Steve Rutherford
One hundred and forty two (Polyend Synth/Digitakt)
updated
Huge thanks to Devin and the guys. I hope you like it.
The original version: youtube.com/watch?v=EXuD7Txjics
More about Loam: instagram.com/loam_theband
1. Midnight
2. Fading
3. Light
Kit:
- Digitakt - drums etc.
- Digitone - bass
- Typhon - bleeps/bloops
- Minifreak - pads
- Guitar
There’s another jam here on Paul’s channel: youtu.be/U4trrnZ1O9E?si=HjerKtKst2-j0X-Q
This is a jam that hopefully has some triplets in it for the HWJ triplet challenge.
Continuing the theme of me buying something, selling it and then re-buying it again, we have:
- my second Norns running l_ll__l_. (a generative drone that you can hear at the ends and throughout)
- my second Model:Cycles
- a guitar that I don't play enough
- a new pedalboard that is enormous and has yet to leave the house
In typical wifely fashion, Mrs R comments that "there's nothing offensive" about my jam. Faint praise. I'll try harder to be offensive next week!
The jam is also a submission for the Hardware Jams 'One box on fire' challenge. Admittedly, this is more of one box + a couple of other satellite boxes sort of a situation but I'm sure that these are guidelines rather than rules (Pirates' code etc..).
My Digitakt is at Elektron's digi-hospital having a new screen fitted and so this time we have a Digitone + the two nanobox synths.
In an exciting development (for me at least), a new CME Midi box means that I can use USB-only devices to control MIDI-only synths. In this case, a Launchpad X to control the Digitone levels and a tiny 8 fader midi controller from 8mu to mess about with the drone sound from the Nanobox Lemondrop.
Musically-speaking, this drones on in D minor and most of the guitar is Bm7b5 arpeggios (because, you could think of this as D dorian and, if you did, then you could use any of the arpeggios from the C major scale, including Bm7b5)
Chords:
Fmin9 to Abmaj7
Kit - Digitakt with the guitar plugged in the back. All processed in Logic using Overbridge which is a bit of a revelation as I can now play with the individual tracks..
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Here is my attempt at some sort of spy-related theme for this week’s HWJ music challenge.. The main spy-like thing here is the use of the E minor major 9 chord which “evokes a sense of mystery, tension, and intrigue, often associated with spy or suspenseful scenes in movies and television shows” (according to google!)
Anyway, the chords are:
- F#m7b5
- F9
- EmMaj9
What does it have to do with this week's Hardware Jams 'hypnotic' challenge? Well, the pad sound throughout is a sample of a glass armonica instrument similar to that used by Franz Mesmer in his therapeutic treatment of patients. (albeit pushed through a granular synth to make it fluttery) Mesmer, an 18th-century physician, is often regarded as a pioneer in the study of hypnosis and he believed that the glass armonica's music could promote healing by propagating a mystical fluid through the body.
- Spring has more or less arrived in London
- Mrs R won the 'pinch/punch, first of the month' game for the third time this year.
- I have started playing a game about a cat (Stray). After an unfortunate period when 'Oliver' the cat was being repeatedly murdered by a horde of rat-like animals, he is now alive and well and making his way back to his friends. Gaming has come on a bit since I played 'Prince of Persia 2' on my Amiga!
Chords for this (for future reference):
Am6 | Caug | Am6 | E7b9. (all from the A melodic minor scale)
Originally this had a more chords and a different bit in the middle but I cut it back as it was sounding a bit twee somehow.
Kit:
Digitakt,
Digitone
1010 Lemondrop
Guitar
Chords (for future reference): Cm | G# (just Cm in the middle bit)
There are a couple of extra tracks that I'll process later but I thought I would get these ones up first.
Stuff that we carried to the gig(!)
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Synths / drums: Digitakt + Digitone
Mixer: Zoom L-6
Guitar pedalboard
Guitar
Trumpet
Goat horn
Flugelhorn
GIG DETAILS... We will be playing in a venue in central London on 6th Feb - http://bit.ly/3WFXwKd. On at 8ish for about 30 mins. Would be great to see people in the real world!
