Bryan Helton
Walker Percy, Obl.S.B. was an American author from Covington, Louisiana, whose interests included philosophy and semiotics. Percy is known for his philosophical novels set in and around New Orleans, Louisiana, the first of which, The Moviegoer, won the U.S. National Book Award for Fiction. He devoted his literary life to the exploration of "the dislocation of man in the modern age." His work displays a combination of existential questioning, Southern sensibility, and deep Catholic faith.
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Angelo Road
stand once more in the gravel drive
see green gush of light
raise golden dome
lost home
stranded among oaks
what that year when you left this alive?
summer of light's elysium
hole of heaven where
the bright comes in
lost shine
of pastlife so strike
the leaning barn to out and hum
the dead may dwell in leaf stone skies
as honeysuckles
say our summer
is here
initials engraved
creak and swing and the see-saw rise
cicadas guiro where the departed played
the bird under brick
look next summer
in cage
yellow-green he sang
tell the story how the bones have stayed
stay summer and pass peach of sun
eaten and it’s pit
dropped in that grave
gone westward
it lit all the life
you could not save and time is what’s done
what things grieving roam this way?
midnight the night shrieks
and laughs to fright
tells joy
of fear so given
stands delight and comes into day
birds yearn ecstatic sounds in black
at five dark six day-
burst at seven
but when
acorns and their heads
come falling what of grin to lack?
how burst of greenlight in face?
Where mind to matter
the moss? But step back
and close
the book - here is world
now in passing and is your only place
I
Honeysuckle-white scattered
Dappled light
This green goes into the blood.
The red clay ruts are hidden
beneath the carpet of russet leaves.
The tangled remains of a barbwire fence
are piercing the swollen gut of a sycamore.
The timbrel-song of the cicada rises and subsides.
Silence descends stillness births reverie
II
This fallen oak once held the hot stars in his grasp.
One night twenty years ago
I was stopped on my way
and looked up into his towering face.
For a very long moment
nothing nothing changed.
And I heard these words:
Here is a way to not die.
III
That bronze summer moon
stained my eyes.
That one wind still whirls
breathes those words in my ears.
But now here in this later moment
the earth smells of mould the riot of decay
Then the cicadas begin the final movement
and the unstoppable dark is flooding in.
BY Robert Penn Warren
From plane of light to plane, wings dipping through
Geometries and orchids that the sunset builds,
Out of the peak's black angularity of shadow, riding
The last tumultuous avalanche of
Light above pines and the guttural gorge,
The hawk comes.
His wing
Scythes down another day, his motion
Is that of the honed steel-edge, we hear
The crashless fall of stalks of Time.
The head of each stalk is heavy with the gold of our error.
Look! Look! he is climbing the last light
Who knows neither Time nor error, and under
Whose eye, unforgiving, the world, unforgiven, swings
Into shadow.
Long now,
The last thrush is still, the last bat
Now cruises in his sharp hieroglyphics. His wisdom
Is ancient, too, and immense. The star
Is steady, like Plato, over the mountain.
If there were no wind we might, we think, hear
The earth grind on its axis, or history
Drip in darkness like a leaking pipe in the cellar.
Robert Penn Warren, (born April 24, 1905, Guthrie, Ky., U.S.—died Sept. 15, 1989, Stratton, Vt.), American novelist, poet, critic, and teacher, best-known for his treatment of moral dilemmas in a South beset by the erosion of its traditional, rural values. He became the first poet laureate of the United States in 1986.
In 1921 Warren entered Vanderbilt University, Nashville, Tenn., where he joined a group of poets who called themselves the Fugitives (q.v.). Warren was among several of the Fugitives who joined with other Southerners to publish the anthology of essays I’ll Take My Stand (1930), a plea for the agrarian way of life in the South.
After graduation from Vanderbilt in 1925, he studied at the University of California, Berkeley (M.A., 1927), and at Yale. He then went to the University of Oxford as a Rhodes scholar. From 1930 to 1950 he served on the faculty of several colleges and universities—including Vanderbilt and the University of Minnesota. With Cleanth Brooks and Charles W. Pipkin, he founded and edited The Southern Review (1935–42), possibly the most influential American literary magazine of the time. He taught at Yale University from 1951 to 1973. His Understanding Poetry (1938) and Understanding Fiction (1943), both written with Cleanth Brooks, were enormously influential in spreading the doctrines of the New Criticism (q.v.).
Warren’s first novel, Night Rider (1939), is based on the tobacco war (1905–08) between the independent growers in Kentucky and the large tobacco companies. It anticipates much of his later fiction in the way it treats a historical event with tragic irony, emphasizes violence, and portrays individuals caught in moral quandaries. His best-known novel, All the King’s Men (1946), is based on the career of the Louisiana demagogue Huey Long and tells the story of an idealistic politician whose lust for power corrupts him and those around him. This novel won the Pulitzer Prize in 1947 and, when made into a film, won the Academy Award for best motion picture of 1949. Warren’s other novels include At Heaven’s Gate (1943); World Enough and Time (1950), which centres on a controversial murder trial in Kentucky in the 19th century; Band of Angels (1956); and The Cave (1959). His long narrative poem, Brother to Dragons (1953), dealing with the brutal murder of a slave by two nephews of Thomas Jefferson, is essentially a versified novel, and his poetry generally exhibits many of the concerns of his fiction. His other volumes of poetry include Promises: Poems, 1954–1956; You, Emperors, and Others (1960); Audubon: A Vision (1969); Now and Then; Poems 1976–1978; Rumor Verified (1981); Chief Joseph (1983); and New and Selected Poems, 1923–1985 (1985). The Circus in the Attic (1948), which included “Blackberry Winter,” considered by some critics to be one of Warren’s supreme achievements, is a volume of short stories, and Selected Essays (1958) is a collection of some of his critical writings.
Besides receiving the Pulitzer Prize for fiction, Warren twice won the Pulitzer Prize for poetry (1958, 1979) and, at the time of his selection as poet laureate in 1986, was the only person ever to win the prize in both categories. In his later years he tended to concentrate on his poetry. - Britannica.com
This documentary was directed and produced by Tom Thurman for Kentucky Educational Television (KET)