NAB 2026: Nanlite Evoke 5C - Most versatile Light Kit to Date? slashcam 2026-09-17 | NAB 2026: Nanlite Evoke 5C - Most versatile Light Kit to Date?
DJI MINI 3: First Shots: 4K 30p, 2.7K 60p, QuickShots (HD) slashcam 2022-12-09 | With the DJI Mini 3, DJI provides a slimmed-down version of its (by now) quite comprehensively equipped DJI Mini 3 Pro - and this at virtually half the price. The new DJI Mini 3 features the same 12 MP 1/1.3-inch CMOS as the Pro version, records in max 4K 30p or 2.7K 60p and offers all Quickshot functions directly from the start. Here are our first test shots with the new DJI Mini 3 in the Fly-More Combo ...
8 Bit HD vs 10 Bit 4K: Panasonic GH6 + Atomos Shogun Connect slashcam 2022-11-24 | The Atomos Shogun Connect has arrived in the slashCAM editorial office and we tested the new Atomos flagship monitor recorder together with the Panasonic GH6 with direct proxy upload via Atomos Cloud Studio to Frame.io. If you are looking for the fastest possible playout of your Frame.io material, you can consider whether the 8 bit HD quality of the proxy files is already sufficient or whether it is worth waiting for the HighRes files.We have put together a small comparison between the 8 bit HD proxy material (H.265) and the 10 bit 4K HighRes material (ProRes 422 HQ) - both produced by Atomos Connect.And here is our extensive review of the Atomos Connect in C2C-mode:https://www.slashcam.de/artikel/Test/Panasonic-GH6-und-Atomos-Shogun-Connect-in-der--Cloud-Praxis--Proxy-Upload-mit-LTE-Handy-vom-Set-.html
Test: DJI Mavic 3 Classic 1st Shots: 10 Bit D-Log, 50p, Mastershots slashcam 2022-11-02 | Here come our first test shots with the new DJI Mavic 3 Classic. We have a look at the video quality in 10 Bit D-Log, 50p and try as well some Mastershots.
Canon EOSR6 Mark II: Skintones, 4K 10 Bit 60p, DJI Ronin RSC2, AF, Stabilization ... slashcam 2022-11-02 | With the Canon EOS R6 Mark II, Canon introduces the successor of its Canon EOS R6, which is popular among photographers as well as videographers, and with a maximum of 40 (!) fps continuous shooting, it also puts a strong exclamation mark on the photo functions. But also in the video functions a lot has been done: So the Canon EOS R6 offers for the first time False Color, 6K 60p RAW (external), with max. 8 steps Stabi Compensation, according to Canon currently the most effective stabilization and as the only full-frame DSLM a non-cropped Fullsensor Readout at 10 Bit 4K 60p Log ... here our first test with the new Canon EOS R6 Mark 2.Find our extensive written review here: https://www.slashcam.de/artikel/Test/Canon-EOS-R6-Mark-II-im-ersten-Praxistest--Die-beste-Hybrid-DSLM-unterhalb-von-3-000---Euro-.html
Fujifilm X H2 + Portra 160 LUT, 8K ProRes HQ, Skintones, AF-Performance, Slowmotion slashcam 2022-10-25 | With the Fujifilm X-H2, Fujifilm provides its flagship camera X-H2S with a much higher resolution counterpart with 40 MP. Our practical test shows that the decision between Fujifilm X-H2S and X-H2 is less clear for video users than previously thought. In addition to AF, F-Log2, skin tones, image stabilization with various lenses and gimbal shots, we also take a look at popular LUTs like the Portra 160 LUT in combination with F-Log 2.
iPhone 14 Pro: Stabilization like a Gimbal? Cinematic-Mode: 13 vs 14 Pro slashcam 2022-10-12 | In our practical test of the new iPhone 14 Pro, the iPhone surprises in a discipline that traditionally rather belongs to the strengths of gimbal-setups and action cams: The new stabilization function "Action Mode" operates on an extremely high level. In addition, we directly compare the iPhone 14 Pro's cinema mode with the iPhone 13 Pro, take a look at slow motion, skin tones and much more...
