Leeroys Musical Journey
Nobody Takes Me Seriously - Original
updated
Mental As Anything was an Australian new wave and pop rock band that formed in Sydney in 1976. Its most popular line-up (which lasted from 1977 to 1999, and recorded all of its charting singles and albums) was Martin Plaza (birth name Martin Murphy) on vocals and guitar; Reg Mombassa (birth name Christopher O'Doherty) on lead guitar and vocals; his brother Peter "Yoga Dog" O'Doherty on bass guitar and vocals; Wayne de Lisle (birth name David Twohill) on drums; and Andrew "Greedy" Smith on vocals, keyboards and harmonica. The group's original hit songs were generated by Mombassa, O'Doherty, Plaza and Smith, either individually or collectively; and it also had success on the Australian charts with covers of songs by Roy Orbison, Elvis Presley, Chuck Berry and Wreckless Eric.
Their top ten Australian singles are "If You Leave Me, Can I Come Too?" and "Too Many Times" (both from 1981), "Live It Up" (1985) and "Rock and Roll Music" (1988).[5] Internationally, "Too Many Times" made the Canadian top 40 in 1982, and "Live It Up" peaked at No. 3 in the UK, No. 4 in Norway, and No. 6 in Germany,[after it featured in the 1986 Australian film Crocodile Dundee.
[Verse 1]
It's midnight, we're fighting
It's more than, just chiding
No more she wants to feel these selfish hands
[Verse 2]
The fly-screen is broken
More wrong words are spoken
She's leavin' and I don't know what to do
She's leavin' and I don't know what to do
[Chorus]
What to do, brain, brain?
Brain, brain, can you help me?
You know this day
Isn't gonna last for long
Brain, brain
Brain, brain, won't you guide me?
These arms, these legs
Propel 'em to another day
Propel 'em to another day
[Verse 3]
I just cannot stall her
As cab lights grow smaller
An empty road reflects the crimson sky
[Verse 4]
The night lights are blinking
At logic that's sinking
Digesting things that are not rational
Digesting things that are not rational
[Chorus]
Rational brain, brain
Brain, brain, won't you help me?
You know this day
Isn't gonna last for long
Brain, brain
Brain, brain, won't you guide me?
These arms, these legs
Propel 'em to another day
[Chorus]
Brain, brain
Brain, brain, won't you help me?
These arms, these legs
Propel 'em to another day
Propel 'em to another day
One step ahead of you
Stay in motion, keep an open mind
Love is a race won by two
Your emotion, my solitude
If I stop, I could lose my head
So I'm losing you instead
Either way I'm confused
You slow me down, what can I do?
There's one particular way I have to choose
One step ahead of you
Always someone makes it hard to move
She says, "Boy I want you to stay"
But I save it all for another day
If I stop, I could lose my head
But I'm ready for romance
Either way I'm confused
I don't know what I'm supposed to do
I can only stay one step ahead of you
Da
Da, da, da, da
Da, da, da, da
Da, da, da, da
Da, da, da, dum
Da
Da, da, da, da
Da, da, da, da
Da, da, da, da
Da, da, da, dum
Stop, I confess sometimes
I don't know where I'm going
Part of me stays with you
I'm slowing down, what can I do
It's hard to stay one step ahead of you, uh-huh
One step ahead of you
Time is running out, catching up with you
One step ahead of you
When I hold you close, can I really lose?
One step ahead
Only one step ahead
She's one step ahead of you
"One Step Ahead" is a 1980 song by New Zealand art rock group Split Enz. It was released November 1980 as the lead single from their sixth studio album Waiata.
After Split Enz's dissolution in 1984, singer Neil Finn continued to perform "One Step Ahead" with his next group Crowded House, in particular, the group performed the song live at their 1987 concert in Daytona known as Spring Break '87.
The single's b-side "In the Wars" was recorded in the Waiata recording sessions, but it was not originally released as a track on the album, though it was later appended as track twelve in the album's 2006 re-release.
Mary Jane's Last Dance @tompetty #tompetty #tompettyandtheheartbreakers
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She grew up in an Indiana town
Had a good-looking mama who never was around
But she grew up tall and she grew up right
With them Indiana boys on an Indiana night
Whoo-ooh!
Whoo-ooh!
Well, she moved down here at the age of 18
She blew the boys away, it was more than they'd seen
I was introduced and we both started grooving
She said, "I dig you, baby, but I got to keep movin'
On, keep movin' on"
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm
Tired of this town again
Whoo-ooh!
Whoo-ooh!
Well, I don't know, but I've been told
You never slowed down, you never grow old
Tired of screwin' up, tired of goin' down
Tired of myself, tired of this town
Oh my, my, oh hell, yes
Honey, put on that party dress
Buy me a drink, sing me a song
Take me as I come 'cause I can't stay long
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm
Tired of this town again
There's pigeons down on Market Square
She's standin' in her underwear
Lookin' down from a hotel room
The nightfall will be comin' soon
Oh my, my, oh hell, yes
You got to put on that party dress
It was too cold to cry when I woke up alone
"Mary Jane's Last Dance" is a song written by Tom Petty and recorded by American rock band Tom Petty and the Heartbreakers. It was recorded while Petty was recording his Wildflowers album and was produced by Rick Rubin, guitarist Mike Campbell, and Petty.[2] The sessions would prove to be the last to include drummer Stan Lynch before his eventual departure in 1994. This song was first released as part of the Greatest Hits album in 1993.[3] It rose to No. 14 on the US Billboard Hot 100, becoming Petty's first Billboard top-20 hit of the 1990s,[4] and also topped the Billboard Album Rock Tracks chart for two weeks.[5] Internationally, the song reached No. 2 in Portugal, No. 5 in Canada and No. 7 in Iceland.
I hit my last number and walked to the road
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin' in and I'm
Tired of this town again
Source: Musixmatch
Songwriters: Tom Petty
"Nobody Told Me" is a song by John Lennon. The B-side features Yoko Ono's "O' Sanity"; both are on the Milk and Honey album. The promo video for the single was made up of clips of footage from Lennon's other videos, as are most posthumous Lennon videos.
Recorded but left incomplete shortly before his death in 1980, the song was later completed by Lennon's widow Yoko Ono in 1983[7] and released as the first single from Lennon and Ono's album Milk and Honey in 1984. The song was later re-released in the UK in 1990 with "I'm Stepping Out" on the B-side.[8][better source needed] The song was originally written for Ringo Starr to include on his 1981 album, Stop and Smell the Roses, but due to Lennon's death, Starr decided not to record it.
A promo video for "Nobody Told Me" was compiled in 2003 for the DVD Lennon Legend: The Very Best of John Lennon, featuring Lennon and Ono in archival footage from the early 1970s. The majority of the video's content was edited from newly transferred footage and out-takes from Lennon and Ono's 1972 film Imagine. Also featured in the music video are Phil Spector, George Harrison, Dick Cavett, Fred Astaire, Andy Warhol and Miles Davis.
Everybody's talking and no one says a word
Everybody's making love and no one really cares
There's Nazis in the bathroom just below the stairs
Always something happening and nothing going on
There's always something cooking and nothing in the pot
They're starving back in China so finish what you got
Nobody told me there'd be days like these
Nobody told me there'd be days like these
Nobody told me there'd be days like these
Strange days indeed -- strange days indeed
Everybody's runnin' and no one makes a move
Everyone's a winner and nothing left to lose
There's a little yellow idol to the north of Katmandu
Everybody's flying and no one leaves the ground
Everybody's crying and no one makes a sound
There's a place for us in the movies you just gotta lay around
Nobody told me there'd be days like these
Nobody told me there'd be days like these
Nobody told me there'd be days like these
Strange days indeed -- most peculiar, mama
Everybody's smoking and no one's getting high
Everybody's flying and never touch the sky
There's a UFO over New York and I ain't too surprised
Nobody told me there'd be days like these
Nobody told me there'd be days like these
Nobody told me there'd be days like these
Strange days indeed -- most peculiar, mama
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You can scream and shout with all your might
Dig in your heels and hold on tight
Either you are wrong or I am right
You speak the lines you've overheard
The ring of truth in every word
You know you're right and that's absurd
We really seem to have a problem here
But is it you or me?
Whatever I have going through my mind
You always have to disagree
It's just a matter of opinions
It's not a simple fact
Why don't you try to see the other side?
Don't turn your back
Now we survey this silent battleground
Recriminations all around
And still no compromise is found
Now we really seem to have a problem
And it won't just disappear
And all the friends we thought we could rely on
Just want to whisper in my ear
"It's just a matter of opinions
You know you keep both in sight
Why should you bother with the other side?
When you know yours is right"
Checkout playlist for more RogerHodgson and Supertramp Covers
All instruments and vocals by Leeroy
In jeopardy, in jeopardy, I feel I'm about to cry
In jeopardy, in jeopardy, oh tell me the reason why
In jeopardy, in jeopardy, I'm watching the feeling grow
In jeopardy, in jeopardy, oh tell me I want to know
In jeopardy, in jeopardy, the writing is on the wall
In jeopardy, in jeopardy, I can't seem to sleep at all
In jeopardy, in jeopardy, we utter a lonely cry
In jeopardy, in jeopardy, who cares if we live or die?
Who's in your mind?
Who's in your conscience?
Part of the crime
Part of the nonsense
Do what we can
Pray for tomorrow
Living our lives
Watching, waiting, feeling as much as we can
In jeopardy, in jeopardy, so where is the golden age?
In jeopardy, in jeopardy, we're ready to turn the page
In jeopardy, in jeopardy, it's getting so out of hand
In jeopardy, in jeopardy, I wish I could understand
Who's in your mind?
