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The MET Live in HD 2019: Die Walkure - Ride of the Valkyries
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In Act I, Queen of the Night has sent the Three Ladies to Tamino, asking him for help: to save her daughter Pamina from the evil Sarastro. They show him Pamina's photo, and Tamino is instantly in love......
在第一幕,夜之女王的三個侍女來到他米奴王子面前,轉達女王的懇求 – 請他米奴從邪惡的薩拉斯妥手中救出她的女兒帕蜜娜。他們給他米奴一幅帕蜜娜的照片,他米奴一見鍾情...
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In the beginning of Act II, the insatiable Giovanni finds his next target: Donna Elvira’s maid. He sings a serenade to attract her to come to him. Listen to Baritone Peter Mattei performing this famous aria “Deh, vieni alla finestra”.
在第二幕,貪得無厭的喬望尼找到他的下一個目標,就是愛維娜的侍女。他在屋外唱著小夜曲,誘惑她來到他身邊。在這個短片中,大家一同欣賞男中音Peter Mattei傾情演繹這首著名樂曲《請到窗邊來》。
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Tony Award–winning director of Broadway’s A View from the Bridge and West Side Story, Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.
東尼獎得主、百老匯名劇《橋頭風景》和《西區故事》的導演伊沃.馮.霍夫將以這部的莫札特悲喜劇首次為大都會歌劇院擔任舞台製作。他將這個耳熟能詳關於欺騙與報應的故事放置於抽象建築佈景中,讓觀眾重新認識故事中的人物黑暗一面。娜塔莉.斯塔茨曼帶著群星薈萃的演員陣容初登大都會歌劇院舞台。主演男中音彼得.馬泰飾演風流倜儻的唐.喬望尼。亞當.普拉赫特卡飾萊波雷洛。女高音費德麗卡.輪巴、安娜.瑪利亞.馬第尼斯和方穎分別飾演安娜,艾薇拉和采琳娜。男高音本.布利斯飾唐.奧塔維奧。
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Troubled by Benny "Kid" Paret's insults, Emile (Ryan Speedo Green) is not able to focus during the match. Emile's trainer Howie shouts at him and tells him to use the frustration as a weapon in the match rather than letting it bother him. Ultimately, Emile wins the match, delivering seventeen blows to Paret and puts him into a coma.
被本尼.帕雷特的嘲諷困擾的埃米爾在拳台上落於下風。埃米爾的教練豪伊斥責他,勸他將怒火化為武器。埃米爾最終贏下比賽,擊打了帕雷特17拳,使帕雷特陷入昏迷。
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Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021–22. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo- soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin takes the podium for Blanchard’s second Met premiere, also reuniting the director-and-choreographer team of James Robinson and Camille A. Brown.
*Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.
六度獲格萊美獎的作曲家泰倫斯.布蘭查德在2021-22季度《焚燒的火困在我骨中》首演大獲成功後,將其首作歌劇帶上大都會歌劇院的舞臺。低音男中音萊恩.斯比多.格林飾演從寂寂無名到成為世界冠軍的青年拳擊手埃米爾.格里菲斯。低音男中音埃裡克.歐文斯飾演為自己的過往所困的老年格里菲斯。女高音拉特尼亞.莫爾飾演長期與格里菲斯疏離的母親伊梅爾達.格里菲斯。女中音史蒂芬妮.布萊斯飾演酒吧老闆凱蒂.哈根。雅尼克.尼澤-塞甘第二次指揮布蘭查德在大都會歌劇院的作品首演,並與導演詹姆斯.羅賓森及編舞家卡米爾.A.布朗再度攜手製作。
*本劇涉及成人情節及不雅用語。
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One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.
這部最受歌劇界鍾愛的作品19年來首次以新製作登上大都會歌劇院舞台,這齣著名英國導演西蒙.麥克伯尼的破格之作被《華爾街日報》譽為「所有莫札特劇目中的最佳製作」。娜塔莉.斯塔茨曼擔任指揮,在這次製作中,樂池將被抬升,讓觀眾能看見樂團之餘,更可一窺演員與樂團之間的互動。此外,麥克伯尼運用了一系列戲劇化的表現手法,結合投影、聲效和雜技,展現莫札特故事中的恢弘和跌宕。本次陣容星光熠熠,分別有飾演帕米娜的女高音愛琳.莫莉﹑飾演塔米諾的男高音勞倫斯.布朗李﹑首次登上大都會舞臺飾演帕帕基諾的男中音湯瑪斯.奧勒曼斯﹑飾演夜之女王的女高音凱薩琳.萊維克,以及飾演薩拉斯托的男低音斯蒂芬.米林。
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In Act III, Falstaff arrives at Windsor Park, ready for his rendezvous with Alice. However instead of Alice, it is the Queen of the Fairies who appears, demanding the fairies to dance together...
在第三幕,法斯塔夫來到溫莎公園,準備他與愛麗絲的約會。然而出現的卻是精靈女王,命令精靈們一同共舞...
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Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park, Ailyn Pérez, and Jennifer Johnson Cano, mezzo-soprano Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman.
威爾第的這部歌劇改編自莎士比亞的戲劇。男中音邁克爾.沃爾在劇中飾演不體面的騎士福斯塔夫,承受著三個聰明女人的折磨,最後遭受應得的報應。丹尼爾.魯斯蒂奧尼擔任指揮,另有女高音朴慧星、愛琳.佩里斯、詹妮弗.詹森.查諾,女中音瑪麗-妮可.勒米厄,男高音柏格丹.沃爾科夫和男中音克里斯多夫.瑪律特曼加盟,陣容強大。
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Tony Award–winning director of Broadway’s A View from the Bridge and West Side Story, Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.
東尼獎得主、百老匯名劇《橋頭風景》和《西區故事》的導演伊沃.馮.霍夫將以這部的莫札特悲喜劇首次為大都會歌劇院擔任舞台製作。他將這個耳熟能詳關於欺騙與報應的故事放置於抽象建築佈景中,讓觀眾重新認識故事中的人物黑暗一面。娜塔莉.斯塔茨曼帶著群星薈萃的演員陣容初登大都會歌劇院舞台。主演男中音彼得.馬泰飾演風流倜儻的唐.喬望尼。亞當.普拉赫特卡飾萊波雷洛。女高音費德麗卡.輪巴、安娜.瑪利亞.馬第尼斯和方穎分別飾演安娜,艾薇拉和采琳娜。男高音本.布利斯飾唐.奧塔維奧。
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In Act I, young Emile Griffith just arrived New York. He has a dream that he would be a singer, a baseball player, and a hat designer. But fate has other plans for him, and he did not pursue any of these careers, but instead became a boxer...
在第一幕,年輕的埃米爾.格里菲斯千里迢迢來到紐約。他的夢想是成為一個歌手,棒球運動員,和帽子設計師。然而命運另有安排,埃米爾並沒有追求自己的夢想,反而成為了拳擊手...
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Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021–22. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo- soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin takes the podium for Blanchard’s second Met premiere, also reuniting the director-and-choreographer team of James Robinson and Camille A. Brown.
*Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.
六度獲格萊美獎的作曲家泰倫斯.布蘭查德在2021-22季度《焚燒的火困在我骨中》首演大獲成功後,將其首作歌劇帶上大都會歌劇院的舞臺。低音男中音萊恩.斯比多.格林飾演從寂寂無名到成為世界冠軍的青年拳擊手埃米爾.格里菲斯。低音男中音埃裡克.歐文斯飾演為自己的過往所困的老年格里菲斯。女高音拉特尼亞.莫爾飾演長期與格里菲斯疏離的母親伊梅爾達.格里菲斯。女中音史蒂芬妮.布萊斯飾演酒吧老闆凱蒂.哈根。雅尼克.尼澤-塞甘第二次指揮布蘭查德在大都會歌劇院的作品首演,並與導演詹姆斯.羅賓森及編舞家卡米爾.A.布朗再度攜手製作。
*本劇涉及成人情節及不雅用語。
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In Act III, Fedora realizes her letter to the chief of police has led to the deaths of her lover Loris's brother and mother. Fedora prays to God not to save her, but save her beloved.
在第三幕中,費朵拉得知自己寫給警察首腦的信簡直造成了愛人洛裡斯的弟弟及母親的死亡。她向上帝禱告不要保佑自己,但一定要保佑她的情人。
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Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidant, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
闊別25年後,翁貝托.喬爾達諾這部扣人心弦的歌劇終於再度回歸大都會歌劇院舞臺。《費朵拉》有不少觀眾耳熟能詳的旋律、大受歡迎的詠歎調、以及充滿火藥味的戲劇對抗,這次大都會歌劇院的新製作由強大的演員陣容攜手合作,將向觀眾呈現最精采的表演。主演女高音頌雅.詠切娃所飾演的19世紀俄國公主,與殺害自己未婚夫的兇手洛裡斯伯爵(男高音皮奧特.白查瓦飾演)墜入愛河。女高音羅莎.費奧拉飾演費朵拉的密友、女伯爵奧爾加。阿爾圖.盧辛斯基飾演外交官德.西裡克斯。馬克.阿米利亞托擔任指揮。導演大衛.麥克維卡設計的固定佈景獨具匠心,將劇中的三個截然不同的場景如俄羅斯套娃般一一向觀眾展現,包括聖彼德堡的宮殿,巴黎的時尚沙龍和瑞士阿爾比斯山間風景如畫的莊園,將舞臺戲劇張力細緻呈現。
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At the finale of The Hours, Clarissa, Laura and Virginia met in a space that transcends place and time. They are astonished that they are not alone all along, and have influenced by others in ways that cannot be explained.
在《時時刻刻》的最後一幕,克拉麗莎、蘿拉、及維吉尼亞在一個超越時間和空間的地方相遇,發現原來她們其實並不孤單,並一直以無法解釋的方式影響著互相的人生。
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Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
芮妮.弗萊明在萬眾期待中回歸大都會歌劇院的舞臺,參與歌劇《時時刻刻》的全球首演。這部歌劇是普利策獎得主作曲家凱文.普特的作品,改編自邁克爾.康寧翰所寫的著名同名小說。故事靈感源自吳爾芙的《黛洛維夫人》並曾改編成電影,由梅麗.史翠普、茱莉安.摩亞和妮可.基嫚主演,問鼎2002年奧斯卡。它講述了三位女性震撼人心的故事,她們分別來自不同時代,但都飽受自己的心魔和社會角色所困擾。這次令人震撼的首演星光熠熠:攜手飾演本劇的三位女主角包括凱麗.奧哈拉﹑喬伊絲.迪多納托與弗萊明。本劇由費利姆.麥德莫執導,大都會歌劇院音樂總監雅尼克.尼澤-塞甘指揮,詮釋普特渾厚有力的樂章。
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In Act II, Octavian (Samantha Hankey) arrives Faninal's residence and presents the silver rose to Sophie (Erin Morley). Unknown to them, a romance is blossoming at this moment....
在第二幕,奧克塔文到達法尼納爾家宅,並向蘇菲送上銀玫瑰。兩個年輕人沒有為意,一段戀情正在萌生...
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A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Samantha Hankey as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Günther Groissböck returns as the churlish Baron Ochs, and Markus Brück is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siècle staging.
史特勞斯的這部維也納喜劇是一部鴻篇巨製,陣容鼎盛夢幻。女高音麗莎.戴維森飾演日漸老去的元帥夫人。女中音伊薩曼莎.漢基反串演出,演唱她的情人奧克塔維安。女高音愛琳.莫莉飾演讓奧克塔維安一見鍾情的年輕女子蘇菲。男低音貢特爾.格羅斯伯克再度飾演粗魯的奧克斯男爵。馬庫斯.布魯克飾蘇菲的富豪父親法尼納爾。西蒙娜.楊擔任指揮,完美呈現羅伯特.卡森以上世紀初為時代背景的宏大製作。
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Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021–22. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo- soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin takes the podium for Blanchard’s second Met premiere, also reuniting the director-and-choreographer team of James Robinson and Camille A. Brown.
*Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.
六度獲格萊美獎的作曲家泰倫斯.布蘭查德在2021-22季度《焚燒的火困在我骨中》首演大獲成功後,將其首作歌劇帶上大都會歌劇院的舞臺。低音男中音萊恩.斯比多.格林飾演從寂寂無名到成為世界冠軍的青年拳擊手埃米爾.格里菲斯。低音男中音埃裡克.歐文斯飾演為自己的過往所困的老年格里菲斯。女高音拉特尼亞.莫爾飾演長期與格里菲斯疏離的母親伊梅爾達.格里菲斯。女中音史蒂芬妮.布萊斯飾演酒吧老闆凱蒂.哈根。雅尼克.尼澤-塞甘第二次指揮布蘭查德在大都會歌劇院的作品首演,並與導演詹姆斯.羅賓森及編舞家卡米爾.A.布朗再度攜手製作。
*本劇涉及成人情節及不雅用語。
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In Act II, Mistress Quickly (Marie-Nicole Lemieux) requests to see Sir Falstaff (Michael Volle). She tells him that after receiving his letter, Alice Ford is madly in love with him, and wishes him to know he can come to her home when her husband is out. Extremely flattered, Falstaff is ready for a rendezvous.
在第二幕,逵克雷夫人求見法斯塔夫爵士。她代愛麗絲感謝法斯塔夫的來信,並告知他愛麗絲瘋狂地迷戀他,更邀請他在丈夫外出時探訪她的家。法斯塔夫沾沾自喜,開始準備與愛麗絲的幽會。
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Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park, Ailyn Pérez, and Jennifer Johnson Cano, mezzo-soprano Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman.
威爾第的這部歌劇改編自莎士比亞的戲劇。男中音邁克爾.沃爾在劇中飾演不體面的騎士福斯塔夫,承受著三個聰明女人的折磨,最後遭受應得的報應。丹尼爾.魯斯蒂奧尼擔任指揮,另有女高音朴慧星、愛琳.佩里斯、詹妮弗.詹森.查諾,女中音瑪麗-妮可.勒米厄,男高音柏格丹.沃爾科夫和男中音克里斯多夫.瑪律特曼加盟,陣容強大。
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A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Samantha Hankey as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Günther Groissböck returns as the churlish Baron Ochs, and Markus Brück is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siècle staging.
