Jacob Collier rehearsal - Ancona (warts & all)Robin Mullarkey2014-06-06 | trying to get it together for recital!
Jacob Collier - Piano James Maddren - Drums Robin Mullarkey - BassJacob improv Cleveland 24Robin Mullarkey2024-09-28 | Here's a small taster of my "improv breakdown" on Patreon. Lots of tips for those curious how to approach groove improvisation and keep it fresh.
#bass #basslessons #basstheworld #jacobcollier #bassist #tutorial #improvisation #improvisation #groove #harmonyRob Mullarkey Band - Virgo Rising 2023 RonniesRobin Mullarkey2024-03-26 | I assembled this crack team of fusioneers to pay tribute to our hero Wayne Shorter for 2 nights at @officialronnies back in December. Ronnies kindly gave me some great footage. Here's our outro to Virgo Rising that kinda takes off!! Richard Spaven - Drums Tom Cawley - Keys Dave Okumu - Guitar Graeme Blevins - Sax Rob Mullarkey - BassRobin Mullarkey Live StreamRobin Mullarkey2024-01-06 | ...Stingray Special 5 HH - sounds onlyRobin Mullarkey2023-10-02 | I treated myself to this very special instrument and wanted you to hear the range of sounds that perhaps you wouldn't expect from a Stingray! I'm not the greatest slapper but it's really helpful to hear how the high mids come through in each pickup combo.
#bass #probass #bassist #musicman #stingray #hh #demo #sounds #tones #slap #fingerstyle #roundwounds #flatwoundsBoost the lows #bass #probass #musictipsRobin Mullarkey2023-09-01 | Pro bassist tip #1k
Why does every festival set sound like a pool of sludge with no harmony? We can all take some blame...Using your analogue synth to get meaty organic bass effectsRobin Mullarkey2023-03-08 | In the quest to apply an ADSR (attack, decay, sustain, release) envelope to my bass guitar, I ventured down the road of using my actual analog synth. This works the same way as normal synthesis, but instead of using the oscillators which produce a static tone, we can actually use our bass sound as the basis for the patch!
Sorry about the soft focus - S-LOG fail...Origin Effects - BassRig 64 |vs| Jad Freer Audio - CapoRobin Mullarkey2022-10-28 | I'm putting these 2 high-end bass saturation pedals through a rigorous shoot out. Which one suits your needs?
This is in no way an exhaustive review of all the pedals' features but hopefully gives you an idea what they sound like!
Jad Freer added these comments regarding the Capo:
1- If you are going to the F side and need more highs you can engage the BITE switch, it works just on that side of the preamp
2- BLEND is not a blend with the direct signal but with a fixed gain clean preamp so you can use the CAPO without any saturation and go full clean with EQ. Note that at 18:00 you are using the pedal with also B side engaged: so you are not blending with a clean sound but the A side clean with the B side saturated.
3- yes, its a low pass filter...it gently cuts over 10K to make drive tones smoother when going direct. I like it also for clean tones, a little bit more vintage.
I think you fairly show that one is a coloured amp sim and the other is a full featured preamp.
Signal chain: Elixir 45s Moollon J Classic passive bass (AB output switcher) BassRig/Capo (Lehle input selector) Little Labs Redeye DI box Metric Halo mic pre (very clean interface mic pre)
00:11 Introduction
02:16 My goal - subtle saturation
05:49 Bassrig ‘64
09:45 Capo 12:39 Comparing heavy drive settings 18:56 EQ
25:43 Summary 28:32 Additional features
32:37 Goodbye
See my Patreon page for lots of video lessons, charts, parts, playalongs, live show breakdowns and gear lowdowns www.patreon.com/robinmullarkeyNatalie Williams - Grace (Bass + drums performance)Robin Mullarkey2022-02-06 | Rob Mullarkey and James Maddren play along to the multitracks from Natalie Williams cover of Grace by Jeff Buckley
Sign up to my Patreon for : Playalong audio files Lead sheet (chord sheet with some written parts) Bass transcription from the album in notation and tab Detailed breakdown of recording by myself and James in the studio Personal bass walkthrough vid
Track personnel: Natalie Williams - Vocals Rob Mullarkey - Bass, guitars, vocals, mix James Maddren - Drums, vocals Phil Peskett - Piano, vocals Eric Appapoulay - GuitarsWilcock Bi-Sonic short scale bassRobin Mullarkey2022-01-21 | This is a short-scale bass designed by UK luthier Viv Wilcock with a single Bisonic pickup (as found in the Guild Starfire bass). It's a hefty and unique sounding instrument and i did my best to show it off making a track with only my Octatrack sampler and the bass. All the music was recorded in one pass
0:00 just playin 0:28 my history with Wilcock 0:53 the BiSonic 1:06 looping harmonies 1:28 tones 3:25 demonstrating pickup tap 4:38 playing by the bridge 5:20 playing by the neck 5:40 digging in 5:53 muted 6:20 tone pot 6:30 plectrum 8:00 construction 8:45 shredding 9:34 amp sim demosMullarkey / Spaven: interpreting classic hiphop beats with live rhythm sectionRobin Mullarkey2021-05-02 | My Patreon collaboration with Richard Spaven continues with each monthly episode. We're going deep with the micro-timing studies! So far we've covered numerous techniques to nail that wonky Detroit swing feel. Episode #2 includes MP3s and charts so you can play along to Rich and work on your own feel.