Who's in your conscience?
Part of the crime
Part of the nonsense
Do what we can
Pray for tomorrow
Living our lives
Watching, waiting, feeling as much as we can
Who's in your mind?
Who's in your conscience?
Part of the crime
Part of the nonsense
Do what we can
Sing for tomorrow
Living our lives
Watching, waiting, working, playing,
singing, dancing, running as fast as we can
All Vocals (lead and harmonies) by Colleen and Music by Leeroy
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Words" is a song by the Bee Gees, written by Barry, Robin, and Maurice Gibb. The song reached No. 1 in Germany, Canada, Switzerland and the Netherlands.
"Words" was the Bee Gees third UK top 10 hit, reaching number 8 on the UK Singles Chart, and in a UK television special on ITV in December 2011 it was voted fourth in "The Nation's Favourite Bee Gees Song". The song has been recorded by many other artists, including hit versions by Rita Coolidge from her album Anytime...Anywhere in 1978 and Boyzone from their album A Different Beat in 1996. It was Boyzone's fifth single and their first number-one hit in the UK.
Smile an everlasting smile
A smile can bring you near to me
Don't ever let me find you down
'Cause that would bring a tear to me
This world has lost its glory
Let's start a brand new story now, my love
Right now, there'll be no other time
And I can show you how, my love
Talk in everlasting words
And dedicate them all to me
And I will give you all my life
I'm here if you should call to me
You think that I don't even mean
A single word I say
It's only words and words are all I have
To take your heart away
You think that I don't even mean
A single word I say
It's only words and words are all I have
To take your heart away
It's only words and words are all I have
To take your heart away
It's only words and words are all I have
To take your heart away
Source: Musixmatch
Songwriters: Maurice Ernest Gibb / Robin Hugh Gibb / Barry Alan Gibb
Played and sung by me. Checked out my Supertramp cover playlist
@SupertrampVEVO @rogerhodgson
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Ooh, yeah
Alright
Here we go again
That day, oh no
Na-na, hey-hey
Give a little bit
Give a little bit of your love to me
I'll give a little bit
I'll give a little bit of my love to you
There's so much that we need to share
So send a smile and show you care (alright)
I'll give a little bit
I'll give a little bit of my life for you
So give a little bit
Give a little bit of your time to me
See the man with the lonely eyes
Oh, take his hand, you'll be surprised (oh, take it)
Come along
Yeah-yeah-yeah-yeah
Yeah-yeah-yeah-yeah-yeah-yeah-yeah
Give a little bit
Give a little bit of your love to me
Give a little bit
I'll give a little bit of my life for you
Now's the time that we need to share
So find yourself, we're on our way back home
Oh, going home
Don't you need, don't you need to feel at home?
Oh yeah, we gotta sing
Ooh yeah, gotta get a feelin'
Oh yeah, come along too
Oh, come along too
Come-a come-a come-a come along
Oh yeah, come along too
Come along to it
Say take a look, come along too
Come along right, come along way
Oh, sing it tonight
Ooh-ooh
"Give a Little Bit" is the opening song on Supertramp's 1977 album Even in the Quietest Moments... The song was released as a single that same year and became an international hit for the band, peaking at number 15 on the Billboard Pop Singles chart. It was a chart hit in the band's native UK, reaching number 29 on the UK singles chart.
Recording and composition
"Give a Little Bit" was first written by Hodgson when he was 19 or 20 years old before it was introduced to the band for recording five to six years later. Hodgson stated that the song was inspired by the Beatles' "All You Need Is Love", released during the love and peace movement of the 1960s.
Hodgson said:
Even at an unwizened young age when I wrote this song, I saw that the world needed love. I believed in love – it was always for love – and I just felt that was the most important thing in life. This song has really taken on a life of its own, and I think it’s even more relevant today than when I wrote it. Because we really are needing to value love in a much deeper way, and also we’re needing to care.
Drummer Bob Siebenberg recounted that "Roger had been working at Malibu for quite a while on this tune. I'd hear the song in hotel rooms and places like that. He had the song on a little tape when I first joined the band so I was quite familiar with the tune. We tried out various drum things and it seemed right to ride it along on the snare drum […] giving it something almost like a train beat. So it's all on the snare and bass drum, with no tom-tom fills or anything."
Its writing credits are given to Rick Davies and Roger Hodgson, although it is a Hodgson composition.[9] Hodgson and Davies shared writing credits from 1974 until 1983, when Hodgson left Supertramp.
It is a 100% true story (we promise??). Some stunt doubles (of virtually no likeness to us) were used to make this film.
Again the talents of Judge shine through and our songs never go without a massive shout out to his channel
youtube.com/@UCz6yDSUuYWgF5SaJcEQsD6Q
Timbers & Lee
C
From a land down under came a special man
Am
With passion in his soul and magic in his hands
F G
He’s been taking a magical mystery journey
Dm(add9)/A G
He’s been taking us for a ride
C
Beneath the big apple in the shadow world
Am
Lived a small boy who was dreaming of a girl
F G
He was reaching for something but he didn’t know what
Dm(add9)/A G
He was lost in his dreams a lot
Bbmaj7 C Dm(add9)/A
Timbers and Lee, a most peculiar team
Asus7 A7 Bbmaj7
An Aussie and a Yank just chasing their dreams
Bbmaj7 C Ebmaj7
A pair of musicians following a quest
Dsus4 D Bbmaj7 C Dm(add9)/A G
Mates forever, just trying their best
C
We met on the tube, two strangers worlds apart
Am
We shared a love of music, we played it our hearts
F G
The Beatles and the Kinks, David Bowie and Pink Floyd
Dm(add9)/A G
We like the same music, we like the same noise
D Bm G A Em A
Bbmaj7 C Dm(add9)/A
Timbers and Lee sipping coffee and tea
Asus7 A7 Bbmaj7
A jester and a king engaged in sonic harmony
Bbmaj7 C Ebmaj7
An ocean between us, a language that we share
Dsus4 D Bbmaj7 C Dm(add9)/A G
Mates forever, there’s something in the air
C Am F G Dm(add9)/A G
D
These days we need something to heal the earth
Bm
To lift all voices to show their trueworth
G A
The moment is now for us to do our part
Em A
The time has come to spread our hearts
Bbmaj7 C Dm(add9)/A
Timbers and Lee just two ordinary guys
Asus7 A7 Bbmaj7
Making music for themselves but trying not to hide
Bbmaj7 C Ebmaj7
Together we stand proud and strong
Dsus4 D Bbmaj7 C Dm(add9)/A G
Mates forever………. just sharing our songs
Ebmaj7 F Csus4 C
………. Just sharing our songs
Bbmaj7 Cadd9 Dm(add9)/A
……… Just sharing our songs
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Supertramp - From Now On
From Now On
Supertramp
Monday has come around again
I'm in the same old place
With the same old faces always watching me
Who knows how long I'll have to stay
Could be a hundred years
Of sweat and tears
At the rate that I get paid
Sometimes I slowly drift away
From all the dull routine
That's with me every day
A fantasy will come to me
Diamonds are what I really need
Think I'll rob a store, escape the law
And live in Italy
Lately my luck has been so bad
You know the roulette wheel's
A crooked deal
I'm losing all I had
Soon be like a man that's on the run
And live from day to day
Never needing anyone
Play hide and seek
Throughout the week
My life is full of romance
Guess I'll always have to be
Living in a fantasy
That's the way it's got to be
From now on
Guess I'll always have to be
Living in a fantasy
Though it won't be really me
From now on
You think I'm crazy I can see
It's you for you, and me for me
Living in a fantasy
From now on
Guess I'll always have to be
Living in a fantasy
That's the way it's got to be
From now on
Guess I'll always have to be
Living in a fantasy
It's you for you, and me for me
From now on
Guess I'll always have to be
Living in a fantasy
That's the way it's got to be
From now on
Guess I'll always have to be
Living in a fantasy
It's you for you, and me for me
From now on, on, on, on
Guess I'll always have to be
Living in a fantasy
That's the way it's got to be?
From now on
Guess I'll always have to be
Source: LyricFind
Songwriters: Richard Davies / Roger Hodgson
Even in the Quietest Moments... is the fifth album by the English rock band Supertramp, released in April 1977. It was recorded mainly at Caribou Ranch Studios in Colorado with overdubs, vocals, and mixing completed at The Record Plant in Los Angeles. This was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well.
Even in the Quietest Moments… reached number 16 on the Billboard Pop Albums Chart in 1977 and within a few months of release became Supertramp's first Gold (500,000 copies or more) selling album in the US. In addition, "Give a Little Bit" became a US Top 20 single and reached number 29 on the UK Singles Chart.While "Give a Little Bit" was the big hit, both "Fool's Overture" and the title track also got a fair amount of FM album-rock play.
In 1978, Even in the Quietest Moments… was ranked 63rd in The World Critic Lists, which recognised the 200 greatest albums of all time as voted for by notable rock critics and DJs.
Though all the songs are credited as being written jointly by Rick Davies and Roger Hodgson, Davies wrote "Lover Boy", "Downstream", and "From Now On" by himself, and Hodgson in turn wrote "Give a Little Bit", "Even in the Quietest Moments", "Babaji", and "Fool's Overture" unaided.
Davies said of "Lover Boy" that "I was inspired by advertisements in men's magazines telling you how to pick up women. You know, you send away for it and it's guaranteed not to fail. If you haven't slept with at least five women in two weeks, you can get your money back." Bob Siebenberg recounted that "Rick had been working on 'Lover Boy' for quite a while and finally came up with the long middle section. I just heard that as a really slow, really solid sort of beat, just to give the song dynamics underneath it all, because the song itself is really powerful and it needed something really solid underneath it."
