Rock N Roll True Stories
The Most TOXIC Road Trip Ever (PART 2)...COURTESY of Queens of the Stone Age & JOSH HOMME
updated
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#faithnomore #gunsnroses #billyidol
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#metallica #pearljam #motleycrue
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#cyndilauper #mtv
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#twistedsister #deesnider
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Twisted sister would be synonymous with the 80’s having a triple platinum album and of course frontman Dee Snider stuck it to congress and the PMRC. Having sold millions of records during the decade, you’d think frontman Dee Snider would have been rolling in money, well he wasn’t. By the early to mid 90’s with the rise of alternative music, the frontman was broke and he had a great deal of business setbacks and just bad luck. . In today’s video, let’s explore what happened.
Twisted Sister were coming off the success of their third record Stay Hungry, which produced teh two huge hits we’re not gonna take it and i wanna rock. They were about to release their fourth album ‘Come out and play.’ There was big expectations that the album would sell well. Expecting a huge reception to their new album, the band designed an elaborate and expensive stage setup for the tour. Then release day came and the weeks came and went and the album proved to be a commercial disappointment. It went gold, selling a sixth of what its predecessor did. The tour wasn’t much better either. Despite garnering a ton of press coverage, frontman Dee Snider soon realized the press attention had more to do with the PMRC than the band’s music.. Despite playing a few sold out shows in the norhteast, once they left the region, ticket sales plummeted.
Despite touring with dokken they weren’t selling out shows, frequently playing to half sold out venues. Dee would add in his book that the setlists the band chose for the tour were equally bad choosing heavier songs and ditching pop metal songs. He would write in his book ‘they wanted to hear fun, funny songs. Twisted Sister’s core audience was gone.”
. Dee would also go on to theorize in his book that his band represented everything wrongv with rock and parents forbade there kids from attending their shows, only further hurting the band.
.
A month into the tour, the band was bleeding money and had to cut their losses so they scrappe the north american leg of the tour. To shield themselves from humiliation, Dee would admit faking a throat polyp and the band soon found themselves deep in debt. Soon enough atlantic pulled the plug on promoting, despite some bigger crowds in Europe. The final straw for the label MTV banning the video for the third single due to what the network claimed was ‘horrific content.’ Dee would reveal in his book ‘to me that was the final nail in the coffin of our career.’ Dee would reveal the true reality of the band’s finances up until this point writing “when you don;t break until your third or fourth album, you are in debt to your record company for all the recording budgets, videos, tour support, and whatever other bullshit they can charge against your account. That has accumulated over the years, you are in debt baby. One big selling record, only serves to pay it back. You need to sustain your career to make money. “
Dee seems to clarify in his book he didn’t spend money on drugs, alcohol or be ripped off by management or the label. He would even ask the question why didn’t he curb his spending to adjust for his decreased income. Well he writes quite frequently in his book that his ego wouldn’t let him. He still believed that despite this setback the band was going through, it was temporary.
. While twisted sister took a break, Dee set out to record a solo record, that was more pop influenced, initially taking inspiration from bryan adams - he would also nab a spot hosting the pre-cursor to headbangers ball on mtv,- heavy metal mania. But Dee would eventually leave the show after feeling too overexposed and due to the fact that mtv was notoriously cheap and didn’t pay him.His management and label urged him to make his solo record the next Twisted Sister album, which he did.
Twisted Sister would release their fifth studio album Love is For Suckers in 1987 representing a moremade the most money in the band . He would remark in his book “if they insisted that i pay the entire million dollar debt , i would file for bankruptcy and they would get nothing. To this winterland responded , they wanted it all from me. And they didn’t care if i went bankrupt and they got nothing. They wanted t
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#pearljam #yellowledbetter #ten
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Pearl Jam released their landmark debut album Ten in late August of 1991. Coupled with groups like Nirvana, Soundgarden and Alice in Chains they ushered in the so called grunge era of the early 90’s. Ten would go on to be the biggest album of the band’s career and one of the most popular records of the decade selling over 12 million copies stateside. But one of the first song’s the band wrote for the album, a track called Yellowledbetter didn’t make the record and would instead be released as a b-side. Years later it became one of the band’s most popular songs. The reason it got popular, might surprise you. In today’s video,, let’s talk about the history of the song
The first thing that’s noticeable about the jimi hendrix and stevie ray vaughn influenced track are the lyrics. What are they many people ask? Well the first clue came from the Japanese 3” CD single for Daughter. The correct lyrics were supposedly printed in both english and japanese, but fans became suspicious when the lyrics didn’t seem correct.
Frontman Eddie Vedder gave an online chat to fans in 2000. He was asked about the story behind the song to which he responded Yellow Ledbetter,"was written right around the time of the Gulf War. That's about as far as I can get into it. It's an anti-patriotic song, actually." But fast forward to a vedder solo performance in 2008. During a Q&A session Vedder shined more light on the song revealing "Wait...you mean there's lyrics?" He would reveal the song was about a friend of his whose brother served in the first Gulf War. His brother died in the war and as a result he received a yellow letter informing him of the news. He didn’t need to open the letter, he knew what is was.The yellow letters are a normal part of contacting family about the death of loved one in the military.
Following the news Vedder and his friend then went for a walk to digest the news.. On this walk, the friend, whom Vedder described as "alternative looking", Eddie would be quoted AS SAYING So he tries to walk this off in this little suburban neighborhood. He’s walking it off and his mind is racing and he doesn’t know what to do. He feels like he can’t take a step without falling into some deep abyss. And so he’s walking and walking and he sees a couple on a porch with an American flag. And then he waves to them like ‘my brother,’ and the people look at him like ‘you fucking scumbag,’ like ‘who are you.’ They don’t know. They don’t know the inside. They’re just judging him by his cover. So that’s what the thought was.” That friend would be Tim ledbetter.
It was believed for quite sometime that the song was initially inspired a blues musician, 'Leadbelly' WHOSE LAST NAME IS Ledbetter... who was said to be a big influence on mike mcready. There was also another theory that 1) The name "Yellow Ledbetter" is from an old tongue twister in which you try to say "yellow better, red better" as fast as you can. Just a few times repeated, the words become jumbled and you get "yellow ledbetter." It was that that because the lyrics are indistinguishable just like the tongue twister.
As for why the song never made Ten, Eddie Vedder would explain to howard stern that he wanted the song on the record, but he didn’t finish the lyrics in time. The song is credited to Eddie, Mark McReady and Jeff Ament. The song was said to be inspired by jimi hendrix’s little wing and stevie ray vaughn AS MCREADY MENTIONS TO STERN HERE. Mcready would recall ABOUT THE SONG’S WRITING.
That was written around the time of the first record [Ten]. I think that was the second thing Ed and I wrote together. It came out of a jam in the studio and Ed didn't really have any lyrics. He came up with some ideas right there on the spot, and that's what we recorded. For some reason, it didn't make it on Ten. I was kind of bummed at the time. I really wanted it to be on our first record. But at the time, I was really young and just happy to be around this situation, so I did whatever.[5]
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#lemmy #motorhead
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#aliceinchains #laynestaley #facelift
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It’s hard to believe now, but there was a time when radio programmers didn’t want to play Alice in Chains because as they put it Layne’s voice didn’t sound right and the label thought the band’s breakout hit, shouldn’t have even been included on Facelieft. .In today’s video, let’s take a look at how the band finally broke into the mainstream.
Formed in 1987, in Seattle, Alice in Chains original lineup consisted of frontman Layne Staley, guitarist jerry cantrell, bassist Mike Starr and drummer Sean Kinney.
While a lot of bands sang about partying or chicks, Alice in Chains didn’t, tackling more dark subject matter, despite their goofy offstage persona. Bassit mike star would tell the lansing journal “We write about something to get it off our chests. We take out our aggressions on our music so we don’t have to be negative in person.
The band would sign to columbia records and soon started recording their debut record facelift in early 1990. The band would butt heads with their record label over the inclusion of the song man in the box oJerry Cantrel told author Greg Prato "I've had conversations with the record company about this, and everybody conveniently forgets the fact that nobody really liked that song," he told Greg Prato. "They thought it was too slow and dirgey. There was some discussion about it maybe not being on the record, and we're like, 'F--k that - that song is killer.'" Released
Despite some differences with their record label over the inclusion of the song Columbia made Facelift a top priority among a more pop based roster with acts like Mariah Carey, New Kids on the Block and C&C Music Factory. S everal months before the records August of 1990 release, Columbia would send select retailers a free three song EP called We Die Young, which retailers could sell for pure profit. When Facelift came out in August, columbia gave away 40,000 free video copies of band playing the moore theater to those who bought the record.. Then came, the final piece of the puzzle - man in the box. But the first single we die young a song about Jerry witnessing young kids dealing drugs while riding the bus didn’t make a big splash. Alice would tour with everyone from Iggy Pop to Poison to Extreme. Then of course there was the clash of the titans tour playing with anthrax, slayer and megadeth. Dummer sean kinney would recall to rolling stone That tour was a real challenge, because we’re not a speed-metal band,” says Kinney. “During our set the entire crowd would chant, ‘Slayer, Slayer, Slayer.’ But we figured, hey, if we could play for a Slayer crowd and not get killed, we had it made.”
It was around this time in early 1991 columbia issued man in the box as the second single. The song’s lyrics took on a few meanings. Layne would tell Roing Stone in 1992 “I started writing about censorship. Around the same time, we went out for dinner with some Columbia Records people who were vegetarians. They told me how veal was made from calves raised in these small boxes, and that image stuck in my head. So I went home and wrote about government censorship and eating meat as seen through the eyes of a doomed calf.
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#bonjovi #jonbonjovi
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#eurotrip #mattdamon
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#nodoubt #gwenstefani
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No Doubt's early journey was marked by struggle, starting with personal tragedies, interband dynamics, and an initial record that failed commercially. Their story begins with siblings Gwen and Eric Stefani, raised in a music-loving family in Anaheim. They were influenced by ska music, leading them to form No Doubt with John Spence, who tragically took his own life in 1987. The band, shaken but determined, continued with Gwen taking on lead vocals.
Their self-financed debut album in 1992 garnered little attention despite their energetic performances. Eric's departure due to creative differences and depression further strained the band. However, they persevered, incorporating diverse influences into their music and refining their sound.
In 1995, their second album, "Tragic Kingdom," emerged after a tumultuous recording process. Hits like "Just a Girl" and "Don't Speak" propelled them to stardom, though the attention centered mainly on Gwen, causing tensions within the band. Despite internal challenges, the album's success defied industry expectations, eventually reaching diamond certification.
Their meteoric rise came with challenges as fame overshadowed band unity. Nevertheless, they embraced their success humbly, acknowledging the unpredictable nature of the music industry. By 1996, they were outselling major acts, but remained grounded, with some members planning to return to college.
