Prophecy Productions
Falkenbach - Bluot Fuer Bluot
updated
Pre-order "Boezem": http://lnk.spkr.media/vuur-zijde-boezem
"Life and work as a midwife is unique. The deep connection to the creative elemental power of nature in the ambivalence to the external political/social corset that surrounds us every day in our vocation." --- Frau Percht
CAMERA: Nanna Cartis (Cartismandua), Sunny Shot Me Down, Hendrik Rohmann, Thomas Keplinger (Framepunk Guerilla)
EDITOR: Christian Höll
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Video credits:
Filmed by IridumStream
Edited by Jauhien Charkasau
Photos credits:
Cover photo by Tatjana Braun (Vampster.com)
Setlist:
00:00 - Come And See
05:46 - P.S. Funeral Of The Ground
11:06 - Death Kisses Your Eyes
16:15 - The Land Under The Black Wings
21:25 - Hell
27:20 - Till The End
33:25 - Buried Alive
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Order your copy: http://lnk.spkr.media/austere-corrosion
Full song: youtu.be/mA5nN65B_eg
The track is part of the album "Asa", which you can order in our shop: http://lnk.spkr.media/falkenbach-reissues-2021
01. Cursed To Nothing But Patience 00:00
02. Name Bestowed 09:12
03. Hefenfelth 15:01
04. He Saw Nine Winters 22:50
05. Beset By Weapons 30:24
06. Casket Of Dust 33:45
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This is the video to the opening track 'Dawn Falls': youtu.be/PDs2XXncQf4?feature=shared
"Elm" in our shop: https://en.prophecy.de/en/Artists/NOETA
Watch the clip to 'Virée Nocturne' in full: youtu.be/WJiMP_vSCOA
Order your copy: https://en.prophecy.de/en/Artists/les-discrets
Described as 'the soundtrack of a slow film noir happening in a train where the journey leads the auditor to several places seen from the windows', "Prédateurs" is a cinematographic, urban album made of steel, concrete, snow and electricity. Easy on the ears, "Prédateurs" accessibility is shaped by interpreting the familiar music and melodies of Les Discrets with new instruments, approach and ambition. Although its shape has changed, the feeling of the music, its atmosphere and its essential core has remained the same. On the new album and its concepts, Fursy comments, "'Prédateurs' is a record for late evenings, night driving, journeys on a train, or for those moments we usually think about the meaning of life and things, when we have nothing else to do but sitting and waiting. Its main themes are time, nature and life."
01] Apparitions 00:00
02] Cinderland 03:22
03] Paramnesia 07:07
04] Pneuma Enthusiastikon 10:24
05] Prankquean 14:31
06] Dead Coyote Dreams 17:32
07] Bleed, Memory 21:07
08] Dulcinea 25:19
09] Behemouth 30:09
10] Hexproof 34:22
11] Pissing 36:20
12] To Whom It May Concern 39:33
Dementia is a thief. It robs its victims piece by piece of their memory, identity, family and friends, and often enough even their human dignity. On their fourth full-length album, "Bleed, Memory" Los Angeles-based electronic experimentalists THIEF explore the theme of 'memory' both lyrically and musically, which runs as a bold dotted line throughout the album. The solo project's mastermind, Dylan Neal, was largely inspired for this album after witnessing his father, who had recently been diagnosed with dementia, transition from bouts of forgetfulness and confusion to acute episodes of false memories, delusions, visions, and strange behaviour. This makes "Bleed, Memory" a very personal creation and the experience has led Neal to question his own memories and explore how they shape his identity and reality. Memories are not just the stories we tell ourselves and others and this is evident in Neal's comparison of them to ghosts. Those have no corporal existence, yet scare those who believe in them. Once again, the backbone of THIEF is made up of sampled sacred chant music. Some were sampled from crate digging, and some recorded at various orthodox churches. These samples got stretched, cut, mangled, morphed, and pitched to function like its own ethereal instrument. Neal deliberately designed "Bleed, Memory" to sound haunted. One of the techniques that he used to achieve this effect is 'granular synthesis'. The more prominent use of granular synthesis on this record means that samples got split into small blips of audio, barely exceeding 100 milliseconds. This unique approach, amalgamating musical elements from ambient, industrial, choral music, black metal, and trip-hop, among other influences, into a new sonic experience, has long granted THIEF a cult status among the initiated. Neal once more recorded and mixed most of the album in his apartment. For the mastering he managed to win John Greenham again, whose collaborations include artists ranging from THE LOCUSTS and KATY PERRY to DEATH GRIPS, and who has received three Grammy Awards in 2019 that honoured his mastering for BILLIE EILISH. With "Bleed, Memory", THIEF deliver a dark yet beautiful artistic contemplation of a terrible affliction that is at the same time conveying anger, melancholy, sorrow, and loss as a Gesamtkunstwerk (synthesis of all arts) lyrically, musically, and visually. Beware this sonic ghost will haunt the memories of its listeners!