史特勞斯的這部維也納喜劇是一部鴻篇巨製,陣容鼎盛夢幻。女高音麗莎.戴維森飾演日漸老去的元帥夫人。女中音伊薩曼莎.漢基反串演出,演唱她的情人奧克塔維安。女高音愛琳.莫莉飾演讓奧克塔維安一見鍾情的年輕女子蘇菲。男低音貢特爾.格羅斯伯克再度飾演粗魯的奧克斯男爵。馬庫斯.布魯克飾蘇菲的富豪父親法尼納爾。西蒙娜.楊擔任指揮,完美呈現羅伯特.卡森以上世紀初為時代背景的宏大製作。
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Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park, Ailyn Pérez, and Jennifer Johnson Cano, mezzo-soprano Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman.
威爾第的這部歌劇改編自莎士比亞的戲劇。男中音邁克爾.沃爾在劇中飾演不體面的騎士福斯塔夫,承受著三個聰明女人的折磨,最後遭受應得的報應。丹尼爾.魯斯蒂奧尼擔任指揮,另有女高音朴慧星、愛琳.佩里斯、詹妮弗.詹森.查諾,女中音瑪麗-妮可.勒米厄,男高音柏格丹.沃爾科夫和男中音克里斯多夫.瑪律特曼加盟,陣容強大。
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In Act I, Elsa is accused of murdering her brother to become the Duchess of Brabant. As the King declares the matter to be resolved by trial by combat, Elsa describes a knight she has seen in her dreams, and claimed that he shall be her champion.
在第一幕,艾爾莎被指控謀殺自己的弟弟,以繼承布拉班特王朝公爵之位。國王海因裡希宣布此事須由比武審判解決,並詢問艾爾莎將由誰人代表進行決鬥。艾爾莎回答,在夢中曾見過一名騎士,並深信他將會現身來保護她。
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Wagner’s soaring masterpiece makes its triumphant return to the Met stage after 17 years. In a sequel to his revelatory production of Parsifal, director François Girard unveils an atmospheric staging that once again weds his striking visual style and keen dramatic insight to Wagner’s breathtaking music, with Music Director Yannick Nézet-Séguin on the podium to conduct a supreme cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud, who seeks to lay her low. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.
闊別大都會歌劇院舞臺17年後,華格納的這部巔峰之作於今個樂季華麗回歸。導演弗朗索瓦.傑拉德視此為其2013年《帕西法爾》的續作,再次將令人驚豔的視覺風格帶到舞台,並與華格納攝人心魄的樂曲完美融合,營造強烈而充滿戲劇張力的氛圍。音樂總監雅尼克.尼澤-塞甘擔任指揮,帶領豪華陣容:男高音皮奧特.白查瓦主演神秘的天鵝騎士,女高音塔瑪拉.威爾遜飾演被誣陷殺人的善良女公爵艾爾莎。女高音克裡斯丁.格克飾演詭計多端的女巫奧特魯。低男中音葉夫根尼.尼基京飾奧特魯額丈夫、野心勃勃的特拉蒙德。男低音貢特爾.格羅斯伯克飾國王海因裡希。
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Haunted by her inner demons, Laura (Kelli O'Hara) is thinking about finding a way out of her life, which she has always felt wrong in the first place. Ultimately, she decided to read Mrs. Dalloway which she often sought comfort in, conjuring up Virginia, who is seen approaching the river......
飽受心魔折磨的勞拉(Kelli O'Hara飾演)正在思考是否自盡以求解脫這個讓她過得痛苦的生活。最後,她決定放下藥丸,執起一直是她的心靈寄託的《戴洛維夫人》。同時,維吉尼亞出現並正向河邊靠近......
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Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
芮妮.弗萊明在萬眾期待中回歸大都會歌劇院的舞臺,參與歌劇《時時刻刻》的全球首演。這部歌劇是普利策獎得主作曲家凱文.普特的作品,改編自邁克爾.康寧翰所寫的著名同名小說。故事靈感源自吳爾芙的《黛洛維夫人》並曾改編成電影,由梅麗.史翠普、茱莉安.摩亞和妮可.基嫚主演,問鼎2002年奧斯卡。它講述了三位女性震撼人心的故事,她們分別來自不同時代,但都飽受自己的心魔和社會角色所困擾。這次令人震撼的首演星光熠熠:攜手飾演本劇的三位女主角包括凱麗.奧哈拉﹑喬伊絲.迪多納托與弗萊明。本劇由費利姆.麥德莫執導,大都會歌劇院音樂總監雅尼克.尼澤-塞甘指揮,詮釋普特渾厚有力的樂章。
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In this video, Nadine Sierra and Stephen Costello perform one of the most famous arias of the operatic repertoire – La Traviata’s Brindisi. From the Three Tenors to Heineken adverts, you will instantly recognize the music!
在這段影片中,女高音Nadine Sierra及男高音Stephen Costello一同演唱《茶花女》經典詠嘆調── 飲酒歌。無論是三大男高音的演出或是喜力啤酒啤酒的廣告,你都一定認得這首曲目!
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Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centred lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium.
這部備受喜愛的威爾第悲劇由邁克爾.梅爾傾情執導製作,女高音納丁.塞拉主演被視為歌劇中的終極女主角之一,犧牲自我的交際花維奧妮;男高音斯蒂芬.科斯特羅飾演維奧妮的情人阿爾費雷多;男中音盧卡.薩爾西飾演反對這段關係的阿爾費雷多父親;達尼埃萊.卡勒加里擔任指揮。
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In Act I, Princess Fedora arrives and at her fiance Count Vladimir’s home. As she admires the decorations, she thinks of her fiancé and her anticipation to the marriage, little does she know that what happens next will change her fate…
在第一幕,費朵拉公主來到未婚夫弗拉迪米爾伯爵的府邸。正當她欣賞府邸的裝飾陳設時,費朵拉滿心想著她的未婚夫,並期待著明天的婚事。然而接下來發生的事情,卻改寫了費朵拉的命運…
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Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidant, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
闊別25年後,翁貝托.喬爾達諾這部扣人心弦的歌劇終於再度回歸大都會歌劇院舞臺。《費朵拉》有不少觀眾耳熟能詳的旋律、大受歡迎的詠歎調、以及充滿火藥味的戲劇對抗,這次大都會歌劇院的新製作由強大的演員陣容攜手合作,將向觀眾呈現最精采的表演。主演女高音頌雅.詠切娃所飾演的19世紀俄國公主,與殺害自己未婚夫的兇手洛裡斯伯爵(男高音皮奧特.白查瓦飾演)墜入愛河。女高音羅莎.費奧拉飾演費朵拉的密友、女伯爵奧爾加。阿爾圖.盧辛斯基飾演外交官德.西裡克斯。馬克.阿米利亞托擔任指揮。導演大衛.麥克維卡設計的固定佈景獨具匠心,將劇中的三個截然不同的場景如俄羅斯套娃般一一向觀眾展現,包括聖彼德堡的宮殿,巴黎的時尚沙龍和瑞士阿爾比斯山間風景如畫的莊園,將舞臺戲劇張力細緻呈現。
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Wagner’s soaring masterpiece makes its triumphant return to the Met stage after 17 years. In a sequel to his revelatory production of Parsifal, director François Girard unveils an atmospheric staging that once again weds his striking visual style and keen dramatic insight to Wagner’s breathtaking music, with Music Director Yannick Nézet-Séguin on the podium to conduct a supreme cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud, who seeks to lay her low. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.