Their story is one of resilience, evolving from personal tragedies and industry setbacks to becoming one of the era's biggest bands. Through perseverance and musical experimentation, No Doubt carved their path, leaving a lasting impact on the music scene of the '90s.
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#pearljam #eddievedder
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Bursting onto the rock scene in 1991 with their seminal debut record Ten and following it up with the massive records 1993’s Vs. and the following year’s vitalogy, Pearl Jam would establish themselves as one of the biggest rock acts of the 90’s. While their career would go through turbulent times in the later part of the decade thanks to their fight with ticketmaster and the band no longer releasing music videos, Pearl Jam have managed to stay relevant for 30 plus years. But in the 2010’s the band would be taken advantage of by someone close to them. That’s what we’re going to explore in today’s video.
Pearl Jam throughout their career have been managed by Kelly Curtis who runs the company Curtis Inc.. In 2012 it would be reported that a member of Curtis’ management team was skimming some of the band’s income. Chief Financial Officer for Curtis Inc. Rickey Charles Goodritch was accused of taking money from teh band’s accounts. The thefts were alleged to have occurred over a four year period from 2006 to 2010 when he was fired. Goodritch had begun working for Pearl Jam in 2005 and joined Curtis Inc. the following year. In 2009, Pearl Jam’s management became suspicious after thousands of dollars that were supposed to be paid to band members and crew went unaccounted for. In addition to that Goodritch was also involved in the Ten Club -- Pearl Jam's fan club, which also had cash flow issues.
The Seattle Times would report and I quote
“He was responsible for, and had complete authority over all financial matters related to Pearl Jam’s touring operations, which included establishing budgets, approving court settlement statements with promoters, distributing ‘road cash’ to band and crew members and approving and paying for tour expenses,” charging documents say.
When the band switched business-management companies in early 2006, the new company “looked to Goodrich to handle all tour-related financial matters,” the papers say.
The Seattle Times would report that Goodrich was confronted about the discrepancy in May of 2010 after Pearl jam got off the road. Goodrich at the time was filling in for the group’s tour accountant and claimed he paid the band $15,000 referring to it as “road cash.” However Pearl Jam and their management claimed this wasn’t true. Upon being backed into a corner Goodrich claimed he paid bonuses to the band’s road crew, who also denied receiving any money. The band’s management soon hired investigators to look into the matter. investigators learned Goodrich was transferring money from Curtis Inc. to his personal accounts to help pay off his and his wife’s debts and used company credit cards to pay for lavish vacations, personal shopping trips and wine. The theft costed the band about $380,000 US, but when you add hiring the private investigators that number rose to $556,000 (£354,000). Goodrich would be fired by the band in September of 2010. By January of 2011, the Seattle police got involved, launching their own investigation. Kelly Curits would issue a statement to the press that read “we are deeply saddened by this situation.
Goodrich would be charged with 33 counts of theft in June 2012 and would enter a plea deal.
Goodrich, in 2013, who was 55, would plead guilty to six counts of felony theft. Up until this point he had paid back $125,000 and agreed to pay a further $181,000 in to the band. In 2014 since Goodrich hadn’t paid the band back fully, he was sentanced to 14 months in prison. Had he paid the band back he would have only faced 6 months in prison.
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#chevelle
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Experience Chevelle's journey from their humble beginnings in Grayslake, Illinois, to becoming one of rock's most iconic bands. Brothers Pete and Sam Loeffler started playing music together, drawing inspiration from their musically adept family. They formed Chevelle with bassist Matt Scott, later joined by their younger brother Joe, whose talent quickly became undeniable.
Initially labeled as a Christian band due to their record label's affiliations, Chevelle pushed back against this stereotype, focusing instead on their unique sound. Their second album, "Wonder What's Next," propelled them to stardom with hits like "The Red" and "Send The Pain Below," solidifying their place in the rock scene.
Despite lineup changes and industry challenges, Chevelle continued to innovate, delivering albums like "Vena Sera" and "Sci-Fi Crimes," showcasing their raw, unapologetic sound. Their dedication to their craft and refusal to conform to industry norms set them apart, earning them a dedicated fan base.
With new music on the horizon and a legacy of powerful, introspective rock, Chevelle remains a force to be reckoned with. Stay tuned for updates on their upcoming album and join the journey of one of rock's most enduring bands.
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#AC/DC #brianjohnson #angusyoung
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#alanismorrissette
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#vanhalen #brucespringsteen
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#fortminor #linkinpark #mikeshinoda
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#fountainsofwayne #adamschlesinger #stacysmom
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Fountains of Wayne's rise to commercial success with their hit song "Stacy’s Mom" marked a turning point in their career, despite the band's mixed feelings about the track. The band was formed by Chris Collingwood and Adam Schlesinger, who met in college and later reunited in New York to pursue music together. Initially called The Wallflowers and then Pinwheel, they settled on the name Fountains of Wayne, inspired by a store in New Jersey.
Their self-titled debut album garnered moderate success, but it was their third album, "Welcome Interstate Managers," that catapulted them to fame with the infectious single "Stacy’s Mom." The song's inspiration came from Schlesinger's childhood friend who had a crush on his grandmother, blended with influences from bands like The Cars.
Despite the song's success, Collingwood had reservations about it being too much of a novelty hit. The band's subsequent albums didn't achieve the same level of commercial success, leading to a hiatus and eventual dissolution.
Schlesinger's talents extended beyond Fountains of Wayne; he wrote for films and worked with other bands. Tragically, he passed away in 2020 due to COVID-19 complications, leaving behind a legacy that transcends "Stacy’s Mom."
The band's members pursued various endeavors post-Fountains of Wayne, with Collingwood even working as an Uber driver at one point. Despite their disbandment, "Stacy’s Mom" remains a cultural touchstone, with its impact stretching beyond the band's other works.
While the song may define Fountains of Wayne in popular culture, Collingwood expressed a desire for Schlesinger to be remembered for his broader musical contributions, reflecting on the complexity of their relationship with their most famous track.
0:00- Early Band history
4:21 - Semi-Charmed Life Writing/Success
9:30 - Who Wrote Semi-Charmed Life?
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#thirdeyeblind #stephanjenkins #semicharmedlife
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Third Eye Blind would be formed in 1993 in San Francisco by frontman Stephan Jenkins. His parents would divorce when he was 7 and as a kid he struggled with dyslexia. In the sixth grade, his teacher told him he would never graduate high school and instead, would likely end up in juvie. He would graduate high school and ended up becoming a straight A student at UC Berkley getting an english literature degree in 1987. Jenkins would start playing in bands in high school first starting out as a drummer.
By 1990 he was living in lower haight in san francisco and had rented out his room so he could live in a closet. Jenkins would survive on a steady diet of ramen and coffee that was financed by money he had stolen from his roomates. He’d of course also write music during this time as well. He would refer to this period in his life as “my 1967, my summer of love.”Prior to third eye blind, Jenkins was part of a rap duo group called Puck and Natty who believe it or not in 1992 got a song called just wanna be your friend on the soundtrack of beverly hills 90210.
Jenkins would receive a payment of about $7,800 for the song appearing on the show. He’d later admit he had never seen the show and used the money to buy groceries..Puck and Natty’s demo tape soon found it’s way to several industry heavyweights including irving azoff and At one point capitol records nearly signed the rapping group. But when questions over who should produce the group got raised in a meeting, Jenkins walked, wanting to take on production duties himself.
It was in 1990 he met another resident who lived on lower Haight area, Eric Godtland. Gotland was working as a management consultant by day and a pretty unsuccessful club DJ by night. He would take jenkins under his wing.
Jenkins would tell Gotland a vision he had of starting a new rock band. He already had a name -- Third Eye Blind. And he already had a handful of songs including the track semi charmed life. Some of the music for the song came from his partner in puck and natty who Jenkins ultimately paid $10K to so he could have 100% ownership over the song. I’m sure that guy is kicking himself for doing such a deal.
Also around this time, Jenkins befriended a waitress who worked down the street who was also writing songs and they would play each other their compositions. He would play her semicharmed life and she would play him a song called what’s going on. That waitress was Linda Perry of the group 4 non blondes. What’s going on would later be renamed what’s up? And she would go on to have an enormous amount of success.
Semi Charmed Life eventually made its way to Randy jackson of american idol fame who liked it, and he took it to don ienner of Sony music who didn’t. He thought jenkins was rambling on the song, and thought, it was too different. Initially Third Eye Blind started out as a songwriting exercise with producers and engineers Jenkins knew, but ultimately he wanted to establish a band.
Jenkins goal from the start was to break free of the constraints of indie rock according to the la times. Jenkins would tell the paper “I didn’t feel like i fit into that whole post grunge-noise pop scene that movement to democratize the form by playing badly.” Third Eye blind’s early inspirations included groups like the beatles and college rockers camper van beethoven in addition to the hip hop group The Sugar Hill Gang,
Jenkins woulplayed with a lot of guitarists before finding Kevin Cadogan who he’d do some two man acoustic shows with around the bay area. They’d eventually add bassist Arion Salazar from East Bay group Fungo Mungo and the band went through nearly half a dozen drummers before finding Brad Hargreaves. Salazar would credit Cadogan as being the missing piece for third eye blind. He’d recall to billboard hearing semi charmed life for the first time revealing He had it with a stripped-down drum machine and electronic bass on the first non-band demo. It was kind of one-dimensional, acoustic guitar troubadour-y first position thing with basic guitar
Union history
Union: The Forgotten Mötley Crüe/Kiss Supergroup Feat. John Corabi & Bruce Kulick
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#motleycrue #grunge #nikkisixx
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#bluestraveler #hook #runaround #johnpopper
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#aaronlewis #staind
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How do you go from the frontman of one of the top bands of the late 90’s and early 2000’s to a staunchly conservative country singer who isn’t afraid to berate his fans at concerts and stir up controversy?
That’s what today’s video is all about - the story of why the internet hates Staind - or to put it even better - why they hate Aaron Lewis.
Before we dive in, I want to point out something pretty crazy about this story which is that Lewis has been at the top of the musical charts in two completely different genres - in rock as the frontman of Staind and outlaw country as a solo artist..
***
Alright, let’s get into it and take it back to the early 90’s - 1993 specifically - when
Staind vocalist Aaron Lewis and guitarist Michael Mushok (Ma-shock) met at a Christmas party in Springfield, Massachusetts. The band’s lineup was complete by 1995, the same year they started performing live, with the addition of drummer Jon Wysocki and bassist Johnny April.
They originally gained a following by touring throughout the Northeastern United States, covering songs from acts including Korn and Alice in Chains, Pearl Jam and Rage Against the Machine.
Fans of the band most frequently reference their first two albums - 1996’s Tormented and 1999’s Dysfunction, which had a heavier sound compared to their later records which became more radio friendly and arguably more watered down.
It was a chance connection with Limp Bizkit which really helped to propel the band into superstardom. In 1997, through an introduction from Aaron Lewis’s cousin named Justin Cantor, they got on the bill with Limp Bizkit - whose frontman Fred Durst later signed Staind to his Flip Records label in 1998.
