MOVING CLASSICS
Anton Batagov - Letter from Rachmaninoff to Peter Gabriel
updated
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Weitere Termine findest du auf unserer Homepage.
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"You who read me, are you sure of understanding my language?" Jorge Luis Borge "Labyrinth"
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"Contemplation is a meditation on a few bars from the second movement of Grieg's Sonata op.7 (bars 17-20). I was very taken by these bars, which to me seemed typically 'Griegian': the e minor chord with the added c sharp, and dominant minor chords. The piece was written in a matter of hours, and I simply elaborated upon Grieg's chords, feeling my way on the piano as I wrote." © Cheryl Frances-Hoad, 2015
"Frances-Hoad’s implicit trust in the expressive power of her melodic invention and harmonic thinking is paramount. That may seem to be an old-fashioned approach, but nothing in Frances-Hoad’s music ever sounds secondhand."
Andrew Clements, The Guardian
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Київський Блюз - Тарас Ященко фортепіано та композиція
Here is a link to imslp.org/wiki/Kyiv_Blues_(Yachshenko,_Taras
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If you like it, here is a link for the music score sheetmusicplus.com/title/howard-s-end-closing-credits-digital-sheet-music/20399039
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#moviescenes #moviesmusic #moviespiano #howardsend #soundtracks
This waltz was conceived after reading a poem written by the wife of the composer Arabella Martínez (Floranocturna) from her collection Fallen Petals; wattpad.com/story/179192197-fallen-p-e-t-a-l-s.
Here's the Poem:
come dance with me
into the night
until the stars
drown out their light
pull me close
into your arms
and match
your step with mine
beat by beat
you lead the way
my feet fly
as our bodies sway
faster and faster
we spin to the tune
breathless
I follow your heart
dawn
breaks our spell
and steals you away
I linger in silence
a ghost
left to stay
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Watch some photos by Weegee youtube.com/watch?v=EYle0fixtR8
Weegee was a famous New York photographer. He was born Ascher Fellig in Zolochly, Ukraine. When his family emigrated to the US his given name was changed to Arthur. He took odd jobs including working as a street photographer of children with his pony, and as an assistant to a commercial photographer. In 1924 he was hired as a darkroom technician until 1935, when he became a freelance photographer.
He worked at night and competed with the police to try and get to the scene of the crime. He would then sell his photos to tabloids and photo agencies. His photos were taken around Manhattan police headquarters.
Most of his photos were taken with a basic press camera, a Crown Graflex which took film negatives that were sized at 4” x 5”. He would set the camera at f16 with a focus distance of 10 feet. This allowed Weegee to take all his photos in sharp focus. He used flash bulbs to light his photos. This gave his photos a dramatic, stark look to them. He knew what sold and looked for fights between people n the “social register”.
If you are curious, here is a complete live recording of the piano cycle. Eight piano pieces, based on work by the cult photographer Weegee, who took photos for New York tabloids in the 1940s. Scenes of crashes, killings, fires, and hopeless love. youtube.com/watch?v=oXnkADl_h7g
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Peteris Vasks has a special role within the scene of Baltic composers. He is not simply the most important and popular composer Latvia has ever had. He always speaks to his listeners with an intensity that is fervent and heralds of something higher. This higher is undoubtedly what is above the human world and at the same time is inherent in man: the divine nature. The composer says: 'I am very deeply rooted in nature. In the Nordic nature. Her influence permeates all of my music. Our nature is very versatile, we have four distinct seasons. The winter is very long, the summer very short and all the more longed for and beautiful. The transition periods are very dramatic.' As a kind of 'encore' for a performance of the Seasons cycle, Vasks wrote Vasara's vakara muzika - summer evening music. It is based on older sketches and is firmly anchored in tradition with its fixed metric structure. The composer says of this piece: 'It describes a still summer evening. The sun sets. Slowness. Memories of experiences rise. There is an increase in their volume. Towards the end you can hear in the style of a folk song: 'We have survived the time of tyranny and are still one identity'. The end is silence, everything is asleep.' (Christoph Schlüren)
Thank you to @SchottM for providing the scores.
You can find many exciting scores here: schott-music.com/de/person/index/index/urlkey/peteris-vasks
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Donald Yu about this movement: "Love is the prominent foundation of cosmic consciousness. It also reflects the harmonies of being. The perception of the cosmos and its different entities are bounded by God’s love or Unconditional Love. Throughout the movement, poignant and sentimental melodies dominate, and profound subtleties of love and longing are expressed."
