This is looking like a game that will answer the prayers of those who like to have the hell scared out of them. I for one, have been really itching for something to make me so creeped out that I have to leave a night light on. Dead Space looks like it might do the trick com October 21st.
BaTtl3fR3aKk2o
In this awesome trailer for Dead Space, you find out that the monsters/demons/horrors that lie awaiting in the darkness are your former friends and coworkers - loved ones if you will. Unfortunately, you have to kill them or suffer a horrible death.
This is looking like a game that will answer the prayers of those who like to have the hell scared out of them. I for one, have been really itching for something to make me so creeped out that I have to leave a night light on. Dead Space looks like it might do the trick com October 21st.
This is looking like a game that will answer the prayers of those who like to have the hell scared out of them. I for one, have been really itching for something to make me so creeped out that I have to leave a night light on. Dead Space looks like it might do the trick com October 21st.
updated 16 years ago
This is looking like a game that will answer the prayers of those who like to have the hell scared out of them. I for one, have been really itching for something to make me so creeped out that I have to leave a night light on. Dead Space looks like it might do the trick com October 21st.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Get your party gown
Get your pigtail down
Get your heart beatin' baby
Got my timin' right
Got my act all tight
It's gotta be tonight my little
Schoolbabe
Your momma says you don't
And your Daddy says you won't
And I'm boilin' up inside
Ain't no way I'm gonna lose out this time
Tie your Mother down
Tie your Mother down
Lock your Daddy out of doors
I don't need him nosing around
Tie your Mother down
Tie your Mother down
Give me all your love tonight
You're such a dirty louse
Go get outta my house
That's all I ever get from your
Family ties, in fact I don't think I ever heard
A single little civil word
from those guys
But you know I don't give a light
I'm gonna make out all right
I've got a sweetheart hand
To put a stop to all that
Grousin' an' snipin'
Tie your Mother down
Tie your Mother down
Take your little brother swimmin'
With a brick (that's all right)
Tie your Mother down,
Tie your Mother down
Or you ain't no friend of mine
Your momma and your Daddy gonna
Plague me til I die
Why can't they understand I'm just a
Peace lovin' guy
Tie your Mother down
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
I'd sit alone and watch your light
My only friend through teenage nights
And everything I had to know
I heard it on my radio
You gave them all those old time stars
Through wars of worlds invaded by Mars
You made 'em laugh, you made 'em cry
You made us feel like we could fly.
Radio.
So don't become some background noise
A backdrop for the girls and boys
Who just don't know or just don't care
And just complain when you're not there
You had your time, you had the power
You've yet to have your finest hour
Radio, Radio.
All we hear is Radio ga ga
Radio goo goo
Radio ga ga
All we hear is Radio ga ga
Radio blah blah
Radio, what's new?
Radio, someone still loves you!
We watch the shows, we watch the stars
On videos for hours and hours
We hardly need to use our ears
How music changes through the years.
Let's hope you never leave old friend
Like all good things on you we depend
So stick around 'cause we might miss you
When we grow tired of all this visual
You had your time, you had the power
You've yet to have your finest hour
Radio, Radio.
All we hear is Radio ga ga
Radio goo goo
Radio ga ga
All we hear is Radio ga ga
Radio goo goo
Radio ga ga
All we hear is Radio ga ga
Radio blah blah
Radio, what's new?
Someone still loves you!
Radio ga ga [3x]
You had your time, you had the power
You've yet to have your finest hour
Radio, Radio.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Mama, just killed a man,
Put a gun against his head,
Pulled my trigger, now he's dead.
Mama, life had just begun,
But now I've gone and thrown it all away.
Mama, ooh,
Didn't mean to make you cry,
If I'm not back again this time tomorrow,
Carry on, carry on as if nothing really matters.
Too late, my time has come,
Sends shivers down my spine,
Body's aching all the time.
Goodbye, everybody, I've got to go,
Gotta leave you all behind and face the truth.
Mama, ooh (any way the wind blows),
I don't wanna die,
I sometimes wish I'd never been born at all.
I see a little silhouetto of a man,
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning,
Very, very frightening me.
(Galileo) Galileo.
(Galileo) Galileo,
Galileo Figaro
Magnifico-o-o-o-o.
I'm just a poor boy, nobody loves me.
He's just a poor boy from a poor family,
Spare him his life from this monstrosity.
Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go. (Let him go!)
Bismillah! We will not let you go. (Let him go!)
