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"How Long" is a 1974 song by the British group Ace from their album Five-A-Side. It reached No. 3 in the US and Canadian charts, and No. 20 in the UK chart. Lead singer Paul Carrack composed the song upon discovering that bassist Terry Comer had been secretly working with other bands. Comer returned to Ace in time to play on the song.
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Lead vocals are divided between Kooymans and Barry Hay. Each sings lead for one half of the first verse (first Kooymans, then Hay), and Hay sings lead for the second verse with backing by Kooymans and provides the spoken lines in the introduction and first verse. Kooymans sings lead on the choruses, backed by Hay.
In the 1990s, the song was included on a volume of Rhino Records' New Wave Hits of the '80s series. The music video was featured on Volume One of the VHS companion compilation.
Blancmange performed the song on Top of the Pops, but for broadcast on the show as well as on BBC Radio, the track was edited to replace the lyric "Up the bloody tree" with "Up the cuckoo tree". However, in a subsequent episode of Top of the Pops where the song was used as the 'play-out track' without the band in the studio, the original "bloody" lyric was left in and was clearly audible.
After the lack of success with "Misfit" when it was first released 4 months earlier, the record company wanted to release another single. However, the record company wanted to release it after the Christmas period as they believed the song wouldn't survive the Christmas rush. Curiosity insisted on releasing "Down to Earth" before and so it was released in November and it slowly moved up the charts until it spent three weeks at number 3 in February 1987.
The song first appeared on Bread's 1970 album, On the Waters. Released as a single that June, it was the group's first top-ten hit on the Billboard Hot 100 singles chart and spent the week of August 22, 1970, at No.1, their only single to do so; it also reached No.5 on the UK Singles Chart. Billboard ranked "Make It with You" as the No. 13 song of 1970, and it was certified gold by the RIAA for sales of over one million copies.
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"Suddenly" reached number 15 on the UK Singles Chart in October 1980 and number 20 on the US Billboard Hot 100 in January 1981.[3] It finished the year as number 91 on the Billboard Year-End Hot 100 Singles of 1981. It was also a major Adult Contemporary hit, reaching number four.[4] The music video shows Newton-John and Richard in a penthouse singing the song to each other, taken from her ABC TV special "Hollywood Nights" that aired before the 52nd Academy Awards on April 14, 1980.
The single's B-side, "You Made Me Love You" (Olivia solo), was also featured in the film Xanadu but does not appear on the soundtrack album.
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Ridgway embarked on a solo career in 1983, he released his first proper solo album, The Big Heat (1986), which included the top 5 European (including UK) hit "Camouflage".
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David Byrne keeps his personal life closed off, which makes this song unusual in that he's clearly sorting through a genuine relationship, not delivering a work of fiction like he usually does. And true to form, his love song is far from direct, with none of the gooey textures we're used to hearing from smitten songwriters.
In the song, he feels grounded, and he's not sure what to make of it. Being "home" feels comforting, but uncertain. This ambiguity stands out in lines like "I guess I must be having fun" and "If someone asks, this is where I'll be" - he knows this is supposed to be the place, so he'll go with it.
"Naive Melody" was what they called the song before adding the lyrics. For the Speaking In Tongues album, they recorded the basic tracks first and would give the songs working titles that they would then replace. They got attached to the title "Naive Melody," so they kept it as a subtitle even though it doesn't appear in the lyrics.
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The Yazz version was produced by Jonathan More and Matt Black (better known as dance duo Coldcut, who had worked with Yazz on their hit single "Doctorin' the House"). Released as a single in July 1988, "The Only Way Is Up" became an instant smash, spending five weeks at #1 in the UK, and ultimately became the second biggest selling single of the year. In the United States, however, it fared less well, peaking at #96 on the Billboard Hot 100, though it did reach #2 on the Billboard dance chart.[2]
The song's opening horn blast is a sample from Sharon Redd's 1982 dance classic "Beat the Street". The opening lyrics of the song tell of the degradation of being at the bottom of the social class ladder. They are soon followed by a reference to the threat of eviction. The song is in a major key and has quite an up-beat rhythm.[citation needed]
A 2009 remix was released in the UK on 7 September 2009
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"I Should Have Known Better" was re-recorded for Diamond's 1993 solo album Jim Diamond. He recorded the song a third time for his 2005 single "Blue Shoes", which also featured a re-recording of "I Won't Let You Down" and covers of old soul songs such as "My Girl".
The song was covered in French by Julie Pietri ("A force de toi"). It was also covered in Italian by Matteo Becucci ("Lo avrei dovuto sapere"), as part of a compilation that showcases the contestants of The X-Factor Italia's second season.