Most of "Even in the Quietest Moments" was written during the sound check for a show at the Tivoli Gardens (in Copenhagen). Davies and Hodgson worked out the various parts of the song with Hodgson using an Oberheim and a Solina string synthesiser and Davies at the drum kit. Davies commented on the music: "It starts off in a very standard melody thing and then it notches onto a sort of one chord progression or perhaps we should call it a digression. It's a thing where there's hundreds of sounds coming in and going out, a whole collage thing." Hodgson said of the lyrics: "It's kind of a dual love song – it could be to a girl or it could be to God."Gary Graff of Billboard rated "Even in the Quietest Moments" as Supertramp's 4th best song.
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Written by Leeroy, all instruments played by Leeroy, Sung by Leeroy and the post processed using A.I.. Grok AI was used to create the photos
Give Peace Another Chance
In a world spinning fast, where dreams seem to sway
I'm just a working-class hero, trying to find my way
Through the crowded city streets, where people pass like shadows
I pen these words, like messages in bottles
Imagine a utopia, beyond the realms of war
Where all the people live as one, on this pale blue dot we explore
Give peace another chance, let love be the key
In this strange and winding journey, set our spirits free
No need for walls, just imagine we
Could change the world, like a melody
Across the universe, where all you need is love
A simple message, like a cooing dove
In the tapestry of life, we fit like a glove
A cosmic dance, guided from above
A revolution of love, where no one ever forgets
The power of kindness, and the peace it begets
Give peace another chance, let love be the key
In this strange and winding journey, set our spirits free
No need for walls, just imagine we
Could change the world, like a melody
As the sun sets gently, on this day so divine
I close my eyes, and let the stars align
In this song of hope, a message to define
Imagine the possibilities, in this timeless design
Give peace another chance, let love be the key
In this strange and winding journey, set our spirits free
No need for walls, just imagine we
Could change the world, like a melody
Give peace another chance, let love be the key
In this strange and winding journey, set our spirits free
No need for walls, just imagine we
Could change the world, like a melody, like a melody
All instruments and vocals by Leeroy
Thanks for listening
Wise men say
Only fools rush in
But I can't help falling in love with you
Shall I stay?
Would it be a sin
If I can't help falling in love with you?
Like a river flows
Surely to the sea
Darling, so it goes
Some things are meant to be
Take my hand
Take my whole life, too
For I can't help falling in love with you
Like a river flows
Surely to the sea
Darling, so it goes
Some things are meant to be
Take my hand
Take my whole life, too
For I can't help falling in love with you
For I can't help falling in love with you
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@TheKinksMusic @davedavies @raydavies @LeeroysMusicalJourney
Growing up isn't easy to do
Especially for one who always knew
You would always come up second best
Is that why you have such bitterness?
The apple of your father's eye
And always by your brother's side
Then a little sister came along
And you found all the affection suddenly gone
But underneath the cold exterior
I know you've got a heart of gold
So aloof, so superior
But you've got a heart of gold
Watch out! Don't get caught in the crossfire
Watch out! She's still growing up
She's in a rage, I guess she's reached that difficult age
Growing up is very hard to do
Everybody watching your every move
Your private life always on view
But jealousy never really suited you
But I know that underneath the crude exterior
There's gotta be a heart of gold
Underneath that hard exterior
Is a little girl waiting to be told
You've got a heart of gold
She's got a heart of gold
I couldn't understand your attitude
I only wanted to take a photograph of you
And I was shocked when I heard what you had to say
You picked up my camera and threw it away
I didn't really mean to ruin your day
Now I see you've got a little girl of your own
Little princess suddenly grown
And there's her man, he's smiling at you
He must have been the one who always knew
You had a heart of gold
Underneath the crude exterior
You've got a heart of gold
So aloof, so superior
But you've got a heart of gold
Underneath the crude exterior
You've got a heart of gold
Underneath that hard exterior
You've got a heart of gold
Watch out! She'll give you a broadside
But out on the inside
Source: Musixmatch
Songwriters: Raymond Douglas Davies
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Gerry Rafferty - Get It Right Next Time Cover
Out on the street I was talkin' to a man
He said "there's so much of this life of mine that I don't understand"
You shouldn't worry I said that ain't no crime
Cause if you get it wrong you'll get it right next time, next time.
You need direction, yeah you need a name
When you're standing in the crossroads every highway looks the same
After a while you can recognize the signs
So if you get it wrong you'll get it right next time, next time.
Life is a liar yeah life is a cheat
It'll lead you on and pull the ground from underneath your feet
No use complainin', don't you worry, don't you whine
Cause if you get it wrong you'll get it right next time, next time.
You gotta grow, you gotta learn by your mistakes
You gotta die a little everyday just to try to stay awake
When you believe there's no mountain you can climb
And if you get it wrong you'll get it right next time, next time.
Next time, you-hum
Source: LyricFind
Songwriters: Gerald Rafferty
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The Road To Hell Chris Rea
Well, I'm standing by a river
But the water doesn't flow
It boils with every poison
You can think of
And I'm underneath the streetlight
But the light of joy I know
Scared beyond belief
Way down in the shadows
And the perverted fear of violence
Chokes a smile on every face
And common sense is ringing
Out the bell
This ain't no technological breakdown
Oh no, this is the road
To hell
And all the roads jam up with credit
And there's nothing you can do
It's all just bits of paper
Flying away from you
Oh, look out world take a good look
What goes down here
You must learn this lesson fast
And learn it well
This ain't no upwardly mobile freeway
Oh no, this is the road
Said this is the road
This is the road
To hell
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Lyrics
When you sing
Of the joy only love can bring
Heaven knows
It's in my heart and my soul
We're caught in a world full of tears
And so many bad times and fears
So while there's a chance, and you're near
Let's dance
Let's dance
Yeah, yeah
Mmm-hmm
There's a world
Far away from the one we see
There's a dream
I will never let go
One thing is certainly true
There's moment's for me and for you
So while there's not a thing that we can do
Yeah, let's dance
Yeah, yeah, let's dance
Hmm-mm, let's dance
Let's dance
Yeah, yeah
Ah-ha
Let's dance
Let's dance
Let's dance
Let's dance
Let's dance
Ahh, yeah, yeah
Let's dance
Let's dance
Source: Musixmatch
Songwriters: Christopher Anton Rea
Performed and sung by Leeroy
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D Bm D Bm
D
Hey, little girl is your daddy home? Did he go away and
G
leave you all alone; humm
Bm G A D
I got a bad desire, oh, oh, oh I'm on fire
D
Tell me now baby is he good to you and can he do to you
G
the things that I do, oh no;
Bm G A D
I can take you higher, oh, oh, oh I'm on fire
Bm D Bm D
D G
Sometimes it's like someone took a knife baby, edgy and
dull,
D Bm
and cut a six inch valley through the middle of my skull
D
At night I wake up with the sheets soaking wet,
and a freight train running through the middle of my
head;
G Bm G A D
only you, can cool my desire, oh, oh, oh I'm on fire
G A D
Oh, oh, oh I'm on fire
G A D
Oh, oh, oh I'm on fire
Bm D
Hoo Hoo Hoo
Bm
Hoo Hooooooo Hoo
D
Hoo-oo Hoo Hoo . . . .
* Alternates:
Capo II
D = C
Bm = Am
G = F
A = G
Capo IV
D = A#
Bm = Gm
G = D#
A = F
Set8]
"I'm Beggin' You" is a 1987 single by British progressive rock band Supertramp and one of two entries into the dance charts by Supertramp. "I'm Beggin' You" reached number one on the U.S. Billboard Hot Dance Club Play for one week, early in 1988.[2] Unlike previous entries the single did not enter the Billboard Hot 100. #supertramp #rickdavies @supertrampofficial @SupertrampVEVO
I'm beggin' you, let's start anew
All my fears were wrong
I was too headstrong
Now I'm missing you
It's been too long, and still you're gone
If you ever cared
About the life we shared
Please let me know
I think about you lately
More than you will ever know
And if you could just forgive me
You know I'd love you so
We had a love, to be proud of
What was once a thrill
Then became a chill
And so very cold
So I'm beggin you, let's start anew
Give it one more chance
It's the final dance
Before you go away
I've got something more to say
I think about you lately
More than I could ever say
And if you could just forgive me
Well you know we'll find away
You know we'll find away
Do you care
Ah do you care for me now baby
I'd like to go
Do you care
I cannot make you change your mind
I'd like to go
I wanna make it right this time
Do you care
You know I love you always
That's why I'm begging you to stay
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Hope you enjoy. I am trying to cover songs that just come to me from my memories of the past and this is one of them.
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All vocals and instruments by Leeroy.
Instruments include
Lounge Lizard Electric Piano
Vintage Keys Clavinet
Bass Guitar
Classical Guitar x 3
Drums used are MT Powerdrum and Linn Drum Machine
Tape Choir used
Vocals and Backing By Leeroy using the following plugins also
Tube Compressor
Vocal Rider
Greg Wells Voice Centric
Blackhole Reverb
@lindseybuckingham @biglindseyfan77 #lindseybuckingham
Trouble
Lindsey Buckingham
Two, ah-three, ah-four!
I really should be saying goodnight.
I really shouldn't stay anymore.
It's been so long since I held ya.
I've forgotten what love is for.
I should run on the double
I think I'm in trouble,
I think I'm in trouble.
