Uploaded June 2015 | Updated September 2026, 2 weeks ago
Pianists: Ingryd Thorson and Julian Thurber
Suite No. 1 (or Fantaisie-Tableaux for two pianos), Op. 5, is a composition for two pianos by Sergei Rachmaninoff. Composed in the summer of 1893 at the Lysikofs estate in Lebeden, Kharkov, this suite was initially titled Fantasie-Tableux since Rachmaninoff intended it, as he explained in a letter to his cousin Sofia Satin, to consist "of a series of musical pictures." While François-Rene Tranchefort asserts that the music illustrates four extracts of poems (written by Mikhail Lermontov, Lord Byron, Fyodor Tyutchev and Aleksey Khomyakov), Rachmaninoff biographer Max Harrison counters that while the poems "convey something of the emotional tone of the music," the music itself is not programmatic.
This work was first performed on November 30, 1893, by Rachmaninoff and Pavel Pabst in Moscow, and is dedicated to Tchaikovsky who had died just weeks prior. Rachmaninoff composed a second suite in 1901.
The four movements are:
0:00 I. Barcarolle. Allegretto, in G minor.
7:52 II. La nuit... L'amour... Adagio sostenuto, in D major. (The night...the love...)
13:39 III. Les Larmes. Largo di molto, in G minor. (The Tears)
20:16 IV. Pâques. Allegro maestoso, in G minor. (Easter)
Pianists: Ingryd Thorson and Julian Thurber
Suite No. 1 (or Fantaisie-Tableaux for two pianos), Op. 5, is a composition for two pianos by Sergei Rachmaninoff. Composed in the summer of 1893 at the Lysikofs estate in Lebeden, Kharkov, this suite was initially titled Fantasie-Tableux since Rachmaninoff intended it, as he explained in a letter to his cousin Sofia Satin, to consist "of a series of musical pictures." While François-Rene Tranchefort asserts that the music illustrates four extracts of poems (written by Mikhail Lermontov, Lord Byron, Fyodor Tyutchev and Aleksey Khomyakov), Rachmaninoff biographer Max Harrison counters that while the poems "convey something of the emotional tone of the music," the music itself is not programmatic.
This work was first performed on November 30, 1893, by Rachmaninoff and Pavel Pabst in Moscow, and is dedicated to Tchaikovsky who had died just weeks prior. Rachmaninoff composed a second suite in 1901.
The four movements are:
0:00 I. Barcarolle. Allegretto, in G minor.
7:52 II. La nuit... L'amour... Adagio sostenuto, in D major. (The night...the love...)
13:39 III. Les Larmes. Largo di molto, in G minor. (The Tears)
20:16 IV. Pâques. Allegro maestoso, in G minor. (Easter)


![The Best of Bach: Part II
Part II of The Best of Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750)
0:00 Cello Suite No. 1 in G major, BWV 1007 (excerpts) I. Prelude
2:29 Cello Suite No. 1 in G major, BWV 1007 (excerpts) VII. Gigue
4:10 Cello Suite No. 4 in E-flat major, BWV 1010 Gigue
6:49 Cello Suite No. 5 in C minor, BWV 1011: Allemande
12:01 Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro
18:25 Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro
23:24 Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
30:10 Violin Concerto in A minor, BWV 1041: III. Allegro assai
33:58 Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie
35:19 Orchestral Suite No. 3, BWV 1068: Overture
47:14 Goldberg Variations, BWV 988: I. Aria
51:12 Herz und Mund und Tat und Leben, BWV 147: X. Jesu, joy of mans desiring (arr. M. Hess)
54:27 Wachet auf, ruft uns die Stimme, BWV 140
59:15 Well - Tempered Clavier, Book I: I. Prelude and Fugue in C major, BWV 846
1:03:40 Harpsichord Concerto in D minor, BWV 1052: I. Allegro
1:11:30 Weichet nur, betubte Schatten, BWV 202, Wedding Cantata: I. Adagio
1:17:51 Violin Partita No. 3 in E major, BWV 1006: I. Preludio
1:21:52 Ich habe genug, BWV 82: III. Schlummert ein
1:31:18 Das Musikalische Opfer (The Musical Offering) BWV 1079: Canon
1:33:53 Christmas Oratorio, BWV 248: Jauchzet, frohlocket
1:41:09 Mass in B minor, BWV 232: Agnus dei The Best of Bach: Part II](https://i.ytimg.com/vi/aF-bE9Tfnyg/mqdefault.jpg)







