Asphyx - Incoming Death 12 Vinyl Rip (33⅓ RPM) Alexis Gonzáles 2016-10-02 | http://www.centurymedia.com/release.aspx?IdRelease=1958Official music video:— "Forerunners of the Apocalypse"Recording information:Drums and vocals recorded in Tom Meier Studio.Guitars and bass engineering at the Mörser Studio.Mixed and mastered at Unisound in Örebro, Sweden.Tracklist:01. Candiru02. Division Brandenburg03. Wardroid04. The Feeder05. It Came from the Skies06. The Grand Denial07. Incoming Death08. Forerunners of the Apocalypse09. Subterra Incognita10. Wildland Fire11. Death: The Only Immortal
Cannibal Corpse - Dismembering Dallas 1993 (2LP-Bootleg) (2016) [24bit/48KHz FLAC] Alexis Gonzáles 2017-11-14 | RELEASE iNFOARTiST....: Cannibal CorpseALBUM.....: Dismembering Dallas 1993YEAR......: 2016SOURCE....: 2LPTRACKS....: 13PLAYTiME..: 59:01GENRE.....: Death MetalLABEL.....: Reek Of Death RecordsCAT.N.....: RODR005RiP iNFODATE......: 05.11.2017GRABBER...: n/a READ.MODE.: n/aENCODER...: FLAC 1.3.2 -6 (libFLAC 20170101)BiTRATE...: 1824kbpsQUALiTY...: 24bit/48KHz/StereoTRACK LiSTA1. Buried In The BackyardA2. Vomit The SoulA3. Put Them To DeathB1. Hammer Smashed FaceB2. The Cryptic StenchB3. Meat Hook SodomyC1. Edible AutopsyC2. Entrails Ripped From A Virgins CuntC3. Shredded HumansD1. I Cum BloodD2. Covered With SoresD3. Innards DecayD4. Addicted To Vaginal Skin
Aborted Fetus - The Arte Of Violent Torture FULL ALBUM Alexis Gonzáles 2017-05-02 | YOU CAN BUY IT HERE:http://www.comatosemusic.com/store
SACRILEGE – “Behind The Realms Of Madness” (1985) Alexis Gonzáles 2017-04-07 | I feel a bit troglodytic even mentioning that Sacrilege is fronted by a woman - let alone talking about it straight away. I can just imagine your eyebrow raising at a sardonic angle, tacitly saying "Tanuki, you mossback weeaboo, what does it matter if Sacrilege is fronted by a woman? Their debut LP Behind the Realms of Madness would be an amazing example of thrash/crust either way!" Except, I'm not so sure about that.Behind the Realms of Madness seems to have begun as an experiment in pragmatism. Six tracks amounting to a very brisk twenty-six minutes all feature a formulaic approach of unremitting riffs that hit harder - not necessarily stronger. Oppressively swampy and humid, these riffs forsake elegance for raw, crushing power. What's something of a double-edged sword is their propensity to make the most of very little. 'At Death's Door' is a five minute slugfest boasting perhaps only three or four unique riffs. But what seems repetitive on paper proves to be a constantly engaging essay. Why?I'm glad you asked, Chekhov. It's because exquisite vocalist Tam Simpson delivers a barrage of such gritty, resolute shouts; fresh, original, and unburdened by modesty. While 'Shadow from Mordor' demonstrates the greatest degree of both riff and solo intricacy, it's Simpson's vocals tying the entire package together. Her ferocity is a welcome step-up from Chastain's Leather Leone, as well as a welcome step-down from Znöwhite's Nicole Lee. To resume my earlier conversation with your eyebrow, I don't think Sacrilege would enjoy the same cult status it has now, had it not been for the tremendous vocals of Tam Simpson.Though, that's not to say her fellow bandmembers aren't pulling their weight. Original drummer Andy Baker supplies rhythms that are satisfyingly consistent and dependable, with breakdowns frequent and accentuating of the guitar's violent toiling. 