So come to me darlin' and hold me
Let your honey keep you warm
Been so long since I held ya
I've forgotten what love is for.
I should run on the double
I think I'm in trouble.
Hope you enjoy. I am trying to cover songs that just come to me from my memories of the past and this is one of them.
Please subscribe for more
All vocals and instruments by Leeroy.
Instruments include
Lounge Lizard Electric Piano
Vintage Keys Clavinet
Bass Guitar
Classical Guitar x 3
Drums used are MT Powerdrum and Linn Drum Machine
Tape Choir used
Vocals and Backing By Leeroy using the following plugins also
Tube Compressor
Vocal Rider
Greg Wells Voice Centric
Blackhole Reverb
@lindseybuckingham @biglindseyfan77 #lindseybuckingham
Trouble
Lindsey Buckingham
Two, ah-three, ah-four!
I really should be saying goodnight.
I really shouldn't stay anymore.
It's been so long since I held ya.
I've forgotten what love is for.
I should run on the double
I think I'm in trouble,
I think I'm in trouble.
So come to me darlin' and hold me
Let your honey keep you warm
Been so long since I held ya
I've forgotten what love is for.
I should run on the double
I think I'm in trouble.
Hope you enjoy, I'm a big Hitchcock fan.
All video for entertainment purposes only.
All music and vocals by Leeroy. Written By Leeroy
Hitchcock’s Last Wish
She came from the Shadow of a Doubt
Eyes like Rebecca, heart full of drought
I met her in the Rear Window light
Whispers curled in the Spellbound night
A Strangers on a Train affair
Two tickets and a silent prayer
But she said, “I Confess,” with a trembling hand
“I buried him in The Trouble with Harry’s land”
We fled down The 39 Steps
Through Sabotage and secrets kept
Each mile a reel of ghostly frames
Haunted by Marnie’s many names
This was Hitchcock’s Last Wish
A scene that never made the deal
A twist too sharp, a cut too real
Truth hangs from The Rope, Love fades like Vertigo
She cried, “Lifeboat dreams, and Notorious shame
All I touch turns to a deadly game”
I said, “Dial M for Murder if I disappear”
But all she got was a silent tear
This was Hitchcock’s Last Wish
A plot he whispered to the night
Where The Birds don’t sing, they bite and fight
And no one's sure what's wrong or right
North by Northwest, we ran from fate
But Psycho love arrives too late
Topaz skies above our flight
But Suspicion shadows every light
A motel sign flickers in the rain
And Family Plot completes the pain
Yes, this was Hitchcock’s Last Wish
A tale of guilt and fatal bliss
Of masks we wear, of lips unkissed
Of a scream that echoes in the mist
So if you hear a Stage Fright cry
In a mirror or a passing sigh
Remember love is a twisted pitch
When you’re caught...
in Hitchcock’s Last Wish
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Written and performed by Leeroy.
Thanks everyone for their support!!!!
It's been so long since we just talked
I should have stayed here rather than walked
You've got the eyes of the hawk
I'm melted cheese and you are chalk
I'm not inclined to read the signs
Looking back always leaves me behind
Must push forward
I lost you now but what a find
Too busy tryin' not to be unkind
But I'm on your side
High or low
Left to right
Forward, behind
Side to side
Up and down
In and out
Front to back
I'm on your side
This fleeting moment's just a phase
My judgement clouded by the foggy haze
A dog off it's lead should never stray
To end up being someone else's prey
But who am I to analyse?
I ain't the type of guy you should ask
Must push forward
Too smart for the missing link
Take my shirt, take the sink
Must push forward
High or low
Left to right
Forward, behind
Side to side
Up and down
In and out
Front to back
I'm on your side
Must push forward
Full version of this cover here - youtu.be/YUo08NhxrEc
All instruments and vocals by Leeroy
Like and sub for more random songs @richardmarx #richardmarx
My mother came to Hazard when I was just seven
Even then the folks in town said with prejudiced eyes, "That boy's not right"
Three years ago when I came to know Mary
First time that someone looked beyond the rumors and the lies
And saw the man inside
We used to walk down by the river
She loved to watch the sun go down
We used to walk along the river
And dream our way out of this town
No one understood what I felt for Mary
No one cared until the night she went out walking all alone
And never came home
Man with a badge came knocking next morning
Here was I surrounded by a thousand fingers suddenly
Pointed right at me
I swear I left her by the river
I swear I left her safe and sound
I need to make it to the river
And leave this old Nebraska town
I think about my life gone by
How it's done me wrong
There's no escape for me this time
All of my rescues are gone, long gone
I swear I left her by the river
I swear I left her safe and sound
Oh, I need to make it to the river
And leave this old Nebraska town
Ooh-ooh-ooh
Source: Musixmatch
Songwriters: Richard Marx
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All a bit of AI fun
Like and sub is always welcome. Rude comments go in the bin
Pitballs, Potholes, Parolees - An AI Tribute Song
Lynne
Well, we hit the road in a rusty Chevy
Beneath the sunsets, feeling so heavy
Dylan
Pitbulls in the back, they're our loyal mates
Through the potholes and the city gates
George
This Life's a highway, thats winding and free
Parolees chasing dreams, just like you and me
Dylan
In this world of troubles, we find our way
With Pitbulls, Potholes, Parolees each day
Petty
Pitbulls, Potholes, and Parolees
On this journey, through life's mysteries
Roy
Underneath the moon, under starry skies
We'll keep on rollin', never asking why
Lynne
Pitbulls by our side, hearts full of fire
Through the struggles, we'll rise higher
Dylan
Potholes in the road won't slow us down
We'll navigate this crazy town
George
It's just a highway, full of twists and turns
Parolees seek redemption, with lessons to learn
Dylan
In this world of chaos, we'll find our way
With Pitbulls, Potholes, Parolees each day
Petty
Pitbulls, Potholes, and Parolees
On this journey, through life's mysteries
Roy
Underneath the moon, under starry skies
We'll keep on rollin', never asking why
solo
Lynne
City lights flicker, shadows on walls
Parolees finding grace in the midnight calls
Dylan
Pitbulls howlin', under the city's glow
In this world of contracts, we'll let it all go
Roy
And when the night falls, and the road gets tough
We'll lean on each other, and that's enough
Through the darkness, we'll find the light
All
Pitbulls, Potholes, Parolees in sight
Traveling Wilburys were a British-American supergroup formed in Los Angeles in 1988, consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty. They were a roots rock band and described as "perhaps the biggest supergroup of all time".
Originating from an idea discussed by Harrison and Lynne during the sessions for Harrison's 1987 album Cloud Nine, the band formed in April 1988 after the five members united to record a bonus track for Harrison's next European single. When this collaboration, "Handle with Care", was deemed too good for such a limited release, the group agreed to record a full album, titled Traveling Wilburys Vol. 1, released in October 1988. Following Orbison's death in December 1988, the Wilburys continued as a quartet and released a second album, incongruously titled Traveling Wilburys Vol. 3, in 1990.
The release of their debut album was much anticipated because of the stature of the participants. The band members adopted tongue-in-cheek pseudonyms as half-brothers from the fictional Wilbury family of travelling musicians. Vol. 1 was a critical and commercial success, helping to revitalise Dylan's and Petty's careers. In 1990, the album won the Grammy for Best Rock Performance by a Duo or Group.
Although Harrison envisioned a series of Wilburys albums and a film about the band, to be produced through his company HandMade, the group became dormant after 1991 and never officially reunited, though the individual members continued to collaborate on each other's solo projects at various times. Harrison died in 2001, followed by Petty in 2017, leaving Dylan and Lynne as the only surviving members. After being unavailable for several years, the two Wilburys albums were reissued by the Harrison estate in the 2007 box set The Traveling Wilburys Collection.
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Judge's awesome channel is here @judgetimbers we share the same taste the same as we share our greying hair. Full credit though goes to Judge on this somg. When we have enough tracks for an album we will surely release!!
Songs like this prove why our best work doesn't necessarliy get the views.
