8 Bomb Custom Goldie Pickups Demo mrfett 2022-06-07 | Video demo of a set of Goldie pickups from 8 Bomb Custom. I had them installed in a Les Paul that Dr. Nitro finished.The guitar is plugged straight into a Marshall Astoria Custom. I added a touch of reverb to the recording of the amp.I tried to play similar parts in the neck, bridge and middle positions so you can get a feel for how the pickups sound. I also tried to vary the volume and tone so you can hear it clean, dirty and all shades in between.Thanks for watching!
Welcome to my Channel and Thanks for Watching! 🤘🏼 mrfett 2022-06-07 | Welcome to my YouTube channel! All the gear you see in my studio is stuff I’ve purchased over the years. This channel is a chance for me to share my passion for vintage gear with fellow enthusiasts. There are no ads on my videos; I don’t make these for money. I’m not an influencer I’m just a House Husband with a hobby. One love ❤️🤘🏼✊🏿
1976 Gibson Firebird 76 Bicentennial Demo mrfett 2019-05-21 | This is the first of a new series of videos I'm doing showcasing the tones of a particular guitar. I'm going to use the same setup for all the videos and play basically the same thing so that it's easier to compare and contrast different guitars.First up is this all original 1976 Firebird '76 in Polaris White. Also known as the Bicentennial model, these '76s have made their name in Rock history, perhaps most famously by Tom Petty and Mike Campbell.The pickups in these 70s Firebirds are usually different from the pickups in originals from the 60s. As with all things Gibson, it's hard to make generalizations, and I'm not opening these ones up to examine how the bobbins are wound lol.I'm playing the guitar straight into a Marshall Astoria Custom, recording the output through a UA OX that's adding a touch of reverb. I've got the amp cranked and am using the volume and tone controls to get the different tones you hear.Thanks for watching!
2019 Fender Jimmy Page Mirror Telecaster Review mrfett 2019-05-16 | First video in the new studio! Sorry for the long absence, I wanted to wait until I had some new camera/lighting gear but screw it let's play guitar!This is my video review of a new 2019 Fender Jimmy Page Mirror Telecaster. I'm going straight into a Marshall Astoria Custom. On the floor I have a Tonebender MKII clone (Phoenix Custom Electronics' Little Red Rocket) that I turn on at the end. I'm recording through a Universal Audio Ox, there's a little reverb on the signal.
Gibson 50th Anniversary 1968 Les Paul Custom Demo mrfett 2018-08-05 | In this demo I run through some tones from one of Gibson Custom Shop's new 2018 50th Anniversary 1968 Les Paul Customs.These models have Gibson's 68 Custom Humbuckers in both positions, a maple cap, ebony fretboard and the shallower 14 degree headstock pitch that came on Les Pauls when they returned in the late 60s.I'm playing directly into a Universal Audio Apollo Twin MKII running their Marshall Super Plexi Lead 1959 plugin. No other effects.0:00 Clean2:30 Mild Hair (Neck)2:43 Crunchy (Neck)2:55 Dirty (Neck)3:04 Lead Tone (Neck)3:34 Lead Tone (Bridge)4:40 Lead Tone (Both)5:24 Woman Tone (Neck)7:33 Crunch (Bridge)7:45 Crunch (Neck)7:58 Crunch (Both)
Endangered Audio Research AD4096 MK2 Analog Delay Demo mrfett 2018-07-19 | Brief audio demo of the new AD4096 mk2 analog delay from EAR (Endangered Audio Research). Video (not audio) was captured on my phone and I ran out of space lol so it's the same recycled short clip. Audio is pretty good though, playing a Gibson Les Paul through a Vox AC30. Enjoy!http://www.endangeredaudioresearch.comhttp://www.voxamps.com/AC30HW60http://www.mylespaul.com/threads/2018-gibson-brazilian-les-paul-standard-thread.406324/page-11#post-8626576