About the composer: Donald Yu, Hong Kong born composer and pianist.
His orchestral piece "Unraveling" was awarded gold double medal (Awards of Excellence) in two categories-Best Contemporary Classical and Composition of the 2022 Global Music Awards. His music is described by Fanfare Magazine as "forming an arresting and personal intermixing of tonal and atonal languages, with the musical colors and gestures of his native country infiltrating the mix." (2012)
Yu is quite prolific and has composed nearly two hundred compositions. His music has been performed at various international festivals and events in more than 20 countries with 50 cities throughout the North and South America, Europe, and Asia such as the 2022 Contrasts International Contemporary Music Festival, the International Review of Composers (Serbia), the EurAsia International Music Festival (Yekaternburg Russia), the International Festival of Modern Art: Two Days and Two Nights of New Music, the International Kiev Music Fest, and many others; his music has been performed by Lviv National Philharmonic Symphony Orchestra, Lugansk Philharmonic, Chernivtsi Philharmonic, Uzhgorod Philharmonic with chorus, Opera Hong Kong Chorus with Hong Kong Chamber Orchestra, Orlando Contemporary Chamber Orchestra (U.S.), etc. His music is exclusively published by Donemus (Netherland) and Universal Edition (Austria), other publishers including Babelscores (France), Edizioni Sconfinarte (Italy), Scherzo Editions (Portugal), Zimbel Press (U.S.), Da Vinci Edition (Japan); most of his recordings are exclusively available at Donemus Records, and other labels include Phasma Music, Ablaze, Albany and Zimbel Records as well as Association New Music (Ukraine).
Yu earned a BM degree from Baylor University in 2004, studying piano performance with renowned pianist Krassimira Jordan of the Russian piano school. In 2010, he earned a PhD in composition and music theory with the support of a full postgraduate research assistantship at Hong Kong Baptist University. He also studied composition with stipendium at the International Summer Academy Mozarteum Salzburg with a diploma in Austria in 2007 and holds Fellowship in composition from Trinity College of London; since 2007 he has received various awards and honors from different organizations including ASCAPlus awards, Sir Edward Youde Memorial Fellowship, and the 2014 Newly Published Music Competition Honorable Mention (U.S.), "Surrealistic Soundscapes" (2012)-Best Contemporary Classical Album" of the Clouzine International Music Awards.
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I love to play piano when music is surrounded by the paintings. Museum visit and spontaneous playing.
#funnymoments #orangemuseum
Sunset Piano Music – “Living along the line of nature”
Der Übergang vom Tag in die Nacht mit einem einfachen Ritual begehen. Mit langsam fließender, leiser Klaviermusik am Tagesende verliert sich die Hektik des Alltags. Der Abstand zum Tagesgeschehen schafft Freiräume. Die Gedanken fangen an zu schweifen und die Phantasie kehrt zurück.
Während früher mit dem Verschwinden des Sonnenlichts die Tagesaktivitäten am Abend automatisch zum Stillstand kamen, sind wir heute oftmals bis kurz vor dem Einschlafen aktiv.
Die einstündige Sunset Hour mit meditativer Klaviermusik
gibt dem Abend seine natürliche Bedeutung zurück. Das Hören der wohltuenden Klänge, das bewußte Sehen des farbenprächtigen Sonnenuntergangs (Videoprojektion) verbunden mit dem Genießen eines Sundowners (optional) schärft die Sinne für ein nachhaltiges Leben im Einklang mit der Natur.
