Youll Hear It
The Impossible Follow-Up: Michael Jacksons Bad
updated
Diallo Riddle and Luxxury of @OneSongPodcast join Adam and Peter to geek out on deep cuts and the genius behind hip hop’s greatest jazz samples. We explore how sampling has shaped both genres, why the art of “borrowing” has always been part of the jazz tradition, and why some jazz musicians don't get paid for their contributions to hip hop.
If you loved our episode with Nate Sloan and Charlie Harding from @Switched-On-Pop you’ll love this one. We cover a lot of ground, so check the chapters for song titles, or dive into our full playlist of every track we discuss. Find that here: open.spotify.com/playlist/3VBcaJpD65OPM4em2ia8Q3?si=-ExcJMCtR3KsSYjdFiAf9w
YHI x Switched On Pop episode on jazz influences in hip hop: youtu.be/Fm2suWFr-GQ
One Song episode on Patrice Rushen's "Remind Me": youtu.be/4i3tuwhn20M?si=L_qxZKLrbu9ndBVj
One Song episode on A Tribe Called Quest's "Electric Relaxation": youtu.be/WrKvbuvFAj4?si=eYYcEZqV3FfXP0wG
Get our newsletter for bonus stories that didn't make the pod:
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https://osjazz.link/yhi
Check out our full performance of Mystic Brew: youtube.com/watch?v=x6_ltgALdB4
00:00 - Opening Jam: "Mystic Brew" - Ronnie Foster
01:44 - Welcome Diallo and Luxxury from One Song
04:00 - Is It a Sample Or Interpolation?
7:20 - Peter's Pick: The Groove That's Sampled Over and Over
8:30 - Sample: "Jesus Walks" - Kanye West
12:10 - Sample: "To Zion" - Lauryn Hill
13:25 - Sample: "Bad Guy" - Eminem
14:05 - Sample: "L$D" - A$AP Rocky
15:40 - Diallo's Picks: The Song In Everyone's Hip Hop Classic
19:00 - What's That Sound?
21:15 - Sample: "One Love" - Nas feat. Q-Tip
22:48 - The Problem With "Sample Phantoms"
26:18 - Copyright Law vs Sampling
31:45 - Sample: "Soopaman Luva 3" - Redman
32:30 - Sample: "Ya Don't Stop" - The Beatnuts
33:50 - Diallo's Picks: Music For A Bike Ride In Paris
35:15 - Sample: "The World Is Yours" - Nas
37:00 - Sample: "E.L.E. 2 Intro" - Busta Rhymes
38:49 - What Jazz Musicians Bring To Hip Hop
40:20 - What "Borrowing" Looks Like In Jazz
42:50 - Diallo's Picks: Strangers In The Night
44:15 - "Return Of The Crooklyn Dodgers" - Crooklyn Dodgers '95
51:00 - Diallo's Picks: The Most Sampled Jazz Artist Of All Time
57:40 - Sample: "Circles" - Adam F
59:00 - Sample: "Break It Off" - PinkPanthress
1:01:00 - Exploring Patterns In Music With Luxxury
1:05:50 - Jazz Samples In "Electric Relaxation"
1:09:40 - Why Sample When You Can Play?
1:14:00 - Luxxury's Picks: Finally!
1:18:10 - Blue Note's First Foray Into Hip Hop
1:23:00 - How US3 Sanitized "Cantaloupe Island"
1:28:45 - Outro Jam: "Mystic Brew" - Ronnie Foster
With Hard Groove, Roy flipped the script: instead of lending his sound to the hip hop and neo-soul world, he invited those artists onto a jazz record. The result was a landmark project that blurred genres and redefined what jazz could be in the 21st century.