I've been working on this for over a year now so there's plenty of material to work through and lots more coming up!
Here's what you can expect: Vids - lot's of em. There are bass exercises, technique tutorials, various series on subjects such as EQ and compression plus hours of footage in a real world bass/drums setting to breakdown the whole groove thing. Some of the vids look at my favourite basses and what I use them for, while others break down how I approached recorded tracks Lessons - depending on the tier, you may be entitled to monthly one-to-one lessons to work through anything you may have learnt in the videos , or whatever you're working on. Discord - you may choose to sign up to the Discord server where you can chat with the other Patrons or consult me personally in a WhatsApp kinda way Other stuff - music charts, audio playalongs, cheat sheets and various downloadable goodies
Have a look at the site and you'll get the idea. Hope to see you there
RobBrotherly DTs (ft Donny McCaslin) session breakdownRobin Mullarkey2020-10-26 | Join me as i open the project and show you how the arrangement was constructed and how Donny gave the track a new lease of life.Vincent Akkurat 5 demo - Rob MullarkeyRobin Mullarkey2020-08-29 | Here's a chance to hear my new Vincent Akkurat 5 bass guitar.
www.vincent-bassguitars.de
It's a passive 5 string bass in the style of a precision but with a host of new features which i think add up to a really unique sound and playing experience.
I made a little beat on my Elektron Model:cycles with a reference to Teen Town chords. Patrons can download the audio to play along with from www.patreon.com/robinmullarkey.
00:05 jammin 01:41 yakkin 03:09 features: 03:12 zero fret 03:30 bridge 03:58 honeycomb chambers 05:12 fingerboard 05:44 strings 07:50 tone pot 08:35 palmin 08:48 slappin 09:48 neck 10:28 goodiesModa - Jordan Rakei: Rob Mullarkey playalongRobin Mullarkey2020-07-03 | Celebrating the 1st anniversary of Moda from Jordan Rakei's 2019 LP "Origin" Rob Mullarkey re-plays his bass line
copyright: Ninja Tune LtdWhats the hardest thing you ever had to play?Robin Mullarkey2020-06-27 | hmm, quite. tough decision but this one is way up there!!
