Tina Bell is the godmother of grunge. She formed the band Bam Bam with her then-husband Tommy Martin, Scott "Scotty Buttocks" Ledgerwood, and Matt Cameron of Pearl Jam and Soundgarden. But why is she so overlooked?
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #tinabell #bambam #thefirstgrungeband
Tina Bell is the godmother of grunge. She formed the band Bam Bam with her then-husband Tommy Martin, Scott "Scotty Buttocks" Ledgerwood, and Matt Cameron of Pearl Jam and Soundgarden. But why is she so overlooked?
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #tinabell #bambam #thefirstgrungebandTop 10 Song Placements on The OCA Grrrls Two Sound Cents2024-03-23 | To call The OC a cultural phenomenon would be an understatement. The early-2000s Fox teen drama series coveted the aughts and launched the careers of major names in the industry like Adam Brody, Ben McKenzie, Mischa Barton, and Rachel Bilson. But the show was also notorious for its iconic soundtrack, becoming a major tastemaker in the world of indie rock with song placements from Death Cab for Cutie, The Killers, Modest Mouse, Nada Surf, and more. In this video, I rank my personal top 10 favorite song placements on the show.
CHAPTERS 0:00 - 6:37: Welcome to the OC, Bitches! 6:38 - 7:33: Number 10 7:34 - 9:27: Number 9 9:28 - 10:41: Number 8 10:42 - 13:00: Number 7 13:01 - 15:08: Number 6 15:09 - 18:17: Number 5 18:18 - 22:05: Number 4 22:06 - 25:16: Number 3 25:17 - 28:06: Number 2 28:07 - 28:38: Honorable Mentions 28:39 - 31:13: Number 1 31:14 - 32:30: Conclusion
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.Prince, Parasocial Heartbreak, & The Sacred/Profane DichotomyA Grrrls Two Sound Cents2023-10-20 | In Prince's own words, he was "something that you'll never comprehend." Most artists are. Here's how I learned to be okay with that – and also an analysis of the interconnected nature of sex and spirituality.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.Your Favorite Artists Arent Your Friends | A Fans Moral DilemmaA Grrrls Two Sound Cents2023-06-06 | What Did You Expect?
0:00 Prelude: What This All Means 1:42 Taylor's Reputation 3:23 The Firestorm 4:51 Healy's Background & Public Image 5:47 Controversies 6:57 Is it satire? 7:47 Why edginess makes him appealing 8:43 The Salute & The Podcast 12:21 Is he really a bad person? 13:14 You can't legislate your desires 14:34 The Open Letter 15:14 Why projecting morals onto artists doesn't work 17:12 Conclusion
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #taylorswift #mattyhealyLolita in Pop Songs Ranked: Worst to BestA Grrrls Two Sound Cents2023-04-07 | CONTENT WARNING: Topics in this video are heavily focused on disturbing and triggering events such as sexual assult, child abuse, child abduction, and grooming.
Lolita, the controversial novel by Vladimir Nabokov, has left an indelible imprint on pop culture, for better or worse. Documenting the events of a man in his thirties kidnapping and lusting over his twelve-year-old stepdaughter, the novel continues to spark debate among readers and popular media consumers. Part of the novel's brilliance is that it holds up a mirror to the racist and sexist societal status quo, and the story is heavily referenced in pop songs including The Police's "Don't Stand So Close To Me," Lana Del Rey's "Off to the Races," and "Guilty" by Barbara Streisand and Barry Gibb. But at what point does the employment of the Lolita trope in pop music do more harm than good? Watch the full video to find out!
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.Bonnie Bloomgardens First Childhood DreamA Grrrls Two Sound Cents2022-12-23 | Listen to the Full Interview: link.chtbl.com/O9K0sqzs
For the Season 3 Finale of "Sounding Out with Izzy," I am joined by Bonnie Bloomgarden, the magnetic frontwoman of California psychedelic blues-rock outfit Death Valley Girls. Bonnie and I discuss the emotional and spiritual transformation she experienced after getting sober, working with the legendary Larry and Patty Schemel, the magnetic mysticism of the occult, and a vivid dream Bonnie had about performing on stage when she was five years old.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.Creem Magazine is Back | Why Thats a Good ThingA Grrrls Two Sound Cents2022-11-20 | In the spring of this year, Creem Magazine, the world-famous rock and roll magazine that went out of print in 1989, was relaunched as a digital archive and newsletter. Here's why the return of "America's only rock 'n roll magazine" is a positive thing.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.PODCAST: Alice Bag Interview - Choosing the Path of Most ResistanceA Grrrls Two Sound Cents2022-09-14 | Access ALL episodes of the PODCAST: link.chtbl.com/V1AB3t53
In the premiere episode of Season 3 of the A Grrrl's Two Sound Cents podcast, “Sounding Out with Izzy,” Izzy interviews LA punk pioneer, author, and self-proclaimed troublemaker Alice Bag. Izzy and Alice discuss Alice’s life story and how she has successfully managed to thrive in the music industry while maintaining an independent DIY ethos. This conversation also tackles the art of survival, Alice’s legacy in punk history, and preserving the historical memory of unrecognized women and queer people who have made invaluable contributions to rock.