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Cover versions
The late R&B singer Gwen Guthrie recorded a ballad version of the song for her 1990 album Hot Times.
In 1992, the song was covered by Sonia. In 1995, the song was covered by Thomas Anders (of Modern Talking fame) on his album Souled.
Natalia recorded the song for her 2004 album This Time.
Filipino singer Lani Misalucha covered the song for her 2008 album Reminisce and was the featured song in an episode of ABS-CBN's Your Song. South African Idol's Season 4 winner, Jodie Williams, recorded an uptempo remake of this song for her debut album, Just Gonna Be Me.
In 2013, Jessie Ware covered the song for the soundtrack to the movie I Give It a Year.
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Following the breakthrough success of his socially conscious album What's Going On (1971), Let's Get It On helped establish Gaye as a sex icon and furthered his mainstream appeal. It produced three singles—title track, "Come Get to This", and "You Sure Love to Ball"—that attained Billboard chart success. Let's Get It On became the most commercially successful album of Gaye's recording career, and it further expanded his creative control during his tenure with Motown. Its sexual balladry, multi-tracking of Gaye's vocals, and seductive, funk sound influenced later R&B artists and production.
The album has been regarded by many music writers and critics as a landmark recording in soul music. It furthered funk music's popularity during the 1970s, and its smooth soul sound marked a change for his record label's previous success with the "Motown Sound" formula. Let's Get It On has been ranked on many critics and publications' lists of the best albums of all time. In 2001, it was reissued by Motown Records as a two-disc deluxe edition release.
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The band continued well into the 1980s, and clocked up another big hit record: "It Started With a Kiss", in 1982, which reached Number 5 in the UK. In all, the group charted 25 UK Top 40 hit singles.
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Popular during the mid-1980s in continental Europe, Matt Bianco was part of the new jazz pop genre, that they shared with acts such as Working Week, Sade, Everything but the Girl, and The Style Council. The name suggests that Matt Bianco is a person, often assumed to be an alias for the main constant member and frontman, Mark Reilly, but Matt is in fact "a made up spy, a secret agent; we loved spy TV themes and film scores".
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I find it hard to sleep at night
this jealousy is burning bright.
Visions of somebody else torments me to destruction.
I think of him making
making love to you
it's more than I can -
It's more than I can bear
more than I can bear.
When I saw you - it's more than I can bear -
Walking down the road with someone new -
it's more than I can bear -
I couldn't believe that it's true -
It's more than I can bear - that it's true.
When I saw you - it's more than I can bear -
Walking down the road with someone new -
it's more than I can bear -
I closed my eyes
I laiow I'm over you -
It's more than I can bear - over you.
When I saw you walking down the road with someone new
I closed my eyes
I know I'm over you
over you.
I still love you
baby
it's more than I can bear.
I still love you
baby
it's more than I can bear.
I still love you
baby
it's more than I can bear.
When I saw you
it's more than I can bear
It's more than I
it's more than I can bear.
It's more than I can bear
it's more than I
Read more: Matt Bianco - More Than I Can Bear Lyrics | MetroLyrics
A typically upbeat Jones composition, it was one of two songs from the album to feature all-female singing group Afrodiziak on backing vocals. John Leland from Spin magazine wrote that "It mines the best of the Anglo soul movement: a clean slap-bass line, precise horns and synths, and some well-paced and inviting singing".[2]
The main B side was another album track from the UK version of the album, "Why Look For The Key", although with a slightly longer fade that made it about twenty seconds longer than the version on the UK version of Dream Into Action. "You Jazzy Nork!" is a reworked instrumental version of "Why Look For The Key" performed by the Alphonse Conway Orchestra.
The cover of the 12" single featured a photograph of Jones, in profile, sitting in a high bar stool. This image was used in silhouette for the 7" artwork, the single being issued in several alternative sleeves with different colour backgrounds.
The song was also featured in The Sims 2: Open for Business expansion pack, and an episode of Everybody Hates Chris.
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With Sympathy was Ministry's only album for Arista.
The album has been reissued on Eastworld records with three bonus tracks
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"My Best Friend's Girl" begins with chords in the lower register of the guitar, a two-bar progression moving from I to IV to V in F. Hand claps enter in bar five, and after the eight-bar intro, the first verse begins featuring Ric Ocasek's vocals over a lead guitar lick in the key of F. An organ is introduced in the first chorus, followed by a rockabilly guitar lick which leads to the second verse. The song is composed in contrasting verse-chorus form. Interestingly, the song was originally written and recorded in E major, one semitone lower, then the entire master tape was sped up to place it in F major. Many live performances show the band performing the song in E. The lyrics depict a man's frustration with a woman who is dating his best friend after the man dated her. The narrator coolly notes, "She's my best friend's girl, but she used to be mine."
