Lindsay Adler Photography
Most Important Rule of Lighting
updated
π If you're interested in this style you may want to check out my in-person burlesque workshop: https://lindsayadler.photo/burlesque-workshop
0:00 Introduction
1:23 The Set
2:15 Lighting
8:43 Getting the shot
π‘ Lighting (2):
1. Spotlight: Nanlite Projection Attachment 19 degree lens
2. Main light: Westcott Optical Spot
3. Fill light: Zoom Reflector + Blue Gel
4: Fill on curtains: Profoto D2 + 20 degree grid
βοΈ Camera settings:
β 1/100th
β F4
β ISO 500
πΈ Gear
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm lens: adorama.rfvk.net/KG0ne
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Nanlite 19 Degree Projection attachment: adorama.rfvk.net/oqGPZE
β Profoto Zoom Reflector: adorama.rfvk.net/anAQOo
β Westcott Optical Spot: https://lindsayadler.photo/opticalspot
β Profoto 20 Degree Grid: adorama.rfvk.net/nvn0A
β Tiffen 4 Point Star Filter: adorama.rfvk.net/qnYONN
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Haze machine: adorama.rfvk.net/Ao7a7D
β Rosco Color Effects gel kit: adorama.rfvk.net/oZDno
β Savage Universal Thunder Gray: adorama.rfvk.net/xWvY1
β Float wall mount system: https://lindsayadler.photo/floatmounts
π₯ If you'd like to see some more creative setups using hard light check out my Hard Light Recipe Guide π https://lindsayadler.photo/hardlightguide
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Learn how to create vibrant, poppy images with carefully controlled lighting and a star filter for that extra touch of glamour. Check out the gear and workshop details in the description below and don't forget to subscribe for more photography tips and inspiration!
π Burlesque workshop: https://lindsayadler.photo/burlesque-workshop
0:00 Intro
1:10 Lighting Setup
5:00 Gear
5:27 Getting the shot
π‘ Lighting (2):
-Main light: Magnum Reflector + Grid
-Fill light: Beauty Dish + Grid
-Background: 2x Small Umbrellas
βοΈ Camera settings:
β 1/200th
β F11
β ISO 400
πΈ Gear
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm lens: adorama.rfvk.net/KG0ne
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Profoto Small White Umbrella: adorama.rfvk.net/dvR1j
β Profoto Magnum Reflector: adorama.rfvk.net/mvmbO
β Magnum Reflector Grid: adorama.rfvk.net/k0gMVL
β Profoto Beauty Dish with Grid: adorama.rfvk.net/NJNOV
β Tiffen 4 Point Star Filter: adorama.rfvk.net/qnYONN
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Savage Universal Primary Red: adorama.rfvk.net/V371R
β Float wall mount system: https://lindsayadler.photo/floatmounts
π₯ If you'd like to see some more creative setups using hard light check out my Hard Light Recipe Guide π https://lindsayadler.photo/hardlightguide
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
There is no one setting or approach to capturing motion. Do you want to freeze the action? Do you prefer to purposefully blur the subject to create a sense of time? Perhaps you want to capture a series of images of the movement to be displayed together.
In this episode we will capture images bursting with liveliness as I photograph an athlete and dancers in ways that allow me to play with motion. We try freezing with strobe, blur with shutter drag, stroboscopic effects and more⦠all with a goal of exciting and energy-filled images!
Watch it now on Learn Plus! π https://lindsayadler.photo/learnplus
If you're interested in attending one of my in person workshops where you can learn these techniques in real time check out when the next Fashion Intensive event will be: https://lindsayadler.photo/fashionintensive
00:00 Introduction
01:00 Concept
01:26 Behind the Scenes
02:26 Lighting Used
05:35 Background and Gear
06:58 Retouching
09:12 Capture One
09:50 Photoshop
π‘ Lighting (2):
1) Fresnel on the left center of the frame
2) Optical Spot with an orange gel on the right side of the frame, pointed at the background
3) Beauty dish with a grid with a cyan gel on the right center of the frame
βοΈ Camera settings:
β 1/200th
β F2.8
β ISO 200
πΈ Gear
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70mm 2.8: adorama.rfvk.net/jWOVxb
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Profoto Beauty Dish with Grid: adorama.rfvk.net/NJNOV
β NanLite FL-20G Fresnel Lens for Forza 300 and 500: adorama.rfvk.net/LPgXK3
β Profoto Fresnel Spot Attachment: adorama.rfvk.net/VEXz6
β Westcott Optical Spot by Lindsay Adler: adorama.rfvk.net/P0r7rY
β Tiffen 4 Point Star Filter: adorama.rfvk.net/qnYONN
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Rosco Creative Effects Gel Kit: adorama.rfvk.net/oZDno
β Savage Universal Thunder Gray: adorama.rfvk.net/xWvY1
π₯ If you'd like to see some more creative setups using hard light check out my Hard Light Recipe Guide π https://lindsayadler.photo/hardlightguide
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
0:00 Introduction
0:25 Centerfield Split Diopter
1:56 Lighting
3:47 Camera Gear and Settings
4:06 Final Image
5:05 Post Processing
π‘ Lighting (4):
1) Westcott Optical Spot
2) 1x4β Strip Softbox + Grid (left side) + Magenta gel
3) 1x4β Strip Softbox + Grid (right side) + Magenta gel
4) 3x4' Softbox + Blue gel
βοΈ Camera settings:
β 1/200th
β F5.6
β ISO 200
πΈ Gear
β Freewell 77mm Centerfield Split Diopter Prism Filter: adorama.rfvk.net/6bYKbb
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Westcott Optical Spot by Lindsay Adler adorama.rfvk.net/P0r7rY
β Profoto 1x4' Softbox: adorama.rfvk.net/DVBVQa
β Profoto 3x4' Softbox: adorama.rfvk.net/azKaR
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Rosco Creative Effects Gel Kit: adorama.rfvk.net/oZDno
β Capture One Software: adorama.rfvk.net/AoWX6j
π₯ If you'd like to see some more creative setups bursting with color you'll definitely want to check out my class the Magic of Gels π https://lindsayadler.photo/gels
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Thatβs what this episode is all about as I showcase photographing 3 different high school seniors including two students athletes, introduce some striking fashion elements, in-camera creative effects, star filters, and even creative DIY makeup!
Watch it now on Learn Plus! π https://lindsayadler.photo/learnplus
I'll show you how I used glowing red gels, strategic pockets of light, and rich color grading to create a dramatic and evocative final image.
0:00 Introduction
1:13 Behind the scenes
3:25 Captured in camera
4:10 Post Processing
6:39 Final thoughts
π‘ Lighting
1. The main light was a Profoto D2 with a red gel (placed in the far back left to create mood and ambiance).
2. The second light was a 5 degree grid (used for tight, hard light on the face or background)
3. Beauty dish with a grid (provides flattering lighting on the subject from head to midsection) - optionally used)
βοΈ Camera settings
β 1/200
β F4.0
β ISO 1600
πΈ Gear
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 15-35mm RF lens: adorama.rfvk.net/nDzqa
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Profoto Beauty Dish w/ Grid: adorama.rfvk.net/627BG
β Profoto 5 Degree Grid: adorama.rfvk.net/YYa4r
β Capture One Software: adorama.rfvk.net/AoWX6j
β Rosco Gel kit: adorama.rfvk.net/oZDn
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
π₯ If you'd like to see some more setups bursting with color check out my class the Magic of Gels: https://lindsayadler.photo/gels
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
0:00 Intro
1:18 Behind the Scenes
2:22 Lighting
2:59 Gear
3:43 Captured in camera
5:31 Final Image
6:16 Post Processing
If you follow my work you know that my favorite color by far is red! It's bold, commading, passionate... you name it!
That's why I was super excited to hear that Pantone's Color of the Year for 2023 was Viva Magenta! While it's not exactly a perfect "red" if you look at the color (pantone.com/articles/color-of-the-year/what-is-viva-magenta) you can see that it's mostly a red with just a shift of magenta in it.
Each year I set out to create shoots based on that color, so this shoot was loosely based on that.
For this shoot I wanted to craft an image with depth, drama, and emotion using red in a unique way. To avoid a flat look, I created a corner set using a Gravity Backdrops background where the subject appears to be nestled in the seam, adding a dynamic feel to the shot.
π‘ Lighting
My main was a Westcott Optical spot for precise control over lighting on the subject's face and torso, while a large umbrella with diffusion filled in the shadows. My go-to camera lens combo, the Canon R5 with a 24-105mm lens, provided the flexibility to capture various shots without changing lenses.
βοΈ Camera settings
β 1/200
β F4.0
β ISO 640
πΈ Gear
β Gravity Backdrops Red Background: gravitybackdropsus.sjv.io/jrrmev
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne (for optical spot)
β Canon 24-70mm 4.0: adorama.rfvk.net/z9JXm
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Westcott Optical Spot by Lindsay Adler: adorama.rfvk.net/P0r7rY
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Capture One Software: adorama.rfvk.net/AoWX6j
π₯ If you'd like to see some more setups that feature the Optical Spot Modifier check out my dedicated guide here: π https://lindsayadler.photo/opticalspotguide
P.S. If you purchase an Optical Spot it comes with a 40+ minute FREE training video!
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
This is a well-paying niche of photography that has become an important part of my business income. Iβve photographed commercial lifestyle images for everything from eyelash brands, to hospitals, to health care programs. Of course, the need for these sorts of images reach into nearly every business segment; hotels, restaurants, tourism boards, retreats, dental, skincare, you name it!
In this episode we will be taking all of our images outside on location to create a fresh and natural look to commercial lifestyle imagery. Youβll see a combination of natural light, natural light modified, a subtle addition of a strobe, and a strobe to transform the scene.
Together we will craft photograph for a cafe, headphones, work-out gear, sunglasses and more. Remember to always ask yourself βWho is the client? What are we showcasing? How should the viewer feel? How can we achieve this in a βnatural looking wayβ?
Find out in this episode of Learn Plus!
π Sign up here https:://lindsayadler.photo/learnplus
π Check out my brand new hand-painted gold backdrop as part of the Signature Collection from Gravity Backdrops! https://lindsayadler.photo/gravitygold
0:00 Introduction / Color Harmonies
1:04 Behind the scenes
1:58 Camera Settings
2:22 Lighting
4:13 Captured in camera
5:17 Final Image
6:31 Post Processing
8:12 Recap
π Drop a comment below and let me know what you think of the end result!
π‘ Lighting
β Main Light: Westcott Optical Spot with a 24-70mm lens and a leaf gobo for creating textured patterns.
β Second Strobe: Bare bulb strobe bounced into a white wall to fill in shadows.
β Light Modification: Use of gobo projection for creating dappled light effects.