#SunsetHour
#PianoEvent
#MunichMusic
#LiveMusicMunich
#PianoConcert
#MunichEvents
#Klavierkonzert
#MunichSunset
#MusicInMunich
#KlavierMünchen
Anton about his music: "In October 2012 I visited Rachmaninoffs grave. He is buried at Kensico Cemetery in the hamlet of Valhalla, half an hours ride from New York City. The cemetery is surrounded by picturesque mountains, well-tended houses, manicured lawns, and idyllic lakes and streams. Rachmaninoff is buried among actors, writers, politicians, military personnel, and business people, together with 'ordinary mortals' from all over the world Americans, Russians, Estonians, Chinese people ... A great musician who heard the universe as a powerful, boundless space resounding with the sounds of bells at once both tragic and triumphant, Rachmaninoff left Russia and became a part of a completely different world ... As I stood at his grave, I found this space resonating within me. When I returned home, I began writing a piano cycle. In this cycle, Rachmaninoff writes letters to postmodern composers. Rachmaninoff himself was an anti-modernist. He was not a revolutionary, was never 'ahead of his time', and was unafraid of looking old-fashioned. At first glance, it would seem that he bore no influence on late 20th/early 21st century composers. Nonetheless, his invisible, magical presence can in fact be heard in the music of some composers, including so-called 'contemporary classical' composers and rock musicians. Likewise when I hear Rachmaninoffs endless melodies that evolve from a very short motive of literally two or three notes, the word 'minimalism' all but rolls off my tongue. However, these connections are so subtle and not readily apparent that I wouldn't want to deaden them by invoking musicological terms. Rachmaninoff thus speaks to the composers that would come after him. Among composers of his time, he did not find a receptive audience unsurprising, perhaps, given the avant-garde experiments consuming the musical world at the time. The generation that followed Rachmaninoff essentially continued along the avant-garde path. However, Rachmaninoff looked even further ahead, taking sight of those with whom he desired to speak heart-to-heart. We have long been accustomed to the fact that both early music and classical music are used as the building materials for new compositions. Time runs quickly, and we are already at the next turn of the spiral. Music written only a short while ago becomes itself material for todays meditation. In this process, there are no quotations; there are only stylistic journeys in a time machine. The turns of this spiral resonate with one another, and we listen to the sounds they make." - Anton Batagov, Translated by William Quillen and Anton Batagov.
Listen to the full recording here: youtube.com/watch?v=wpA0BvG7cXM&list=OLAK5uy_mjkC22euQen04V2ucvtDAwX9EjKOCXa2Q
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Set against the backdrop of Italy's historic charm, we had the incredible opportunity to film in one of the magnificent old villas in San Remo.The feeling of timeless elegance and the beauty.
The music featured in this video comes from the baroque time period, renowned for its intricate melodies and ornate compositions.
Prepare to be swept away by the enchanting sounds that will transport you to a bygone era, evoking emotions and stirring your soul.
Anna Heller about the concept: "Japanese writer Murakami in his book “Killing Commendatore” taught me one simple concept of happiness. The protagonist is depressed and decides to retreat and think about his life as he has lost touch with the time. Here are his thoughts: “We need to be friends with the time. If you are not friends with the time, you are drowning in the past and live the past glory of your life enjoying the memories that tend to be distorted. "
If you are friends with the time, you live with the time that you have and you live in now and here. “
Why do we need to stay in touch with the time? It makes our life more interesting, when we are more zeitgeisty, timely, more “up-to-date”, more fresh. It gives us energy and inspiration. It teaches us to love the time. If we say “I do not have time”, “time flies”, “time is working against me”, in the long run, you do not have time to live. If you are friends with the time, you can stretch the time or shorten it by being in a flow. This video is about the relativity of time. "
#MusicVideo #ComingSoon #ViscontiFilms #JapaneseShadeTheater #BaroqueMusic #Italy #OldVillas #ArtisticFusion #CinematicExperience #MusicalJourney #HelmutBerger #SanRemo
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movingclassics.tv/classicpeople/owen-david
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Alla Pavlova has written a number of compositions for orchestra, including eleven symphonies and the ballet Sulamith (2003–2005), based on the 1908 story by Russian writer Alexandre Kuprin about the love of King Solomon for Sulamith, a servant from his vineyard. She is also the composer of numerous instrumental and vocal works that have been performed in the United States, Europe, Canada, Japan, India, Australia, and New Zealand. Ensembles that have performed and recorded her work include the Moscow Symphony, Tokyo Symphony, the Tchaikovsky Symphony Orchestra of Moscow Radio, International Symphony Orchestra "Globalis", Melbourne Musicians Orchestra, the Moscow Philharmonic, West Virginia University Orchestra, the Lithuanian State Symphony, Kostroma Symphony, Russian Philharmonia, String Orchestra of the Rockies (University of Montana), Lithuanian Chamber Orchestra, Toledo Symphony Orchestra, Richmond County Orchestra, Krasnoyarsk Philharmonic, North/South Consonance, Willoughby Symphony Orchestra, and more.