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The single's B-side, "Ready for Camarillo", was written by Joe Puerta.
Pack also penned the hit singles "Biggest Part of Me" and "You're the Only Woman (You & I)" for the band's 1980 follow-up album, One Eighty.
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After his musical career he taught and is now vice-principal at the Maryknoll School, a parochial school in his native Honolulu, Hawaii.
His song Watching Over You is from the "Nothing's Gonna Change My Love for You" album.
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In the sleeve notes for the 2001 compilation If I Was: The Very Best of Midge Ure & Ultravox Ure wrote:
"This song is pure Danny Mitchell. I found a demo of it on a cassette Danny had sent me for his band The Messengers. I grabbed it with both hands, messed around with it, sprinkled it with fairy dust and the rest is history."
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The song was originally entitled "Love?" on the demo tape (listing below) which Howard Jones recorded in 1982, which itself was available at his gigs. Howard Jones also used the question mark motif around this time on posters advertising his gigs; posters which also hung behind him on stage at his early 1980s Marquee Club appearances and which read simply "Howard Jones?".
In 2003 it was remade by Hakan Lidbo Featuring Emma Holmgren on vocals and featured on the CDs From Hackney to Caracas and Private Lounge 2. A second recording is also featured on the CD Musique Pour Le Bain Volume 2.
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The song was co-written by Chantay Savage, and became the second number one hit for the artist, remaining on the top of the Billboard Hot Dance Music/Club Play chart two weeks. In the United Kingdom the title scored number six, while on the Hot 100 it reached number twenty.
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"Sad Eyes" is one of 1979's few non-disco, or disco-influenced songs to top the pop charts, along with Peaches & Herb's "Reunited".
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Released in 1972, the song debuted on the Billboard Hot 100 on November 18, 1972, and reached number 6 on the US charts in 1973, making it Steely Dan's second highest charting single.[3]
On the 1972 release, the song was credited as "Trad" (for traditional), although it was actually written by Walter Becker and Donald Fagen.
It was also included in the 2008 video game Guitar Hero World Tour.
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"Ça plane pour moi" is a French idiomatic expression which is best translated as "everything's going well for me" (literally: "it is gliding for me")
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The song is best known in the UK as a single recorded by Scottish singer Owen Paul and released in 1986. It remains his biggest hit single, reaching number 3 on the UK chart in July 1986. Paul is usually considered as a "one-hit wonder" because of the song's popularity and the fact that it was his only UK chart single.
This recording features future Thunder member Mark Luckhurst on bass. It was famously aborted on the television programme Pebble Mill at One when the band members just stood still instead of miming as they were unable to hear the backing track
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Carrasco was interviewed in Rolling Stone Magazine and appeared on Saturday Night Live. His song Party Weekend was re-recorded by MTV as Party Christmas, and that video is still a popular "share" every Christmas among Facebook fans.
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China" was originally one of the ten songs on Red Rockers' second full-length album, Good as Gold. The single was released by the joint label Columbia/415.[1] In the wake of 415's deal with Columbia, "Voice of America" was relegated to the B-side of the single, and "China" became the breakout single for the band.[2] Although the song did not reach the Billboard Top Ten, it had an enduring lifespan. The song's popularity was enhanced by its colorful music video, which was a regular selection on MTV during its early years. The video was filmed in New Orleans, the band's hometown.
"China" was described by rock critic Ira Robbins as "a startlingly pretty pop song", and it represented a major change in the sound and style of Red Rockers: "Gone was the raging rhetoric, replaced by... articulate, ringing guitars and John Griffith's newly smoothed-up vocals."[4]
"China" was included on Rhino Records' new wave compilation album series, Just Can't Get Enough: New Wave Hits of the 80's. In 2000, John Thomas Griffith re-recorded the song with his band Cowboy Mouth for their studio album Easy.
In spite of - or perhaps because of - its amorphous qualities, the song remains an accessible touchstone for American pop cultural references to China more than a quarter of a century after its release.