In a 2000 interview with The Times Leader, Lewis talks about how their music has impacted their fans:
“Kids come up to me all the time and thank me for saving them through my lyrics. They say they wouldn’t be here talking to me if it wasn’t for what I was saying in those songs.”
In that same interview, Lewis talks about how opening for Korn’s Family Values Tour in 1999 was a big moment in their career and made the band feel like things were going really well for them.
((“We’re playing in front of much more people and things are going amazing. It’s really surreal.”))
Things shifted for the band in 2001 with the release of their third album, Break The Cycle, which contained the single called “It’s Been A While” which helped the album debut at the number one spot on the Billboard 200 charts.
A user on the Reddit perfectly summed up how this was a departure point for hardcore fans of the band:
“ They changed sound towards a radio friendly singalong poppy sound. A lot of people don't even know about tormented and Dysfunction, with their introduction with Staind starting at Outside and It’s Been A While, which while being inoffensive enough, aren't exactly 'heavy'.
No matter your personal opinion of the band, their commercial success was undeniable. During their time together as a band, they’ve had 5 chart-topping singles, released eight studio records and sold more than 15 million albums.
2001 would also be the time period when harsher critics would claim Staind became “butt rock” - “A style of hard rock & heavy metal music that is watered down both musically and lyrically to garner maximum radio play and mainstream acceptance as urban dictionary would put it.
If you’re wondering what other bands fit under this category - even though it’s somewhat a matter of opinion -, acts like theory of a deadman, three day’s grace, puddle of mudd, stonesour, seether and shinedown to give you an idea.
I’d also add Nickleback to that list.
Staind’s albums following “Break the Cycle” also topped the Billboard chart - 2003’s "14 Shades Of Grey" and 2005’s "Chapter V". In 2011, original drummer Jon Wysocki left the band and by July of 2012 the band had officially announced a hiatus. But that didn’t mean Aaron Lewis was going on hiatus, in fact he was about to go in a completely new direction musically speaking.
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#axlrose #gunsnroses #slash
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#REM #michaelstipe
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Hailing from Athens, Georgia the R.EM. would be together for nearly 3 decades and sell over 80 million albums. It’s a pretty massive accomplishment for Four college dropouts who played with first played with each other at drunken party's and would later go on to become one of the most influential rock acts in history. They exploded into the 90’s with 1991’s out of time and the following year’s automatic for the people both of which went 4x platinum stateside. They were all over MTV and on rock radio, I mean i still here their music played a lot today. If you listen to sirius XM - they’re played a lot on lithium and 90’s on 9. In 2007 they would be inducted into the rock n’ roll hall of fame. In 2007 Stipe would tell Rolling Stone looking back at the band’s career thus far “We didn’t set out for this to be a career. We just knew it was something we wanted to do, and we would stop when we didn’t want to do it anymore.”
The band’s original lineup would stay intact until 1997 when drummer Bill Berry left the group. He collapsed on stage suffering a brain anuerysm and two years earlier and announced his intention to leave the band not wanting to tour or play anymore telling an interviewer. I didn't wake up one day and decide, "I just can't stand these guys anymore" or anything. I feel like I'm ready for a life change. I'm still young enough that I can do something else. I've been pounding the tubs since I was nine years old ... I'm ready to do something else. He would become a farmer and has had some sporadic returns to music over the years. ) R.E.M. had stated previously that they would call it quotes if any of the four original members quit but they were still under contract with warner BRothers. Berry urged the gorup to soldier on after he left
Unbeknownst to the public and their longtime fans the three founding members REM would perform together publicly for the final time in Mexico City in late 2008. The band at the time had released their fourteenth album 2008’s Accelerate. Stipe would tell Salon
“On our last tour, 2008. During that we were kind of going, well, where could we go from here? We could tell we were on an upswing. It was important to us that we didn’t whimper out with our tails between our legs. We wanted to feel we were at the peak of our powers, and the tour felt like that.”
Fast forward to May of 2009,, the band minus Michael Stipe would head to Portland with producer Jacknife Lee to record some tracks at Jackpot! Recording Studio. Buck’s girlfriend lived in Portland at the time. A handful of the instrumentals including All the Best, That Someone is You and it happened today would make it onto the band’s subsequent and final album. But the record would feature many starts and stops as the members had other commitments within and outside of music. They also spent a fair bit of time searching for the right studios to finish off the record. They would eventually spend a good deal of time in new orleans and berlin, germany wrapping up the album, titled Collapse Into Now.
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#waynestatic #staticx #numetal
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The late 90s and early 2000s witnessed the rise of nu-metal, with bands like Linkin Park, Korn, and Limp Bizkit dominating the scene. However, there existed another tier of influential bands that didn't achieve the same commercial success but developed a strong following and a unique sound. Among them was Static-X, characterized by an industrial edge in their music, often described as playing "evil disco" or "technometal." Their debut album, "Wisconsin Death Trip," achieved platinum status and garnered acclaim as one of the greatest nu-metal albums.
Frontman Wayne Static, born Wayne Richard Wells, hailed from Michigan and was introduced to music at a young age by his mother, who played the organ for the church. Influenced by bands like Kiss, Black Sabbath, and Ministry, Wayne's passion for music grew. He eventually moved to Chicago, where he befriended Billy Corgan and formed a band called Deep Blue Dream. Later, Wayne and his bandmate Ken Jay relocated to Los Angeles, where they encountered a burgeoning music scene but faced challenges breaking through.
Despite initial struggles, Static-X began to gain traction, attracting attention from a management company and eventually signing with Warner Bros. Records. Their debut album, "Wisconsin Death Trip," was recorded in eight weeks and showcased a fusion of metal, industrial, and electronic elements. The album's title was inspired by a non-fiction book depicting tragic events in Wisconsin's history.
Initially named Static, the band had to change their name due to conflicts with other bands. They settled on Static-X, incorporating Wayne's name and a moniker used by bassist Tony Campos. The album's sound, dubbed "evil disco," resonated with audiences, and singles like "Push It" and "Bled for Days" gained popularity.
Static-X's success continued with tours, including appearances at Ozzfest, and their album reaching platinum status. However, internal conflicts, substance abuse, and lineup changes took a toll on the band, leading to their breakup in 2011. Tragically, Wayne Static passed away in 2014, followed by his wife Tara Ray's suicide in 2016.
In 2018, Static-X reunited with a new singer, releasing two albums featuring Wayne's vocals. Despite mixed reviews, the band's legacy endures, with their unique blend of metal and electronic music leaving a lasting impact on the nu-metal genre.
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#turbo #judaspriest #mtv
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This weekend I postd the link to my video i did on the history of the band Big Wreck, since Rick Beato interviewwed the group’s frontman Ian THornley. In the comments someone wrote “love the channel, but i am not a fan of hearing about canadian bands that I know nothing about. How about a mtv judist Preast motorcycle giveaway.” So let’s talk about the contest, since people love ot hear about the mtv contests.
Formed in the mid 70’s heavy metal outfit Judas Priet would enjoy commercial success in America starting in the early 80’s when their albums started to go platinum. That success carried over to the middle part of the decade. In 1986 Judas Priest would release their tenth studio album titled Turbo on Columbia Records. The album went in a much more commercial direction utilizing synthesizers for the first time.h
. For their tenth record, the band initially envisioned doing a double album using the title twin turbos, with one record being more commercial with the other being harder sounding, but they eventually ditched the idea.
The lyrical content on Turbo was markedly different from previous Judas Priest albums, with more less of an emphasis on scifi and fantasy themes and a bigger focus on relationships;. One could argue it was shaped by what was popular in the music scene at the time. Given MTV’s popularity, it was pretty common place for bands to team up with the network to promote new albums and tours by holding contests . In 1985 MTV would premiere a new program called heavy metal mania, which would be a precursor to headbangers ball. The show would be hosted by Twisted Sister’s Dee Snider. And run until 1986. It would be replaced by headbangers ball the following year. Side note guys, if you’re interested in the history of headbangers ball I’ve done a whole video on the history of the show the link is down below. I’ve also done a whole history on 120 minutes too. Judas Priest teamed up with heavy metal mania to promote Turbo.Here’s the clip for the contest.
So who won the contest. Well, the winner would be a college student from the town of Benton Illinois population 6,000 or so.,. The winner’s was Geoff Furman who actually had a twin brother. Geoff would admit to sending in 20 postcards in for the contest. He would win a trip to LA to see the band in concert and one thing not mentioned in the commercial for the contest was that the winner would get two motorcycles not one. They would get the one of a kind turbo machine with a sidecar that was used in the video for locked in. Geoff would tell a local paper upon winning the prize ‘it isn’t a streetbike. They told me not to try riding it. As for the second motorbike he won, it would be street legal and it was a honda rebel. Geoff was allowed one guest on his trip and he would take along his twin brother Greg. At the time of winning the contest both men were working at different grocery stores and had finished their first year of post-secondary going to rend lake college.
Geoff at the time was planning on joining the air force after graduating from school while his brother greg wanted to become an aeronautical engineer.
Both brothers had never been to california before but upon landing in LA they’d be picked up by a limousine and taken to the hyatt hotel. Upon landing in the city of angels, Greg would tell their hometown paper “Everywhere you look there was a fancy car.” The brothers also appeared on heavy metal mania where Rob Halford introduced them and invited them to attend the band’s show in st. louis where they were given four tickets and four backstage passes. As for what their mother thought about the whole contest and their winnings, she was pretty happy about the whole thing.
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#theclash #cutthecrap #mickjones #joestrummer
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The Clash emerged in 1976 amidst the British punk rock scene, distinguishing themselves with a socially conscious approach to their music. Comprising Joe Strummer, Mick Jones, Paul Simonon, Keith Levene, and Terry Chimes, the band quickly gained prominence with their politically charged lyrics and energetic performances. Despite internal conflicts and lineup changes, The Clash achieved commercial success in the United States, particularly with their albums "London Calling" and "Combat Rock," the latter being their best-selling release.
However, internal tensions within the band began to escalate. Drummer Terry Chimes departed due to personal reasons, and his replacement, Topper Headon, struggled with heroin addiction and was eventually fired. This instability, coupled with disagreements over musical direction and management issues, led to a division within the band.
By the early 1980s, the Clash had split into two factions: Mick Jones on one side and Joe Strummer, Paul Simonon, and manager Bernie Rhodes on the other. Rhodes, a controversial figure known for his authoritarian approach, was rehired by Strummer to manage the band's finances, despite previous conflicts. However, Rhodes' control over the band's creative direction further strained relationships within the group.
The tensions came to a head with the release of their final album, "Cut the Crap," in 1985. Strummer aimed for the album to be a departure from mainstream pop and glam metal, but Rhodes exerted significant influence over its production. The resulting album received harsh criticism for its synthetic sound and inconsistent quality, leading to poor sales and further alienating fans and critics.