Vintage Flanger Comparison: Mu-Tron Flanger and V2 EH Electric Mistress mrfett 2018-05-25 | I figured it'd be cool to compare two of the most coveted vintage flangers to one another. Both of these use Reticon SAD1024A chips for their BBDs.The Mu-Tron (only 1,000 made) can do a wide range of effects by controlling the sweep start/stop, but since the Electric Mistress can't replicate all those sounds I just stuck to settings both pedals were capable of replicating.Guitar: Fender StratocasterAmp: Marshall Astoria CustomABCDEF Switcher: Loop-Master
Maestro USS-1 Universal Synthesizer System Demo w/ Guitar mrfett 2018-05-21 | This USS-1 is for sale here: http://rvrb.io/1970s-uss-1-univer-go32hyDemo of a Maestro USS-1 Universal Synthesizer System. These were designed by Tom Oberheim when he worked for Maestro. One of the first multi-effects boxes, this unit combines his Maestro Fuzz Tone, Maestro Filter Sample/Hold, Maestro Mini-Phase, Maestro Envelope Modifier and Maestro Octave Box in one unit. Killer!Guitar: Fender StratocasterAmp: Marshall Astoria Custom
Musitronics Mu-Tron Phasor Demo mrfett 2018-05-21 | Demo of a version 1 Mu-Tron Phasor from the mid-70s.Guitar: Fender StratocasterAmp: Marshall Astoria Custom
1975 Gibson Flying V (2nd Reissue) Demo mrfett 2018-04-06 | This guitar can be purchased here: http://rvrb.io/1975-flying-v-2nd-iwzdfnDemo of my 1975 Gibson Flying V (2nd Reissue) in Natural. All original, patent stamped t-top pickups.Plugged straight into the UAD Friedman BE-100 plug-in with a little reverb added.
2018 Gibson Custom Les Paul Standard CME Brazilian Demo mrfett 2018-04-02 | Demo of a 2018 Gibson Custom Shop Les Paul Standard with a Brazilian Rosewood Fretboard and Carmelita Neck Profile from Chicago Music Exchange. The finish is Slow Iced Tea Fade.Plugged straight into the Universal Audio Fender '55 Tweed Deluxe plug-in, with some reverb added.
1981 Gibson Les Paul Custom Silverburst Demo mrfett 2018-03-19 | Demo of my 1981 Silverburst Les Paul Custom. All original. Tim Shaw PAFs, solid body (no weight relief, no pancake), 3 piece maple neck, 10.57 lbs.Plugged straight into UAD Fender Tweed plug-in.
2011 Gibson 1957 Les Paul Jr Single Cut VOS Demo mrfett 2018-03-18 | Demo of my Custom Shop Junior in TV White. Wolfetone Meaner P-90 with Russian .022 Paper in Oil Capacitor, Mojotone Vintage Taper Volume pot and 250k Audio Taper Tone pot; wired 50s style.Playing through the UAD Fender Tweed plug-in with a little reverb added.
2018 Gibson Custom Collectors Choice #30 Gabby 1959 Les Paul Demo mrfett 2018-03-17 | Quick demo of a new Gibson Collector's Choice #30 "Gabby" 1959 Les Paul.Plugged into a UAD Fender Tweed plugin with a little reverb added.
2016 Gibson Custom Shop 1958 Les Paul Reissue PSL Demo mrfett 2018-03-16 | Demo of my Slow Iced Tea Fade R8 from Chicago Music Exchange. Wicked little axe!Playing through the UAD Fender Tweed Plugin. There's a little reverb added, that's it.
2014 Gibson Dave Grohl ES-335 in Pelham Blue w/ Bigsby Demo mrfett 2017-11-13 | Demo of a 2014 Gibson Dave Grohl ES-335 in Pelham Blue Metallic with a Bigsby installed. Really incredible guitar, this one is #36 of only 200 worldwide.Plugged straight into a 1965 Fender Vibrolux Reverb for the cleans, added a Catalinbread RAH for the dirty parts. Little reverb from the amp, recorded with an SM57 and a Cascade Fat Head II straight into Logic.
