Love Love Records
Gareth Clarke - Hearseback Riding
updated
‘Outer Reaches’ is on the A side, the original mix is a smooth but lively jungle popper with detailed break cuts, gorgeous pads and lots of space, bound together by a big bass line. Love Love longtime homeboy Scrase is on remix duties for this one taking it to strange new alien braindance territories. Blaring bass tones lay a foundation for some signature melodic content and nuff slippery choppage.
On the flip side is ‘Frosts Of Neptune’, an amen workout more akin to the old school sound. 94 style rave pads, sharp amen chops and RnB vocal samples provide the ingredients for this ruffneck dancefloor boomer. London legend Tim Reaper gives us his remix for B2 utilising tidal bass and a foaming top end for maximum shake and skank, with some seriously phased out breaks to send your synapses in strange directions and a relentless groove to keep you dancing till the end of the night.
The artwork is again an old snap from the All World Experts photo album, this time featuring the ‘Dragon Bomber’ by Check.
Limited to 300 copies
www.loveloverecords.net
‘Outer Reaches’ is on the A side, the original mix is a smooth but lively jungle popper with detailed break cuts, gorgeous pads and lots of space, bound together by a big bass line. Love Love longtime homeboy Scrase is on remix duties for this one taking it to strange new alien braindance territories. Blaring bass tones lay a foundation for some signature melodic content and nuff slippery choppage.
On the flip side is ‘Frosts Of Neptune’, an amen workout more akin to the old school sound. 94 style rave pads, sharp amen chops and RnB vocal samples provide the ingredients for this ruffneck dancefloor boomer. London legend Tim Reaper gives us his remix for B2 utilising tidal bass and a foaming top end for maximum shake and skank, with some seriously phased out breaks to send your synapses in strange directions and a relentless groove to keep you dancing till the end of the night.
The artwork is again an old snap from the All World Experts photo album, this time featuring the ‘Dragon Bomber’ by Check.
Limited to 300 copies
www.loveloverecords.net
Therefore, as an experiment we invited some human musicians that we greatly admire to rework and reimagine our extra-terrestrial sounds. The resulting sonic material is a kind of human/alien hybrid music that we believe will incite much rejoicing at the rave.
This kind of interplanetary collaboration is of great interest to us, and so far, the resulting sounds have brought much delight to our alien ears."
Zpor, HENGE
Love Love Records are honoured to present two interstellar remixes from the recent album from HENGE, ‘ExoKosm’ which was self-released last year by the band during the pandemic. Acid pioneers and Madchester legends 808 State rework the track ‘Exo’ in their signature ‘acid-house meets rave-hardcore’ big band sound that fits seamlessly amongst their own back catalogue. The second is a heavily clubbed up twist of ‘Goldilocks’ from Brain Rays & Quiet, a spacey slab of sub-slung broken power-house with a sleazy groove like an alien abduction straight to the engine room of the UFO.
Available on 10’’ and all digital formats.
www.loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Therefore, as an experiment we invited some human musicians that we greatly admire to rework and reimagine our extra-terrestrial sounds. The resulting sonic material is a kind of human/alien hybrid music that we believe will incite much rejoicing at the rave.
This kind of interplanetary collaboration is of great interest to us, and so far, the resulting sounds have brought much delight to our alien ears."
Zpor, HENGE
Love Love Records are honoured to present two interstellar remixes from the recent album from HENGE, ‘ExoKosm’ which was self-released last year by the band during the pandemic. Acid pioneers and Madchester legends 808 State rework the track ‘Exo’ in their signature ‘acid-house meets rave-hardcore’ big band sound that fits seamlessly amongst their own back catalogue. The second is a heavily clubbed up twist of ‘Goldilocks’ from Brain Rays & Quiet, a spacey slab of sub-slung broken power-house with a sleazy groove like an alien abduction straight to the engine room of the UFO.