Following the album's release, the Clash attempted to organize a tour, but Strummer's relocation to Spain and legal threats, along with resistance from band members over Rhodes' heavy-handed management, thwarted these plans. Eventually, in October 1985, Strummer disbanded the Clash.
Despite their legacy as one of punk rock's seminal bands, "Cut the Crap" remains a stain on the Clash's discography, often omitted from discussions of their career. Strummer himself expressed regret over the album's failure and the band's dissolution, acknowledging that the chemistry between the original members was irreplaceable.
In later years, attempts to revisit "Cut the Crap" included a 2005 re-release and a 2021 remix by German musician Gerald Manns, which received mixed reactions from fans and band members. Nonetheless, the album's reception and the circumstances surrounding its creation serve as a cautionary tale of the dangers of internal discord and artistic compromise within a band. Despite their turbulent end, the Clash's impact on music and culture endures, leaving behind a complex and storied legacy.
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#nadasurf #popular #rickocasek
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Nada Surf's journey through the tumultuous waters of the music industry is a testament to resilience and artistic evolution. Initially touted to follow in the footsteps of alternative rock giants like Weezer, the band catapulted to fame with their breakout hit "Popular," which drew comparisons to Weezer due to its success and shared producer with the Blue Album. However, despite the initial hype surrounding "Popular," Nada Surf faced challenges as they struggled to replicate its success and were eventually labeled as one-hit wonders.
The band's history is intertwined with the personal experiences of frontman Matthew Caws, whose upbringing in a family marked by academic pursuits and cultural diversity shaped his musical journey. Raised in various locales including Paris and influenced by his older sister's extensive record collection, Caws eventually found his way back to New York City in the early '80s, where he formed early musical endeavors with future Nada Surf bassist Daniel Lorca.
The band's trajectory took a turn with the formation of Nada Surf in 1992, marked by a determination to confront personal demons and navigate the complexities of depression and self-doubt. Despite initial setbacks, including a drummer's departure, Nada Surf persevered, recruiting drummer Ira Elliott and forging ahead with their musical aspirations.
Their debut album, "High/Low" (1996), featuring the iconic track "Popular," thrust Nada Surf into the spotlight, albeit briefly, as they grappled with the pressures of sudden fame and expectations from both fans and the music industry. However, subsequent albums faced challenges, with the label pushing for another hit akin to "Popular," while the changing landscape of alternative rock posed additional hurdles.
Undeterred, Nada Surf embarked on a journey of self-discovery and artistic reinvention. With the release of their third album, "Let Go" (2003), the band found a new home at Barsuk Records and garnered critical acclaim for their mature and introspective sound. This marked the beginning of a new chapter for Nada Surf, characterized by steady growth and a loyal fan base that appreciated the band's sincerity and authenticity.
Subsequent albums such as "The Weight is a Gift" (2005) and "Lucky" (2008) further solidified Nada Surf's reputation as a band capable of crafting thoughtful and evocative music. Collaborations with renowned artists like Dan Wilson of Semisonic showcased the band's willingness to explore new creative avenues while staying true to their artistic vision.
As the years progressed, Nada Surf continued to evolve, releasing albums like "You Know Who You Are" (2016) and "Never Not Together" (2020), which demonstrated a blend of introspection and social commentary. Their music found resonance in popular culture, with placements in films and television shows, reflecting the enduring relevance of their artistry.
Through ups and downs, Nada Surf's journey is a testament to the power of perseverance and the transformative nature of music. From the heights of fame to the depths of uncertainty, the band's unwavering commitment to their craft has solidified their place in the pantheon of alternative rock, proving that sometimes, the greatest success lies in resilience and authenticity.
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#citizenking #mattsims #betterdays
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The late 90s saw the rise of Citizen King, known for their hit song "Better Days (And the Bottom Drops Out)" which gained popularity through radio airplay and inclusion in shows like Malcolm in the Middle. Originally from Milwaukee, Wisconsin, the band evolved from a previous group called Wild Kingdom, blending funk, punk, and ska influences. Formed in the early 90s, Citizen King comprised Malcolm Michaels (turntablist), Dave Cooley (keyboardist), DJ Brooks (drummer), Sage Shwarm (bassist), along with guitarist Kristian Riley and vocalist Matt Sims.
Their eclectic musical influences and energetic live performances earned them a local following. They transitioned from Wild Kingdom to Citizen King to explore a broader musical spectrum. Sims, inspired by various music genres and familial influences, coined the band's name from historical and political references.
The band's journey continued with basement shows and regional performances, solidifying their sound as a fusion of jazz, funk, and hip-hop. They caught the attention of Speech from Arrested Development, leading to their debut album "Brown Bag LP" in 1995 and subsequent EP "Count the Days."
Signing with 510/MCA Records and later Warner Brothers, they released their major label debut "Mobile Estates" in 1999. Their breakout hit "Better Days" propelled them to mainstream success, though the band emphasized their diverse musical range beyond the single. However, subsequent singles didn't achieve the same level of success.
Internal conflicts and canceled gigs marked a tumultuous period for the band, eventually leading to their disbandment in 2002. The reasons behind the split remain largely undisclosed, with speculation suggesting personal issues, substance abuse, or creative differences.
Since then, band members pursued various endeavors. Malcolm Michaels ventured into solo projects and production, while Dave Cooley found success as a producer. DJ Brooks established his own DJ company, and Kristian Riley ventured into music production. Matt Sims, after a stint in Los Angeles as a model, relocated to Germany, pursuing a solo music career under the name CEI.
Despite their brief time in the spotlight, Citizen King left a lasting impact on the music scene, blending genres and showcasing the vibrant Milwaukee music scene of the late 90s.
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#branvan3000
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I had previously done a video on the rise and fall of the canadian big shiny tunes compilation albums. One of the group’s featured in the video was Bran Van 3000 who appeared on the first big shiny tunes and a few people in the comments of that video, requested I do a story on them. Bran Van 3000 would be best known for the 1997 hit ‘Drinkin in LA’ but did you know one of people who prominently appeared on the track’ tried to be erased by the record label? That’s what we’re going to explore in today’s video.
Formed in montreal bran van, 3000 is a canadian rock and hip hop group, The origin of the group began with James De Salvo who in the mid 90’s was working at a video production company named propaganda films where his colleagues included spike jonze and michael condry. He also had a side gig as a DJ.
It was in 1994 De Salvo he was going through some financial troubles. He had recently done some work with a french canadian artist jean leloup and branford marsalis and he received a royalty cheque. Rather than saving the money, De Salvo wanted to build a studio in his montreal apartment. It was around this time an old buddy from the montreal club scene named EP Bergen was planning on going to new york city and invited him on the trip. As the pair were walking through washington square park they talked about setting up a musical project together and came up with the name Bran Van 3000. The name really had no meaning, it was gibberish. It was on that trip they headed to sam ash to buy some sampling equipment. Upon returning to the hip montreal neighbourhood of mile end, they began working on what would be their debut album, titled Glee.
It would have a wide cast of collaborators including a street performer they came across who could play teh clarinet pretty well and they included him on two songs couch surfer and supermodel. Their debut album Glee would have over 30 guest musicians and span multiple genres. One of the musicians who guest starred on the record, most notably appearing on the track drinkin in LA singing the hook would be Stephanie Moraille (Steph-ann More-i). At the time she was going to law school, teaching aerobics and working as a part-time singer. She had originally envisioned becoming a dancer studying ballet, but things wouldn’t work out after she blew her knee out. After that, she needed a creative outlet, so she turned to singing. She fronted a Canadian house music project called Shauana Davis with their most memorable hits being Try My Love and Get Away. She had a friend who was friends with EP Bergen and he was looking for a singer to appear on the song drinkin in LA. She would tell Q with Tom Power that she almost never recorded teh song, because it was the middle of winter and it was -40 outside. She would recall.
"If I had a cell phone back then I would have cancelled.. But in the '90s, if you said you were going to be at a place at a certain time, you had to show up because there was no other way to contact anyone… I show up at the studio. [Bran Van founder] James [Di Salvio] shows me, like, chicken scratch lyrics, and then I hear the guitar riff. I'm like, 'Wow, this is going to work.' I down a beer and then I sing the chorus." She drank the beer because she was tired and the members said it would perk her up. She came up with the melody and the bridge and the rest was history. The song would be mixed in February and released in March of 1997.
Drinking in LA would be the last song written for Glee. It was sometime in the 90’s Salvo woke up one morning on a lawn in West Hollywood and asked himself “what the hell am i doing drinking in LA?”and that’s where the inspiration for the song came from.
De Salvo knew right away they had a massive hit on their hands. telling the Toronto Star “it’s was almost like one of those animated movies where a blue bird swings by over real live footage. It’s cheesy, but i knew in my heart it was a hit.” De Salvo soon took a trip to south by southwest in 97 and It was during a trip to he brought cassettes with the word Glee in helvetica font with his Montreal 514 area code number on them.
On the last day of SXSW De Salvo bumped into Moby and gave hi
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#SR71 #mitchallan #rightnow
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SR-71, a band often misunderstood and misclassified, made waves in the early 2000s with their catchy tunes and unique blend of rock and punk influences. Despite being labeled as pop-punk or even compared to boy bands, SR-71 always saw themselves as a straightforward rock band akin to Cheap Trick. However, their journey to success was anything but straightforward.
Formed in Baltimore in 1991 by frontman Mitch Allan and bassist Jeff Reid, SR-71 went through various lineup changes before solidifying their classic lineup. Originally known as Honor Among Thieves, the band struggled to find their sound and secure a major recording contract. It wasn't until they caught the attention of Deep South Records and changed their name to Radiostar that things started to take off.
Under the guidance of their manager, the band honed their sound and embarked on a journey to New York City to pursue a record deal. After showcasing their talents and enduring the hardships of the music industry, they eventually signed a lucrative contract with RCA Records in 1999. Renaming themselves SR-71, a nod to the world's fastest manned aircraft, the band released their debut album "Now You See Inside" in 2000.
The album's lead single, "Right Now," propelled SR-71 into the spotlight, reaching number two on the rock charts and garnering widespread acclaim. Despite being pigeonholed as pop-punk, SR-71's music covered a broad spectrum of emotions, from relationships to faith and redemption. Their success led to tours with iconic bands like Bon Jovi, solidifying their place in the rock scene.
However, the band faced challenges with their sophomore album "Tomorrow," which took a darker turn both musically and lyrically. Despite producing hits like the title track, the album didn't achieve the same commercial success as their debut. Additionally, internal struggles and changes within RCA Records led to the band losing their recording contract.
Undeterred, SR-71 pressed on, self-financing their third album "Here We Go Again," which was only released in Japan. One of the album's tracks, "1985," found new life when it was covered by Bowling for Soup, becoming a massive hit. Meanwhile, Mitch Allan transitioned to a career as a songwriter and producer, working with top-tier artists across various genres.