1993 Rickenbacker 381V69 Demo mrfett 2017-11-07 | This guitar is currently for sale: http://rvrb.io/1993-381v69-casDemo of a 1993 Rickenbacker 381V69 in Jetglo. This model has the highly coveted 90s Toaster pickups in it.Recorded with a SM57 and Fat Head II going straight into Logic.More info: http://www.rickenbacker.com/model.asp?model=381V69
Testing My New Looping Setup mrfett 2017-09-06 | I'm pretty excited about this setup, as I've been perfecting it for some time. In the past I've tried getting a guitar and bass part looped and synced but I've had trouble, especially when throwing in drums.What I've done is use a master clock device (Molten Voltage Master Control MV-58) to send clock to the drum machine (a Roland CR-78 with a CHD CR78-PGM attached to it so it can receive MIDI), the pedalboard (so I can sync delays and other effects) and a Ditto Looper X4. The Ditto, which is stereo, has the bass plugged into one input and that output goes to the bass amp. The guitar's pedalboard goes into the other channel and that goes to the guitar amp.As I sketch ideas for my next record I'm psyched to be able to try things out live like this and have everything stay locked in. This video demonstrates the first time I fired it all up; I had just finished connecting all the pieces.The music is just me screwing around with a germ of an idea, and I kinda dig where it's going :-)Just camera audio, I made this for me but then liked it and figured I'd share.
Tyson Tone Soapbar P90 Set 57-Wraptail 50s Wind Demo mrfett 2017-08-13 | Quick demo of the new aged Tyson Tone Soapbar P90 Set 57-Wraptail 50s Wind pickups that I put in my goldtop. A proper review is coming, but in the meantime this is just a short demo with camera audio.Catalinbread RAH into a 1965 Fender Vibrolux Reverb and a Sound City Concord. The reverb is from the Fender.
Gibson Les Paul Historic Makeovers 1956 Reissue Demo mrfett 2017-07-01 | Quick and dirty demo (just noodling really) of a Gibson 1956 Les Paul Reissue that had a Deluxe Makeover package from Historic Makeovers.Video is just the FaceTime camera on my laptop (sorry!) but the audio is a miked Vox AC4HW (dry), so at least that's decent :-P
Gibson True Historic 1957 Les Paul Custom Jonesyblues LP III Wiring Harness Review mrfett 2017-06-06 | This is a demo of the LP III wiring kit I installed in my 3 Pickup Gibson 1957 Reissue Les Paul Custom, made by Jonesyblues:http://www.jonesyblues.com/les-paul-wiring-upgrades.html6:53 Skip to playingSignal Path: Arc Effects Klone V2 into a 1965 Fender Vibrolux Reverb (with the reverb on) in the right channel and a 1972 Sound City Concord in the left channel. I miked the amps with an SM57 and a Fat Head II. I tracked the Fender live and then played back the performance on the Ditto X2 to record the Sound City.
Quickie Mu-FX Phasor 2X Demo mrfett 2017-05-10 | Super quick demo of the Mu-FX Phasor 2X in the 4-Stage and 6-Stage settings.
Boss ES-8 & G-Lab M4L: Auditioning Sounds with an External Looper mrfett 2017-05-02 | After looking at the various pedal switchers out there, I finally decided to try the Boss ES-8. I paired it with the M4L, a small midi-controlled looper from G-Lab that adds an additional 4 loops I can control from the ES-8.Once setup I had to decide how to organize the ES-8 patches in order to allow me to create sounds using the loops of the M4L (which comes before the ES-8). This video explains how I set it up, but if anyone has a better system for achieving this functionality I'd love to hear your tips!Pedals in the M4L:1. Fuzzy Lady2. Mu-Tron Vol/Wah3. Klone V2 & Whammy 54. Tall Font RussianPedals in the ES-8:1. Electric Mistress V22. SlideRig3. Mu-FX Phasor (when it ships)4. RAH5. Mini ChorusV: Twin City ABY to Sound City Concord (dry)6. Echorec7. H98. iStomp
1982 Gibson Firebird II Artist CMT Demo mrfett 2017-02-18 | Here is a demo of my 1982 Gibson Firebird II Artist CMT completely clean. These guitars have the same Moog-designed circuitry in them that the RD Artist guitars had. Gibson also made a Les Paul and ES-335 with the same components.I go through all the positions and have labeled what switches I'm flicking with graphics in the video.The CMT in the name stands for "Curly Maple Top", which is 1 piece! It has a TP-6 fine-tune tailpiece standard, and individual mini-tuners. The pickups are called Series VI pickups, and the finish is Antique Sunburst which seems to be the most common color for these. Slightly more rare are the Cherry Sunburst ones; I've heard rumors that there were a few in Natural made but I've never seen convincing evidence of their existence. Overall there were supposedly less than 250 of these altogether, although that number is hard to confirm. They are definitely rare, and few come up for sale (I've never seen another in this pristine condition).I switch channels on the amp at one point for a touch more gain. There is a little bit of reverb in the effects loop. The amp is a Dirty Girl Heavy Hindenburg, miked with a Sennheiser e906 going into a Scarlett interface.