Available on 10’’ and all digital formats.
www.loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Upfront we get two rip-roaring braindance epics in the forms of title track ‘Koto アシッド’ and 2nd track ‘747 الرياض কলকাতা’, before ’S.E.T Ad '87’ changes the pace completely, cleansing the auditory palate ahead of the 2nd half of the EP with a spacey 80s dream. The pace settles out on the flip-side after the frazzling breakneck openers, slippery tones pirouetting atop a gracefully chugging bass line in ‘FWP’. Following this proceeds an unorthodox sequence of musical notes that somehow induces a series of highly concentrated fist-clenching emotions. ‘747 Red Eye Return’ slows its parent track down to a near still pace, its meditative tones bearing down like oppressive heat, before the final track provides a slice of brilliant musical escapism.
Surprising to the last second and brain-tingling throughout, this EP captures a colourful morsel of Carl’s work and should leave a lasting taste of what is yet to come from this sonic tinkerer.
www.loveloverecords.net
Upfront we get two rip-roaring braindance epics in the forms of title track ‘Koto アシッド’ and 2nd track ‘747 الرياض কলকাতা’, before ’S.E.T Ad '87’ changes the pace completely, cleansing the auditory palate ahead of the 2nd half of the EP with a spacey 80s dream. The pace settles out on the flip-side after the frazzling breakneck openers, slippery tones pirouetting atop a gracefully chugging bass line in ‘FWP’. Following this proceeds an unorthodox sequence of musical notes that somehow induces a series of highly concentrated fist-clenching emotions. ‘747 Red Eye Return’ slows its parent track down to a near still pace, its meditative tones bearing down like oppressive heat, before the final track provides a slice of brilliant musical escapism.
Surprising to the last second and brain-tingling throughout, this EP captures a colourful morsel of Carl’s work and should leave a lasting taste of what is yet to come from this sonic tinkerer.
www.loveloverecords.net
‘Outer Reaches’ is on the A side, the original mix is a smooth but lively jungle popper with detailed break cuts, gorgeous pads and lots of space, bound together by a big bass line. Love Love longtime homeboy Scrase is on remix duties for this one taking it to strange new alien braindance territories. Blaring bass tones lay a foundation for some signature melodic content and nuff slippery choppage.
On the flip side is ‘Frosts Of Neptune’, an amen workout more akin to the old school sound. 94 style rave pads, sharp amen chops and RnB vocal samples provide the ingredients for this ruffneck dancefloor boomer. London legend Tim Reaper gives us his remix for B2 utilising tidal bass and a foaming top end for maximum shake and skank, with some seriously phased out breaks to send your synapses in strange directions and a relentless groove to keep you dancing till the end of the night.
The artwork is again an old snap from the All World Experts photo album, this time featuring the ‘Dragon Bomber’ by Check.
Limited to 300 copies
www.loveloverecords.net
‘Outer Reaches’ is on the A side, the original mix is a smooth but lively jungle popper with detailed break cuts, gorgeous pads and lots of space, bound together by a big bass line. Love Love longtime homeboy Scrase is on remix duties for this one taking it to strange new alien braindance territories. Blaring bass tones lay a foundation for some signature melodic content and nuff slippery choppage.
On the flip side is ‘Frosts Of Neptune’, an amen workout more akin to the old school sound. 94 style rave pads, sharp amen chops and RnB vocal samples provide the ingredients for this ruffneck dancefloor boomer. London legend Tim Reaper gives us his remix for B2 utilising tidal bass and a foaming top end for maximum shake and skank, with some seriously phased out breaks to send your synapses in strange directions and a relentless groove to keep you dancing till the end of the night.
The artwork is again an old snap from the All World Experts photo album, this time featuring the ‘Dragon Bomber’ by Check.
Limited to 300 copies
www.loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is a big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is a big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
credits
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is a big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is a big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is a big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Love Love continues the new LOVLTD series with ‘A Mirror Touch’ by Klotang, a collaborative work by young producers Klahrk and Otang that dives deep into the hardcore continuum pulling out huge chunks of authentic euphoria. This is rugged and raw old skool hardcore with some truly iconic rave moments, crafted with a fresh perspective - a must have for DJs intent on keeping the vibe alive.