Despite their ups and downs, SR-71 reunited briefly in 2009 for a few shows and saw the release of their third album in the United States in 2010. While their journey may have been tumultuous, SR-71's impact on the rock scene and their enduring legacy continue to resonate with fans to this day.
Ugly Kid Joe History
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#lifeofagony #ninacaputo #altmetal
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Discover the fascinating story of Life of Agony, a band whose roots trace back to the hardcore scene but evolved into a unique blend of alternative metal. Formed in 1989, the band's early years were marked by personal struggles and musical experimentation, culminating in their debut album "River Runs Red" in 1993, a groundbreaking conceptual narrative touching on theme of personal suffering.
Despite facing challenges and lineup changes over the years, including the departure of original vocalist Keith Caputo, the band continued to push boundaries and explore new musical territories with albums like "Ugly" and "Soul Searching Sun." In 2003, they embarked on a series of reunion shows and eventually released their fourth album, "Broken Valley," in 2005.
The band's journey took a significant turn in 2011 when Caputo came out as transgender, transitioning to Mina Caputo. This momentous event brought both personal and professional changes for the band, yet they persevered, releasing albums like "A Place Where There's No More Pain" in 2017 and "The Sound of Scars" in 2019, the latter serving as a sequel to their iconic debut.
With a rich history spanning over three decades, Life of Agony remains a powerful force in the alternative metal scene, continuing to create music that resonates with audiences worldwide. Stay tuned as they embark on new musical endeavors and celebrate milestones like the 30th anniversary of "River Runs Red" with commemorative tours and documentaries. Subscribe to our channel for the latest updates on Life of Agony's journey.
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#grassroots #theoffice #creedbratton
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Creed Bratton, a character from the hit TV series "The Office," is a quirky and enigmatic figure in the Dunder Mifflin Scranton office. Portrayed by the actor Creed Bratton, he presents himself as an aging, eccentric employee with a mysterious past. Creed is known for his offbeat behavior, obscure anecdotes, and a tendency to engage in bizarre activities. Despite his eccentricities, he occasionally demonstrates surprising insight and cunning, often navigating office politics with cunning and unorthodox strategies. Creed's enigmatic nature and penchant for absurdity make him a beloved and unforgettable character in the show's ensemble cas
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#thesundays #harrietwheeler #davidgavurin
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The Sundays shared some similarities with the band Mazzy Star. While The Sundays were british and mazzy star were American, Both groups were fronted by women and the attention of the bands, rested on the vocalist and guitarist. Both groups took long hiatuses were also known for being press-shy. That’s where the story ends. After only a handful of shows, the Sundays were getting splashed on the front covers of the british weeklies and were being heralded as the next big thing They weren’t part of any particular scene and literally came out of nowhere, but then, they disappeared. It was fitting that frontwomen Harriet Wheeler and guitarist david gavurin’s favourite movie was Stranger Than Paradise, a perfect metaphor because there are long stretches where nothing happens.. Today let’s take a look at whatever happened to the british group the sundays.
The history of the Sundays begins with guitarist and founding member David Gaverin, the son of an accountant. He grew up in Wembley and started playing guitar in high school telling Florida Today “i was part of the adolescent post--punk anyone in high school can be in a band phenomenon ” His high school bands ultimately went nowhere and and stopped playing guitar while when he started attending bristol university to study French and Spanish in the mid 80’s.. While attending the university he met his better half Harriet Wheeler, the daughter of an architect and teacher who was studying english literature. The first twenty years of there life, they grew apart, David is from wembley while harriet is from Reading. They would be introduced to each other through mutual friends and started dating. Wheeler would tell Billboard “i’m sure we annoyed our neighbours sitting on garden walls talking about all the absurd things you talk about when youre in your 20s and drinking too much and smoking an inordinate amount of roll ups.
Wheeler had went through a similar phase like Gaverin, playing in high school bands. One of her earliest influences was the Jackson 5 whom she used to sing along to, tinking she was michael jackson.. It was the tail end of their time at Bristol that Gaverin once again picked up the guitar. The idea was just to create music for something to do. He also thought that maybe he could be a working musician so he wouldn’t have to deal with getting a real job, but rock superstardom or a record deal was the furthest thing from his mind. He would tell the American press ” ‘we were unsure of ourselves in the beginning of whether we really had something. That’s maybe why people who work with us call us perfectionists.”
The pair soon invested in a drum machine, a bass guitar and a four track recorder and began writing and recording songs. ' Next, they turned their attention to playing live shows, but they needed to find two musicians to replicate their recordings. Gavarian would recall “We picked friends of ours we weren’t looking for people to contribute musically . we didn’t want to put ads in music papers saying we wanted anybody to play with us.” They would enlist fellow bristol students bassist Paul Brindley and drummer Patrick Patch Hannan..
The Sundays music was dreamy and ethereal and by their own admission full of unusual rhythms Gavurian would tell Florida Today “we set out to write songs that don’t feel like every other songs you’ve ever heard. They aren’t completely conventional. We tend to follow slightly unusual rhythms. ”
As for the lyrics Gaburian would add "I'll put down a lyric and Harriet will write the next line," "I admit it's kind of weird, since I don't know how many other writers work that way. But it works for us."We like that a perso
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#bobmarley #onelove
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0:00 - Early Years
4:30 - Record Deal/Major Label Debut
7:26 - Smooth Criminal
13:55 - Tour Bus Crash/Third Record
17:20 - Later Years
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#alienantfarm #michaeljackson #smoothcriminal
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Dive deep into the untold history of Alien Ant Farm, the alternative rock band that shook the music scene with their infectious energy and unforgettable tunes. From humble beginnings in Riverside, California, to topping the charts with their iconic cover of Michael Jackson's "Smooth Criminal," this video uncovers the highs and lows of their journey.
Discover how vocalist Dryden Mitchell and his bandmates Terry Corso, Tye Zamora, and Mike Cosgrove defied the odds to form Alien Ant Farm, blending influences from Joni Mitchell to Nirvana to create their unique sound. Despite facing rejection from major record labels, their relentless passion and electrifying live performances caught the attention of the music industry.
Explore the making of their breakout hit, "Smooth Criminal," and the unexpected challenges they faced, from the song's accidental rise to fame to the extravagant music video that caught Michael Jackson's attention. Learn about the band's struggle with being labeled as a one-hit wonder and their determination to break free from stereotypes.
Witness the triumphs and tragedies that marked their career, from headlining tours to surviving a devastating tour bus crash in Europe. Follow their journey through record label turmoil, lineup changes, and personal struggles as they continue to defy expectations and make their mark on the music world.
Experience the band's evolution through their albums, from the platinum-selling success of "Anthology" to the shelved fourth album "Up in the Attic." Learn how they persevered through setbacks, reunited after a brief hiatus, and continued to innovate with new releases like "Always and Forever" and "Mantras."
Get exclusive insights into their recent collaborations, controversies, and upcoming projects, including their latest album slated for release this April. From viral TikTok sensations to enduring classics, Alien Ant Farm's legacy continues to inspire fans worldwide.
Join us as we celebrate the enduring legacy of Alien Ant Farm, a band that defied the odds, challenged the status quo, and rocked the world with their unforgettable music. Subscribe now for more exclusive interviews, behind-the-scenes footage, and insider stories from your favorite artists.
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#aimeeecho #humanwasteproject
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The band’s origins dated back to 1993 in Huntington Beach California. Human Waste Proejct would be started by bassist Jeff Schartoff and frontman Roman Marisak. Schartoff had a rough childhood spending six months in his teen years in a psychiatric hospital according to the independent newspaper. Schartoff and marisak slowly drifted apart with Schartoff remaining in the band. Human Waste Project soon went through a revolving lineup of musicians before landing on their classic lineup, which was made up of vocalist Aimee Echo, guitarist Mike Tempesta and drummer Scott Ellis. Marisak did return sometimes to play guitar with the band. . Schartoff, Ellis and Echo would grow up together in California with the bassist and Ellis having previously played together in a punk band.
Fun fact, the band a number of guitarists in the band before Mike Tempsta with 3 of them being called John. John Tempesta is Mike’s brother and you may know him from White Zombie One of Hman Waste Project’s guitarist was named John Montee who was from new jersey. He recommended Mike Tempesta who was from new york. Montee thought the band was going nowheree, so he left.Mike Tempesta wass Jerry Cantrell’s guitar tech for alice in chain’s facelift tour in the early 90’s.
Jeff’ Schartoff’s would tell an interviewer “ I was looking to start this really experimental band, cuz we use to do a lot of sequencing and sampling when we started. I wanted something in like the flavor of Tricky and Portishead with like Skinny Puppy type heaviness (goth hop), with a tribalized rhythum and a Jane's Addiction type feel. I never thought of Aimee as a female though, I was just looking for someone who could do the job. Aimee however told a different story. She would claim that that their drummer Scott Ellis didn’t want a female vocalist
She had grown up listening to records while she did her homework being into james taylor, the beatles, and fleetwood mac. Later on she discovered new wave and punk. But Aimee didn’t really think singing was a viable option in life. But that would soon change. She attendedthe inaugural lollapalooza in 1991 with Schartoff where she saw nine inch nails, jane’s addiction and siouxie and teh banshees. It was an experience she referred to as being the most amazing concert she’d ever been to. She would recall . “I think it started when my mom overheard me singing and she said to me, "I didn't know you could sing," and I said I can't but then I met this guy and started this thing with him. Then I lied to Jeff and told him I could sing, and he believed me. It was that whole story of how we were driving to Lollapolooza, and Jeff asked me if I could scream, and I said yes.”
Aimee would reveal that 250 men auditioned for the vocalist spot in human waste project and she kept asking the guys to give her a shot,, but it fell on deaf ears. The band soon realized they couldn’t find the right guy so they let her audition and she got the job. . Her experience singing up until this point involved doing background vocals for other groups. Echo would admit she gravitated more towards male vocalists trying to copy their style, because she wasn’t a fan of female singers who did as she referred to ‘The girlie thing’. She would however make two exceptions for female vocalists citing Siouxie Sioux and PJ Harvey as a big influence on her.
According to kerrang, Echo was actually a straight-A student in university who dropped out to front human waste project., She eventually became a licensed body piercer to overcome her fear of needles. She was even interviewed by the LA Times in 1994 in an article about the risk associated with body piercings.
Human Waste Project’s influences were wide ranging including The Cure, Tool, Portishead, Siouxie and the Banchies, Public Enemy, The Clash, Tom Waits, Sepultura, Slayer, and Soul Coughing. They would refer to their sound as 'Professional Murder Music' As for their name. While many including myself first thought of the toilet, it goes deeper than that. Schartoff would tell the herald newspaper “if you watch the news and really analyze it, it’s bad news.That’s basically what the name is about” Aimee would draw frequent comparison to
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#thrashmetal #metallica #megadeth #anthrax
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#paramore #hayleywilliams
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🎸 Dive into the vibrant history of Paramore, the powerhouse band that emerged from humble beginnings to become a global musical sensation! 🌟
Founded in 2004 in Franklin, Tennessee, Paramore began as a small garage band with lead vocalist Hayley Williams, guitarist Josh Farro, drummer Zac Farro, bassist Jeremy Davis, and guitarist Jason Bynum. Their infectious energy and unique sound quickly gained attention in the local music scene.
