Moog MusicElectronic music pioneer Suzanne Ciani and multidisciplinary visual artist Scott Kiernan invite you to reimagine conventional ideas of music, sound, and expression through a delicate balance of mystery and order in this experimental piece composed entirely with the new Moog Subharmonicon synthesizer and analog video synthesis techniques.
The film’s visuals and narration offer a deeper understanding of the instrument, drawing inspiration from the language and illustrations found in Bob Moog’s old copy of Joseph Schillinger’s book “The Mathematical Basis of the Arts.” Engage your imagination as the rhythmic ping-ponging of Ciani’s score meets Kiernan’s depiction of the evolving shapes, forms, and textures Subharmonicon’s sound creates.
Now available worldwide, the Moog Subharmonicon is an intensely creative semi-modular analog polyrhythmic synthesizer. As with Mother-32 and DFAM, Subharmonicon conforms to the 60HP Eurorack format; features aluminum rails, finished wood side pieces, and an extensive patchbay; and can perform as a standalone electronic instrument.
Moog Subharmonicon | Suzanne Ciani + Scott Kiernan | Music as Living MatterMoog Music2020-05-12 | Electronic music pioneer Suzanne Ciani and multidisciplinary visual artist Scott Kiernan invite you to reimagine conventional ideas of music, sound, and expression through a delicate balance of mystery and order in this experimental piece composed entirely with the new Moog Subharmonicon synthesizer and analog video synthesis techniques.
The film’s visuals and narration offer a deeper understanding of the instrument, drawing inspiration from the language and illustrations found in Bob Moog’s old copy of Joseph Schillinger’s book “The Mathematical Basis of the Arts.” Engage your imagination as the rhythmic ping-ponging of Ciani’s score meets Kiernan’s depiction of the evolving shapes, forms, and textures Subharmonicon’s sound creates.
Now available worldwide, the Moog Subharmonicon is an intensely creative semi-modular analog polyrhythmic synthesizer. As with Mother-32 and DFAM, Subharmonicon conforms to the 60HP Eurorack format; features aluminum rails, finished wood side pieces, and an extensive patchbay; and can perform as a standalone electronic instrument.
Learn more about Scott Kiernan: scottkiernan.comAndy Stott + Debit | Moog Sound LabMoog Music Inc2023-08-03 | The Moog Sound Lab series returns with electronic music producers Delia Beatriz (aka Debit) and Andy Stott!
Inside the Moog Sound Lab studio space, the two joined forces to compose and perform an original track infused with elements of each artist’s unique musical style, ranging from hard techno and post-punk to dream pop and Latin club music.
Get a behind-the-scenes look at how Andy Stott and Debit use Matriarch, Grandmother, DFAM, and Mavis in their creative process, integrating this selection of flexible hardware instruments with Ableton for a seamless production flow.
More about Debit: deliabeatriz.com More about Andy Stott: modern-love.co.ukExploring Moogerfooger Plug-ins | MF-101S Lowpass FilterMoog Music Inc2023-06-27 | This video demonstrates using the MF-101S Lowpass Filter to process several elements in a DAW project. The MF-101S is a versatile processor capable of classic lowpass filter applications, as well as dynamic envelope filtering. The cornerstone of the Moog synthesizer, the MF-101S is a great way of adding that legendary 24db ladder filter sound to your DAW tracks.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-102S Ring ModulatorMoog Music Inc2023-06-27 | This video demonstrates using the MF-102S Ring Modulator to process an Akai MPC1000 sampler drum machine. The MF-102S is a unique processor based on classic Moog modular synthesizer circuits. Capable of otherworldly metallic textures, as well as classic tremolo effects, the MF-102S is a great way to transform your DAW tracks.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-103S 12-Stage PhaserMoog Music Inc2023-06-27 | This video demonstrates using the MF-103S 12-Stage Phaser to process a Moog DFAM analog percussion voice and Mother-32 analog synthesizer in a mix. The MF-103S is a versatile processor capable of adding warmth to a signal via notch filtering and classic phaser effects. Similar to its hardware counterpart, the MF-103S offers a great way to achieve unique stereo movement, as well as bring new depth to your DAW tracks.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-104S Analog DelayMoog Music Inc2023-06-27 | This video demonstrates using the MF-104S Analog Delay to process a Moog Mavis analog synthesizer and Roland MC-202 MicroComposer in a mix. The MF-104S is a versatile delay processor that expands the features beyond the hardware variant. Capable of delay tones ranging from warm BBD delays to clean digital delays, the MF-104S is a great way to bring new dimension and space to your DAW tracks.