βοΈ Camera settings
β 1/200
β F4.0
β ISO 500
πΈ Gear
β Gravity Backdrops Gold Background: https://lindsayadler.photo/gravitygold
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Westcott Optical Spot by Lindsay Adler: adorama.rfvk.net/P0r7rY
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Capture One Software: adorama.rfvk.net/AoWX6j
π₯ To learn more about using minimal lighting you'll definitely want to check out my class One Light Artistry https://lindsayadler.photo/onelight
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
If you're unfamiliar with Learn Plus it is a membership I offer with educational episodes released monthly for inspiration. You'll join me as I go through various looks for each month's theme, then there will be a LIVE Q&A where you can pick my brain about the episode and any other questions. Last but not least, members have the opportunity to submit images each month for critique!
To learn more visit π https://lindsayadler.photo/learnplus
1:10 β Setting Up the Background
2:10 β Introduce the Main Light
2:45 β Add Rim Lights
3:20 β Experiment with Shutter Drag
4:30 β Capturing the Shot
5:00 β Wrap Up
Letβs dive into the lighting setup ππ‘β¬οΈ
1. Setting Up the Background
I use 4 Profoto strobes, each equipped with a grid and a different color gels (pink, orange, yellow, and blue). The grids create a concentrated, tight pocket of light resulting in splashes of color to create the rainbow effect on the background.
2. Introduce the Main Light
The Westcott Optical spot as a main light allows me to illuminate my subject with a slice of light and now spill light onto the background and maintains the saturation of the gels.
3. Add Rim Lights
I use two 1x4' softboxes with grids with purple gels. These two lights add another color to the scene and help to further separate the subject from the background.
4. Experimenting with Shutter Drag
In this step, I used a slow shutter speed and move the camera during the longer exposure. This technique creates blurred streaks in the image, adding a vibrant, dynamic effect to the photo.
β Pro Tip: When using the shutter drag technique, I recommend turning off the modeling light on your main light. This keeps the focus on the subject's face crisp while still allowing the background lights to create a blurred effect.
I loved working with Collin @collin_rishell on this shoot! Donβt forget to tell us what you think of the results in the comments β¬οΈ
And remember use the gear that suits your creative vision best and don't forget to enjoy the process of creating these vibrant, colorful pride-inspired images. Happy Pride & happy shooting!
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Profoto 1x4β Strip Softbox: adorama.rfvk.net/4AdQn
β Profoto 5 Degree Grid adorama.rfvk.net/YYa4r
β Profoto 10 Degree Grid: adorama.rfvk.net/zv9Yx
β Westcott Optical Spot by Lindsay Adler: adorama.rfvk.net/P0r7rY
β Rosco Creative Effects Gel Kit: adorama.rfvk.net/oZDno
β Tiffen 77mm Four Point Star Filter: adorama.rfvk.net/qnYONN
π₯ If you'd like to learn more about creative lighting you'll definitely want to check out my Creative Studio Lighting Guide π https://lindsayadler.photo/clg2
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
I have an entire episode of Learn+ dedicated to continuous lights. You can check out the preview for that here: learn.lindsayadlerphotography.com/learn-plus-episode-24-continuous-light
0:00 Introduction
1:06 Controlling Ambient Light
1:48 Watch your camera settings
2:26 Shutter speed
3:16 Image stabilization
3:32 ISO
3:54 Aperture
4:11 Color Temperature
4:29 Know your output
6:48 Shooting groups
β Highlights
π· To successfully shoot with continuous lights in a studio, eliminate all unwanted ambient light.
π· Be conscious of your camera settings, especially your shutter speed, which should be at least 1/200th of a second for best results.
π· Higher ISO settings may be necessary when using continuous lights, and image stabilization should be activated to counteract camera shake.
π· Consider the output of your light source when choosing your camera settings and aperture.
π· Always be aware of the color temperature of your light and set a custom Kelvin white balance.
π· For close-up shots or product work, around 200 watts of output can suffice, while shooting groups may require 500 watts or more.
π· Keep in mind that most affordable continuous lights do not have as much output as strobes, so choose your light's power carefully based on your shooting needs.
πΈ Continuous lights I recommend:
β NanLite PavoTube 30C 4' RGBW LED: adorama.rfvk.net/vnQVoW
β NanLite Forza 300B II 350W Bi-Color LED Video Spotlight: adorama.rfvk.net/QORZxa
β NanLite Forza 720B 800W 2700-6500K Bi-Color LED Monolight: adorama.rfvk.net/4eZOBL
β NanLite Forza 500: adorama.rfvk.net/6bA0yb
β NanLite PavoTube 30C 4' RGBW LED: adorama.rfvk.net/vnQVoW
β Flashpoint monolights: adorama.rfvk.net/ZQXK5R
β Godox monolights: adorama.rfvk.net/Wq4dr3
π₯ To learn more about using continuous lights check out my brand new guide The Creative Studio Lighting Guide II π https://lindsayadler.photo/clg2
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
If you're interested in learning more about Fetish fashion photography and gaining insights into my creative process, don't miss my upcoming workshops on the subject π https://lindsayadler.photo/fetishfashion
0:00 Introduction
0:50 Set and Styling
1:38 Lighting
2:41 Gear
2:55 Post Processing
7:10 Recap
π‘ Lighting (2):
1) Westcott Optical Spot centered on frame
2) Bare bulb with a cyan gel, center right of frame
For lighting, I used two strobes. The main light was a Westcott optical spot modifier, which provided a circular highlight without any modification. This spotlight created a cinematic and theatrical look reminiscent of a burlesque stage. To add detail and life to the shadows, a second strobe with a cyan gel was used. The cyan gel layered onto the pink background created a vintage effect inspired by photographer Miles Aldridge.
βοΈ Camera settings:
β 1/200th
β F8
β ISO 250
π If you liked this video sound off in the comments below!
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Westcott Optical Spot by Lindsay Adler: adorama.rfvk.net/P0r7rY
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Savage Universal Coral Seamless: adorama.rfvk.net/oeo6be
β Rosco Creative Effects Gel Kit: adorama.rfvk.net/oZDno
π₯ To learn more about this topic you may like my Intro to Fine Art Nude Photography π https://lindsayadler.photo/fanseries or my latest class the Conceptual Art Nude π https://lindsayadler.photo/conceptualnude
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
As you all know, I love exploring different facets of fashion photography and beauty. If you follow my work you know that I shoot everything from fine art nudes to beauty editorial to portraitures. Today I wanted to try something completely different and new.
This was a collaboration between myself, my model Kenzie and creative director Bryona Ashley to come up with something totally outrageous during our Fetishwear Fashion workshop and I think we definitely did!
The concept was that we wanted to take this beautiful balloon background and everything a monochromatic pink on pink on pink shoot.
0:00 Introduction
1:15 Concept
1:47 Lighting
7:49 Conclusion
π‘Lighting
1) Westcott Optical Spot centered on frame
2) 1x4β Strip Softbox boomed overhead
3) Bare bulb with a purple gel centered on frame
4) 1x4β Strip Softbox on back right side of frame
π If you liked this video sound off in the comments below!
βοΈ Camera settings:
β 1/200th
β F4.0
β ISO 200
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne
β Tether Tools TetherPro USB-C to USB-C Cable: adorama.rfvk.net/avr5q
β Tether Tools Tether Block Mounting Plate: adorama.rfvk.net/dvRXQ
β Profoto D2 1000 Watts adorama.rfvk.net/qvB7y
β Profoto 1x4β Strip Softbox: adorama.rfvk.net/4AdQn
β Westcott Optical Spot by Lindsay Adler: adorama.rfvk.net/P0r7rY
β Rosco Creative Effects Gel Kit: adorama.rfvk.net/oZDno
β Tiffen 77mm Four Point Star Filter: adorama.rfvk.net/qnYONN
π₯ If you'd like to join me for the next Fetishwear fashion workshop be sure to check out the details here π https://lindsayadler.photo/fetishfashion
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
The image shown here was taken during my Fashion Intensive workshop in Milan with fellow photographer Chris Knight.
I often team up with Chris for different workshops (including the Timeless workshop) where we love to demonstrate how we can use the same location, models, styling etc but achieve two totally different results.
The concept for this shoot was to create something that felt golden, sunny, and dramatic as if sunlight was pouring through the window at the end of the day into this beautiful location.
We didn't have a window, nor was it that special "golden hour" so we had to fake it!
I used 3 lights and CTO gels to emulate that golden hour look.
π‘ Lighting (3)
1) Main light: Optical spot + Window gobo + CTO
2) Fill light: Large shoot through umbrella + 1/4 stop CTO
3) Fill (on modelβs face): 5 degree grid with 1/4 stop CTO
βοΈ Camera settings:
β 1/200th
β F4
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Optical Spot Modifier (+ Window Gobo): https://lindsayadler.photo/wcopticalspot
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto 5 Degree Grid: adorama.rfvk.net/YYa4r
β Manfrotto 1051BAC 83" Air Cushioned stands: adorama.rfvk.net/GjGBG2
β Avenger C-Stand: adorama.rfvk.net/zaeYjM
β Rosco Gel Kit: adorama.rfvk.net/oZDno
π₯ Join Chris and I for our next workshop in the NYC area: https://lindsayadler.photo/timeless
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
If youβre like me, Iβm sure youβve been thinking A LOT about AI (artificial intelligence) lately and how itβs impacting our industry.
As youβve seen in some of my other videos (youtu.be/d0SQ-GfpWJo, youtu.be/9a5zleO_xrA, youtu.be/JaU-hndfOcI) Iβve been using it in conjunction with my team lately mainly as a means of inspiration, testing out how we can best utilize it.
So far itβs help to inspire some great headpieces, makeup and other concepts. Iβm definitely interested in seeing where the future of AI takes us.
For this image I called on my good friend Lory Sun who creates amazing headpieces. We used Mid Journey (ai software) as a means of inspiration for her to create this amazing otherworldly headpiece.
0:00 Introduction
1:44 On Set
2:51 Lighting
4:54 Adding additional creative effects
6:16 Post Processing
7:49 Final Images
π‘ Lighting (4):
1) Profoto d2 w/ 5 degree grid
2) 1x4β Strip Softbox (x2) + Grid (left side)
3) 1x4β Strip Softbox (x2) + Grid (right side)
4) D2 with no modifier as background light (one of my favorite techniques for getting a gradient on the background)
π Let me know what you think about AI and how you might utilize it in your own work. Drop a comment below!
βοΈ Camera settings:
β 1/200th
β F11
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto 5 Degree Grid: adorama.rfvk.net/YYa4r
β Profoto 1x4' Strip Softbox: adorama.rfvk.net/4AdQn
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Tiffen 1 Stop Black Pro Mist Filter: adorama.rfvk.net/4e99G9
β Savage Seamless Fashion Gray Background: adorama.rfvk.net/9ZeX3
β Savage Background Stand: adorama.rfvk.net/e63Rg
β Avenger D600 Boom Arm: adorama.rfvk.net/XRdAG
β Avenger C-Stand: adorama.rfvk.net/zaeYjM
β Tether Tools Cable: adorama.rfvk.net/avr5q
Headpiece by Lory Sun - http://www.lorysun.com
π₯ If you're interested in more creative setups like this definitely check out my latest Creative Lighting Guide π https://lindsayadler.photo/clg2
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
This photo shoot was inspired by the Birth of Venus painting by 15th century Italian artist SandroΒ Botticelli.
