Irving Finkel teaches how to write cuneiform I Curators Corner S4 Ep9 #CuratorsCorner The British Museum 2018-12-07 | When presented with a meeting-free Friday afternoon we did what any normal person who has access to Irving Finkel would do - we asked him to teach us cuneiform. We're not really sure Nick learned anything, but hopefully you will.If you want to learn cuneiform from the man himself, Irving has written a book to help you with just that. It also includes the cheat sheet we were both using: bit.ly/3wJzm5xOutside the UK? Get it here: bit.ly/3NvdH6UThe Ashurbanipal exhibition is now over, however you can get the exhibition book here: bit.ly/3JPaH31Outside the UK? Get it here: bit.ly/36ARl3tThe BP exhibition I am Ashurbanipal: king of the world, king of Assyria 8 November 2018 – 24 February 2019Book now goo.gl/wUnur2Supported by BPLogistics partner IAG Cargo#Ashurbanipal #CuratorsCorner #IrvingFinkel
The earliest images of Indigenous Americans and a slave penny | Hew Locke: what have we here? The British Museum 2024-10-17 | For the last two years Guyanese-British artist Hew Locke has been working with over twenty specialist curators, behind the scenes of the British Museum for the exhibition 'Hew Locke: what have we here?'.Taking objects from the exhibition, Hew explores their difficult, messy histories and colonial pasts with Co-curator Isabel Seligman and Keeper of Coins and Medals Tom Hockenhull.Co-curator Isabel Seligman explains how these watercolours of Algonquians, in what is present day North Carolina, show England’s first glimpse of the New World. So, why is there such a resemblance to Greek or Roman statues?And Keeper of Coins and Medals Tom Hockenhull asks why a plantation owner in the Caribbean Island of Barbados in 1788 minted his own coins with the face of an African man, wearing a coronet and three ostrich feathers, the heraldic symbol of the Prince of Wales?00:00 - 00:49 Introduction 00:50 - 02:11 Who is Hew Locke? 02:11 - 06:02 John White Illustrations with Isabel Seligman06:03 - 06:54 Asking questions of the collection 06:55 - 07:58 Amerindian feather headdress.08:17 - 11:37 Barbados slave penny with Tom Hockenhull 11:38 - 12:52 Hew Locke and Nicholas Cullinan Image credits1. Photo of Hew Locke “Armada” at Royal Academy taken by Jon Stephens (00:55)2. Photo of Hew Locke “The Procession” at Tate Britain, taken by Stephanie Jong (00:57)3. Photos of The Watchers (x4), provided by the British Museum (01:14)4. Photo of Hew Locke as a child, provided by Indra Khanna (01:33)5. Guyana Independence Ceremonies, provided by eFootage.com (01:39)6. The Spanish letter of Columbus to Luis de Sant'Angel : dated 15 February, 1493, reprinted in reduced facsimile, and trans. from the unique copy of the original edition (printed by Johann Rosenbach at Barcelona early in April 1493) - Internet Archive Book Images, No restrictions, via Wikimedia Commons (03:17)7. A briefe and true report of the new found land of Virginia - Courtesy of the John Carter Brown Library (03:23)8. Bulletin (1948) (19806272323).jpg - Smithsonian Institution. Bureau of American Ethnology, No restrictions, via Wikimedia Commons (07:07)9. Bulletin (1948) (20239102610).jpg - Smithsonian Institution. Bureau of American Ethnology, No restrictions, via Wikimedia Commons (07:09)
Smuggling Domesticated Silkworms along the Silk Roads | Curators Corner S9 Ep8 | The Silk Princess The British Museum 2024-09-26 | At some point around AD 600-700, a legend started spreading about a princess who snuck mulberry tree seeds and silkworm eggs into the Buddhist kingdom of Khotan (present-day northwest China).Sericulture, the ancient Chinese technique of silk farming, had been kept a secret for thousands of years. Integral to this technique were silkworms that had been bred to evolve into moths without wings, and needed a strict diet of white mulberry tree leaves (morus alba).Khotan desperately wanted access to this incredibly lucrative business, and so a political marriage (with a little act of matrimonial smuggling) was arranged with a princess from a nearby 'eastern kingdom'. The princess hid mulberry tree seeds and silkworm eggs in her headdress, crossed the border, married the king, introduced sericulture to her new kingdom, guaranteed that her wardrobe was continually updated with fresh silk robes and eventually became a venerated figure of near-saintly status - not bad for a single day's smuggling?Join curator Yu-ping Luk for a legendary journey along the Silk Roads.Silk Roads EXHIBITION TICKETS: https://shorturl.at/i4tgaSupported by The Huo Family FoundationAdditional supportersJames BartosThe Ruddock Foundation for the Arts Uzbekistan Art and Culture Development FoundationCONTENT WARNING:You may end up feeling like you didn't quite achieve enough on your own wedding day. You aren't a legendary princess in the 7th c. You are enough.No silkworms were harmed in the making of this video. The same can't be said for your silk dressing gown (unless it came from Khotan!).0:39 Silk Princess Painting British Museum1:00 The Legend of the Silk Princess2:38 What is Sericulture?4:28 History of Silk production in China5:25 How did Sericulture Silk Farming get to Khotan?7:40 The Spread of Buddhism on the Silk Roads8:38 Dadan-Uiliq#curatorscorner #silkroad #silk
This Roman Sculpture is NOT on display at the British Museum (currently) | Curators Corner S9 Ep7 The British Museum 2024-09-12 | In 1865, a selection of objects in the British Museum was registered in ‘The Secretum’ – a catalogue of objects deemed unsuitable for display because they were seen as being ‘morally dangerous material’. As this was Victorian England, it probably doesn’t shock you that most of the objects were sexual in nature. The Roman sculpture of a nymph and satyr was one of these objects. Join former catalogue manager (now a curator in the Department of Greece and Rome) Vicky Donnellan on a journey through the exhibition and cataloguing history of this Roman sculpture, since its rediscovery 250 years ago. This is a deep dive into the different ways an object has been catalogued over time, showing that the process of cataloguing objects is not straightforward, objective or unchanging. Catalogue records are a combination of our current understanding of the past and, more potently, the values and perceptions of those in charge of cataloguing at any one time.GENUINE CONTENT WARNING: This video focuses on a classical depiction of attempted sexual assault, which is shown early in the video and throughout, and features other ancient sexually-themed objects.Updated Roman Nymph and Satyr object record: britishmuseum.org/collection/object/G_1805-0703-200:20 Roman Nymph and Satyr Sculpture Townley British Museum1:14 What is a Nymph?2:00 Nymph head restoration2:55 Breaking down a Museum Number3:21 Archives of the British Museum Reading Room3:57 Townley’s original description of the Nymph and Satyr4:06 When and where was the Nymph and Satyr found?4:27 Was the head missing when the Nymph and Satyr was discovered?4:48 Who restored the head of the Nymph?5:40 Classical sculpture collecting in 1700s6:20 Where did Townley keep his sculptures?7:50 Townley’s descriptions of the Nymph and Satyr08:38 When did the Townley Collection enter the British Museum?09:25 When was the Nymph and Satyr taken off display?10:31 The British Museum Secretum11:50 Readdressing the sculptures content12:20 How does the British Museum register objects?Image attributions:Bust of Charles Townley @3:20 - Osama Shukir Muhammed Amin FRCP(Glasg), CC BY-SA 4.0, via Wikimedia CommonsMelpomene (Hall of the Muses) @8:30 - Yair Haklai, CC BY-SA 4.0, via Wikimedia CommonsNymph and Satyr on Exhibition @12:00 - Romerin, CC-BY-3.0, via Wikimedia CommonsNymph and Satyr on Exhibition @12:07 - Joanbanjo, CC-BY-3.0, via Wikimedia Commons