Less than 24 hours left to vote for You'll Hear It in the Signal Awards! Help us win a People's Choice Award for Best Music Podcast: vote.signalaward.com/PublicVoting#/2025/shows/genre/music
Check out our Voodoo episode: youtu.be/AYqmFNF2s0U
Watch the documentary "Hargrove": youtu.be/liK1u6DQQ4M?si=SZ83SNHazZX2JMIm
Start your free Open Studio trial for ALLLLL your jazz lesson needs:
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00:00 - Intro Jam: "I'll Stay"
06:10 - Why 2003 Was a Great Year for Music
7:05 - The Roy Hargrove x Peter Martin Connection
8:20 - Where Was Adam in 2003?
11:40 - The Sound of 2003
16:35 - Roy Hargrove's Early Years
18:40 - How Peter Met Roy Hargrove
23:50 - "Playa Playa" - D'Angelo
25:40 - "Cold Blooded" - Common
26:55 - "Hardgroove" - The RH Factor
30:50 - "Common Free Style" - The RH Factor, Common
36:40 - Why The Early Aughts Was So Revolutionary For Jazz
42:15 - What Wynton Thought of The RH Factor
43:50 - "I'll Stay" - The RH Factor, D'Angelo
49:30 - "Pastor 'T'" - The RH Factor
55:05 - "Poetry" - The RH Factor, Erykah Badu, Q-Tip
59:10 - "Forget Regret" - The RH Factor, Stephanie McKay
1:01:30 - "Liquid Streets" - The RH Factor
1:04:15 - "The Stroke" - The RH Factor
1:06:15 - "The Joint" - The RH Factor
1:09:30 - Quibble Bits
1:12:10 - How Snobby Is This Record?
1:14:00 - What to Check Out Next
1:16:00 - Help Us Win An Award!
1:18:10 - Outro Jam: "I'll Stay""
We dive into every song on Blue, breaking down her favorite chords and her vocal phrasing to understand what makes this album great. You’ll never hear this record the same way again.
Watch to the end to see the Open Studio band’s extended interpretation of our favorite song off this record: “River.”
You'll Hear It has been nominated for a Listener's Choice award for Best Music Podcast at the Signal Awards. Vote for us here: vote.signalaward.com/PublicVoting#/2025/shows/genre/music
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00:00 - Intro Jam: "River" - Joni Mitchell
02:00 - It's the Joni Mitchell Episode!
05:20 - Track: "All I Want"
08:15 - Joni Mitchell's Vocals As Horn Player
09:50 - The Jazz Album That Inspired Joni's Vocal Style
11:10 - Track: "My Old Man"
14:30 - Breaking Down Joni's Favorite Chords
16:00 - Track: "Little Green"
19:20 - Track: "Carey"
22:00 - Track: "Blue"
27:20 - Wayne Shorter's Advice to Joni
28:40 - Track: "California"
32:30 - Track: "This Flight Tonight"
34:00 - Track: "River"
40:50 - Track: "A Case of You"
42:45 - Track: "The Last Time I Saw Richard"
46:10 - The Best Interpretations of "River"
49:05 - The Only Apex Moment We've Ever Agreed On
51:30 - Quibble Bits: Can We Call This Album Perfect?
1:01:55 - Outro: "River" - Joni Mitchell
youtube.com/watch?v=AkaN-EICioA
Plus - we explore the striking similarities between jazz and hip hop, especially in the recording booth, and why we don't hear more jazz in the popular music canon.
Check out our Robert Glasper episode:
youtu.be/hsJpuqtNH9o
Listen to Switched on Pop:
switchedonpop.com
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00:00 - The Switched On Pop x You'll Hear It Crossover Episode!
6:30 - "Verses From The Abstract" - A Tribe Called Quest
13:03 - "Cold Blooded" - Common
17:35 - "Another Half" - Cautious Clay
24:00 - “For Free? (Interlude)” - Kendrick Lamar
27:00 - The Explicit Version of "For Free?"
31:15 - Key Moments of To Pimp A Butterfly
37:00 - "Blackstar" - David Bowie
42:00 - The Striking Similarities Between Pop And Jazz
47:05 - Is Blackstar A Jazz Record?