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-105S MuRFMoog Music Inc2023-06-27 | This video demonstrates using the MF-105S MuRF to process several sounds generated from a Eurorack modular system in a mix. The MuRF is a versatile processor that can be used for EQing, filtering, and spectral animation of a signal. The MF-105S is a unique way to incorporate classic Moog filter bank sounds into your DAW tracks.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-107S FreqBoxMoog Music Inc2023-06-27 | This video demonstrates using the MF-107S Freqbox to transform a Roland TR-606 drum machine into several dynamic synthesizer voices. The Freqbox is a wholly unique processor that can radically reshape a signal into an audio-reactive synthesizer voice using the onboard oscillator. The MF-107S is a distinctive way to thicken up your DAW tracks via classic hard sync and frequency modulation synthesizer sounds.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-108S Cluster FluxMoog Music Inc2023-06-27 | This video demonstrates using the MF-108S Cluster Flux to process a Bastl SoftPop 2 analog synthesizer, Roland TR-09 drum machine, and Elektron Digitone FM synthesizer in a mix. The Cluster Flux is a great way to add body and movement to a signal. Whether used for metallic flanging or thick chorusing, the MF-108S is a deep and versatile plug-in that can breathe new life into tracks in your DAW.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.Exploring Moogerfooger Plug-ins | MF-109S SaturatorMoog Music Inc2023-06-27 | This video demonstrates using the MF-109S Saturator to process a Moog Mavis analog synthesizer and Elektron Digitakt sampler drum machine in a mix. The MF-109S is a great way to add dynamic drive and saturation to tracks in your DAW, as well as develop unique textures via the flexible audio-reactive noise generator.
To learn more about this effect or explore the complete Moogerfooger Effects Plug-ins bundle, visit software.moogmusic.com.GIANTS | Bernie KrauseMoog Music Inc2023-06-22 | 'GIANTS' is a platform for legendary electronic musicians and innovators to express themselves through the art of storytelling. This documentary series, filmed and produced by Moog Music, is about honoring and preserving the legacy of these artists and sharing their untold stories with the world.
This installment of 'GIANTS' focuses on one of the Moog modular synthesizer’s earliest advocates: soundscape ecologist and bio-acoustician Bernie Krause.
Once a Motown session guitarist intrigued by early advancements in the world of electronic music, the artist’s first Moog modular synthesizer encounter in 1965 led him to develop a new understanding of sound and musical expression. It was this understanding and early adoption of the instrument—co-owning one of the very first models—that helped Bernie and his musical partner Paul Beaver introduce the Moog synthesizer to the likes of George Harrison, The Monkees, The Byrds, and The Rolling Stones.
For more about Moog Music, visit moogmusic.com.Subharmonicon | Duet for Tone and WindMoog Music Inc2023-05-11 | In this video, we walk through recreating the “Duet for Tone and Wind” patch in the recently released Subharmonicon patch book.
First, we start to think through a little bit about what kind of sound we generally want to make and start to construct a tone from there. Next, we look at using a resonant filter to remove upper harmonics while adding resonant tones, and animate those tones with the VCF envelope generator. Finally, we swap the built-in clock with VCO2 to have a voltage-controllable clock moving alongside the sequencers.
Firmware v1.1.1 introduced MIDI Pitch Bend, allowing Subharmonicon’s VCOs to respond to pitch bend information when played with a MIDI keyboard. This firmware update also allows Subharmonicon’s sequencers to be transposed by a MIDI keyboard.
Make sure to register your Subharmonicon at moogmusic.com/register and download Firmware v1.1.1 at moogmusic.com/products/subharmonicon.Subharmonicon | Intermingled DrumsMoog Music Inc2023-05-11 | In this video, we explore the “Intermingled Drum Machine” section of the "Patching with Intention" guide for Subharmonicon.
We begin by setting up Subharmonicon’s polyrhythmic sequencer to play the cutoff frequency of the lowpass ladder filter. Playing with the sequencer settings and filter parameters allow us to begin to explore different percussive patterns and timbres. We finally explore using each VCO sub-oscillator as a low frequency oscillator to modulate various rhythms.
Explore more with the Subharmonicon "Patching with Intention" guide at back.moogmusic.com/sites/default/files/2022-03/Subharmonicon-Patching-With-Intention%20%281%29.pdf.Moogerfooger Effects Plug-ins Tutorial | Creating Freedom in the Chaos by King BrittMoog Music Inc2023-05-05 | Producer and educator King Britt breaks down all the instruments and effects he used to create “Freedom in the Chaos,” an original track inspired by mid ‘90s to 2000s IDM.
