamese: Em bé Hà Nội) is a 1975 Vietnamese drama film directed by Hải Ninh. It was entered into the 9th Moscow International Film Festival where it won a Diploma. It also won the Golden Lotus at the 3rd Vietnam Film Festival.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Maya Angelou and James Baldwin - Conversation with a Native Sonthepostarchive2022-04-23 | Novelist, essayist and outspoken black rights advocate James Baldwin talked about his career with Maya Angelou.
James Arthur Baldwin was an American writer and activist. As a writer, he garnered acclaim across various mediums, including essays, novels, plays, and poems.
Maya Angelou was an American poet, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.La tragédie du Roi Christophe - Aime Cesairethepostarchive2022-04-22 | Diffusion spéciale: « La tragédie du Roi Christophe » Texte de Aimé Césaire, mis en scène par Hervé Denis.
Set in the period of upheaval in Haiti after the assassination of Jean-Jacques Dessalines in 1806, it follows the historical figure of Henri Christophe, a slave who rose to become a general in Toussaint Louverture's army. Christophe declared himself king in 1811 and ruled the northern part of Haiti until 1820. Cesaire employs Shakespearean plotting and revels in the inexhaustible possibilities of language to convey the tragedy of Christophe's transformation from a charismatic leader sensitive to the oppression of his people to an oppressor himself.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Max Roach I Have a Dream Martin Luther Kingthepostarchive2022-04-20 | Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Black Journal: Alice Coltranethepostarchive2022-04-19 | 16mm motion picture film of Alice Coltrane (Black Journal segment) op: https://nmaahc.si.edu/object/nmaahc_2012.79.1.16.1a
Dimensions Duration: 17 Minutes
Caption This 16mm film is a documentary segment focusing on the life of Alice Coltrane and her children in the wake of the death of her husband, famed jazz magician John Coltrane.
Description The 16mm color film print is a short documentary made for a segment of National Education Television's Black Journal television program. The segment focuses on the life of Alice Coltrane and her children in the wake of the death of her husband, famed jazz magician John Coltrane. This film was shot sometime during 1970; three years after the death of John Coltrane. This film opens with a collage of photos of jazz musician John Coltrane with a voice-over of a male narrator communicating the musical genius and personal demeanor of the renowned music artist. The voice-over ends with an open-ended statement on John Coltrane's family; leading into an interview with his wife, Alice Coltrane. Alice Coltrane discusses the influence her late husband has had on her life, both musically and spiritually. She speaks of him being a spiritual person, although not tied to one organized religion, his vegetarian diet, and the how he carved time out of his days to meditate. There is footage of their children playing in the yard and walking with their mother. Alice plays the harp and talks about how her music is a manifestation of her spirituality. She discusses her musical career and how she balances that with being a mother and paying tribute to her late husband, but also not wanting to be defined as an extension of John Coltrane's music. Instead, when she finds herself playing some of the music he wrote, she sees herself as sharing in what he produced throughout his career. Footage of her playing the piano at a small jazz concert with a few other musicians plays for two minutes. In the final minutes of the segment, Alice Coltrane explains her relationship with a higher power and the personal enlightenment she has felt and gained through meditation. The film ends with a dolly-out/zoom-out long shot of Alice Coltrane and her children waving from their home.
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Released On: 26 Nov 2020 Melvyn Bragg and guests discuss the notorious events off Jamaica in 1781 and their background. The British slave ship Zong, having sailed across the Atlantic towards Jamaica, threw 132 enslaved Africans from its human cargo into the sea to drown. Even for a slave ship, the Zong was overcrowded; those murdered were worth more to the ship dead than alive. The crew said there was not enough drinking water to go round and they had no choice, which meant they could claim for the deaths on insurance. The main reason we know of this atrocity now is that the owners took their claim to court in London, and the insurers were at first told to pay up as if the dead slaves were any other lost goods, not people. Abolitionists in Britain were scandalised: if courts treated mass murder in the slave trade as just another business transaction and not a moral wrong, the souls of the nation would be damned. But nobody was ever prosecuted.
The image above is of sailors throwing slaves overboard, from Torrey's 'American Slave Trade', 1822
With
Vincent Brown Charles Warren, professor of American history and professor of African and African American studies at Harvard University
Bronwen Everill Class of 1973, lecturer in history and fellow at Gonville and Caius College, University of Cambridge
And
Jake Subryan Richards assistant professor of History at the London School of Economics
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.James Baldwin at a Partythepostarchive2022-03-25 | If you are a copyright holder that would like something removed from my channel please message me on YouTube & I will respond so you do not need to file a DMCA Copyright Takedown Request with YouTube. Thank You.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Toilet Training - FULL Documentarythepostarchive2022-02-19 | Healthy adults use the bathroom 4 – 8 times during the day and 1 – 2 times per night. TOILET TRAINING surveys the policing of gender in restrooms–persistent discrimination, harassment, and violence towards people who do not culturally fit as male of female. What happens when laws are broken and order is disrupted in the bathroom? Through anecdotal case studies, TOILET TRAINING focuses on bathroom access in public space, in schools, and at work and related problems associated with “holding it.” Concluding with examples of policy change, TOILET TRAINING provides a necessary foundation to address this overlooked issue.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.James Baldwin - Take This Hammer, 1964thepostarchive2022-02-17 | Author James Baldwin is taken on a tour of San Francisco by Orville Luster, Executive Director of Youth for Service. The tour takes them through the Hunters Point area, San Francisco's so-called "black ghetto," where 80 percent of the people are Negroes; through the Fillmore area, the "little Harlem"; and through the city's Western Addition redevelopment project - described by Mr. Baldwin as a "Negro removal" project. Mr. Baldwin and Mr. Luster talk to groups of Negroes from each area, as well as leaders of the Negro civic organizations and "action groups".