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" There are practically innumerable variants of Protea, and most of them seem to grow in South Africa, where this plant originated, 65 million years ago. Back then, South Africa was a rainforest." --- Otrebor/Botanist
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1] Venus in Flames 00:00
2] Self-Dissect 07:06
3] The Shape of Fluidity 12:56
4] Currents 19:33
5] Evil in You 21:48
6] House of a Thousand Dreams 25:22
7] Hermagorgon 30:11
8] Hymn for a Memory Lost 36:42
9] The Hand of Creation 43:46
Everything flows, nothing ever stays the same. The same can be said about the third studio album of the fast-rising Dutch rock band DOOL. Aptly entitled "The Shape of Fluidity", there is not just musical innovation but the full-length revolves around themes of personal change, physical change, psychological change, and the ever-changing world around us. DOOL and particularly singer and guitarist Raven van Dorst ask questions: How does change affect us? How do we keep being ourselves in a world that is so incredibly demanding and aggressive towards the individual? We must be as fluid as water to navigate ourselves through this ocean of possibilities and uncertainties – and make peace with chaos and impermanence. Musically, DOOL continue on the path laid out on the two previous studio recordings of heartfelt rock music with added metal elements, while displaying a maturity and focus in songwriting that has grown out of experience. "The Shape of Fluidity" exhibits an eclectic yet seamless amalgamation of progressive and post-rock as well as doom and heavy metal in combination with an inherent catchiness and a dynamic backdrop. It is hardly surprising that the theme of the album that pitches the concept of identity against the backdrop of a world in constant flux connects the album's lyrics to the biography of lead vocalist Raven. Born intersex, doctors at the time assumed that they could surgically determine which kind of life the infant should lead and decided that the child should be a girl. This has led to a life full of soul searching, fighting taboos and breaking boundaries, until recently Raven decided to reclaim that which others have tried so hard to take away from them, and finally embrace their hermaphroditic nature. The band derived the name DOOL from the Dutch word for 'wandering'. When their debut album "Here Now, There Then" was released in 2017, it became an instant success. Their fresh and wild rock and metal sound received "Album of the Month" titles in the renowned German magazines Metal Hammer and Rock Hard as well as the "Best Debut Album 2017" award from the former, while Vice (US), Aardschok (NL), and De Volkskrant (NL) happily chimed in with heaping praise on the young Dutch band. With their sophomore full-length "Summerland" released in 2020, DOOL successfully exceeded the already sky-high expectations and scored even more "Album of the Month" awards in German Rock Hard (10/10) and Sonic Seducer magazines as well as #2 soundcheck positions in Metal.de, Metal Hammer (DE) and another #1 in the Polish edition – with a pile glowing reviews on both sides of the Atlantic. With "The Shape of Fluidity", DOOL offer so much more than just damn cool music. These extra dimensions of depth and meaning are all part of their unique appeal and come out clearly on the new album. May all those who wander gather under the fluid flag of DOOL!