Recreating artwork is something I love to do, bringing the paintings that inspire me to life with my very own twist.
This image was taken during my Timeless workshop that I produce each year with fellow photographer Chris Knight.
In this workshop we gain inspiration from the past to create modern interpretations, whether itβs from styles paintings, movies, art or even sculptures.
Check out more details about this workshop here: π https://lindsayadler.photo/timeless.
0:00 Concept
1:00 Planning the shoot
3:28 Lighting the scene
4:51 Camera Details
5:17 Post Processing
7:01 Final thoughts
π‘ Lighting (3)
1. Main Light: Large Umbrella + diffusion to the right hand side of the frame
2. Second Light: Medium umbrella + diffusion to the front of the frame to as a fill light
3. Rim Light: 1x4β Strip softbox to the back left of the frame to carve the subject out of the background
π Have you recreated any famous artwork that you love? Drop a comment below and let me know!
βοΈ Camera settings:
β 1/200th
β F8
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Medium Umbrella: adorama.rfvk.net/aQEYj
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/xAmXd
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto 1x4' Strip Softbox: adorama.rfvk.net/4AdQn
β Kate Backdrop: https://lindsayadler.photo/katebackdrop
β Reel EFX fan 2: adorama.rfvk.net/b39oZb
β Savage Background Stand: adorama.rfvk.net/e63Rg
β Avenger D600 Boom Arm: adorama.rfvk.net/XRdAG
β Avenger C-Stand: adorama.rfvk.net/zaeYjM
β Tethertools Cable: adorama.rfvk.net/avr5q
π₯ To experience this in person definitely check out the Timeless Workshop: https://lindsayadler.photo/timeless
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Unless youβve been living under a rock, you no doubt have heard all of the dissention that AI (artificial intelligence) has created in the art community. From ethics to legality, all manner of artists have been up in arms either embracing or condemning it.
So is it friend or foe?
One thing Iβve learned from my short time playing with the amazing AI art tools is that this itβs probably going to be here for the long haul and that I might as well get on the bandwagon and embrace it as a friend, treating it as just another tool to help me realize my creative vision.
You might be asking yourself, isnβt AI cheating? The short answer is ... it depends. Youβre still telling the computer what you want to see and it might help aid in the end result, or it might help inspire you to go in a different direction.
Personally, I think itβs helpful for my creative team when crafting things like crazy makeup, outfits or headpieces and that is what todayβs shoot is all about!
Our makeup artist used AI to come up with some examples of what we could do for this shoot. We didn't want to replicate things exactly but what AI provided helped to inspire the direction we headed in.
π‘ Lighting (4)
1. The main light here is a magnum reflector with grid. I chose this hard light modifier to give the light a punchy look.
2. The second strobe we introduced used a 10 degree grid to help lift the shadows under the modelβs chin.
3. The 3rd strobe is on a floor stand behind the model pointed at the background to provide separation and a gradient background.
4. Last but not least I introduced a 1x4β strip softbox with grid and purple gel as a hair light since the modelβs hair was blending in a bit too much with the background.
π So how do you feel about using AI as part of your workflow? Is it a friend for foe? Drop a comment below and let me know what you think!
π¨ Makeup Artist: Marika @@illusorybeauty
βοΈ Camera settings:
β 1/200th
β F11
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Magnum Reflector: adorama.rfvk.net/mvmbO + Grid adorama.rfvk.net/k0gMVL
β Profoto 10 Degree Grid: adorama.rfvk.net/zv9Yx
β Profoto 1x4' Strip Softbox: adorama.rfvk.net/4AdQn
β Savage Seamless Fashion Gray Background: adorama.rfvk.net/9ZeX3
β Savage Background Stand: adorama.rfvk.net/e63Rg
β Avenger D600 Boom Arm: adorama.rfvk.net/XRdAG
β Avenger C-Stand: adorama.rfvk.net/zaeYjM
β Tethertools Cable: adorama.rfvk.net/avr5q
π₯ For more creative setups bursting with co lor you'll definitely want to check out my Magic of Gels class: https://lindsayadler.photo/gels
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
For this 5 light setup I use gels for all of the above!
ββββββ
The image shown here was taken during my Fashion Intensive Workshop that I hold annually. Learn more about the workshop here: https://lindsayadler.photo/fashionintensive
ββββββ
π‘ Letβs dive into the lighting!
1. The main light here is a Westcott Optical Spot with a kit lens focused on the modelβs face.
2. The 2nd and 3rd lights are 1x4β strip soft boxes used as rim lights to help separate the model from the background, otherwise sheβd just be a floating head since the Optical Spot creates such a tight slice of light. The strips also are gridded to control the spill of light and using an orange gel (note: not CTO, but rather a much stronger orange).
3. Same as above
4. I added a medium umbrella with diffusion and cyan gel as a fill light to make the shadows rich with color.
5. The final strobe here is for the background using a bare bulb and magenta gel to add a gradient effect combined with the color from the fill light hitting the background.
ποΈ Post Processing
Straight out of Camera: 7:14
Raw Processing: 8:20
Post Processing: 9:35
π Drop a comment below and let me know what you think about the final result!
βοΈ Camera settings:
β 1/200th
β F11
β ISO 200
πΈ Gear Used:
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot (every purchase of the Westcott Optical Spot you'll receive a link to a free 40 minute video showing even more creative techniques!)
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Tiffen 4 Point Star Filter: adorama.rfvk.net/qnYONN
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Medium Umbrella: adorama.rfvk.net/aQEYj
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/xAmXd
β Profoto 1x4' Strip Softbox: adorama.rfvk.net/4AdQn
β Savage Seamless Fashion Gray Background: adorama.rfvk.net/9ZeX3
β Savage Background Stand: adorama.rfvk.net/e63Rg
β Avenger D600 Boom Arm: adorama.rfvk.net/XRdAG
β Avenger C-Stand: adorama.rfvk.net/zaeYjM
β Gel Kit: https://lindsayadler.photo/gelkit
β Tethertools Cable: adorama.rfvk.net/avr5q
π₯ For more creative setups that utilize gels you'll definitely want to check out my Magic of Gels class: https://lindsayadler.photo/gels
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
π‘Lighting
Since I was going for more of an aggressive look, I wanted to make sure that the lighting matched that by using a single hard light source against a solid white background.
The lighting setup was super simple with the majority of the concept achieved by the stunning outfit and hair and of course the model makes all the difference!
If you like this style of photography I encourage you to join one of my in person intensive workshops where you can build your portfolio and take amazing photos of models during the event. Learn more here: π https://lindsayadler.photo/fetishfashion
Outfit: rycenyc.com
π If you liked this video sound off in the comments below!
βοΈ Camera settings:
β 1/200th
β F11
β ISO 200
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Savage Universal Super white Background: adorama.rfvk.net/e2R6z
β Reel EFX RE II turbo fan: adorama.rfvk.net/b39oZb
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tether Tools cable: adorama.rfvk.net/avr5q
π₯ To learn more about using a single light you'll definitely want to check out my class One Light Artistry https://lindsayadler.photo/onelight.
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
For this Valentineβs Day themed shoot Iβm bringing out all the stops and playing with unusual light modifiers, color grading, filters and more.
For this shoot we decided it would be fun to play around with both reflections and the color pink. I used a Savage Universal Coral background to help reinforce the color theory we were going for and a rose gold piece of plexiglass for the model to lean on, anchoring the scene and also giving us something visually interesting.
π‘Lighting
The main light is an optical spot, utilizing the leafs inside to create a tight slice of light on the the modelβs face.
The second light is another optical spot, this time being used on the background with a heart gobo projection on the background.
Last but not least I added a bare bulb bouncing into the ceiling to provide fill light since the image was a bit too dark for what I had envisioned with only the 2 lights.
Now that the lighting is where I want it itβs time to play with some more creative elements, in this case using a North Star filter which will create these amazing starburst on the reflective surfaces.
I also played around with Lens Baby Omni in front of the lens to create even more reflections in the image.
ποΈ Post Processing
To tie everything together itβs important to incorporate a unifying color grade. I warmed up a few areas by adjusting the tint, white balance and then added more contrast. Lastly, I played around with the color balance until I found something that I liked.
π If you liked this video sound off in the comments below!
βοΈ Camera settings:
β 1/200th
β F5.6
β ISO 400
πΈ Gear Used:
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot (every purchase of the Westcott Optical Spot you'll receive a link to a free 40 minute video showing even more creative techniques!)
β Profoto D2: adorama.rfvk.net/qvB7y
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Savage Universal Coral Background: adorama.rfvk.net/oeo6be
β Tiffen North Star Filter: adorama.rfvk.net/0JqqGV
β Lens Baby Omni: adorama.rfvk.net/NAojO
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tether Tools cable: adorama.rfvk.net/avr5q
π₯ For more creative setups using the Optical Spot you'll definitely want to check out my lighting recipe guide: https://lindsayadler.photo/opticalguide
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
By now you probably know that my favorite new modifier is the optical spot that I helped co-design with Westcott.
For those of you that may not know, an optical spot is a specialty modifier that lets you project specific patterns and slices of light on your subject/background etc.
For this shoot I wanted to do a Valentineβs Day theme but something a bit different with the optical spot then I've done before.
π‘Lighting
The background is a Lee Heavy Frost Diffusion filter which gives me a white background, but the trick here is lighting it from behind with a heart logo, almost like a crown on the subject. What I like about using this technique is that some of the light hitting the filter also spills on to the subject proving this nice beautiful glow. Could I have just pointed the optical spot at the background to get the heart? Sure, but you wouldnβt get that glow. π
The second light is another optical spot to create a very narrow beam of light on the subjectβs face. The reason why I lit the subject like this is so that I could have areas of shadow on the face that I could gel.
This is where the 3rd strobe comes into place which is a medium umbrella with diffusion and purple gel.
As you can see each light has a specific job!
ποΈ Post Processing
The straight out of camera was very close to the final image. There were only a few areas that I decided to tighten up. I added a vignette, more contrast, and added a bit more cyan to the shadow areas to tie the colors together.
π If you liked this video sound off in the comments below!
βοΈ Camera settings:
β 1/200th
β F4.0
β ISO 200
πΈ Gear Used:
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot (every purchase of the Westcott Optical Spot you'll receive a link to a free 40 minute video showing even more creative techniques!)
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Medium Umbrella: adorama.rfvk.net/aQEYj
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/xAmXd
β Lee Filters Heavy Frost 48"x25' Gel Filter Roll, 1" Core: adorama.rfvk.net/7mEz1r
π₯ For more creative setups using the Optical Spot you'll definitely want to check out my lighting recipe guide: https://lindsayadler.photo/opticalguide
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
As you may know, Iβm more than a little obsessed with optical spots, and itβs not because I co-created one with Westcott either. I love how they allow me to create an immense amount of control in my images with tight slices of light or gobos.