The original video is here - youtu.be/P15OgwbEvkE
The chords are:
Main bit - Bm | G | Dm | Bb
Other bit - Gm | C#m
Featuring new kit:
- a Minifreak (You need at least one of these if you are going to do a jam inspired by CWM)
- a 1010 music Lemondrop to mangle a bit of one of Paul’s jams (the granular sound at the beginning and throughout)
Oh and Mordros means ‘waves’ in Cornish - or so said Google.
Chords (should you wish to join in at home..): Cmaj7 | Ebmaj7 | Dbmaj7 | Ebmaj7.
Gear-wise it's just the usual stuff -
- Guitar by Duesenberg
- Pedalboard (HX stomp for effects, DSM Simplifier DLX for amp simulator)
- Digitakt II + Digitone for drums/synths
- A trumpet of some description from Adrian.
Two different guitar loops and four patterns to switch to made this a bit of a multi-tasking headache. Oh and the chords didn’t help - Cmaj7 to Ab major means I’m trying to play Em pentatonic over the C and Cm pentatonic over the Ab. No chance of that going wrong then!
Guitar stuff: ToneX (amp sim) + HX Stomp (effects) + Infinity looper
Synth stuff:
- Digitakt II - drums/sequencing
- Digitone - bass
- Microfreak - pad
- Typhon - bleeps and bloops
Equipment:
- Digitakt II
- Zeeon (iPad synth for bass and lead)
- Quanta (Granular iPad synth for the pad sound)
Setup:
- iPad connected to Digitakt with a USB C printer cable (for both MIDI and audio)
- Digitakt outputs connected to audio recorder.
- iPad synths running in AUM with specific midi channels
The chords are a little more complicated than usual and so there’s a bit of me changing scales/arpeggios as they go by (which is why it took me about a million takes to get it to the point where I was even vaguely happy)
Chords (if you want to jam along) are
Am11 / Gmaj7 / Bm7b5 / E7b9 / Am6 / E7
Except in the middle break where I swap out the E7b9 for Bb9 in the first recorded use of a tritone substitution on this channel(!)
Anyway. Onwards and upwards. Love to all.
Digitakt II on drums etc.
A new ToneX pedal for guitar amp tones.
- A new drum machine / sequencer (Digitakt II) – I’m liking this a lot
- A new guitar – a Yamaha silent guitar with nylon string – super easy to play, compact to carry and sounds great.
- A new chord progression theory – using a backdoor dominant thing (CMaj7, Fm7, Bb7) - An interesting sound.
- A new scale – Mixolydian b3 (a mode of melodic minor) – or a least that’s what I think I’m playing! (F melodic minor over C major 7 then presumably it is just normal melodic minor over the F minor bit and Lydian dominant over the Bb)
Oh and there’s a music thing modular midi slider in there as well controlling the levels of tracks on the Digitakt. A soldering triumph from me having bought it in kit form (it was pretty straightforward!)
Kit list:
- Digitakt II – drums/vocals + sequencing
- MC-101 for the bass line
- Digitone for most of the synths
- Dreadbox typhon for some bleeps and bloops
- Yamaha SLG-200N for guitar stuff.
** Same track as last night but remixed, renamed and re-uploaded **
Featuring: Max on keys and James on bass.
Video framing by me - with huge apologies to James(!).
Guitar and drums from Circuit Tracks- me
Trumpet and goat horn - Adrian
Keys - Max
Bass - James
Equipment:
- Guitar
- Trumpet/horn
- Synths: Circuit Tracks and Dreadbox Typhon.
Adrian (youtube.com/@adrianbarstadandresen6310)
- Goat horn / trumpet - through a Roland VT4 vocal processor
Me
- Guitar and looper
- Circuit tracks and MC-101
Norns for weird noises
Dreadbox Hades for bass
Dreadbox Typhon for other synth sounds
1010 Blackbox for drums
Pyramid for sequencing
Kit:
- iPad running Koala sampler
- Norns XL running 'Cranes' - a stereo varispeed looper / delay / timeline-smoosher
- Circuit Tracks
Anyway, here it is. An entry for a hardware jams challenge about a police chase and a kebab.
Police radio from freesound.org and played by Koala on the iPad
Circuit tracks and Norns for everything else.
Anyway, this is an overly-long experiement with the Cranes script on a Norns Shield XL that bought recently. The XL version fixes most of the things I didn't like about the standard Norns Shield - proper ins/outs + hardware midi connections.
Cranes is a looper script that first samples something in stereo - in this case some random notes / samples from my iPad - and then you can control the speed of the left and right channels independently and add overdubs to either.