Sony FX30: First shots: Skintones, LOG/LUT, Autofocus, Stabilization ... slashcam 2022-09-28 | We had the opportunity for a first hands-on with the new Sony FX30 with 20.1 MP APS-C sensor. With an RRP of €2,299, the Sony FX30 represents the most affordable entry into Sony's Cinema Line - but it has almost all the features of its full-frame sister FX3. These include: Cine EI / S.Log 3 recording, 4K 10 bit 4:2:2 recording up to max. 120 fps, sensor stabilisation, optional XLR handgrip and much more. Have a look @ our written review here: https://www.slashcam.de/artikel/Test/Sony-FX30-mit-APS-C-S35-Sensor-im-ersten-Hands-On--Handling--Hauttoene--AF-uvm-.html´
AJA ColorBox: HDR/SDR/LUT-Transform: New Standard for DITs on Set? slashcam 2022-09-21 | AJA seems to have hit the bull's eye with its new ColorBox, as the first batch is said to be sold out already. We had Senior Product Manager Tm Walker show us the new ColorBox at the AJA booth and clarify, among other things, what DITs can use the ColorBox for.Speaking of DITs, one of the things AJA has emphasized with the ColorBox is that on-set look management tools like Pomfort's Livegrade or Assimilate Live Looks will work with the ColorBox in real time ...
IBC 2022: 5G-Workflow mit der Atomos Connect Serie slashcam 2022-09-19 | Stefan Kexel, Chief Sales Officer, von Atomos zeigt uns am Stand von Atomos, wie man mit einem mobilen 5G-WiFi Router - trotz Messetrubel - mit dem Atomos Ninja V+ und Connect Modul einen stabilen Proxy-Workflow hinbekommt. Clever: Das Atomos Cloud Studio fungiert hier als eine Weiche im Netz, bei der man unterschiedliche Cloud- und Streamingdienste auswählen kann.
IBC 2022: Adobe Camera to Cloud Workflows slashcam 2022-09-15 | Wir haben auf der IBC 2022 mit Patrick Palmer - Principal Product Manager, Professional Video bei Adobe - über Anwendungsfälle von Frame.io und Camera to Cloud gesprochen. Themen sind u.a. Kamera-Out Optionen, Proxy-HiRes Workflows, Schnittperformance in Premiere Pro uvm.
IBC 2022: SONY FR7 Fullframe PTZ explained slashcam 2022-09-13 | AT IBC 2022 we spoke with Claus Pfeifer - Strategic Marketing Manager at Sony Professional Solutions Europe - who explained the new Sony PTZ Camera FR7 in detail to us. We cover topics such as: Remote control, face-af, lens-rigging, external videosignals, internal recording, pricing and much more ...
IBC 2022: Blackmagic Design Ultimatte 12 Keyer explained slashcam 2022-09-12 | Here is our IBC 2022 clip with Craig Heffernan, Technical Sales Director EMEA from Blackmagic Design explaining the new Ultimatte 12 keying solutions incl. the new Ultimatte Software Control Tool.
Fujifilm X-H2S: Flog2, Skintones, 6.2K ProRes HQ, Autofocus, IBIS, Slowmo, Filmsimulations slashcam 2022-09-07 | Here is our testshot with Caro and the new Fujifilm X-H2S. We have been looking at the new F-Log2 (which is very easy to grade), 10 Bit Skintones, the AF-performance, the IBIS, 50 and 100 fps Slowmotion, the new 6.2K internal ProRes HQ and run through all filmsimulations ... Have a look as well at our extensive written review here: https://www.slashcam.de/artikel/Test/Fujifilm-X-H2S-in-der-Praxis---6-2K-10-Bit-ProRes-HQ--F-Log2-und-Hauttoene--Video-AF-uvm--.html
Test: DJI AVATA - new FPV Drone: 1st Flight with DJI Goggles 2 + MC slashcam 2022-08-25 | This is our very 1st flight with the new DJI AVATA in FPV mode with the new DJI Goggles 2 and the DJI Motion Controller. As FPV newbies we still have some learning-curve ahead of us - but the new DJI Avata is making our entry into FPV a lot easier ...