Bismillah! We will not let you go. (Let me go!)
Will not let you go. (Let me go!)
Never let you go (Never, never, never, never let me go)
Oh oh oh oh
No, no, no, no, no, no, no
Oh, mama mia, mama mia (Mama mia, let me go.)
Beelzebub has a devil put aside for me, for me, for me.
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby, can't do this to me, baby,
Just gotta get out, just gotta get right outta here.
(Ooooh, ooh yeah, ooh yeah)
Nothing really matters,
Anyone can see,
Nothing really matters,
Nothing really matters to me.
Any way the wind blows.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
I don't want my freedom
There's no reason for living with a broken heart.
This is a tricky situation -
I've only got myself to blame
It's just a simple fact of life
It can happen to anyone -
You win - you lose
It's a chance you have to take with love
Oh yeah - I fell in love
But now you say it's over and I'm falling apart.
It's a hard life
To be true lovers together
To love and live forever in each others hearts -
It's a long hard fight
To learn to care for each other
To trust in one another right from the start
When you're in love -
I try and mend the broken pieces
I try to fight back the tears
They say it's just a state of mind
But it happens to everyone -
How it hurts - deep inside
When your love has cut you down to size
Life is tough - on your own
Now I'm waiting for something to fall from the skies
Waiting for love.
Yes it's a hard life
Two lovers together
To love and live forever in each others hearts
It's a long hard fight
To learn to care for each other
To trust in one another - right from the start
When you're in love -
Yes it's a hard life
In a world that's filled with sorrow
There are people searching for love in every way -
It's a long hard fight -
But I'll always live for tomorrow
I'll look back on myself and say I did it for love
Yes I did it for love - for love - oh I did it for love.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Fear me you lords and lady preachers
I descend upon your earth from the skies
I command your very souls you unbelievers
Bring before me what is mine
The seven seas of rhye
Can you hear me you peers and privvy counsellors
I stand before you naked to the eyes
I will destroy any man who dares abuse my trust
I swear that you'll be mine
The seven seas of rhye
Sister - I live and lie for you
Mister - do and I'll die
You are mine I possess you
I belong to you forever
Storm the master-marathon I'll fly through
By flash and thunder-fire I'll survive
Then I'll defy the laws of nature and come out alive
Then I'll get you
Be gone with you - you shod and shady senators
Give out the good, leave out the bad evil cries
I challenge the mighty titan and his troubadours
And with a smile
I'll take you to the seven seas of rhye
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
I've paid my dues
Time after time.
I've done my sentence
But committed no crime.
And bad mistakes ‒
I've made a few.
I've had my share of sand kicked in my face
But I've come through.
(And I need just go on and on, and on, and on)
We are the champions, my friends,
And we'll keep on fighting 'til the end.
We are the champions.
We are the champions.
No time for losers
'Cause we are the champions of the world.
I've taken my bows
And my curtain calls.
You brought me fame and fortune, and everything that goes with it.
I thank you all.
But it's been no bed of roses,
No pleasure cruise.
I consider it a challenge before the whole human race,
And I ain't gonna lose.
(And I need just go on and on, and on, and on)
We are the champions, my friends,
And we'll keep on fighting 'til the end.
We are the champions.
We are the champions.
No time for losers
'Cause we are the champions of the world.
We are the champions, my friends,
And we'll keep on fighting 'til the end.
We are the champions.
We are the champions.
No time for losers
'Cause we are the champions.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
I have sinned dear Father Father I have sinned
Try and help me Father
Won't you let me in? Liar
Nobody believes me Liar
Why don't they leave me alone?
Sire I have stolen stolen many times
Raised my voice in anger
When I know I never should
Liar oh ev'rybody deceives me
Liar why don't you leave me alone?
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Buddy you're a boy make a big noise
Playin' in the street gonna be a big man some day
You got mud on yo' face
You big disgrace
Kickin' your can all over the place
Singin'
We will we will rock you
We will we will rock you
Buddy you're a young man hard man
Shoutin' in the street gonna take on the world some day
You got blood on yo' face
You big disgrace
Wavin' your banner all over the place
We will we will rock you
(Sing it!)
We will we will rock you
Buddy you're an old man poor man
Pleadin' with your eyes gonna make you some peace some day
You got mud on your face
Big disgrace
Somebody better put you back into your place
We will we will rock you
(Sing it!)
We will we will rock you
(Everybody)
We will we will rock you
We will we will rock you
(Alright)
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Love of my life, you've hurt me,
You've broken my heart and now you leave me.