52:20 - Fact Checking Ourselves
Stevie wrote every song on this album, and played every instrument on many tracks. From "Too High" to "Living For The City" to "Don't You Worry 'Bout A Thing", we pull apart these incredible songs to spend time with the many sides of Stevie Wonder: bass player, drummer, lyricist, and vocalist. Plus -- we're bringing back the keys for this one so Peter and Adam can pull apart all the musical nuances that make jazz musicians love Stevie Wonder so much.
Adam gets into why jazz musicians love Stevie so much in our newsletter You'll Read It. Sign up for personal reflections and a behind-the-scenes look at the making of You'll Hear It: youllhearit.com/newsletter
Start your free Open Studio trial for ALLLLL your jazz lesson needs:
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This episode references our episode on Talking Book, "Is This Stevie's Greatest Album?" Check it out here: youtu.be/ymcy3ot116w
00:00 - Open Studio Jam - "Don't You Worry 'Bout A Thing"
01:50 - Introducing Today's Album: Innervisions
05:50 - Innervisions vs Talking Book
07:15 - What Makes The Early 70s So Special (Musically)
12:50 - Track: "Too High"
14:10 - Is Innervisions The First Psychedelic-Soul Album?
15:50 - Stevie Kicking Off With A Pattern Interrupter
17:30 - Breaking Down Too High with the Keys
20:30 - How Imperfections Make Innervisions a Perfect Album
23:00 - Stevie Wonder The Bass Player
27:00 - Stevie Wonder The Drummer
30:55 - Stevie Wonder The Lyricist
32:30 - Track: "Visions"
34:50 - Stevie Wonder The Vocalist
38:10 - Track: "Living For The City"
40:20 - Is This Stevie's Best Lyrical Song Ever?
48:00 - The Innervisions Skit You Don't Hear On The Radio
51:00 - Track: "Golden Lady"
52:00 - Desert Island Tracks: "Higher Ground"
56:20 - Desert Island Tracks: "Don't You Worry 'Bout A Thing"
57:30 - Adam Nerds Out On Harmonies
1:00:40 - What Makes This Album Great
1:03:00 - Red Hot Chili Peppers Cover "Higher Ground"
1:04:15 - Apex Moments: "Too High"
1:05:20 - Apex Moments: "Don't You Worry 'Bout A Thing"
1:07:35 - Bespoke Spotify Playlists
1:11:00 - Quibble Bits: "He's Misstra Know-It-All"
1:13:00 - Quibble Bits: "All In Love Is Fair"
1:15:10 - Snobometer
1:16:30 - Is It Better Than Kind Of Blue?
1:17:40 - Accoutrements: That Cover Is A 10!
1:19:00 - Up Next: The Best Of 1973
1:20:50 - Up Next: LCD Soundsystem
1:25:20 - Check Out Our Newsletter: You'll Read It!
1:24:10 - Sneak Peek: Up Next On You'll Hear It
1:24:40 - Outro Jam: "Don't You Worry 'Bout A Thing"
We dive into how their partnership played out on stage and in the recording studio over the years, and how their dynamic on Someday My Prince Will Come marks a handoff from ’50s jazz to the rock and roll sound of the ’60s, with Coltrane leading the way.
And Miles Davis, even more so than a masterful trumpet player or composer, was a tastemaker. From the musicians he picked, to the chord changes, to his choice of album art, we explore how this record brings it all together in one phenomenal package.
🟠 Get the YHI newsletter for bonus stories that didn't make the pod:
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00:00 - Intro Jam: "Someday My Prince Will Come"
3:20 - You'll Read It: The You'll Hear It Newsletter
4:40 - Introducing Today's Album: Someday My Prince Will Come
6:50 - The Most Important Relationship in Jazz: Davis and Coltrane
8:40 - Miles Davis the Tastemaker
9:30 - Why Miles Put His Wife, Frances, on the Cover
10:25 - Why Are There No Liner Notes?