This image was taken during one of my hands-on fashion intensive workshops that I hold every year. π https://lindsayadler.photo/fashionintensive
π‘Lighting
The main light was an optical spot with a leaves gobo which created little pockets of light on the subjectβs face.
The second light was also an optical spot with a leaves gobo pointed at the background for a textured effect.
The last light was an extra large umbrella with diffusion used for fill.
ποΈ Post Processing
Straight out of camera I was happy with the image, I could have kept it as is, but I thought back to the concept and wanted to elevate the image by warming up the white balance a bit more. I added a little bit of yellow to the highlights and a bit of red/magenta to the shadows.
Lastly I went in to fix a few things by retouching just to make some areas more symmetrical and clean things up.
You donβt necessarily need two optical spots to achieve an image like this. You can get away with using one and a gobo with hard light source on the background, it just so happens that I have two and felt that they would foot the bill for this shoot.
π Drop a comment below and let me know what you think about the final result!
βοΈ Camera settings:
β 1/200th
β F4.0
β ISO 200
πΈ Gear Used:
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot (every purchase of the Westcott Optical Spot you'll receive a link to a free 40 minute video showing even more creative techniques!)
β Environmental Gobo Pack: https://lindsayadler.photo/evgobos
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105 4.0 adorama.rfvk.net/KG0ne
β Canon 24-70 2.8 (as the lens for the optical spot)
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto XL Umbrella w/ Diffusion: adorama.rfvk.net/PJRDj
β Gravity Backdrops beige background: gravitybackdropsus.sjv.io/annWBY
π₯ For more creative setups using the Optical Spot you'll definitely want to check out my lighting recipe guide: https://lindsayadler.photo/opticalguide.
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Not only was Hedy a stunning performer, she also was a very talented inventor!
This empowering woman was the perfect inspiration for this shoot vintage style beauty shoot.
This image shown here was taken during my Timeless workshop with Chris Knight. In this workshop we take inspiration from various time periods such as old Hollywood and put our mix on them, bringing them to life for attendees to photograph. π https://lindsayadler.photo/timeless
π‘ Lighting
As you can see from the BTS this is a complicated setup with 6 lights total. Iβve mentioned before I rarely go into a photo shoot with multiple lights right off the bat. I always build up and problem solve as I go along.
The lighting started off simple here, but I soon realized I wasnβt getting the light needed to reflect the stars on the beautiful headpiece.
In order to solve this problem we built a light tent of sorts by placing rolls of diffusion paper around the model. This gave the stars something to reflect off of and now they would actually show up.
I now had to light the diffusion, which I used a Magnum reflector with grid and bare bulb with grid on the opposite side.
Next I used a bare bulb with 10 degree grid as a main light on the model's face.
So far weβre at 3 lights, but when I think of old Hollywood, rim lights definitely come to mind. So I added two 1x4ft strip softboxes.
Last but not least is a light on the background with an Optical Spot and searchlight gobo to cast a pattern on the background just for a bit more flair.
I also added a Lastolite Triflector to bounce any light back into the subjectβs face in case they move around.
Adding a white mist filter gave the image the illusion of haze being in the scene, which is another iconic look for images from that era.
For post processing I increased the contrast, then clarity and popped the highlights as well as converted the image to black and white. I also added a film grain to look like old film.
Lastly, in Photoshop I cleaned up some of the background and stars to make things more symmetrical.
π Whew! That was a complicated breakdown for sure. Let me know what you think in the comments below!
βοΈ Camera Settings:
β 24-70mm
β 1/200th
β F/8
β ISO 400
πΈ Gear:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-70mm: adorama.rfvk.net/z9JXm
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Magnum Reflector: adorama.rfvk.net/mvmbO
β Westcott Optical Spot: adorama.rfvk.net/P0r7rY
β Profoto 1x4' Strip Softbox: adorama.rfvk.net/4AdQn
β Profoto 10 Degree Grid: adorama.rfvk.net/nvn0A
β Tether Tools Tether cable: adorama.rfvk.net/avr5q
β Lastolite Triflector: adorama.rfvk.net/kGPrM
β Savage Seamless Fashion Gray background: adorama.rfvk.net/9ZeX3
π₯ If you're interested in more setups like this you'll definitely want to check out my Old Hollywood Lighting Recipe Guide with over 20+ lighting setups. http://lindsayadler.photo/oldhollywood
π Want to see this all unfold in person? I highly recommend checking out the Timeless workshop: https://lindsayadler.photo/timeless.
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Portfolio: http://lindsayadlerphotography.com
Instagram: http://instagram.com/lindsayadler_photo
Facebook: http://facebook.com/lindsayadlerphotography
Twitter: http://twitter.com/lindsayadler
Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
In this video Iβm shooting a DIY styled beauty image with my favorite color β¦ can you guess what it is! π
If you follow my work you know I love creating monochromatic images with red being one of the colors you might see most often in my work.
The concept for this shoot is making the model look like a gift with super simple DIY styling from things that I found around the studio and of course that red theme!
A big part of this shoot is the Savage Seamless Primary Red background. This is my go-to red background.
Tip: Donβt overnight the background! This can often result in the red looking a bit more orange.
The light is super simple, with only a single light and white beauty dish with grid. The most important part here being the grid so that you can control the spill of light on the background.
So we have the styling, the lighting, the red background, now itβs all about getting the right angle and expression with a beauty lens β my go to is the Canon RF 70-200mm 2.8.
A super simple and fun holiday themed beauty shoot thatβs easy to achieve!
πππππ
Happy Holidays!
Enter for a chance to win a Westcott Optical Spot! No purchase necessary
Visit here for Details: https://lindsayadler.photo/holidaygiveaway
πππππ
π Drop a comment below and let me know what you think!
πΈ Gear Used:
β Savage Seamless Fashion Gray: adorama.rfvk.net/9ZeX3
β Savage Seamless Thunder Gray: adorama.rfvk.net/xWvY1
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 70-200mm RF: adorama.rfvk.net/Jrr6q2
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto White Beauty Dish w/ Grid: adorama.rfvk.net/627BGGrid:
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Primary Red Background: adorama.rfvk.net/V371R
π₯ If you'd like to learn more about how to use a single light, definitely check out my class One Light Artistry: https://lindsayadler.photo/onelight
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
This video explains exactly how to use these guides.
π Check out my lighting receipe guides here: https://lindsayadler.photo/guides
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
If youβve ever perused the Savage Universal website or looked at their sample paper guide you may have noticed that they have more than dozen different versions of gray backgrounds, which begs the question, which one to get?
There are two things to consider when asking this question:
1. The Tonality:
The lightness or darkness, do you want a lighter gray, almost white, or a dark rich gray, almost black.
2. The Coolness
The other thing to consider is the coolness, do you want the color to be more neutral or have a bit of warmth, closer to beige.
So which background so I use?
To be honest, I have a bunch!
The color that I use most often is Fashion Gray. Itβs a little bit lighter and a tiny bit cooler but generally neutral. I use this a lot for my fashion editorials.
When I want something more dramatic I usually go with Thunder Gray which is a bit darker.
I also use TV Gray, which is a bit warmer. I use this gray if Iβm photographing a subject where I would want to have their skin tone appear a little bit warmer or their wearing a cream dress and I want to unify the tones of the background with the subject.
So why would I go with something cooler for fashion editorials? I like the coolness of the background and being that skin tones are generally a bit warmer thereβs a little bit more pop and contrast.
So if you could only get 1 gray background which would it be?
Well⦠ultimately it depends on what your needs are, but I know my choice would be Fashion Gray!
π What's your favorite background? Drop a comment below and let me know!
πΈ Gear Used:
β Savage Seamless Fashion Gray: adorama.rfvk.net/9ZeX3
β Savage Seamless Thunder Gray: adorama.rfvk.net/xWvY1
β Savage Seamless TV Gray: adorama.rfvk.net/qnJOKq
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm: adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto XL Umbrella w/ Diffuser: adorama.rfvk.net/PJRDj
β V-Flat: adorama.rfvk.net/djdBq
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
π₯ If you'd like to learn more about studio lighting you'll definitely want to check out my class Master Studio Lighting: https://lindsayadler.photo/msl
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
shoot inspired by Roy Lichtenstein.
One of the places that I love to get inspiration is from other artists. I get inspired by photographers, but also painters and cinematographers and sculptors etc.
This image was inspired by pop artist Roy Lichtenstein and taken during my Timeless intensive workshop with Chris Knight.
In preparation for creating this image, I went through and I tried to distill a couple of
the core ingredients that I would want to infuse into my work if it was meant to feel like Lichtenstein.
So, first of all, I wanted to use really bold, maybe triadic colors. Red, yellow and blue.
If you look at his work, those are colors that you see repeated over and over again.
Nailing the look is important and required various styling elements. The first one was a yellow wig that we then styled in a vintage hairdo and painted. We also added a phone as a prop just to give the model something to do.
From there we created a custom painted backdrop to have the model in front of, something really bold and graphic.
Next up was the hard part, the makeup! Thankfully I have an incredible team at my disposable that did a wonderful job at recreating this iconic look.
π‘Lighting
The lighting was fairly simple for this shoot consisting of only 3 lights.
You can see the BTS at 3:33.
The main light is a beauty dish which was soft and flattering on the subject but also added a little pop.
The second light is another beauty dish used to fill in the shadows with a grid.
Finally, I added a bare bulb with 20 degree grid on the background. You could get away with just 2 lights here but the third light helped provide a bit of separation between the yellow hair and background.
For the post processing I increased the contrast (due to haze being in the area from other sets going on at the time) and the saturation of various elements in Photoshop.
Obviously it took a lot of elements to bring this image to life, the model, styling, hair, the makeup, expression, background, post processing etc, but it was truly fun to try to create something like this β almost like a comic book cell coming to life.
π Iβd love to hear your thoughts on the final outcome. Drop a comment below.
π₯ If you'd like to learn how to take photos like this be sure to check out my Timeless workshop https://lindsayadler.photo/timeless.
Makeup Artist: Yvonne Macinnis
Hair Stylist: Linh Nguyen
πΈ Camera Settings:
β 1/200th
β F/11
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70: adorama.rfvk.net/jWOVxb
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Beauty Dish: adorama.rfvk.net/627BG
β Profoto Beauty Dish Grid: adorama.rfvk.net/290kD
β Profoto 20 Degree Grid: adorama.rfvk.net/nvn0A
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
This image was taken on location as part of my 3 Day Fashion Intensive. We originally intended for some beautiful natural light, but once we arrived on location it turned out to be cloudy!
So what to do??
With a little thinking outside the box (or in this case outside the window lol) and a relatively simple 2 light setup, I was able to fake that gorgeous sunlight we were missing thanks to a large umbrella with diffusion and a bare bulb with a gel outside the window.
An additional tool I used was a Black Pro Mist filter so that it would give off a highlight where the light was shining in from the window, emulating sunlight even more.