Soloists who have performed her music include violinists Sergei Krylov, Yury Revich, and Ivana Tomaskova, Michail Shestakov, Yaroslav Krasnikov, and Maria Lindsay, pianists Andrei Korobeinikov, Rostislav Krimer and Leonid Mararevich, saxophonists Aleksey Volkov and Michail Poroshin, trumpeter Georgy Pleskach, Bolshoi Theatre soprano Elena Zimenkova and mezzo Svetlana Belokon and flutists Leonid Lebedev and Nikolay Lotakov, and more outstanding performers. Her works have been led by conductors that have included Vladimir Fedoseyev, Alexander Vedernikov, Konstantin Krimets, Vladimir Ziva, Rossen Milanov, Tomomi Nishimoto, Gintaras Rinkevicius, Vladimir Lande, Pavel Gershtein, Sarah Penicka-Smith, Frank Pam, David Tang, and Max Lifchitz.
She has also worked with the Irish National Youth Ballet, which produced The Princess Iolanthe (2015), based on the same libretto as Tchaikovsky’s opera Iolanta, and has recently completed music for the ballet Thumbelina, based on Hans Christian Andersen’s fairytale.
Her works combine classical, romantic and contemporary styles, and sometimes include elements from gospel and popular genres.
Since 1990 Alla has lived in New York and is a member of New York Women Composers, Inc., and a member of ASCAP. During the years 1995–2000 Alla worked as a piano instructor at 92 Y School of Music in NYC.
Recordings of her work are available on the Naxos and Albany labels. Her music is regularly broadcast internationally and can be heard on such outlets as the BBC, Houston Public Media, Spotify, iTunes, WWFM in Albany, NY, Marvin Rosen's Classical Discoveries on WPRB in Princeton, NJ and Composers Voice podcast. Her website is at www.allapavlova.com.
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Read more about composer here: www.movingclassics.tv
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This work reflects the end of the day and the entrance of the night, loneliness for some, merriment for others, in the cold Peruvian winter nights, in the cities next to the Pacific Ocean or those that are in the Andes.
Juan Carlos Jimenez Salcedo studied piano at the José María Valle Riestra Superior School of Music in the city of Piura, and later studied musical composition at the Carlos Valderrama Regional Conservatory of the North in the city of Trujillo. He has studied with the composers: Fernando Fernández Muñoz (Peru), PhD. Daniel Rojas (Australia), Arthur Barboza (Brazil), he is also currently part of the Germina.Cciones project with the Italian teacher Luca Belcastro. JuanCarlos's works have been performed in Peru, Brazil, Venezuela, Costa Rica, Mexico, France and USA. His works include piano music, chamber music, and orchestral music. Since 2009 he has been working at the Conservatory of Music of the Peruvian Union University, and also conducts the university's orchestra. In addition he works at the Josafat Roel Pineda Conservatory of Lima. He is currently studying a master's degree in Music Composition and New Technologies with the International University of La Rioja (Spain)
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Read more about composer here: movingclassics.tv/classicpeople/krzystof-knittel
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🎵 Introducing "Crossing the Bridge" 🎵
🎹 Kris Lennox is hailed as one of the most intriguing contemporary composers in the UK who invites you to embark on a musical adventure where each note beckons you closer, revealing a world of contemplation.
🌉 Immerse yourself in a collection of melodies that mirror the fleeting thoughts that dance through our minds, disappearing into the vast expanse of emptiness. Just like the bridge that connects distant shores, this suite bridges the gap between musical styles, offering a unique fusion that captivates listeners from all walks of life. 🌌🎶
Read more about composer here: movingclassics.tv/classicpeople/krislennox
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Music score is available www.schott-music.com
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#berceuse #lullaby #lullabytosleep #lullabymusic #lullabypiano #annaheller #wiegenlied #twilightclassics #nocturne
Imagine a magical garden, hidden away from the hustle and bustle of the world, filled with mystical creatures and sparkling flowers. As you wander through the garden, you come across a piano nestled among the trees, its keys shining in the sunlight.
You can't resist the urge to sit down and play, and as your fingers dance across the keys, the garden comes alive with a symphony of sounds. The trees sway in time to the music, the flowers bloom and release their sweet fragrance, and the creatures of the garden come out to listen.