'Out of Sight, Out of Mind' asks the most out of him, with fast blastbeats and sudden breakdowns. Original bassist Tony May, for how audible he can hope to be in this muddy, lo-fi environment, contributes to the depth of these tracks well enough.Though these two batons were recently passed to Spikey T. Smith and Frank Healey, respectively. Among the many goodies included with the recent reissue of Behind the Realms of Madness are Sacrileges' two most recent recordings, 'Feed' and 'Dig Your Own Grave'. Although the former is more in keeping with the slower-paced doom direction the band took with Turn Back Trilobite, the latter is startlingly committed to their earlier style, following their winning formula almost verbatim. And though the live and demo tracks plumb new depths of sordidness I thought were explored by the LP tracks, they're still well-worth a listen. If you're interested in obscure, quality thrash from the 80's - especially those with frontwomen - this classic demands a place in your collection.Standout tracks:Flight of the Nazgul (1986 Demo), At Death's DoorRelated listening:Blessed Death - Destined for ExtinctionBattlefield - We Come to FightBeware the Sacrilege! - 89%Tanuki, February 23rd, 2017 Written based on this version: 2015, Digital, Relapse Records (Remastered)http://www.metal-archives.com
(V.A.) — 1989 — Speed kills - Vol. 4 - … But who´s dying? Alexis Gonzáles 2017-01-16 | Exodus (6) ParasiteProducer – Marc Senesac*Producer, Written By – Exodus (6)4:40A2 –Re-Animator (7) Deny RealityProducer – Colin Richardson, Re-Animator (7)4:49A3 –Apocalypse (6) CemetaryProducer – Apocalypse (6)Written-By – Domenjoz*, Sprenger*, Schneider*, Brocher*, Zurcher*4:41A4 –Blind Illusion BloodshowerProducer, Written-By – Marc Biedermann3:50B1 –Acid Reign (2) Life In FormsProducer – Unkle Bastard*Written-By – Acid Reign (2)5:27B2 –Death (2) Open CasketProducer – Dan JohnsonWritten-By – Schuldiner*, Rozz*4:38B3 –Holy Terror No ResurrectionProducer – Kurt KilfeltWritten-By – Deen*, Kilfelt*4:02B4 –Bathory For All Those Who DiedProducer – Boss (2)Written-By, Producer – Quorthon4:55C1 –Nuclear Assault WiredProducer – Randy BurnsWritten-By – Connelly*3:03C2 –Agony* Execution Of MankindWritten-By, Producer – Agony*7:32C3 –Hexx (2) Mirror Of The PastWritten-By, Producer – Hexx (2)3:23C4 –Exodus (6) OverdoseProducer – Gary Holt, Marc Senesac*, Rick HunoltWritten-By – A. Young*, B. Scott*, M. Young*5:29D1 –Forbidden (3) Chalice Of BloodProducer – Doug Caldwell, John CunibertiWritten-By – Flynn*, Anderson*4:32D2 –Possessed Storm In My MindProducer – Joe SatrianiWritten-By – Becerra*, Torrao*4:21D3 –Dark Angel (3) The Death Of InnocenceProducer – Dark Angel (3)Written-By – Gene Hoglan, Jim Durkin3:47D4 –Acid Reign (2) Suspended SentenceProducer – Unkle Bastard*Written-By – Acid Reign (2)
Mortem - Deinós Nekrómantis 2016 FULL ALBUM HQ Alexis Gonzáles 2017-01-06 | October 13th, 2016Iron Pegasus Records
Brocas Helm - Defender Of The Crown (2004) Alexis Gonzáles 2016-11-11 | Brocas Helm:Jim Schumacher - Bass Jack Hays - Drums Bobbie Wright - Vocals/Guitars 1. Cry of the Banshee 04:18 2. Defender of the Crown 03:14 3. Skullfucker 03:11 4. Drink and Drive 02:46 5. Blood Machine 02:56 6. Preludious 00:29 instrumental7. Ghost Story 03:29 8. Helm's Deep 03:29 9. Juggernaut 03:01 10. Time of the Dark 05:45 11. War Toons 03:32 12. Never Kissed Goodbye 04:34 13. Persian Gulf 02:58 instrumental14. Children of the Nova Dawn * 05:1315. Drink the Blood of the Priest 05:52 [Bonus]* "Children of the Nova Dawn" is the very first song ever written by Brocas Helm, now finally recorded.