Hereβs the straight out of camera: 4:52
There wasnβt much to do in terms of post processing, other than boosting the contrast a bit from the light peering into the lens.
I also made some minor retouches just to focus the eye back on the subject.
A simple setup, with beautiful results! βοΈ
π’ Let me know what you think in the comments. Have you tried to emulate sunlight before?
π Next 3 Day Fashion Intensive: https://lindsayadler.photo/fashionintensive
π All upcoming workshops: https://lindsayadler.photo/workshops
πΈ Camera Settings:
β 1/200th
β F/5.6
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70mm: adorama.rfvk.net/z9JXm
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Tiffen Black Pro Mist Filter: adorama.rfvk.net/Ryqbva
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Gel Kit (CTO used) https://lindsayadler.photo/gelkit
π₯ To learn more about lighting definitely check out my ultra in-depth class Master Studio Lighting: learn.lindsayadlerphotography.com/product/master-studio-lighting
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
The image shown here was taken during my in person Fine Art Nude workshop (π https://lindsayadler.photo/fan-workshop) and was inspired by Marilyn Monroe.
While my lovely and talented Burlesque model Bryona isnβt blonde like Marilyn, weβre still channeling that vintage pin-up look, just brunette style!
π‘Lighting
The main light is here I one of my favorite modifiers (and not just because I co-designed it with Westcott lol) because of how it can create really hard crisp light.
If you look at vintage photographs many times youβll notice they are using a hard light source. This is because they were using hot lights, specifically Fresnels which created very poppy, high contrast lighting.
Since this is a rather concentrated light there were areas that were darker than I liked so I introduced a medium umbrella with diffusion as my fill.
Lastly, I added a third light for the background that had a 20 degree grid just to create a little separation between the model and the background.
Of course the set played a big role in the execution of this image. I purchased some red velvet curtains and used them as the backdrop as well as draping them over the couch for the model to sit on.
I loved the result and the lighting straight out of camera, even with zero adjustments: 5:23
π Post Processing
For post processing I darkened down the curtains a bit so that the model would pop a bit more and desaturated the image overall.
For retouching, you can see that the biggest changes were to the background. What I wound up doing was grabbing a plate from another shot where I didnβt have those shadows hitting the background and added that in. We could have left the shot as is, but this extra step made the image look a lot more polished.
Hereβs the final: 8:12
π’ Iβd love to hear your thoughts on the final outcome. Drop a comment below!
π Next Fine Art Nude Workshop: https://lindsayadler.photo/fan-workshop
π All upcoming workshops: https://lindsayadler.photo/workshops
πΈ Camera Settings:
β 1/200th
β F/5.6
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70mm: adorama.rfvk.net/z9JXm
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: adorama.rfvk.net/P0r7rY
β Profoto Medium Umbrella: adorama.rfvk.net/aQEYj
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/xAmXd
β 20 Degree Grid: adorama.rfvk.net/nvn0A
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Coral Background: adorama.rfvk.net/oeo6be
π₯ For more Fine Art Nude techniques check out my class The Intro to Fine Art Nude Photography: https://lindsayadler.photo/fan
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
The concept behind this cover shoot was to create a really warm
look, as if the model was bathed in late day sunlight, but with a little bit of a vintage vibe.
Let's take a look behind the scenes of the lighting and the stage for these images 1:59
π‘Lighting
The first thing I did for this 3 light setup was eliminate all of the ambient light in the studio so that I could create these slices of light without anything else interfering.
The main light was the Westcott Optical Spot, which, of course, you guys know that I designed
in conjunction with Westcott.
I use this to create a beautiful hard light on her face.
Now the main light here, I use the kit lens, which is great for head and shoulders and beauty shots.
The second light was also an Optical Spot but this time with a 24 to 70mm lens.
My goal for this image is I wanted a tight, slice of light on the subject's face and then a slice of light behind her so that she would be separated out from the background.
The final strobe is a Zoom Reflector with a CTO (color temperature orange) gel that's giving me some of that warmth that I wanted for the shot.
You'll notice there's some other things going on here as well. I also used Cinefoil to block the spread of light hitting the background and a flag to block the light hitting the ground right in front of the subject.
So that gives you a breakdown of the behind the scenes.
Let's go look at what was captured in camera versus what was achieved in post: 6:40.
Youβll notice that I was getting that warmth that we envisioned, so I did a quick color grade as the images were coming into Capture One so everyone could get an idea of the final shot: 7:35
For post production I majorly increased the contrast, darkened down the exposure, and warmed up the shot by adjusting the white balance and added more yellow to the highlights.
So you can see I get really close to the cover shot, just through color grading.
There wasnβt much additionally that needed to be adjusted in post, just some minor cleaning of the skin, adding a catchlight to the other eye and smoothing out the hair in the back of the head.
We did wind up doing a wider shot as well with the same 3 lights, just with minor adjustments. 9:36.
Here are some of the other shots as well: instagram.com/p/Cd_Y1v7OMhA
π’ Iβd love to hear your thoughts on the final outcome. Drop a comment below.
πΈ Camera Settings:
β 1/200th
β F/5.6
β ISO 800
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm 4.0: adorama.rfvk.net/KG0ne
β Canon 24-70mm lens (for optical spot): adorama.rfvk.net/jWOVxb
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: adorama.rfvk.net/P0r7rY
β Profoto Reflector 2: adorama.rfvk.net/MVLjn
β Profoto Matthews 24x36" Solid Black Flag: adorama.rfvk.net/jMVWv
β Cinefoil: adorama.rfvk.net/qvgQO
β Tiffen Star Filter: adorama.rfvk.net/0JqqGV
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 Boom Arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
π₯ For more an extended in-depth course on studio lighting check out my class Master Studio LIghting: https://lindsayadler.photo/msl
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
by vintage pinup.
People often ask me what inspires me. The short answer is everything! I really love getting inspiration from paintings or old Hollywood and even pinup photography. I often tie these elements into my own work in some capacity or another.
The image shown here today was taken at my Fine Art Nude photography workshop (π https://lindsayadler.photo/fan-workshop)
The concept for this image was to create something with a vintage feel. I wanted it to feel timeless, pin-up like and of course have a modern twist!
When photographing fine art nudes the focus is typically all about the model and the human form. While I have many different exciting and creative setups at my workshops, this one was meant to be more simplistic and elegant. It also helps when your model has that pinup girl look!
π‘Lighting:
For the shot, I end up using four different strobes.
I began by lighting the background which was Savage Universal Seamless Coral with two strobes on either side.
The main light I chose my go-to modifier which is the Westcott Optical Spot. Using this modifier I was able to control exactly what part of the body would be illuminated.
Since the main light focused on one area the rest of her body fell into dark shadow, so to fix that, I introduced a medium umbrella with diffusion on the right to fill in those shadows.
π Post Processing
This is where we ended up with the shot: 4:25
Now, some of the things that I'm analyzing that I don't like in this shot, I definitely don't
like the highlight that I see on the background that is from the optical spot spilling on to it. I could have changed the angle of the optical spot, maybe move the subject further away, but I didn't so I knew that I'd have to fix that in post.
I cleaned up a few other areas of the image, including some fraid hairs etc as well as desaturated everything a bit and warmed things up to try to emulate more of a vintage look.
What I captured on camera is quite close, but we were able to achieve much more of that vintage look and that timeless vibe with my color grading and also the perfection of the retouching.
If you'd like to join me for an in person workshop and create images like this be sure to visit these links:
π Fetish Fashion Workshop: November 2023: https://lindsayadler.photo/fetishfashion
π Fine Art Nude Workshop: June 2023: https://lindsayadler.photo/fan-workshop
π All upcoming workshops: https://lindsayadler.photo/workshops
π’ Iβd love to hear your thoughts on the final outcome. Drop a comment below.
πΈ Camera Settings:
β 1/125th
β F/11
β ISO 200
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70: adorama.rfvk.net/z9JXm
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: adorama.rfvk.net/P0r7rY
β Profoto Medium Umbrella: adorama.rfvk.net/aQEYj
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/xAmXd
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Coral Background: adorama.rfvk.net/oeo6be
π₯ For more Fine Art Nude techniques check out my class The Intro to Fine Art Nude Photography: https://lindsayadler.photo/fan
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
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Frida Kahlo was a Mexican painter best known for her uncompromising and brilliantly colored self-portraits that deal with such themes as identity, the human body, and death. en.wikipedia.org/wiki/Frida_Kahlo
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One of the places I love returning to for inspiration over and over again is the past. After all, itβs these great artists, painters, sculptures etc that have paved the way for our modern art.
I love mixing the βoldβ and the new for a timeless feel to my work. In fact I have a workshop that focuses on this very theme called the Timeless workshop, taught along with Chris Knight. (For more info check out the workshop here π https://lindsayadler.photo/timeless).
The image shown here in this breakdown is straight out of one of the looks that we create on set for attendees.
The core elements that inspired me from Frida Kahloβs work were the elements of nature and color that I knew I wanted incorporate into my version.
π‘Lighting
This is a 5 light setup β and I know that when people hear that they might think that itβs overwhelming or overkill, but when I use that many lights each one has a specific purpose. I typically also build up my lights as I go along, without the intention of using lots of lights to begin with.
The main light here is an Optical Spot which I used to create a slice of light on the subject's face.
Now of course using this modifier doesnβt have anything to do with Frida Kahloβs work, but that is how I merge the old with the new to create my own style.
Next up I used a large umbrella w/ diffusion + a magenta gel as my fill light to the right hand side of the frame. The reason behind the gel was to create more of a cohesive and analogous color scheme and tie everything together.
Lights 3 and 4 are in the back as rim lights, both with CTO (color temperature orange) gels with barn doors to help control the spill of light. The color really pops when backlighting haze which is another thing that I added to the scene.
The 5th light is hidden behind the subject and is a bare bulb with a magenta gel to give a nice gradient to the background.
This is the shot straight out of camera: 6:54
There wasnβt much that needed to be in done in post processing other than increasing the contrast and highlights a bit to help with the softness that the haze in a can created.
I also retouched a few areas just to clean things up a bit.
π Iβd love to hear your thoughts on the final outcome. Drop a comment below.
πΈ Camera Settings:
β 1/200th
β F/11
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: adorama.rfvk.net/P0r7rY
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Tiffen 72mm Black Pro Mist #1/2 Filter: adorama.rfvk.net/Ryqbva
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Dramatic Color Kit: https://lindsayadler.photo/gelkit
β Savage Seamless Thunder Gray Background: adorama.rfvk.net/xWvY1
π₯ For more inspiring creative lighting techniques check out my Creative Studio Lighting Guide: https://lindsayadler.photo/clg
π₯ If you'd like to attend an in person hands-on workshop where you can learn to create images like this check out my schedule of upcoming workshops: https://lindsayadler.photo/workshops
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Like many of you, I shoot on seamless ALL the time, but itβs so heartbreaking when you have to cut some of it out and throw it away. Rather than waste those scraps my creative team turned them into something truly fabulous. I mean itβs PAPER, come on, how cool!?