Archaeologists keep re-excavating this 4000-year-old brick | Curators Corner S9 Ep6 The British Museum 2024-08-29 | This is the story of a very unassuming Sumerian brick. Sure, it bears the names of mighty gods, powerful kings and contains 'the most powerful statement written anywhere in the world', but it's also quite a common brick to come across (if you're digging at Tello, Iraq). In fact, just how easy it is to find one of these bricks is exactly what makes this specific one so unique. Because this one specific example of the 'Gudea foundation brick' has been excavated and then re-excavated by archaeologists on 3 separate occasions: the third time was in 2016, the second in the 1880s, and it was originally excavated around 323 BC (that's 2,300-years-ago).Join Sébastien Rey, curator of ancient Mesopotamia as he walks you through the discovery of the Sumerian civilization in the 1880s and how it took archaeologists another 100 years of excavating to realise that they had been excavating through the work of a previous archaeologist. The archaeologist? Adad-nadin-akhe. His commissioner? Alexander the Great.CONTENT WARNING:We will find French undies in an ancient Sumerian city. Or should it be we found? After editing this video I'm not exactly sure I can think in linear time anymore.Heavily features the archaeology of archaeology. Linear time will mean nothing. You will eat your own tail. Bring tea.Find out more about the work of the Girsu Project here: britishmuseum.org/research/projects/girsu-project00:30 The most OTT intro yet00:43 Ancient Girsu explainer01:22 Yes archaeologists are up there with heroes and kings01:30 A history of ancient Girsu Tello02:05 Ernest de Sarzec's excavations at Tello ancient Girsu03:15 Get your painkillers ready03:23 Overview of British Museum excavations at Tello Ancient Girsu03:49 Rescuing the Bridge of Girsu04:24 How we re-excavated the 2 bricks05:03 Fun fact: Irving rang Sébastien asking him to flip over bricks in case there was a board game on the underside of one of them. Sébastien found one 2 days later05:10 yeah, we genuinely found French undies in an ancient Sumerian city05:35 And now, bricks05:50 Foundation inscription of King Gudea translation7:27 House of the 50 Powers, Temple of the White Thunderbird translation8:55 The most powerful statement in the world!9:05 To make things function as they should.9:30 Full translation of Gudea foundation inscription9:49 Foundation brick of Adad-nadin-akhe11:11 Temple of Alexander the Great in Iraq12:12 What was the building Sarzec excavated?12:26 Adad-nadin-akhe first archaeologist of Iraq13:19 Meaning of name Adad-nadin-akhe13:46 Coin of Alexander found in Girsu shrine14:10 New meaning of Adad-nadin-akhe14:28 The meaning of the Twin Temple of Herakles/Ningirsu and Alexander the Great14:52 Recap of exactly how we ended up excavating the same brick 3 times15:56 Next Episode Taster#CuratorsCorner #mesopotamia #MakeThingsFunctionAsTheyShould
Trust us, this brick is interesting The British Museum 2024-08-29 | This is the story of a very unassuming, Sumerian brick. Sure, it bears the names of mighty gods, powerful kings and contains 'the most powerful statement written anywhere in the world', but it's also quite a common brick to come across (if you're digging at Tello, Iraq). In fact, just how easy it is to find one of these bricks is exactly what makes this specific one so unique. Because this one specific example of the 'Gudea foundation brick' has been excavated and then re-excavated by archaeologists on 3 separate occasions: the third time was in 2016, the second in the 1880s, and originally around 323 BC (that's 2,300-years-ago).Catch the full video here: youtube.com/watch?v=ffWBf0HmuqA
The life of an (extra)ordinary Roman soldier | Curators Tour of Legion: life in the Roman Army The British Museum 2024-08-15 | How did you join the Roman army? What was life like in it? And if you were lucky enough to survive 25 years of service, what was your pension plan?Join curators Richard Abdy and Carolina Rangel de Lima as they walk you through the entire life of Claudius Terentianus; a foreign soldier who joined the Roman army, eventually earned his dream of becoming a legionary, and eventually lived out his days as a retired Roman citizen.In Legion: Life in the Roman Army, the letters of this plucky, ambitious soldier forms the basis of an exhibition that explores the lives of the ordinary citizens who helped form the most infamous fighting force of the ancient world.If you'd like a catalogue for Legion: life in the Roman army, you can buy one here: https://rb.gy/mw1lgh00:00 Introduction to Legion: life in the Roman army British Museum Exhibition01:16 How to join the Roman Army02:28 Roman Military Training02:58 Roman Military Oath Sacramentum04:00 Positions in the Roman Army07:20 Roman Army Equipment09:00 Only Surviving Roman Shield Scutum10:15 Roman Legionary Army Cuirass11:33 Life in a Roman Fort15:25 Retirement from the Roman Army17:00 What happened to Claudius Terentianus?#military #Roman #britishmuseum
The Babylonian Map of the World with Irving Finkel | Curator’s Corner S9 Ep5 The British Museum 2024-08-01 | The Babylonian map of the world is the oldest map of the world, in the world. Written and inscribed on clay in Mesopotamia around 2,900-years-ago, it is, like so many cuneiform tablets, incomplete. However, Irving Finkel and a particularly gifted student of his - Edith Horsley - managed to locate a missing piece of the map, slot it back into the cuneiform tablet, and from there set us all on journey through the somewhat mythical landscape of Mesopotamia to find the final resting place of the ark. And yes we mean that ark, as in Noah's ark. Although in the earlier Mesopotamian version of the flood story, the ark is built by Ziusudra.CONTENT WARNING:Contains a baby Irving. His beard is not white.00:00 Intro00:52 Ancient Mesopotamian Cuneiform Tablets01:48 The oldest map of the world, in the world02:07 What is the Babylonian Map of the World?02:34 The Babylonian Map of the World explained04:13 What are the triangles on the Babylonian Map of the World?06:17 Missing triangle on the Babylonian Map of the World06:52 Edith Horsley - Cuneiform LEGEND07:20 Channel 4 News report on Babylonian Map of the World September 199508:32 BABY IRVING!09:48 What the missing piece revealed11:39 The ark and parsiktu-vessel13:22 Mount Ararat and Mount Urartu14:18 What does it all mean?15:07 Author of Babylonian Map of the World17:07 Next episode of Curator's Corner youtube.com/watch?v=ffWBf0HmuqA#mesopotamia #curatorscorner #babylon
Michelangelo in under a minute with Curator Sarah Vowels #arthistory #Michelangelo The British Museum 2024-07-25 | Don't miss your last chance to see this amazing collection of drawings, letters, sculptures, paintings and object d'art from the last 30 years of Michelangelo's prolific career. The exhibition must end on Sunday 28 July.