"Forever Connect" - Music & Lyrics by Judge Timbers
With a rusty smile and sly wink
An old man has something to say
He draws a breath and downs his drink
Reluctantly he makes my way
I was looking myself to tie one on
Drown my sorrows, do some harm
I was thinking about the ones we lost
But the old man proved he’s still boss
He said, all connections perpetuate
The ties that bind never break
‘Cause all good people live on and on
I ordered a round to pass the time
But took no comfort from his lines
A block or two he’d been around
He told me tales of what he lost and found
Air and water never die
Making connections, connecting our lives
It seems the old man was very wise
We sat at the bar he cheered me up
He opened my mind to old connections
We shared a laugh and another drink
I began to treat the world’s infections
He said, all connections penetrate
The air and water don’t migrate
‘Cause all good people go on and on
The barkeep called for last call
I didn’t want to leave, I wanted to stall
I shook his hand as we said goodnight
The little old man just saved my life
Air and water never die
Making connections, connecting our lives
I think the old man was an angel in disguise
The air I breathe you breathed too
The water I drink you drank it too
The sun that warms once warmed you
The tide that comes rolled in for you
The dirt I touch touched you too
The wind that blows blew you down
The clouds above danced for you
The moon that calls called down to you
The hill I climb you climbed too
You’re in my blood, you’re in my sweat
Always with me, forever connect
You’re in my blood, you’re in my sweat
Always with me, forever connect
You’re in my blood, you’re in my sweat
Always with me, forever connect
You’re in my blood, you’re in my sweat
Always with me, forever connect
The love I make you made too
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Our Forever Place
Underneath the moon's soft glow
In fields where wildflowers grow
Her laughter dances in the breeze
As we sway underneath the trees
Love's melody, it always calls
Through the highs also the falls
In her eyes, I found my home
Together we will always roam
Tapestries are so well woven
Two souls bound, forever chosen
Love's embrace, we find our grace
Each other's arms, our forever place
Hand in hand, we roam the sands
Footprints traced by tender hands
In her smile, I find the truth
In her arms, it's eternal youth
Love's melody, it always calls
Through the highs also the falls
In her eyes, I found my home
Together we will always roam
Tapestries are so well woven
Two souls bound, forever chosen
Love's embrace, we find our grace
Each other's arms, our forever place
This tapestry is so well woven
Two souls bound, forever chosen
Love's embrace, we find our grace
Each other's arms, our forever place
Love's melody, it always calls
Through the highs also the falls
In her eyes, I found my home
Together we will always roam
Tapestries are so well woven
Two souls bound, forever chosen
Love's embrace, we find our grace
Each other's arms, our forever place
Through the storms, we find our calm
In her embrace, I can do no harm
With every heartbeat, love's refrain
In her love, I will remain
This tapestry is so well woven,
Two souls bound, forever chosen,
Love's embrace, we find our grace,
Each other's arms, our forever place
Love's melody, it always calls
Through the highs also the falls
In her eyes, Ive found my home
Together, we will always roam
Tapestries are so well woven
Two souls bound, forever chosen
Love's embrace, we find our grace
Each other's arms, our forever place
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All instruments played by Leeroy. Vocals by Leeroy and post processed using AI
The song you're likely thinking of is "I Told You Before," an improvised track recorded by The Beatles with Billy Preston during the "Get Back" sessions in January 1969 according to The Paul McCartney Project. It was initially created on January 26th and revisited the following day. Bootlegs of the Get Back sessions, including one titled "A/B Road Complete Get Back Sessions - Jan 26th, 1969 - 3 & 4", contain recordings of this song. It's important to note that this is different from other songs that might include the phrase "I told you before," such as the Johnny Cash song "I Walk the Line," where the phrase appears in the lyrics.
I've told you before, get out of my door
And don't come back no more
You're wasting your time, you're wasting my life
So get out and stay out of my sight
I've had enough, I've had my fill
Of your games and your pills
So take your things, and walk out the door
don't come back here no more
You're not the one, you're not the one for me
So get out and leave me in peace
I've found someone who sets me free
So now it's time for you to leave
I've told you before, get out of my door
And don't come back no more
You're wasting your time, you're wasting my life
So get out out of my sight
I've had enough, I've had my fill
Of your games and your pills
So take your things, and walk out the door
And don't you ever come back no more
You're not the one, you're not the one for me
So get out and leave me in peace
I've found someone who sets me free
So now it's time for you to leave
I've told you before, get out of my door
I've told you before, get out of my door
@whereswaldo @whereswally @LeeroysMusicalJourney
City lights are shining bright
Faces blend in the night
Walking streets that never sleep
Dreams and secrets that we keep
Voices echo in my mind
Searching for what I can't find
Hopes and fears are intertwined
In this rush I'm left behind
Lost in the crowd tonight
I wanna feel alright
Dancing under neon lights
Break away
Take flight
Strangers passing by my side
A thousand stories collide
Heartbeat racing with the tide
Find a place where I can hide
In the chaos
There's a spark
Find a rhythm in the dark
Every beat can leave a scar
Hear my name within a car
Lost in the crowd tonight
I wanna feel alright
Dancing under neon lights
Break away
Take flight
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@TheKinksMusic @DetuneTv @DetuneTv
They put a parking lot on a piece of land
Where the supermarket used to stand
Before that they put up a bowling alley
On the site that used to be the local palais
That's where the big bands used to come and play
My sister went there on a Saturday
Come dancing
All her boyfriends used to come and call
Why not come dancing?
It's only natural
Another Saturday, another date
She would be ready but she's always make them wait
In the hallway, in anticipation
He didn't know the night would end up in frustration
He'd end up blowing all his wages for the week
All for a cuddle and a peck on the cheek
Come dancing
That's how they did it when I was just a kid
And when they said "come dancing"
My sister always did
My sister should have come in at midnight
And my mum would always sit up and wait
It always ended up in a big row
When my sister used to get home late
Out of my window, I could see them in the moonlight
Two silhouettes saying goodnight by the garden gate
The day they knocked down the palais
My sister stood and cried
The day they knocked down the palais
Part of my childhood died, just died
Now I'm grown up and playing in a band
And there's a car park where the palais used to stand
My sister's married and she lives on an estate
Her daughters go out, now it's her turn to wait
She knows they get away with things she never could
But if I asked her, I wonder if she would
Come dancing
Come on, sister, have yourself a ball
Don't be afraid to come dancing
It's only natural
Come dancing
Just like the palais on a Saturday
And all her friends would come dancing
While the big bands used to play
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All instruments and vocals by Leeroy. Produced By Leeroy. I dont think you'll find a better cover but maybe I'm biased!!
Like and sub for more George Harrison. See Playlist at end of video
@judgetimbers @BeatlesGirlKaren @SILVERPYGMEES @GeorgeHarrisonOfficial #georgeharrison
I was so young when I was born
My eyes could not yet see
And by the time of my first dawn
Somebody holding me, they said
I welcome you to Crackerbox Palace
We've been expecting you
You bring such joy in Crackerbox Palace
No matter where you roam, know our love is true
While growing up, or trying to
Not knowing where to start
I looked around for someone who
May help reveal my heart, and someone said
While you're a part of Crackerbox Palace
Do what the rest all do
Or face the fact that Crackerbox Palace
May have no other choice than to deport you
And we welcome you to Crackerbox Palace
We've been expecting you
You bring such joy in Crackerbox Palace
No matter where you roam, know our love is true
It's true, it's true
Some times are good, some times are bad
That's all a part of life
And standing in between them all
I met a Mr. Greif, and he said
I welcome you to Crackerbox Palace
Was not expecting you
Let's rap and tap at Crackerbox Palace
Know that the Lord is well and inside of you
And we welcome you to Crackerbox Palace
We've been expecting you
You bring such joy in Crackerbox Palace
No matter where you roam, know our love is true
You bring such joy in Crackerbox Palace
No matter where you roam, know our love
Know our love is true
Source: Musixmatch
Songwriters: George Harrison
#australiancrawl #jamesreyne @AustralianCrawl @JamesReyneDVD
Every day I see you wearing things that have never been worn before
While the children at the government schools send money for the poor
And all you buy you bargain for with your little man
So that from your silks down to your paramour, your tres, tres paragon
So it's a back beach in the summer
The chalet for the snow
You poor Hoochie Gucci Fiorucci Mama
You got really no place to go
Antiques flown in from Venice fill your house upon the hill
While your money sold the soul of rock and roll for some cheap disco thrill
I've seen your peers pouting over beers, the loneliness it showed
Mistaking tacky sex for sensuality, they bought in Toorak Road
So it's a back beach in the summer
The chalet for the snow
You poor Hoochie Gucci Fiorucci Mama
You got really no place to go
Inside her empty castle, her lonely heart will dwell
The life that she's been losing's like some stony bagatelle
The loving that you never found, you don't know the reason why
Oh, Hoochie Gucci Fiorucci Mama, don't you cry
Feel free to like and sub.
Instruments By Leeroy
Lyrics By Leeroy
Sung by Leeroy and post processed using AI Replay to sound like Ringo etc
Gather round friends, time to sing
A little blue engine, a really useful thing
The Island of Sodor, the tracks all gleam
A cheeky little smile, he's living the dream
It's Thomas the Tank Engine's smile
Chugging down the line, feeling so fine
Gordon and Henry, racing ahead
Annie and Clarabel, fill the spread
James, is red splendid chap
A shiny red coat, takes no naps
Percy's green, always on the go
Cheeky grin, he's stealing the show
Thomas the Tank Engine
Rolling down the track
There's no ever looking back
Edward and Toby, part of the crew
Steam together you know it's true
Thomas the Tank Engine, yeah
Leading the way, a bright sunny day
An engine family, with a tale to tell
On the rails of Sodor, where adventures swell
Emily's the sleek one with her shiny tale
The twins, Bill and Ben, never one to faint
Diesel may grumble, but he's part of the tale
On the Island of Sodor, Stories set sail
And don't forget the Fat Controller, so stout
In his suit and hat, he's always about
Manages engines, with a stern kind heart
Keeping everything running, like it's an art
Thomas the Tank Engine, yeah
Leading the way
A bright sunny day
An engine family, with a tale to tell
On the rails of Sodor, where adventures swell
And as the sun sets on this land
Thomas and friends we stand
Written and played by Leeroy. Sung and the post processed using AI by Leeroy.
I can't slepp
It's only 10 hours away
flying high in the sky
I will be landing soon
She'll be waiting for me
someone get me off this plane
I need a place to refrain
Quietening down
and feeling lame
Falling short the options are grim
But I wear this grin
We'll all go to where we're young at heart
We can make a fresh new start
Here at Friar Park
At Friar Park
The grass is green and the children laugh
At Friar Park
There is alcohol to syphon
You'll meet lots of people
Eric Idle and the rest of Monty Python
Put up my feet
Choof on a smoke
Play me some laid back tunes
and crack a few jokes
At Friar Park
You'll see lots of gnomes digging the dirt
At Friar Park
I'll introduce you to The Rutles
They're just over there
There Barry and Stig, Nasty and Dirk
At Friar Park
The grass is green and the children laugh
At Friar Park
There is alcohol to syphon
You'll meet lots of people
Eric Idle and the rest of Monty Python
At Friar Park
We'll watch Life Of Brian
In the glow of the Dark
At Friar Park
We'll All Be At Peace
Theres Michael Palin, Graham Chapman and John Cleese
Vocals also sung by me and post processed using AI
Like sub and share if you could.