Satans Revenge (1985) Alexis Gonzáles 2016-11-10 | A1 –Axehammer - AxehammerA2 –Cerebus - Fight The Beast A3 –Heavy Chainzz - Fighting With Satan A4 –Artillery - Deeds Of Darkness A5 –Desecration - Halloween B1 –NME - Of Hell B2 –Snakebite - Shadows Of The Night B3 –Hammerhead* - Masters Of Frustration B4 –Monolith - Night Of Outrage B5 –Saintly Sinner - The Beast B6 –Desecration - Death's Revenge
Satans Revenge Part II (1988) HD Alexis Gonzáles 2016-11-09 | Side A:1. THE UNSANE - Necromanic ForcesFast, dirty & rabid Deathrash with little identity but it works well enough as an opening song. Sounds like the same version of the song "Necronomic Forces" on their MLP.2. RIPPING CORPSE - The UnblessedReally powerful, fast Thrash Metal that had a later demo vinylized by CCG Underground Records.3. TEMPTER - Death Is For BurningGreat brutal Thrash hashing out Infernal Majesty-like minor scale riff-orgies at Sadus-pace. The Aurora IL band, not to be confused w/ the Florida-TEMPTER on Speed Metal Hell II.4. DAMIEN - Final DayThe Swedish "Requiem For The Dead" MLP band. Great Thrash riffing craftmanship loosing some of its potential thanx to constipated vox.5. SACRED DEATH - No LifeThe New Jersey band. The bass guitar is even higher in the mix than on those early Cryptic Slaugher albums and it doesn't do their otherwise decent Thrash any favours. The Evil Dead-movie vocal effect is kinda cool though.6. ANGKOR WATT - Died YoungOne of the US' best crossover acts, but this demo version of the song turned out a whole lot better on their debut LP. Side B:1. NECROVORE - Slaughtered RemainsDowntuned, BRUTAL stuff that came do define the style we now know as Death Metal. Still lacking that unique X-factor that allowed other bands of the genre to go further, imo. Bootlegged a number of times but not yet officially rereleased to my knowledge.2. DARKNESS - ArmageddonAs evil'n'wicked as Speed Metal could possibly get without getting labeled Thrash. Later featured in "The Demos" 3LP boxset on High Roller Records.3. SEVERE WARNING - It's Not Easy To Be The AntichristOccationally a rather original blend of US PowerThrash with proto-DM breaks.4. MORBID ANGEL - Thy Kingdom ComeA textbook-example of how a groundbreaking, highly original and ahead-of-their-time band got to spread their first, unique sounds to the masses via a semi-obscure vinyl compilation. Same version as found on their debut 7".5. VACANT GRAVE - Eternal NightmareUltrafast, brutal start/stop Thrash with one or 2 too crossover-sounding parts to be labeled proto-DM. Also featured on a very rare private 7".
Dehumanized - Beyond The Mind (2016) Alexis Gonzáles 2016-10-31 | Tracklist: 1. Worthless Prosperity 2. P.C.C.R. 3. Beyond The Mind 4. Black Market 2099 5. Abyss Ambassador 6. One North 7. The First Immortal 8. Last Words 9. Drawn By Blood 10. Telepathics 320 kbpsComatose Music Oct 28th, 2016.(((BUY THIS CD)))http://dehumanized.bigcartel.com/product/dehumanized-beyond-the-mind
Cattle Decapitation Making Of The Anthropocene Extinction Alexis Gonzáles 2016-08-28 | http://cattledecapitation.com
Behemoth - Making Of Evangelion Alexis Gonzáles 2016-07-26 | Evangelion is the ninth full-length album by Polish extreme metal band Behemoth. The album was released on August 7, 2009 through Nuclear Blast Records and on August 11, 2009, through Metal Blade Records in the USA.The album title refers to the Good News in Christianity; the message of Jesus Christ.“ Evangelion comes from a Greek word ‘Spreading the word of God’ or ‘spreading the good news’…oh well, you already know that we love to play with the meanings and symbolism. We’re here to show you our interpretation of what Evangelion really is. ”— Nergal[14]The album's cover artwork is a depiction of The Great Harlot of Babylon, the figuress of evil mentioned in the Book of Revelation in the Bible.“ The picture is of The Great Harlot of Babylon riding the seven-headed beast. Saints bow before her in worship whilst the tablets of the Ten Commandments lie broken at her feet. It represents our vision and the interpretation of the New Testament parable where the “Whore of Babylon” is a symbol of rebellion and resistance against God. ”— Nergal Recording and productionIn January 2009, the band was in the final stages of the songwriting and rehearsal process for the album. Behemoth entered Radio Gdańsk studio in Poland to begin work on the album on February 16, 2009. The band managed to tap Daniel Bergstrand (Meshuggah, In Flames, Dark Funeral) to produce drums on the record. Bergstrand used some unconventional techniques—a big room for the drums to create ambience and 22-channel recording for a more "organic and natural" sound.In March they were close to finish recording the guitars, with help from Wojciech and Sławomir Wiesławski from Studio Hertz. Within five days they completed three songs and laid down three rhythm guitars on each side, after which they worked on the bass, solos and vocals simultaneously.The band also managed to tap Colin Richardson to mix the album. The band had tried to book him before for their previous album, The Apostasy, but he wasn't available then.In early May, tracking was completed and on May 12 Nergal flew to the United Kingdom to join Colin Richardson to mix the record at Miloco Studios, London.