The outfit here is made out of 3 different sets of Soft Grey Savage Universal Seamless paper.
My thought process for this fashion shoot is to focus on the texture and shape of the wardrobe and with that, positioning my light so that it rakes across the model and provides a little bit of sculpting on that piece.
The one light provided beautiful light on the model but I felt it did need a bit more fill, so I introduced a v-flat to the shadow side of the modelβs face.
Because I just have to go over the top sometimes (hehe) I decided to add a second strobe to the frame with an Optical Spot and the Search Light Gobo so that I could project a pattern on the background. The idea being that it will mimic some of the shapes youβre seeing on the piece.
π Iβd love to hear your thoughts on the final outcome. Is this something youβd try? It might spark some new inspiration for you!
πΈ Camera Settings:
β 1/200
β F/8
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Canon RF 24-70 (for the optical spot): adorama.rfvk.net/jWOVxb
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot
β Profoto Extra Large Umbrella: adorama.rfvk.net/PJRDj
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Fashion Gray Background: adorama.rfvk.net/9ZeX3
β Savage Seamless Soft Gray: adorama.rfvk.net/e4WRDX (discontinued, closest color is Grey Tint: adorama.rfvk.net/jWLmP6
π₯ Interested in more DIY styling? Check out my class Creativity on a Budget: https://lindsayadler.photo/creativity-on-a-budget
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
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While I love having fabulous wardrobe options for my shoots it isnβt always feasible or necessary. You can create beautiful images inspired by really simple clothing on a budget by picking up wardrobe and props from just about anywhere including a thrift shop, itβs all about using your imagination!
To prove that point, the dress here was $6 and the hat was only $1. Obviously lighting and equipment are excluded but weβre specifically talking about styling.
π‘ Lighting:
The main light was a bare bulb with 20 degree grid, a hard light focused on the subject to control spill.
The second light is a bare bulb turned all the way up and pointed at the seamless to blow it out completely.
This is the straight out of camera raw file: 3:24.
From the beginning I planned on this being an elegant and chic image, something bold and graphic, so for that I decided that turning the image to black and white was the best option.
Immediately I knew I wanted to clean up some of the elements so that the image had cleaner lines, so some quick retouching later and I had a good starting point. In terms of processing I popped the contrast basically after turning it black and white.
Simple lighting, simple styling to create a bold, graphic looking image!
π Drop a comment below and let me know what you think of the end result.
πΈ Camera Settings:
β 1/200th
β F/9
β ISO 200
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto 20 Degree Grid: adorama.rfvk.net/nvn0A
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Super white Background: adorama.rfvk.net/e2R6z
π₯ For more DIY styling check out my class Creativity on a Budget: https://lindsayadler.photo/creativity-on-a-budget
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
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David Robert Jones, known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. en.wikipedia.org/wiki/David_Bowie
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If you follow this channel you probably already know that every year I do a few shoots that are themed around the Pantone Color of the Year. I like doing this for a few reasons:
β Having my images show up for the trending color of the year
β Showing clients that I am up to date on trends
β Giving myself a creative challenge!
This shoot was inspired by my model's awesome hair/look which paved the way for the Bowie theme.
This is a 4 light setup (1:30). The main light is a Zoom reflector with a purple gel with another zoom reflector lower to act as a fill. The 3rd strobe is a 1x4ft strip softbox with grid from above to help separate out the modelβs hair. Last but not least is a background light on a floor stand but only being used as a constant light and was used to aid in the shutter drag effect.
Using a longer shutter speed I was able to create movement and specular highlights on the gems, just go make the image pop a bit more.
Straight out of camera (7:18) was very close to the end result, there were just a few things I wanted to change to tighten up the image, but overall I was very pleased with the βin cameraβ effects.
π Iβd love to hear your thoughts on the final outcome. Is this something youβd try? It might spark some new inspiration for you!
πΈ Camera Settings:
β 1/4th
β F/11
β ISO 100
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Wide Zoom Reflector: adorama.rfvk.net/MVLjn
β Profoto 1x4' 50 Degree Grid: adorama.rfvk.net/DVBVQa
β Profoto 1x4' Strip Softbox: adorama.rfvk.net/4AdQn
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Dramatic Color Kit: https://lindsayadler.photo/gelkit
β Savage Seamless Orchid Background: adorama.rfvk.net/gbL05B
π₯ For more inspiring creative lighting techniques check out my Creative Studio Lighting Guide: https://lindsayadler.photo/clg
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Thereβs nothing wrong with experimenting and evolving the shot, it doesnβt always have to come out as you expected, and thatβs the point. You canβt discover new techniques that work for you without experimenting!
For this fashion shoot I wanted to focus on the wardrobe and ultimately I combined a variety of creative techniques including the use of gels, a filter, shutter drag and a bright colored seamless background.
π‘Breaking it all down:
The main light for this shoot is a large umbrella with diffusion + a blue gel to provide a kiss of color across the frame and match the Studio Blue background. 2:29
The second light is used to highlight her wardrobe by backlighting it with a bare bulb. 3:10
Because the backlight creates a lot of flare in the lens when the model was moving, I felt it was a great opportunity to add a Black Pro Mist Filter which makes the highlights glow even more and gives them a beautiful hazy effect. 4:37
The third light is a 1/4ft strip softbox + green gel over on the left hand side of the scene from behind. The reason I added the green gel was to try to unify things a bit more with her jacket. 5:23
Last but not least Iβm introducing a bit of shutter drag into the scene to just give the image a bit more creative flare.
Let me know in the comments if you've what you think of the end result! π
Here are some other videos on using shutter drag:
- youtu.be/hDzP3uTQdUw
- youtu.be/-mXFpVSzzys
- youtu.be/wOgzRXJptME
πΈ Gear Used:
β Savage Universal Studio Blue Backdrop: adorama.rfvk.net/LPqQeO
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-105mm: adorama.rfvk.net/q74XY
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Large Umbrella adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto 1/4' Strip Softbox: adorama.rfvk.net/4AdQn
β Profoto 1/4' Strip Softbox Grid: adorama.rfvk.net/DVBVQa
β Profoto 10 Degree Grid: adorama.rfvk.net/zv9Yx
β Profoto 20 Degree Grid: adorama.rfvk.net/nvn0A
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Dramatic Color Kit (gels): https://lindsayadler.photo/gelkit
π₯ To learn more color gel photography check out my class the Magic of Gels: https://lindsayadler.photo/gels and for more creative studio lighting techniques: https://lindsayadler.photo/clg
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
A lot of beginners starting out with gels just slap them on their lights and hope for the best, which generally leads to lack luster results. This is why itβs important to famliraize yourself with color theory and color harmony β which basically are a set of βrulesβ for how colors work together to create impact and mood in your photographs.
There are many different color harmonies you can work, here I choose to use complementary colors. I wanted to play with warm and cool tones and create contrast that would make the subject pop.
This image was taken during my Advanced Lighting Techniques workshop which teaches these techniques and many more.
As mentioned above, this image was lit with 4 lights.
The main light was a bare bulb with blue gel and 20 degree grid hitting the front of the set here. Light number 2 was a strip softbox from behind with a blue gel as a rim light.
Next, I wanted to add a bit of warmth and contrast, so I had added a 3rd light with an orange gel and no modifier and pointed it directly on the white backdrop. The idea here was to give the illusion of a sunset and create a nice gradient on the background.
The last light was directed at the subject from the left with another orange gel and 10 degree grid so that it looked like they were unified with the background.
Post Processing
Straight out of camera: 4:08
Overall, the biggest issue straight out of camera (4:08) was that I needed to bring up a little bit of fill to the shadows. I also popped the clarity and last but not least, I just cleaned up a bit of areas in the image with retouching.
I hope you can see the benefit of pre-planning your gel themed shoots by utilizing color theory. Everything here meshed well together and the end result was a high contrast image with a lot of pop.
Let me know in the comments if you've used color theory in your photoshoots! π
πΈ Camera Settings:
β 1/200th
β f/8
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70 2.8: adorama.rfvk.net/z9JXm
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto 1/4' Strip Softbox: adorama.rfvk.net/4AdQn + Grid: adorama.rfvk.net/DVBVQa
β Profoto 10 Degree Grid: adorama.rfvk.net/zv9Yx
β Profoto 20 Degree Grid: adorama.rfvk.net/nvn0A
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Dramatic Color Kit (gels): https://lindsayadler.photo/gelkit
π₯ To learn more color gels photography check out my class the Magic of Gels: https://lindsayadler.photo/gels
If you're interested in learning these techniques in person also be sure to check out my live fashion intensive: https://lindsayadler.photo/advanced-lighting-workshop
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
This image was taken during my in person Boudoir/Burlesque workshop that I host multiple times per year (https://lindsayadler.photo/boudoirworkshop).
π‘Lighting
To start, my main light is an Optical Spot -- which as the name suggests, lets me create a spotlight on the subject that mimics stage lighting.
Iβm also using another Optical Spot with gobo in the far back left to cast a search light style pattern on the backdrop. The reason I opted to do this was simply because I wanted something dramatic in the background rather than just the plain backdrop.
Next, lights 3 and 4 are 1x4β strip softboxes with grids to help accentuate the model and her gorgeous figure.
My 5th and final light is a large umbrella with diffusion and blue gel to lift up the shadows and provide a kiss of color.
Itβs really the multi light setup that gives this image that βOld Hollywoodβ look β of course in addition to the timeless look of the model and amazing wardrobe. π
This is what I ended up with: 4:25
Straight out of camera: 5:30
ποΈ Post Processing
Straight out of camera the photo looked great. It didnβt really require that much post processing, but I wasnβt satisfied with the lack of blue in the shadows from the main light, so I decided to do some color grading in Capture One to create a uniform look. I also dramatically popped the highlights, increased the contrast, added clarity and desaturated the colors a bit.
In terms of retouching, there were just some tiny areas that I cleaned up.
π Final Thoughts
A 5 light setup is always going to be intimidating. To be fair, many images can be accomplished with less lighting, but for this photo, every single light had its purpose.
I approach lighting by figuring out what each light will add to the scene. I donβt always dive head first in with the most amount of lights possible. So take this into consideration building your own lighting setups.
β If you'd like to learn more about this style of lighting I definitely recommend checking out my Old Hollywood Lighting Recipe Guide so you can practice your own setups: https://lindsayadler.photo/oldhollywood.
Drop a comment below and let me know what your thoughts on the final image are.π
πΈ Camera Settings:
βοΈ 1/200th
βοΈ F8
βοΈ ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70mm 2.8: adorama.rfvk.net/jWOVxb
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto 1x4' Strip softbox: adorama.rfvk.net/4AdQn
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Savage Seamless Fashion Gray background: adorama.rfvk.net/9ZeX3
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools tether cable: adorama.rfvk.net/avr5q
β Dramatic color kit: https://lindsayadler.photo/gelkit
π₯ For more vintage lighting inspiration check out my Old Hollywood Lighting Recipe Guide: https://lindsayadler.photo/oldhollywood
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
You might be thinking to yourselfβ¦why on earth would I need or want a $2,000 hair fan!? Well, just like on movie sets, there are pieces of equipment that are designed to do a specific job, they are the βbest of the bestβ and created for a purpose, so I figured, why not try this one out!