闊別大都會歌劇院舞臺17年後,華格納的這部巔峰之作於今個樂季華麗回歸。導演弗朗索瓦.傑拉德視此為其2013年《帕西法爾》的續作,再次將令人驚豔的視覺風格帶到舞台,並與華格納攝人心魄的樂曲完美融合,營造強烈而充滿戲劇張力的氛圍。音樂總監雅尼克.尼澤-塞甘擔任指揮,帶領豪華陣容:男高音皮奧特.白查瓦主演神秘的天鵝騎士,女高音塔瑪拉.威爾遜飾演被誣陷殺人的善良女公爵艾爾莎。女高音克裡斯丁.格克飾演詭計多端的女巫奧特魯。低男中音葉夫根尼.尼基京飾奧特魯額丈夫、野心勃勃的特拉蒙德。男低音貢特爾.格羅斯伯克飾國王海因裡希。
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It is the wedding day of Glauce, prince of Corinth and the hero Giasone. This should be a joyful day for the couple, but Glauce is worried: she knows that the sorceress Medea, Giasone’s past lover, is still in love with him, and Glauce is afraid that Medea will stop the wedding by any means.
在第一幕中,科林斯公主格勞斯及英雄伊阿宋正在為婚禮作準備。本應是普天同慶的日子,格勞斯卻憂心忡忡:她知道伊阿宋與魔女美狄亞有著剪不斷理還亂的關係,並擔心餘情未了的美狄亞會用盡方法阻止他們的婚禮。
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Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.
桑德拉.拉德娃諾夫斯基曾在大都會劇院演出多個強勢的女高音角色大受好評。她將在《美狄亞》中飾演一個不顧一切復仇的魔女。這套罕有上演的凱魯比尼傑作首次登上大都會歌劇院的舞台。男高音馬修.伯仁紮尼,飾演阿爾戈英雄、美狄亞的丈夫吉阿頌;女高音亞娜.布魯格飾演美狄亞的情敵格勞斯;男低音米歇爾.佩爾圖西飾演格勞斯的父親、科林斯國王克萊昂特;女中音葉卡捷琳娜.古巴諾娃,飾演美狄亞額密友妮莉絲。
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After Germont's visit, Violetta decides to leave Alfredo for the sake of his family. As she says her farewell to Alfredo, Violetta tells him that she will love him unconditionally.
跟傑爾蒙見面後,維奧妮決定為阿弗度的家庭著想而離開他。在與阿弗度告別之際,維奧妮告訴阿弗度她的愛意。
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Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centred lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium.
這部備受喜愛的威爾第悲劇由邁克爾.梅爾傾情執導製作,女高音納丁.塞拉主演被視為歌劇中的終極女主角之一,犧牲自我的交際花維奧妮;男高音斯蒂芬.科斯特羅飾演維奧妮的情人阿爾費雷多;男中音盧卡.薩爾西飾演反對這段關係的阿爾費雷多父親;達尼埃萊.卡勒加里擔任指揮。
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In the previous act, Medea has sent two poisoned wedding gifts to Glauce, Jason's fiancée. Now, Medea is preparing for her final plan of revenge......
在前一幕,美狄亞向吉阿頌的未婚妻格勞斯送上兩份沾上毒藥的禮物,並將她殺死。現在,美狄亞正準備她最後的復仇大計......
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Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.
桑德拉.拉德娃諾夫斯基曾在大都會劇院演出多個強勢的女高音角色大受好評。她將在《美狄亞》中飾演一個不顧一切復仇的魔女。這套罕有上演的凱魯比尼傑作首次登上大都會歌劇院的舞台。男高音馬修.伯仁紮尼,飾演阿爾戈英雄、美狄亞的丈夫吉阿頌;女高音亞娜.布魯格飾演美狄亞的情敵格勞斯;男低音米歇爾.佩爾圖西飾演格勞斯的父親、科林斯國王克萊昂特;女中音葉卡捷琳娜.古巴諾娃,飾演美狄亞額密友妮莉絲。
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“Amor ti vieta” is one of the most popular arias performed by tenors. In this video, listen to Piotr Beczała’s rendition of the aria.
In Act II, Fedora followed Count Loris, the suspected murderer of her husband Count Vladimir, to Paris, ready to avenge his death. When Loris arrives, he confesses his love to Fedora. As the story continues, the truth of Vladimir’s death is revealed and it is not what it seems…
「Amor ti vieta」是最受歡迎的男高音詠嘆調之一。在這段短片中,大家可以欣賞到Piotr Beczała傾情演出這首歌曲。
在第二幕,費朵拉跟隨懷疑殺死自己丈夫弗拉基米爾的兇手洛里斯來到巴黎,打算為丈夫報仇。當洛里斯現身時,他馬上對費朵拉訴說情意。隨著故事發展,弗拉基米爾之死亦水落石出,真相卻並非如費朵拉所想……
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Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidant, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
闊別25年後,翁貝托.喬爾達諾這部扣人心弦的歌劇終於再度回歸大都會歌劇院舞臺。《費朵拉》有不少觀眾耳熟能詳的旋律、大受歡迎的詠歎調、以及充滿火藥味的戲劇對抗,這次大都會歌劇院的新製作由強大的演員陣容攜手合作,將向觀眾呈現最精采的表演。主演女高音頌雅.詠切娃所飾演的19世紀俄國公主,與殺害自己未婚夫的兇手洛裡斯伯爵(男高音皮奧特.白查瓦飾演)墜入愛河。女高音羅莎.費奧拉飾演費朵拉的密友、女伯爵奧爾加。阿爾圖.盧辛斯基飾演外交官德.西裡克斯。馬克.阿米利亞托擔任指揮。導演大衛.麥克維卡設計的固定佈景獨具匠心,將劇中的三個截然不同的場景如俄羅斯套娃般一一向觀眾展現,包括聖彼德堡的宮殿,巴黎的時尚沙龍和瑞士阿爾比斯山間風景如畫的莊園,將舞臺戲劇張力細緻呈現。
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In Act I, Clarissa (Renée Fleming) is getting flowers for her best friend Richard’s party, who is dying of AIDS. As she turns around the corner, she realizes that is where she has ended her romantic relationship with Richard years ago. Looking back now, Clarissa regrets on how cruel and harsh she has been back then …
在第一幕裡,克拉麗莎為患有愛滋病並將不久於人世的好友理查舉辦派對。她外出買花時,在一個街角停了下來 ── 克拉麗莎想起好多年前,她就在這裡跟理查結束戀人關係。回想當年自己的口不擇言,克拉麗莎現在後悔莫及…
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Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
芮妮.弗萊明在萬眾期待中回歸大都會歌劇院的舞臺,參與歌劇《時時刻刻》的全球首演。這部歌劇是普利策獎得主作曲家凱文.普特的作品,改編自邁克爾.康寧翰所寫的著名同名小說。故事靈感源自吳爾芙的《黛洛維夫人》並曾改編成電影,由梅麗.史翠普、茱莉安.摩亞和妮可.基嫚主演,問鼎2002年奧斯卡。它講述了三位女性震撼人心的故事,她們分別來自不同時代,但都飽受自己的心魔和社會角色所困擾。這次令人震撼的首演星光熠熠:攜手飾演本劇的三位女主角包括凱麗.奧哈拉﹑喬伊絲.迪多納托與弗萊明。本劇由費利姆.麥德莫執導,大都會歌劇院音樂總監雅尼克.尼澤-塞甘指揮,詮釋普特渾厚有力的樂章。
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In Act I, Alfredo expresses his love for Violetta, hoping she will return his feelings. At first, Violetta rejects him, but eventually Alfredo’s passion makes her touched……
在第一幕裡,亞費雷多向自己心儀已久維奧妮盡訴愛意。起初維奧妮拒絕亞費雷多的表白,然而卻逐漸被他的真誠打動……
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Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centred lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium.