PARTICIPATE in my Lolita video: https://forms.gle/kUtLB2N1Vx5h7zhq9 PATREON: https://www.patreon.com/agrrrlstwosou... LISTEN to my podcast: link.chtbl.com/V1AB3t53
In 1983, claims about a daycare center allegedly conducting underground satanic rituals set off a wave of hysteria that swept North America and lead to damaged reputations, wrongful convictions, and a censorious war on popular music spearheaded by the Parents Music Resource Center (PMRC). Today we unravel the Satanic Panic's effect on the public's perception of popular media.
Chapters: 0:00 Introduction 3:15 The West Memphis 3 and the Real Eddie Munson 7:13 The Spark that Set Off the Hellfire 12:12 Death of the Hippy, the Occult, and Heavy Metal 16:10 Religious Parents Lose Their Minds 23:56 The Lingering Consequences of the Satanic Panic
'Velvet Goldmine' is Todd Haynes's clumsy, grandiose, and flawed ode to glam rock starring Ewan McGregor, Jonathan Rhys Meyers, and Christian Bale. This video explores how this largely forgotten piece of unauthorized Bowie fanfiction was surprisingly forward-thinking in how it placed queer liberation front-and-center, and why it deserves its rightful place in the canon of New Queer Cinema.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #pride #bowie #glamrockTina Weymouth: Talking Heads Secret Weapon | Have You Seen HerA Grrrls Two Sound Cents2022-04-22 | Tina Weymouth's funky Motown-influenced bass playing was the secret sauce that made Talking Heads songs stand out in a sea of punk rock bands who played the same loud and fast amateur hard rock. So why is one of Talking Heads' most valuable members also one of its least recognized?
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #talkingheads #tinaweymouth #davidbyrneWhy the Michigan Womyns Music Festival Had to EndA Grrrls Two Sound Cents2022-01-31 | The Michigan Womyn's Music Festival originated as a festival that served as a space for mostly queer women to gather and enjoy several nights of live music and workshops away from the iron grip of patriarchy they're forced to endure in their daily lives. However, after several years of reported incidents where attendees and the festival committee seriously endangered trans women who attended, the festival began to reveal itself to be not as "safe" as it appeared. Today we will explore why incidents like this are so pervasive in women-only spaces and clear up misconceptions on the reporting surrounding the annual festival.
Music Used: Antigone Rising - "That Was the Whiskey" Luar - "Fly Low" Luar - "Ignite" Sphäre Secs - "Meteor"
Voiceovers: Left at London - Sarah Schulman Goth Lipstick (Francesca Fey) - Susan Stryker Val from Sets and the CD - Sara Ahmed Hanna Smith - Diane Anderson-Minshall
CHAPTERS: 0:00 Intro 1:42 Opening Credits 2:27 Chapter 1: Trouble in Utopia 4:01 Chapter 2: Alternatives to Woodstock 8:06 Chapter 3: Camp Trans 10:39 Chapter 4: Conflict is Not Abuse 16:15 Conclusion: Making Sense of It All
SOURCES: Sarah Schulman, "Conflict is Not Abuse" (2016)
Riki Wilchins, "TRANS/gressive: How Transgender Activists Took on Gay Rights, Feminism, the Media & Congress… and Won!" (2017)
Sara Ahmed, "The Cultural Politics of Emotion" (2004)
LISTEN TO MY PODCAST: https://soundingoutwithizzyagrrrlstwo... SUPPORT ME ON PATREON: https://www.patreon.com/agrrrlstwosou...
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. #michfest #lesliefeinberg #queermusiciansMy Top 10 Albums of 2021A Grrrls Two Sound Cents2021-12-31 | This year was a golden year for great music. Here are ten albums I enjoyed this year, my friends' and subscribers' favorite albums of the year, and some honorable mentions.