12:35 - Track: "Someday My Prince Will Come"
14:45 - Check Out This Miles Davis Solo
16:30 - The Problem with Hank Mobley
18:35 - Wynton Kelly's Solo
20:30 - What Miles Davis Had to Say About Hank Mobley
22:00 - How a Disney Tune Became a Jazz Standard
23:50 - Track: "Old Folks"
25:20 - Let's Talk About Trumpet Mutes
29:45 - Track: Pfrancing
33:00 - Is Miles Davis the Least Copied Instrumentalist?
38:00 - The Tragic Context Surrounding This Record
39:25 - Track: "Drad-Dog"
41:30 - Track: "Teo"
44:00 - Track: "I Thought About You"
45:45 - The Mysterious Starting Chord for "I Thought About You"
49:15 - Desert Island Tracks
49:45 - Apex Moments: Wynton Kelly and Coltrane Solos
54:00 - Coltrane's Solo Sounds Like the 60s
55:55 - The Trend-Setting Magic of John Coltrane
57:30 - Quibble Bits: Could Use More Coltrane
59:00 - Snobometer
1:00:30 - Accoutrements
1:01:15 - What to Listen to Next
1:05:05 - Outro Jam: "Pfrancing"
The Blue Note pianist has been bending genres since the 90s, bringing together the best of traditional jazz and weaving it seamlessly with R&B, hip-hop, soul and rock & roll. And it all fits, because Glasper is equally at home in all of these categories. He grew up listening to all kinds of music, like Nirvana, Billy Joel, Busta Rhymes -- everything. Black Radio, he says, was a way to put his "life on wax".
Rob Harvilla from 60 Songs to Explain the 90s: The 2000s joins Adam and Peter to dive into what makes this album great, and how it refutes from any attempt to categorize it. From the J. Dilla Influence, to Casey Benjamin's album-defining flute, to the Erykah Badu of it all, you'll never hear this album the same way again.
And this album inspired what is possibly our best YHI outro yet. Let us know if you agree!
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2:10 - Welcome to Our Special Guest!
3:30 - Why We're Talking About Robert Glasper's Afro Blue
5:40 - The Herbie Hancock Detour
6:55 - The Unexpected Origin of Headhunters
10:15 - 1978: The Year Herbie's and Robert's Paths Collide
12:00 - Robert Glasper's Herbie Hancock-Radiohead Mashup
13:30 - How Herbie Hancock and Robert Glasper Upset Traditionalists
15:00 - How the Young Lions Paved the Way for Glasper
16:40 - When Peter First Met Robert Glasper
18:10 - How Glasper Earned Respect from an Early Age
22:30 - Let's Talk About Glasper's Black Radio
23:45 - Robert Glasper's "Smells Like Teen Spirit"
26:30 - The Many Interpretations of "Afro Blue"
29:30 - Robert Glasper's "Afro Blue"
33:00 - The Erykah Badu of it All
36:30 - Why Everyone Said Erykah Badu was the Next Billie Holiday
38:00 - What is Black Radio Without Casey Benjamin
40:00 - The J. Dilla Influence
42:05 - The Busta Rhymes Influence
44:00 - Chris Dave's Influence on Drummers
47:40 - Our Favorites From Black Radio and Beyond
50:00 - What You Should Be Listening to Next
52:35 - The Best YHI Outro of All Time?
Heartbreak is encoded in every song, from Lindsey Buckingham's "Never Going Back Again" to Christine McVie's "You Make Loving Fun" to Stevie Nick's "Dreams". But in spite of ... or maybe because of? ... this turmoil, Rumours has become one the best selling albums of all time.
Peter and Adam listen to this pop rock masterpiece front-to-back, deconstructing each song (and the stories behind them) to understand what makes this album great.
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00:00 - Gold Dust Woman
02:00 - Why Are Jazz Musicians Talkiing About Rumours?
04:00 - The Turmoil Behind the Making of Rumours
8:04 - Track 1: Second Hand News
11:40 - Track 2: Dreams
17:25 - Track 3: Never Going Back Again
19:40 - What Makes 'Never Going Back Again' a Perfect Track
21:30 - Track 4: Don't Stop
24:45 - Track 5: Go Your Own Way
26:00 - Track 6: Songbird
28:00 - Track 7: The Chain
29:25 - Remember Bands?