Paramore's debut album, "All We Know Is Falling," marked their entry into the mainstream in 2005. The album showcased their dynamic mix of pop-punk and alternative rock, with hits like "Pressure" and "Emergency," laying the foundation for their future success.
Facing the departure of members Jason Bynum and Jeremy Davis, Paramore demonstrated resilience with the release of "Riot!" in 2007. The album featured the chart-topping single "Misery Business," solidifying their status as a force to be reckoned with in the music industry.
"Brand New Eyes" showcased Paramore's growth as musicians, with Hayley Williams's powerful vocals leading the way. Hits like "Ignorance" and "The Only Exception" brought critical acclaim and a more mature sound to their repertoire.
The self-titled album "Paramore" marked a new era for the band, featuring a synth-pop and new wave influence. The Grammy-winning single "Ain't It Fun" became their highest-charting song, solidifying Paramore's place in the pop-rock genre.
"After Laughter" showcased Paramore's willingness to experiment with their sound, incorporating elements of new wave and synth-pop. The album's lead single, "Hard Times," brought a fresh and vibrant energy to their discography.
Paramore's legacy continues to thrive, with the band navigating changes and evolving while remaining true to their roots. As of 2021, the group is actively pursuing solo projects, leaving fans eagerly anticipating their next collective endeavor.
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#newyork #nyc #cbgb
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#snot #lynnstrait
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Explore the captivating journey of the band Snot, a group that defied the nu-metal label, carving a niche as a rock band with a punk heart. Formed in 1994, founder Mikey Doling, influenced by funk-punk, joined forces with frontman Lynn Strait, a charismatic yet complicated personality. With diverse influences ranging from metal to punk, Snot quickly rose from Santa Barbara to the LA scene, earning respect and facing challenges.
Discover the band's unique camaraderie, fueled by Lynn's complex character and his run-ins with the law. Lynn's raw vocals and the band's fusion of funk, punk, and metal set them apart, creating a genre they dubbed "Americore." Snot's rapid ascent led to a record deal with Geffen Records, releasing their only studio album, "Get Some," in 1997.
Despite facing challenges, including a controversial incident at Ozzfest, tragedy struck in 1998 when Lynn Strait lost his life in a car accident. The surviving members coped by creating a tribute album titled "Strait Up," featuring collaborations with artists like Serj Tankian, Corey Taylor, and Jonathan Davis. The band disbanded, leaving fans to wonder about their untapped potential.
Learn about Snot's post-tragedy endeavors, including a brief reunion with new vocalists, a live album titled "Alive!" in 2002, and recent announcements of a documentary about Lynn Strait. Join us as we delve into the highs, lows, and the enduring legacy of Snot, a band that left an indelible mark on the nu-metal era.
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#sonicreducer #deadboys
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In the mid-70s, Dead Boys emerged as pioneers in the first wave of punk rock alongside acts like the Ramones. Playing regularly at CBGB, a legendary New York venue, they contributed to shaping the independent music scene. Despite their initial impact, Dead Boys gained notoriety for being one of the most self-destructive and violent bands of their time. However, their story takes an unexpected turn when, almost two decades later, they find recognition through a popular band paying homage to their music.
Originating in Cleveland, Ohio, the band's roots can be traced back to Rocket From The Tombs, formed in 1974. The lineup evolved over time, leading to the recruitment of key members like Peter Laughner, Cheetah Chrome, and Johnny Blitz. After a gig at the Berea Community Center, Stiv Bators joined them on stage, setting the stage for the formation of Dead Boys.
The band's relocation to New York City, supported by Joey Ramone, marked a new chapter. The decision to adopt the name "Dead Boys" was a spontaneous one, and their gritty performances at CBGB soon gained attention. Despite a chaotic lifestyle and confrontations with other punk bands, Dead Boys secured a deal with Sire Records, a subsidiary of Warner Bros. Records, in March 1977. Their debut album, "Young, Loud and Snotty," received critical acclaim, even though it faced commercial challenges.
The band's live performances were known for Stiv Bators' outrageous antics, influenced by Iggy Pop, including crawling through drum kits and inflicting harm on himself. Their shows also attracted rowdy crowds and gained notoriety for explicit lyrics. Despite these controversies, Dead Boys continued to gain popularity and toured with Iggy Pop.
However, their sophomore album, "We Have Come For Your Children," faced challenges during production, leading to creative conflicts with producer Felix Pappalardi. Released in 1978, it received mixed reviews and poor sales. The decline continued as internal tensions grew, exacerbated by Johnny Blitz's stabbing and Cheetah Chrome's struggles with heroin.
Sire Records terminated their tour, leading to the eventual disbandment of Dead Boys. Stiv Bators formed Lords of the New Church, while other members pursued different projects. The band briefly reunited in 1987, experiencing both success and internal conflicts. Stiv Bators suffered a traumatic brain injury in 1990 and tragically passed away.
In 1993, Guns N' Roses covered Dead Boys' "Ain't It Fun," giving the band renewed recognition. The surviving members sporadically reunited for tributes and eventually reformed in 2017 with a new vocalist, Jake Hout. They released a re-recorded version of their debut album in 2017, celebrating its 40th anniversary. Dead Boys remain active, with plans for a tour in September and October.
0:00 - Early Years/Independent Records
6:00 - Signing to Atlantic/First Album
8:30 - POD & Religiion
11:15 - Satellite
15:33 - Butting Heads With Religious Groups
17:00 - Later Part of Career
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#pod #sonnysandoval #satellite
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P.O.D. (Payable on Death) achieved remarkable success, defying expectations as a Christian rock band during the nu-metal era. Emerging from San Diego in 1992, the multiracial group faced both success and challenges. Sonny Sandoval, the vocalist, joined the band after his mother's conversion to Christianity, finding solace in her faith during her battle with leukemia. Wuv's father, who formed Rescue Records, became their manager, reflecting the band's close ties to Christianity.
In their early days, P.O.D. faced skepticism from Christians and skinhead audiences due to their overtly religious lyrics. The band, however, evolved, garnering attention and opening for Cypress Hill, Green Day, and Mighty Mighty Bosstones in San Diego. Their lineup changed in 1994, and they independently released "Snuff the Punk" and "Brown," gaining popularity.
The turning point came when Atlantic Records signed them, leading to their major-label debut, "The Fundamental Elements of Southtown," in 1999. The album, produced by Howard Benson, featured hits like "Southtown" and "Rock the Party," blending rock, hip-hop, and spiritual elements. P.O.D. successfully crossed into mainstream music, touring with Korn, Primus, and headlining their own shows.
In 2001, P.O.D. released "Satellite," coinciding with the 9/11 attacks. The song "Alive" became a symbol of hope, resonating with listeners. "Youth of a Nation" addressed the tragedy of school shootings. Despite mainstream success, P.O.D. resisted the Christian label, emphasizing their music's positive message.
The self-titled album in 2003 marked a change, featuring guitarist Jason Truby. The album's cover sparked controversy, but P.O.D. advocated boycotting stores refusing to carry it. The band faced label issues amid Atlantic's shakeup, impacting their negotiations despite prior success.
In 2006, P.O.D. collaborated with producer Glen Ballard and featured Katy Perry on "Goodbye for Now." The album "Testify" went gold, but tensions with Atlantic led to the band's departure. P.O.D. released "When Angels and Serpents Dance" in 2008, marking the return of original guitarist Marcos Curiel.
Throughout the 2010s, P.O.D. continued releasing albums, including "Murdered Love" in 2012, which sparked controversy over explicit language. They explored diverse sounds in "Circles" (2018), collaborating with Heavy. The band's commitment to positive messaging and connection with fans remained consistent, reflecting in their charitable endeavors and outreach.
As P.O.D. approaches their new album, "Veritas," set to release this year, they continue evolving while staying true to their roots. The band's resilience, diverse influences, and dedication to delivering a positive message have solidified their enduring impact on the music scene.
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#filter #takeapicture #richardpatrick
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Filter ‘Take a Picture’
Prior to forming the band Filter in the early 90’s Richard Patrick would play guitar in the band Nine Inch Nails. While Trent Reznor would lead the band, Patrick would play on their debut album, appear in their early music videos and tour with the band over the course of 4 years from 1989 to 1993. After leaving Nine Inch Nails Patrick would go to form Filter and while they would have a good deal in the success in the 90’s they hit some turbulent times. Those turbulent times would inspire the band’s biggest hit ‘Take a Picture.’ Let’s explore the history of the song in today’s video. .
Living in Cleveland in the 80’s Richard Patrick become a member of the city’s music scene playing in a nu-wave band called The Act. He would soon have a chance meeting with another local musician named Trent Reznor at a music store who was playing a new wave pop act called Exotic Birds. Reznor would soon start his own band forming Nine Inch Nails and nabbed a deal with TVT Records who put out the band’s debut record Pretty Hate Machine in 1989. Patrick would join Nine Inch Nails make a brief appearance on the record on the track Sanctified and toured with the band staying with the group until 1993. Despite being part of a multiplatinum band, Patrick was dirt poor making $400 a month as a hired hand. It was at this point he had come up with a 4 song demo and left the band and soon signed his own recording contract with Atlantic owned Reprise Records taking Nine Inch Nails programmer Brian Leisgang with him.
In 1995 Filter would release their debut album Short Bus that would go platinum thanks to the single Hey Man Nice Shot. Four years would go by until the band released their follow up, 1999’s Title of Record. The long time between releases was attributed to a few factors.
Brian Leisgang left the group around 1997 after creative differences with Patrick
Drummer Matt Walker left and joined the smashing pumpkins to replace fired drummer Jimmy Chamberlin
Richard Patrick had spent a good deal of time building his own studio.
By Patrick’s own admission he wanted to always be in a band and not just have a group of hired hands. He would tell Spin ‘the only person talking to me was my girlfriend. I got so unbelievably depressed.” His first true love according to the magazine soon broke up with him. It would result in the track i’m not the only one. Touring members ,s guitarist Geno Lenardo, bassist Frank Cavanagh would take a bigger role in songwriting for the band’s second album named- Title of Record.
With Title of Record Filter didn’t want to repeat the sound of the band’s first album with frontman richard patrick telling billboard We had to goals in mind - make something for the fans and make something we are proud of. Something that shows our growth. Short-bus was a tall punk rock black record but it’s very early 20’s and juvenile sounding. ‘Title’ takes people to a new place with a ton of hills and valleys. The album would feature of course more electronic music, bombastic, acoustic and 70’s era sounding songs.