The Art and Drama of Michelangelos Last Decades | Curators Tour British Museum Exhibition The British Museum 2024-07-11 | In 1534, Michelangelo left Florence for Rome, never to see his native city again. He was 59, which many contemporaries regarded as old, but for Michelangelo this move marked the beginning of a dramatic new chapter which would fundamentally shape his experiences as an artist and as a man.Join British Museum curators Grant Lewis and Sarah Vowles as they take you on a tour of our exhibition Michelangelo: the last decadesTICKETS: https://rb.gy/goojc4Supported by James Bartos, Dunard Fund and a gift in memory of Melvin R. SeidenGrant Lewis is The Milein Cosman Project Curator: Michelangelo: the last decadescosmankellertrust.org
Michelangelo’s Blueprints for the Sistine Chapel Ceiling (and also a wall) | Curator’s Corner S9 Ep4 The British Museum 2024-06-27 | Famously, Michelangelo painted the Sistine Chapel ceiling. Less famously, Michelangelo hated the Sistine Chapel ceiling – or at least the process of painting it. And we’re fairly certain that at the end of the 4-year process he swore he’d never do anything like it again.But while he was a hugely successful artist, Michelangelo was a much less successful… not artist i.e. he was very bad at turning down work he didn’t want to do. Especially when he was asked to do it by the Pope.So, 25 years after completing the ceiling, Michelangelo returned to paint the Sistine Chapel. This time, one of its walls. And while you might think that’s easier, the wall is huge, he was now 61-years-old, and also at some point he fell off the scaffolding. Join curator Grant Lewis as he takes you through Michelangelo’s process of conceptualizing, planning and painting the Sistine chapel - both the Creation of Adam and the Last Judgement. You'll get to spend time with Michelangelo's initial sketches and cartoons, right through to the final paintings. And if by the end of it you want to spend even more time with the great master's work, our exhibition all about Michelangelo is open until the end of July 2024.Michelangelo: the last decades TICKETS: https://rb.gy/goojc4Supported by James Bartos, Dunard Fund and a gift in memory of Melvin R. SeidenGrant Lewis is The Milein Cosman Project Curator: Michelangelo: the last decadescosmankellertrust.orgCONTENT WARNING:The 16th century is famed for its artistic innovations, not it’s OHSAS 18001 compliance.#CuratorsCorner #Michelangelo #LastJudgement #CreationOfAdam
We found a lost temple using maths sent by an ancient Sumerian god | Curators Corner w. Matt Parker The British Museum 2024-06-13 | It's not every day you get to say 'I found a lost, presumed to be mythical, ancient Sumerian temple'. Unless you're curator of ancient Mesopotamia Sébastien Rey. Because he did exactly that - rediscovering the Temple of Ningirsu in Girsu, in Southern Iraq. And he did it by cracking an ancient Sumerian maths puzzle that had stumped archaeologists for over 140-years.Join Matt Parker and find out how unit fractions and predictive archaeology are 'way better than the golden ratio'.Hugh thanks to Matt Parker for coming along for the ride. You can check out his video with curator Ilona Regulski on the Rhind Mathematical Papyrus here: youtube.com/watch?v=g_qbIsltNmQIf you've been inspired by Ilona and Matt, and want to learn to read ancient Egyptian hieroglyphs you can do so with this video: youtu.be/LwZB0MsXCjQIf you'd like to find out more about how we excavate at Tello, ancient Girsu, you can watch us excavate a cuneiform tablet from the ground, watch it being conserved, translated and delivered to its final home in the Iraq Museum in Baghdad: youtu.be/dwGmyy2AabgFind out more about the work of the Girsu Project here: britishmuseum.org/research/projects/girsu-project00:20 Setting Matt Parker an ancient Sumerian Maths problem01:15 Matt's first attempt at deciphering the tablet of Gudea02:14 Is it a ruler?02:16 It IS a ruler!02:48 The most iconic statue of ancient Mesopotamia: the statue of king Gudea03:56 The dream that built the temple of Ningirsu in Girsu Tello04:33 The archaeological search for the lost temple of Ningirsu05:12 How the British Museum excavated the lost temple of Ningirsu05:19 Discovering the first temple gate05:48 The clue that helped crack the temple of Ningirsu metrology06:28 Matt's second attempt at deciphering the tablet of Gudea07:48 Measuring out the temple of Ningirsu09:08 Using predictive archaeology09:17 Matt Parker: archaeologist10:15 Proving the sceptics wrong... by digging more holes10:43 The oldest architectural plan known in history11:25 The beginning of abstract numeration in ancient Mesopotamia12:37 Building with maths because it's nice13:35 What came first, the statue of Gudea or the temple of Ningirsu?14:45 Mathematics; the divine language of the Sumerians15:36 Sumerian fractions are officially better than the golden ratio15:41 Who is Ningirsu?#curatorscorner #mesopotamia #maths
Everything you wanted to ask about the ancient Roman Empire | History Hotline The British Museum 2024-05-30 | Deep within the heart of the British Museum is a mysterious and strange artefact - a telephone that only appears when inquisitive children have burning questions about history for British Museum curators.This time the History Hotline appears on Roman archaeology curator Carolina de Lima’s desk, which means some of you must be studying the ancient Roman empire! This video was created in collaboration with schools, to work as an educational resource for ages 7-11 years, but it’s also great for families and adults to enjoy too! If you want to find out even more about the ancient Roman empire, our exhibition Legion: life in the Roman army is on until June 23, 2024.Find out more here: https://bitly.cx/L6f4Children under 16 get free entry when accompanied by an adult. You can also explore our educational resources and programming on our website. https://bitly.cx/z5LRI00:58 How long did the Roman Empire last and how big was it? 02:27 What were the names of the Roman emperors?03:06 What did the Romans do in the free time?05:46 How did daily life in ancient Rome differ between citizens and slaves?07:30 Did Romans eat junk food like Pizza? 08:18 Where did Roman soldiers go to the loo? 09:40 What language did the Romans speak? 10:15 How did a Roman get chosen to be in the Army? 12:09 How much did a Roman soldier earn?13:13 Did women serve in the Roman army?Image credits:Wall painting image given by concession of the Ministry of Culture - Archaeological Park of Pompeii.Titus Flavius Bassus tombstone © Römisch-Germanisches Museum der Stadt Köln/Rheinisches Bildarchiv Köln, Anja WegnerIllustrations © Rosey TaylorTondo: Tafelbild der Familie des Septimius Severus, Staatliche Museen zu Berlin, Antikensammlung /CC BY-SA 4.0Photo 17960528 © Vladimir Sazonov | Dreamstime.comPhoto 77085622 © Boonlong Noragitt | Dreamstime.comPhoto 16029881 © Lance Bellers | Dreamstime.comPhoto 29045599 © Evgeny Drobzhev | Dreamstime.comPhoto 4533776 © Mustafa Ersin Kurtdal | Dreamstime.comPhoto 208210112 © Alexander Mychko | Dreamstime.comPhoto 87031155 © Andy Chisholm | Dreamstime.comPhoto 98532702 © Evren Kalinbacak | Dreamstime.comPhoto 161892088 © Aleksandr Grechanyuk | Dreamstime.com#historyhotline #romanarmy #romanempire #romans