Canon EOS R7: AF with RF, EF + Sigma, LOG/LUT Skintones, Stabilization, 50p ... slashcam 2022-07-21 | Here's our test clip with Caro looking at stabilization, AF performance with different lenses and adapters (including the popular Sigma 18-35mm f1.8), skin tones in the 10-bit LOG/LUT workflow, 50p slow motion, and different image profiles. And here is our extensive Canon EOS R7 review: https://www.slashcam.de/artikel/Test/Canon-EOS-R7-in-der-Praxis---die-neue-Preis-Leistungsreferenz-im-S35-Segment--.html
Test: Sony FX3 Firmware 2.0: Cine EI / S-LOG 3, AF Assist, FE 24–70 mm F2.8 GM II slashcam 2022-07-14 | Here is our first shoot with the new 2.0 Firmware of the Sony FX3. Wer have a look at the new CINE EI LOG Function with BASE ISO with different highlight and tonal range outputs, the AF Assist function, Cine EI @ 100 fps and more ...And here is our extensive written Hands-On with the new FX3 Firmware:https://www.slashcam.de/artikel/Test/Sony-FX3-Firmware-2-0-im-ersten-Hands-On--Neue-Log-Shooting-Modes--Cine-EI--AF-Assist----.html
Test: DJI RS 3 Pro LiDAR AF+ Tracking / Zeiss Cine Prime slashcam 2022-07-11 | Here is our test shot with the new DJI RS 3 Pro including LiDAR autofocus wired to a Zeiss Cp 35 cine lens. Additionally we have a look at the new DJI Focus Track and the Video transmission system (including behind the Scene shots). Base System: Panasonic S1H with Sigma Converter MC-217 - all shots in 10 Bit V-Log.Here is our extensive written review: https://www.slashcam.de/artikel/Test/DJI-RS-3-Pro--LiDar-Autofokus-mit-Cine-Prime-und-Active-Track-in-der-Praxis.html
Nikon Z9: 12 Bit Raw: 120p, 50p, LOG/LUT, Skintones ... slashcam 2022-06-23 | Here is our test-shoot with the Nikon Z9 + Firmware Update 2.0. We have a look at the new internal 8K 50/60p RAW Recording (Nikon RAW), LOG-LUT Workflows, 120p slow-motion and more. And here is our extensive written review: https://www.slashcam.de/artikel/Test/Nikon-Z9--12-Bit-8K-RAW-in-der-Praxis--Performance--LOG-LUT-Workflows--Hauttoene--Zeitlupe----.html
Sony FX3, DJI RS2, FE PZ 16–35 mm F4: Gimbal Dream Team? slashcam 2022-05-19 | Here is our test of the new Sony Powerzoom FE PZ 16–35 mm F4 that we have been using together with the Sony FX3 on the DJI RS2 Gimbal. Have a look @ our extensive, written review here: https://www.slashcam.de/artikel/Test/Sony-FE-PZ-16-35-mm-F4-G-Zoom-an-der-FX3--Traumkombo-fuer-Gimbalsetups---DJI-RS2-.html
DJI Mini 3 Pro: 1st shots: 4K 60p, D-Cinelike, Focus Track, Master Shot ... slashcam 2022-05-10 | Here is our first test shot with the new DJI Mini 3 Pro: We have a look @ the 4K 60p footage, the D-Cinelike color-profile, the focus track and master shots modes. Here is our extensive written review on the new DJI Mini 3 Pro: https://www.slashcam.de/artikel/Test/DJI-Mini-3-Pro--Fuehrerscheinfreie-Drohne--C0-Specs--mit-4K-60p-Aufnahme---Pro-unter-250g-.html
NAB 2022: Camera To Cloud, Frame IO and Premiere Pro slashcam 2022-05-02 | Here we have a look at the Camera to Cloud workflow from the Premiere Pro and Frame IO perspective. We focus on the general workflow and scenarios as well as on the step by step process within Adobe Premiere Pro.