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"Perpetual images dance a dervish above the clouds, set to driving drums and lilting guitars. A sudden quickening of bonded hearts – moving out of the gloom into radiant hope – soaring towards rays of brilliant fellowship." --- Vuur & Zijde
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THE VISION BLEAK return in grand style: The German duo's seventh full-length "Weird Tales" constitutes a monumental tribute to the eponymous American pulp magazine and other tales of mystery and dark imagination. The album consists of a single track that is divided into internal chapters, which are each inspired by weird tales, poems, and other literature of horror and the macabre. On "Weird Tales", THE VISION BLEAK are referring to eminent writers of the legendary magazine such as H. P. Lovecraft and Clark Ashton Smith, but also allude to authors that were never featured in the magazine, for example Edgar Allen Poe and Lafcadio Hearn, whose "Fantastics and Other Fancies" was very influential for this album. THE VISION BLEAK are pulling every register of their enormous musical prowess. The chapters range stylistically from flamboyant gothic rock via dark doom to harsh black and death metal parts – and about everything in between. All the thrilling elements that the following of the duo has come to expect and love is present on this record: the dramatic and theatrical, the harsh and heavy, the melancholic and eerie, and also catchy and symphonic moments. All of this is woven into a dense sonic tapestry, which is held together by a recurring ebb and flow that is reminiscent of classical composition. THE VISION BLEAK were born out of the friendship between guitarist, bass-player and harsh vocalist Markus Stock aka Ulf Theodor Schwadorf and drummer and singer Tobias Schönemann alias Allen B. Konstanz. After first experimenting with a more gothic rock formula, THE VISION BLEAK shaped up when the duo began to involve their mutual love for the horror genre. Already their debut album, "The Deathship Has a New Captain" (2004) became an instant success in both gothic and metal circles and is by now regarded as a classic. As the debut album's theme was based on classical horror movies, the Germans aptly dubbed their style: horror metal. With the following albums, THE VISION BLEAK cemented their reputation as purveyors of classy and quality music. Each full-length revolves around themes from the horror genre that can easily be deduced from their respective titles. "Carpathia" (2005) was followed by "The Wolves Go Hunt Their Prey (2007) and "Set Sail to Mystery (2010), "Witching Hour" (2013), and "The Unknown" (2016). THE VISION BLEAK, the masters of horror metal, are finally ready to gift the world their most ambitious song so far: "Weird Tales" is a beautiful and heartfelt homage to a poetic golden age of horror and mystery literature. Listen with care, but always be wary of the eldritch and forbidding sounds that lurk within this song!
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dool.bandcamp.com/merch/the-shape-of-fluidity-listening-party
"Name Bestowed” kind of comes in two parts. The first half showcases the tranquil, acoustic and haunting aspect of the sound of Arð. Then there is a huge, epic, soaring end section that is filled with possibly my favourite melody on the album." --- Mark Deeks/Arð
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"The song is based on the first emblem of "Atalanta Fugiens" (1617), an unusual book written by Michael Maier in which alchemy and music come together in the investigation of the Secrets of Nature. In the womb of Boreas, the powerful North wind, an embryo grows, which, thanks to its multiple qualities, will surpass any heroic feat previously accomplished, if it manages to come to light. This element is sulphur: this, at Maier's time, had just been discovered in Sicily. However, the enormous positive potential of sulfur is blended with the equally great risks linked to its toxicity. Thus, beneath a melodic line that is easily remembered, a modal complexity is hidden and it is perceived only when it triples and dialogues riskily with the ostinato percussion." --- Elena Previdi/Camerata Mediolanense
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"Anyone can be the message…you're the message. Seeing a true reflection and conveying it. Elaborating on the reflection when you can't or won't.