Listen to my podcast: https://soundingoutwithizzyagrrrlstwo...
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Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. #wolfalice #littlesimz #aoty2021Any Other Way: The Life & Times of Jackie Shane | Have You Seen HerA Grrrls Two Sound Cents2021-12-16 | Jackie Shane was a familiar name in the 1960s soul hub in Toronto, only to mysteriously disappear from music altogether in 1971. It wasn't until 2017 when the Numero Group producer Douglas McGowan convinced her to return and release a compilation box set album of her greatest hits, which earned her a Grammy and a resurgence in her fanbase. Today we will explore what made the underground soul singer so revolutionary.
Soundtrack: Jackie Shane - "Money (That's What I Want)" Jackie Shane - "Walk the Dog" Jackie Shane - "Any Other Way" Slow Habits "Luar - fly low" https://soundcloud.com/slowhabits/lua...
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.Jennifer Otter Bickerdike on Nico, Britney, & Shirley Manson (A Grrrls Two Sound Cents Podcast)A Grrrls Two Sound Cents2021-11-04 | The other day I had the privilege of chatting with cultural historian and best-selling author Jennifer Otter Bickerdike about her upcoming Britney Spears biography, 'Being Britney: Pieces of a Modern Icon,' our shared love of Shirley Manson, the importance of the legacies of Nico and Marianne Faithfull, and Jen's remarkable story of how she transformed her life and followed her dream of becoming a writer and educator after spending years as a marketing veteran for labels such as Sony Music, Geffen, and Interscope Records.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.Nico: Autopsy of An IconA Grrrls Two Sound Cents2021-10-16 | From the suburbs of Cologne to the dingey nightclubs of Manhattan and the islands of Ibiza, singer-songwriter Nico has a story that is unlike any other musician. This is the story of how the German model-turned-singer-songwriter rose to fame in Andy Warhol's Factory entourage, sang for the Velvet Underground in 1967, and fought to destroy and rebuild her image and sound in the latter half of her career.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.Separating the Art from the Artist | Is it Worth the Anguish?A Grrrls Two Sound Cents2021-09-22 | How to separate the art from the artist is an incredibly complex and nuanced issue that affects the consumer in numerous ways. Whether it's being cognizant of the fact that our favorite filmmakers held bigoted world views, or that our favorite musicians may have abused their colleagues, family, significant others, and fans, grappling with problematic faves simply comes with the territory. But when does it no longer become acceptable to separate the art from the artist? And when should individuals be held responsible for the art that they consume? Let's take a closer look and find out.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.Welcome to A Grrrls Two Sound Cents!A Grrrls Two Sound Cents2021-08-28 | Welcome to A Grrrl's Two Sound Cents, the blog, podcast, and YouTube channel where we highlight queer artists, femme artists, and non-binary artists and focus on feminist historical recovery in music!
Soundtrack: "Vindictive" by the Slits "Horses" by Patti Smith "Frozen Warnings" by Nico "Erase You" by ESG
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.2.5K Live Q&A + Hang Out Stream! (with Sets and the CD)A Grrrls Two Sound Cents2021-08-17 | Celebrating 2.5K Subscribers. Listen to music and vibe with me while I answer viewer questions! Since this is my first time streaming with OBS, joining me will be my very good friend Val of Sets in the CD for moral and technical support!
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.The Innovative Majesty of The SlitsA Grrrls Two Sound Cents2021-08-12 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
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The Slits were on the fringes of change in an exciting time for punk. Closely pre-dating the eclecticism of the post-punk movement and the femme rage of riot grrrl, the Slits transcended the tokenistic pigeonholing that so many women musicians found themselves trapped in, thanks to the loathsome misogyny of the music press. This video goes deep into the history of the group and just how impactful they still are today.