James Arthur Baldwin was an American writer and activist. As a writer, he garnered acclaim across various mediums, including essays, novels, plays, and poems
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This poetry reading is part of the Lackawanna Valley Digital Archives, original videos below: Part 1: youtu.be/XeOmqFk4Jmg Part 2: youtu.be/wJRz1wC6D_I ...I've combined both videos to make the one I've posted here.
"Etheridge Knight (April 19, 1931 – March 10, 1991) was an African-American poet who made his name in 1968 with his debut volume, Poems from Prison. The book recalls in verse his eight-year-long sentence after his arrest for robbery in 1960. By the time he left prison, Knight had prepared a second volume featuring his own writings and works of his fellow inmates. This second book, first published in Italy under the title Voce negre dal carcere, appeared in English in 1970 as Black Voices from Prison. These works established Knight as one of the major poets of the Black Arts Movement, which flourished from the early 1960s through the mid-1970s. With roots in the Civil Rights Movement, Malcolm X and the Nation of Islam, and the Black Power Movement, Etheridge Knight and other American artists within the movement sought to create politically engaged work that explored the African-American cultural and historical experience.
Knight is also considered an important poet in the mainstream American tradition. In his 2012 book Understanding Etheridge Knight, Michael S. Collins calls Knight "a mighty American poet....He and Wallace Stevens stand as 'two poles of American poetry,' according to his better-known fellow writer Robert Bly. Or, rather, Knight was, as he often said, a poet of the belly: a poet of the earth and of the body, a poet of the feelings from which cries and blood oaths and arias come, while Stevens was a poet, arguably, of the ache left in the intellect after it tears itself from God. 'Ideas are not the source of poetry,' Knight told one interviewer. 'For me it's passion, heart and soul....'" -en.wikipedia.org/wiki/Etheridge_Knight
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Tupac Shakur on Capitalismthepostarchive2022-02-10 | Tupac Amaru Shakur, better known by his stage name 2Pac and later by his alias Makaveli, was an American rapper and actor. Considered one of the most influential rappers of all time, Shakur is among the best-selling music artists, having sold more than 75 million records worldwide.
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Samuel Ray Delany Jr., Chip Delany to his friends, is an American author and literary critic. His work includes fiction, memoir, criticism and essays on sexuality and society. His works include Babel-17, The Einstein Intersection, Nova, Dhalgren, and the Return to Nevèrÿon series. Jewelle Gomez is an American author, poet, critic and playwright. She lived in New York City for 22 years, working in public television, theater, as well as philanthropy, before relocating to the West Coast. http://www.jewellegomez.com/index.html
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.NEVER PERFECT - Full Doc.thepostarchive2021-11-04 | Never Perfect. Directed by Regina Park. 2007.
How are ideals of beauty influenced by race, history, and geopolitics? With a rich selection of film clips and archival footage, Never Perfect examines the dramatic rise in popularity of cosmetic surgery among Asian-American women.
In 2006, there were 11 million cosmetic plastic surgery procedures performed in the United States, constituting an $11.4 billion industry. Most Asian women, in particular, experience acute cultural and social pressure to strive for extremely high standards of achievement and flawlessness. Among ethnic patients, the number of Asian-Americans seeking plastic and cosmetic surgery has risen 55% from 2004 to 2006.
Never Perfect follows the complex journey of a young Vietnamese-American woman - raised against a backdrop of American malls, movies, fashion magazines and makeover shows - as she struggles with her decision to undergo a cosmetic procedure known as double eyelid surgery. In the process, this incisive documentary considers historical and contemporary examples of beauty, stereotypes and iconography within Asian and popular cultures in exploring the factors that influence body image and self-perception - as well as what it means to be an ever-evolving, multi-faceted woman living in today's global society.
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Lincoln started out as a nightclub singer, but began performing in a style influenced by the civil rights movement after she met drummer/bebop pioneer Max Roach. Originally broadcast in 1986 and 1987.
