oohshiny
IDKFA 07: Demons On The Prey
updated
Written by Laura Shigihara and A_Rival
Vocals by Laura Shigihara
String Arrangements by Wilbert Roget
Piano Performance by Wilbert Roget and A_Rival
Based on: ‘Everything's Alright’ by Laura Shigihara and Kan Gao
Original Album: “To the Moon OST”
/ "Everything's Alright With No Promises" is a track about the
troubles of confronting mortality and accepting realistic
expectations. /
Based on ‘Mystery Moon Intruder’ by Disasterpeace
Original Album: “Cat Astro Phi”
/ I actually listened to Disasterpeace long before I met Rich in
person (or online for that matter) so it was great having the
opportunity to arrange his work. Nothing quite like the music he
puts together. Raw, almost simple but with an edge — a sense of
rhythm and harmony that I'm quite jealous of. Remixing Cat Astro
Phi gave me a chance to tackle that, in some very different ways,
and I'm very happy with the result! /
Based on ‘The Traveller’ by Alec Holowka
Original Album: “Aquaria OST”
/ Aquaria was one of the first indie games I’ve played, and I still
remember how perfectly the track “The Traveler” accompanied
the stunning visuals. The answer: “too perfectly”. So I decided to
fix that, and turned it into some kind of a trailer theme wannabe.
Then, as the crème fraiche to reflect that change, I edited the
name into something that’s slightly more awkward. /
Based on ‘Lost Temple of Croatoa’ by Francisco Cerda
Original Album: “Jamestown OST”
/ The Lost Temple of Croatoa is one of those rare pieces that has
such melodic and harmonic integrity that it remains captivating
even when stripped down to its barest essentials. In arranging a
piano cover, much of the texture of the original is lost by
necessity; it is up to the pianist to fill in the blanks with pianistic
textures and runs. Having a dramatic, moving theme like the one
composed by Francisco Cerda for this track makes this task easier
and very, very fun. In short, it's a pianist's dream. /
Based on ‘Tower of Heaven’ by Flashygoodness
Original Album: “Tower of Heaven”
/I was really enamoured with Flashygoodness' composing style for
Tower of Heaven -- the use of a single beautiful improvisation as a
jumping off point for the soundtrack speaks closely to the strong
use of motif that I'm constantly yelling at people to use.
Coupled with David's worldly sound -- and taking a bit of
inspiration from his 8-bit Bolero -- I happened upon a very nice
blend of styles that tells a compelling story -- which is all I ever
want to do when I compose. I'd contemplated throwing a sinister
"May Heaven grant you fortune" line in there, but I much prefer
the piece as a strict instrumental./
Based on: ‘Kinetic Harvest’ (Shatter OST), ‘Light’, ‘The Traveller’ (Aquaria OST), ‘Having Lived’ (To the Moon OST) , ‘Turning the Tide’ (Jamestown OST)
Original Albums: “Shatter OST”, “Aquaria OST”, “To the Moon OST”,
“Jamestown OST”
/ Nexus is a medley/mashup of music from Aquaria, Jamestown,
Shatter, and To the Moon. The song has four distinct sections. The
first features reimagined versions of "Light" and "The Traveller"
from Aquaria, while the second is an interlude which features some
chord excerpts from "Turning the Tide" on the Jamestown
soundtrack. Eventually the song builds up into a tribute to "Kinetic
Harvest" from Shatter, before devolving into an arrangement of
"Having Lived" from the To the Moon soundtrack. I tried to mix
things up and have a bit fun, melding video game and chip/8-bit
sounds, piano, hip-hop and dance vibes. /
Based on ‘Lone Star’ by Jim Guthrie
Original Album: “Sword and Sworcery EP”
/One of the most important things for me in a composition is
musical themes; it is certainly the point from which I embark on
any music. You really can do a lot of complex work just developing
a few simple ideas. At the same time, I think that when you want to
do a "cover", you must try to own the song, give to the listener a
new perspective of it, but at the same time don't walk away from
its essence. You must make it different, but still recognizable in
any musical language.