這部備受喜愛的威爾第悲劇由邁克爾.梅爾傾情執導製作,女高音納丁.塞拉主演被視為歌劇中的終極女主角之一,犧牲自我的交際花維奧妮;男高音斯蒂芬.科斯特羅飾演維奧妮的情人阿爾費雷多;男中音盧卡.薩爾西飾演反對這段關係的阿爾費雷多父親;達尼埃萊.卡勒加里擔任指揮。
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Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidant, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
闊別25年後,翁貝托.喬爾達諾這部扣人心弦的歌劇終於再度回歸大都會歌劇院舞臺。《費朵拉》有不少觀眾耳熟能詳的旋律、大受歡迎的詠歎調、以及充滿火藥味的戲劇對抗,這次大都會歌劇院的新製作由強大的演員陣容攜手合作,將向觀眾呈現最精采的表演。主演女高音頌雅.詠切娃所飾演的19世紀俄國公主,與殺害自己未婚夫的兇手洛裡斯伯爵(男高音皮奧特.白查瓦飾演)墜入愛河。女高音羅莎.費奧拉飾演費朵拉的密友、女伯爵奧爾加。阿爾圖.盧辛斯基飾演外交官德.西裡克斯。馬克.阿米利亞托擔任指揮。導演大衛.麥克維卡設計的固定佈景獨具匠心,將劇中的三個截然不同的場景如俄羅斯套娃般一一向觀眾展現,包括聖彼德堡的宮殿,巴黎的時尚沙龍和瑞士阿爾比斯山間風景如畫的莊園,將舞臺戲劇張力細緻呈現。
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Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
芮妮.弗萊明在萬眾期待中回歸大都會歌劇院的舞臺,參與歌劇《時時刻刻》的全球首演。這部歌劇是普利策獎得主作曲家凱文.普特的作品,改編自邁克爾.康寧翰所寫的著名同名小說。故事靈感源自吳爾芙的《黛洛維夫人》並曾改編成電影,由梅麗.史翠普、茱莉安.摩亞和妮可.基嫚主演,問鼎2002年奧斯卡。它講述了三位女性震撼人心的故事,她們分別來自不同時代,但都飽受自己的心魔和社會角色所困擾。這次令人震撼的首演星光熠熠:攜手飾演本劇的三位女主角包括凱麗.奧哈拉﹑喬伊絲.迪多納托與弗萊明。本劇由費利姆.麥德莫執導,大都會歌劇院音樂總監雅尼克.尼澤-塞甘指揮,詮釋普特渾厚有力的樂章。
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During Act I, Medea has arrived at Giasone’s and Glauce’s wedding ceremony, begging Giasone to return to her, but was rejected. Hurt and furious, Medea curses Giasone and swears vengeance on him…
在第一幕中,美狄亞在伊阿宋及格勞斯的婚禮上出現,懇求伊阿宋回到自己身邊,卻遭到伊阿宋狠狠拒絕。悲憤交加的美狄亞因此詛咒伊阿宋的絕情,並決定展開復仇大計…
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Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.
桑德拉.拉德娃諾夫斯基曾在大都會劇院演出多個強勢的女高音角色大受好評。她將在《美狄亞》中飾演一個不顧一切復仇的魔女。這套罕有上演的凱魯比尼傑作首次登上大都會歌劇院的舞台。男高音馬修.伯仁紮尼,飾演阿爾戈英雄、美狄亞的丈夫吉阿頌;女高音亞娜.布魯格飾演美狄亞的情敵格勞斯;男低音米歇爾.佩爾圖西飾演格勞斯的父親、科林斯國王克萊昂特;女中音葉卡捷琳娜.古巴諾娃,飾演美狄亞額密友妮莉絲。
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Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centred lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium.
這部備受喜愛的威爾第悲劇由邁克爾.梅爾傾情執導製作,女高音納丁.塞拉主演被視為歌劇中的終極女主角之一,犧牲自我的交際花維奧妮;男高音斯蒂芬.科斯特羅飾演維奧妮的情人阿爾費雷多;男中音盧卡.薩爾西飾演反對這段關係的阿爾費雷多父親;達尼埃萊.卡勒加里擔任指揮。
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Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.
桑德拉.拉德娃諾夫斯基曾在大都會劇院演出多個強勢的女高音角色大受好評。她將在《美狄亞》中飾演一個不顧一切復仇的魔女。這套罕有上演的凱魯比尼傑作首次登上大都會歌劇院的舞台。男高音馬修.伯仁紮尼,飾演阿爾戈英雄、美狄亞的丈夫吉阿頌;女高音亞娜.布魯格飾演美狄亞的情敵格勞斯;男低音米歇爾.佩爾圖西飾演格勞斯的父親、科林斯國王克萊昂特;女中音葉卡捷琳娜.古巴諾娃,飾演美狄亞額密友妮莉絲。
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在第二幕中,國王舉行了盛大的舞會並邀請全國美女出席,為王子挑選新娘。然而白馬王子卻悶悶不樂,對舞會毫無興趣,直到一位不知名的少女踏進大門……
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Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.
勞倫特.佩利 (Laurent Pelly) 以故事書的舞台設計演繹馬斯奈的《灰姑娘》,是2017-18季度的大熱作品,本劇採用了經全新英文翻譯的90分鐘精要版本,女中音伊莎貝爾.萊納德 (Isabel Leonard) 飾演飛上枝頭的公主。指揮家伊曼紐爾.維堯姆 (Emmanuel Villaume) 帶領令人賞心悅目的陣容:女中音艾蜜莉.迪安杰洛 (Emily D’Angelo) 飾演灰姑娘的白馬王子,女高音謝茜嘉.普拉特 (Jessica Pratt) 飾演仙子教母,加上女中音斯蒂芬妮.布萊斯 (Stephanie Blythe) 和低音男中音勞倫特.納歐里 (Laurent Naouri) 飾演總在爭吵的家長。
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The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin leads Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego. Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself.