There is so much information contained within a Jacob Collier song although it's often well concealed. Here is a teaser of only a small section of "Hajanga" which i discuss in full on my Patreon page
For only £4 you can have access to all my videos and for £12 we can go over what ever you're working on at the moment in a 15 min chat or lesson. £50 gets you a full 45 min 1-on-1 which is considerably cheaper than my 'old world' lesson rate
Take a look here
www.patreon.com/robinmullarkeySystem playalong session livestreamRobin Mullarkey2020-06-15 | Brotherly - System: Resolve session breakdown Join me as i pull up the session for the multiple video contributions for the grand System re-editBrotherly - System (2020 play-along reboot)Robin Mullarkey2020-06-12 | At the end of April 2020 (lockdown was setting in) I issued a challenge. Film yourself playing along to the System playalong challenge audio files and use the hashtag #systemplayalongchallenge by June 1st to be included in a grand fusing of talented musicians from around the globe. Audio is still available at www.robinmullarkey.bandcamp.com Charts still available at www.patreon.com/robinmullarkey
Well... there are some spectacular entries here as you will see. The editing job was wayyy bigger than I imagined but hopefully worth the effort. Thanks you all soooo much for your beautiful contributions and continued support. I love this version!! Rob M
Credits: (in order of appearance)
Chris Eldred - keys Rob Boyette - beatbox Shreya Bhattacharya - vocals Titus Max - guitar André Silva - drums Russ Parker - drums Riccardo Oliva - bass Deanna Rusnock - Keys / vocals Adam Betts - drums Antonio Miguel - double bass Olly Sarkar - drums Ben Jones - guitar Nino Zuppardo - drums Avishek Dey - bass Emma Smith - vocals Panos Vassilopoulos - drums Andy Bartol - bass Cameron McLaughlin - bass Pablo Garay - drums Eoin Walsh - keyboard drums Sarpay Ozcagatay - flute Loz Garratt - bass Andrew Spencer - elektron:cycles Jacob Collier - synth soloRob Mullarkey livestreamRobin Mullarkey2020-05-14 | Brotherly - System DAW breakdown
This was my first livestream so forgive me for a few rookie errors. Thanks to all who say in on the session. I plan to do this more oftenRobin Mullarkey Live StreamRobin Mullarkey2020-05-14 | ...Jacob Collier 7/4 piano solo improv (Dont You Know)Robin Mullarkey2020-02-02 | From March 2019 show in Munich - This is one part of Jacob's show where anything goes. I think it's so important to have genuinely improvised music within a live concert. Jacob Collier as always thrilling on piano and Christian Euman supportive and exciting on the drums. This is my Yamaha BB2025x through a HX StompRob Mullarkey - Subspace DemoRobin Mullarkey2019-08-28 | I got my hands on this cool new drive pedal from Hamstead Soundworks and mucked about with it. I'll show you what it can do ...
hamsteadsoundworks.comWilcock 51 shortscale bassRobin Mullarkey2019-06-06 | Here's me having some fun with a new and particularly handsome bass from Wilcock - London named the "51". It's a short scale affair with a Lindy Fralin split 51 pickup and it sounds pretty great if you ask me.
Recording chain : UA 610 - UAD SVT pluginWilcock JV-S2 short scale bassRobin Mullarkey2018-08-29 | Rob Mullarkey gives a demonstration of the new model from Wilcock basses
The JV-S2 is a new passive bass guitar conceived by Viv Wilcock and Rob Mullarkey Body - alder Neck - flamed maple Pickups are a matching set of single coils by Armstrong Pickups, , overwound at the bridge and an RWRP at the neck.
Hope you don't mind Gian!System by Brotherly - explainedRobin Mullarkey2016-02-06 | Robin Mullarkey - co-writer of Brotherly's musical mind melter "System" - breaks down the rhythms and harmonies of the piece with a blunt pizza wheel to make it a bit more digestible.
transcript: Hi this is Robin from Brotherly. Just thought I'd make a video to try and explain some of the technical, musical elements from this song System from the album One Sweet Life by Brotherly which we wrote a long time ago! It's had a lot of attention from music students and people who are interested in the rhythmic and harmonic elements which are quite complex actually and difficult to notate, even though i've had a go at it. You'll see that later. This is me plonking along. This is the A section of the song. It's in 6/4. So it's kind of a pushed "1". You can see in this example it's the 2nd stave down is the bass line. And that's where i feel the beat. I know that some people don't, and that's fine! Some people feel it more... and actually my perception of where the "1" is kinda changes throughout the song anyway. It's a funny one. That Eadd4 over Bb is a bit of a juicy one. It's not something I'd use every day but it just serves as a tension element really. OK here's the B section. Lots of juicy chords. That bit was just a little descending device that i did, alternating major and minor 7 chords that kind of got me back to F minor. So the top score is the beat that you're hearing in this 6/4 section and the bottom one is the kind of time-shift that happens in a second. It kind of pivots around this tsss-ka....... and what's happening is the red snare note that you see that has moved, is the only thing that has changed in the