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Their first album, Broadcast, was released on Virgin Records in 1986. Although Virgin Records was already a major label in the UK, their debut song, "(I Just) Died in Your Arms", provided the first US hit for Virgin as a full-fledged label. Virgin flew the band to New York City for initial recordings of the album, then to Australia to shoot music videos. The unknown band shot to No. 1 in the major US market, as well as smaller markets such as Canada and Norway, with their debut single. Their most popular single, it was a multiformat success in the US, where it also reached number four on the Hot Mainstream Rock Tracks chart, No. 24 on the Hot Adult Contemporary Tracks chart and —in an extended remix version— No. 37 on the Hot Dance/Club Play chart. The song peaked at No. 4 in another major market, the UK Singles Chart, as well as becoming a hit in the smaller Switzerland and South Africa markets. It went to No. 2 in Sweden and Ireland, and No. 9 in Austria.[1]
The choice for follow-up single in the UK had been "I've Been In Love Before", but that song spent only three weeks in the UK Top 40, peaking at No. 31. Their choice for follow-up single in the US was their third UK release, "One for the Mockingbird", but the song was a relative commercial disappointment on both sides of the Atlantic, just cracking the Top 40 of the Hot 100 at No. 38 and hitting No. 29 on the Mainstream Rock chart in the US, No. 47 in Canada and No. 52 in the UK Singles Chart.
The band took a chance on "I've Been in Love Before" again, this time with greater success. The song became Cutting Crew's second US Top 10 on the Hot 100, peaking at No. 9, and was their first major hit on the US Adult Contemporary chart, where it peaked at No. 4. This success prompted a UK re-release, and this time it spent five weeks in the UK Singles Chart Top 40, peaking at No. 24. The song failed to chart throughout most of Europe, but it peaked at No. 8 in Canada. Despite an unflattering review by Rolling Stone magazine, Cutting Crew received a Grammy nomination as the Best New Artist of 1987.
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Radio Africa" (which was included on the band's excellent but overlooked album "Modern Times") quietly channeled the socially conscious rage of the The Clash, The Specials and The Selecter into an intelligent and thoughtful meditation on geopolitics. As it turned out, the band and "Radio Africa" made an impression on the British music buying public, reaching as high as #19 in the charts.
http://marcoonthebass.blogspot.com/2013/05/the-story-behind-latin-quarters-1986.html
Wonderful Life was the debut album for Black. They had no singles chart in the US, but "Sweetest Smile" was a UK Top 10 single.
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Later in 1972, Whitfield, who also produced the song, took "Papa Was a Rollin' Stone" and remade it as a 12-minute record for The Temptations, which was a number-one hit on the Billboard Hot 100 and won three Grammy Awards in 1973. While the original Undisputed Truth version of the song has been largely forgotten, The Temptations' version of the song has been an enduring and influential soul classic. It was ranked #168 on Rolling Stone's list of the 500 Greatest Songs of All Time, one of the group's three songs on the list. In retrospect, The Temptations' Otis Williams considers "Papa" to be the last real classic the group recorded.
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The duo found minor success with their 1982 double A-sided single, "God's Kitchen"/"I've Seen the Word", which peaked at no. 65 in the UK. This was followed by "Feel Me", which peaked at no. 46. Later that year, they broke through with "Living on the Ceiling", which reached no. 7 in the UK Singles Chart. Their debut album, Happy Families (which featured a sleeve painting in the style of Louis Wain), also reached the top 30.
Further hits followed with "Waves" (no. 19), "Blind Vision" (no. 10), "That's Love That It Is" (no. 33) and "Don't Tell Me" (no. 8), while their second album Mange Tout (1984) also reached no. 8 in the UK Albums Chart. The album featured a cover version of ABBA's "The Day Before You Came", which reached no. 22 in the UK (slightly higher than Abba's original less than two years earlier). However, after this, the band's fortunes declined. Their 1985 single "What's Your Problem" only reached no. 40, and the subsequent album Believe You Me spent only two weeks in the UK Albums Chart, peaking at no. 54.[1] Blancmange formally split up in 1987.
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One of the landmarks of early acid house and late 1980s sampling culture, the single became an instant hit upon its release in April 1988. Written and produced by Mark Moore and Pascal Gabriel the song samples liberally from many songs, including heavy sampling from Rose Royce's "Is It Love You're After" and TZ's "I Got the Hots for You". The hi-hat is sampled from an aerosol spray.
The track's "S express" refrain makes reference to the 42nd Street Shuttle, or, as it is sometimes known, the "S Express", a well-known line on the New York City Subway.
The song reached number one on the UK Singles Chart for two weeks in April 1988.[1] It fared less well in the United States where it scraped into the Billboard Hot 100 at number 91, but it reached number one on the Billboard Hot Dance Club Play chart. It peaked at number 11 in Australia and number two in West Germany.
The song was featured in the film Arthur and the Invisibles.
The Norwegian Broadcasting Company used parts of the song for the intro music of their weekly sports programme.
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Their first single "We Are What We Are" peaked at #53 on May 30, 1987
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The sleeve carried the motto "Dedicated to the original spirit of the Olympic Games". The extended version, subtitled "International Remix", featured Jones singing in English, German and French.