奧菲斯試圖利用音樂的力量,從地府拯救自己的深愛的尤麗狄絲的古希臘神話故事,從最早期的歌劇開始已經成為作曲家的靈感泉源。由美國大都會歌劇院的委約的美國作曲家馬修.奧庫安 (Matthew Aucoin) 現將該傳統帶到廿一世紀,並以動人心弦的全新角度演繹這經典故事。歌劇劇本由莎拉.魯爾 (Sarah Ruhl) 撰寫,改編自她自己廣受好評的2003年的劇作,將家傳戶曉的故事以尤麗狄絲的角度重新塑造。雅尼克‧尼澤 - 塞甘 (Yannick Nézet-Séguin) 擔任指揮,帶出奧庫安令人回味的樂章,瑪麗辛默曼 (Mary Zimmerman) 負責迷人的舞台設計。女高音艾琳.莫爾利 (Erin Morley) 擔當女主角,男中音喬舒亞.霍普金斯 (Joshua Hopkins) 演出奧菲斯,而賈可伯.約瑟夫.奧林斯基 (Jakub Józef Orliński) 則飾演的奧菲絲的「另我」。低音男中音納森.伯格 (Nathan Berg) 飾演尤麗狄絲於地府的父親,而男高音巴利.班克斯 (Barry Banks) 飾演哈帝斯。
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Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie.
*Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.
曾獲格林美奬的爵士樂手兼作曲家泰倫斯.布蘭查德 (Terence Blanchard) 將查理斯.M.布洛 (Charles M. Blow) 的動人自傳改編成本劇,雅尼克.尼澤 - 塞甘 (Yannick Nézet-Séguin) 負責本劇的指揮。本劇2019 年在美國聖路易斯歌劇院舉行世界首演時已大獲好評,《紐約時報》稱讚此作「大膽嶄新且觸動人心」及「故事強而有力」。本劇是美國大都會歌劇院首次上演的黑人作曲家的歌劇作品,劇本出自電影製作人卡茜.萊蒙斯 (Kasi Lemmons) 手筆,故事內容辛酸而意味深長,講述年青人布洛克服人生創傷和苦難的過程。曾執導近期在美國大都會劇院上演的《波吉與貝絲》 (Porgy and Bess) 的詹姆斯.羅賓森 (James Robinson) 和卡蜜兒.A.布朗 (Camille A. Brown) 再度聯手,擔當本劇導演。男中音威爾.利弗曼 (Will Liverman) 飾演男主角查理斯,女高音安潔兒.布魯 (Angel Blue) 分飾命運/孤獨/格蕾塔三角,拉東婭.摩爾 (Latonia Moore) 飾演比莉。
*本劇涉及成人情節及不雅用語。
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Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie.
*Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.
曾獲格林美奬的爵士樂手兼作曲家泰倫斯.布蘭查德 (Terence Blanchard) 將查理斯.M.布洛 (Charles M. Blow) 的動人自傳改編成本劇,雅尼克.尼澤 - 塞甘 (Yannick Nézet-Séguin) 負責本劇的指揮。本劇2019 年在美國聖路易斯歌劇院舉行世界首演時已大獲好評,《紐約時報》稱讚此作「大膽嶄新且觸動人心」及「故事強而有力」。本劇是美國大都會歌劇院首次上演的黑人作曲家的歌劇作品,劇本出自電影製作人卡茜.萊蒙斯 (Kasi Lemmons) 手筆,故事內容辛酸而意味深長,講述年青人布洛克服人生創傷和苦難的過程。曾執導近期在美國大都會劇院上演的《波吉與貝絲》 (Porgy and Bess) 的詹姆斯.羅賓森 (James Robinson) 和卡蜜兒.A.布朗 (Camille A. Brown) 再度聯手,擔當本劇導演。男中音威爾.利弗曼 (Will Liverman) 飾演男主角查理斯,女高音安潔兒.布魯 (Angel Blue) 分飾命運/孤獨/格蕾塔三角,拉東婭.摩爾 (Latonia Moore) 飾演比莉。
*本劇涉及成人情節及不雅用語。
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An Associated Project of Le French May 2022
In Act IV, Princess Eboli, a friend of Elisabeth who has also fallen in love with Carlos, told the King that Elisabeth and Carlos were in a love affair, for revenge against Carlos for rejecting her. However, Eboli’s accusations have caused Elisabeth great distress and collapses, and she soon regrets her betrayal. Eboli curses her fatal beauty and swears to make amends by trying to save Carlos from prison.
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For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Yannick Nézet-Séguin leads a world-beating cast of opera’s leading lights in performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Jamie Barton as Eboli. Bass Eric Owens and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory.
威爾第筆下這個有關宮幃內禁忌之戀的史詩式歌劇,將有史以來首次在美國大都會歌劇院上演歌劇的原裝法語版本。歌劇以西班牙的宗教裁判時期為背景。雅尼克.尼澤─塞甘 (Yannick Nézet-Séguin) 帶領歌劇界中星光熠熠的頂級陣容出演:男高音馬修.布蘭札尼 (Matthew Polenzani) 飾演主角,女高音頌雅.詠切娃 (Sonya Yoncheva) 飾演伊莉莎白,以及女中音艾潔米.巴頓 (Jamie Barton) 演出艾伯莉。男低音埃里克.歐文斯 (Eric Owens) 與低音男中音約翰.雷利亞 (John Relyea) 分別飾演西班牙國王菲臘二世和大裁判官,男中音艾蒂安.廸普伊 (Étienne Dupuis) 飾演羅德里格。大衛.麥克維卡 (David McVicar) 為威爾第的傑作設計了氣度恢宏的新舞台。本劇的舞台設計是他在美國大都會歌劇院的第十一個作品,使他成為近年來美國大都會歌劇院中最多產且受歡迎的導演之一。
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In this excerpt, John Relyea performs the Gravedigger's Song, from the contemporary opera of Hamlet, put into music by Brett Dean.
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” This riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet’s father.
澳州作曲家布雷特.迪恩 (Brett Dean) 2017年在格林德伯恩音樂節世界首演其《哈姆雷特》時,英國《衛報》大讚「新作歌劇少有如此動聽的作品…莎士比亞的作品對大多作曲家都是一大挑戰,但是迪恩的《哈姆雷特》令人喜出望外。」首演導演尼爾.岩菲路 (Neil Armfield) 將他大獲好評的作品帶到美國大都會歌劇院的舞台。大部分原班人馬一同赴美,包括演出主角的男高音艾倫.克萊頓 (Allan Clayton) 。尼古拉斯.卡特 (Nicholas Carter )將首次登上美國大都會歌劇院指揮台,演出陣容還包括:女高音布蘭達.蕾 (Brenda Rae) 飾演奧菲莉亞,女中音莎拉.康諾利 (Sarah Connolly) 飾演葛楚特,男中音羅德.吉爾弗利 (Rod Gilfry) 飾演克勞狄斯,以及約翰.湯姆林森 (John Tomlinson) 飾演哈姆雷特父親的鬼魂。
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As Calaf (Yonghoon Lee) is determined to win Turandot's heart with his own life, he comforts Liu and asks her to take care of Timur if he dies.