Time Stamps! 0:00 Intro 1:37 1974-1976: Britain's Dark Age & The Notting Hill Carnival Riots 3:02 June 4th, 1976: The Sex Pistols Play the Lesser Free Trade Hall 4:49 Emergence of the Mighty Slits 10:04 Not Your Typical Punks 13:55 1979: The Slits Release "Cut" 15:07 1981: "Return of the Giant Slits," Disbandment, and Return 15:43 The True Punk Pioneers 16:43 Queer Significance of the Slits 17:29 Legacy and Impact
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.For the Love of New York and Karen O (with Sets and the CD!)A Grrrls Two Sound Cents2021-07-25 | TW - TIME STAMPS FOR SENSITIVE CONTENT: 1:23 - 1:35
Karen O of the Yeah Yeah Yeahs is one of the most prolific icons to arise out of the post-punk revival in New York, an era of music that was set against the backdrop of political unrest and a migrating city that mirrored the migrating music industry on the verge of changing forever. Today I have enlisted the help of Val from Sets and the CD to help me unpack what makes Karen's work timeless.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. #kareno #yeahyeahyeahsThe Many Lives of Brian EnoA Grrrls Two Sound Cents2021-07-01 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
In the musical realm, there is no categorizing Brian Eno. Today we will be unpacking just a few of the many records he had a hand in creating that changed the trajectory of music forever.
0:00 Intro 1:07 Chapter 1: The Art Student 2:42 Chapter 2: The Sound Technician / The Roxy Years 13:17 Chapter 3: The Anti-Frontman 19:29 Chapter 4: The Producer / Bowie & Talking Heads 34:34 Chapter 5: The Composer 36:05 Conclusion: The Architect
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. #BrianEno #RoxyMusicXiu Xiu Iceberg | Exploring Jamie Stewarts Brutal Tonality & Radical SensitivityA Grrrls Two Sound Cents2021-06-12 | *** CONTENT WARNING / STROBE WARNING *** Viewer discretion advised for sensitive topics and flashing imagery.
In today's video, we delve into the Xiu Xiu iceberg. And there's A LOT to unpack.
Xiu Xiu is a highly influential indie band whose sound casts a wide stroke, producing bodies of work that encompass post-punk, Korean folk, and brutally harsh noise rock. They are a notoriously difficult band to get into, courtesy of the abrasive and terrifying soundscapes they produce (including experimental noises from 8-bit video game consoles), along with frontman Jamie Stewart's tragic and absurdist lyrics inspired by Joy Division and novelist Dennis Cooper.
Time Stamps: 0:00-0:48: Introduction 0:48-2:44: Origins 2:44-4:26: Knife Play & Dennis Cooper 4:26-7:40: A Promise 7:40-9:26: Fabulous Muscles 9:26-10:48: La Foret & Caralee McElroy 10:48-11:36: Dear God I Hate Myself, Deerhoof, & Angela Seo 11:36-14:01: Angel Guts: Red Classroom 14:01-15:57: Forget 15:57-18:49: Girl With Basket of Fruit 18:49-20:32: OH NO! and Healing through Community 20:32-24:17: Conclusion
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. #xiuxiuiceberg #xiuxiu #fabulousmusclesThe Magic of a Song | Car Seat Headrest: Beach Life-In-DeathA Grrrls Two Sound Cents2021-05-28 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Beach Life-In-Death by Car Seat Headrest is an anthemic indie epic that runs for almost fifteen minutes. But how exactly does the band manage to entice the listener for the entire song? - Socials: ♡ Spotify: https://open.spotify.com/user/1288376... Instagram: instagram.com/agrrrlstwosoundcents Twitter: twitter.com/missannthropei Tumblr: https://www.tumblr.com/blog/let-them-... Music blog: izzyshutup.com
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. #carseatheadrest #twinfantasyThe Warm & Mystic Folk of Weyes Blood | Have You Seen Her - Episode 8A Grrrls Two Sound Cents2021-05-16 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
From playing in experimental noise bands in Philly and Portland to sharing the stage with Lana Del Rey, Natalie Mering of Weyes Blood has written some of the most intuitive and innovative indie folk records of the last decade.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #weyesblood #titanicrisingThe Long Queer History of PunkA Grrrls Two Sound Cents2021-05-08 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #punk #queercoreChristine & The Queens and the Art of Subversion | Have You Seen Her - Episode 7A Grrrls Two Sound Cents2021-05-03 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Christine & The Queens is one of the most sophisticated masters of subversive art making. This video will explore how she picks up on certain pop influences and how her views on identity and mutability influence her work.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #Christine & The Queens #indiepopThe Wistful Magic of Mazzy Star [Re-Upload]A Grrrls Two Sound Cents2021-04-25 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