Of course, just like with any piece of equipment there are alternatives. You can use a leaf blower, floor dryer, inexpensive house fan, and even cardboard/foam core while an assistant flaps away to create wind.
So after much hounding by my hair stylist, I finally gave in to try the Reel EFX RE Fan 2 Turbo Bladed Wind Machine for Special Effects (thatβs a mouthful lol).
Starting right off the bat, I love how you can adjust the fan up and down. It allows me to really focus where the air flow will be. The next great feature is the variability for the power of the fan as well as the cool βburst modeβ that can just be a brief second crazy wind. Lastly, in addition to the actual strength of the air flow, you can change the beam, or the concentration of the air which is really cool. You can go from 10 degrees to 45 degrees.
So whatβs the verdict? For me, I LOVE this. Is it a bit on the expensive side? Absolutely. But itβs a tool like anything else and if it helps you do something more efficiently and with less stress than to ME itβs worth it, especially for commercial shoots where consistent results are important.
You can obviously achieve the same results without expensive equipment, but that isn't the point here, it's about what works for you and if you feel the need justifies the cost.
Now onto the shoot!
I opted for a Savage Seamless Pecan background which is a warm but somewhat desaturated brown. The idea here is that the model has this beautiful warm skin tone and with her beautiful hair, it would all matching tones, warm and fresh.
Since I wanted a fresh look, I opted for higher key clamshell lighting with a large umbrella and a 1x4β strip softbox. The last light is a bare bulb on the background to give it a bit of pop and gradient of light.
As you can see from the shots everything is very consistent and that is what I love about this fan!
π I hope you enjoyed this breakdown and behind the scenes look of this specialized hair fan. Let me know what you think of the end results in the comments.
πΈ Gear Used:
β Reel EFX RE Fan 2 Turbo Bladed Wind Machine for Special Effects: adorama.rfvk.net/b39oZb
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 70-200mm 2.8 RF L: adorama.rfvk.net/Jrr6q2
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto 1x4' Strip softbox: adorama.rfvk.net/4AdQn
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Pecan Background: adorama.rfvk.net/5bP3jD
π₯ To learn more about lighting definitely check out my class Master Studio Lighting: https://lindsayadler.photo/msl
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
So what can you do about that?
In this case, I thought, maybe I could layer multiple seamless backgrounds together to create more of a set and graphic effect, something out of the ordinary.
The execution was pretty simple. I setup a Savage Universal Plum background and then put up a Canary Yellow one across that to create an interesting set piece that also complimented the model's outfit and matched the clothing to the environment.
One of the things to keep in mind while building a set or planning a photoshoot is that there is no βrightβ answer, it all depends on the intention.
So when youβre trying to think outside the box and create something a bit different, let those ideas flow and experiment!
For the light we decided because of the vertical seamless across the background, it might be interesting to contrast that by creating a vertical beam of light down the middle for the model to step in.
To create this effect I used an Optical Spot since it gives me ultimate control for creating tight pockets of light. I also added a large umbrella with diffusion to help lift the shadows a bit.
The end result was something different and not the typical use of a backdrop. Itβs all about thinking outside the box to create something interesting.
π Iβd love to hear your thoughts on the final outcome. Is this something youβd try? It might spark some new inspiration for you!
πΈ Camera Settings:
β 1/200
β F/11
β iso 200
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Canon 35mm EF Lens (for optical spot): adorama.rfvk.net/kLQ7V
β Tiffen 77mm 1/4 Black Pro Mist filter: adorama.rfvk.net/x9O92d
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Canary Yellow Background: adorama.rfvk.net/n1k2eR
β Savage Seamless Plum Background: adorama.rfvk.net/Vy3be6
π₯ To learn more about lighting definitely check out my class Master Studio Lighting: https://lindsayadler.photo/msl
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Over the winter I was invited to photograph at the Baccarat hotel for a joint collaboration between the hotel and fashion designer, The Danes.
The challenge was to create images that satisfy both clients β so I had to focus on the dress as well as bring attention to the space.
Another challenge to on location photography is that you sometimes have to move quickly, like very quickly. Since where we were photographing the model was an active bar/restaurant I had to get the lighting setup and everything ready to go before the model even stepped into frame.
For this shoot I used 3 strobes, but you could get away with less. Each light has its purpose so thatβs the fun challenge when you do on location photography, you will have to adapt to the situation.
The main light on the subject was an Optical Spot which was used to create contrast and pop the subject out of the background a bit. You donβt have to use a hard light modifier for something like this, but I decided to just because of the quality of light it produces and wanted a bit of "old hollywood" vibe.
Then, lights 2 and 3 were both bare bulb strobes with CTO gels which helped warm up the entire space and act as a rim and hair light on the subject so they wouldnβt blend into the background as much.
There was also a window behind me which was providing indirect light with a βcoolβ tone that helped balance things out.
Ultimately, I tried to take some of the color that was already in the scene and enhance it with the strobes.
In post production I color graded the image to give it more of a cinematic look and removed some of the unwanted elements in the scene.
You can see how all of the elements come together, the lighting, environment, camera settings, color grading and retouch.
Let me know in the comments if you prefer to photograph on location or in the studio π
πΈ Camera Settings:
β 1/60th
β f/2.8
β ISO 320
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 50mm 1.2: adorama.rfvk.net/g2gJg
β Profoto D2: adorama.rfvk.net/qvB7y
β Westcott Optical Spot: https://lindsayadler.photo/wcopticalspot
β Profoto Small White Umbrella: adorama.rfvk.net/dvR1j
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Dramatic Color Kit (gels): https://lindsayadler.photo/gelkit
π₯ To learn more about lighting definitely check out my class Master Studio Lighting: https://lindsayadler.photo/msl.
If you're interested in learning these techniques in person also be sure to check out my live fashion intensive: https://lindsayadler.photo/fashionintensive
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
For this shoot my goal was to create something graphic, iconic and colorful. I love experimenting in the studio and found this technique to be something I try time and time again.
This image was created with only 2 strobes which at first glance can be a little confusing! One might guess 3, or even 4 lights.
To give the illusion of extra rim lights I'm using a softbox which when positioned close to the subject creates the bits of color that wrap around the subject.
The trick here is really using the flag in between the softbox and the model. Without the flag, youβd have a lot of light splashing back into the camera and a completely different look.
You could totally just stop here and have the model in silhouette, but for me, I wanted to play around a bit with complimentary colors and add a gel to the main light.
For post processing I had to make some adjustments, even though straight out of camera was very close to the end results.
Since weβre shooting directly into the softbox there is going to be some lens flare and we lose a little bit of contrast. So to fix this, I just increased the contrast in camera raw, upped the clarity a bit and darkened down the shadows. I also adjusted the color grade after playing around a bit. Beyond that, I just extended the frame and cleaned up the edges of the hair a bit, which takes us to the final shot.
Using this technique is great if you only have two lights, and heck you don't even need a backdrop so it's great for smaller spaces too!
π Let me know in the comments below if youβve ever tried this technique and what you think of the outcome.
πΈ Camera Settings:
β 1/200
β f/5.6
β ISO 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto 3x4ft' Softbox: adorama.rfvk.net/azKaR
β Matthews 24x36'' Flag: adorama.rfvk.net/jMVWv
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Dramatic Color Kit (gels): https://lindsayadler.photo/gelkit
π₯ To learn more about lighting with gels check out the Magic of Gels: https://lindsayadler.photo/gels
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
After seeing the colorful dress selected for the model I decided to use that to inform all of our other creative decisions and match the colors of the dress with both the lighting and the background.
When choosing a background, I go to color theory. Do I want to go for complimentary colors or contrast, or a similar hue. In this instance, and for the overall direction of the shoot, I decided to go with a bright orangey background from Savage Seamless (actual name is Tangelo #82 β great great color).
I now have the orange from the modelβs dressed covered, but that doesnβt really showcase the pink/magentas that are also in their dress. That I added with two rim lights into the scene with a pink gel.
π‘ Lighting
I usually start my lighting off light by light and build the scene as I go along since each one may have a specific purpose. The main light here is a bare bulb with a Magnum reflector, which is one of my favorite hard light modifiers. I wanted to emulate the feeling of sunlight on the subject so this light was perfect for that as it casts a hard light like the sun, but still is flattering on the skin.
I then added two small white umbrellas on both sides of the model from high and behind with a pink gel to add a pop of color.
Lastly, I added one of my favorite tools to use which is a Black Pro Mist filter that will make the highlights in the image come to life even more.
Now all that is left is to shoot!
This was was a relatively straightforwad 3 light setup that mostly was directed by the colors in the scene. I definitely recommend you try to use color theory and match colors in your shoots, it makes a big difference!
πΈ Camera Settings:
β 1/200
β f/11
β iso 200
Iβd love to hear what you think about the end result! Drop a comment below and let me know if you also use color theory in your shoots to help inform your decisions. π
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon RF 24-105mm F/4: adorama.rfvk.net/Rk5Qy
β Tiffen 77mm 1/4 Black Pro Mist filter: adorama.rfvk.net/x9O92d
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Magnum Reflector: adorama.rfvk.net/mvmbO
β Profoto Small White Umbrella: adorama.rfvk.net/dvR1j
β Profoto Air Remote: adorama.rfvk.net/W3o5G
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools Tether Cable: adorama.rfvk.net/avr5q
β Savage Seamless Tangelo backdrop: adorama.rfvk.net/9WZbgy
β Dramatic Color Kit (gels): https://lindsayadler.photo/gelkit
π₯ To learn more about lighting definitely check out my class Master Studio Lighting: https://lindsayadler.photo/msl
----
π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
I love shooting Burlesque, it's dramatic, incorporates beautiful lighting and oh my gersh, the outfits! My heart swoons. π
The concept of this image was as if the model was coming out from behind the curtains on stage greeting the audience and getting ready for a show.
π‘ Lighting
Since I wanted to emulate the harsh lights of a stage, I opted for a bare bulb with 20 degree grid as the main light pointing to the model's face. The second light is exactly the same but behind the subject to help pop her out of the background as a rim light and provide a bit more theatricality.
The next light acting as a fill was a large umbrella with diffusion.
Last but not least, is a medium umbrella with diffusion and red gel off to the right used to emphasize the model more and just add a bit of color.
Here's the straight out of camera: 4:46.
I think the image as is would totally be usable without any processing but because the concept was meant to have a bit of a vintage feel to it, I did some extra post processing in Alien Skin Exposure to play with some film presets, and VoilΓ !
I love making images like this because the whole team comes together and contributes to something truly fun and over the top.