Love of my life can't you see,
Bring it back, bring it back,
Don't take it away from me because you don't know what it means to me.
Love of my life, don't leave me,
[Album version:] You've taken my love, you now desert me,
[Live version:] You've stolen my love, you now desert me,
Love of my life, can't you see?
Bring it back, bring it back,
Don't take it away from me because you don't know what it means to me.
You will remember
When this is blown over
And everything's all by the way
When I grow older
I will be there at your side to remind you how I still love you, I still love you.
[Album version:] Back, hurry back,
[Live version:] Hurry back, hurry back,
[Album version:] Please, bring it back home to me because you don't know what it means to me.
[Live version:] Don't take it away from me, because you don't know what it means to me -
Love of my life
Love of my life...
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Here I stand
Look around around around
But you won't see me
Now I'm here, Now I'm there, I'm just a...
Just a new man
Yes you made me live again
A baby I was when you took my hand
And the light of the night burned bright
And the people all stared didn't understand
But you knew my name on sight
Whatever came of you and me
America's new bride to be - don't worry baby I'm safe and sound
Down in the dungeon just Peaches 'n' me
Don't I love her so
A thin moon me in a smoke-screen sky
Where the beams of your lovelight chase
Don't move, don't speak, don't feel no pain
With a rain running down my face
Your matches still light up the sky
And many a tear lives on in my eye
Down in the city just Hoople 'n' me
Don't I love him so
Whatever comes of you and me
I love to leave my memory with you
Now I'm here
Think I'll stay around around around
We'll be down in the city justa you 'n' me
Don't I love you so
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Just look at all those hungry mouths we have to feed
Take a look at all the suffering we breed
So many lonely faces scattered all around
Searching for what they need.
Is this the world we created?
What did we do it for?
Is this the world we invaded
Against the law?
So it seems in the end.
Is this what we're all living for today?
The world that we created.
You know that everyday a helpless child is born
Who needs some loving care inside a happy home
Somewhere a wealthy man is sitting on his throne
Waiting for life to go by.
Is this the world we created?
We made it on our own.
Is this the world we devastated
Right to the bone?
If there's a God in the sky looking down,
What can he think of what we've done
To the world that He created?
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
Here we stand or here we fall
History won't care at all
Make the bed, light the light
Lady Mercy won't be home tonight.
You don't waste no time at all
Don't hear the bell but you answer the call
It comes to you as to us all
We're just waiting for the hammer to fall
Oh every night, and every day
A little piece of you is falling away
But lift your face the Western Way
Build your muscles as your body decays.
Tow the line and play their game
Let the anaesthetic cover it all
Till one day they call your name
You know it's time for the hammer to fall.
Rich or poor or famous for
Your truth it's all the same
(Oh no! Oh no!)
Lock your door but rain is pouring
Through your window pane
(Oh no!)
Baby, now your struggle's all vain.
For we who grew up tall and proud
In the shadow of the Mushroom Cloud
Convinced our voices can't be heard
We just wanna scream it louder and louder and louder
What the hell are we fighting for?
Just surrender and it won't hurt at all
You just got time to say your prayers
While you're waiting for the hammer to—hammer to fall.
Yeah! Yes.
Let's get on the floor!
Yeah! Hammer!
You know
Hammer to fall!
Yeah!
I've been waiting for the hammer to fall!
While you're waiting for the hammer to fall.
Give it to me one more time!
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
I want to break free
I want to break free
I want to break free from your lies
You're so self satisfied I don't need you
I've got to break free
God knows, God knows I want to break free.
I've fallen in love
I've fallen in love for the first time
And this time I know it's for real
I've fallen in love, yeah
God knows, God knows I've fallen in love.
It's strange but it's true
I can't get over the way you love me like you do
But I have to be sure
When I walk out that door
Oh how I want to be free, baby
Oh how I want to be free,
Oh how I want to break free.
But life still goes on
I can't get used to, living without, living without,
Living without you by my side
I don't want to live alone, hey
God knows, got to make it on my own
So baby can't you see
I've got to break free.