kick and snare pattern. The green kick is the one that becomes the one that sounds like the "1" in the slower hiphop 4/4 implied tempo. It's a bit of an aural illusion. This is a new C section with different harmony and the chords in the right hand stay the same throughout this whole section, even tho the bass notes change a lot and just add some more tension and colour. You'll hear now that all the chords seem to have a different quality but actually they're all the same at the top. Just the bass notes have changed. Whoops - made a mistake. This is the section where i got my friend Jan to play guitar and just said "improvise on the pentatonic but catch that little bluesy hook every time". I think they were just his 2 1st takes and i just panned them left and right and it was finished. Sounded so good. Little pedal - C pedal there. OK this is the A section again. the next thing that's going to happen rhythmically is I'm going to use the chords from the B section along with the time-shift so it's all still technically in that original 6/4 but feels like it's in 4/4. The final step that i took with this was to take the implied feel of this section and make that the actual pulse AND turn into 6/4... So this is the first time the length of the measures has actually changed throughout the whole piece. So it's all been elongated even though the subdivisions are the same as before ... those are the semiquavers from the earlier section, but now they're kind of semi-quaver triplets in this new feel and i think there's 36 of those in a bar instead of 24 which there were earlier. That's the best i can explain it. If anyone's got a better way can you have a go?.. I think that's everything. Obviously I'm completely paying no attention to the lyrics but that'll be another video from Anna maybe one day. Anyway if you've enjoyed this, you can buy our music. It's on iTunes and various other places so here's a link and yeah, enjoy. Seeya laterNatalie Williams - Butterfly - basscamRobin Mullarkey2015-09-29 | Hi. I found this recording on my ipad from Soul Family Sunday back in March 2015. Unfortunately it's a view directly up my nose, which is attached to my weirdly bobbing head and also in the middle of my gurning face. Anyway it was a great gig as is always the case at SFS (our monthly sell-out gig at Ronnie Scott's).26 2Robin Mullarkey2015-09-24 | This is one of my favourite John Coltrane tunes. It's incredible the way he made music from such complex maths, but the patterns are just a springboard for inspiration. I'm still struggling with this one but here's my best effort for now. I enjoyed messing with 3 note chord voicings through the changes. You have to decide what you can leave out and still be descriptive, particularly without any backing harmony.Just My Imagination - Rob Mullarkey solo bassRobin Mullarkey2015-09-23 | This is just my improvisation over my all time fave Temptations track using only my Lakland 44-51 and an old Boss RC2 looper pedal.
To those of you asking about the strings, they are Labella Vinyl woundRob Mullarkey - Blackbird (Bobby McFerrin)Robin Mullarkey2014-12-25 | I always said Bobby was the greatest bass player... So i finally got around to learning his brilliant version of McCartney's "Blackbird". It's incredible the way he spells out the harmony using only single notes. He nails every note - improv, soul, everything. And the pitch is true start to finish. What a dude.
I decided to crack out the Vulcan Harp (Goodfellow Classic V) as i needed it's whole range and the midrange clarity.Rob Mullarkey U-bassRobin Mullarkey2013-11-21 | My new Kala U-bass ukulele. Looks silly. Sounds awesomeLove Me Like This - Rob Mullarkey bass noodlingRobin Mullarkey2013-05-11 | Robin Mullarkey dossing about on Floating Points' "nonsense dub" remix of Real to Reel's "Love Me Like This". Can you spot the seamless edit?! Listen on headphones
robinmullarkey.comNatalie Williams BVs session - Gone at LastRobin Mullarkey2013-04-25 | Fun times recording cuddly backing vocals for Natalie Williams' upcoming release. The song is Paul Simon's "Gone At Last" Rob Mullarkey engineeringRob Mullarkey - FXpansion BFDRobin Mullarkey2011-08-27 | Work in progress using BFD and DCAM synths onlyNote head bug ruins sessionRobin Mullarkey2010-09-03 | This little git screwed up my take. He was running along the line i was reading at the same rate the music was playing! What are the chances!?Allan holdsworth - red alert - Ronnie ScottsRobin Mullarkey2010-06-05 | London 5 June with Gary husband and Jimmy Johnson. Apparently the 1st time they've played the uk!Heath Sledger and SnowboyRobin Mullarkey2010-01-12 | ... tackle the infamous black run at Hampstead Heath. Jan 2010.Zero7 - Ghost sYMbOL live rehearsalRobin Mullarkey2009-10-29 | Live from rehearsals @ Grove Aug 09. Filmed for 4PlayZero7 live in rehearsal - Mr McGeeRobin Mullarkey2009-10-29 | Zero 7 in rehearsal Aug 09. recorded for 4Play
Eska - Vocals Henry Binns - Keys Sam Hardaker - Electronics Eddie Stevens - Keys and Ableton Tom Skinner - Kit Robin Mullarkey - GuitarBrotherly DTs @Hifi, LeedsRobin Mullarkey2007-07-03 | Brotherly playing high energy bizniz. Femi Temowo on guitarbass solo, rob mullarkeyRobin Mullarkey2006-12-21 | Bass solo from Ty show in
Paris Nov 2006