31:35 - Track 8: You Make Loving Fun
33:25 - Track 11: Gold Dust Woman
36:25 - Categories: Our Desert Island Tracks & Apex Moments
40:25 - Does This Album Have TOO Much Drama?!
46:35 - Take Our Survey. Win a Prize!
47:05 - YHI Does 'Gold Dust Woman'
Full podcast episode on Herbie Hancock's seminal "Maiden Voyage" ➡ youtu.be/ZQ6ICxe2wjE
The roots of Maiden Voyage date back in 1963, when Herbie began hearing rumors that Miles Davis wanted to hear him play. He didn't believe it at first -- Miles was at the height of his celebrity by this point. But soon he got a call. He went over to Miles's house and played with him, George Coleman, Tony Williams and Ron Carter for three days. On the third day, Miles asks the group to come to studio to record Seven Steps to Heaven. Herbie says, "Does that mean I'm in the band?" Miles says, "You're making the record, mother f**cker!"
After two years playing in what many call the one of the greatest jazz ensembles of all time, Herbie would release Maiden Voyage in 1965. Along with George, Tony and Ron, plus trumpeter Freddie Hubbard. Although it is one of his simplest tunes -- with a rhythm inspired by a cologne commercial -- Maiden Voyage would become a favorite and a standard among jazz musicians.
In this episode, you'll hear:
- Adam and Peter pick apart the greatest moments from the album, including some perfect solos
- The story of the commercial roots of this jazz standard
- Where the record got its aquatic theme
- Why a great song starts with a great bassline (just ask Ron Carter)
- How this record could have been even better ... if it weren't for that piano sound
- Where we land on Van Gelder Sound controversy
🟠 Get the YHI newsletter for bonus stories that didn't make the pod:
youllhearit.com/newsletter
🔵 Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://osjazz.link/yhi
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Want more Herbie Hancock content? Learn why Herbie's greatest era is not even jazz on last season's episode on Headhunters. youtube.com/watch?v=wM-_44deuSY
0:00 - Intro Jam: Maiden Voyage
1:35 - Welcome + How to Win a Prize
2:20 - Introducing Herbie Hancock's Maiden Voyage
3:25 - How Herbie Hancock Came to Play with Miles Davis
5:20 - "You're Making the Record, Mother F**ker!"
7:10 - Shout Out to Liner Notes
8:26 - Why We Love Maiden Voyage
10:00 - Is Maiden Voyage the Best Song Herbie Has Ever Written?
10:55 - Track 1: Maiden Voyage
12:30 - Is George Coleman's Maiden Voyage Solo Perfect?
16:15 - The Key Difference Between George Coleman and Freddie Hubbard's Solos
17:10 - Herbie's Stroke Of Genius on Maiden Voyage
18:05 - The Simple, Unsettled Rhythm Grounding Maiden Voyage
22:00 - How the Maiden Voyage Rhythm Was Almost Lost Forever
23:20 - Miles Davis's Eighty-One was a Precursor to Maiden Voyage
24:11 - What a Great Bassline Matters so Much to a Great Song (Just Ask Rob Carter)
25:25 - The Commercial Roots of Maiden Voyage
27:10 - How Maiden Voyage Got Its Spiral Structure
28:13 - Track 2: The Eye of the Hurricane
29:38 - Pulling Apart Eye of the Hurricane: Tony Williams's Drums, Freddie Hubbard's Trumpet, George Coleman's Saxophone
33:25 - The Dual Life of "Little One" - E.S.P and Maiden Voyage
34:24 - Track 3: Little One
35:50 - Track 4: Survival of the Fittest
36:58 - The Inspiration for "Dolphin Dance": Count Basie's "Shiny Stockings"
38:25 - Track 5: Dolphin Dance
41:38 - Desert Island Tracks
42:15 - Apex Moments on Maiden Voyage
46:10 - Herbie's Greatest Solo ... if it Weren't for the Piano Sound
46:50 - Let's Talk About the Rudy Van Gelder Sound
49:54 - Bespoke Spotify Playlists
50:36 - Snobometer
50:58 - Better than KOB?