In this video, King experiments with a mix of hardware and software, including our Moogerfooger Effects Plug-ins, to create a complete track. Hear how instruments like Mother-32 and Matriarch sound with effects like the MF-101S Lowpass Filter, MF-103S 12-Stage Phaser, and MF-104S Analog Delay.
Visit the link below listen to “Freedom in the Chaos” by King Britt in full and hear more complete tracks created using the Moogerfooger Effects Plug-ins.
Learn more about Moogerfooger Effects Plug-ins: software.moogmusic.comGrandmother & Mavis | Stereo ProcessingMoog Music Inc2023-04-04 | This video explores using Mavis to expand and enhance Grandmother’s voice architecture by adding both a stereo VCF and stereo CVA to the signal path.
Learn more about Grandmother: moogmusic.com/products/grandmotherGrandmother & Mavis | Voltage-Controlled WavefoldingMoog Music Inc2023-04-04 | This video explores using Mavis to expand and enhance Grandmother by incorporating voltage-controlled wavefolding as a sound design tool in the signal flow.
Learn more about Grandmother: moogmusic.com/products/grandmotherMoog Mavis | Hivemind IIMoog Music Inc2023-03-30 | In this exploration of sound design, composition, and video synthesis, electronic music producer and Moog Product Strategist Max Ravitz (a.k.a. Patricia) combines eight Mavis synthesizers in a dynamic audiovisual performance.
Each Mavis in this setup provides a different element in the song, ranging from wave-folded kick drums to 808-inspired cymbals and double-VCO basses to folding leads. All eight Mavis synthesizers in this performance are sequenced by the Winter Modular Eloquencer with a touch of delay provided by the OTO Machines BIM and the Chase Bliss x Meris CXM 1978 reverb, adding a bit of dimension to the mix.
Visuals for this video were created using an LZX modular analog video synthesizer.
Check out more Mavis resources: moogmusic.com/exploremavisMoogerfooger Effects Plug-ins Tutorial | Creating Conditional by ColleenMoog Music Inc2023-03-24 | Tutorial: How to create a complete song using five Moogerfooger Effects-Plug-ins and just two external audio sources!
Inside her DAW of choice, French musician Cécile Schott (Colleen) details how to replicate a hardware gear workflow with sends and returns using nine instances of the plug-ins, treating each effect as its own instrument. From the artist:
“I have a pretty intimate knowledge of the MF-104M Analog Delay, MF105 MIDIMuRF, and MF-101 Lowpass Filter, so I was curious to hear the effects’ digital replica and try the other two I didn’t know, especially the MF-107S Freqbox, which I fell in love with madly (it is responsible for the song’s impossibly crunchy rhythm!).
I purposefully used a very minimal sound source—the Hammond of the Yamaha Reface-YC—as a blank canvas to showcase what makes the Moogerfoogers truly unique: their ability to radically transform sound and impart a sense of motion, making them closer to a synth module than an effect pedal. Having just finished a fully instrumental album, I actually really felt like singing the lyrics to a song which I had to discard, allowing me to also showcase the MF-104M as an awesome vocal processor.”
Visit the link below listen to “Conditional” by Colleen in full, and hear more complete tracks created using the Moogerfooger Effects Plug-ins.
Learn more about Moogerfooger Effects Plug-ins: software.moogmusic.comMatriarch | External Processing & Controlling Eurorack ModulesMoog Music Inc2023-03-14 | In this video, we explore how to use Matriarch as the heart of a Eurorack system—both controlling and processing Eurorack modules.
We begin by using the Matriarch’s Keyboard CV and GATE outputs to control the Make Noise Morphagene. Morphagene’s audio output is sent back through the Matriarch, so we can process the Morphagene with the stereo filters and analog delay of Matriarch. By combining Morphagene with the analog oscillators of Matriarch, we create a hybrid digital/analog synthesizer—all controlled via Matriarch’s keyboard. Finally, we use the Sample and Hold section of Matriarch to change the sample played by Morphagene with each new key press.
Learn more about Matriarch: moogmusic.com/products/matriarchMatriarch | Stereo Movement with Attenuators & InversionMoog Music Inc2023-03-14 | In this video, we explore just one of the many possibilities that Matriarch’s three attenuators have to offer.