How do you think the shoot came out? Drop a comment below and let me know! π
πΈ Camera Settings:
βοΈ 1/200th
βοΈ F11
βοΈ ISO 200
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon 24-70mm 2.8: adorama.rfvk.net/jWOVxb
β Hoya 77mm 4 Point Star Filter: adorama.rfvk.net/5V2RD
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto 20 degree grid: adorama.rfvk.net/nvn0A
β Profoto 51'' deep umbrella large: adorama.rfvk.net/bKGzg
β Profoto large umbrella diffuser: adorama.rfvk.net/JAyMe
β Profoto Medium 41'' umbrella: adorama.rfvk.net/aQEYj
β Profoto Medium umbrella diffuser: adorama.rfvk.net/xAmXd
β Profoto air remote: adorama.rfvk.net/W3o5G
β Savage Seamless black background: adorama.rfvk.net/eYdgz
β Avenger D600 boom arm: adorama.rfvk.net/XRdAG
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tethertools tether cable: adorama.rfvk.net/avr5q
β Dramatic color kit: https://lindsayadler.photo/gelkit
β Alien skin Exposure: https://lindsayadler.photo/alienskin
π₯ For more vintage lighting inspiration check out my Old Hollywood Lighting Recipe Guide: https://lindsayadler.photo/oldhollywood
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
If you follow my work you already know that color is an important part of it, whether itβs used in the clothing, makeup, environment, or lighting. I usually do this with gels, but lately Iβve been falling in love with RGB constant light tubes. The ones I use specifically are from Nanlite and are full RGB LED.
I love using these lights because of their versatility. To begin with, they're relatively small and unobtrusive so they can be stored easily and travel well. Second, I have a full range of adjustable colors at my fingertips with no fumbling around taking down a light, dismantling the modifier and trying to locate a gel color I might not have. Last but not least, because of the 'quality' of light they produce which is very cinematic in my opinion.
Another reason I really love these lights is because of how bright they are. I donβt necessarily need to shoot wide open or have a very slow shutter speed. What you see is what you get.
I crafted this shoot around the light tubes, knowing that I wanted something dramatic and that would emphasize the colors of course. This lead me to the selection of the dress and how I intended to light the model.
Now to the lighting.
This is a rather complex 5 light setup but each light has a purpose. (BTS: 1:34)
Starting with the background light -- a Nanlite Forza 500 with Fresnel which is used to focus the beam of light coming from behind. Youβll also notice the smoke in the scene which was courtesy of my trusty haze machine. The haze machine produces a finer particle which helps to show more of a physical direction of the light. This combo really gave the image that cinematic look I was after.
Lights 2 & 3 were back and behind the subject dialed in to be Cyan and give the model a nice rim and over head light.
Lights 4 & 5 are in front of the model to the left and right using blue and purple.
The end result straight out of camera (6:31) was pretty much the same as the final image, I was really happy with how things came out but it lacked a bit of contrast due to the haze. I made some further adjustments in Capture One and increased the contrast, clarity, highlights, and used Dehaze to get to the final result.
π So what do you think? Are you believer yet? Would you switch from strobes to constant lights like this? Drop a comment below and tell me!
πΈ Camera Settings:
β Shutter speed: 1/200th
β F/stop: F4
β ISO: 100
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon EF 24-70 F/2.8; adorama.rfvk.net/z9JXm
β Nanlite PavoTube II 30x 4': adorama.rfvk.net/donAVq
β NanLite PavoTube II 15X 2': adorama.rfvk.net/JrVx9q
β Nanlite Forza 500: adorama.rfvk.net/6bA0yb
β Nanlite Fresnel: adorama.rfvk.net/LPgXK3
β Savage Universal Fashion Gray Background: adorama.rfvk.net/9ZeX3
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Tether Tools Tether Cable: https://lindsayadler.photo/tethertools
Resources mentioned in this video:
π₯ Learn more about adding color in your photography with the Magic of Gels: https://lindsayadler.photo/gels
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
First of all, what is Checkerboard lighting?
Checkerboard Lighting (as it pertains to portraits) is a common photography term used to describe when a subject has a highlight side of the face against the shadow side of the background, and the shadow side of the face against the highlight side of the background. Whew, that was a mouthful lol.
Basically itβs black, white, black white, hence checkerboard!
For this portrait I opted to go with a large umbrella with diffusion as I wanted soft, beautiful light raking across the subject. If you donβt have a large umbrella, you could also use a 3x4β softbox or Octabox for similar results.
Alternatively, you don't have to use a soft light source to achieve checkerboard lighting either, you can use a hard light source, bare bulb , beauty dish etc.
As for the position of the light, I feathered it so that very little was hitting the background which would help with that checkerboard effect.
I found that the background wasnβt dark enough and the subject was blending into it so I had to introduce a black v-flat to help flag some of that light from hitting the background.
Here is straight out of camera: (3:39)
For post processing I increased the clarify and contrast a bit, desaturated the image and added some coolness to the shadows for the color version: 5:09
Ultimately, I decided to change the image to black and white to achieve a more dramatic and timeless looking portrait. 5:44
There's really no rule that says your image has to be color or black and white (especially as it pertains to checkerboard lighting) itβs really up to you and what youβre looking to achieve. I just felt that the black and white version worked better.
If you notice too, the subject never blends into the background, so even though thereβs a lot of darker tones going on here, the checkerboard lighting helps separate the subject from the background.
The image shown in this Photo Deconstruction was taken during my Studio Lighting Bootcamp. So if you're interested in learning in person how to achieve this, definitely check the link below.
π Let me know in the comments below if you've ever tried checkerboard lighting and what you think.
πΈ Camera Settings:
β Shutter speed: 1/200th
β F/stop: F8
β ISO: 200
β Focal length: 81mm
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon EF 24-105 4.0: adorama.rfvk.net/KG0ne
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β V-Flat: https://lindsayadler.photo/vflatworld
β Gravity Backdrops Warm Gray backdrop: gravitybackdropsus.sjv.io/9gg4Me
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Profoto Remote: adorama.rfvk.net/W3o5G
β Tether Tools Tether Cable: https://lindsayadler.photo/tethertools
Resources mentioned in this video:
π₯ One Light Artistry class: https://lindsayadler.photo/onelight
π₯ Studio Lighting Bootcamp: https://lindsayadler.photo/lightingbootcamp
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
If you follow my work you know that I love doing as much in camera as possible. Iβm not one for doing composites in Photoshop, I like the challenge of actually achieving this IRL. I find that I can control things a bit better doing it live and in person which is why Iβm always on the search for new creative in camera techniques.
I recently came across a photo that inspired me to try my hand at a technique using Mylar to emulate water. I have to say this was very cool to play with!
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β What is Mylar?
Mylar is the brand name for a special type of stretched polyester film. You'll often find this in a balloon for example.
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The first of these two images was shot with 1 single hard light source called a Fresnel. 1:28 (straight out of camera).
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β What is a fresnel
A Fresnel lens (pronounced frΙΛnΙl or fruh-nel) is a type of composite compact lens developed by the French physicist Augustin-Jean Fresnel (1788β1827) for use in lighthouses. The Fresnel is a soft-edged spotlight that offers more control over the angle of the beam than a flood light. Often used in old Hollywood Lighting as well.
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You could also try this technique with a bare bulb and other hard light modifiers such as an optical spot.
For the first shot the Mylar acted like a giant reflector and helped distribute the light, however I still needed a bit more light on the modelβs face in the end.
π Final image: 3:44
For post processing I cleaned up a few things such as the seam on the background where it met the floor, lowered the modelβs shoulders, desaturated the image and added some light to the modelβs face with a curves adjustment layer.
β Image 2
The next version of this setup I had to play with color and gels of course. I used 3 lights with the Fresnel in the exact same place. I then added a large umbrella with diffusion and gel behind the subject to light the background and back of their head as well as a medium umbrella with diffusion and gel in the foreground.
I also used a star filter on this image that would give me specular highlights.
This image was take during my Advanced Studio Lighting Workshop (see below for a link or in the video).
π You can see the straight out of camera here: 8:02
For the post processing on this image I cooled down the white balance, desaturated it, and did some additional retouching similar to the first shot.
You can really experiment when it comes to something like this and create all sorts of different variations!
π Which version do you like better? Drop a comment below and let me know what you think!
πΈ Camera Settings:
β Shutter speed: 1/200th
β F/stop: F8
β ISO: 400
πΈ Gear Used:
β Canon EOS R5: adorama.rfvk.net/JxzdE
β Canon EF 24-70 2.8: adorama.rfvk.net/z9JXm
β Profoto D2: adorama.rfvk.net/qvB7y
β Profoto Large Umbrella: adorama.rfvk.net/bKGzg
β Profoto Large Umbrella Diffuser: adorama.rfvk.net/JAyMe
β Profoto Medium Umbrella: adorama.rfvk.net/r7xZ3
β Profoto Medium Umbrella Diffuser: adorama.rfvk.net/xAmXd
β Profoto Fresnel: adorama.rfvk.net/VEXz6
β Nanlite Fresnel: adorama.rfvk.net/LPgXK3
β Tiffen 4 point star filter: adorama.rfvk.net/n9xZV
β Savage Seamless Fashion Gray background: adorama.rfvk.net/9ZeX3
β Savage C-Stand: adorama.rfvk.net/J1ZW2
β Dramatic Color Kit: https://lindsayadler.photo/gelkit
β Profoto Remote: adorama.rfvk.net/W3o5G
β Tether Tools Tether Cable: https://lindsayadler.photo/tethertools
Mylar used: amazon.com/VIVOSUN-Horticulture-Highly-Reflective-Mylar/dp/B018VI77QW/ref=sr_1_1_sspa?crid=3VSAIJLGZ9Q4U&keywords=mylar%2Broll&qid=1663838722&sprefix=mylar%2Broll%2Caps%2C72&sr=8-1-spons&spLa=ZW5jcnlwdGVkUXVhbGlmaWVyPUFGVTMwNEVPT1Q5N1gmZW5jcnlwdGVkSWQ9QTAzNjUxNTgxRDc1RVoxVjFHQ1BNJmVuY3J5cHRlZEFkSWQ9QTA4NjU2MjAxNkRZNllJVEdXUEo4JndpZGdldE5hbWU9c3BfYXRmJmFjdGlvbj1jbGlja1JlZGlyZWN0JmRvTm90TG9nQ2xpY2s9dHJ1ZQ&th=1
Resources mentioned in this video:
π₯ Magic of Gels: https://lindsayadler.photo/gels
π₯ Creative Studio Lighting Guide: https://lindsayadler.photo/clg
π₯ Creative Studio Lighting Series: https://lindsayadler.photo/csl
π₯ Advanced Studio Lighting workshop: https://lindsayadler.photo/alworkshop
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
See the behind the scenes making of the images here: youtu.be/vblHn5MvWQ8
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π Portfolio: http://lindsayadlerphotography.com
π Instagram: http://instagram.com/lindsayadler_photo
π Facebook: http://facebook.com/lindsayadlerphotography
π Twitter: http://twitter.com/lindsayadler
π Education: http://learn.lindsayadlerphotography.com


