NOWNESS
Marjane Satrapi in Beginnings by Chiara Clemente
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Working with found photographs of Victorian circus performers, McCluskey cast jugglers, hoop dancers, ballet dancers, contortionists and contemporary movement artists to recreate a sense of live performance, their movements led by interaction with the set and costumes. A collaboration with stylist and set designer Pierre-Alexandre Fillaire, contemporary sculptural designs and archival theater costumes frame a series of kinetic poses – self-choreographed by the performers, and unfolding through natural, instinctive movements... read more on nowness.com
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Working with found photographs of Victorian circus performers, McCluskey cast jugglers, hoop dancers, ballet dancers, contortionists and contemporary movement artists to recreate a sense of live performance, their movements led by interaction with the set and costumes. A collaboration with stylist and set designer Pierre-Alexandre Fillaire, contemporary sculptural designs and archival theater costumes frame a series of kinetic poses – self-choreographed by the performers, and unfolding through natural, instinctive movements.…read more at nowness.com
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Recognizing how profoundly Japanese culture has shaped her – its emphasis on selflessness and dedication igniting the discipline required of her craft, and the resolve to stand up to New York’s harsh realities – Ando opens up her life and experiences to director Myong-Hun Oh for short documentary City Swan.…read more at nowness.com
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A movement style that emerged from clowning, originating in the U.S., Krumping continues to evolve and thrive in the UK, resonating on a higher level as a powerful outlet for those who encounter it. Meeting with members of South London collective Gully South Block (GSB), Izedomi was given access to their Krump sessions, observing the emotional release they experience through performing, and the raw expression that channels the dancers’ affinity for movement.…read more at nowness.com
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Performed by Grace Lyell alongside Belgian dancer Clément Haenen, the intimate piece captures languages that have no words as a dialogue between bodies, translating the spectrum of feelings that come with romantic connections - through curiosity and ecstasy, discomfort and pain.…read more at nowness.com
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Introduced to an old convent in Brooklyn by cinematographer Rob Berry, Trimbur identified the same wallpaper that adorned her childhood kitchen, imagining the state of catharsis experienced in a place representing our early memories. As the foundations of the film’s development, this space came to embody the dusty emotions that rise from youth, evolving into largely-improvised choreography exploring past highs and lows from a new perspective, molded by experience.…read more at nowness.com
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Seeking to destabilize the stereotypes that detach Blackness from the outdoors, and the ingrained narrative that conflates BIPOC communities with urban settings, Black Canary 030 is reclaiming nature for Berlin’s BIPOC and FLINTA population through collective engagement with outdoor space.…read more at nowness.com
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Exploring her resilience for short documentary Blandine - Heart and Grit, writer-director Agathe Breton journeys into Port’s process of physical and mental reconstruction as she builds an identity beyond that of an athlete. Deconstructing the media treatment of women in sports through the connection between emotional vulnerability and physical injuries, Breton illuminates the challenges Port and other women face when disillusionment and injuries disrupt the pursuit of glory....read more at nowness.com
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Developed in collaboration with Errol and Alex Rita’s South London musical movement and curatorial studio, Touching Bass, iwoyi: within the echo translates their transportive multi-channel installation film, commissioned by the British Library and curator Dr. Aleema Gray, constructing a multisensorial space within its landmark exhibition Beyond the Bassline: 500 Years of Black British Music.…read more at nowness.com
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A celebration of embracing life as a self-made New Yorker, in spite of the conflicted emotions that come with living here, filmmaker and friend Victoria Rivera channels Rtusha’s story into short film Amma – holding a mirror to her own journey from Columbia to NYC fifteen years before. Through phone calls fielded from family back home, the film explores the daily choice to push through the struggles and find success on her own terms, battling against the ongoing pull of ‘home’, and the pressure to settle down away from the city....read more at nowness.com
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Sculpted with a discerning eye for proportion – and grounded by his inimitable personal stamp – Louboutin’s trademark stilettos have made an indelible mark on fashion, restoring the stiletto’s popularity in the ‘90s and ‘00s, and becoming a symbol of elegance for endless celebrity fans and loyal followers. Since he first opened his store in 1992, and still today, a passion for collaboration has underscored Louboutin’s design practice, recognizing the transformative power of art as a core motivation behind his work and continued legacy.…read more at nowness.com
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Returning to the region in Southern France, and the salt hills that defined her teenage years, a young woman unearths a buried tape left by a former love, lost to suicide, serving as a time capsule from a past life and the relationship that shaped her youth. Representing nature as a gateway to the beyond, the hills become a symbol of the salt of tears and the salt of the earth, physically materialized through the landscape’s visual strength and authenticity as the protagonist confronts her past and her grief.…read more at nowness.com
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Identifying water and public space as recurring motifs within black queer narratives, the London-based artist traces the emerging connection between two men at a swimming pool, reflecting their emotional responses through fragmented light and nuanced movement as conversation unfolds.…read more at nowness.com
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Isolating one of the novel’s surreal moments, New York-based writer and filmmaker Jess Magee interprets Adler’s storytelling for short film SPEEDBOAT: THE STANFORD URBAN-CONTAMINATIONS STUDY – documenting a street encounter with a scholarly man, who convinces her to let him collect a "slide" from her shoe in the name of research. As a tribute to Adler’s belief in short film as an ideal medium for “profiles, short stories, fables, allegories, satires [and] jokes,” Magee builds a campy backdrop for Speedboat’s succinct, colorful language, as the scene takes a comedic shock turn.…read more at nowness.com
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When an amateur footballer is hospitalized following an injury, he finds himself isolated and awaiting treatment – giving way to a series of scares made possible by systemic failings. Conceived as a foreboding commentary on chronic underfunding in the UK’s NHS, and the threats posed by putting insurmountable pressure on staff, Banks draws on the psychological impact of being mistaken for another patient – and very nearly undergoing an operation that was never intended for him.…read more at nowness.com
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In Digital Body Copyright, Hsieh collaborates with the Japanese extreme black metal gabber music group and performance art unit Violent Magic Orchestra (VMO) to imagine a futuristic red light district in Osaka. Beyond overwhelming neon lights and enticing signs advertising desire, sex and the ideal self, shadowy entities deal in people’s data and hold the key to the most profound existential questions of the era.
Continue Reading: https://www.nowness.asia/series/nowness-experiments/digital-body-copyright-yuen-hsieh
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