Just Like They Did To Quadaffi mrfett 2017-01-18 | Original music from DB94 inspired by the events of the 2016 Election and Vladimir Putin's role in it.The sounds on this track come from a Polivoks Reissue, my guitar and my voice. The carrier for the vocoder was the Polivoks.Dedicated to Alexander Litvinenko, Anna Politkovskaya, Sergei Magnitsky, Natalia Estemirova, Stanislav Markelo, Anastasia Baburova, Paul Klebnikov, Sergei Yushenkov and Boris Berezovsky.If you'd like to learn more about the song's inspiration you can begin at the link below:http://news.sky.com/story/the-putin-critics-who-have-been-assassinated-10369350
1990 Les Paul Custom Limited Colours Edition Demo mrfett 2017-01-14 | This Gibson Les Paul Custom is from a run of guitars called the "Limited Colours Edition". Gibson made 6 different transparent colors, 200 of each, one color each month for six months from July to December of 1990:July: Transparent Red CustomAugust: Transparent Amber StandardSeptember: Transparent Blue StandardOctober: Transparent Mocha StandardNovember: Transparent Fuchsia StandardDecember: Transparent White CustomThe guitar is in great condition, completely stock with it's original hardshell case. It has a 490R pickup in the neck that reads 8.07 and a 498T in the bridge that reads 13.12. It has all the same specifications as other early 90s Customs: maple cap, mahogany body, 1 piece mahogany neck, ebony fretboard, modern weight relief and keystone button tuners. One feature that sets it apart from many others is it's weight; it's only 9 lbs 13.3 oz, which is a great weight for an older Custom as they typically weigh over 10lbs.I'm playing through a Dirty Girl Heavy Hindenburg which is a Supro 1624T clone. I switch channels between a clean-ish and dirty channel. I turn on a Mu-Fx Booston 3 for distortion. There is a Lexicon Hall reverb in the amp's effects loop.
Polivoks Reissue Demo mrfett 2017-01-13 | Making some noise with a Polivoks Reissue synthesizer. It's running through a Mu-Tron Bi-Phase.I'm only hitting 1 or 2 notes on an attached MIDI keyboard, as what I'm really playing are the Polivoks' 2 envelopes.It's just an iPhone video for fun :-)
2016 Gibson Les Paul Custom 1957 True Historic Demo mrfett 2017-01-07 | First day with my new axe, I'm pretty head over heels...
mrfetts Ultimate Pedalboard Demo & Walkthrough mrfett 2016-11-30 | This is a complete walkthrough of the newest pedalboard I recently put together. It’s built on a Pedaltrain Novo 24.Cheat Sheet:0:24 Dirty Girl Heavy Hindenburg2:12 ’81 Les Paul Custom Silverburst3:51 Loop-Master 6 True Bypass Looper w/ Tuner & Stereo Out5:01 Loop-Master ABY7:11 Stereo Signal Path Info7:15 Loop-Master Custom 3-Way Pedalboard Patchbay9:09 Tuner Loop/Polytune 2 Blacklight10:40 Retroman Wolf Tone Machine12:22 Gain Staging Discussion12:41 Mu-FX Boostron 319:40 MXR Pedal Setup22:38 1975 MXR Envelope Filter23:58 1975 Script MXR Phase 9024:50 Loop-Master 2 Loop True Bypass Looper26:23 Mission Engineering Expressionator27:34 Fairfield Circuitry Randy’s Revenge30:09 Moog MF Boost32:38 Endangered Audio Research AD4096 w/ 800ms upgrade37:10 Boss RV-6 Reverb39:30 Heavy Hindenburg’s Tremolo41:05 General Effect Order Discussion41:44 Phaser Before/After Dirt42:14 Voodoo Lab Pedal Power 4x4 Power Supply44:25 Lava Cable Solderless Mini ELCI decided to do this walkthrough of one of my pedalboards to explain how and why I set it up the way I did, and to highlight a few tricks and special pedals I’ve found to get some cool tones. Since many of the pedals are pretty rare I’ve gone in-depth on some of their functionality. For some (like the Randy’s Revenge and RV-6) there are already lots of cool demos you can check out to learn more about them, so I didn’t really delve in too deeply.This video pretty prominently features my Dirty Girl Heavy Hindenburg, a handmade Supro 1624T clone. I’m recording it with a Sennheiser e906 going into a Scarlett, recorded with Logic Pro. I’ve also left in some of the camera mic for the guitar sounds.