I've got to break free
I want to break free, yeah
I want, I want, I want, I want to break free.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
The Works Tour in 1984/1985 was one of Queen's largest tours and included the Brazil Rock in Rio festival—in which they appeared on stage at two o'clock in the morning in front of 470,000 people during the first night and 250,000 on the second night. This tour is the first time Queen did not perform in North America. The lack of US dates is seen as peculiar given that Mercury had started living in New York around this time. The album was partially recorded in Los Angeles, and Queen had changed their US label from Elektra to Capitol. It was rumored that a full-scale US tour would put too much strain on Mercury's voice. Both media reports (e.g. covering the Wembley Arena show) and bootleg recordings throughout the tour show that Mercury would sometimes have vocal difficulties. Usually Mercury wore leotards reminiscent of his seventies attire but, in keeping with its unconventional video, on a number of occasions he would make a cameo appearance dressed, or partly dressed, in drag when "I Want to Break Free" was being performed. This sometimes received a mixed reception. Audiences reproduced the synchronised hand-clapping routine that appeared in the "Radio Ga Ga" video during the choruses of this song. In this tour, the band brought back some of the material from their first three albums into the set-list as part of a 'flash-back' medley. Rick Parfitt from Status Quo also appeared on-stage with the band during one of their London gigs and Tony Hadley from Spandau Ballet appeared on-stage with the band during their only New Zealand concert.
Queen were to participate in two music festivals (in 1984 and 1986) at Montreux in Switzerland, where they lip-synched a small selection of their latest material. This surprised many onlookers as the band had often spoken out strongly against this style of performance. The concerts were filmed and then broadcast to many millions of people throughout Europe. To their fans, it seemed obvious that the band, as well as some members of the audience, were dis-oriented and somewhat confused during these faked performances.
The 1984 performances in Sun City, South Africa landed the band in hot water. Many well-known acts, both before and after Queen, have played at the holiday resort in the desert and were not subsequently criticized for it. The international deploration of apartheid, however, would reach a high-point shortly after the band performed. Many action groups, including a group of musicians called Artists United Against Apartheid, publicly condemned Queen for their appearances at the resort. To try to calm the waters, Queen officially released a statement that they had no wish to promote racial prejudice.
Lyrics
I was told a million times
Of all the troubles in my way
Mind you grow a little wiser
Little better every day
But if I crossed a million rivers
And I rode a million miles
Then I'd still be where I started
Bread and butter for a smile
Well I sold a million mirrors
In a shop in Alley Way
But I never saw my face
In any window any day
Now they say your folks are telling you
Be a super star
But I tell you just be satisfied
Stay right where you are
Keep yourself alive
Keep yourself alive
It'll take you all your time and a money
Honey you'll survive
Well I've loved a million women
In a belladonnic haze
And I ate a million dinners
Brought to me on silver trays
Give me everything I need
To feed my body and my soul
Well I'll grow a little bigger
Maybe that can be my goal
I was told a million times
Of all the people in my way
How I had to keep on trying
And get better every day
But if I crossed a million rivers
And I rode a million miles
Then I'd still be where I started
Same as when I started
Keep yourself alive
Come on
Keep yourself alive
It'll take you all your time and a money
Honey you'll survive
Shake
Keep yourself alive
Keep yourself alive
It'll take you all your time and a money
To keep me satisfied
Do you think you're better every day
No, I just think I'm two steps nearer to my grave
Keep yourself alive
Come on
Keep yourself alive
You take your time and take more money
Keep yourself alive
Keep yourself alive
Come on
Keep yourself alive
All you people keep yourself alive
Keep yourself alive
Come on
Come on
Keep yourself alive
It'll take you all your time and a money
To keep me satisfied
Keep yourself alive
Keep yourself alive
All you people keep yourself alive
Take you all your time and money
Honey you will survive
Keep you satisfied
Download Link: http://www.2shared.com/audio/DgCVbR4V/11_Tinfoil___Powerless__Instru.html
Download Link: http://www.2shared.com/audio/olSuc_bW/09_Skin_to_Bone__Instrumental_.html
Download Link
http://www.2shared.com/audio/gtG7wCmf/08_Roads_Untraveled__Instrumen.html
Download Link: http://www.2shared.com/audio/utSlcVpW/19_Roads_Untraveled__Acapella_.html
Download Link: http://www.2shared.com/audio/iZ9NzZ21/22_Powerless__Acapella_.html
Download Link: http://www.2shared.com/audio/egx_TP8A/12_Lost_in_the_Echo__Acapella_.html
Download Link
http://www.2shared.com/audio/X-AVnB5Y/13_In_My_Remains__Acapella_.html
Download Link: http://www.2shared.com/audio/LwHhqSUd/17_Castle_of_Glass__Acapella_.html
Download Link
http://www.2shared.com/audio/gBQsfpYW/02_In_My_Remains__Instrumental.html
Download Link: http://www.2shared.com/audio/S24J_3x_/Lost_In_The_Echo1.html
Tags: Linkin Park "Music (Industry)" Mike Shinoda Chester Bennington Rob Bourdon Brad Delson Phoenix Joe Hahn Instrumental Lost In The Echo Living Things LP "rock music"
The new trailer for Quantum of Solace has left me with mixed feelings. While I do like the action I'm seeing, I don't really trust Treyarch to make a good FPS, even if it is running on the Call of Duty 4 engine. Combine that with their attempts to tie the game's story in with Casino Royale and the Quantum of Solace film, and it's all a tall order to make this a good game. I hope my worries are misplaced, as there are few things that can match the experience of playing a great Bond game.