In order to keep track of the bits of looping going on, I thought that ‘sock cam’ might be a good idea. I’m not 100% convinced!
Techy stuff:
- guitar: Strat, HX Stomp, Bluguitar Amp1
- synths etc. Pyramid sequencer, Digitone for keys sound, 1010 Blackbox for drums, Dreadbox hades for bass.
- sax: Akai EWI playing SWAM alto sax running on my phone
- looping - Pigtronix infinity for both sax and guitar.
The initial ambient sample came from one of Ulrich's jams (+ a bit of granular delay in the 1010 Blackbox
The electronic wind instrument was a Christmas present. I like the sound but it isn't particularly straightforward to play without making a mistake. Practice needed I think..
Anyway, merry christmas / happy new year.
No guitar sadly but I did bring my 1010 Blackbox and MC101. It's an interesting combination.: Lots of options but the MIDI sequencing on the latest firmware on the Blackbox is a bit buggy and so it has been a tiny bit frustrating!
Anyway, guitar-free bleeping and blooping as an entry for the hardware jams Beats/Pads challenge. Nice to have some time to enter something for a change!
1. A now working Poly Effects Beebo (for one of the Dreadbox Typhons).
2. An Eventide H9 multieffects box - purchased when the Beebo wasn't working and I was about to throw it out of the window
3. A Dreadbox Hades bass synth. If you want bass sounds then this is the synth. Lots of knobs, no presets and deep bass. Mmm..
3. A pedalboard! Remarkable for me really but I keep going places with my guitar and so this is less effort.
A link to buy a ticket to the gig(!): realsounds.uk/event-details/28
A link to our facebook page: facebook.com/people/Circa3-electronic-music/61550257335131
More tracks to follow
Usual guitar setup for me. BluGuitar Amp1, HX stomp, infinity looper.
Julius is running a myriad of iPad synths and sequencers
Anyway.. same set up as last week - including my lucky shirt apparently although that wasn't deliberate!
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Equipment used:
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Synth stuff:
- Digitone - bass
- Dreadbox Typhon 1 - drone / pad
- Dreadbox Typhon 2 - bleeping bit
- 1010 Blackbox - drums
- Pyramid sequencer
Guitar stuff:
- Guitar
- Bluguitar Amp1 amp
- Bluguitar speaker simulator
- HX Stomp (reverb/tremolo)
- Polyeffects Beebo (looping + a bit of reverb)
Beebo
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If you haven't come across Beebo, it's essentially a 'design your own pedal' pedal. You pick some of 100 different components and connect them together using the touch screen. It's easy to use but it doesn't take long before you get carried away making ridiculous pedals, e.g.a delay pedal where the delayed bits go into a fuzz and the non-delayed bits go through a chorus etc. etc.. Critically, for this video, there's a component called Loopler which is a super-powerful looping pedal.
Signal chain here is:
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HX Stomp pedal for basic delay and reverb
(into)
Poly Beebo:
- guitar input to convolution reverb (really nice) and then into the looper. The looper then goes to the guitar output (as you would imagine) but a second path takes the looper output into a granular delay that then comes out of a separate stereo L/R and into the mixer. (blend to taste).
All of which sits in the effects loop of the excellent Bluguitar Amp1 amplifier.
The Morningstar MIDI pedal (assuming anyone is still reading this nerdy ramble!) is connected via USB into the back of the Beebo which powers the pedal and lets you send messages ('record', 'mute' etc) as well as timing information to Beebo to keep it in time with Circuit Tracks.
Synths etc.
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The synth stuff is just Circuit Tracks with the 1010 Blackbox doing bass and pads (both of which I sampled from other synths that I own). There's a tiny weird bit of distortion in that part of the mix but I'm not going to worry about it. :-/
That's it!
The percussion at the beginning of the jam (+ continued throughout) was created using recordings of (Mrs R's) metal knitting needles clicking together and a grain of rice hitting some tin foil. We also tried to play 'microscopically' whatever that means!
Jammers:
Me: .................................... Guitar and the vocal samples
@RuptureRapture ............ Drums/synths from his trio of Elektron boxes
@SebticSmile ................... Cello and synths
@DocBolus........................ Fretless bass guitar
@osvos3278 ..................... More synths and drums