Maymi Kato's Secret Garden piano composition captures the essence of this magical place. Her music sparkles with enchantment and whimsy, taking you on a journey through this mystical garden. You can almost feel the soft breeze on your face and the warmth of the sun on your skin as you listen.
Close your eyes and let the music transport you to this fantasy world, where anything is possible and the magic of music fills the air.
Download PDF “Secret Garden” by Mayumi Kato with her compliments (free)
drive.google.com/file/d/1ozElWpsq7OIH8QbTr7nb-Qe29ydiYkry/view
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If you are curious to learn more about composer and read his interview, here is a link 👉en.wikipedia.org/wiki/T%C5%8Dru_Takemitsu
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If you are curious to learn more about composer and read her interview, here is a link 👉http://movingclassics.tv/classicpeople/alanna-crouch
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Take your time in the transition from day to night: with slowly flowing, quiet piano music and watching the sunset
The hour-long Sunset Hour, with pleasant light piano music, returns the evening to its natural meaning. Listening to the soothing sounds, consciously seeing the colorful sunset (video projection) sharpens the senses for a sustainable life in harmony with nature.
#pianist #pianoplaying #piano #pianomusic #pianocover #annaheller #movingclassics #movingclassicspiano #sunsethour #sunsetview #sunsetpiano #sunsetmusic #sunsetpainting #sunsetinspiration #sunsetphotography #sunsetocean #sunsetwater #sunsetview
If you are curious to learn more about composer and read his interview, here is a link 👉http://movingclassics.tv/classicpeople/olivier-marin
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If you are curious to learn more about composer and read his interview, here is a link 👉http://movingclassics.tv/classicpeople/graham-lynch
www.composersedition.com/grahamlynch
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Anna has collaborated with over 500 composers, exploring their music and sharing it with a worldwide audience through her various social media channels.
Moving Classics Facebook page has over 60 000 followers and Anna herself has over 35 000 followers on LinkedIn.
What does it take to be a content creator and bring new music online?
How to grow your social media channels and develop your online persona? How to connect with audience and music industry professionals?
Listen to the full episode to explore these subjects with Anna Heller. inclassics.com/links
🎙Classical Music Career Podcast:
inclassics.com/podcast
instagram.com/inclassicspodcast
👨🏻💻 We make websites for musicians:
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#annaheller #classicalmusic #pianist #pianoplaying #classicalmusiccareer
Melody lies at the very heart of the music Julian wishes to produce which is why he is
greatly impressed by the wonderful, innovative work that Anna Heller is doing to promote
new compositions for piano that fall within this category. Julian says he never imagined
that someone of Anna’s musical stature would ever wish to perform one of his
compositions so it is a real thrill for him that Anna is performing his piece, Shades Beyond.
Unlike the majority of Julian’s compositions which have been inspired by a person, family
pet or a place, Shades Beyond is more abstract. Influenced by Julian’s love of the works of
classical composers such as Mozart and Chopin, the work is more concept-based. It
reflects the composer’s thoughts about entering into unknown situations and gaining an
initial impression, then to find that there are shades beyond what one experienced at first
glance.
If you are curious to learn more about composer and read his interview, here is a link 👉http://movingclassics.tv/classicpeople/julian-marczak
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Anna has collaborated with over 500 composers, exploring their music and sharing it with a worldwide audience through her various social media channels.
Moving Classics Facebook page has over 60 000 followers and Anna herself has over 35 000 followers on LinkedIn.
What does it take to be a content creator and bring new music online?
How to grow your social media channels and develop your online persona? How to connect with audience and music industry professionals?
Listen to the full episode to explore these subjects with Anna Heller. inclassics.com/links
🎙Classical Music Career Podcast:
inclassics.com/podcast
instagram.com/inclassicspodcast
👨🏻💻 We make websites for musicians:
inclassics.com
instagram.com/inclassicsweb
facebook.com/inclassicsweb
Arranged for piano solo by José-Daniel Martínez. May, 2017. Original music by the Coldplay Band featured in their year 2000 Album Parachutes. If you are curious about Jose Daniel, please read more about him in his interview to Moving Classics. http://movingclassics.tv/classicpeople/jose-daniel-martinez
José-Daniel Martínez about his arrangement: "This song was conceived for a typical rock band in which the keyboard works as an harmonic instrument rather than soloist and the melodic line follows the natural rhythm of the English language. A version for solo piano of Coldplay's Yellow must ideally combine in practical fashion what lead guitar, bass guitar, keyboard, and voice do together. This arrangement is what I came up with when a friend asked me to play Yellow at his wedding. I transposed from the original B major key up to F major, which allows for a clearer texture at moments when the repeated chords get thick. The new key would be too high for Coldplay's lead singer Chris Martin's voice, but my version is not intended to be sung. There are several videos of the song in the internet - original and covers - where the singing voice stylistically floats over the accompaniment. Therefor the length of some notes, especially at the end of verses, may not coincide with the version known to the reader. Chris Martin versions have different note lengths depending on the occasion and on his inspiration at the time the recordings were made.