The EP kicks off with ‘Tritium’ a whistling old skool number opening with rumbling subs before the turbo kicks in about a third of the way through. The in-yer-face rave attack vibe gives way to dreamy pads as the track continues perfect for early morning sunrise in the dance. ’Hells Bells’ is a grimier affair hinting more towards modern influences before a 180 degree midpoint switch-up settles on a stomping ’91 era rave rhythm. The final track on the A side, ‘Hyperthruster’, is a big sub mover, propelled by a skanking break and vocal chops throughout, laced with darkside ‘ardcore stabs.
As the tempos continue to increase through the EP, cheeky B-side opener ‘Pressure’ brings the old skool fun. A fast and furious dance workout complete with bass bonks and synth squirts. B2, ‘Funland To Dockland’, is a piano driven vintage happy hardcore anthem pulled straight from the early 90s, whilst Rognvald amps up the choppage and takes it up in tempo for the remix on B3. 6 crucial tracks of killer rave material coming complete with artwork by East London graffiti legends Check & Race from A.W.E. [All World Experts].
Listen to the EP on Spotify: open.spotify.com/album/0UkXl9Wpoh2zRDLkOwFGKs?si=6qDhGNK-TYSe4UK_t0gr3Q
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
After over a year in lockdown Love Love launches LOVLTD, a new series of limited records containing the tuffest system boomers and shakers. Focused towards igniting the dancefloor this series is a celebration of rave in all its forms: Acid Stompers & Wonkers / Hardcore Continuum // Heavyweight Bass Flex. All the 12”s are graced with artwork by foundational UK graffiti legends A.W.E ‘All World Experts’ est 1984- most notably Keen and Check.
To start proceedings Romford-born, Bristol-based producer Ben Pest gives us 4 slabs of lysergic bass-bolstered techno. With records on Don’t, I Love Acid & Earwiggle and following recent collaborations with IMOGEN and Radioactive Man, Ben’s style of techno is some of the slickest and dirtiest going, getting played out by the likes of Bicep and DJ Stingray.
A1 ‘Rugged’ drabs a chunky square 303 over strobing flickers of percussion with a kick drum the size of mars, building to an absolute acid-fuelled fervour. A2 ‘On The Three’ boasts a catchy groove reminiscent of mid-noughties warehouse phunk, brandishing cartoony melodies that will put an unhinged smile on the most cynical of ravers’ mushes.
Whilst the A side ends bouncey, the B-Side starts off crushing and trancey with ‘83 Is The Wan’, featuring a catatonic kick drum in a New York club pattern driving through a hazy technoid labyrinth that’ll have ravers weaving spirit entities for many a dance to come. Final track ‘More Horrors’ is a full on, no-nonsense party banger. Weighty old skool techno heft with a deep murky bassline and acid squelches. Techno doesn’t come much fatter or funner than this.
Limited to 300 copies only.
Written and produced by Ben Pest.
Mastered by Lawrie Immersion.
Artwork by Keen & Check from A.W.E
benpest.bandcamp.com
loveloverecords.net
Listen to the EP on Spotify: open.spotify.com/album/0UkXl9Wpoh2zRDLkOwFGKs?si=6qDhGNK-TYSe4UK_t0gr3Q
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
After over a year in lockdown Love Love launches LOVLTD, a new series of limited records containing the tuffest system boomers and shakers. Focused towards igniting the dancefloor this series is a celebration of rave in all its forms: Acid Stompers & Wonkers / Hardcore Continuum // Heavyweight Bass Flex. All the 12”s are graced with artwork by foundational UK graffiti legends A.W.E ‘All World Experts’ est 1984- most notably Keen and Check.
To start proceedings Romford-born, Bristol-based producer Ben Pest gives us 4 slabs of lysergic bass-bolstered techno. With records on Don’t, I Love Acid & Earwiggle and following recent collaborations with IMOGEN and Radioactive Man, Ben’s style of techno is some of the slickest and dirtiest going, getting played out by the likes of Bicep and DJ Stingray.