If you don't like AI what are you doing here?
She's in the garden
I'll try my hardest
yes, to understand
what I am
It's overwhelming
can't stop my frowning
but I'm gonna try
to stay true to myself
I'm in the basement
Saw what that face meant
Cant keep it to myself
So wanna share it with you
She's making my world
Im not so disturbed
For Now
She's all of my world
its just so absurd
She's leaving now
She's walking slowly
with a pair of shears
Sleep with one eye open
as the night nears
I'm getting scared now
So I repeat myself
I repeat myself
Please don't run with scissors
or cry over spilt milk
I'm falling backwards
In slow motion
could only be worse
if I was in a kilt
She's making my world
Im not so disturbed
For now
She's all of my world
its just so absurd
She's here somehow
Look out boys and girls
from what I have learned
you'll need company
She's ending my world
im not too perturbed
as long as she'll be
with me
as long as she'll be
with me
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Like and sub for more nostalgic songs!!
"Real Gone Kid" is a song by Scottish pop rock band Deacon Blue. Vocalist Ricky Ross wrote the song about a performance he saw of ex-Lone Justice singer Maria McKee during a time when Deacon Blue and Lone Justice toured together. The lyrics are a tribute to McKee, with the narrator using the term "real gone kid" as a designation for craziness, referring to McKee's "wild" onstage performance style. The song was included on Deacon Blue's second studio album, When the World Knows Your Name (1989). @DeaconBlue @rickyross
Issued on 3 October 1988 as the first single from the album, the "Real Gone Kid" single includes three B-sides: "Little Lincoln", a cover of Sam & Dave's "Born Again", and a cover of Hüsker Dü's "It's Not Funny Anymore". "Real Gone Kid" was the band's first top-10 hit, reaching number eight on the UK Singles Chart, number 10 in Ireland, and number five in New Zealand. In Spain, the song peaked at number one for three weeks.
'Cause I'd tear out the pages
That I've got in these books
Just to find you some words
Just to get some reward
And I'll show you all the photographs
That I ever got took
And I'll play you old 45s
That now mean nothing to me
And you're a real gone kid
Maybe now baby (maybe now baby)
Maybe now baby (maybe now baby)
Maybe now baby (maybe now baby)
I'll do what I should have did
Now I've stood on your shadow
And I've watched it grow
And it's shaken and it's driven me
And let me know, let me know
Let me know, let me know
About all the old 45s
And the paperback rooms
And it's scattered all the photographs
Of summers and suns
And you're a real gone kid
And maybe now baby (maybe now baby)
Maybe now baby (maybe now baby)
Maybe now baby (maybe now baby)
I'll do what I should have did
'Cause you're a real gone kid
I cried and I craved
Hoped and I've saved
And I put away those souvenirs, souvenirs, souvenirs
Cried and I craved
Hoped and I've saved
And I put away those souvenirs, souvenirs, souvenirs
You're a real gone kid
And maybe now baby (maybe now baby)
Maybe now baby (maybe now baby)
Maybe now baby (maybe now baby)
I'll do what I should have did
'Cause you're a real gone kid
'Cause you're a real gone kid
'Cause you're a real gone kid
(Do what I shoulda done)
'Cause you're a real gone kid
(Say what I shoulda said)
You're a real gone kid
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"Penny Lane"
In Penny Lane there is a barber showing photographs
Of every head he's had the pleasure to have known
And all the people that come and go
Stop and say hello
On the corner is a banker with a motorcar
The little children laugh at him behind his back
And the banker never wears a mac
In the pouring rain, very strange
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
In Penny Lane there is a fireman with an hourglass
And in his pocket is a portrait of the queen
He likes to keep his fire engine clean
It's a clean machine
Penny Lane is in my ears and in my eyes
A four of fish and finger pies
In summer, meanwhile back
Behind the shelter in the middle of a roundabout
The pretty nurse is selling poppies from a tray
And though she feels as if she's in a play
She is anyway
In Penny Lane the barber shaves another customer
We see the banker sitting waiting for a trim
And then the fireman rushes in
From the pouring rain, very strange
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
Penny Lane
Judge and I are dedicating this to our mates The Silver Pygmees. If you want to see more brillent Beatlesque songs you must check out their channel. They inspired us to make this.
youtube.com/@UC9NbO9Y4z7fG6OeTSCZGFlA
Of Course the legedary Judge Timbers can be found here @judgetimbers
In Penny Lane, there is a barber showing photographs
Of every head he's had the pleasure to have known
And all the people that come and go
Stop and say hello
On the corner is a banker with a motorcar
The little children laugh at him behind his back
And the banker never wears a mac
In the pouring rain, very strange
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit and meanwhile back
In Penny Lane, there is a fireman with an hourglass
And in his pocket is a portrait of the Queen
He likes to keep his fire engine clean
It's a clean machine
Penny Lane is in my ears and in my eyes
Four of fish and finger pies
In summer, meanwhile back
Behind the shelter in the middle of a roundabout
A pretty nurse is selling poppies from a tray
And though she feels as if she's in a play
She is anyway
In Penny Lane, the barber shaves another customer
We see the banker sitting, waiting for a trim
And then the fireman rushes in
From the pouring rain, very strange
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
I sit, and meanwhile back
[Chorus: Paul McCartney with John Lennon & George Harrison]
Penny Lane is in my ears and in my eyes
There beneath the blue suburban skies
Penny Lane
25
Embed
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Guitar solo 02:30 @paulyoungchannel @Zuccheromusic
"Senza una donna" (IPA: [ˈsɛntsa una ˈdɔnna]) is a song written and performed by Italian singer and musician Zucchero on his fourth album, Blue's (1987). Originally recorded in Italian, in 1990 it was re-recorded in English with English singer and musician Paul Young. The English lyrics were contributed by Frank Musker. The song was then released as a single under the title "Senza una donna (Without a Woman)".
The English version of the song reached number four on the UK Singles Chart and number two on both the German Singles Chart and the French Singles Chart. It also topped the charts of Belgium, Ireland, Norway, Quebec, and Sweden, selling more than 5,000,000 copies worldwide. It was also one of the most famous songs in Venezuela in 1991. "Senza una donna" was released along with two music videos: one for the solo version and another for the duet version.
I changed the world
I changed the world
I changed the world
I wanna change the world
This ain't the way, I spend my mornings baby
Come stai?
You been with him, and you come back my lady
What's he like?
I just sit and watch the ocean
By myself, even doing my own cookin'
You can laugh and you're forgiven, but
I'm no longer frightened, to be livin'
Senza una donna
No more pain and no sorrow
Senza una donna
I'll make it through tomorrow
Senza una donna
Givin' me torture and bliss
Without a woman
Better like this
There is no way, that you can buy me baby
Don't make fun
You got to dig, a little deeper lady
In the heart? Yeah, if you have one
Here's my heart, feel the power
Look at me, look at me, I'm a flower
You can laugh, and you're forgiven, but
I'm no longer frightened, to be livin'
Senza una donna
No more pain and no sorrow
Senza una donna
I'll make it through tomorrow
Senza una donna
Givin' me torture and bliss
I stay here, an' watch the ocean
Don't know why, don't know why, I keep on talkin', I keep on talkin'
You may laugh, you're forgiven, but
I'm no longer frightened maybe to be livin'
Senza una donna
No more pain and no sorrow
Senza una donna
You know I'll make it through tomorrow
Senza una donna
Givin' me torture and bliss
Without a woman
Vieni qui, come on in
Senza una donna
I don't know what might follow
Senza una donna
Maybe from tomorrow
Senza una donna
Givin' me torture and bliss
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Just a stripped down version
I may not always love you
But long as there are stars above you
You never need to doubt it
I'll make you so sure about it
God only knows what I'd be without you
If you should ever leave me
Well, life would still go on, believe me
The world could show nothing to me
So what good would living do me?
God only knows what I'd be without you
Ooh, ooh
Do, do, do, do, do, do, do
Bow, buh-bow, buh-bow, buh-bow (Do, do, do, do)
Buh-bow, buh-bow, buh-bow (Do, do, do, do, do, do)
Buh-bow, buh-bow, buh-bow, buh-bow (Do, do, do, do, do, do, do, do)
God only knows what I'd be without you
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[Verse 3: Carl Wilson]
If you should ever leave me
Well, life would still go on, believe me
The world could show nothing to me
So what good would living do me?
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you
God only knows what I'd be without you (What I'd be)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (What I'd be)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (What I'd be)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (What I'd be)
God only knows what I'd be without you (God only knows)
God only knows what I'd be without you (What I'd be)
God only knows what I'd be without you (God only knows)
Hope you enjoy and I hope Leenie does too. She hasn't heard it yet!!!
youtu.be/f-ysZ1IIE2o
@Leenie333 @LauriesMishmosh Happy Birthday Laurie!!
@PatBenatarRulz
Lyrics
Many times I've tried to tell you
Many times I've cried alone
Always I'm surprised how well
You've cut my feelings to the bone
Don't want to leave you really
I've invested too much time
To give you up that easy
To the doubts that complicate your mind
We belong to the light
We belong to the thunder
We belong to the sound of the words
We've both fallen under
Whatever we deny or embrace
For worse or for better
We belong, we belong
We belong together
Maybe it's a sign of weakness
When I don't know what to say
Maybe I just wouldn't know
What to do with my strength anyway
Have we become a habit?