I was thinking about how reality is a message and how people can't claim that they have one. I often see it for what it really is, or isn't, and deliver it. Being a messenger of the truth." --- Scott Conner/Xasthur
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Pre-order "D'Muata": http://lnk.spkr.media/perchta-dmuata
Perchta comment: "After a long and difficult road, marked by deep disappointments and happy coincidences, it feels like a miracle that we have finally been able to actually fully realise this project", frontwoman Frau Percht states. "We thank our wonderful, talented, brave and creative friends as well as our label Prophecy Productions, who believed in our vision to the very end and ensured that our work is now released in uncensored form despite many bureaucratic obstacles. The process leaves an ambivalent aftertaste considering that images of violence are being tolerated online, while aesthetic and dignified depictions of the female body are often censored. Nevertheless, we greatly appreciate the protection against abuse at this point. Today we finally celebrate the full splendor of the passionate energy of 'Vom Verlånga'!"
01] Thrall 00:00
02] The Sunset of Life 07:36
03] Faded Ghost 17:16
04] Cold Cerecloth 22:09
05] Words Unspoken 28:55
06] Of Severance 32:11
"Beneath the Threshold" represents AUSTERE in the here and now. With their fourth full-length the Australians have taken a long step into the present and embrace their musical future in a way that might have been expected after a 13-year hiatus. When their voluntary break ended with the release of "Corrosion of Hearts" in 2023, the duo consisting of Mitchell Keepin and Tim Yatras returned with a more mature and defined version of their own particular style of black metal, which reflected both their greater experience and evolution as artists. While "Corrosion of Hearts" formed the bridge between the band's musical history and the artists' fresh vision, "Beneath the Threshold" takes a leap of expression. AUSTERE's sonic heritage is still alive. Even though their roots in early Norse black metal and its depressive Scandinavian offspring continue to shine through, it is also apparent that the Australians have audibly strengthened their emotional expressiveness and previous blackgaze leanings beyond the point where a stylistic shift towards the latter needs to be diagnosed. On "Beneath the Threshold", AUSTERE offer more hooks and melodic harmonies to complement the multi-layered, harsh and dreamlike guitar textures expertly woven by Keepin with the aid of Yatras' emotive drumming. This development is emphasised by a suitable production that lets each of the elements shine and does not try to blur the riffs. For AUSTERE the stars under the Southern Cross have newly aligned and the harsh majestic beauty of "Beneath the Threshold" calls out to everyone to raise their eyes up to the night sky around the globe and behold the finally unleashed Australian band in its full musical glory.
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"The title track of our new album is about the thin line between losing hope and gaining it. Sometimes you can feel as if you are drowning in a vast sea of possibilities, opinions and information. How do you make sure you keep floating and don't drown? You want to try something new, but you also want to stay close to yourself. The only way to handle this is to not be afraid to take the plunge." --- Raven van Dorst
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Vol. I (2002 – 2004) & Vol. II (2007 - 2009) serve as a hoard of classic and obscure XASTHUR tracks compiled from early material from various sources to satiate even the most diehard fanatics dwelling in the dark woodwork. What has come before is now put to rest as fading memories to be buried by time and dust.
Tracklist:
01. The Eye Upon The Throne (Part II) (from Cryostasium split) 00:00
02. A Tortured Shallow Grave (from Striborg split) 07:25
03. The Southernmost Voyage (interpretation of a Tiamat cover) (from Black Circle split) 12:15
04. Torment (from Experimenting between chapters bonus album) 15:28
05. Aura Of Denial (from Experimenting between chapters bonus album) 20:22
06. Concealed Barren Thoughts (from Experimenting between chapters bonus album in company w/ Russell Menzies) 25:06
07. Released From This Earth (from Experimenting between chapters bonus album) 31:14
08. Untitled (from Experimenting between chapters bonus album) 36:12
09. A Living Hell (from Experimenting between chapters bonus album in company w/ Mark Hunter) 42:05
10. Trauma Will Always Linger (from Experimenting between chapters bonus album in company w/ Mark Hunter) 45:06
11. Jomfrulysets Fall - Forgotten Woods Cover (from Experimenting between chapters bonus album) 59:26
12. A Lesson In Drowning (from Experimenting between chapters bonus album *Japan ed.) 65:39
13. Maze Of Oppression (Rough Draft) (from Experimenting between chapters bonus album *Japan ed.) 69:42
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Vol. I (2002 – 2004) & Vol. II (2007 - 2009) serve as a hoard of classic and obscure XASTHUR tracks compiled from early material from various sources to satiate even the most diehard fanatics dwelling in the dark woodwork. What has come before is now put to rest as fading memories to be buried by time and dust.