First, we look at how to use an attenuator as an offset control, providing a wide range frequency control for one of Matriarch’s oscillators. Next, we explore the simple use case of using the attenuator as a “CV volume knob,” using it to scale and invert the modulation depth of the modulation oscillator on the filter. Lastly, we introduce a second attenuator and use it as an inverter to create stereo filter modulation, sweeping the sound of the stereo filters across both the frequency spectrum and the stereo space simultaneously.
Learn more about Matriarch: moogmusic.com/products/matriarchMatriarch | Ring Modulation with AttenuatorsMoog Music Inc2023-03-14 | While Matriarch may not initially seem like it has any ring modulators, its three attenuators can each be used to create ring modulation effects.
First, we introduce the basic concept of a ring modulator, how it works, and what kinds of effects it is typically used for. Then we introduce Matriarch’s attenuators, exploring how to use them as bipolar voltage-controlled attenuators and how to ring modulate Oscillator 1 with Oscillator 2. After exploring some of the different tonalities we can achieve using different waveforms and octave spacings, we finally utilize the exponential pitch CV inputs of the oscillator bank and the secondary LFO to create broadband ring modulation tones and wild spacey effects.
Learn more about Matriarch: moogmusic.com/products/matriarchMatriarch | Patching Velocity & AftertouchMoog Music Inc2023-03-14 | In this video, we walk through how to patch keyboard velocity and aftertouch with Matriarch.
We begin by patching a simple vibrato patch, sending the modulation oscillator of Matriarch to the first two oscillators in its oscillator bank and using an attenuator to scale the depth of vibrato. While this is already possible using Matriarch’s Modulation section and mod wheel, creating the patch this way allows us to add dynamic control of the modulation depth. Next, we show how to dynamically control the vibrato depth with the Matriarch keyboard—first with its aftertouch CV output, and then with its velocity CV output.
Learn more about Matriarch: moogmusic.com/products/matriarchMoogerfooger Effects Plug-ins | How to Purchase, Register, and InstallMoog Music Inc2023-03-06 | In this Moog Demo Library video, we demonstrate how to purchase, register, and install your new Moogerfooger Effects Plug-ins. We then demonstrate how to load the plug-ins in both Ableton and Logic.
More about Moogerfooger Effects Plug-ins: software.moogmusic.comOora | Every Story Begins | The Mavis EPMoog Music Inc2023-01-26 | Composer and synth enthusiast Federico Chiesa (Oora) reminds us there is beauty in simplicity with his new ambient release: 'The Mavis EP.'
The album features Mavis as the foundational sound of all seven modular compositions.
As Oora, the artist embraces a minimalistic approach to creating lush soundscapes with a defined set of tools. Inviting spontaneity into his music by way of fully improvised live performances and single-take recordings for albums like 'The Mavis EP,' Oora consistently finds inspiration in exploring new instruments and effects.
More about Mavis: moogmusic.com/products/mavisFrancesca Guccione | Utopia I | Violin & Semi-Modular SynthesizersMoog Music Inc2022-12-15 | "Utopia I" is a composition by Italian composer and violinist Francesca Guccione.
'Utopia Aerial View,' a new four-piece album by Francesca Guccione, invites listeners to experience the distinctive relationship between electronic and organic sound.
In each composition, the artist brings together violin and an assortment of analog synthesizers. This marriage of compelling, cinematic strings and delicate modular soundscapes presents electronic musical instruments as expressive, adaptable tools for contemporary classical musicians.
"The music is characterized mainly by dialogue between the violin and Moog synthesizers, especially the Grandmother, DFAM, and Subharmonicon," Francesca shares. "I think Moog's synthesizers, with their warm and unique sound, are perfect for playing with strings. As a fan of small ensembles and chamber music, it was a fun and exciting challenge for me to translate that kind of writing for instruments that are generally associated with other genres of music. Thus, for example, the Subharmonicon reiterates bichords from where the entire structure of a track unfolds, thus imitating what two cellos would do, or the Grandmother performs minimalist cells that, intertwined with the melodic line of the violin, makes it possible to create an intense dialogue and exchange of voices between the various instruments."
All songs composed and performed by Francesca Guccione
Record Label: Whales Records Recorded by Saretto Emmolo at Mattonacci Recording Studio Mixed by Lele Gambera Mastered by Alexandr Vatagin at Sunshine Mastering Studio Artwork, photos, and video by Salvo DipasqualeMavis & Mother-32 | Patching TogetherMoog Music Inc2022-12-02 | This video explores the ways in which Mother-32 can enhance the functionality of Mavis’s wavefolder through the incorporation of Mother-32's filter and VC mixer.