[21] Also in May, Metal Hammer was given the opportunity to listen to three fully completed songs in Miloco Studios.[22] Nergal stated that this was the most relaxing and at the same time the most creative studio session he had ever been a part of.Track listingAll music composed by Nergal.No. Title Lyrics Length1. "Daimonos" Nergal 5:152. "Shemhamforash" Nergal 3:563. "Ov Fire and the Void" Nergal 4:274. "Transmigrating Beyond Realms ov Amenti" Krzysztof Azarewicz 3:275. "He Who Breeds Pestilence" Nergal 5:416. "The Seed ov I" Nergal, Krzysztof Azarewicz 4:587. "Alas, Lord Is Upon Me" Nergal 3:158. "Defiling Morality ov Black God" Nergal, Krzysztof Azarewicz 2:499. "Lucifer" Tadeusz Miciński 8:06Total length:41:54Japanese bonus trackNo. Title Lyrics Music Length10. "Total Invasion" (Killing Joke cover) Jaz Coleman Geordie Walker, Martin Glover, Andy Gill 7:22[show]Special edition DVDPersonnel[edit]BehemothAdam "Nergal" Darski – lead vocals, lead guitarTomasz "Orion" Wróblewski – bass guitar, samples arrangement, additional vocalsZbigniew Robert "Inferno" Promiński – drums and percussion, backing vocals Additional musiciansPatryk Dominik "Seth" Sztyber – rhythm guitar, backing vocalsKrzysztof "Siegmar" Oloś (Vesania) – keyboards, arrangementsMaciej Maleńczuk – spoken word Tomasz "Ragaboy" Osiecki – sitarPawel Hulisz (Hevelius Brass quintet) – trumpetPiotr Kowalkowski (Hevelius Brass quintet) – trumpetMichal Szczerba (Hevelius Brass quintet) – hornBogdan Kwiatek (Hevelius Brass quintet) – tromboneLukasz Gruba (Hevelius Brass quintet) – tubaBoris "Hatefrost" Kalyuzhnyy – backing vocals Maciej "Manticore" Gruszka – backing vocals ProductionDaniel Bergstrand – drums producingColin Richardson – audio mixingArkadiusz "Malta" Malczewski – sound engineering, backing vocals Kuba Mańkowski – sound engineeringWojciech Wiesławski – guitars co-producingSławomir Wiesławski – guitars co-producingJan Bryt – solos and vocals trackingTomasz "Graal" Daniłowicz – cover design and artworkTed Jensen – masteringNoteRecorded at RG Studios, January 2009 E.V. - May 2009Mixed at Musikbox, Miloco Studios, London, May 2009Mastered in Sterling Studio, New York, May 2009
SLAUGHTBBATH “Hail To Fire” FULL ALBUM Alexis Gonzáles 2016-07-21 | 1- Awakened to Slay2- Dethroned, Burnt and Spat Upon3- True Power Knows No Mercy4- Impale Them5- Doomsday Cenotaph6- Blackburn7- Burn the Traitors8- Hail to Fire9- Barbaric Cruelty ReignsDespués de varios años sacando demos, splits y un par de EP's desde las profundidades del underground, por fin Slaughbbath debuta con un LP, el cual se llama Hail to Fire. Quizás se demoraron mucho tiempo, pero de todas formas me parece bien que sigan saliendo bandas que saquen demos antes de tirarse con algún disco de larga duración... Además, el tiempo ha valido la pena porque este disco es tremendo. Desde que escuché el promo que salió el año pasado, tengo ganas de escuchar este registro...Recuerdo que hace unos cuantos años adquirí el demo The Unholy Wrath of the Sacrilegious Reprisal y a pesar de que no era un disco malo, no me pareció muy interesante y por eso lo vendí. Si no me equivoco y mi memoria no me falla, en esa época tocaban un black metal de corte más nórdico... Por esto, mi percepción de la banda cambió bastante con el tremendo split que sacaron con Demonic Rage, el gran Furious as the Black Flames of Hell / The Anguish's Doomaelstrom. En este registro el estilo se volvió mucho más bestial y violento, ¡puro caos sonoro! Ahora bien, en Hail to Fire continúan con ese sonido pero con un mejor resultado, un black death metal totalmente envenenado por Bestial Mockery, lo primero de Impaled Nazarene y Bestial Warlust, osea mucha violencia, bestialidad, peso, rapidez y mucha negatividad. Este es un aspecto que me agrada bastante ya que si uno escucha black metal, lo mínimo que se puede esperar y exigir es esto, sentir la vibra negativa a través de la música. Esto también se ve en sus letras, las que están metidas en el satanismos, la intolerancia y alabanzas a la muerte y la oscuridad.La labor de los integrantes es bastante buena, tocando muy bien sin ser una música técnica pero si con mucha actitud y vehemencia. La voz de D. Desecrator (también un destacadísimo dibujante y tatuador) es muy oscura, ideal para lo que muestra Slaugthbbath. Los riffs de P. Skullshredder son muy buenos y la batería de Negro no para de machacar en todo el disco. De hecho, es un disco muy intenso, solo la calma inicial del tema Hail to Fire te permite "descansar" del torbellino de brutalidad.