Discovering how a bark shield from the Iron Age was made | Curators Corner S9 Ep2 | Sophia Adams The British Museum 2024-05-16 | The only way to find out what the Enderby Shield, the only known Iron Age shield made from bark, may actually have looked like is to task a crack team of experimental archaeologists with crazy Iron Age skills, and a nose for detective work, to authentically recreate it. Curator of European and Roman Conquest period, Sophia Adams and this extraordinary team follow a trail of clues from laboratory findings at the British Museum, to marks and patterns on the remains of the shield itself, as they forensically piece together how this bark shield would have been constructed 2200 years ago. This shield project was made possible by the inspiration and knowledge of Matthew Beamish and the skills and dedication of a team of field archaeologists, experimental archaeologists, independent specialists, conservators and scientists from The British Museum, University of Leicester Archaeological Services le.ac.uk/ulas, SUERC and York Archaeological Trust; including Caroline Cartwright and Barbara Wills (BM); Prof. Melanie Giles, Matthew Beamish, Adam Clapton and Roger Kipling (ULAS); Diederik Pomstra, Paul Windridge and Michael Bamforth. With thanks to Everards of Leicestershire and Mike Winterton and family. #experimentalarchaeology #woodcraft #woodworking #basketry #ironage #shield #barkshield
Michelangelo The Genius Who Got Better With Age | With Sarah Vowles | Curators Corner S9 Ep1 The British Museum 2024-05-01 | He painted the Sistine Chapel, he sculpted the famous David, he was a poet, architect, and inventor. Everyone thought Michelangelo was a genius… except Michelangelo. And as he got older his self-doubt and search for reassurance from friends increased. Curator, Sarah Vowles, reveals how one the world’s greatest artistic geniuses coped with the challenges of getting old.00:00 Introduction 00:21 The Fall of Phaeton britishmuseum.org/collection/object/P_1895-0915-51706:14 Crucifixion britishmuseum.org/collection/object/P_1895-0915-50910:01 Virgin and child britishmuseum.org/collection/object/P_1859-0625-562Drawing of Phaeton - Royal Collection Trust / © His Majesty King Charles III 2024
British Museum Curators answer your questions | Curators Corner S8 Wrap Up The British Museum 2024-04-18 | It’s been a while since we posted Season 8 of Curator’s Corner, and in that time you guys have asked a lot of questions. An awful lot in fact! So, we thought we’d try something new. We’ve invited some curators back to get you the answers you have been hankering after. It’s a kind of curator’s Q and A, and a Season 8 wrap up all in one. Season 8 was pretty special because we got to travel to Japan, Iraq, Leicester and Highgate cemetery. And with almost all the films you wanted to know more. So…00:36 Curator of Horology Oliver Cooke answers your clock questions, including something many of you were desperate to know. What watch does a curator of horology wear?06:00 The BM’s Curator of Renaissance Europe, Rachel King’s video about how to date a very bling Tudor pendant linked to Henry VIII and Catherine of Aragon, garnered a lot of questions. Not least, where was it found?09:40 Although we couldn’t go back to Japan to ask woodblock artist Dave Bull your questions in person, he was flattered by the fact that quite a few of you thought he looked like Luke Skywalker.12:56 That unique and amazing iron age shield made of tree bark, the Enderby Shield, really piqued your interest. Many of you couldn’t believe a relatively small bark shield would provide any protection in a battle at all. So we had to see what curator Sophia Adams had to say about that.24:28 And curator Henry Flynn’s tour of Highgate Cemetery got a lot of you wondering how he even found some of those graves, given how hidden away they were?Let us know if you like this wrap-up/Q & A, and if you have more burning questions we can do this again at the end of Season 9. For those who need a reminder here is the Curator's Corner Season Eight Playlist: youtube.com/playlist?list=PL0LQM0SAx602k1Hj_KYODjY11zT1cZEedA playlist of Clocks and Watches at the British Museumyoutube.com/playlist?list=PL0LQM0SAx600xVMIZO9L6zXTP_-K8rcDCTo find out more about the Portable Antiquities Scheme and the Treasure Process in the UK: https://www.Finds.orgfinds.org.uk/documents/treasure_act.pdf
Tales from the sea | Uncovering Peru’s island sculptures | Entangled histories | Español The British Museum 2023-12-21 | Credits:Film footage from Guardian of GuanoWritten and directed by Ana Elisa Sotelo van Oordt, 2014Line drawing from a Moche vessel (AD 100–800) showing a boat carrying prisoners, paddled by a supernatural being Drawing: Moche Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C.Line drawing from a Moche vessel (AD 100–800) showing a sea lion huntDrawing: Moche Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C.Photo of Moche vessel (AD 100–800), Museo Larco, Lima, Peru, ML003202Line drawing from a Moche vessel (AD 100–800) showing prisoners being led to sacrificeDrawing: Moche Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C.Photos of workers extracting Guano on the Chincha islands, Peru, 1865.From The New York Public Librarydigitalcollections.nypl.orgPhoto of Don Manuel Huamanchumo Piminchumo, about 1970, courtesy of Percy Valladares HuamanchumoIllustrations by Amaro Serruche Agurto from Histories Del Abuelo by Percy Valladares Humanachumo (2020), pub Lima: Ediciones Rafael Valdez E.I.R.L.