Do we distort the facts?
Now there's no looking forward
Now there's no turning back
When you say we belong to the light
We belong to the thunder
We belong to the sound of the words
We've both fallen under
Whatever we deny or embrace
For worse or for better
We belong, we belong
We belong together
Close your eyes and try to sleep now
Close your eyes and try to dream
Clear your mind and do your best
To try and wash the palette clean
We can't begin to know it
How much we really care
I hear your voice inside me
I see your face ev'rywhere
Still you say we belong to the light
We belong to the thunder
We belong to the sound of the words
We've both fallen under
Whatever we deny or embrace
For worse or for better
We belong, we belong
We belong together (we belong)
We belong to the light
We belong to the thunder
We belong to the sound of the words
We've both fallen under
Whatever we deny or embrace
For worse or for better
We belong, we belong
We belong together (we belong)
We belong to the light
We belong to the thunder
Feel free to Like And Subscribe @BrianWilsonVEVO @brianwilsonlive
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
Nothing in the song relates to surfing; the title is a play-on-words referring to the group shedding their image. The lyrics describe a man at a concert hall who experiences a spiritual awakening and resigns himself to God and the joy of enlightenment, the latter envisioned as a children's song. Musically, the song was composed as a two-movement piece that modulates key several times and avoids conventional harmonic resolution. It features a coda based on another Smile track, "Child Is Father of the Man".
The only surviving full-band recording of "Surf's Up" from the 1960s is the basic backing track of the first movement. There are three known recordings of Wilson performing the full song by himself, two of which were filmed for the 1967 documentary Inside Pop: The Rock Revolution, where it was described as "too complex" to comprehend on a first listen. Several years after Smile was scrapped, the band added new vocals and synthesizer overdubs to Wilson's first piano performance as well as the original backing track. Another recording from 1967 was found decades later and released for the 2011 compilation The Smile Sessions.
"Surf's Up" failed to chart when issued as a single in November 1971 with the B-side "Don't Go Near the Water". In 2004, Wilson rerecorded it for his solo version of Smile with new string orchestrations that he had originally intended to include in the piece. Pitchfork later included the song in separate rankings of the 200 finest songs of the 1960s and 1970s, and in 2011, Mojo staff members voted it the greatest Beach Boys song. As of 2020, it is listed among the 800-most highly rated songs of all time on Acclaimed Music.
A diamond necklace played the pawn
Hand in hand some drummed along, oh
To a handsome man and baton
A blind class aristocracy
Back through the opera glass you see
The pit and the pendulum drawn
Columinated ruins domino
Canvass the town and brush the backdrop
Are you sleeping?
Hung velvet overtaken me
Dim chandelier awaken me
To a song dissolved in the dawn
The music hall a costly bow
The music all is lost for now
To a muted trumpeter swan
Columinated ruins domino
Canvass the town and brush the backdrop
Are you sleeping, Brother John?
Dove nested towers the hour was
Strike the street quicksilver moon
Carriage across the fog
Two-Step to lamp lights cellar tune
The laughs come hard in Auld Lang Syne
The glass was raised, the fired rose
The fullness of the wine, the dim last toasting
While at port adieu or die
A choke of grief heart hardened I
Beyond belief a broken man too tough to cry
Surf's up
Aboard a tidal wave
Come about hard and join
The young and often spring you gave
I heard the word
Wonderful thing
A children's song
Child, child, child, child, child
A child is the father of the man
Child, child, child, child, child
A child is the father of the man
A children's song
Have you listened as they played
Their song is love
And the children know the way
That's why the child is the father to the man
Child, child, child, child, child
Child, child, child, child, child
Na na na na na na na na
Child, child, child, child, child
That's why the child is the father to the man
Child, child, child, child, child
Source: LyricFind
Songwriters: Brian Wilson / Van Dyke Parks
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Feel free to like, sub and all that stuff.
Life In A Northern Town - The Dream Academy
"The Dream Academy" refers to both a British band and a reality television show. The band, The Dream Academy, was a popular alternative pop group known for their hit song "Life in a Northern Town". The reality show, The Debut: Dream Academy, is a talent competition where contestants compete to debut as a global girl group.
The Band:
The Dream Academy was a British band formed in the 1980s.
The band consisted of Nick Laird-Clowes (lead vocals, guitar), Kate St John (woodwinds, piano), and Gilbert Gabriel (keyboards).
They are best known for their 1985 hit song "Life in a Northern Town", which was a tribute to the musician Nick Drake.
Their debut album, "The Dream Academy", reached number 20 on the US Billboard 200 chart and was produced by Pink Floyd guitarist David Gilmour.
A Salvation Army band played
And the children drank lemonade
And the morning lasted all day
All day
And through an open window came
Like Sinatra in a younger day
Pushing the town away
Ah
Ah-hey-ma-ma-ma
Dee-doo-din-nie-ya-ya
Ah-hey-ma-ma-ma
Hey-y-yah
Life in a northern town
Ah-hey-ma-ma-ma-ma
They sat on the stoney ground
And he took a cigarette out
And everyone else came down
To listen
He said, "In winter 1963
It felt like the world would freeze
With John F. Kennedy
And The Beatles"
Yeah, yeah, yeah
Ah-hey-ma-ma-ma
Dee-doo-din-nie-ya-ya
Ah-hey-ma-ma-ma
Hey-y-yah
Life in a northern town
Hey-ma-ma-ma-ma
Ah-hey-ma-ma-ma
Dee-doo-din-nie-ya-ya
Ah-hey-ma-ma-ma
Hey-y-yah
All the work shut down
The evening turned to rain (The evening turned to rain)
Watched the water roll down the drain
As we followed him down
To the station
And though he never would wave goodbye
You could see it written in his eyes
As the train rolled out of sight
Bye-bye
Ah-hey-ma-ma-ma
Dee-doo-din-nie-ya-ya
Ah-hey-ma-ma-ma
Hey-y-yah
Life in a northern town
Ah-hey-ma-ma-ma (Life in a northern town)
Ah-hey-ma-ma-ma
Dee-doo-din-nie-ya-ya
Ah-hey-ma-ma-ma (All the work shut down)
Hey-y-yah
Life in a northern town
Ah-hey-ma-ma-ma (Where ya goin' now?)
Ah-hey-ma-ma-ma
Dee-doo-din-nie-ya-ya
Ah-hey-ma-ma-ma
Hey-y-yah
Ah-hey-ma-ma-ma-ma
Take it easy on yourself
Greece was the B Side to Wake Up My Love
[Intro]
1 + 2 + 3 + 4 +
A A/G# A/F#
[Chorus]
| E6 E | D Dsus2 | E6 | A |
| E6 E | D Dsus2 | E6 | % |
(break)
[Verse]
| C#m7 | F#m7 | E6 | E7 |
| C#m7 | F#m7 | E6 | Esus4 |
[Bridge]
| Ebdim7 | A Asus4 A |
| Ebdim7 | A Asus4 A |
(break)
[Chorus]
| E6 E | D Dsus2 | E6 | % |
(break)
[Verse]
| C#m7 | F#m7 | E6 | E |
| C#m7 | F#m7 | E6 | E7sus4 |
[Bridge]
| Ebdim7 | A Asus4 A |
| Ebdim7 | A Asus4 A |
(break)
[Chorus]
| E6 E | D Dsus2 | E6 | % |
(break)
| E6 E | D Dsus2 | E6 | A | % |
[Middle 8]
F
Yugo to Slavia
F
Half past Armenia
A
Down and towards the Med
F
Left side of Turkey
B
Nowhere near Fiji
G | E6 |
You will find Greece (Lick 2]
[Verse]
| C#m7 | F#m7 | E6 | E7sus4 |
| C#m7 | F#m7 | E6 | E7sus4 |
[Bridge]
| Ebdim7 | A Asus4 A |
| Ebdim7 | A Asus4 A |
(break)
[Chorus]
| E6 E | D Dsus2 | E6 | % |
(break)
| E6 E | D Dsus2 | E6 | A | % |
[Middle 8]
F
You may Athena
F
Handed on Plato
A
Hole in my Socrates
F
I came Acropolis
B
On Monty Pythagoras
G | E6 |
Ulysses Greece (Lick 2]
[Verse]
| C#m7 | F#m7 | E6 | E |
| C#m7 | F#m7 | E6 | E7sus4 |
[Bridge]
| Ebdim7 | A Asus4 A |
| Ebdim7 | A Asus4 A |
(break)
[Chorus]
| E6 E | D Dsus2 | E6 | D Dsus2 |
| E6 E | D Dsus2 | E6 | % |
(Lick 2)
[Coda]
| C#m7 | F#m7 | C#m7 | F#m7 |
4 + 1 + 2 + 3 + 4 + | 1
| C#m7 F#m7 | C#m7 Bm7 Bbm7 A A
It's all a bit of fun
Hope you enjoy. Like and sub and share etc etc
To tell the truth it's really such a sad affairstanding here waiting in the cold night airbut I've got to make this call'cause my heart is breaking.