¿Canciones a destacar? ¡Todas! De todas formas, creo que las mejores son Awakened to Slay, True Power Knows No Mercy y Doomsday Cenotaph.Respecto a la producción, el disco fue grabado en DM6 Studio, el cuál asegura un tremendo sonido, donde todo se escucha muy bien y va muy acorde al estilo. Además, viene en la clásica presentación de Proselytism, un digipack en forma de 7" que engrandece aún más un disco de por sí muy destacable.Sin duda estamos frente a uno de los mejores trabajos que ha vomitado este año, por lo mismo adquierelo (también disponible en 12" por medio del sello Chalice of Blood Angel Productions) y también anda a sus presentaciones en vivo, que son de muy buen nivel.http://intothecemetery.blogspot.pe/
Impaled Nazarene - Pro Patria Finlandia Full Album Alexis Gonzáles 2016-07-21 | The title is Latin for "For Fatherland Finland". It has once again aroused controversy in certain journalist circles (in Finland, ironically) for again supposedly being National Socialist."Kut" translates to "cunt" in Dutch, the phrase "Rot op kut" in the song meaning "fuck off cunt".Recording information:Produced by Tapio Pennanen and Impaled Nazarene.Recorded and mixed at Sonic Pumps Studios by Tapio Pennanen, November 2005 - January 2006.Mastered at Finnvox Studios by Mika Jussila.
Internal Suffering Internal Suffering FLAC 2016 Alexis Gonzáles 2016-06-22 | Tracks divided by chapters:Chapter I - Ancient Dwellers Outside the Circles of Time: Tracks 2-4Chapter II - Aeonian Passages to Unfathomable Dimensions: Tracks 5-8Chapter III - Of Frozen Wastelands and the Mythos Beyond…: Tracks 9-11Unique Leader Records
Death Metal Florida Scene Tv Special Alexis Gonzáles 2016-03-28 | Also during this period of the 1980's & 1990's, a new genre of heavy metal music took shape and became hugely popular in the Tampa Bay area as well... Death Metal. Much like the mainstream rock bands that were popular in the Tampa Bay area, the Death Metal bands were becoming extremely popular on the local music scene as well.Whether it was from the common, everyday, average garage bands that were sprouting up all over the bay area, or the more experienced bands playing in the local venues such as the Brass Mug, or the Ritz Theatre, Tampa Bay was gaining some well deserved attention and recognition with this newer, much more aggressive sound. Tampa Bay was producing the majority of Metal bands. Bands such as Obituary, Death, Morbid Angel, Nasty Savage and Deicide (just to name a few) were all from this area. Cannibal Corpse, although originally from New York, moved their home base to the Tampa Bay area so they could prosper from the locally exploding Death Metal scene as well. Before long, record companies started signing Tampa Death Metal Bands to their labels left and right. Morrisound Recording Studios in Tampa became one of the preferred studios in the Bay area for Death Metal bands to record in. Though the studios did much, much more then just Death Metal, it was Death Metal that helped put the studios, as well as the Tampa Bay area on the national map in the 1980's & into the 1990's... So much in fact that it rightfully earned Tampa Bay the moniker of: "The Death Metal Capital of the World". That moniker couldn't have been more accurate at the time either. L.A. was home to the "Hair Bands," Seattle would eventually become known as the birthplace of "Grunge," and without a doubt, Tampa Bay was then, and always will be the "Death Metal Capital of the World!" Even with the Tampa Bay death metal scene having an extremely large following, many in the scene at the time felt that it was being shunned by the mainstrem rock scene here in the Tampa Bay area. Though Tampa Bay was receiving world-wide recognition for being the death metal capital of the world, here in Tampa Bay the death metal scene was being looked upon as more "underground." It was even reported that the reason Keith Collins (Savatage, Krunch) founded the annual "Tampa Bay Metal Awards" back in 1990 was due to what he felt was the lack of attention and recognition that the death metal bands were receiving at the annual "Tampa Bay Music Awards" show. tampabaymusichistory.com
SODOM - Water Boarding Alexis Gonzáles 2014-07-04 | Hellion Rising / Water Boarding Split 2014Sodom / Hirax