A1 ‘Rugged’ drabs a chunky square 303 over strobing flickers of percussion with a kick drum the size of mars, building to an absolute acid-fuelled fervour. A2 ‘On The Three’ boasts a catchy groove reminiscent of mid-noughties warehouse phunk, brandishing cartoony melodies that will put an unhinged smile on the most cynical of ravers’ mushes.
Whilst the A side ends bouncey, the B-Side starts off crushing and trancey with ‘83 Is The Wan’, featuring a catatonic kick drum in a New York club pattern driving through a hazy technoid labyrinth that’ll have ravers weaving spirit entities for many a dance to come. Final track ‘More Horrors’ is a full on, no-nonsense party banger. Weighty old skool techno heft with a deep murky bassline and acid squelches. Techno doesn’t come much fatter or funner than this.
Limited to 300 copies only.
Written and produced by Ben Pest.
Mastered by Lawrie Immersion.
Artwork by Keen & Check from A.W.E
benpest.bandcamp.com
loveloverecords.net
Listen to the EP on Spotify: open.spotify.com/album/0UkXl9Wpoh2zRDLkOwFGKs?si=6qDhGNK-TYSe4UK_t0gr3Q
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
After over a year in lockdown Love Love launches LOVLTD, a new series of limited records containing the tuffest system boomers and shakers. Focused towards igniting the dancefloor this series is a celebration of rave in all its forms: Acid Stompers & Wonkers / Hardcore Continuum // Heavyweight Bass Flex. All the 12”s are graced with artwork by foundational UK graffiti legends A.W.E ‘All World Experts’ est 1984- most notably Keen and Check.
To start proceedings Romford-born, Bristol-based producer Ben Pest gives us 4 slabs of lysergic bass-bolstered techno. With records on Don’t, I Love Acid & Earwiggle and following recent collaborations with IMOGEN and Radioactive Man, Ben’s style of techno is some of the slickest and dirtiest going, getting played out by the likes of Bicep and DJ Stingray.
A1 ‘Rugged’ drabs a chunky square 303 over strobing flickers of percussion with a kick drum the size of mars, building to an absolute acid-fuelled fervour. A2 ‘On The Three’ boasts a catchy groove reminiscent of mid-noughties warehouse phunk, brandishing cartoony melodies that will put an unhinged smile on the most cynical of ravers’ mushes.
Whilst the A side ends bouncey, the B-Side starts off crushing and trancey with ‘83 Is The Wan’, featuring a catatonic kick drum in a New York club pattern driving through a hazy technoid labyrinth that’ll have ravers weaving spirit entities for many a dance to come. Final track ‘More Horrors’ is a full on, no-nonsense party banger. Weighty old skool techno heft with a deep murky bassline and acid squelches. Techno doesn’t come much fatter or funner than this.
Limited to 300 copies only.
Written and produced by Ben Pest.
Mastered by Lawrie Immersion.
Artwork by Keen & Check from A.W.E
benpest.bandcamp.com
loveloverecords.net
Listen to the EP on Spotify: open.spotify.com/album/0UkXl9Wpoh2zRDLkOwFGKs?si=6qDhGNK-TYSe4UK_t0gr3Q
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
After over a year in lockdown Love Love launches LOVLTD, a new series of limited records containing the tuffest system boomers and shakers. Focused towards igniting the dancefloor this series is a celebration of rave in all its forms: Acid Stompers & Wonkers / Hardcore Continuum // Heavyweight Bass Flex. All the 12”s are graced with artwork by foundational UK graffiti legends A.W.E ‘All World Experts’ est 1984- most notably Keen and Check.
To start proceedings Romford-born, Bristol-based producer Ben Pest gives us 4 slabs of lysergic bass-bolstered techno. With records on Don’t, I Love Acid & Earwiggle and following recent collaborations with IMOGEN and Radioactive Man, Ben’s style of techno is some of the slickest and dirtiest going, getting played out by the likes of Bicep and DJ Stingray.
