Okay, okay, here's the DL: shyft.bandcamp.com/album/synthetic-experiments-vol-3
ShyftedMindsRecords
Touching! BANGIN. Sentimetal... Powerful! Eerie for a few moments? And I snuck a hard dance anthem in there. That's a gabber piece in movements, for ya! It'll take your breath away, unless you don't like gabber, industrial trance, and classical all at once. What's wrong with you, if you don't?
Okay, okay, here's the DL: shyft.bandcamp.com/album/synthetic-experiments-vol-3
Okay, okay, here's the DL: shyft.bandcamp.com/album/synthetic-experiments-vol-3
updated 11 years ago
Okay, okay, here's the DL: shyft.bandcamp.com/album/synthetic-experiments-vol-3
khdmusic.bandcamp.com
Officially released in 2018 this is an album by K.H.D. with different electronic music styles ranging from uplifting Hardcore and Drum And Bass to Trance and Ambient.
Programming, composition, arrangement, mixing, mastering and visual art by Kyat-Heänsx Dittmann.
FREE DOWNLOAD shyftedminds.com/music-division/shyfted-minds-records/discography/dustrict-satanism
Tracklist:
00:00 - Satanism
04:11 - Death Rattle
09:00 Eternal Soul
13:40 Pure Silence
18:50 The Thorn
DREE DOWNLOAD shyftedminds.com/music-division/shyfted-minds-records/discography/dustrict-toxik-hazard
Tracklist:
00:00 – Dangerous Hazard
4:37 – System Response (Program)
9:51 – Juggernaut
14:41 – Vodka Robots
18:52 – The Beginning
24:12 - K.H.D. – Brain Eater (Dustrict Remix)
28:17 - Dustrict – The Beginning (K.H.D. Remix)
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
The calendar is irrelevant. It has been too many events for any creature of self-awareness to remember the origin of these sounds with any more sentiment than a simple in put to out put machine, yet they return as if they were made for these moments. The Imp King and his army of broken gods send their regards by means of bent metals, overdriven electronic impulses, and handcrafted elegance beyond the comprehension of modern manifestors. In deed, what is a tubular bell, a keyed organ of pipes, a music box, a harpsichord? Ah. But /you/ remember. /Don't/ you? You remember these tools well. Once, together and with their friends, these tools could weave fine darkness in the pressure of air, and now they shall do so again. Through shadow and harmony and dissonance so shall the march against space-time take step, and soon- very soon- there shall be no thing /left/ to remember, my friends!
http://shyftedminds.com
Unofficially released in 2005 and remixed and remastered for release in 2015, this is an instrumental progressive metal album by Red Ankh. As the song titles suggest, this album features a variety of instruments and styles, mostly limited to the organic genres, though a synth kick drum and distorted synth kicks have a strong presence. Much of this album sports a whimsical or uplifting atmosphere, capturing a sort of dreamy, adventurous mood.
Unofficially released in 2005 and remixed and remastered for release in 2015, this is an instrumental progressive metal album by Red Ankh. As the song titles suggest, this album features a variety of instruments and styles, mostly limited to the organic genres, though a synth kick drum and distorted synth kicks have a strong presence. Much of this album sports a whimsical or uplifting atmosphere, capturing a sort of dreamy, adventurous mood.
Unofficially released in 2005 and remixed and remastered for release in 2015, this is an instrumental progressive metal album by Red Ankh. As the song titles suggest, this album features a variety of instruments and styles, mostly limited to the organic genres, though a synth kick drum and distorted synth kicks have a strong presence. Much of this album sports a whimsical or uplifting atmosphere, capturing a sort of dreamy, adventurous mood.
Unofficially released in 2005 and remixed and remastered for release in 2015, this is an instrumental progressive metal album by Red Ankh. As the song titles suggest, this album features a variety of instruments and styles, mostly limited to the organic genres, though a synth kick drum and distorted synth kicks have a strong presence. Much of this album sports a whimsical or uplifting atmosphere, capturing a sort of dreamy, adventurous mood.
FREE DOWNLOAD https://khdmusic.bandcamp.com/album/h...
facebook.com/shyftedmindsofficial
0:00 - Flashing
4:27 - Guitter Ester Best
7:44 - Synthetic Aggression
13:50 - The More You Suffer
SHM092: Shyft – Synthetic Experiments Vol. 4 – Officially released in 2015, this is a melodic gabber EP by Shyft. The focus this time is the integration of guitars. Flashing is the most up-beat track on the album, with FXed clean vocals and bright synth lines. The title ‘Guitter Ester Best’ pays tribute to Guitter Ester Vest, one of Shyft’s earliest creations that mixed guitars and synthetic, distorted beats. Guitter Ester Best’s arrangement most closely follows traditions of heavy metal out of all of the tracks on this release, but is instrumental. Synthetic Aggression turns toward grungier vocals, thrash chugging, switches between standard 4/4 and triplets, and utilizes a darker main melody between more mainstream instrumental verses. Finally, the big boss of this EP: The More You Suffer is a harmonizing of cross breed and break core with a vocoded and harsh vocal chorus, drawing from metal in composition with minimal use of the guitar. The lyrics of Flashing illustrate the complex narrative of compassion as presented by Jesus Christ and different orthodox Buddhist philosophers. The lyrics of Synthetic Aggression continue the topic of compassion by contributing a touch of Kantian ethical theory. The lyrics of The More You Suffer evokes Nietzsche’s concept of beneficial suffering.
Free HQ DOWNLOAD shyft.bandcamp.com/album/synthetic-experiments-vol-4
http://shyftedminds.com/music-division/shyfted-minds-records/discography/knifeman-pure-evil-ep
http://shyftedminds.com/music-division/shyfted-minds-records/discography/knifeman-pure-evil-ep
http://shyftedminds.com/music-division/shyfted-minds-records/discography/knifeman-pure-evil-ep
http://shyftedminds.com/music-division/shyfted-minds-records/discography/knifeman-pure-evil-ep
Do you like power metal? Well, WHY NOT? Okay, okay. How about retro fantasy video game music? Yeah. See? You'll like this. There is a metal-inspired interlude, though.
...Snag it here: shyft.bandcamp.com/album/synthetic-experiments-vol-3
Shadows displaces its dark core sections with dub step and grungy house grooves, and features outstanding bridges that emphasize odd rhythms.
The 170bpm Dark Minus is the successor to Dark Plus, a tune from the 2008 Shyft album 'Life Within the Mind'. Dark Minus plays with drum and bass rhythms using gabber kick drums.
facebook.com/shyftedmindsofficial
This is the first of 7 tracks featured on K.H.D.s new Album "Mind". Be sure to check it out. Free Download: http://khdmusic.bandcamp.com/album/mind
Hit the "Buy now" button and type in "0" if you want to download this album for free.
You can of course donate some money if you'd like to!
Enjoy the music!
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.
Officially released in 2013, this is a dark symphonic metal double album by Red Ankh. Unlike previous releases from recent years, this album is composed of entirely new material written over the past year, except for the two tracks 'Remember Kata' and 'Ugluwiktz' which were pulled from discontinued instrumental albums that decidedly did not belong there. Across the double album there are four instrumental interludes featuring unconventional organic instruments. The first 'disk' ends with a cross breed remix of 'Let's Drag You Down'.
Lyrics shed light on the core story from Shyft's writing, the refrain from 'Down Below' being a poem from the third book of the Shyfted Dreaming Trilogy. Otherwise, the lyrical focus ranges from ethics to self-doubt and madness, to more whimsical, lighthearted themes.