mrfetts 1981 Gibson Les Paul Custom Silverburst Review mrfett 2016-11-30 | My review of a 1981 Gibson Les Paul Custom in the Silverburst finish. These guitars (Silverburst Customs) weren't greeted by much enthusiasm when they first came out in 1978 but several 90s guitarists (James Iha, Chris Cornell, Adam Jones) discovered them and today they're among the most sought after Les Paul Custom colors. Over time the Silver in them yellows a bit (well the clear coat over it) and they take on a different hue, which is why the old ones look quite a bit different from the new ones Gibson are making today.This '81 model has a solid mahogany body, a 3 piece maple top, a 3 piece maple neck and an ebony fretboard. For electronics it has 2 Tim Shaw PAF pickups, 300k volume pots and 100k tone pots. For hardware it has a nashville style bridge and Schaller tuners. Early 80s Customs like this one came with low frets, yet somehow bending remains easy and fluid. It weighs a svelte 10.57 lbs.I'm plugged into a Dirty Girl Heavy Hindenburg, which is a handmade reproduction of the Supro 1624T (thought to be the amp Page used for Zeppelin I). The speaker is a vintage re-coned Rola. I'm controlling it with a Loop-Master ABY pedal which lets me switch or combine the channels. For the lead part I turn on a Moog Minifooger Boost pedal.I'm recording with the Sennheiser into a Scarlett into Logic Pro. I'm running the amp through a Fryette Power Station to tame the volume.
Jag Ring mrfett 2016-09-30 | Made a new board out of some extra pedals I had laying around... getting some pretty cool sounds!Johnny Marr Jaguar going through a vintage Maestro Stage Phaser (designed by Bob Moog), Korg SDD-3000, Fairfield Circuitry Randy's Revenge, Retroman Wolf Tone Machine, and TC Electronic Ditto X4 Looper. A Loop-Master True Bypass Looper hooks it all together.Going into the Marshall JTM1C miked up with a single Sennheiser e906 going into a Scarlett Focusrite and Logic Pro.
Ambient Gibson ES-330 mrfett 2016-09-26 | Been watching a lot of Radiohead videos, and have been inspired by Johnny's use of reverb. This is me trying to cop some of that vibe/tone.Playing my ES-330 through a few pedals: Analogman Beano Boost, Timmy, Mu-Tron Phasor II, Catalinbread Belle Epoch, Mini HoF, Ditto Looper.The amp is a Marshall JTM1C miked with a Sennheiser e906 going into a Scarlett interface. Recorded into Logic Pro with no effects. I included a small amount of the camera mic as well.
Wilson Effects Rippah 12 Position Vintage Q Wah Demo mrfett 2016-09-11 | Demo of the Wilson Effects Rippah 12 Position Vintage Q Wah. Just my phone propped up on the floor. Playing a Les Paul through a Marshall JTM-1C with a 10" Celestion Gold in it.
Gibson HB-R & HB-L The Original Bill Lawrence Circuit Board Pickups Review mrfett 2016-09-05 | In this video I review a set of Bill Lawrence designed "Circuit Board" pickups Gibson used to make from ~late 1988 - early 1990 called "The Original" HB-R (neck) and HB-L (bridge). They came stock in models such as Les Paul Standards, Les Paul Customs, SGs and ES-335s. There are even reports of them being found stock in "Orville by Gibson" guitars.The guitar is running through a small pedalboard with only a TC HoF Mini turned on, going into a Marshall JTM-1C with a 10" Celestion Gold miked with a Sennheiser e906.