Tracklist:
01. Intro 00:00
02. Doomed By Howling Winds (from Acid Enema split, alt mix) 02:35
03. The Eye Upon The Throne (Acid Enema split, alt mix) 13:32
04. A Walk Beyond Utter Blackness (Acid Enema split, alt mix) 17:42
05. Summon The End Of Time (Acid Enema split, alt mix) 24:13
06. Graying Wasteland (Acid Enema split, Ritual cover) 29:41
07. Kingdom of Burning Crucifixions (from Orosius split, in company w/ Mike Pardi) 34:03
08. Dwelling Beneath the Woods of Evil (Orosius split, in company w/ Mike Pardi) 37:03
09. A Sermon In The Name Of Death (from Angra Mainyu split) 40:22
10. Soul Abduction Ceremony (Angra Mainyu split, re-recorded) 44:38
11. Ort Der Einsamkeit - Wigrid Cover (Angra Mainyu split) 52:49
12. A Curse For The Lifeless (from Nortt split, alt mix) 65:31
13. Blood From The Roots Of The Forest (Nortt split, alt mix) 69:59
14. Lurking In Silence (Norrt split, in company w/ Khaija Ausar, alt mix) 80:23
15. Spell Within the Wind (from Nachtmystium split, re-recorded) 84:48
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Video by Dymna Lotva
Music by Yauheni Charkasau
Lyrics by Katsiaryna Mankevich
Solemn vow by The Kastuś Kalinoŭski Regiment
Mixing & Mastering by Yauheni Charkasau
“This is a song for our homeland and those who are ready to defend her and fight for her freedom. Now they are defending her honor by helping Ukraine fight against the invaders.”
BEL:
Увага! Шыхтуйся!
Зважай!
У дзень абвяшчэння Беларускай Народнай Рэспублікі да ўрачыстага зароку.
Беларусь!
Маці мая Радзіма!
Клянуся вызваляць і бараніць Цябе там, дзе знаходжуся зараз і куды прывядзе мяне лёс Твайго вызвалення. Біцца да перамогі за Тваю свабоду, як біліся нашы продкі з ардынскім прыгнётам маскавітаў пад Оршай, Смаленскам, Палонкай. Бязлітасна гнаць бязродных апрычнікаў зямель Тваіх, як гналі ваяры Вялікага Княства Літоўскага і беларускай шляхты, касінеры Касцюшкі і паўстанцы Каліноўскага, жаўнеры Народнай Рэспублікі і партызаны Супраціву. Бараніць кроў Тваёй нацыі, моц Тваёй зямлі і Боскі дух Твайго існавання. У шэрагах вольных братоў і ў палоне, на айчыне і ў выгнанні, у баі і ў падполлі, няхай рукі маі сціскаюць зброю пакуль шыбеніцы не скончыць сціскаць шыі сыноў Тваіх. Няхай лязг майго затвора не сціхае пакуль чутны лязг кратаў за спінамі герояў Тваіх. Няхай хопіць мне жыцця каб адпомсціць за ўсіх закатаваных, згвалтаваных і забітых дзяцей Тваіх. Да астанняга блеску рэк Тваіх у маіх вачах, пакуль будзе чутны тупат Пагоні ў сэрцы маім, жыць Табою, памерці за Цябе, і адрадзіць веліч Тваю.
Жыве Беларусь!
Жыве вечна!
Жыві!
Жыве вечна! Вечна.
Жыві!
Жыве вечна!
Жыві!
Жыве вечна!
Волю Кляшчу і Тромблі!
Жыві!
Жыві!
Жыве вечна! Вечна!
Жыві!