A1 ‘Rugged’ drabs a chunky square 303 over strobing flickers of percussion with a kick drum the size of mars, building to an absolute acid-fuelled fervour. A2 ‘On The Three’ boasts a catchy groove reminiscent of mid-noughties warehouse phunk, brandishing cartoony melodies that will put an unhinged smile on the most cynical of ravers’ mushes.
Whilst the A side ends bouncey, the B-Side starts off crushing and trancey with ‘83 Is The Wan’, featuring a catatonic kick drum in a New York club pattern driving through a hazy technoid labyrinth that’ll have ravers weaving spirit entities for many a dance to come. Final track ‘More Horrors’ is a full on, no-nonsense party banger. Weighty old skool techno heft with a deep murky bassline and acid squelches. Techno doesn’t come much fatter or funner than this.
Limited to 300 copies only.
Written and produced by Ben Pest.
Mastered by Lawrie Immersion.
Artwork by Keen & Check from A.W.E
benpest.bandcamp.com
loveloverecords.net
http://rognvald.bandcamp.com
http://www.loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
Track by Sly & The Family Drone
Video by Henry Lynn
Artwork by www.kazlandart.com
www.loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Al Bonney
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Al Bonney
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Al Bonney
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Al Bonney
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Robin Harwood
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Al Bonney
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
Track by Sly & The Family Drone
Video by Henry Lynn
www.loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. Recorded at the end of 2018 after a year long post-car crash recovery hiatus, ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.
Bolstered with a directional force rare in this strain of noise the album begins at the deep end with ‘A Black Uniformed Strutting Animal’, a raucous cacophony backed by a thick groove, before the bleeps and bloops of ‘Dead Cat Chaos Magician’ kick in, sounding like a haunting in the BBC Radiophonic Workshop. ‘Swearing On The Horns’ is a folk-sludge ditty scraping through a psychic wormhole that exits at the feet of ‘Bulgarian Steel’ - a grimacing march punctuated with metallic screams where the sax becomes an overstressed alarm siren. ‘Shrieking Grief’, with its rapid fire drum rolls and megaton payloads of pummelling noise, concludes the A side loudly.
Side B opens with stretched-out droning layers and winding loops on ‘Sunken Disorderly’, providing a gloomy refuge for some cosmic meditation. The album at this point converges into the morbidly fascinating black and white horror of ‘My Torso Is A Shotgun’, perhaps the most widescreen and immediate example of the band’s progression, before playing out with the deathly lament of ‘Tsukiji’. A suitable soundtrack to the end-times.
All Tracks by Sly & The Family Drone
Artwork by www.kazland.co.uk
Mastered by Robin Harwood
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Artwork by SNUBLIC
http://loveloverecords.net
Listen on Spotify here: https://spoti.fi/2XGbxdf
Listen to the entire Love Love Records discography on Spotify: open.spotify.com/playlist/73gvvIyrsbd25CxQXRCEHH?si=210e3f368c144370
Track 11 from the 'Undesignated Proximate' LP
'New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn’s music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, john’s ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn’s drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album ’Some Shit Saaink’ made with friend Bob (Macc) on Subtle Audio/Rephlex, John’s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.'
All Tracks by John Cunnane
Mastered by Robert Macchiochi
Video by Polly Weatherley
Original footage from Graham Hill
http://loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Rognvald returns with his third instalment of The New Selecta series and things are starting to get lively. Overall it’s a more breakneck affair than the previous two editions with four more offerings of future-old skool drum mashup.
‘Hakon’, with it’s smoke-stained sample abuse and distorted urban atmospherics reminiscent of mid-noughties London squat parties, kicks things off before sliding into the sexed up R’n’B grooves of ‘Foreshaddow’. On the flip side ‘Earldom Pollywax’ flexes harsh rave against a platter of chopped amens and wide reese basslines. The EP closes with ‘Depot Drum’ featuring Morris Wotherspoon on vocal and Irish bodhrán drum duties. One of his moodiest tracks, Richard kicks forth rhythms of doom dark enough to summon lysergic demons into the rave.