NAB 2022/Tilta´s new Mobile Shoulderrig for DSLM, Komodo up to Alexa Mini slashcam 2022-04-30 | Tilta was showing a preproduction model of a mobile, collapsible shourlderrig for cameras ranging from DSLMs to RED Komodo and ARRI Alexa Mini.
NAB 2022/Frame.IO Integration in Premiere Pro: Workflow Basics slashcam 2022-04-28 | Here is our introduction into collaborative workflows with Frame.Io in Adobe Premiere Pro. We cover how Frame.IO works, what ist stands for, what other programs it works with as well as what makes Frame.IO stand out with Premiere Pro / CC.
NAB 2022 Tutorialclip: DaVinci Resolve 18: AI-Mask Objects, Depth Mask, Surface Tracker slashcam 2022-04-27 | In case you haven´t noticed: DaVinci Resolve 18 incorporates as well new features that are NOT related to cloud functions. Here we dive into the new AI-powered Mask Objects effect, the new Depth Mask and the Surface Tracker ...
Atomos/NAB2022: Camera to Cloud with new Atomos Connect Tools explained slashcam 2022-04-26 | This might be the most influential product of NAB 2022. Here is our interview with Atomos and their new Connect Module for the Ninja V and V+ and the new Shogun Connect. We are quite excited about it because we think that this has the potential to introduce cloud-based workflows to a broad user base at comparatively low cost.
Blackmagic Design/NAB 2022: User Scenarios for the new Cloud Products slashcam 2022-04-25 | Here is our first NAB 2022 interview with Stuart Ashton from Blackmagic Design. We focus primarily on the different user scenarios for the new Blackmagic Cloud Devices form the new Pod to the big Cloud Store ...
Canon EOS C70 RAW: Skintones, 50p Slowmotion, XF-AVC-Comparison slashcam 2022-04-20 | Here is our short testclip with the Canon EOS C70 and its new internal RAW Recording function (on SD-Cards!). We have a look at the skintones in RAW with Canon Log2 , 50p slow-motion with Canon RAW LT and compare the footage to the XF-AVC codec ... have a look @ our written review and analysis here: https://www.slashcam.de/artikel/Test/Canon-EOS-C70--12-Bit-RAW-in-der-Praxis--inkl--Vergleich-zu-XF-AVC-.html
Why Sensor Stabilization is NOT always better: IBIS vs OIS/EIS (R5C vs R5) slashcam 2022-04-06 | Here we compare the sensor stabilization of the Canon EOS R5 with the optical and electronic stabilisation of the Canon EOS R5C. Have a look why sensor stabilization ist NOT always better then traditional stabilization techniques (and why cine cameras do not use IBIS). Have a look @ our test here: https://www.slashcam.de/artikel/Ratgeber/IBIS-vs-EIS--Warum-Sensorstabilisierung--IBIS--nicht-immer-die-bessere--Kamera-Wahl-ist-.html
Sony Venice 2: Skintones, 8.2K 16 Bit X-OCN, 90 fps Slowmotion, S-Log3-LUT ... slashcam 2022-03-18 | Here is our test clip with the new Sony Venice 2. We used the Zeiss Cinema Zooms T2.9 and had a look at the new 16 Bit 8K Sony RAW (X-OCN-XT), 90 fps slowmotion, skintones, LOG-LUT workflows, colorscience and much more ... You can find our written review here: https://www.slashcam.de/artikel/Test/Sony-Venice-2--Flaggschiff-8K-RAW-Cine-Kamera-in-der-Praxis---ARRI-LF-Konkurrenz-reloaded----.html