I shortened the Intro and one of the interludes and gave these my own chord sequence, slightly different than the original."
@jose-daniel_martinez-miranda
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The first of a set of 6, minimal sketch nr.1, uses hypnotic and contemplative language to create a dormant emotional trance and a psychological statics unable to evolve. The empty fifths that accompany the entire composition symbolize the single modern thought deprived of individual identities. The melody, a representation of the single, tries to break the static with micro-variations but stumbles in the various accents changes. Finally, the accompaniment invades the terrain of the melody, engulfing it.
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If you are curious to learn more about composer and read her interview, here is a link 👉http://movingclassics.tv/classicpeople/dianna-neufeld
Sheet music will be soon published by EVC Music.
Dianna Neufeld has a Master’s in Music from the Brandon University,
specializing in Performance and Literature as a Collaborative Pianist. As a
private piano teacher and collaborative artist, she performs with a variety of
musicians, and is a composer who is published within Canada and Europe.
Dianna has enjoyed exploring musical creativity from an early age. She is
published within the Northern Lights CNCM Piano Repertoire books, a
graded educational series in Canada that features primarily Canadian
composers. She additionally writes duets, solos and chamber works for
students of all levels around the globe. A highlight is working with
musicians of all ages at summer music camps within Canada and Europe,
encouraging student creativity, composition and collaboration.
As the President of the Manitoba Registered Music Teachers Association
of the Brandon and Westman Branch, Dianna works together with local
private teachers to encourage and support the future of the musical
community, supporting events which feature Canadian Music and
Canadian musicians. This interest has naturally moved her into the
position as administrator for The Eckhardt-Gramatté National Music
Competition, which is for the performance of Canadian and contemporary
music, a memorial to composer, pianist, and violinist S.C. (Sophie)
Eckhardt-Gramatté. She feels incredibly fortunate to enjoy all aspects of
her musical life and work.
diannaneufeld.com
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If you want to learn it or play it yourself, here is a link 👉 fatfreecartpro.com/i/1145w?card
If you are curious to learn more about composer and read his interview, here is a link 👉http://movingclassics.tv/classicpeople/frederick-viner
Born in Tunbridge Wells in 1994, Frederick Viner studied composition at the University of York (BA 2016) and at the University of Oxford (MSt 2017). Having recently completed his tenure as Eton College Composer in Residence, he is now studying towards a PhD at the University of York as a WRoCAH scholar.
Viner’s music has received many accolades. In 2015, whilst an undergraduate at the University of York, his Bagatelle won the Ebor Organ Prize and was published by Banks in the Ebor Organ Album – Seven Pieces for Seven Decades. In 2016 Viner was awarded first prize in the Royal Northern Sinfonia’s Mozart’s of Tomorrow competition for Sleeping Gomatz, which the judging panel described as ‘ravishing’ and ‘constantly engaging’.
After graduating from York with distinction, he was appointed Artist in Residence with Sage Gateshead’s Young Sinfonia and was also commissioned to write the closing piece for the Brundibár Arts Festival. In 2017, during his time in Oxford, Viner won first prize in William Howard’s Love Song Composing Competition with Herz an Herz, chosen from 152 compositions submitted anonymously from 61 countries. In 2017 he was also awarded The Henfrey Composition Prize for Bells Wrung, as well as the prestigious National Centre for Early Music Young Composers Award for Prayer from Afar, which was performed at Bridgewater Hall by the Tallis Scholars and broadcast on BBC Radio 3.