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Rognvald returns with his third instalment of The New Selecta series and things are starting to get lively. Overall it’s a more breakneck affair than the previous two editions with four more offerings of future-old skool drum mashup.
‘Hakon’, with it’s smoke-stained sample abuse and distorted urban atmospherics reminiscent of mid-noughties London squat parties, kicks things off before sliding into the sexed up R’n’B grooves of ‘Foreshaddow’. On the flip side ‘Earldom Pollywax’ flexes harsh rave against a platter of chopped amens and wide reese basslines. The EP closes with ‘Depot Drum’ featuring Morris Wotherspoon on vocal and Irish bodhrán drum duties. One of his moodiest tracks, Richard kicks forth rhythms of doom dark enough to summon lysergic demons into the rave.
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Rognvald returns with his third instalment of The New Selecta series and things are starting to get lively. Overall it’s a more breakneck affair than the previous two editions with four more offerings of future-old skool drum mashup.
‘Hakon’, with it’s smoke-stained sample abuse and distorted urban atmospherics reminiscent of mid-noughties London squat parties, kicks things off before sliding into the sexed up R’n’B grooves of ‘Foreshaddow’. On the flip side ‘Earldom Pollywax’ flexes harsh rave against a platter of chopped amens and wide reese basslines. The EP closes with ‘Depot Drum’ featuring Morris Wotherspoon on vocal and Irish bodhrán drum duties. One of his moodiest tracks, Richard kicks forth rhythms of doom dark enough to summon lysergic demons into the rave.
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Rognvald returns with his third instalment of The New Selecta series and things are starting to get lively. Overall it’s a more breakneck affair than the previous two editions with four more offerings of future-old skool drum mashup.
‘Hakon’, with it’s smoke-stained sample abuse and distorted urban atmospherics reminiscent of mid-noughties London squat parties, kicks things off before sliding into the sexed up R’n’B grooves of ‘Foreshaddow’. On the flip side ‘Earldom Pollywax’ flexes harsh rave against a platter of chopped amens and wide reese basslines. The EP closes with ‘Depot Drum’ featuring Morris Wotherspoon on vocal and Irish bodhrán drum duties. One of his moodiest tracks, Richard kicks forth rhythms of doom dark enough to summon lysergic demons into the rave.
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Richard Wilson AKA Rognvald AKA Beatwife presents XWife, a relentless exercise in acid jungle. Very much the spiritual cousin of his earlier album 'Lord Rover', Richard closes the decade with a tidal wave of dense and spiky drill’n’bass.
Written and produced by Richard Wilson.
Mastered by Robin Harwood.
http://loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Richard Wilson AKA Rognvald AKA Beatwife presents XWife, a relentless exercise in acid jungle. Very much the spiritual cousin of his earlier album 'Lord Rover', Richard closes the decade with a tidal wave of dense and spiky drill’n’bass.
Written and produced by Richard Wilson.
Mastered by Robin Harwood.
http://loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Richard Wilson AKA Rognvald AKA Beatwife presents XWife, a relentless exercise in acid jungle. Very much the spiritual cousin of his earlier album 'Lord Rover', Richard closes the decade with a tidal wave of dense and spiky drill’n’bass.
Written and produced by Richard Wilson.
Mastered by Robin Harwood.
http://loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Richard Wilson AKA Rognvald AKA Beatwife presents XWife, a relentless exercise in acid jungle. Very much the spiritual cousin of his earlier album 'Lord Rover', Richard closes the decade with a tidal wave of dense and spiky drill’n’bass.
Written and produced by Richard Wilson.
Mastered by Robin Harwood.
http://loveloverecords.net
Listen to the entire Love Love Records discography on Spotify: tinyurl.com/23jz6x8d
Richard Wilson AKA Rognvald AKA Beatwife presents XWife, a relentless exercise in acid jungle. Very much the spiritual cousin of his earlier album 'Lord Rover', Richard closes the decade with a tidal wave of dense and spiky drill’n’bass.
Written and produced by Richard Wilson.
Mastered by Robin Harwood.
http://loveloverecords.net