Ukrainian soprano Liudmyla Monastyrska stars in the title role of the legendary cold-hearted princess —seen live in cinemas. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score.
烏克蘭女高音柳德買麥拉‧莫納斯特爾斯卡 (Liudmyla Monastyrska) 將飾演普契尼筆下的冷酷公主。男高音李勇勳 (Yonghoon Lee) 飾演勇敢的王子卡拉富,決心要奪得杜蘭朵的芳心,同場有女高音埃爾莫季拉.亞霍 (Ermonela Jaho) 飾演忠心的僕人柳兒,傳奇男低音費魯喬.富拉內托 (Ferruccio Furlanetto) 演出失明的帖木兒國王。馬可.阿米利亞托 (Marco Armiliato) 負責指揮普契尼激動人心的樂章。
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An Associated Project of Le French May 2022
In this excerpt, Carlos (Matthew Polenzani) has seen Elisabeth (Sonya Yoncheva) and has fallen in love with her. Originally he hides his identity, but soon reveals the truth to her and is delighted to find Elisabeth shares the same feelings with him. But soon, their relationship will have to end as the terms of their betrothal changes......
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For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Yannick Nézet-Séguin leads a world-beating cast of opera’s leading lights in performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Eric Owens and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory.
威爾第筆下這個有關宮幃內禁忌之戀的史詩式歌劇,將有史以來首次在美國大都會歌劇院上演歌劇的原裝法語版本。歌劇以西班牙的宗教裁判時期為背景。雅尼克.尼澤─塞甘 (Yannick Nézet-Séguin) 帶領歌劇界中星光熠熠的頂級陣容出演:男高音馬修.布蘭札尼 (Matthew Polenzani) 飾演主角,女高音頌雅.詠切娃 (Sonya Yoncheva) 飾演伊莉莎白,以及女中音艾麗娜.嘉蘭莎 (Elīna Garanča) 演出艾伯莉。男低音埃里克.歐文斯 (Eric Owens) 與低音男中音約翰.雷利亞 (John Relyea) 分別飾演西班牙國王菲臘二世和大裁判官,男中音艾蒂安.廸普伊 (Étienne Dupuis) 飾演羅德里格。大衛.麥克維卡 (David McVicar) 為威爾第的傑作設計了氣度恢宏的新舞台。本劇的舞台設計是他在美國大都會歌劇院的第十一個作品,使他成為近年來美國大都會歌劇院中最多產且受歡迎的導演之一。
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In this excerpt, Pimen comes to Boris and tells him a tale of a blind shepherd who hears a voice in his dreams. The story becomes a final blow to Boris, who is on the verge of insanity and declares he is dying.
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Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia, kicking off the Live in HD 2021-22 season. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself.
世界首屈一指的鮑里斯.戈杜諾夫演繹者——男低音勒內.帕普 (René Pape) 載譽重來,以其震懾人心的演出,刻劃出在無盡野心與病態妄想之間飽受折磨的沙皇,為2021-22季度的《美國大都會歌劇院高清系列》打響頭炮。指揮家塞巴斯蒂安.魏格利 (Sebastian Weigle) 負責指揮奉為俄羅斯殿堂級曲目之一的穆索斯基的傑作,展現1869年原作版本的風采。史提芬.華茲華斯 (Stephen Wadsworth) 感動人心的舞台製作深刻捕捉了俄羅斯人以至沙皇自身的希冀和苦難。
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Deeply believes that he has been betrayed by Lucia, Edgardo (Javier Camarena) is ready for his duel with Enrico and hope that it will end his life. Here he sings his final words.
Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
女高音娜丁.塞拉 (Nadine Sierra) 將領銜主演歌劇界最具挑戰性的角色之一 ——《拉美莫爾的露琪亞》中被逼瘋的女主角。令人耳目一新的舞台將由炙手可熱的澳洲戲劇和電影導演西蒙.史東 (Simon Stone) 全新設計,並由里卡爾多.弗利薩 (Riccardo Frizza) 負責指揮。歌藝超群的男高音哈維爾.卡馬雷納 (Javier Camarena) 演出露琪亞的戀人埃德加,為本劇的優美意色錦上添花。男中音阿圖爾.魯欽斯基 (Artur Ruciński) 飾演恩里科一角,而男低音馬修.羅斯 (Matthew Rose) 飾演露琪亞的老師雷蒙德。
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In this excerpt, the drunken vagrant Varlaam (Ryan Speedo Green) sings about Ivan the Terrible's siege of Kazan, not knowing his drunkenness will nearly get himself into trouble a few hours later...
Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia, kicking off the Live in HD 2021-22 season. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself.
世界首屈一指的鮑里斯.戈杜諾夫演繹者——男低音勒內.帕普 (René Pape) 載譽重來,以其震懾人心的演出,刻劃出在無盡野心與病態妄想之間飽受折磨的沙皇,為2021-22季度的《美國大都會歌劇院高清系列》打響頭炮。指揮家塞巴斯蒂安.魏格利 (Sebastian Weigle) 負責指揮奉為俄羅斯殿堂級曲目之一的穆索斯基的傑作,展現1869年原作版本的風采。史提芬.華茲華斯 (Stephen Wadsworth) 感動人心的舞台製作深刻捕捉了俄羅斯人以至沙皇自身的希冀和苦難。
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As Turandot (Liudmyla Monastyrska) sings about the three riddles Prince Calaf is to solve, the bloody past of the palace is being unfolded...
Ukrainian soprano Liudmyla Monastyrska stars in the title role of the legendary cold-hearted princess —seen live in cinemas. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score.
烏克蘭女高音柳德買麥拉‧莫納斯特爾斯卡 (Liudmyla Monastyrska) 將飾演普契尼筆下的冷酷公主。男高音李勇勳 (Yonghoon Lee) 飾演勇敢的王子卡拉富,決心要奪得杜蘭朵的芳心,同場有女高音埃爾莫季拉.亞霍 (Ermonela Jaho) 飾演忠心的僕人柳兒,傳奇男低音費魯喬.富拉內托 (Ferruccio Furlanetto) 演出失明的帖木兒國王。馬可.阿米利亞托 (Marco Armiliato) 負責指揮普契尼激動人心的樂章。
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Prince Hamlet felt disgusted as the nobility celebrates the new King Claudius walks in with his wife Gertrude, the widow of deceased King Hamlet. Deeply believes that Claudius is the murderer of his father, so as King Hamlet's ghost has told his son, Hamlet is ready to seek revenge...
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” This riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet’s father.