Panasonic GH6 - 1st Shots: 5.7K ProRes, Autofocus, V-LOG-LUT, Slowmotion ... slashcam 2022-02-22 | Here is our 1st testclip with the new Panasonic GH6. We have a look at the 5.7K ProRes recording, the autofocus system (with a new lens-firmware), the LOG-LUT-workflow, the skin tones, slowmoiion, IBIS and much more ...And here is our extensive review of the Panasonic GH6: https://www.slashcam.de/artikel/Test/Die-Panasonic-GH6-im-ersten-Praxistest--Internes-6K-10-Bit-ProRes-LOG--AF--Zeitlupe--Hauttoene-uvm.html
Canon EOS R5 C - first Shots: Internal 8K RAW 50p, 120 fps Slowmo, Skintones, XF-AVC LOG/LUT ... slashcam 2022-01-31 | Here is our first test shot with a preproduction model of the new Canon EOS R5 C. We have a look @ internal 12 Bit 8K RAW 50p, skintones, Canon Log 3 + LUT, 120fps slow-motion, S35 and S16 RAW, image stabilization and more ... Have look at our extensive review of the Canon EOS R5 C here: https://www.slashcam.de/artikel/Test/Canon-EOS-R5-C-im-Praxistest---die-beste-Foto-Video-DSLM--8K-50p-RAW--Hauttoene--LOG-LUT-uvm-.html
Test: Mavic 3 Cine; 5.1K ProRes D-Log, FocusTrack, 50p ... slashcam 2021-12-31 | Here is our Mavic 3 Cine test-clip including the new FocusTrack function from the latest DJI firmware upgrade (DJI Fly 1.5.4), 5.1K ProRes D-Log, 50p, ND-Filter and more ...
Nikon Z9: First Shots: Internal 8K N-Log, 4K ProRes, 120 fps, Stabilization, AF .. slashcam 2021-12-24 | Here our first shots with the brand-new Nikon Z9 where we explore the new internal videorecording modes like 8K 10 Bit N-Log, 4K 10 Bit Pro Res N-Log, 120 fps Slow-motion, Stabilization, AF, the different picturestyles and much more ...Keep in mind that this is still a preproduction camera of the Nikon Z9.
Test: DJI Ronin 4D with 6K ProRes Raw: Stabilizing, 3D LiDAR AF, Skintones ... slashcam 2021-11-04 | Here is our test with the new DJI Ronin 4D: Welcome to the new robotik cinema. We have a look at the 6K ProRes Raw (internal! Codec), the stabilizing performance, the 3D LiDAR AF, Skintones and much more. The corresponding in depth test you can find here: https://www.slashcam.de/artikel/Test/DJI-Ronin-4D-mit-ProRes-RAW-und-3D-LiDAR-in-der-Praxis--Die-Robotik-Film-Zukunft-.html
Test: Panasonic BS1H: 6K 10 Bit V-Log, Skintones, Gimbaloperation ... slashcam 2021-10-11 | Here our first shot with the new Panasonic 6K fullframe box camera BS1H. We were shooting with the DJI RS2 gimbal als well as handheld and had a look @ 6K 10 Bit V-Log 25p, 4K 10 Bit V-Log @ 50p, skintones, LOG/LUT workflow and more.
Comparison: iPhone 13 Pro Cinematic Mode vs Standard + 240fps Slowmotion slashcam 2021-10-05 | Here is our first iPhone 13 Pro test where we compare the new Cinematic Mode with the Standard Mode and different f-stops. We also have a look at skin tones and 240fps slow-motion shots ...