Vintage 1977 MXR Envelope Filter Demo mrfett 2016-08-25 | Playing with an old MXR Envelope Filter from 1977. No LED, no power jack on this old heavy box.The guitar is a Gibson 1958 Standard Historic Reissue with underwound Custombucker pickups. I'm playing through a Marshall JTM-1C with a 10" Celestion Gold in it.Camera audio.
Lamentation II mrfett 2016-07-09 | Sometimes you gotta do more than wail in the shower... RIP to all the souls we lost this week.Just camera audio.
Tuck Me In (2016) - Official Video mrfett 2016-06-10 | Official video for the DB94 song "Tuck Me In".The organ-sounding part is a Vo-96 Acoustic Synthesizer and the bass is a Minimoog Model D.
Prophet 600 Gligli Mod Patch mrfett 2016-05-01 | Just a quick demo of a patch using some of the Gligli mod's new functionality.
Run Your Race - Official Video mrfett 2016-04-25 | This is a video for the new song from my band DB94 that I wrote for a good friend called "Run Your Race".In the video I tried to showcase a bit of the gear used in the song. The verse & chorus were played on that '93 Rickenbacker 381V69 (so the toaster pickups are a little hotter than the ones currently shipping), and the bridge was played on a Rickenbacker 370/12 (rhythm) and Gibson '56 Reissue Les Paul (lead).I miked up both the Vibrolux and Concord amps for all the parts except the rhythm bridge part, which went through the little Vox and only had the SM57 on it. The other two amps each had two mics on them, for a total of four tracks of guitar. One amp was running with delay, and the other without. To avoid phasing/bleed issues and having to move the amps around in my small studio, I used a Ditto X2 Looper to record what I was playing in stereo so that I could track one amp at a time.The 381V69 had the DMMTT on it and the R6 had the Catalinbread Echorec. The 370/12 went through a Korg SDD-3000 (before hitting the Vox AC4HW1).
Run Your Race mrfett 2016-04-17 | Short original song for a friend.Playing my '93 Rickenbacker 381V69. Obvious fx are a Maestro PS-1A, EHX Deluxe Memory Man TT and I switch on a Whammy V5 at some point. A Pigtronix compressor and Klone V2 are on the whole time. Sound City Concord and Fender Vibrolux Reverb are the amps.Camera audio.I'll never look you in the eyeI'll never gaze upon your faceI'll never get to hold you handThe closest i'll get is black and whiteYou on that little screenTake me a picture, it's all that i'll have of youI know it's a cruel worldBut I had a warm bed for youI don't understand why you can't come homeRun your raceAs long as you canI want you to knowI'm your biggest fanWhen it's done i want you to knowI'll always love youAnd i'll never forget you
Gypsy Sunday mrfett 2016-04-05 | Hurt my back and haven't really been able to play, this was my first practice session in over a month. Just a simple riff but I thought it sounded cool. Gypsy Arrow through a Whammy V5 to Small Font Russian to Maestro PS-1A for the loop, replace the Whammy and fuzz with a RAH & Whiteface Rat for the solo. The delay is from an H9. Klone V2 is on the whole time, looping with a Ditto X2.Just camera audio.
Baritone Bern mrfett 2016-02-10 | Some noodling on a PRS SE 277 Semi-Hollow Soapbar, a new baritone model from PRS. You can hear the P-90s hum when I move.The signal chain for the loop is: ARC Effects Klone V2 - Maestro PS-1A Phaser - Eventide H9 (I think using a new SpaceTime patch). Then I switch to: Klone V2 - Maestro PS-1A Phaser - Whiteface RAT - Catalinbread Echorec.Camera audio.