It's a little strange that LucasArts has dubbed this new video for Star Wars: The Force Unleashed the "Launch" trailer. For one, the game isn't set to launch until September. For another, it contains all kinds of jaw-dropping spoilers. Between this and the last spoiler-filled trailer, I think I could piece together all the main plot points of the story already. So yes, the above video is awesome, but watch at your own risk.
EA has unveiled a new trailer for Battlefield Heroes that shows just how you'll be able to craft your own goofy, animated avatar for the game. Since the game's certainly not going for realism that leaves the character customization options fairly open. You can craft a peg-legged pirate, an Old West bandito, a villain from the silent film era, and just about anything else you can imagine, from the looks of it. It's almost a little sad how this completely free game already looks more interesting than Battlefield: Bad Company.
The Dead Space trailer not only shows a few well done cut-scenes, but some actual gameplay footage and I have to say that this is definitely a game that I am itching to play.
The video also shows how they did the character animation using technology from Industrial Light and Magic. It already looks impressive, as the character models look almost exactly like the actors playing them. This also made recording sessions more like a movie shoot, as they were required to perform a variety of facial expressions as well.
Yeah, I've only seen a little bit of gameplay, but this is already on my "Must Buy on Opening Day" list when it hits store shelves this November.
Of course the Warthog is all part of the collaboration of Bungie and Peter Jackson on the Halo project overseas at the Weta Workshop in New Zealand. Lord knows what other fun stuff they're doing over there. The update continues with a reminder of the new Bungie website launch later this week, and Bungie giving fair warning of the many opportunities for Halo 3 plot spoilers to surface (hinting the site itself). Then more tales of game reviewers vs. Bungie exploits at Halo 3 multiplayer. Apparently, one of the Bungie guys has already come up with a Forge mode resembling baseball. Wacky. By the end of this week, Halo 3 coverage will be practically bursting at the seams.
Bungie continues announcing the The Halo-themed NASCAR, which Stephany covered earlier. Interesting enough, Bungie states the driver, David Stremme, is allegedly a Halo fan. No surprise there. Bungie then answers 'yes' to a fan's question of whether Halo 3 will have a brightness setting, ala Bioshock. Of course, Bungie mentions a thing or two about the (new) Halo 3 TV commercial including photo of the diorama with caption "Your history project scores an 'A,' young Stanley." And somehow I missed this in my earlier post regarding that. In closing, Bungie points us to a parody video created by SarcasticGamer.
There will be additional booster packs available for $3.75 and theme decks for $14.99. Five decks will be available at launch, with more to be released at a later time. Downloadable content haters must be somewhat happy -- at least your bonus content is tangible this time around.
A few things to note: Yes, it's "Judgment" and not "Judgement." There are measures being taken to insure that cheating isn't prevalent online. The Eye of Judgment ships October 23.
World in Conflict will be hitting the PC on September 18th
I must warn you though, I think a Dodge Challenger gets trashed. Thankfully, it is just some CGI fakery, but still.... *sniff*
Dude, seriously. When I die, I totally want to go out like that at the 1:20 mark.
As bonus news, it looks like two new tracks for Rock Band have been semi-confirmed:
Soundgarden: "Black Hole Sun"
Red Hot Chili Peppers: "Dani California"
I'm sure we're bound to see more rumors and confirmations here soon as MTV & EA are showing the game off around the world.
For More Info Visit The Site : www.firststrikemod.com
sorry if i dont show the wayz to glitch xD
music : Lightning Rod by Offspring
game recorder : fraps(fraps.com)
trainer : pizza
player : k2o
my xfire adress : k2o91
my msn adress : xk2o@hotmail.it