The only artist in the world to embed gold leaves in glass; kirikane | Yamamoto Akane: Making Beauty The British Museum 2023-12-07 | This series celebrates the work of living Japanese artists and craftspeople. Yamamoto Akane puts the traditional decorative technique of kirikane centre stage in her stunning glass sculptures, with painstaking precision she melds gold leaves together, cuts them into tiny strands and shapes and then uses them to create mesmerising geometric designs inspired by Buddhist sculpture decoration. This film, sadly delayed by Covid, is the last in the Making Beauty series. It is a fitting end piece to a series celebrating the innovation, precision and beauty of Japanese Kogei. This film series has been produced with the support of JTI.
The Ramayana in Myanmar | A Burmese Tapestry (Kalaga/shwe chi doe) | Curators Corner S8 Ep10 The British Museum 2023-11-30 | In 1767, Hsinbyushin, king of the Konbaung dynasty of central Myanmar, launched an attack on the kingdom of Ayutthaya (central Thailand). After Hsinbyushin's victory, many of Ayutthaya's people were forcibly moved into the Burmese heartland, but with some continuing to work in their specialist fields. One such group were the Thai theatrical troupes. And they took the Burmese court by storm by giving performances of the Ramayana epic. Today, curator Alexandra Green looks at a ‘shwe chi doe’ or ‘kalaga’, which is a textile hanging from central Myanmar. The textiles depicts scenes from the 'The Ramayana', which originated in India, but which was adapted for local use in many parts of Southeast Asia. Although known in Myanmar before 1767, the narrative became particularly popular after the arrival of the Thai troupes. It was performed and adapted in a variety of art forms, showing the lasting impact of Thai theatre in Myanmar.Burma to Myanmar is on until 11 February 2024.Find out more: bit.ly/46wfUYgSupported by Zemen Paulos and Jack Ryan
Conservation of a wall painting tracing from the Kondo of Horyuji temple, Nara The British Museum 2023-11-03 | This is a full-size tracing of wall no. 9, the Pure Land of Miroku, in the Kondo of Horyuji temple, Nara, painted in the late 7th century. In December 1879, the British diplomat Ernest Satow (1843-1929) visited Horyuji together with William Anderson and saw the Kondo wall-paintings. Realizing their importance, he commissioned the painter Sakurai Koun to produce a copy of wall no. 9, and this project began in May 1880. A duplicate copy was given to the head of the Museum Bureau, Machida Hisanari (1838-97), to encourage him to commission a full set of copies. Satow sent his copy of wall no. 9 to Anderson, who had returned to England in early 1880. Having formed part of the Anderson Collection at the British Museum since 1881, the drawing was rediscovered by Princess Akiko of Mikasa in 2007, during the research for her doctoral thesis.
Installation day is finally here | Conserving the Sherborne Cartonnage | Ep 6 The British Museum 2023-10-27 | After four years of extensive conservation work on this amazing ancient Egyptian mummy coffin, the cartonnage is finally going on display!Join the Museum's very own Fantastic Four; Verena, Barbara, Helene and John (open flames are not permitted in the Museum, so none of them are the Human Torch... and owing to the teams dexterity we're pretty sure none of them are the Thing either) for an update on the final work to get this incredible object ready for display and further study.View the object now in gallery 62 at the British Museum.The conservation and the making of this film was generously sponsored by the John S Cohen Foundation.#AncientEgypt #Conservation #Restoration
Conserving the Sherborne Cartonnage | The Movie | Ep 1-5 The British Museum 2023-10-19 | Conservation work on the Sherborne Cartonnage has now been completed, and we’re happy to announce that we are releasing the final episode in this epic saga next week. To bring everyone up to speed we've combined the first five episodes into an omnibus. Get ready because this week we offer you Sherborne Cartonnage: The Movie. 48 minutes of pure unadulterated conservation content. 0:41 Ep1 Acquiring a "new" (2000-year-old) Ancient Egyptian coffin: Conservation of the Sherborne Cartonnage 8:55 Ep2 To fix a cartonnage, you need to know what's wrong with the cartonnage | Sherborne Cartonnage 15:09 Ep3 It's all about that base | Conserving the Sherborne Cartonnage 24:36 Ep4 The saga continues | Conserving the Sherborne Cartonnage37:20 Ep5 Repairs with Barbara | Conserving the Sherborne CartonnageThe conservation and the making of this film was generously sponsored by the John S Cohen Foundation.#AncientEgypt #Conservation #Restoration
Highgate Cemetery Tour | Famous (and not so famous) British Museum graves | Curators Corner S8 Ep9 The British Museum 2023-07-27 | Join Curator of ‘this and that’ Henry Flynn as he takes you, yeah you, on a British Museum themed tour of London’s Highgate Cemetery.Highgate Cemetery is the final resting place of an incredible number of people you’ve almost definitely heard of. Philosopher, economist and political theorist; Karl Marx. Author and 6 ft 5 ape-descendant; Douglas Adams. Activist and founder of Notting Hill Carnival; Claudia Jones. Inventor of cinematography; William Friese-Greene. And of course, Thomas Watts; Keeper of Printed Books at the British Museum and man famed for having shelved over 400,000 volumes alone.Okay so you may not have heard of Thomas Watts, but you will be very familiar by the end of this tour, where you will meet the artists, philosophers, writers, collectors and staff that have at one time or another contributed to the British Museum. Huge thanks to Highgate Cemetery for letting us film at this incredible place for a day. If you'd like to visit the cemetery for yourself, you can find out about Highgate Cemetery Tours here: highgatecemetery.org/visitCONTENT WARNING:Henry really wants you to see his Doctor Who episode of Curator's Corner. Give it a watch if you haven't yet: https://shorturl.at/biIY2Intro 0:03Why was Highgate Cemetery built? 0:40Grave of Douglas Adams 1:46Grave of Henry Vaughan 3:38Grave of Louisa Starr/Louisa Canziani 5:20Grave of Thomas Watts 7:08Grave of Karl Marx 9:15Grave of Sir Colin St John Wilson, architect of the British Library 11:05The British Museum British Library Bloomsbury site 11:45Grave of Alfred Stevens, Wellington Monument 13:12Conclusion 16:25
Why Peacocking in Ancient Athens might get you ostracised (ostrichsized?) | Curator’s Corner S8 Ep8 The British Museum 2023-07-06 | Luxury and power: Persia to Greece4 May 2023 - 13 Aug 2023BOOK TICKETS: bit.ly/3p5EgYUSupported byAmerican Friends of the British MuseumBullionVault CONTENT WARNING:Most depictions of peacocks in this video are to scale, although the main depiction of a peacock is only 2 cms. No depictions of peacocks are in any way ostrich sized.#PersianIncursion #OstrichsizedForPeacockOwnership #CuratorsCorner
The Iron Age Shield... thats made of bark? The Enderby Shield | Curators Corner S8 Ep7 The British Museum 2023-06-22 | In 2015, what we knew about Iron Age shields all changed. And it changed in a field in Leicester... Iron Age Curator Sophia Adams explains the construction of the first shield made of tree bark *ever discovered* in the Northern Hemisphere - how it was built, how it was used and how it changes what we know about shields of the time. It's 2,200 years old. And it's an object you can really get behind.Content Warning: Contains wholesome depictions of Iron Age woodworkingCHAPTERS00:00 Intro01:12 Where the shield was discovered02:02 The Boss shows this was a shield02:25 Harvesting & working willow bark04:05 Reinforcing laths05:07 The basketry boss05:34 The hazel rim06:26 Lime bast stitching07:30 The poplar handle07:52 Extra features08:17 Decoration09:05 Dating the shield09:30 Looking at the original boss10:36 Damage to the original12:25 Original basketry12:55 What this shield tells us14:50 OutroAcknowledgements:This shield project was made possible by the inspiration and knowledge of Matthew Beamish and the skills and dedication of a team of field archaeologists, experimental archaeologists, independent specialists, conservators and scientists from The British Museum, University of Leicester Archaeological Services le.ac.uk/ulas, SUERC and York Archaeological Trust; including Caroline Cartwright and Barbara Wills (BM); Matthew Beamish, Adam Clapton and Roger Kipling (ULAS); Diederik Pomstra, Paul Windridge and Michael Bamforth. With thanks to Everards of Leicestershire and Mike Winterton and family.#curatorscorner #ironage
Dave Bull Carves Hokusais Picture Book of Everything | Curators Corner S8 Ep6 #CuratorsCorner The British Museum 2023-06-08 | If you make woodblock prints for a living, you know the name Hokusai, and if you’re a woodblock carver and you hear about original drawings from Hokusai that have never been carved into prints you would most likely do a little happy dance. Which is exactly what David Bull did when he found out about the collection of original Hokusai drawings known as the ‘Picture Book of Everything’, recently acquired by the British Museum. Well, we don’t know if he did a little dance, perhaps just in his head maybe? Anyway… he was very excited. So excited in fact that he immediately contacted curators at the Museum to see if they would be interested in a collaborative project to turn some of these original Edo era designs into woodblock prints. We visited David’s workshop in Asakusa, Tokyo to find out how one would approach such an endeavor. 00:15 Welcome to Tokyo00:36 Dave reads his morning paper01:08 The idea takes shape01:39 What does the process involve?02:44 Different designs in the collection03:55 Working from original drawings06:42 Different carvers different cuts07:16 The tools of the tradeYou can explore any and all of the British Museum's Hokusai prints on the Museum website here: britishmuseum.org/collectionIf you'd like to buy Tim Clark's book on the drawings, you can get it here: bit.ly/3CiiKBjYou can find out more about Dave's woodblock shop, Mokuhankan here: mokuhankan.comThis film was made possible with the support of the Daiwa Anglo-Japanese Foundation.
Beyond the Mutiny on the Bounty, the founding of Pitcairn Island | Entangled histories The British Museum 2023-05-25 | Since the 1790s, a version of the story of ‘The Mutiny on the Bounty’ has remained in the public conscience. A story of 9 British mutineers aboard the HMS ‘Bounty’, sailing off to an uninhabited island to avoid being court-martialled back in England.In the 1700s it took the newspapers by storm. Since the 1830s, it has been the subject of countless books. In the 1900s, it was the subject of five feature films. However, this told (and retold) story isn’t even the half of it.So here to right that is Dr Pauline Reynolds, historian and barkcloth maker. Pauline has been looking beyond the mutineers, to the 13 Polynesian women who set sail aboard the HMS ‘Bounty’. Through her research of tapa (barkcloth), Pauline will share with you the untold story of her tupuna vahine (ancestors), the women of Hitiaurevareva, Pitcairn Island. Tell us what you thought of this video: surveymonkey.co.uk/r/NFCZ3JGIntro 00:04The women who travelled on HMS Bounty 00:45The true story of Mutiny on the Bounty 1:10Why HMS Bounty went to Tahiti 2:47Dr Pauline Reynolds' research into tapa barkcloth 5:20Tapa of Mauatua, British Museum 6:21How tapa barkcloth is made 8:27Names of each side of a tapa barkcloth beater 11:43Tiputa poncho from Hitiaurevareva (Pitcairn Island) 12:27How a tiputa poncho is worn 12:51Tracing the maker of a tapa piece 14:07The legacy of the women of Hitiaurevareva (Pitcairn Island) 15:32'Mauatua e' by Dr Pauline Reynolds 16:24Featured works:‘A View of Matavai Bay in the Island of Otaheite’, 1776By William Hodges (1744–1797)Oil paintingYale Center for British Art‘The Mutineers turning Lt Bligh and part of the Officers and Crew adrift from His Majesty’s Ship the Bounty’, 1790By Robert Dodd (1748–1815)PrintNational Maritime Museum, Greenwich, London‘House of John Adams, Pitcairn Island’, about 1825By Frederick Williams Beechey (1796–1856) Drawing; pencil and watercolourNational Library of Australia, nla.pic-an2890321Film excerpt from:'Hina’s Granddaughters'Sue Pearson – creative director, artwork, photography, sound, auteDr Pauline Reynolds - lyrics, music compositionMike Bridgman - editing and animationRuby Clark - representation/embodiment of poem charactersMauatua Fa’ara-Reynolds – vocalist and embodiment of HinaThis audio-visual artwork is part of a travelling exhibition by Pearson and Reynolds called Hina Sings ...