The song was included as a bonus track on the singer's second studio album, Dream Into Action.
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Development of the song began when Bruce and Clapton attended The Jimi Hendrix Experience show at the Saville Theatre in London. After the concert, Bruce returned home and wrote the riff that runs throughout the song. Most of the lyrics to "Sunshine of Your Love" were written during an all-night creative session between Bruce and Brown, a poet who worked with the band: "I picked up my double bass and played the riff. Pete looked out the window and the sun was coming up. He wrote 'It's getting near dawn and lights close their tired eyes...Clapton later wrote the song's bridge which also yielded the song's title.
Clapton's guitar tone on the song is created using his 1964 Gibson SG guitar (the famous "Fool" guitar) through a wah-wah pedal and a Marshall amplifier. The song is renowned among guitarists as perhaps the best example of his legendary late-1960s "woman tone", a thick yet articulate sound that many have tried to emulate. For the solo, Clapton played the opening lines from the pop standard "Blue Moon", creating a contrast between the sun and the moon.
Drummer Ginger Baker came up with the song's tempo, which was based on African drumming. Engineer Tom Dowd later claimed to have suggested the drum part, but Baker insists that he was indeed the one who came up with the drum pattern and didn't receive writing credit: "not even a thank you!"
The drumming on the first two verses emphasises beats one and three, contrary to rock and roll standard practice, which emphasises beats two and four.
Cream's American record label, Atlantic, did not like the song originally and was not going to release it, but changed their mind when Booker T. Jones (of Booker T. & the M.G.'s, whose Stax label was at the time distributed by Atlantic) said he liked the song. The 1970s disco and funk band Chic while also signed to Atlantic Records, during the birth of their classic hit single "Le Freak," were inspired by the song.
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"Stuck in the Middle" was released on Stealers Wheel's 1972 self-titled debut album. Gerry Rafferty provided the lead vocals, with Joe Egan singing harmony. The song was conceived initially by the band members as a parody of Bob Dylan's distinctive lyrical style and paranoia. The band was surprised by the single's chart success. The single sold over one million copies, eventually peaking in 1973 at #6 in the U.S. Billboard Hot 100 chart and #8 in the UK Singles Chart. It was produced by Jerry Leiber and Mike Stoller.
The song was used in Quentin Tarantino's 1992 debut film Reservoir Dogs, during the scene in which Mr. Blonde (Michael Madsen) taunts and tortures a bound police officer while singing and dancing to the song. In an interview with Rolling Stone, Tarantino recalled
"That was one of those things where I thought [the song] would work really well, and [during] auditions, I told the actors that I wanted them to do the torture scene, and I'm gonna use 'Stuck in the Middle With You,' but they could pick anything they wanted, they didn't have to use that song. And a couple people picked another one, but almost everyone came in with 'Stuck in the Middle With You,' and they were saying that they tried to come up with something else, but that's the one. The first time somebody actually did the torture scene to that song, the guy didn't even have a great audition, but it was like watching the movie. I was thinking, 'Oh my God, this is gonna be awesome!' "
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In October 1984, a BBC report by Michael Buerk was aired in the UK, which highlighted the famine that had hit the people of Ethiopia. Irish singer Bob Geldof saw the report and wanted to raise money.[2] He called Midge Ure from Ultravox and together they quickly co-wrote the song, "Do They Know It's Christmas?".[1]
Geldof kept a November appointment with BBC Radio 1 DJ Richard Skinner to appear on his show, but instead of discussing his new album (the original reason for his booking), he used his airtime to publicise the idea for the charity single, so by the time the musicians were recruited there was intense media interest in the subject. Geldof put together a group called Band Aid, consisting of leading British and Irish musicians who were among the most popular of the era.[3][4] On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released four days later.[3][5]
The 1984 original became the biggest selling single in UK Singles Chart history, selling a million copies in the first week alone. It stayed at Number 1 for five weeks, becoming Christmas number one, and has sold 3.7 million copies domestically.[6] It remained the highest selling single in UK chart history until 1997, when Elton John's "Candle in the Wind 1997" was released in tribute to Diana, Princess of Wales, which sold almost 5 million copies in Britain.[7] Worldwide, the single had sold 11.8 million copies by 1989.[8]
Following the release of "Do They Know It's Christmas?" in December 1984 and record sales in aid of famine relief, Geldof then set his sights on staging a huge concert, 1985's Live Aid, to raise further funds.[2]
The song was re-recorded in 1989 by Band Aid II and in 2004 by Band Aid 20, again raising funds for famine relief. The 2004 version of the song sold 1.17 million copies.
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