Жыве вечна! Вечна!
Жыві!
Жыве вечна!
Усёй маёй крывёю я з табою!
Жыві!
Жыве вечна!
----------------------------------------
ENG:
Attention! Dress ranks!
Ready!
On the day of the proclamation of the Belarusian People's Republic to the solemn vow.
Belarus! My Motherland! I swear to free and defend You where I am now and where the fate of Your liberation will lead me. Fight to victory for your freedom, how our ancestors fought with Horde oppression of Muscovites near Orsha, Smolensk, Polonka. Ruthlessly chase the rootless inhabitants of Your lands, as the warriors of the Grand Duchy of Lithuania chased and the Belarusian nobility, scythe warriors of Kosciuszko and rebels of Kalinowski, soldiers of the People's Republic and partisans of the Resistance. Defend the blood of your nation, the power of Your land and the divine spirit of Thy existence. In the ranks of free brothers and in captivity, in the homeland and in exile, in battle and underground resistance, let my hands clasp the weapon until the gallows stop squeezing the necks of Your sons. Let the clang of my shutter not subside until the clang of the bars are heard behind the backs of Your heroes. Let me have enough life to avenge all the tortured Your raped and murdered children. Until the last shine of Your rivers in my eyes as long as the stomping of the Chase is heard in my heart, live for You die for You and revive Your greatness.
Long live Belarus!
Lives forever!
Live!
Lives forever! Forever.
Live!
Lives forever!
Live!
Lives forever!
Freedom to Kleshch and Trombli!
Жыві!
Live!
Lives forever! Forever!
Live!
Lives forever! Forever!
Live!
Lives forever!
With all my blood, I’m with you!
Live!
Lives forever!
----------------------------------------
Thanks a lot to Kalinouski Regiment (youtube.com/@BelWarriors) for letting us use their oath in our song!
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Credits: Shot & edited by Sean Sweetman, Visual FX by Dylan Neal, Special thanks to B2Bk for vfx help
"In this trip hop ballad, harpsichord and sawtooth oscillators sculpt the stage for the story of haunted memories of a love long lost. “Bleed, Memory” also served as a means of reconciling my father’s dementia as I explored my own mind’s cunning to mix the real and the fantasy. Did you know that poltergeists don’t haunt a location, but a person? Memory is a poltergeist." --- Dylan Neal
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"Magnolias abound in our present day, but they've been around for at least 65 million years... that's before the existence of bees! Instead, beetles used to do this song's subject's bidding." --- Otrebor/Botanist
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***The full clip is now available for adults only on the site Xvideos (dot) com, and can be found by entering "Perchta - Vom Verlanga" in the site's search bar. ***
"Society's distorted view on sexuality is often further twisted by patriarchal bias, and the representation of the female body regularly comes with a one-dimensional perspective. The song and video of 'Vom Verlånga' narrate an authentic tale of wild lust and an intimate joining of woman and man on every level of being." --- Frau Percht
D'Muata Manifesto
Female sexuality has been considered a great mystery for far too long. For centuries the female body was surrounded by taboo. It speaks volumes that it took until 2022 when a medical expert finally pointed out that the clitoris was incompletely depicted with only its smallest visible part even in biology textbooks. The female pubic area was obviously deemed as of too little concern to receive proper representation in both the medical world and society in general.
Due to this kind of censorship, women were deprived of understanding and knowing their own bodily functions. Even today, the arousal and ejaculation of women receives little to no attention beyond the distorting confines of pornography.
Therefore, it is essential to represent female desire with its multifaceted sensuality and wildness without artificial restraints and to draw attention to the beauty and wonder of the natural female body. More focus on empowerment, self-love, individual autonomy, and freedom of women is direly needed.
Outdated manipulative constructs on women and their sexuality which is propagated by many media and in societies has to be broken down. The world urgently needs to move away from superficial self-expression, assimilation, and constant pressure for 'optimisation' of female (and male) body images towards authenticity and a healthy self-esteem.