Test: Canon EOS R3 - First Shots: 6K RAW 50p, Skintones, AF, Stabilization and more slashcam 2021-09-23 | Here is our Canon EOS R3 clip that we shot in Berlin with Caro with a preproduction Canon EOS R3 model. We looked at Skintones, 6K RAW 50p footage, the Dual pixel AF and the stabilization performance. Have a look as well at our extensive review here: https://www.slashcam.de/artikel/Test/Canon-EOS-R3-im-Praxistest--12-Bit-6K-RAW-50p--Hauttoene--LOG-LUT--Stabilisierung--DJI-RS2-uvm--.html
RED KOMODO 6K Test: Autofocus, Skintones, Slowmotion, LOG/LUT ... slashcam 2021-08-20 | Here is our test clip with the RED Komodo where we take a look @ the autofocus performance with Canon RF lenses, skin tones, LOG/LUT workflows, DJI RS2 Gimbal-performance and much more ...
Sony A1: 8K Video, LOG/LUT Skintones, Slowmotion, AF-Performance slashcam 2021-06-09 | Here is our Test shoot with the new Sony Alpha 1 and Caro where we have a look at 8K Video, 4K 100p, Log/LUT workflows, skin tones, AF-performance and much more.
Panasonic S1H + 6K RAW / Blackmagic Video Assist 12G: Skintones, AF, internal 10 Bit Log comparison slashcam 2021-05-27 | Here our Clip with Caro where we have a look at the Panasonic S1H with 6K Blackmagic RAW Output in 25p and 4K 50p via Video Assist 12G. We also tested AF Facetracking and compared internal 10 Bit LOG / LUT with Blackmagic RAW.
Nikon Z6II + Blackmagic RAW via Video Assist 12 G slashcam 2021-05-14 | Here is our shoot with Caro and the Nikon Z6II together with the Blackmagic Video Assist 12G. We have a look at skin tones and compare external BMD Raw vs ProRes HQ recordings. We also have a look at the improved AF-performance of the Nikon Z6II as well as internal (8Bit) 50p recording ...Find our Z6II + BMD Raw review here: https://www.slashcam.de/artikel/Test/Nikon-Z6II-und-Video-Assist-12G--Wie-gut-ist-Blackmagic-Raw-mit-der-Nikon-Z6II--in-der-Praxis-.html
Test: Canon EOS R5: New Canon Log 3, Skintones, RAW Light , IPB Light, LOG/LUT slashcam 2021-03-30 | Here is our testclip with the new Canon Eos R5 firmware. We shot with the new Canon Log 3, RAW Light and IPB Light. We also compared Canon Log to Canon Log 3. Have a look as well at our written review here; https://www.slashcam.de/artikel/Test/Canon-EOS-R5-Firmwareupdate-1-3-0--Canon-Log-3--Cinema-Raw-Light-und-IPB-Light-in-der-Praxis.html
Test: Blackmagic Pocket Cinema Camera 6K Pro - First Shots slashcam 2021-03-19 | Here is our test shot with the new Blackmagic Pocket Cinema Camera 6K Pro. We have a look at skintones, 6K Raw and other resolutions, 6K 50p for slow-motion, LOG-LUT workflows and more.We have also been using the 6K Pro on the Manfrotto GimBoom together with the DJI RS2 to create a little fake jib-shot ...Here is our review: https://www.slashcam.de/artikel/Test/Blackmagic-Pocket-Cinema-Camera-6K-Pro-in-der-Praxis---lohnendes-Update-.html#Einle
Sony FX3 Test: Autofocus (70-200mm!), Skintones, 100fps Slow Motion, LOG/LUT, Stabi ... slashcam 2021-02-23 | Here is our comprehensive test with the new Sony FX3. We take a closer look at the FX3 autofocus speed (@ f2.8 200mm!), skintones and all colorprofiles (including S-Cinetone), 4K slow-motion @ 100 fps and the different stabilization settings. In order to really stress Sony´s solid AF implementation we recorded Caro running towards the camera with 100fps @ 200mm, f2.8 ...Find out more here: https://www.slashcam.de
Sony A7S III vs Canon EOS R6 Autofocus Comparison at f1.8 / Interview setup slashcam 2021-02-04 | The current full-frame DSLMs from Canon and Sony have - for the time being - the best video autofocus in their segment. In this test, we filmed an interview with the Sony A7S III and the Canon EOS R6 in parallel at an open aperture f1.8. We wanted to find out whether the autofocus was stable and reliable enough to be relied on 100%. Many people are familiar with such interview situations: The background is scattered or simply ugly and should be blurred out as best as possible, or the camera's headlight is too weak and you have already reached the maximum acceptable ISO:Now you have to open the aperture - but this makes (manual) focusing with large sensor cameras much more challenging - especially for solo operators. If the interview partner is also one of the more back-and-forth moving individuals, focusing becomes a real challenge ... unless you can rely on a video autofocus that works reliably even when the aperture is completely open.Here we asked Caro to move back and forth in her seat during the interview to see if the AF is good enough @ f1.8.