In 2018 he was commissioned by Choir & Organ Magazine, Orchestra for the Earth, Borough New Music, Northern Praeclassica and pianist Jakob Fichert. In 2019 his music was performed by the Royal Tunbridge Wells Symphony Orchestra, the Chapel Choir of Selwyn College, the Gromoglasova Piano Duo and internationally renowned organist David Goode. In 2020 he was awarded the STR Music Composition Prize (sponsored by Sean Rourke) for his piece The Annunciation, as well as the LeFanu Composition Prize for his Etude I: Mirie it is.
Between 2020-21, his recent piano work ‘Something She’d Like’ was performed worldwide – in the UK, Germany, Turkey, Austria and Thailand – by world-class pianists including Paul Barton and Vadim Chaimovich.
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I was inspired by the Monday snow and was in a mood to play this piece just for myself. I often play it in my "Classics for Senses" piano recital program.
I love the thoughtfulness and melancholy of the melody.
Enjoy!
#annaheller #movingclassics #peacefulmusic
If you are curious to learn more about composer and read his interview, here is a link 👉http://movingclassics.tv/classicpeople/grigor-iliev
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If you are curious to learn more about composer and read his interview, here is a link 👉movingclassics.tv/classicpeople/daron-hagen
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It is a collection of cool Christmas arrangements for solo piano. Covering a variety of styles, from jazz to classical, the music brings some cool vibes to some of the best known carols. You can get the scores here: musicroom.com/star-of-wonder-piano-solo-ferr9790708147800?returnurl=%2fsearch%3fq%3djames%2bwelburn
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If you want to learn it or play it yourself, here is a link
👉https://austin-s-sheet-music-store.sellfy.store/p/deep-breaths/
If you are curious to learn more about composer and read his interview, here is a link
👉movingclassics.tv/classicpeople/austin-farwell
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Read more about composer here: movingclassics.tv/classicpeople/krislennox
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Composer in conversation about his piece: "This piece can be thought of as a conversation, or argument, between hope and hopelessness following a loss, with the middle part representing the happy memories also wanting to have their say to not be forgotten.
I am indebted to C.B.R. who suggested adding a contrasting middle section. Thank you."
Read more about the composer here: 👉 movingclassics.tv/classicpeople/niklas-fischer
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Read more about the composer here: 👉 movingclassics.tv/classicpeople/bastiaan-van-beek
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The Prélude draws large improvised arpeggios introducing a Byzantine-inspired theme, the same as that used in the finale of Naji Hakim's Organ Concerto No. 5, https://www.youtube.com/watch?v=4uRVr..., this time as an evocation of a submerged past or a land that was. Image is a variation in bicinium on Ched el Hizam, a popular song by Sheikh Sayyed Darwish, father of Egyptian music. Hommage expressively harmonizes, in a piano wrapped in pedal, an ornamental line in perpetuum mobile of sixteenth notes. The Postlude is a happy, varied rondo on El Bahr Beyedhak, another song by Darwish.
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The son of two Jewish holocaust survivors, composer and arranger Stanley M. Hoffman’s motto is “Eyes on the stars, feet planted firmly on the ground.” Just as Stravinsky composed some 12-tone music, he does not believe that composers should limit themselves in this regard. Currently attempting his first entrepreneurial effort with a fine arts organization, Dr Hoffman’s unique musical voice can be heard in his compositions no matter which musical language he employs.
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Inspired by the musical landscapes of Ravel, Steve Reich, Abdullah Ibrahim and Foday Musa Suso, Lola Perrin has developed a unique sound world described by John Eyles as "holding the audience spellbound”. When reviewing her published books, Piano Magazine wrote “Someone could have a big success with these suites. I’ll happily send the scores to someone truly interested”.
Read more about the composer here: movingclassics.tv/classicpeople/lola-perrin
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Discover more exciting modern piano music with Moving Classics TV.
👉Spotify: open.spotify.com/artist/4MxPiZU2NzBmZ78mnPx3qq?si=XK6K8mjOQg21ivMhCj5biA
👉Facebook: facebook.com/movingclassicstv
👉Webpage: movingclassics.tv
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👉LinkedIn: linkedin.com/in/anna-heller-pianist
If you like my videos, please consider becoming a Patron to support video production:
👉patreon.com/annaheller
👉paypal.com/paypalme/annasutyaginapiano
👉buymeacoffee.com/movingclassics
Learn to play piano, or improve your skills with Flowkey!
👉go.flowkey.com/movingclassics
#movingclassics #modernpianomusic #annaheller #movingclassicspiano