More about Mother-32: moogmusic.com/products/mother-32Mavis & DFAM | Patching TogetherMoog Music Inc2022-12-02 | This video examines how DFAM's dynamic approach to sequencing makes it particularly well-suited to being processed through Mavis’s wavefolder and filter in order to expand the tonal palette of DFAM.
More about DFAM: moogmusic.com/products/dfam-drummer-another-motherMavis & Subharmonicon | Patching TogetherMoog Music Inc2022-12-02 | This video demonstrates how Mavis’s utility mixer and LFO can be used to bolster the sequencing capabilities of Subharmonicon.
More about Subharmonicon: moogmusic.com/products/subharmoniconMinimoog Model D | Live Build | From the Moog FactoryMoog Music Inc2022-12-01 | ...Moogerfooger Effects Plug-ins | MF-109S Saturator DemoMoog Music Inc2022-11-23 | The MF-109S Saturator, a brand new effect from Moog, is now available as a free gift with the purchase of the Moogerfooger Effects Plug-ins owners. This limited-time offer is also free to everyone who has previously purchased the Moogerfooger Effects Plug-ins since the collection was released in October.
In this video, we walk through the main functions of the MF-109S Saturator, starting with dialing in the sensitivity control to nicely capture your input signal’s dynamics. Next, we use the envelope follower to push the drive, and we also explore how to use the MF-109S to create an overdriven compressor. Finally, we explore how the noise generator section works and show how to use DC offsets to get an even wider variety of noise shapes.
The MF-109S Saturator is a new creative audio processor that emerged out of the Moogerfooger Effects Plug-ins development. A major component of the classic Moogerfooger functionality is the input drive stage, which adds warmth, distortion, and crunch to any given sound. The MF-109S allows users to have dynamic control over this drive circuit, opening up a new way for artists to interact with the unique saturation tool.
The Saturator is able to move from tight, distorted overdrive and analog saturation to smooth compression. Further, it models the noise generator circuit of the Minimoog Model D and allows for control of both noise generator level and noise tone with a switchable filter type.
All parameters of the MF-109S are able to be played, tweaked, automated, and modulated to create lively and truly musical performances. Adding a Moogerfooger effect to your sound invites exploration and experimentation to bring your musical expressions to life.
More about Moogerfooger Effects Plug-ins: moogmusic.com/products/moogerfooger-effects-plug-insMoogerfooger Effects Plug-ins | MF-109S Saturator InstallationMoog Music Inc2022-11-23 | In this video, we walk through of the process of updating your Moogerfoogers and install the new MF-109S Saturator for those who already have the Moogerfooger Effects Plug-ins.
If you already own the Moogerfoogers Effects Plug-ins, the recently released MF-109S Saturator will be sent to you as a free gift. You will receive an email containing a new iLok activation code for the MF-109S as well as links to update the Moogerfoogers and install the MF-109S. The Moogerfoogers must be updated to version 1.0.2 to enable CV connectivity with the MF-109S, so please download the appropriate updaters for your operating system and plug-in varieties as well as the installer for the MF-109S corresponding to your operating system. Update the Moogerfoogers, and then install the MF-109S—now you’re ready to add dynamic overdrive and noise to your tracks!
More about Moogerfooger Effects Plug-ins: moogmusic.com/products/moogerfooger-effects-plug-insMinimoog Model D | Live Build | From the Moog FactoryMoog Music Inc2022-11-18 | ...Minimoog Model D | Live Build | From the Moog FactoryMoog Music Inc2022-11-17 | ...Minimoog Model D | The Will Gregory Moog Ensemble | Archimedes ScrewMoog Music Inc2022-11-17 | In collaboration with Moog Music, the Will Gregory Moog Ensemble presents “Archimedes Screw,” a live performance from 11 musicians—with each of the 10 keyboardists using their own Model D to add layers of sound to the composition as it builds.
From the onset of the video, the stage is set: a mix of vintage and modern Minimoogs line the chancel of The Mount Without, a historic chapel in Bristol, UK. The acoustics of the space provide a warm depth to the sound of Minimoogs produced from every era they have been manufactured.
Utilizing MIDI integration for the 2016 and 2022 reissues, and MIDI-to-CV converters for the vintage units involved in this performance, the Moog Ensemble highlights the modern features alongside the classic sound. According to the group’s musical director and composer, Will Gregory, the instrument’s enhancements expand Model D’s realm of sonic possibility.