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"Emma Goldman in America - Deported anarchist, once storm center between America and Russia, returns after 15 years of exile" / Goldman sits with journalists, including Joseph Walsh of Pathe News, writing and seated around her asking questions; SOT she says US and Russia are most influencing in world today / CU SOTs Goldman answering that she doesn't want to know Adolf Hitler, then Italy is beautiful country minus Benito Mussolini, she says all countries going Fascist, war is imminent and munitions manufacturers trying to bring it about, also she would be for Russia against Japan / MS Goldman and reporters, SOT Goldman says she is pleased that President Franklin Roosevelt recognizes rights of working people / Note: exact month/day not knownBassists in jazz - Ray Brown, Eddie Safranski, Stan Kentonthepostarchive2021-10-29 | 01 Bassists in jazz 1 Tenderly Ray Brown 2 Safranski Eddie Safranski with Stan Kenton 3 Dawn
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Venenos Blog: Bjork nos habla de la TV, 1988thepostarchive2021-10-28 | Björk Guðmundsdóttir OTF is an Icelandic singer, songwriter, record producer, actress, and DJ. Over her four-decade career, she has developed an eclectic musical style that draws on a range of influences and genres spanning electronic, pop, experimental, trip hop, classical, and avant-garde music.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Kwame Ture (fka Stokely Carmichael): Black People Must Organize discussion, 1977thepostarchive2021-10-27 | At Bethlehem Baptist Church in Anacostia, Washington, DC., Stokely Carmichael leads a discussion on ways to organize people. He stresses the responsibility of each person to organize people to achieve goal. He explains the power possible when people are properly organized. ACMA AV003065 d
Kwame Ture was a Trinidadian-American prominent socialist organizer in the Civil Rights Movement in the United States and the global Pan-African movement. Born in Trinidad, he grew up in the United States from the age of 11 and became an activist while attending Howard University.
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routledge.com/Tallinn-67-Jazz-Festival-Myths-and-Memories/Reimann/p/book/9780367415679: Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organizers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.Kwame Ture (fka Stokely Carmichael) at Howard U, 1972thepostarchive2021-10-26 | During a lecture to students at Howard University, Stokely Carmichael speaks about the movement of black people toward unity with a clear, common ideology based on science. He stresses black people must put theory into practice - organize and take action. He speaks about the differences between revolutionary and reform movements; Pan-Africanism; the All African People's Revolutionary Party; scientific socialism; nkrumahism; capitalism; and imperialism.
Note: Ture, at times, asks for the cameras to be turned off to comment privately. This adds to some of the ins and outs of the video/conversation
October 17, 1972, @ Cramton Aud., 8pm, Nkrumahism ACMA AV003075 d
Kwame Ture was a Trinidadian-American prominent socialist organizer in the Civil Rights Movement in the United States and the global Pan-African movement. Born in Trinidad, he grew up in the United States from the age of 11 and became an activist while attending Howard University.
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Edward Said: The Idea of Empire Arena Edward Said, a Palestinan writer, academic and exile, talks about his book "Culture and Imperialism" and explains how the attitudes forged over the last 200 years continue to enforce the relationship between the west and the developing world.
Edward Said reads from and explores the ideas of Frantz Fanon.Astronauts Awaken to Musicthepostarchive2021-10-21 | Astronauts Awaken to Music - Apollo 11, maybe,
Transmission
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Jazz at Massey Hall: Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roachthepostarchive2021-10-19 | Jazz at Massey Hall is a live jazz album featuring a performance by "The Quintet" given on 15 May 1953 at Massey Hall in Toronto. The quintet was composed of five leading 'modern' players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
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Charles Parker Jr., nicknamed "Bird" and "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.
John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz.
Earl Rudolph "Bud" Powell was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano.
Charles Mingus Jr. was an American jazz double bassist, pianist, composer and bandleader. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians
Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history.History of Jazz in Americathepostarchive2021-10-14 | If you are a copyright holder that would like something removed from my channel please message me on YouTube & I will respond so you do not need to file a DMCA Copyright Takedown Request with YouTube. Thank You.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Black-American Vietnam Soldiers Interview, on Racismthepostarchive2021-10-14 | African-American men share the experience of racism in Vietnam in the 1970s.
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Voice of America Music USA radio show on BigBandsSoul of Baltimore clipthepostarchive2021-10-07 | In a clip from Channel 2 News' 'The Soul of Baltimore' documentary from 1968, reporters cover the introduction of Black History as a subject in Baltimore City public schools. The school featured is Mount Royal, which still stands. Shameful that this didn't happen until '68
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Ricardo Eliécer Neftalí Reyes Basoalto, better known by his pen name and, later, legal name Pablo Neruda, was a Chilean poet-diplomat and politician who won the Nobel Prize for Literature in 1971.
When exiled Cuban poet Pablo Neruda (Philippe Noiret) arrives on a tiny Italian isle, there's so much new mail that Mario (Massimo Troisi), an unemployed, uneducated layabout, is hired as a postman. His job is simply to deliver Neruda's daily mail. Mario soon becomes a student of the poet, learning the art of poetry to woo a local barmaid (Maria Grazia Cucinotta) and tell about the struggles of the working-class villagers. A firm friendship develops, and the postman turns into a changed man.
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Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.