Jamaican healers & plant warriors | In conversation with Charmaine Watkiss | Entangled histories The British Museum 2023-05-18 | Warrior women, indigenous knowledge and the legacies of colonialism - Charmaine Watkiss and Alicia Hughes discuss The warrior’s way: safeguarding the natural history of Jamaica, Charmaine’s new piece responding to the work of naturalist, physician and slave owner Sir Hans Sloane, whose collections provided the foundation of The British Museum.Tell us what you thought of this video: surveymonkey.co.uk/r/NFCZ3JG
19th century Han Womens Outfit | Chinese Fashion | Curators Corner S8 Ep5 #CuratorsCorner The British Museum 2023-05-11 | Jessica Harrison-Hall unpicks all the details of a 140-year-old Han woman’s outfit to give voice to the hidden women in 19th Century Chinese society, and uncover looming modernization in the East Coast Treaty ports of Shanghai, Ningbo and Guangzhou.CONTENT WARNING: Contains high levels of embroidery nerdery with strong references to couch stitching CHAPTERS00:00 Intro00:33 Outfit overview01:08 Who would have worn this?01:52 Outfit details03:52 Combining homemade and bought embroidery04:43 How embroidery is applied06:04 Pattern books & foreign fashion07:36 Back of the garment08:36 Women in 19th-C China10:28 Thank you for listeningChina’s Hidden CenturyLead supporter CitiAdditional supporter The Huo Family Foundation#curatorscorner #china #fashion
How the Greco-Persian Wars changed the way Athenians drank their wine | Curators Corner S8 Ep4 The British Museum 2023-05-04 | The Greco-Persian wars are some of the most famous battles in history. The 300 Spartans at Thermopylae. The Greek phalanx at Marathon. The naval victory at Salamis. The end result? Athenian domination of the eastern Mediterranean, and the end of Persian aspirations to control Greece. But the failed invasion attempt by Persia wasn't entirely unsuccessful. While they didn't politically conquer Greece, culturally they were far more successful.Join curator Jamie Fraser as he walks you through the Persian way of drinking wine with an Achaemenid rhyton, and how this _very_ eastern way of drinking made it's way into the Athenian symposium (albeit in a different physical form).Luxury and power: Persia to Greece4 May 2023 - 13 Aug 2023BOOK TICKETS: bit.ly/3p5EgYUSupported byAmerican Friends of the British MuseumBullionVault CONTENT WARNING:Contains one _most_ verile, manly, strapping, young servant.#curatorscorner #greece #persia
Excavating Cuneiform Tablets in Iraq with the Girsu Project | Curators Corner S8 Ep3 The British Museum 2023-04-20 | The British Museum is currently excavating at the ancient Sumerian city of Girsu, in Southern Iraq. However, most of the Girsu Project's time has been spent, not so much excavating the ancient city itself, but excavating through the spoil heaps (piles of dirt) left behind by French archaeologist over 80 years ago. Within these great mounds of dirt are countless objects, including cuneiform tablets, that were abandoned, and that are currently at risk of being lost forever due to erosion of those spoil heaps.The Girsu Project is a joint initiative to save endangered heritage sites led by the British Museum, the State Board of Antiquities and Heritage (SBAH) of Iraq, and the J. Paul Getty Trust.Photo of Girsu landscape used in thumbnail: Kevin Percival PhotographyFind out more about the Girsu Project and the recent discovery of The Lord Palace of the Kings of the ancient Sumerian city Girsu here: britishmuseum.org/research/projects/girsu-project00:49 Introduction to the ancient Sumerian city of Girsu, Tello Iraq01:09 French excavations at Girsu, Tello Iraq01:50 British Museum excavations at Girsu, Tello Iraq02:41 Excavating at Tablet Hill5:29 Registering cuneiform tablet07:10 Conservation of a cuneiform tablet10:40 Before and after cleaning cuneiform tablet11:02 Photographing cuneiform tablets12:19 Translating cuneiform tablets14:50 Sumerian dating system (year names)16:40 Iraq Museum, Baghdad#curatorscorner #cuneiform #mesopotamia
How to date an Artefact | Tudor Pendant of Henry VIII & Katherine of Aragon | Curators Corner S8 E2 The British Museum 2023-03-30 | How does one go about dating an artefact that was found in a field in England by a metal detectorist? And by dating we’re not talking dinner and a movie with your favourite curb chain…As part of the Treasure process in the UK, artefacts found by metal detectorists that happen to be of a high percentage precious metal, need to go through a process of identification and classification. Join curator, Rachel King as she investigates the clues found on this spectacular gold pendant to shed some light on when it was made, by whom and for whom. Chapters00:00 Introduction02:00 A Quick Aside – Terminus dates02:45 Investigating the clues on the front03:48 The clues on the back 04:39 Dating the materials05:00 The Gold Standard06:06 Enamel decoration07:47 The Tudor Curb chain09:55 Johann Froben11:46 Jousting at Greenwich13:20 Who could afford such an artefact?Find out everything you need to know about Treasure and The Portable Antiquities Scheme here: britishmuseum.org/our-work/national/treasure-and-portable-antiquities-scheme
Curious Clocks and Watches through time with Oliver Cooke | Curators Corner S8 E1 The British Museum 2023-03-16 | Everyone's favourite Horologist Oliver Cooke delves through the cupboards of the British Museum's Horological Study Room to bring you six curious and novelty clocks and watches from across time. See below for a list of links to find out more about each one in the video.CONTENT WARNING:This video features a staggeringly low number of accurate timepieces. We can't express it enough, most of these would not reliably tell you the time or wake you up. They're pretty interesting though. CHAPTERS:00:33 Inclined Plane Clock (1680-1690)04:00 Flying Pendulum Clock (1875-1885)06:00 Time-projecting Night Clock by Eveready (1913)08:03 Bradley Snyder Visually-impaired Watch by Eone (2014)10:31 Nuremberg Horizontal table clock (1535-1545)11:21 Nuremberg Horizontal table clock alarm attachment (1535-1545)12:30 Pair Cased Watch (1770s)12:50 Alarm Device for Pocket Watch (1835-1845)15:09 Clocks and Watches at the British MuseumInclined Plane Clock: britishmuseum.org/collection/object/H_1958-1006-2146Flying Pendulum Clock: britishmuseum.org/collection/object/H_1958-1006-2074Time-projecting Night Clock by Eveready: britishmuseum.org/collection/object/H_1971-0503-1Bradley Snyder Visually-impaired Watch by Eone: britishmuseum.org/collection/object/H_2014-8037-1Nuremberg Horizontal table clock and alarm attachment: britishmuseum.org/collection/object/H_1958-1006-2151Alarm Device for Pocket Watch: britishmuseum.org/collection/object/H_1958-1201-2200#CuratorsCorner #clock #horology
New Season of Curators Corner and other Channel Updates | #CuratorsCorner The British Museum 2023-03-09 | We've been a little quiet on the channel recently, so thought we should give you a quick update on what we've been up to, and when the new season of Curator's Corner starts. BTW it's next weekCONTENT WARNING:This video contains the promise of future Finkel, and some viewers may experience uncommon levels of excitement. Viewer discretion advised.This video contains Rudolph levels of red nose. It was absolutely Baltic in London today. Next time we'll shoot indoors.00:12 What have we been up to all this time?00:46 New season of Curator's Corner00:50 Curator's Corner Season 8 Episode run down01:40 Will Irving Finkel be back?
How to make a Hawaiian Drum | Lapaiki The British Museum 2023-02-23 | When Dennis Kanaʻe Keawe started learning pahu (Hawaiian drum) making in the mid-1960s, he was guided by his teachers Ollie Roberts, Clayton McKinzie and Herman Gomes, and inspired by the works of his ancestors. Over the years, Kanaʻe Keawe has meticulously researched and studied pahu collections in Hawaiʻi and overseas with this ultimate goal: re-carving to-scale contemporary drums that feel, look and sound like ancestral pahu, now often too fragile to be played.Recently, Kanaʻe Keawe shifted his focus towards recreating several Hawaiian drums under the care of the British Museum, aiming to bring back the voices of these ancestors. After supporting his work remotely during the pandemic, we were finally able to host him in London to connect with the collections, including one lapaiki (small drum), possibly collected during Captain Cook's third and fatal voyage to the Pacific in 1778-79. Here, Kanaʻe Keawe shares with us a moment that had been decades in the making, reuniting his newly carved drum with this lapaiki, the oldest documented Hawaiian drum at the Museum. As he brings them side by side, explaining his process and noticing slight differences, he reminds us of the importance of "having a voice". Dennis Kanaʻe Keawe is a Native Hawaiian cultural practitioner specializing in pahu making, and based in Hilo, Hawaiʻi. He was hosted in London through the Benioff Oceania Programme at the British Museum, a programme that aims to transform the research, stewardship and curation of collections from Hawaiʻi and Rapa Nui.Our thanks go to Kanaʻe Keawe for allowing us to witness this moment, and to kumu hula (dance teacher) Laʻakea Perry for giving voice to Kanaʻe's drums, and for providing the chant for this video.
Everything you wanted to ask about ancient Egypt (provided you’re a 9-year-old) | History Hotline The British Museum 2023-02-02 | Deep within the heart of the British Museum is a strange artefact, the History Hotline - a telephone that gives inquisitive children direct access to British Museum curators, so they can have all their burning questions about history answered by the experts. This week the History Hotline appeared on curator and Egyptologist Kelly Accetta Crowe's desk, which means some of you must be studying ancient Egypt!This video was made to work with the KS2 UK school syllabus as a resource for teaching children between 6 and 12-years-of-age about ancient Egypt.If you want to find out even more about ancient Egypt our exhibition Hieroglyphs: unlocking ancient Egypt is on until February 19 2023Find out more here: shorturl.at/bmFPTChildren under 16 get free entry when accompanied by an adult. 00:49 Introducing ancient Egypt1:51 What would you find inside a pyramid?3:38 What happened to ordinary people when they died? 4:57 Who started mummification and what herbs did they use to mummify bodies? 6:48 How do you read hieroglyphs? 9:20 What was written on the canopic jars? 11:06 What were the bandages made of? 12:12 Why did Anubis have a jackal head?