51:48 - Accoutrements: Album Cover and Liner Notes
52:30 - How to Win a Special Prize! Check Out the Survey at youllhearitsurvey.com
53:15 - Outro Jam: Maiden Voyage
Your destination for laid‑back jazz chats, nerdy chords, and genuine conversations with Adam Maness and Peter Martin.
If you love spontaneous piano sessions, deep dives into jazz theory, or discovering community around two laid‑back hosts, you’re in the right place.
We dive into the story behind this remarkable album, including Steve Gadd's famous drum beat and how Stevie Wonder's Innervisions may have been the catalyst for Paul Simon's divorce?! Plus - Adam shares why this has been such a transformative album for him, and how it influenced his playing.
And, we ask: Is this the ultimate sad boy album? Is this the apex moment of boomerism? We kick off our new season with these questions and so much more!
🟠 Get the YHI newsletter for bonus stories that didn't make the pod:
youllhearit.com/newsletter
🔵 Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://osjazz.link/yhi
00:00 - Intro Jam: 50 Ways to Lose Your Lover
1:30 - Introducing Justin Richmond from Broken Record!
4:01 - How jazzy is Still Crazy? More than you think!
4:59 - Paul Simon's early years falling in love with doo-wop
8:25 - How Justin Richmond came to love music
10:10 - How doo-wop informed Simon and Garfunkel
12:05 - The shower thought that led to Paul Simon's Grammy-winning album
14:33 - Track 1: Still Crazy After All These Years
17:46 - Analyzing Still Crazy: Understated and gentle
19:30 - Stems: Simon's conversational vocals
23:06 - The Muscle Shoals Rhythm Section toning it down for Still Crazy
24:30 - Track 2: My Little Town
28:15 - Analyzing My Little Town: This shouldn't work!
33:03 - Track 3: I Do It For Your Love
35:32 - Analyzing I Do It For Your Love: The ultimate 'sad boy' album?
37:58 - The day Peter met Bob James
38:55 - Herbie Hancok's version of I Do It For Your Love
44:00 - Track 4: 50 Way to Leave Your Lover
45:10 - The rhyming game that inspired 50 Ways
46:20 - Where the Steve Gadd drum beat came from
49:40 - Why Steve Gadd is a drummer's drummer
53:17 - Track 8: Have A Good Time
56:35 - Analyzing Have A Good Time: That saxophone solo!
58:25 - How has Still Crazy aged?
59:15 - The ultimate Boomer album?
1:01:25 - Track 9: You're Kind
1:03:00 - The apex moment of "Boomerism"
1:07:25 - Desert Island Tracks
1:09:00 - Apex Moments
1:10:25 - Lorne's Hamptons Playlist
1:14:40 - Quibble Bits: Where's Slip Slidin' Away?
1:20:45 - Snobometer: How snobby is Still Crazy?
1:22:20 - Is Still Crazy better than KOB?
1:24:40 - Accoutrements: Moustache, Indiana Jones hat and a sad smile
1:31:20 - What's coming up on Broken Record
1:32:42 - Outro Jam: 50 Ways to Lose Your Lover
You'll Hear It x Broken Record
which we're calling You'll Hear It Season 12, and ask:
- What are our apex moments?
- What are our desert island tracks?
- Is season 12 better than Kind of Blue?!
And - we hear from you, dear listeners. You sent in your questions on Speakpipe, and we answer them. Plus - look ahead at what's coming up next season.