Maestro Rhythm N Sound For Guitar G2 - Part 3/3 (Echo Repeat & Wow Wow) mrfett 2016-01-16 | This is Part 3 of a little series of videos I'm doing on the "Maestro Rhythm 'N Sound For Guitar". It's an old all-in-one effects box designed by Tom Oberheim back in the day. It has some pretty nutty features that are of little practical value, but also some really cool sounding effects that can be quite useful. There are some other good overviews of the unit on YouTube so I figured I'd just do a few demos where I put it in a musical context. These are sought after and pricey because artists as diverse as Jimi Hendrix and Adrock are known to be fond of them. This video finds me laying down a short loop using the "Echo Repeat" effect and then switching to the "Wow Wow" sound for some soloing. I'm looping with a Ditto X2.The signal chain on this one is pretty intense... I think I start with: Whammy - Klone V2 - Maestro Rhythm 'N Sound - Echorec. For the soloing I switch to: Fuzzy Lade Ge - Klone V2 - Maestro Rhythm 'N Sound - Whiteface RAT - DMMTT 1100.The 1990 Transparent White Gibson Les Paul Custom Limited Colours Edition is stock. Everything is camera audio.
Maestro Rhythm N Sound For Guitar G2 - Part 2/3 (Drums & Bass) mrfett 2016-01-13 | This is Part 2 of a little series of videos I'm doing on the "Maestro Rhythm 'N Sound For Guitar". It's an old all-in-one effects box designed by Tom Oberheim back in the day. It has some pretty nutty features that are honestly of little practical value, as well as some cool sounding effects. There are some other good overviews of the unit on YouTube so I figured I'd just do a few demos where I put it in a musical context. These are sought after and pricey because artists as diverse as Jimi Hendrix and Adrock are known to be fond of them. If Adcock could make these drums sound decent he truly is a genius lol (no disrespect meant, obviously Adrock's genius is well established)... so anyway here I use the "Bongo" sound and then layer the "String Bass" sound on top of it. I'm looping with a Ditto X2.I've got a Pigtronix compressor on the whole time. I use an Eventide H9 to process the drums (I think a Resonator patch) and then to process the bass (Compressor patch). I turn off the H9 and turn on a Catalinbread Echorec for the guitar parts. I'm using the out-of-phase position on the Teye Gypsy Arrow.Sorry for the poor vocal and sloppy guitar (still getting used to all those inlays lol). No time for endless takes, it's just for shits & giggles :-)Everything is camera audio.
Maestro Rhythm N Sound For Guitar G2 - Part 1/3 (Fuzz) mrfett 2016-01-13 | This is Part 1 of a little series of videos I'm doing on the "Maestro Rhythm 'N Sound For Guitar". It's an old all-in-one effects box designed by Tom Oberheim back in the day. It has some pretty nutty features that are honestly of little practical value, but a few really cool sounding effects as well. There are some other good overviews of the unit on YouTube so I figured I'd just do a few demos where I put it in a musical context. These are sought after and pricey because artists as diverse as Jimi Hendrix and Adrock are known to be fond of them. I suspect they like this fuzz...I turn on the Maestro PS-1A Phaser for the second part (solo stuff), looping with a Ditto X2.
Friday Night Gypsy mrfett 2015-12-13 | Screwing around on the first night with my Teye Guitars Gypsy Arrow. Just a little improv I thought sounded cool.
Peace Jam mrfett 2015-12-13 | Just a little improv over a progression I've been toying with. Playing my Gibson 2013 SG Standard that has a pair of Wolfetone Dr. Vintage pickups in it. Camera audio.
mrfetts Mu-Tron Bi-Phase Review mrfett 2015-12-03 | mrfett reviews a vintage Musitronics Mu-Tron Bi-Phase phaser. These 6-stage phasers are coveted for their ability to run two photo cell phasers in series, parallel and stereo. They're known to sit atop many a Rhodes, but are also phenomenal on guitars and synths (especially cool to make a mono monophonic synth like a Minimoog into a stereo beast) or put on a mixing console's Aux send.The CV In/Out mod I mention in the video can be found here:http://machines.hyperreal.org/manufacturers/Mu-Tron/Bi-Phase/mods/biphase.jpgThe audio is captured by the camera's mic. The guitar is plugged into the Bi-Phase which is plugged into a 1965 Fender Vibrolux Reverb.