Learn how to read Ancient Egyptian Hieroglyphs with Ilona Regulski | Curators Corner S7 E11 The British Museum 2022-12-01 | You asked for more Ilona. You asked for more ancient Egyptian hieroglyphs. And you technically asked for as many tangents relating to ancient Egyptian life as possible (see our community post if you don't believe us). So here it is: curator of ancient writing Ilona Regulski is going to teach you how to read your first sentence in ancient Egyptian hieroglyphs. Definitely not hieroglyphics! CONTENT WARNING:There is a deeply palpable love of verbs throughout.Also, Nick is there.If you'd like to find out more about how hieroglyphs were deciphered in the 1800s, we currently have an exhibition on all about exactly that:Hieroglyphs: unlocking ancient Egypt is on now!Find out more here: bit.ly/3TeIrMh#CuratorsCorner #AncientEgypt #RosettaStone CHAPTERS:00:00 Intro to lintel of Amenemhat III1:05 What is the difference between hieroglyphs and hieroglyphics?2:31 What does the Cartouche mean?3:36 Amenemhat in hieroglyphs4:59 Table showing Amenemhat5:14 Difference between hieroglyphs on stone and papyrus5:50 What direction are hieroglyphs written in?8:32 How ancient Egyptians learnt hieroglyphs12:02 King of Upper and Lower Egypt in hieroglyphs13:22 Table for King of Upper and Lower Egypt13:57 Lord of the Two Lands in hieroglyphs14:39 Table for The Lord of the Two Lands14:56 to do in Egyptian hieroglyphs15:32 Horus is in Shedet16:35 Table for Horus is in Shedet16:50 Sobek the Shedet one19:00 Table for Sobek the Shedet one17:32 Determinative in Egyptian hieroglyphs19:30 A brief indication of just how much Ilona loves verbs19:50 Gives life and stability in Egyptian hieroglyphs20:20 Table for Gives Life and Stability21:35 Were hieroglyphs painted?22:17 Abstract ancient Egyptian hieroglyphs23:10 Nick tries to read ancient Egyptian hieroglyphs25:25 Ilona actually reads ancient Egyptian hieroglyphs#hieroglyphs #curatorscorner #ancientegypt
The Automaton that is also a Drinking Game | with Rachel King | Curators Corner S7 Ep9 The British Museum 2022-11-17 | Possibly the most elaborate drinking game we've ever heard of, this automaton was made in Nuremburg between 1617 and 1620 by Wolf Christoff Ritter. This is an excellent example of the types of drinking games and drinking paraphernalia that could be found on the tables of german aristocracy and the well-to-do of the 16th century.Join Rachel King, curator of the Waddesdon Bequest to find out how it was made, how it was used, and how to drink cherrie brandy from a stag shaped bottle. britishmuseum.org/collection/object/H_WB-1340:00 Introduction0:53 Object details and manufacture techniques3:29 Introduction to drinking culture in Germany5:30 Novelty drinking vesels6:03 Provenence - where was this type of vesel normally found? 7:33 How do you drink from a novelty drinking vesel? 11:04 Outtro
Sohni and Mahiwal, Maharajah Ranjit Singh and other Punjabi stories | Curators Corner S7 Ep9 The British Museum 2022-11-03 | Usually we use objects in the British Museum to tell you about people from the past. But in this episode of Curator's Corner, Imran Javed is going autobiographical. By pairing objects from the British Museum with his own personal items, Imran has built a display that speaks not just to historic India and Pakistan, but also to his own, present day identity as a British-Punjabi. Imran's display, 'A Confluence of Stories', is open until November 14. You can read more about the display here: britishmuseum.org/blog/confluence-stories0:20 The Story of Sohni and Mahiwal and the Chenab River2:57 Who was Baba Nau Ghaz Naugaja Peer ਨੌਂਗਜਾ ਪੀਰ4:51 Shah Jahan and his sons visit Hazrat Mian Mir6:00 Who was Maharajah Ranjit Singh? The Sher-e-Punjab, 'the Lion of the Pubjab'9:40 The Partition of India12:37 Tu kithey challaya? A poem by Imran Javid#CuratorsCorner #Punjabi
Renaissance Metalworking and Lifecasting with Rachel King | Curators Corner S7 Ep8 The British Museum 2022-10-20 | During the 1500s, artists and makers were pushing themselves to create works that were as realistic to nature as possible. However, some of them may have pushed a bit too hard, particularly if you were to ask a lizard. Join curator Rachel King, as she investigates techniques used to make this extraordinary bell.#CuratorsCorner #renaissance #metalworkManufactured around 1550 in Nuremberg by German master craftsman, Wenzel Jamnitzer the bell is an excellent example of lifecasting. Rachel investigates a manuscript written some time between 1579 and 1620 in which an enthusiastic maker and craftsman collated hand written recipes and instructions on how to make things.The anonymous scribe filled 170 folios (or 340 single pages) with closely written text and some hand-drawn figures containing recipes, instructions, fragmentary notes, firsthand accounts of trials with many materials and techniques.The resulting manuscript held by the Bibliothèque nationale de France (BnF), catalogued as Ms. Fr. 640, brings a better understanding of how and why nature was investigated, used in art, and collected and appreciated in early modern Europe. You can find out more about the manuscript and the research on it's content here: bit.ly/3EUsvu71:31 The Celini Bella3:06 Lifecasting techniques 3:35 How do you cast foliage?6:18 How do you cast a grasshopper?7:47 How do you catch and cast a lizard?
The Rosetta Stone and what it actually says with Ilona Regulski | Curators Corner S7 Ep7 The British Museum 2022-10-13 | The Rosetta Stone is one of the most famous objects in the British Museum. But what is it? What does it actually say? And did you know that since the discovery of the the Rosetta Stone in 1799, another 27 copies have been found throughout Egypt, the most recent being discovered in 2011?If you answered no, don't worry! Dr Ilona Regulski, Curator of Ancient Writing at the British Museum has this and so much more to tell you about the object that unlocked ancient Egypt.If you answered yes, well done for having completed the set reading ahead of time. However, there's still loads more to learn about this amazing object, so stick around for a while.If you'd like to find out more about how hieroglyphs were deciphered in the 1800s, we currently have an exhibition on all about it:Hieroglyphs: unlocking ancient Egypt is on now!Find out more here: bit.ly/3TeIrMh#CuratorsCorner #AncientEgypt #RosettaStone 00:39 Where was the Rosetta Stone found?01:46 What languages are on the Rosetta Stone?02:20 What does the Rosetta Stone actually say?05:14 How many copies of the Rosetta Stone are there?07:30 What was on the missing parts of the Rosetta Stone?09:15 Which language was written first on the Rosetta Stone?12:31 What the hieroglyphs say on the Rosetta Stone
Conserving ancient glass vessels destroyed in the 2020 Beirut Explosion | Shattered Glass of Beirut The British Museum 2022-10-05 | On the evening of 4 August 2020, a massive stockpile of ammonium nitrate exploded at the port of Beirut. The explosion was the largest man-made, non-nuclear explosion in history. The blast killed at least 218 people, injured 7,000 and displaced 300,000 as well as causing $15bn of damage. The immediate and lasting effects have been deeply traumatic, not just for Beirut's citizens but for all Lebanese people.Just over 3km from the epicentre of the explosion, at the Archaeological Museum at the American University of Beirut, a case displaying 74 glass vessels was blown from the wall, and thrown to the floor. The case, the surrounding windows and 72 of the 74 ancient glass vessels were shattered. Shards of the ancient glass were almost inextricably mixed with each other, as well as with glass from the case and windows.This is the story of those 8 vessels. This is the story of the damage they suffered, the scars they will forever bear as witnesses to the explosion and as an expression of defiance in the face of destruction. This is a story of healing reflecting the recovery of the citizens of Beirut as they rebuild their lives and their city.GENUINE CONTENT WARNING:This film starts with footage of the explosion, real-time footage of the damage it caused, and the aftermath of the damage done to Beirut.To find out more about the vessels: britishmuseum.org/exhibitions/shattered-glass-beirutIn collaboration with the Archaeological Museum at the American University of Beirut, Lebanon. The British Museum is grateful to the following for their support of the project:TEFAF Museum Restoration Fund, part of The European Fine Art FoundationHENIThe Radcliffe TrustThe Charlotte Bonham-Carter Charitable TrustThe Leche TrustThe Thriplow Charitable TrustFriends of the Middle East Department The Wakefield TrustMiddle East AirlinesThe Museum also wishes to thank the Embassy of Lebanon to the United Kingdom of Great Britain and Northern Ireland, the Institut national du patrimoine, France (Inp), and the International alliance for the protection of heritage in conflict areas (ALIPH) for their assistance in making this project possible.