“The MIDI aspect of these instruments enables us to open polyrhythmic possibilities between the 10 parts that would be beyond humans to reproduce otherwise. Our hands become free for sound sculpting as we perform by manipulating the filter, resonance, modulation, and envelope controls in pairs. Both these aspects are very important to how I see the Moog Ensemble breaking new ground in live performance and simultaneously giving a more expressive and warm creation.”
“Archimedes Screw” demonstrates Model D’s timeless sound, playability, and relevance as a powerful musical tool for live performance. The Moog Ensemble manifesto, Gregory shares, is very much about live performance as a living breathing unit of musicians listening and responding together.
Will Gregory discusses his connection with the instrument and shares more details on how the ensemble composed this piece from a technical perspective on Moog’s website (moogmusic.com).
Goldfrapp’s Will Gregory is one of the UK’s leading advocates of using synthesizers and electronic instruments to create new sounds and reinvent old ones. Leading and performing with the Moog Ensemble since 2005, Gregory and its rotating contributors—which includes Adrian Utley of Portishead—perform a mixture of specially composed music, transcriptions of classical works, and their own versions of music from popular culture and film scores. “Archimedes Screw” will be featured on the debut Will Gregory Moog Ensemble album coming out via Mute Records in 2023.
John Baggott – Minimoog Model D Will Gregory – Minimoog Model D Simon Haram – Minimoog Model D Vyv Hope-Scott – Minimoog Model D Ross Hughes – Minimoog Model D Hazel Mills – Minimoog Model D Daniel Moore – Minimoog Model D Hinako Omori – Minimoog Model D Eddie Parker – Minimoog Model D Adrian Utley – Minimoog Model D Harriet Riley – Percussion Chris Talbot – Director/Editor Sofia Ilyas – On-Site Producer Nick Batt – Audio Engineer Alex Kozobolis – Photographer Vince Camacho – Cam-Op Charlie Graham (Bunch Creative) – DOP James Mackie (Bunch Creative) – Cam-Op Alastair Bury – Gaffer Jake Sullivan – Spark Adam Buruncz – SparkTy Segall | Frog Meets Fly | Moogerfooger Effects Plug-insMoog Music Inc2022-10-20 | Ty Segall invites you inside Harmonizer Studio, home to his wonderland of custom and vintage instruments. Witness the musician and producer’s creative process as he builds an original composition piece by piece using guitar, bass, electric piano, synthesizer, a mix of percussion, and Moog’s new software effects plug-ins.
In the making of "Frog Meets Fly," Ty demonstrates the sonic range and transformative potential of Moogerfooger Effects Plug-ins. Using the MF-107S FreqBox to morph metallic percussion into synth voices and imitate '60s-style fuzz tones on the track’s bass line, adding depth to his Rhodes with multiple instances of the MF-108S Cluster Flux, transforming clean electric guitar into alien lead lines via the MF-102S Ring Modulator, and adding vintage-toned delay to his Minimoog Model D with the MF-104S Delay, Ty puts the processing power of these effects on full display over the 15 separate tracks in this arrangement.
The Moogerfooger Effects Plug-ins recreate the deep CV interconnectivity capabilities of the original hardware pedals, allowing for multiple instances of Moogerfooger effects to modulate each other. In this video, we walk through how to connect Moogerfooger Effects Plug-ins together via the CV panel and how to attenuate and invert the signals coming from one Moogerfooger effect to another. We look at how to switch an LFO between unipolar and bipolar and demonstrate routing modulation signals across multiple tracks in your DAW session.
More about Moogerfooger Effects Plug-ins: moogmusic.com/products/moogerfooger-effects-plug-insMoogerfooger Effects Plug-ins | DAW AutomationMoog Music Inc2022-10-20 | This video explores how to record automation of the Moogerfooger Effects Plug-ins and how to use automation in your DAW for deeper control of your effects.
First, we explore the basics of recording and drawing automation over different parameters of the Moogerfooger effects. We then explore some deeper automation techniques, automating the CV attenuators in the CV panel of the Moogerfooger Effects Plug-ins to control the modulation depth between effects. Finally, we look at how to use the DC offset options in the CV panel in tandem with automation for expression-pedal-like control.