Video credit
Camera & Light: Oliver K.
Actors: Neralia & Markus
Set Assistance: Klara
Concept by Frau Percht & Cartismandua
Directed & edited by Cartismandua
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01 Aurora 00:00
02 Where the Black Flowers Grow 2:49
03 Climbing Ivy (Sleep Beside You) 07:06
04 A Man Needs a Mommy 10:53
05 Turn of the Screw 14:24
06 Ouroboros 19:10
07 The Devil You Know 22:00
08 Loser's Blues 26:29
09 The Longing 30:19
If you make the trek down to Louisiana, you won’t leave the same way you came. Listening to BROTHER DEGE, you breathe in the backwoods air, fall under the spell of the swamp, and get to know the ghosts of the Delta. Materialising at a crossroads between soul-rousing rock and roll, eloquent folk, graveyard Americana, and psychedelic bliss, the GRAMMY Award-nominated troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry. On BROTHER DEGE's sixth full-length "Aurora", after quietly generating tens of millions of streams, earning widespread acclaim, and carving out a corner in pop culture history with a co-sign by none other than Quentin Tarantino, the American guitarist and singer Dege Legg pulls everyone into his lush musical world. An undercurrent of bluesy distortion tosses and turns in tectonic motion beneath bold hooks as his love for seventies and eighties staples funnels into a twisted 21st century take on Southern rock. He emerges out of this smoke with a vision without comparison, bringing grit and gusto in equal measure to Alt-Americana. During 2004, when Dege Legg emerged as BROTHER DEGE, he introduced his already fully-developed unique sound via the album debut "Trailerville". In its wake, the sophomore full-length "Folk Songs of the American Longhair" yielded a procession of anthems, including 'Too Old to Die Young', which Tarantino personally selected to play over a key sequence in "Django Unchained" and to grace the tracklist of the Original Motion Picture Soundtrack. Dege parlayed this momentum into a string of fan favourite albums, namely "How To Kill A Horse" (2013), "Scorched Earth Policy" (2015), and "Farmer's Almanac" (2018). There can be no denying that BROTHER DEGE is heavily influenced by the music and sound of the Deep South, against which he rebelled in his youth. Yet even while the roots remain strong, the American guitarist and singer transcends his song another step further into the universal language of rock and roll with his final masterpiece "Aurora". Lean back, close your eyes, and let these wonderful songs engulf you.
Brother Dege Legg died on March 8, 2024.
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► http://lnk.spkr.media/spiritual-front-queen
Stay connected with Prophecy Productions:
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► http://lnk.spkr.media/spiritual-front-queen
Stay connected with Prophecy Productions:
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► http://lnk.spkr.media/spiritual-front-queen
Stay connected with Prophecy Productions:
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► http://lnk.spkr.media/spiritual-front-queen
Stay connected with Prophecy Productions:
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► http://lnk.spkr.media/spiritual-front-queen
Stay connected with Prophecy Productions:
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Stay connected with Prophecy Productions:
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"The location of what is now thought to have been Heavenfield (Hefenfelth) is nowadays a fairly unassuming, remote field. If you visit at night you feel like you can “hear” for miles around. If this really WAS the location that Oswald returned to claim his kingdom of Northumbria, the field was witness to some truly significant sights in terms of the history of both the region and England as a whole. Musically this was the beast I wrestled with the most by far over many months, but when it was complete it was deeply satisfying." --- Mark Deeks / Arð
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"One that we’ve started playing live. We wanted to offer something musically that gets straight to the point and retains that from beginning to end. It captures a fairly broad spectrum for something seemingly simple and pushed forward by a fairly static structure. This one was more for the author of the lyrics to use in an introspective and rather cryptic way. The song, in a way, is a backdrop for the words hence the direct nature of its movement." --- Austere
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Get yours now: http://lnk.spkr.media/life-promised-death