A cloak made of feathers | caring for a traditional Maori taonga The British Museum 2022-09-29 | A unique example of a Māori cloak or kahu kākāpō (‘cloak of kākāpō feathers’) has been preserved for future generations to enjoy after vital conservation work was conducted in a partnership between Culture Perth and Kinross, the British Museum and the Museum of New Zealand Te Papa Tongarewa.
Venus: Goddess of Love? Goddess of War? with Mary Beard The British Museum 2022-09-22 | Hands up, this is far shorter than our normal videos. However, when you get 3 minutes with British Museum Trustee and world-renowned classist Professor Mary Beard, you take that 3 minutes.And so, with neck-break speed, Mary is going to tell you a little about why Venus, often referred to as the Roman goddess of love, was so important to the Roman military and idea of warfare. Because if Venus is good enough for Caesar, she's good enough for the legions.Our #FemininePowerExhibition highlights the many faces of feminine power – ferocious, beautiful or creative. The show is open until 25 September – book your tickets today: http://ow.ly/kK7050Kg61w
Welcoming a new Murti (icon) of the goddess Kālī to the British Museum The British Museum 2022-09-06 | This particular murti of the goddess Kali was made especially for the exhibition Feminine Power: the divine to the demonic. However, commissioning a new murti, and then transporting it to London from Kolkata in India, isn't as straight forward as you might think. Kali is a deity used to being worshipped, not necessarily being transported in a box or fumigated for pest management. So in order to appease the goddess, and calm her annoyance at being transported in that box, devotees from the London Durgotsav Committee welcomed the new goddess Kali murti to the Museum, and performed a ceremony to calm her.Kali is one of the most prominent and widely worshipped goddesses in India, particularly in West Bengal. Traditionally these icons are made of clay from the banks of the river Ganges but, to ensure her longevity, this murti is constructed with fibreglass painted in black oil-based colour and her hair is from jute fibre. During construction the artist placed some clay inside her so she will always have a part of the sacred Ganges within.Our #FemininePowerExhibition highlights the many faces of feminine power – ferocious, beautiful or creative. The show is open until 25 September – book your tickets today: http://ow.ly/kK7050Kg61w
A medieval casket that breaks the fourth wall | Gothic Ivories 2 | Curators Corner S7 Ep6 The British Museum 2022-06-30 | Last week curator Naomi Speakman introduced you to a Gothic, ivory casket packed to the hinges with different medieval myths and legends. It was, if you will, a “greatest hits” casket. Today, Naomi will show another of these medieval caskets. If the previous one was a greatest hits, this one’s a concept album. A single myth told across the entire body of the casket. And for all you Deadpool fans, there’s a healthy dose of fourth wall breaking.CONTENT WARNING:Deadpool does not feature in this video (medieval, fan-produced variant or otherwise). However, there is a splash of comic book towards the end.
A Greatest Hits of medieval myths on a casket | Gothic Ivories 1 | Curators Corner S7 Ep4 The British Museum 2022-06-23 | Last time you visited the corner of curator Naomi Speakman, she walked you through the meaning and myths held in medieval bestiaries. The time before that she walked you through the meaning and myths held in medieval jewels and jewellery. In this episode, Naomi’s turns the tables, and walks you through the elaborate, Gothic ivory caskets that frequently held those same medieval manuscripts and items of jewellery. And much like those items, these caskets are also packed to the brim with medieval myths and stories. Many of the characters in these myths may be unfamiliar to you, but at least a couple will have familiar names and faces. However, the situations they find themselves in? not so much.CONTENT WARNING:Aristotle, will at some point, be saddled and ridden like a horse.
Bronze Age Myth of the Sun Cycle from Scandinavia | Curators Corner S7 Ep4 #CuratorsCorner The British Museum 2022-06-15 | Scattered across 100s of Scandinavian razors is a Bronze Age myth of the Sun. Through a weird series of creatures (including sea serpents and sun horses) this myth tells the journey of the sun as it passes through the sky over the course of a day. Join curator Jennifer Wexler, as she introduces you to the myth, and the ingenious detective work undertaken by archaeologist Flemming Kaul to piece together this long lost myth of the sun cycle.If this has whetted your appetite for all things Bronze Age, you can get tickets to The world of Stonehenge exhibition here: bit.ly/3sqLdSUAnd if you can't make it to the show, but still want more, the exhibition catalogue is available here: bit.ly/3L3yfRL
Who were the people of Stonehenge? Curators Tour of The World of Stonehenge The British Museum 2022-05-12 | The image of Stonehenge is so iconic that if you were to close your eyes right now, you'd likely have a pretty accurate image of the monument in your mind. However, if you were asked to imagine the people who built and lived with the monument, you'd probably struggle a little more.So to help with that, curators Jennifer Wexler and Neil Wilkin have decided to take you on a tour of their British Museum exhibition The world of Stonehenge, to introduce to some of incredible people that built and lived around the time of the monument. You'll see some of the best gold work humans have ever created, some of the best stone work humans have ever created, as well as a pretty decent 1.7 kilometre wooden footpath created to cross an inconvenient marsh (trust us, the Sweet Track is awesome). And overall you should come away with a better understanding of who the people of Stonehenge really were, what they thought about the world, and why they built big stone circles.If this has whetted your appetite for all things Bronze Age, you can get tickets to The world of Stonehenge exhibition here: bit.ly/3sqLdSUAnd if you can't make it to the show, but still want more, the exhibition catalogue is available here: bit.ly/3L3yfRL00:00 Introduction to Stonehenge01:12 Introduction of Farming in Britain05:07 The Sweet Track06:50 Seahenge09:56 The Amesbury Archer13:33 The Nebra Sky Disk17:03 Trade and Piracy in Bronze Age Britain19:35 The Shropshire Bulla22:12 Britain's Distant Past#Stonehenge #BritishHistory #BronzeAgeEurope
British Bank Notes are Copyrighted, and its an Artists Fault | Curators Corner S7 Ep3 The British Museum 2022-04-21 | What would happen if you made drawings of money and started using them to pay for everyday things? This is exactly what one artist attempted to do in the mid-1980s. An American named J.S.G. Boggs alighted upon the idea that he could literally draw his own banknotes and use them for everyday purchases. His alleged nefarious activities soon drew the attention of the press and the authorities, including the Bank of England, resulting in a private prosecution at the Old Bailey in London.But how did his art end up at the British Museum? And what could the bank do to ensure that other artists couldn't reproduce banknotes in the future?#BoggsInTheBritishMuseum #FlushWithCash #BoggsStandardImages of 'Boggs in London' are courtesy of Craig Whitford.CONTENT WARNING: We had to put a specimen mark over the modern bank note to avoid trademark infringement. We blame Boggs.
Conserving the Sherborne Cartonnage | Episode 5 The British Museum 2022-04-07 | In this Episode, we hear from conservator Barbara Wills how she went about making the repairs that were needed to restore the Sherborne cartonnage to it's former glory. It's also a big moment for Verena and the whole team when they finally flip both the base and the lid and see what's happening on the flipside.The conservation and the making of this film was generously sponsored by the John S Cohen Foundation.#AncientEgypt #Conservation #Restoration