☎️ Leave us a Speakpipe: youllhearit.com/leave-a-message
New to You'll Hear It? Start with these apex moments:
🔴 What's Going On - Marvin Gaye: youtube.com/watch?v=PHowrEiaInQ
🔴 Talking Book - Stevie Wonder: youtube.com/watch?v=ymcy3ot116w
🔴 (Honorable mention) Voodoo - D'Angelo: youtube.com/watch?v=AYqmFNF2s0U
Larry Goldings' Jazz Organ Essentials:
🟠 Listen to Larry's favorite organ tracks: youtu.be/MGMmJ1Jhx6U
🔵 Start your FREE TRIAL to Larry's new course: https://osjazz.link/goldingsYHI
00:00 - The FINAL episode of YHI Season 12
2:25 - Have a question for us? Here's how to get in touch
4:35 - Why the pod called "You'll Hear It"
6:25 - Are we ever surprised by music anymore?
14:20 - What do we think of modern Blue Note jazz like James Francies
18:13 - Oscar Peterson: Behind, ahead and on top of the beat
24:38 - Our favorite emojis to convey stank face
26:30 - How to be a good mentor, mentee, and what we learn from each other
34:00 - Why Adam adopted a daily meditation practice
37:27 - The most powerful message to help young pianists grow
38:55 - Fun stats from this season of You'll Hear It
39:45 - The albums better than Kind of Blue
41:00 - The snobbiest albums we rated this season
42:40 - Is the 1970s the best decade for music?
44:25 - You'll Hear It's ultimate desert island tracks
45:20 - Our best apex moments this season
48:25 - Check out these pods!
49:15 - Quibble Bits: Should we bring back the keys?!
50:55 - Snobometer: How snobby is this You'll Hear It?
51:15 - Is this season of You'll Hear It better than KOB?
52:00 - Accoutrements: Shout outs to the production team and the legendary Palm Springs cardigan
54:10 - GALA (Gentlemen and Ladies Agreement)
From Duke Ellington's swinin' take on Peer Gynt to George Gershwin's Rhapsody in Blue, we explore the tunes and the musicians blurring the line between jazz and classical. Josh, Adam and Peter each bring their own picks to the conversation, and have the best time breaking it all down.
Nerdy? Extremely. Snobby? A little. Fun? Heck yeah!
🟠 Check out Josh’s insightful dives into the classical canon on Sticky Notes Podcast: stickynotespodcast.libsyn.com
🔵 Join Open Studio for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
00:00 - Intro jam:
2:30 - YHI goes classical: Introducing our special guest Josh Weilerstein from Sticky Notes
4:53 - Josh Weilerstein's relationship with jazz as a classical musician
7:08 - Why Peter had to hide his jazz playing at Julliard
11:10 - Track: Ravel's Piano Concerto in G Major - Cleveland Orchestra with Cristian Zimmermann
16:30 - How the Cleveland Orchestra stacks up against major American orchestras
17:50 - Track: Herbie Hancock's version of Ravel's Piano Concerto in G Major
19:00 - How does Herbie Hancok's interpretation compare to Cristian Zimmermann
21:27- Track: In the Hall of the Mountain King - Duke Ellington's version
22:52 - How Duke Ellington made classical standards swingin'
24:28 - From Bartók to Gershwin: How great musicians bridge genres
25:35 - How Bartók became so important to 20th century music
28:00 - The story behind Duke Ellington's symphonic jazz composition "Harlem"
30:15 - Track: Harlem - The Detroit Symphony Orchestra
34:09 - Track: Gershwin's Rhapsody in Blue - Leonard Bernstein
35:37 - Josh breaks down Rhapsody in Blue
38:00 - Track: Rhapsody in Blue - Paul Whiteman Orchestra & George Gershwin
41:05 - Track: Blue Rondo à la Turk - Dave Brubeck Quartet
43:20 - How Take Five makes classical musicians want to play jazz
45:52 - What it's like for jazz musicians and classical musicians to play together
50:00 - Shout outs to musicians and composer who didn't make the episode
53:30 - Track: Concierto de Aranjuez: Adagio - Miles Davis and Gil Evans
55:44 - Track: Concierto de Aranjuez: Adagio - Paco de Lucía
58:24 - Snobometer: The ultimate classical vs jazz snob-off
1:02:25 - Extro jam:
Check out our full performance - youtu.be/suQD8abU6Aw
0:00 - Intro
3:00 - Why John Coltrane's Giant Steps is ICONIC
8:50 - Track 1: Giant Steps
14:00 - The stories behind Giant Steps, Tommy Flanagan, and more
18:48 - Coltrane's mindblowing solo
24:48 - Track 2: Cousin Mary
32:25 - Track 3: Countdown
37:35 - Track 4: Spiral
40:30 - Track 6: Naima
46:14 - Track: Mr. P.C.