The lyrics on the group’s second album also took on a more serious tone with Patrick telling billboard “i think i took lyrics more seriously this time around as well. A lot of them are based on everyday things that happened in my life like breaking up with a girlfriend, getting angry or feeling like i’ve lost control of my life.I am the mouthpiece of this band and I’m always trying to answer the questions I have about life.
Title of Record would be another success thanks to the single Take a Picture which became Filter’s biggest hit to date peaking at number 12 on the billboard hot 100 charts. The album also produced another hit in welcome to the fold resulting in the album going platinum. Lenardo would tell billboard about the band’ s change in sound on the second album saying ‘everybody was expecting another hey man nice shot and we went in the complete opposite direction…some people probably felt alienated and they shouldn’t a good song is a good song. It doesn’t matter if we play it harder or softer or use distortion or not.
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#michaeljackson #bonjovi #bubbles
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In 1987 two of the biggest musical acts in different genre’s would cross paths and almost performed together on stage.
In 1987 Bon Jovi was on tour for their third record, 1986’s Slippery When Wet. The album came out in August of 86 and nearly a year later in September, the band was booked to play seven consecutive nights at the budoken in japan from September 24 to the 30th. The arena held between 15-20K people. Slippery When Wet was a record that catapulted the band into the stratosphere going diamond in the states, selling over 12 million copies. Just for comparison, the band’s previous album sold a million copies During their tour, the bon jovi happened to be staying at the same hotel as , the king of pop Michael Jackson. Jackson was in town to play a three nights at a nearby stadium to over 135,000 fans. Jackson’s party occupied the top floor, while Bon Jovi were staying one floor below.
Bon Jovi had just finished up a tour of Australia where they had to don disguises to get away from screaming fans and the press. Unbeknownst to them at the time, Jackson had to deal with the same issues dating back to his Jackson 5 days.
Bon Jovi’s members would receive a call from Jackson’s manager during the day of September 24th asking if the band wanted to meet the king of pop, which they gladly accepted. Jon Bon Jovi would recall upon entering Jackson’s suite “The room had been ripped to shreds and redecorated,” “They put up mirrors against the wall so [Jackson] could practice his dancing, and a wooden dance floor in there. And they took over a wing of this hotel. Needless to say, spending money was not really an issue.”
Upon entering Jackson’s suite, the king of pop wasn’t there, so the band opted to sit and wait for him to show up. Jackson would finally enter all decked out in his bad tour wardrobe. Jon would recall “When he entered the room, your eyes sort of had to focus again,” ”.
The members made some small talk with Jackson who they tried to convince to come party with them, but he opted to stay in his suite, rest his voice and practice his dancing for the upcoming show. That’s how focused michael jackson was. It’s been insinuated by loudersond that at some point during the conversation the musicians talked abou playing live with each other and jackson supposedly was supposed to join bon jovi on stage at their final song of their last budokan date on September 30th
Jackson had no show that day so the timing seemed perfect. So the day of Bon Jovi’s final show came on the 30th and an hour before show time Bon Jovi’s camp got word that Jackson would not be joining the group on stage. Now this is where there’s two version of events.. There’s two versions of this story that have been told. One is based on the book Michael Jackson, Inc: The Rise, Fall and Rebirth of a Billion-Dollar Empire from June 2014).
As the band headed down to continue their party at a nearby venue, they were surprised when Jackson’s chimpanzee bubbles showed up in a limo and reportedly even danced at the party and shared a drink with the members of the band.
Bubbles would be born in 1983 in Texas at an animal research festival that bred primates to do testing on them. It’s not exactly clear how Jackson got the chimpanzee but it’s speculated he paid for him when he was eight months old.
Bon jovi would remember what happened next stating “We proceeded to get very drunk, have a bunch of water fights, knock on doors, typical classic rock star things to do in the eighties,” “And [we] blamed it all on Bubbles.”
Then there’s a slightly different story. This one is based on the 2003 book Star Man: The Right Hand Man of Rock 'n' Roll. The book was written by Bon Jovi's then head of security and rock writer paul elliott. .
Upon learning that jackson wouldn’t be making the september 30th concert the members were a little annoyed, so they concocted a plan to get back at Jackson. There would be an afterparty for the band at the Lexington Q
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#bigwreck #ianthornley
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In this YouTube video, we embark on a fascinating exploration of the history of Big Wreck, the Canadian-American rock band that emerged from Berklee College of Music in 1992. The group, comprising guitarist/vocalist Ian Thornley, guitarist Brian Doherty, bassist Dave Henning, and drummer Forrest Williams, had diverse musical influences that shaped their distinctive sound.
Thornley's upbringing in Toronto exposed him to folk and blues music, influencing his gravitation towards melodies. His early interest in Led Zeppelin's folkier side and harmonies of groups like Supertramp laid the foundation for Big Wreck's unique musical blend. Thornley's classical piano background and a brief detour into basketball added further dimensions to his musical journey.
The quartet met at Berklee, where Thornley's penchant for noise infractions led to dorm-hopping and eventual collaboration with his future bandmates. Their focus on groove over technical chops defined their approach to music. Leaving Berklee, they became full-time musicians and adopted the name Big Wreck, though its origin remains unclear.
The band's eclectic influences, ranging from metal to jazz, southern rock to Supertramp, made categorizing their sound challenging. Often labeled as post-grunge, proto-progressive, or progressive, they drew comparisons to diverse acts like Soundgarden, The Who, Collective Soul, and more.
Big Wreck faced a challenging start, playing countless gigs, selling tapes, and enduring numerous rejections from record labels. A three-year touring stint across Canada and the eastern U.S. laid the foundation for their debut album.
Their breakthrough came unexpectedly when, attempting to cross the border, they faced complications due to Thornley's expired visa. Stranded in Toronto, Thornley shopped the band's demo, catching the interest of Management Trust, the same company managing The Tragically Hip. This connection opened doors, leading to a recording deal with Atlantic.
The band's debut album, "In Loving Memory of…" (1997), produced by Joseph Puig, featured tracks like "The Oaf" and "That Song." The former, created in a spontaneous jam session, became a significant hit. Despite success in Canada, the album struggled in the U.S., echoing the pattern seen with The Tragically Hip.
The video explores the band's challenges, influences, and the dynamics of their success. Thornley's outspokenness on the state of rock music in the 2000s and his relationship with MuchMusic personality Rebecca Rankin add personal dimensions to the narrative.
The story takes a turn with the band's second album, "The Pleasure and the Greed" (2001), marked by experimentation and challenges in an evolving music landscape. The video covers the dynamics within the band, their perspectives on commercial success, and the changing industry landscape.
Big Wreck's breakup in 2002, attributed to various pressures, internal issues, and external factors, sets the stage for Thornley's solo career. The video delves into Thornley's solo albums and his audition for Velvet Revolver, providing insights into his musical journey during the band's hiatus.
The narrative takes an unexpected twist with Big Wreck's reunion in 2010, driven by Thornley and Doherty reconnecting. The video highlights their third album, "Albatross" (2012), and subsequent releases, as well as the tragic passing of guitarist Brian Doherty in 2019 due to lung cancer.
The exploration of Big Wreck's journey serves as a testament to the band's resilience, evolving sound, and enduring impact on the Canadian rock scene. The video encapsulates the highs, lows, and the enduring spirit of a band that continues to shape the landscape of rock music.
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#boysofsummer #theataris #donhenley
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The Ataris, known for hits like "Boys of Summer" and "So Long, Astoria," have a tumultuous history. Originating in Anderson, Indiana, the band's classic lineup dissolved, leaving only frontman Kris Roe. Kris, a high school dropout, immersed himself in music, drawing inspiration from his father's eclectic taste. The band's break came when their demo caught the attention of Joe Escalante from Kung Fu Records, leading to their debut album, "Anywhere but Here."
Relocating to Santa Barbara, The Ataris faced challenges, with Kris even experiencing homelessness. The lineup changed, but they continued touring and gained traction with albums like "Blue Skies, Broken Hearts, Next 12 Exits" and "End is Forever." Despite indie success, they signed with Columbia Records for "So Long, Astoria," inspired by Richard Hell's book, "Go Now." The album featured the chart-topping cover of "Boys of Summer."
Their major-label journey brought complications, including lineup changes and artistic compromises. Post-"So Long, Astoria," internal conflicts and label issues led to departures, impacting the band's dynamic. Kris Roe's divorce and anxiety further strained the situation. The band left Columbia, releasing "Welcome the Night" independently on Sanctuary Records, which unfortunately flopped.
Facing uncertainty, the band saw member changes, a reunion tour, and eventually, Kris Roe remained as the sole original member. The Ataris transformed into a solo project, touring with varying lineups. In 2012, a video surfaced of Kris attacking the drummer during a show, citing alcohol as the cause.
Despite internal tensions, the band occasionally reunited, notably in 2023 for two shows. However, ex-member John Collura criticized the ongoing use of The Ataris' name as a "brand," urging Kris to pursue solo work. Collura shifted to a consultant role and owns a recording studio. Mike Davenport, another ex-member, faced legal troubles in 2018, charged with fraud related to his telemarketing company.
Kris Roe, still under The Ataris, faced numerous near-death experiences, including surviving, pneumonia, and a high-speed chase. The band marked the 20th anniversary of "So Long, Astoria" with two reunion shows in 2023, showcasing a complex journey of success, internal conflicts, legal issues, and personal struggles.
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#canada #bigshinytunes #muchmusic
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Today’s video is a suggestion from one of my Canadian subs and it’s a trip down memory lane for myself and I’m sure some of you too..Today we’re going to talk about the most successful album compilation series in Canadian history. It was so successful, that if you are Canadian or lived in Canada and listened to music between 1996 and 2009 you probably took part in this cultural phenomenon.It was so popular there’s even a book written about it, and it’s cultural significance in Canada. Today, let’s talk about the rise and fall of Big Shiny Tunes.
Rather than having mtv when we were kids in Canada, we had our own version, much music. Much is still around, but it’s a sad shell of it’s former self much like mtv. Starting in 1996 Much Music would compile the year’s biggest rock hits into a compilation album that would be released right before Christmas as the perfect stocking stuffer. It was called big shiny tunes.. It was usually labeled in the press as being an album of alternative hits, but I think that’s a mischaracterization, it was really the year’s most popular rock songs - spanning multiple genres from whatever was poplar at the time, nu-metal, pop rock, punk, emo, post-hardcore and so forth
I first heard of Big Shiny tunes when I was in grade 6 that was the year big shiny tunes 2 came out. I grew up in small town Alberta for most of my life and in the lead up to pretty much every christmas my friends always talked about wanting the latest edition of Big Shiny Tunes. This is the commercial for the very first big shiny tunes from 1996.
What made Big Shiny Tunes culturally Canadian was that it would have your usual hits from American and British artists, but it also featured Canadian artists, some established and some who weren’t. To a lot of Canadians it made it seem like their own artists were on the same playing field as the likes of Radiohead, Marilyn Manson, Bush and No Doubt.