Canon EOS C70 Speedbooster Test: Canon EF 24-70 /f2.8 + Mount Adapter EF-EOS R 0.71x slashcam 2021-01-18 | Here we have a look at the autofocus performance of the new Canon EF-RF 0,71 Speedbooster on the Canon EOS C70 together with the Canon EF 24-70mm /f2.8. We compare the Dual Pixel AF-Performance of the C70 with the Canon RF 35mm (without the new Canon Focal Reducer) as well as with the new Canon Speedbooster and the EF 24-70mm /f2.8. We also compare the change in perspective with and without the 0,71x focal reduction @ 35mm between EF and RF.
Blackmagic URSA Mini Pro 12K: Resolutions, Skintones, LOG/LUT, Panning, Slowmotion slashcam 2020-11-30 | Here is our first test shoot with the Blackmagic URSA Mini Pro 12K. All material was recorded in 12K 60p on a rainy day in Berlin. 12K gives you a lot of reframing-options in post which we used as well in our clip. Apart from that we have had a look as well at skintones, LOG/LUT workflows and slow-motion. Stay tuned for our extensive review of the Blackmagic URSA Mini Pro 12K on https://www.slashcam.de
DJI RSC2 Gimbal - VS - Canon EOS R6: 4K 10 Bit Log, Longboard Tracking Shots and more slashcam 2020-11-02 | Here is our little test shoot with the new, compact DJI RSC2 gimbal and the Canon EOS R6 together with Caro. We tried our best to keep up with Caro on her very fast longboard... The DJI RSC2 worked pretty well out of the box with the Canon EOS R6 which we have had connected via USB-C with the gimbal. All shots in 4K 10 Bit Canon Log. Stay tuned for our extensive DJI gimbal review - including the bigger RS2 ...
Canon EOS C70 - First Shots: Skintone, LOG, 50p, Gimbal, Stabilisation ... slashcam 2020-09-29 | Here our first Shots with the Canon EOS C70, where we have a look at the skin-tones, the LOG-LUT workflow, 50p recording, the Dual Pixel autofocus, stabilization and much more. Including Gimbal-shots on the compact LIBEC TH-G3 gimbal where the Canon C70 fits without problems due to its clever threaded mounting options on the bottom plate ...Have a look as well at our Hands-On with the Canon EOS C70 here:https://www.slashcam.de/artikel/Test/Erstes-Hands-On-mit-der-Canon-EOS-C70--16--DR--10-Bit-Log--ND-Filter--XLR-Audio--Kompakt-Gehaeuse-uvm----.html
Canon EOS R6, Skintones, Gimbal-Shots, 10 Bit LOG 4:2:2 50p, Dual Pixel AF ... slashcam 2020-09-22 | The Canon EOS R6 might be one of the better alternatives for videoshooters who need high quality 4K 50/60p formats, since the Canon EOS R6 downsamples 4K from its 24MP Sensor and produces very clean 50/60p 4K images. Here is our Canon EOS R6 test with Caro which we shot mostly in 50p and where we have had a look at skintones, LOG/LUT, gimbal-shots, the sensor-stabilisation, Dual Pixel AF and much more ...As usual we used available light only without any modifiers.