"’Turn of the Screw’ is the last stop before jumping off a cliff. It's the decision to do something regardless of whether you know it will end good or bad. It's the intoxicating thrill of taking a chance on something and hoping it all works out for the best." ---- Brother Dege
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“‘Venus in Flames’ deals with shaking off societal expectations, obliterating gender roles, and learning to love one self in the process. It is an inner dialogue sung out loud, and translated to moving images in the accompanying video by director David Fitt. This is the opening track of our new album ’The Shape of Fluidity’, wherein the smouldering ashes of the old make way for something new and exciting. Self-love is the key.” --- Raven van Dorst
Directed by David Fitt
Produced by Abyssal x Mimesis
Starring : Xenia & Anna Katina
Producer - Giuseppe Conti
Line producer - Pablo Pacini
1st Assistant director - Camille Despontin
2nd Assistant director - Noah Basomboli
Location manager - Thomas Ruelle
Craft - Xavier Linnenbrink
Runner - Alexis Derijck
Director of photography - Maximiliaan Dierick
1st assistant camera - Romain Roobaert
2nd assistant camera - Laure Dewitte
Gaffer - Dirk Van Rampelbergh
Spark - Camille de Patoul
Make-up artist - Margaux Cabuy
Make-up assistant - Laetitia De Neve
Editor - Vincent Gabrielli
Color grader - Maximiliaan Dierick
Band styling - Fleur Feringa
Assistants - Charlotte Koning & Celista Honing
Band Make-up & hair artist - Joyce Clerkx
Focus puller - Jason Hornung
Les Dragons d'argent
instagram.com/les.dragons.d.argent
facebook.com/LesDragonsdArgent
lesdragonsdargent.be
The Fighters - Christophe Vigo Hermanns & Adrien Maseri
Video also made possible with support by Upstream:Music by Fonds Podiumkunsten
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Enjoy 'The Three Flames Sapphire' once more (youtu.be/irWk-toPqHs) and check out the rest of the album: prophecy.lnk.to/empyrium-ueber-den-sternen
“Here’s the second excerpt from our one-track opus of darkness and grandeur entitled ‘Weird Tales’. This one is a prime model of a classic weird tale and at the same time musically as much The Vision Bleak as it gets. It was one of the first themes written for ‘Weird Tales’ and is catchy, dark and danceable all the same. Gothic in its true sense with a slight 80s vibe due to the usage of analog synthesizers. Based around Lovecraft’s ‘The Music of Erich Zann’ short story in which the violinist Erich Zann lets his instrument squeal and scream in a terror-stricken and dreadful orgy of dissonance and in haunting, unearthly melodies. A cacophony of horror. And with these sounds he is creating a portal to a cosmic void. A formless, lightless but sound-filled endless nothingness forms outside of his room's window ready to swallow everything. Oliver König and Klara Bachmaier of Mbience Visuals created some fantastic images to this chapter of ‘Weird Tales’ that sit well with the story and evoke with a beautiful ambience the great horror tale of yesteryears.” ---- Schwadorf / TVB
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From the album "The Deathship Has a New Captain"
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" In 2020 my father started to show signs of dementia. Two years later, while moving him to be closer to family, I wrote most of the lyrics for this track while sitting in his empty kitchen as I watched him slip between our reality and some fantastical world of fear. Paramnesia is a disorder which causes a person to be unable to distinguish between real memories and those of fantasy. Sonically this track features a searing industrial chorus framed by witch house granular synths while being driven by bouncing, gritty breakbeats. Visually, in the accompanied music video, I swim, an only child, through his frigid unknown waters of consciousness and fantastical confusion." --- Dylan Neal
Filmed by Dylan Neal and Miranda LeRae
Edited by Sean Sweetman (@seansweetman)
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" There are hundreds of species of pitcher plant, but the one that this song is about has been around since the Cretaceous period. It's not a coincidence that it's the biggest one, too (the name is Aristolochia gigantea). Giant creatures and giant plants went together!" --- Otrebor/Botanist
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You can order it (as well as its upcoming successor "Untouched By Fire): http://lnk.spkr.media/ard-take-up-my-bones