49:00 - Desert Island Tracks and Apex Moments
53:15 - Does Giant Steps make you anxious? Is it snobby?
57:00 - Outro
ABOUT OPEN STUDIO
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As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.
Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you’re a total beginner, or an advanced pro-level improvisor.
🟠 Start your FREE TRIAL to Larry’s new course: Jazz Organ Essentials: https://osjazz.link/goldingsYHI
🔵 Watch Adam’s organ lesson with Larry: youtu.be/I27T9CnhdmI
0:00 - Introducing Open Studio's New B3 Course with Larry Goldings
1:50 - Track: "Oh No, Babe" -- The Incredible Jimmy Smith
9:25 - Track: "Blues from New Orleans" - Wild Bill Davis on Duke Ellington's New Orleans Suite
14:45 - Track: "Moanin'" - Ray Charles with Arrangement by Quincey Jones
17:30 - Track: "Unity" - Larry Young
21:25 - "Why I Stopped Listening to Bill Evans" - Larry Goldings on His Jazz Influences
22:40 - The Moment that Changed Larry Goldings's Playing Forever
25:33 - How Jazz Masters Diversify Their Influences to Improve Your Playing
29:30 - Track: "Bridge Over Troubled Water - Aretha Franklin with Billy Preston
ABOUT OPEN STUDIO
------------------------------------------------------------------------------------------------------------------------------------------------------------
As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.
Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you’re a total beginner, or an advanced pro-level improvisor.
With Questlove’s “Dilla-drag” drumming, Pino Palladino’s funky bass lines, Roy Hargrove’s jazzy horn arrangements, and Charlie Hunter’s chicken-picking guitar, Voodoo is packed with the kind of cross-genre musicality that makes jazz musicians lose their minds.
🟠 Listen to your favorite YHI jams, original tunes and more: https://osjazz.link/music
🔵 Join Open Studio for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
0:00 – Intro Jam: The Voodoo Vibe Begins
2:43 – Why You Couldn't Miss Voodoo in the 2000s
5:55 – D’Angelo’s Roots: Church, Gospel, and Jazz Influence
9:45 – Track 1: “Playa Playa”
19:55 – How Pino Palladino and D’Angelo Connected
20:40 – D’Angelo x BB King: “Ain’t Nobody Home”
22:40 – How D’Angelo Discovered Charlie Hunter
24:13 – Jazz Musicians React to the Spanish Joint Demo
26:05 – Track 8: “Spanish Joint”
29:30 – Isolated Stems from “Spanish Joint”
37:00 – Track 5: “Send It On”
42:07 – Track 10: “Feel Like Makin’ Love”
44:50 – D’Angelo’s First Album: Brown Sugar vs Voodoo
46:00 – Raphael Saadiq’s Influence on Voodoo
49:30 – Track 5: “Chicken Grease”
54:15 – “Untitled (How Does It Feel)”: The Music Video That Changed Everything
55:23 – Track 12: “Untitled (How Does It Feel)”
1:01:05 – Apex Moments: Chord Progression in “Untitled”
1:10:25 – Outro Jam: Reflecting on *Voodoo
ABOUT OPEN STUDIO
------------------------------------------------------------------------------------------------------------------------------------------------------------
As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.
Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you’re a total beginner, or an advanced pro-level improvisor.