Author Mark Teo would publish a book in 2018 titled Shine: How a MuchMusic Compilation Came to Define Canadian Alternative Music and Sell a Zillion Copies. He would write, "for the hundreds of thousands of people who owned the album, it was a snapshot of us."
The origin of big shiny tunes has several beginnings Vice had on take, while CBC had it’s own while several other newspapers had their slightly different versions. So let me summarize it for you. According to CBC the idea for big shiny tunes came from a yearly Canadian compilation album called Dance Mix that debuted in 1990. A label called Quality Recordings put out Dance Mix and they were an entertainment company that put out music on behalf of american labels in canada. It was in 1997 Quality teamed up with Much Music to release a similar annual dance compilation record called Muchdance that ran for many years.Just as a sidenote for my canadian subs, you might remember you could hire much music to come do a muchdance party at your work function or school.
Anyways, getting back to the story, Quality Recordings according to CBC approached Much Music in the mid 90’s to do a similar spin off for alternative rock music since the dance mix albums were such a commercial hit. So that’s where the idea of partnering with the big labels came up. Another story is that EMI Canada approached MuchMusic to do a compilation album based on the NOW compilations that were a big hit in the UK.
Vice’s retelling of big shiny tunes had a slightly different series of events, which dated back to 1993, three years before the first iteration of the series came out. It start with a lawyer named Chris Harrs who worked for Universal Music Canada. By 1993 compilation albums were nothing new to record labels. They dated back to the 70’s and perhaps no company was better known for putting out these types of albums than K-Tel who put out genre specific compilations. You might remember some of their commercials, i mean this one was my personal favourite that i ca
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#spacehog #inthemeantime #residentalien
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Spacehog -
Spacehog would be frequently labelled as a glam inspired band and they would emerge out of nowhere during the mid 90’s. Most people know them for one song - ‘In the meantime’. The song was prominently featured in the trailer and soundtrack for Guardians of the Galaxy 3 and the video games guitar hero 5 and rock band 3 as on disc tracks. Spacehog would tour with some of the biggest rock bands on the planet including Oasis, R.E.M., Pearl Jam, and Red Hot Chili Peppers in addition to releasing four studio albums. Despite all being from the UK, the members with the exception of the brothers never met there and didn’t have as much success back home, instead becoming bigger in America. It resulted in some in their home country of writing them off as an American band.. But like i’ve asked so many times on my channel. What happened to Spacehog?
The history of Spacehog begins with the Langdon brothers Antony and Royston. Antony is older. Both of them were raised in Leeds, in the UK. The brothers came from a musical family performing in church choir and playing in bands together. Their early musalical influences would include the beatles, David bowie, queen and, led zeppelin. Royston always had dreams of living a glamorous life something he chalked up to his mother who frequently bought vogue magazine. He’d see images of well dressed models getting out of expensive cars and they seemed more like the types of people favored cocktails over beer at the local pub. Couple this with growing up in the 70’s and Royston revelled in the atmosphere of gender bending and dressing androngynosluy , even admitting to sometimes wearing his mother’s makeup. He apparently even showed up on an 80’s tv show that was like a battle of the band’s format for his group the Raspberries.
Antony meanwhile was a restless spirit, soon leaving Leeds and he found himself living in Switzerland, Hong Kong and London before he followed his girlfriend to New York City by the early 90’s. That girlfriend would later dump him in 1994. Royston feeling bad for his brother opted to pay him a visit in new york to cheer him up. Royston at the time was playing in a band who was on the verge of getting a record label deal with a company called Rhythm King, but he wasn’t happy in the band and also hated the british music press. He would tell The Toronto Star “I was dreading all the small minded, students with angst-and acne kind of writing about us…You can be one of the NME darling bands and then six months later they’re slagging you off and printing funny pictures of you.” A few days prior to Royston arriving in New York Antony met drummer Johnny Cragg at an espresso bar, where the drummer worked as a barista and a rat killer. Cragg at the time was living with a friend sleeping on his floor and only came to America after being bored in England wanting to leave behind his partying and drug lifestyle. He’d also admit he also across the ocean in search of rock n’ roll, something he couldn’t find back home. The drummer was offered a job to clean a basement of an espresso bar, only to later learn it was rat infested. It turned out the espresso bar shared a basement with a pharmacy and the rats were nesting in old boxes of medicine, but it made his job easier as the rats were high on downers.
While working at the espresso bar in march of 1994, Cragg overheard someone talking in a leeds accent and that person happened to be Antony.. The two struck up a conversation and started jamming together and Royston showed up not long after. The seeds of Spacehog would be born. Royston would front the group and play bass, while his brother played guitar. Royston’s initialy plans were to just visit his brother for a a week or so but his plans changed. Royston had already written a number of songs for his old band and was enthralled by new york city so the timing felt perfect telling songfacts
I think New York's a great place for people that are curious. New York will always be a great place
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#poison #imposters #impersonator
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This story dates back to 2021, and involves a Poison and Motley Crue fan named Tina. But she wasn’t just any fan. She believed that she was actually friends with Motley Crue Bassist Nikii Sixx and engaged to Poison frontman Brett Michaels. The story starated with the rockstars allegedly reaching out to her on instagram and Tina would admit to Dr. Phil that she did initially question whether it was real or not. She would admit that the imposters sent her the drivers licenses of both nikki sixx and brett michaels. Tina would reveal to Dr. Phil her daughter and herself did a reverse image search online to see if the photos on the licenses had been used in scams before and they hadn’t so for her, it legitimized that she was talking to the real rockstars. Her friend, Vivian however, thought there were some mistakes on the drivers licenses but Tina didn’t agree. On top of that Vivian found it strange that none of the so called rockstars sent her flowers, flew her out, let alone even talked to her on the phone or video chatted.
Things would escalate to where Tina was texting back and forth pretty regularly people she thought were sixx and michaels, despite the fact she never met them in person or talked to them on video chat. Tina had claimed she texted with nikki sixx everyday for six months.
As to why she didn’t talk on video chat or meet either rockstars in person she would tell Dr. Phil that both rockstars were heavily controlled by their management and that their phone cameras weren’t working. There were a few odd times where she claimed to have video chatted for a few seconds, but the quality was pretty bad. Things got even more bizarre, when Tina would tell Dr. Phil, that soon enough Sixx and Michaels were fighting over her. Here’s some snippets of her appearing on dr. phil’s show.
The story took an even crazier turn when Tina admitted she was talking to up to 3 people pretending to be brett michaels. She would still insist one of them was the real brett michaels but none of this seemed like a red flag that she was being duped.
As you can probably imagine, she was a victim of catfishing.. For those who aren’t familiar with the term it’s when people impersonate someone online usually celebrities to get people to send them money or their own personal information. Tina would admit to sending money to both brett michaels and nikki sixx.
Tina would appear on Dr. Phil’s show with one of her friends who knew she was being scammed the whole time, but of course she never listened to her friend.. Dr. Phil would poke holes in Tina’s so called relationship with the rockstars with the real Nikki Sixx and brett michaels also appearing on the show. Nikki Sixx would appear via video chat with his wife telling Dr. Phil and Tina.
"The first time I heard about this was when we talked about it. We wanted to come on together and let you know that whoever you're talking to is not me, and I'm sorry that this is happening to you. Watching the show and how Dr. Phil is trying to break it all down for you, it's heartbreaking for us. It's not fun, it's cruel and you seem like a very nice person. The internet's a tricky place. You have people pretending to be people all the time, and it's really sad when fans get sucked in.".
With the pandemic going on during this time Sixx promised to invite Tina to a meet and greet when Motley Crue’s planned stadium tour with Poison and Def Leppard was planned to resume. Poison frontman Brett Michaels wouldn’t appear live on the show, instead pre-taping a segment warning Tina about imposters. Michaels would tell Dr. Phil and Tina . “These imposters who are going after innocent people like Tina, who is on your show right now, and other people, they will not stop during this pandemic, People are vulnerable. I feel like people right now are isolated … and that is the perfect time for these scumbags, scammers, con artists and imposters to come after innocent people.” It wasn’t the first time michaels had to speak out against people impersonating him saying in a statement released a few weeks earlier
"To all my family, friends and fans, I just wanted to say please be aware of the epidemic going on during this pandemic," he said in the clip. "It is unbelievable
Cinderella Band History Video
youtu.be/r5f_rvBtoCs?si=ZJLxKPUcT3GGzPjs
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#cinderella #tomkeifer
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Okay guys, there has been someone asking me to do this video for a long long time. While normally I love doing subscriber requests, one of the most frustrating parts of this channel is not being able to find enough info to do topics I really want. So about a year or so ago i had someone request this topic. and by the way guys you can use the request form in the description box below to request topics.
One of my favourite topics I’ve done on my channel has been the MTV contests the network used to run in the 80’s and 90’s. I’ve done a number of stories on mtv contests you guys can check out. This particular request was for the band Cinderella’s contest they did with MTV to promote their second album 1989’s Long Cold Winter. I had a promo for the contest, but i couldn’t find any info on who the winner was and what happened afterwards, well I finally have that info so let’s get to it.
Cinderella would emerge on the scene in the mid 80’s and hail from the east coast scene that saw bands play philly and New Jersey. Led by guitarist and frontman Tom Keifer, the band would be made up of bassist Eric Brittingham, guitarist Jeff Labar and drummer Fred Coury.The band would release their debut record Night Songs in 1986. The album was a huge success selling 3 million copies and according to the LA Times it was the biggest debut record for a band since Boston’s debut record came out ten years prior in 1976. As Cinderella turned their attention to their second record, there was a lot of pressure to repeat the same success. Tom Keifer for his part hadn’t really traveled much outside of Jersey and Philly, but being part of a successful touring rock act playing all over the world changed that. It was his experience on the road that influenced his songwriting. The resulting album would be 1989’s Long Cold Winter which was another big success selling 3 million copies. Back when people used to buy albums, it was common for bands and labels to team up with mtv to run contests and cinderella did just that with their second release. Titled the ‘escpae the long cold winter contest with cinderella’ the band would give one winner the chance to see them in concert and take a vacation with the band in hawaii. Here’s the promo mtv ran for the contest.
As part of the contest the band also teamed up with headbangers ball to show a lot of the behind the scenes of what happenes on tour. They’d show the tour bus, some rehearsals and just hang out backstage. So let’s get to the winner and contest details. Well, the contest saw 50,000 entries with the winner being a 22 year old woman named Denise Cook who was from Merced, California Cook sent one post card to MTV and won a 4 night, 3 day vacation to hawaii. She would be interviewed by the merced sun star “i couldn’t believe it. I love the band. I’m in love with the drummer.’ She would add in the same interview she was a hardcore MTV fan watching the network 2-3 hours a day. Since she was allowed one guest, She would take her 20 year old sister Sherri to hawaii with her.