The Moogerfooger Effects Plug-ins allow for modulation of any parameter using stereo sidechain inputs, routing audio signals from anywhere in your DAW session to modulate your effects. First, we look at how to route raw audio signals directly to the CV inputs and then explore how to use tools such as envelope followers to smooth audio out for modulation. Finally, we add a kick drum and use it to control the Moogerfooger Effects Plug-ins—a classic sidechaining scenario for achieving effects such as ducking.
More about Moogerfooger Effects Plug-ins: moogmusic.com/products/moogerfooger-effects-plug-insMoog Model 10 | Hannes BiegerMoog Music Inc2022-09-22 | Hannes Bieger is no stranger to the power of Moog large-format modular systems. The Berlin-based producer, mixing engineer, and live artist—who has been creating and recording ground-shaking techno and house music with his System 35 for years—recently discussed how his experience with modular instruments has shaped his style and process.
“What I love about modular is how you can incorporate ‘happy accidents’ in the workflow, especially when tossing around patterns on the analogue sequencers,” Hannes shared. “I love the physicality of the process, actually standing in front of this big instrument rather than sitting in front of a computer screen. Finally, there is a sonic world difficult to achieve with conventional synths. I love, for example, how I can create stereo sounds with a pair of VCAs and AM modulation as a part of the actual synthesis, not with external effects.”
Hannes shares more about how modular instruments like the Model 10 (now back in production!) and System 35 have shaped his style and process in a new interview on our website. Check out the full interview at moogmusic.com!
Directed by Dan Braga (danbraga.com) with video footage from a.k.Berlin (http://www.ak-berlin.com)Minimoog Model D for macOS | Ableton IntroMoog Music Inc2022-09-16 | This video walks through how to get set up using the recently released macOS version of the Minimoog Model D App within Ableton Live.
The Minimoog Model D App can be used as a standalone app or used in any DAW as an AUv2 or VST3 plugin with the use of wrappers (modeld.info/vst). If you are using a version of Ableton Live earlier than 11.2 or any number of DAWs that do not support AUv3 natively, you will need to use these wrappers. This video shows you how to download and install these wrappers and how to get started setting up a Model D instrument track within Ableton Live.
Get the Minimoog Model D App: apple.co/3kPSJCVMinimoog Model D for macOS | GarageBand IntroMoog Music Inc2022-09-16 | This video walks through how to get set up using the recently released macOS version of the Minimoog Model D App within GarageBand or Logic.
The Minimoog Model D App can be used as a standalone app or as an AUv3 plugin in Digital Audio Workstations that support AUv3. Logic, GarageBand, Reaper, MainStage, and Ableton Live (as of version 11.2) all support AUv3 natively. In this video, using GarageBand as an example, we show how to create a new software instrument, record some sounds with the Model D, and start layering Model D tracks on top of each other.
Get the Minimoog Model D App: apple.co/3kPSJCVIntroducing Minimoog Model D for macOSMoog Music Inc2022-09-08 | One of the most celebrated and influential musical instruments of all time, the Minimoog Model D synthesizer, is now available as a powerful production and sound design tool for Mac users in the form of the first official Minimoog Model D App for macOS.
The Minimoog Model D App allows users to emulate the sounds and workflows of their favorite musicians and create original tracks within a feature-packed software synth.
This update to the app, which was first released by Moog Music as a mobile synthesis solution for iPhones/iPads, is available for all Mac users (Big Sur or newer), making it possible to recreate the sounds of the classic hardware Minimoog Model D using a macOS device through Audio Unit v3, using a VST3/AUv2 wrapper, or as a standalone sound design tool. Now optimized for both iOS and macOS, anyone with an Apple device can jump in and play with over 160 included presets or begin exploring electronic sound design to craft their own unique style.
Perfect for bedroom producers, studio musicians, professional audio engineers, and beginner synthesists alike, this new offering for macOS allows for seamless integration with Logic, GarageBand, MainStage, Reaper, and through a free VST wrapper in Ableton Live and Cubase for use in studio and live performance environments. The Minimoog Model D App can also be used as a standalone instrument or as an effect in your existing audio chain.
Music created and produced by Chrome Sparks using the Minimoog Model D App.
More about Chrome Sparks: chromesparks.comMeet Mavis: A Moog Semi-Modular Analog SynthesizerMoog Music Inc2022-06-14 | To showcase the sonic range of Mavis, please enjoy a series of original synth-centered compositions by four unique electronic artists. These songs were written and performed inside each artist’s personal creative space, demonstrating how they use Mavis as part of their larger production setups. The seven songs performed in this short film span genres and styles, illustrating how Mavis easily integrates into a variety of modern electronic music workflows.