This is a re-upload. Thank you for all the love and the notes. Always remember to triple fact-check your sources, guys! ♡
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #mazzystar #fadeintoyou #dreampopQueer Sound | How SOPHIE & Pauline Oliveros Synthesized Their LivesA Grrrls Two Sound Cents2021-04-22 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
This is a video I put together for a school project. I've really wanted to make something truly reflective of SOPHIE's work since her passing. I sincerely hope that you all enjoy it and take something valuable away from it. - Socials: ♡ Spotify: https://open.spotify.com/user/1288376... Instagram: instagram.com/agrrrlstwosoundcents Twitter: twitter.com/missannthropei Tumblr: https://www.tumblr.com/blog/let-them-... Music blog: izzyshutup.com
0:00 Intro 0:15 Susan McClary & Feminine Tonality 5:05 Pauline Oliveros & Deep Listening 7:03 SOPHIE's Immaterial World 11:33 Conclusion
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #SOPHIEThe Metamorphosis of St. Vincent | Have You Seen Her - Episode 6A Grrrls Two Sound Cents2021-04-12 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #stvincent #daddyshomeCharli XCX, Robyn, & The Liberation of Fem(me)botsA Grrrls Two Sound Cents2021-04-05 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
From Robyn to Charli XCX, Grimes, & Poppy, what does independent pop music add to the social commentary on feminist theory and robots? Let's find out through a song analysis! Lindsay Ellis's video: youtu.be/uMfV7S5hfUo Amber Hawk Swanson: https://amberhawkswanson.com - Socials: ♡ Spotify: https://open.spotify.com/user/1288376... Instagram: instagram.com/agrrrlstwosoundcents Twitter: twitter.com/missannthropei Tumblr: https://www.tumblr.com/blog/let-them-... Music blog: https://izzyshutup.com - Sources: https://assuminggender.files.wordpres... http://jasbirkpuar.com/wp-content/upl... ncbi.nlm.nih.gov/pmc/arti... http://people.oregonstate.edu/~vanlon... pitchfork.com/features/interv... http://www.tenstakonsthall.se/site/wp...
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #charlixcx #robyn #poppyHow Kate Bush Changed PopA Grrrls Two Sound Cents2021-03-28 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #katebush #houndsofloveThe Replacements | Exploring The Queer Text of Let It BeA Grrrls Two Sound Cents2021-03-12 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #alisonmosshart #thekillsSOPHIE: In MemoriamA Grrrls Two Sound Cents2021-02-12 | Rest in Power SOPHIE. Playlist of my favorite songs that SOPHIE had a hand in creating: open.spotify.com/playlist/0Umlu6tE0nSmOhXurB1Hh7?si=KpCbjXkpTBSEmJcxe1M3Rg
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #mybloodyvalentine #lovelessConor Oberst & The Radical Emotionality of Bright EyesA Grrrls Two Sound Cents2021-01-30 | TW: Video discusses heavy topics, including suic*de and depression
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #dreampop #broadcast #tenderbuttonsThe Versatility of Sky FerreiraA Grrrls Two Sound Cents2021-01-20 | Sky Ferreira's talent and vision goes beyond what the media typically tries to mold pop stars into, and that's what makes her so refreshing.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #skyferreira #iblamemyself #nighttimemytimeRevealing (Ten) Albums On My Top 100 List | 1K Subscriber SpecialA Grrrls Two Sound Cents2021-01-18 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #davidbowie #thecure #topsterThe Magic of a Song | Haim: I Know AloneA Grrrls Two Sound Cents2021-01-15 | From slugging it out on the road in LA to collaborating with Charli XCX and Taylor Swift, Haim are one of today's greats. This is why "I Know Alone" is my favorite song on their third album.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #haim #womeninmusicpartiii #taylorswiftThursday | Overlooked Emo PioneersA Grrrls Two Sound Cents2021-01-08 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #emo #posthardcore #thursday #mychemicalromanceBikinis, Heels, & Robot Monsters | An Introduction to The CrampsA Grrrls Two Sound Cents2021-01-03 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #thecramps #psychobilly #gothrockThe Tangled and Polarizing Legacy of The StrokesA Grrrls Two Sound Cents2020-12-29 | The Strokes' legacy is something I refuse to debate. No copyright infringement intended. Music rights go to RCA, Elektra, and Matador Records.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #thestrokes #isthisit #thenewabnormalAn Introduction to Slowdive | From Critical Failures to Indie IconsA Grrrls Two Sound Cents2020-12-26 | An introduction to shoegaze's most prolific legends.
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #slowdive #shoegaze #souvlakiThe Underrepresentation of Women in EmoA Grrrls Two Sound Cents2020-12-22 | SUPPORT ME ON PATREON: patreon.com/agrrrlstwosoundcents
Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. #2020wrapped #favoritesongsof2020