澳州作曲家布雷特.迪恩 (Brett Dean) 2017年在格林德伯恩音樂節世界首演其《哈姆雷特》時,英國《衛報》大讚「新作歌劇少有如此動聽的作品…莎士比亞的作品對大多作曲家都是一大挑戰,但是迪恩的《哈姆雷特》令人喜出望外。」首演導演尼爾.岩菲路 (Neil Armfield) 將他大獲好評的作品帶到美國大都會歌劇院的舞台。大部分原班人馬一同赴美,包括演出主角的男高音艾倫.克萊頓 (Allan Clayton) 。尼古拉斯.卡特 (Nicholas Carter )將首次登上美國大都會歌劇院指揮台,演出陣容還包括:女高音布蘭達.蕾 (Brenda Rae) 飾演奧菲莉亞,女中音莎拉.康諾利 (Sarah Connolly) 飾演葛楚特,男中音羅德.吉爾弗利 (Rod Gilfry) 飾演克勞狄斯,以及約翰.湯姆林森 (John Tomlinson) 飾演哈姆雷特父親的鬼魂。
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By the spot where Lucia (Nadine Sierra) meets Edgardo, she sings about seeing the ghost of a girl who was killed by her jealous lover...
Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
女高音娜丁.塞拉 (Nadine Sierra) 將領銜主演歌劇界最具挑戰性的角色之一 ——《拉美莫爾的露琪亞》中被逼瘋的女主角。令人耳目一新的舞台將由炙手可熱的澳洲戲劇和電影導演西蒙.史東 (Simon Stone) 全新設計,並由里卡爾多.弗利薩 (Riccardo Frizza) 負責指揮。歌藝超群的男高音哈維爾.卡馬雷納 (Javier Camarena) 演出露琪亞的戀人埃德加,為本劇的優美意色錦上添花。男中音阿圖爾.魯欽斯基 (Artur Ruciński) 飾演恩里科一角,而男低音馬修.羅斯 (Matthew Rose) 飾演露琪亞的老師雷蒙德。
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One of the famous scene from Hamlet is Ophelia's mad scene, when Ophelia gone mad after Hamlet kills her father. In this excerpt of the new operatic adaptation of Hamlet, composer Brett Dean brings this famous scene onto the stage.
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” This riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet’s father.
澳州作曲家布雷特.迪恩 (Brett Dean) 2017年在格林德伯恩音樂節世界首演其《哈姆雷特》時,英國《衛報》大讚「新作歌劇少有如此動聽的作品…莎士比亞的作品對大多作曲家都是一大挑戰,但是迪恩的《哈姆雷特》令人喜出望外。」首演導演尼爾.岩菲路 (Neil Armfield) 將他大獲好評的作品帶到美國大都會歌劇院的舞台。大部分原班人馬一同赴美,包括演出主角的男高音艾倫.克萊頓 (Allan Clayton) 。尼古拉斯.卡特 (Nicholas Carter )將首次登上美國大都會歌劇院指揮台,演出陣容還包括:女高音布蘭達.蕾 (Brenda Rae) 飾演奧菲莉亞,女中音莎拉.康諾利 (Sarah Connolly) 飾演葛楚特,男中音羅德.吉爾弗利 (Rod Gilfry) 飾演克勞狄斯,以及約翰.湯姆林森 (John Tomlinson) 飾演哈姆雷特父親的鬼魂。
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Looking back the past six years, Boris (René Pape) believes he has done his best for his country. But the people would not accept him, seeing him as the murderer of whoever dies within his reign, and in their eyes, his biggest sin is murdering Dimitri, the rightful heir of the throne...
Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia, kicking off the Live in HD 2021-22 season. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself.
世界首屈一指的鮑里斯.戈杜諾夫演繹者——男低音勒內.帕普 (René Pape) 載譽重來,以其震懾人心的演出,刻劃出在無盡野心與病態妄想之間飽受折磨的沙皇,為2021-22季度的《美國大都會歌劇院高清系列》打響頭炮。指揮家塞巴斯蒂安.魏格利 (Sebastian Weigle) 負責指揮奉為俄羅斯殿堂級曲目之一的穆索斯基的傑作,展現1869年原作版本的風采。史提芬.華茲華斯 (Stephen Wadsworth) 感動人心的舞台製作深刻捕捉了俄羅斯人以至沙皇自身的希冀和苦難。
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Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
女高音娜丁.塞拉 (Nadine Sierra) 將領銜主演歌劇界最具挑戰性的角色之一 ——《拉美莫爾的露琪亞》中被逼瘋的女主角。令人耳目一新的舞台將由炙手可熱的澳洲戲劇和電影導演西蒙.史東 (Simon Stone) 全新設計,並由里卡爾多.弗利薩 (Riccardo Frizza) 負責指揮。歌藝超群的男高音哈維爾.卡馬雷納 (Javier Camarena) 演出露琪亞的戀人埃德加,為本劇的優美意色錦上添花。男中音阿圖爾.魯欽斯基 (Artur Ruciński) 飾演恩里科一角,而男低音馬修.羅斯 (Matthew Rose) 飾演露琪亞的老師雷蒙德。
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When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” This riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet’s father.
澳州作曲家布雷特.迪恩 (Brett Dean) 2017年在格林德伯恩音樂節世界首演其《哈姆雷特》時,英國《衛報》大讚「新作歌劇少有如此動聽的作品…莎士比亞的作品對大多作曲家都是一大挑戰,但是迪恩的《哈姆雷特》令人喜出望外。」首演導演尼爾.岩菲路 (Neil Armfield) 將他大獲好評的作品帶到美國大都會歌劇院的舞台。大部分原班人馬一同赴美,包括演出主角的男高音艾倫.克萊頓 (Allan Clayton) 。尼古拉斯.卡特 (Nicholas Carter )將首次登上美國大都會歌劇院指揮台,演出陣容還包括:女高音布蘭達.蕾 (Brenda Rae) 飾演奧菲莉亞,女中音莎拉.康諾利 (Sarah Connolly) 飾演葛楚特,男中音羅德.吉爾弗利 (Rod Gilfry) 飾演克勞狄斯,以及約翰.湯姆林森 (John Tomlinson) 飾演哈姆雷特父親的鬼魂。
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In this excerpt, soprano Ermonela Jaho performs Liu's Act I aria "Signore ascolta!".
Ukrainian soprano Liudmyla Monastyrska stars in the title role of the legendary cold-hearted princess —seen live in cinemas. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score.
烏克蘭女高音柳德買麥拉‧莫納斯特爾斯卡 (Liudmyla Monastyrska) 將飾演普契尼筆下的冷酷公主。男高音李勇勳 (Yonghoon Lee) 飾演勇敢的王子卡拉富,決心要奪得杜蘭朵的芳心,同場有女高音埃爾莫季拉.亞霍 (Ermonela Jaho) 飾演忠心的僕人柳兒,傳奇男低音費魯喬.富拉內托 (Ferruccio Furlanetto) 演出失明的帖木兒國王。馬可.阿米利亞托 (Marco Armiliato) 負責指揮普契尼激動人心的樂章。