Audio Mixing by Acemo, Arushi Jain, Nite Jewel, and Silent Servant Audio Mastering by Josh Bonati (http://www.bonatimastering.com) Intro track by Nite Jewel
Learn more about Mavis: moogmusic.com/products/mavisMoog Mavis | Introduction to the WavefolderMoog Music Inc2022-06-14 | This video walks through the wavefolder section of Mavis, describing how wavefolding works, how the wavefolder is routed in Mavis, and how to simulate voltage control over wavefolding.
First, we run through how wavefolding differs from distortion or clipping. Then, we look at the normalizations around the wavefolder in Mavis and how to patch the wavefolder into the signal chain. After running some waveforms through the folder, we look at how to mix a VCO and LFO together in the mixer to modulate the wavefolding effect. Finally, we look at the wavefolder as an external signal processor by running Mother-32 through it.
Learn more about Mavis: moogmusic.com/products/mavisMoog Mavis | How to Use the LFO as a Second OscillatorMoog Music Inc2022-06-14 | In this video, we give Mavis a thicker sound by using its LFO as a second oscillator.
First, we listen to the LFO directly and hear how we can create a wide palate of wavefolded sounds by patching the LFO triangle wave through the Fold circuit. Next, we mix the VCO and LFO of Mavis together in the One+Two mixer and tune them together. We also look at how to use the KB CV output to get the LFO to move alongside the VCO as we play the keyboard. Finally, we use the Korg SQ-1 sequencer to sequence Mavis, using the Mult to move both oscillators in tandem.
Learn more about Mavis: moogmusic.com/products/mavisMoog Mavis | How to Integrate with Mother-32, DFAM & SubharmoniconMoog Music Inc2022-06-14 | In this video, we explore how Mavis plays with its fellow semi-modular friends: Mother-32, DFAM, and Subharmonicon.
First, we use Mother-32's sequencer to sequence Mavis, tuning both instruments together and using the crossfader on Mother-32 to mix together a powerful two-oscillator synthesizer. Next, we assemble a rhythm on DFAM and use its PITCH sequencer to sequence Mavis, adding an accompanying bass line or rhythmic analog texture to DFAM’s rhythm. Finally, we use the mixer in Mavis to mix Mavis and Subharmonicon together while Subharmonicon’s two independent sequencers drive each instrument respectively.
Learn more about Mavis: moogmusic.com/products/mavisMoog Mavis | How to Use the Sample & HoldMoog Music Inc2022-06-14 | In this video, we walk through the Sample and Hold section of the patch bay in Mavis.
First, we walk through the Mavis Sample and Hold circuit’s inputs, outputs, and normalizations. Then, we look at how a Sample and Hold circuit works, and how it can be used to generate random voltages. Finally, we use the Attenuator to reign in the random voltages created by the Sample and Hold, and use the Mult to route it to multiple destinations.
Learn more about Mavis: moogmusic.com/products/mavisMoog Mavis | Unlocking Maviss UtilitiesMoog Music Inc2022-06-14 | In this video, we run down the utility section of Mavis: the Attenuator, the Mult, and the One+Two mixer.
First, we look at the Attenuator, its normalizations, and how to use it to control modulation depth. Then, we explore how to use the Mult to route our attenuated signal to multiple destinations in Mavis. Finally, we dive into the One+Two mixer, examining how its two inputs differ from each other, the input normalizations, and how to use the Attenuator to patch in a separate level control for the Two input.
Learn more about Mavis: moogmusic.com/products/mavisMoog Music LIVE @ Superbooth 2022: Dorit Chrysler (Saturday, May 14th)Moog Music Inc2022-05-14 | Moog Music is coming to you live from Superbooth '22 in Berlin, Germany! Tune in for electronic music performances by Dorit Chrysler, Francesca Guccione, Andrée Burelli, and Max Ravitz. Instruments used will include Moog Matriarch, Moog Sound Studio (Mother-32, Subharmonicon, DFAM), Etherwave Theremin, and more.Moog Music @ Superbooth 2022: Live Artist PerformancesMoog Music Inc2022-05-14 | Moog Music is coming to you live from Superbooth '22 in Berlin, Germany! Tune in for electronic music performances by Dorit Chrysler, Francesca Guccione, Andrée Burelli, and Max Ravitz. Instruments used will include Moog Matriarch, Moog Sound Studio (Mother-32, Subharmonicon, DFAM), Etherwave Theremin, and more.