I hear the bips drop a coin in the slothas it been that longI thought you'd forgotten mewell I know that it's getting latebut I just couldn't wait
will I have the nerve to sayI just wanna come backyou shouldn't just go awayI just wanna come back
I've been struck by such a bad luckI need a place a little happiness and some loveI think I can see it nownow let me paint the picture
it's twelve o'clock and the curtains are drawnthey're counting sheep down in orchard roadyou're hanging on the telephone line tonightand I wish I could be in orchard road
not much been happening hereI think I've got a jobthey're gonna call me next weekand I'll be working out of townbut it sure beats hanging around
what's that? Tomorrow at twoyou're kidding me -- nois it allright with youI don't know what to sayit'll be like a holiday
when you say you're all alonemakes me wanna come backand this house is not a homeI just gotta go back
it's twelve ten when I put down the phonethe moon's shining down on orchard roadand I'm feeling like a schoolboy again and tonightI'll see you in my dreams of orchard road
it's funny but I thought I'd never go backI think sometimes I might loose trackbut I remember you and the things we doand I want it back.
in orchard road you've got my heartI left it in your doorwayIn orchard road a welcome backis waiting there just for meIn orchard road the sun will shineagain I know I knowin orchard road you keep my lovejust waiting there for me
it's eight o'clock and the dawn's arrivedin orchard road it's breakfast timeI climb in my car and I turn the key and I'm goneI am coming hometo Orchard Road
I'm coming home
"Orchard Road" is a song by Leo Sayer released in February 1983 as the second single from his tenth album Have You Ever Been in Love. It peaked at number 16 on the UK Singles Chart, becoming his final top-twenty hit until his 2006 feature on "Thunder in My Heart Again".
The music for "Orchard Road" was composed by Alan Tarney, with the lyrics by Sayer.[2] Tarney, who also produced the song, had previously worked with Sayer producing his 1980 album Living in a Fantasy, which included the top-ten hit "More Than I Can Say".
According to Sayer, the lyrics to the song are based on an all-night phone conversation out in a public telephone booth he had with his then-wife, Janice, pleading for her return from her flat and forgiveness after a lapse of judgement in their 7-year marital life. In reality, the song refers to Churchfield Road, Acton in Greater London where his wife had moved out to.[3] However, the name "Churchfield Road" "didn't sing very well", so it was changed to "Orchard Road", the name coming from the shopping area in Singapore as Sayer had recently performed there.
The song was originally recorded in one take as a demo, with Sayer "[making] up the words as we recorded it, with Alan Tarney playing to my hand signals".[5] However, the demo became the final version with the slightly unpolished guide vocal kept due to how it felt.
"I'm Not in Love" is a song by British group 10cc, written by band members Eric Stewart and Graham Gouldman. It is known for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album, The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK Singles Chart for two weeks. "I'm Not in Love" became the band's breakthrough hit outside the United Kingdom, topping the charts in Canada and Ireland as well as peaking within the top 10 of the charts in several other countries, including Australia, West Germany, New Zealand, Norway and the United States.
Written mostly by Stewart as a response to his wife's declaration that he did not tell her often enough that he loved her, "I'm Not in Love" was originally conceived as a bossa nova song played on guitars, but the other two members of the band, Kevin Godley and Lol Creme, were not impressed with the idea for the track and it was abandoned. However, after hearing members of their staff continue to sing the melody around their studio, Stewart persuaded the group to give the song another chance, to which Godley replied that for the song to work it needed to be radically changed, and suggested that the band should try to create a new version using just voices.
Stewart came up with the idea for the song after his wife, to whom he had been married for eight years at that point, asked him why he did not say "I love you" more often to her. Stewart said, "I had this crazy idea in my mind that repeating those words would somehow degrade the meaning, so I told her, 'Well, if I say every day "I love you, darling, I love you, blah, blah, blah", it's not gonna mean anything eventually'. That statement led me to try to figure out another way of saying it, and the result was that I chose to say 'I'm not in love with you', while subtly giving all the reasons throughout the song why I could never let go of this relationship."[6]
Stewart wrote most of the melody and the lyrics on the guitar before taking it to the studio, where Gouldman offered to help him complete the song. Gouldman suggested some different chords for the melody, and also came up with the intro and the bridge section of the song. Stewart said that the pair spent two or three days writing the song, which at that point had a bossa nova rhythm and used principally guitars, before playing it to Godley and Creme. Stewart recorded a version with the other three members playing the song in the studio on traditional instruments – Creme on guitar, Gouldman on bass, and Godley on drums – but Godley and Creme disliked the song, particularly Godley, as Stewart later recalled: "He said, 'It's crap', and I said, 'Oh right, OK, have you got anything constructive to add to that? Can you suggest anything?' He said, 'No. It's not working, man. It's just crap, right? Chuck it.' And we did. We threw it away and we even erased it, so there's no tape of that bossa nova version."
[Verse 1]
I'm not in love, so don't forget it
It's just a silly phase I'm going through
And just because I call you up
Don't get me wrong, don't think you've got it made
[Chorus]
I'm not in love, no, no
(It's because)
[Verse 2]
I like to see you, but then again
That doesn't mean you mean that much to me
So if I call you, don't make a fuss
Don't tell your friends about the two of us
[Chorus]
I'm not in love, no, no
(It's because)
[Interlude]
Be quiet, big boys don't cry
Big boys don't cry
Big boys don't cry
Big boys don't cry
Big boys don't cry
Big boys don't cry...
[Verse 3]
I keep your picture upon the wall
It hides a nasty stain that's lying there
So don't you ask me to give it back
I know you know it doesn't mean that much to me
[Chorus]
I'm not in love, no, no
(It's because)
[Bridge]
Ooh, you'll wait a long time for me
Ooh, you'll wait a long time
Ooh, you'll wait a long time for me
Ooh, you'll wait a long time
[Verse 4]
I'm not in love, so don't forget it
It's just a silly phase I'm going through
And just because I call you up
Don't get me wrong, don't think you've got it made, ooh
[Chorus]
I'm not in love
I'm not in love
"The World I Know" is a song by American rock band Collective Soul from their second studio album, Collective Soul (1995). Written by lead singer and guitarist Ed Roland, the song was released as the album's fourth single in October 1995. "The World I Know" peaked at number 19 on the US Billboard Hot 100 chart and spent four weeks at number one on the Billboard Album Rock Tracks chart. In Canada, the song reached number one on the week of March 11, 1996, becoming the band's highest-charting single there.
Lyrics
Has our conscience shown?
Has the sweet breeze blown?
Has all kindness gone?
Hope still lingers on
I drink myself of new-found pity
Sitting alone in New York City
And I don't know why
Are we listening?
Hymns of offering
Have we eyes to see?
Love is gathering
Well all the words that I've been reading
Have now started the act of bleeding
Into one, into one
So I walk up on high
And I step to the edge
To see my world below
And I laugh at myself
While the tears roll down
'Cause it's the world I have known
Oh, it's the world I have known
I drink myself of new-found pity
Sitting alone in New York City
And I don't know why
Don't know why
So I walk up on high
And I step to the edge
To see my world below
And I laugh at myself
While the tears roll down
'Cause it's the world I have known
Oh, it's the world I have known
Yeah, I walk up on high
And I step to the edge
To see my world below
And I laugh at myself
While the tears roll down
'Cause it's the world I've known
Oh, it's the world I have known
Source: Musixmatch
Songwriters: Ed Roland / Ross Brian Childress
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"One Perfect Day" is a song written and sung by Roger Hart-Wells and performed by the Australian band Little Heroes. It was released in March 1982 as the lead single from their second studio album, Play by Numbers (1982). The single entered the Australian Kent Music Report Singles Chart in April 1982 and peaked at No. 12.
In June 1982, Hart-Well said, "If this single had not succeeded, we probably would have gone off the road and had a long look at ourselves."
In August 2012, Roger Hart-Wells said "One Perfect Day" came to him one night as he was watching coverage of the 1979 United Kingdom general election, thinking about a beloved girlfriend who had died several months earlier, and had just finished reading a science-fiction novel This Perfect Day by Ira Levin. Hart-Wells said the song came together "very quickly".
In February 2017 Roger Hart-Wells explained how "One Perfect Day" was written about Byron Shire comedian, Sandy Gandhi (1959–2017), and a friend, Carrie Hall. He told Javier Encalada of The Northern Star, that he was watching the election of Margaret Thatcher in 1979 and thought of how Gandhi and Hall were in the United Kingdom.
Lyrics
One perfect ay
We'll Be Out Walking
Something Is Calling Me
Oh Oh
This Perfect Day
I Can't Stop Thinking
Are You Over There
Are You Happy There
And Tell Me
If It's Still Raining There In England
And Tell Me What You Did Last Night
And Tell Me
If It's Still Raining There In England
The Pictures So Hard To Come By
If You Ever Come Back Just Drop By
One Perfect Day,
One Perfect Day
One Perfect Day
One Perfect Day
I'll Get Your Telegram
And You'll Be Calling Me
Oh Oh
This Perfect Day
I Can't Stop Thinking
Are You Over There
Are You Happy There
And Tell Me
If It's Still Raining There In England
And Did The Government Call Last Night
And Tell Me
If It's Still Raining There In England
Adventures So Hard To Come By
If You Ever Come Back Just Drop By
One Perfect Day,
One Perfect Day
One Perfect Day
We'll Go Out Walking
(One Perfect Day)One Perfect Day
(One Perfect Day)One Perfect Day
(One Perfect Day)I'll Get Your Telegram
(One Perfect Day)Are You Over There
(One Perfect Day)Are You Happy There
(One Perfect Day)One Perfect Day
(One Perfect Day)One Perfect Day
(One Perfect Day)One Perfect Day
(One Perfect Day)Are You Happy There
(One Perfect Day)It Never Stops Raining
(One Perfect Day)One Perfect Day
(One Perfect Day)One Perfect Day
Source: LyricFind
Songwriters: Roger Galtier Wells