The “Lone Star” tune from Sword & Sorcery's soundtrack has a
pretty distinctive melody, which is nice if you are looking for some
kind of evil transformation. I decided to make the "Jamestown"
version of it; a sort of "lost level track", or an epic/orchestal
translation of this piece of music. At the end it got out of my hands, and the "Lone Star" musical themes went into some kind of twisted and aggressive journey into the Jamestown soundtrack's
dissonance and ultra-tonality (a musical concept that doesn't exist
but sounds pretty cool and probably should). It was a pretty fun
adventure, and there's even some samples taken from the original
track, try to find em' all!!! ;) /
Based on ‘Epilogue’ by Francisco Cerda
Original Album: “Jamestown OST’
/ I loved the Epilogue track; Francisco tied up the Prologue theme
with it cleverly through a glorious sense of closure. But I was
unsettled by just how utterly non-melodramatic it was, because
everything should obviously be super melodramatic and make
people depressed. So voilà! Here’s the ending where everyone
died on Mars and their ethnic pet space hamsters are left
homeless. You’re welcome. /
Mastered by Mattias Häggström Gerdt
Based on ‘Luna Ascension’, ‘Atop the World’, and ‘Pillars of Creation’ by Flashygoodness
Original Album: “Tower of Heaven”
/ Tower of Heaven made that kind of cheesy love-at-first-listen
impression right away. Flashygoodness's soundtrack, which is
essentially a series of variations on a single theme, evokes strong
feelings with small means, and said theme is understated and at the
same time very moving. This remix is an attempt at doing
something quite different, but with the same emotional resonance
as the original. Special thanks to Mattias Häggström Gerdt for
mastering assistance! /
Based on ‘Ballad of the Space Babies’ by Jim Guthrie
Original Album: ”Sword and Sworcery EP”
/ When I got the parts for this track, It was very beautiful and
atmospheric, I just went with the first thing that came out (which
happened to be some jazz drums) then recorded some live bass and mangled, twisted and pulled apart the audio while just trying to
have as much fun as possible. :) The original track is very lovely,
beautiful and atmospheric, like floating in space, so I tried to keep
some of that 'cause I really love Jim's soundtrack, but I really took
the energy way over the top, making some form of mutant jazzy
random collage of sound. /
Vocals by Laura Shigihara
Based on ‘Everything's Alright’ by Laura Shigihara and Kan Gao
Original Album: “To the Moon OST”
/ Since I already was already working on DARK STAR, my
"epic/orchestral/contemporary/energetic/dissonant/rock/steammachine shmup" rendition of Lone Star, I wanted to do another cover completely in the opposite direction. I had listened to To the Moon's soundtrack after it was nominated for finalist on IGF this year, and I thought that it fit so well with the emotional direction of the game... However, because I was touring doing the live keyboards for a romantic pop singer across the wild lands of Chile, only a few hours remained to do this complicated task! Between the love songs on stage and the dissonance of DARK STAR, a simple melody oriented song was desperately needed.
Suddenly, I came across this beautiful tune. It was so inspiring and
emotional - the melody felt so natural and the structure was so
clear, it was like I have hearded it 10,000 times before, some kind of musical love at first sight. Laura Shigihara's interpretation of
"Everything’s Alright" was also lovely. I was thinking that maybe
she could provide me the vocal track for an string arrangement or
something... And then I realized that the original track only has
light piano over it!
After more than 24 hours awake working on DARK STAR, I thought I was ready for some mellow music. But then, while I was doing this arrangement, each time I heard the song I found myself starting to cry! I didn't even feel sad! It seemed that this song activated some kind of "romantic reflex" within me (a complicated way to say that it was a pretty song), and now everytime I hear the string fall on 3:05, I run out of air and tears try to escape from my eyes. Even now, as I sit here after 36 hours awake, finally writing the liner notes, I still cry every time I hear it! I think I'm going to call my girlfriend...
True story. /


